In the Media, February 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

I’ve been a bit lax at compiling these while I’ve focused on my own work. It means this month’s is huge and I haven’t honed in on any topic in particular as the news moves so fast at that moment it feels like an impossible task. Back to fortnightly after this which hopefully will make it slightly easier to digest.

 

On or about books/writers/language:

• Helen Dunmore, ‘Facing mortality and what we leave behind‘ in The Guardian
• Rosalind Jana, ‘Making Space: A Brief History of Literary Salons, Past and Present‘ on Constellation
• George Saunders, ‘Grace Paley, the Saint of Seeing‘ in The New Yorker
• Peternelle van Arsdale, ‘How I Learned to Stop Worrying About the Market and Just Write‘ on Literary Hub
• Lauren Elkin, ‘Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London‘ on Longreads
• Varaidzo, ‘From school books to publishing, black girls deserve better representation‘ in the New Statesman
• Ruth Gilligan, ‘Write Like a Girl‘ on Read it Forward
• Francesca Simon, ‘Why I’m writing for World Book Day’ in The Guardian
• Lily Dunn and Zoe Gilbert, ‘We’re given only a handful of these kinds of friendships‘ on Something Rhymed
• Karolina Ramqvist, ‘Writer as Public Figure Vs. The Writer Who Actually Writes‘ on Literary Hub
• Catherine Mayer, ‘on Writing Attack of the Fifty Foot Women‘ on Waterstones Blog
• Yoojin Grace Wuertz, ‘Failure and Patience: Lessons from the Garden for Writers‘ on Literary Hub
• Claudia Roth Pierpoint, ‘Elizabeth Bishop’s Art of Losing‘ in The New Yorker
• Thomas Arnow, ‘Who was Harriette Arnow?‘ on the Penguin Blog
• Anjali Enjeti, ‘The Life and Legacy of Bharati Mukherjee‘ on Literary Hub
• Wei Ming Kam, ‘On the Carnegie, Bookshops and Melinda Lo’s Ash‘ on Gal-dem
• Kerry Clare, ‘Rereading Fear of Flying: On Not Being Pregnant in Mid-Air With Isadora Wing‘ in The Toronto Review of Books
• Susan Hill, ‘Can I be a serious writer, keeping such casual hours?’ in The Guardian
• Nell Zink, ‘Writing for Rejection, And reading Doris Lessing‘ on n+1
• Craig Hubert, ‘On the Many Film Adaptations of the “Unfilmable” Wuthering Heights‘ on Literary Hub
• Ilana Masad, ‘Queer children’s books have a long history that’s only now being told‘ in The Guardian
• Heather O’Neill, ‘Leaving It All on the Page‘ on The Walrus
• Cameron Glover, ‘A Soulful Novel and Me: On Zora Neale Hurston‘ on Catapult
• Maggie Harcourt, ‘Pages in Common‘ on Waterstones Blog
• Rebecca Traister, ‘Rereading The Handmaid’s Tale, One Month Into the Trump Era‘ in The Cut
• Julie Buntin, ‘On Making Things Up: Some True Stories About Writing My Novel‘ on Catapult
• Sarah Perry, ‘In praise of readability‘ in The TLS
• Joanna Cannon, ‘The Story Behind The Trouble with Goats and Sheep‘ on WHSmith Blog
• Lionel Shriver, ‘Dystopia in the next room‘ in The TLS
• Rafia Zakaria, ‘Carson McCullers at 100: a century of American suffering‘ in The Guardian
• Jo Hogan, ‘The Carnegie Medal: Time for a Review‘ on her blog
• Salamisha Tillet, ‘Free Is and Free Ain’t‘ on Public Books
• Morgan Jerkins, ‘The Forgotten Work of Jessie Redmond Fauset‘ in The New Yorker
• Emma Garman, ‘Trilby, the Novel That Gave Us ‘Svengali’‘ on Longreads
• Emily Cooke, ‘Pay to Play: A chronicle of wealth and class in the literary world‘ on Book Forum
• Aminatta Forna, ‘We must take back our stories and reverse the gaze‘ in The Guardian
• Sam Jones, ‘Retrieving an untold story: voices of Spanish female artists finally heard‘ in The Guardian
• Ulka Anjaria, ‘The Goddess of Loss‘ on Boston Review
• Dr. Florence Hazrat, ‘From The Taming of the Shrew to 10 Things I Hate About you: Taming Wild Women in European Culture‘ on Women Are Boring
• Laura Pritchett, ‘The Middle Ages‘ on Bloom
• Fiona Cummins, ‘How I went from Ms Showbiz reporting on celebrity parties to writing a chilling crime thriller‘ in the Daily Mirror
• Katy Waldman, ‘Is My Novel Offensive?‘ on Slate
• Tracy Chevalier, ‘There’s a febrile debate in Trump’s rustbelt. I want to be part of it‘ in The Guardian
• Sarah Ladipo Manyika, ‘What Virginia Woolf Forgot To Say‘ on Thrive Global
• Georgia Hunter, ‘We Were The Lucky Ones‘ on Waterstones Blog
• Rowan Hisayo Buchanan, ‘A Dyslexic’s Guide to Infinity‘ on The Rumpus
• Maria Russo, ‘Finding America, Both Red and Blue, in the ‘Little House’ Books‘ in The New York Times
• Miranda Emmerson, ‘Mixed-up thinking‘ on Bookanista
• Marta Bausells, ‘Warsan Shire and Beyoncé: Superheroes for Our Time‘ on Literary Hub
• Lisa Williamson, ‘Writing NON-romantic Love for Teens‘ on Foyles
• Alex Clark, ‘I’m no pussy when it comes to swearing‘ in The Guardian
• Rahawa Haile, ‘How Black Books Lit My Way Along The Appalachian Trail‘ on Buzzfeed
• Kate Mosse, ‘It’s never been more important to champion women’s voices‘ on The Pool
• Eva Dolan, ‘The Hierarchy of Victims in Crime Writing‘ on Foyles
• Roxane Gay, ‘The Full Text of ‘Bad Feminist’ Author Roxane Gay’s WI12 Speech‘ on Publishers Weekly
• Claire Fuller, ‘on the Isle of Purbeck, Dorset‘ on The Literary Sofa
• Scott Eposito, ‘Understanding America Through Marilynne Robinson‘ on Literary Hub
• Edwidge Danticat, ‘Poetry in a Time of Protest‘ in The New Yorker
• Laura Pritchett, ‘The Great West Has More Than One Story to Tell‘ on Literary Hub
• Sarah Churchwell, ‘‘It will be called Americanism’: the US writers who imagined a fascist future‘ in The Guardian
• Lucinda Rosenfeld, ‘What Was Chick Lit? A Brief History from the Inside‘ on Literary Hub
• Ela Bittencourt, ‘Poetry Thieves: Translating Hanna Krall and Ewa Lipska‘ on Words Without Borders

Personal essays/memoir:

• Rowan Hisayo Buchanan, ‘How Postcards from My Mother Helped Me Survive My Childhood‘ on Literary Hub
• Leah Carroll, ‘My Mother’s Murder‘ on The Cut
• Melissa Febos, ‘When Pursuing True Love Means Breaking Up With Your Best Friend‘ on Refinery29
• Catherine LaSota, ‘Changing Body, Changing Perceptions‘ on Catapult
• Anne Kniggendorf, ‘Gracie Allen and John Denver in Boot Camp‘ on Electric Literature
• Christine Hyung-Oak Lee, ‘Saving Chickens, Saving Myself‘ on Catapult
• Arianna Rebolini, ‘Learning to Cook After Relearning to Eat‘ on Catapult
• Gwen Werner, ‘Daddy Issues‘ on The Rumpus
• Clover Stroud, ‘Travelling alone as a woman was a way of owning my trauma‘ on The Pool
• Lynn Enright, ‘I don’t always know who I am – but that’s OK ‘ on The Pool
• Karen Brown, ‘From Imbibing Spirits to Spiritualist Mediums‘ on Literary Hub
• Erin Corber, ‘Vocabulary Lessons in Bucharest‘ on The Rumpus
• Elisa Gabbert ‘My Grandmother’s Little Room and the Unreality of Memory‘ on Pacific Standard
• Kaitlyn Greenidge, ‘Sacred Space: On visiting the National Museum of African American History and Culture, and facing the present‘ on Lenny
• Claire Handscombe, ‘Dance: On Ballet and Impossible Love‘ on Catapult
• Melissa Febos, ‘Reconciliation‘ on Lenny
• Sara Yasin, ‘Muslims Shouldn’t Have To Be “Good” To Be Granted Human Rights‘ on Buzzfeed
• Jowita Bydlowska, ‘Nobody Died‘ on Lenny
• Cass Cross, ‘The Men in My Office‘ on Catapult
• Sophie Warnes, ‘On the unbearableness of existence‘ on Medium
• Megan Margulis, ‘My Daughter’s Suburban Childhood Looks Nothing Like My Urban One‘ on The Cut
• Jessica Grose, ‘The Wait‘ on Lenny
• Marie Phillips, ‘One woman’s attempt to learn the language of love‘ on The Pool
• Allison Grimaldi-Donahue, ‘Translation Beyond Metaphor‘ on Electric Literature
• Sara Noviç, ‘When Good Christian Girls Need Planned Parenthood‘ on The Cut
• Rachel Klein, ‘Losing My Voice and Finding It‘ on Catapult
• Amna Saleem, ‘This Is What I Learned From My Father’s Depression‘ on Buzzfeed
• Lara Williams, ‘Talk to Me Baby‘ on Some Such Stories
• Eleanor Margolis, ‘From unnerving normality to toilet humour: the stages of my mum’s cancer diagnosis‘ in the New Statesman
• Rebecca Varkoe, ‘Let’s Talk About The Immense Privilege (And Struggle) Of Doing What You Love‘ on Junkee
• Patricia Lockwood, ‘A Childhood in the Pro-Life Movement‘ in The New Yorker
• Lorraine Berry, ‘Walking in Memphis‘ on Catapult
• Kathryn Schultz, ‘When Things Go Missing‘ in The New Yorker
• Irina Dumitrescu, ‘Swan, Late‘ on Longreads
• So Sad Today, ‘What if I Never Live My Best Life?‘ on Vice
• Lacy M. Johnson, ‘Trigger‘ in Guernica
• Candice Norwood, ‘When ‘Good Hair’ Hurts‘ in The Atlantic
• Lisa Mecham, ‘Under the Stars: Remaking a Family‘ on Catapult
• Christine Hyung-Oak Lee, ‘What It’s Like to Lose Your Short-Term Memory‘ on Longreads
• Andie Park, ‘Lessons‘ on Medium
• Laine Bruzek, ‘What Happens When Nothing Happens‘ on West Magazine
• Elle Nash, ‘Grief Lozenge‘ on The Fanzine
• Kim Schultz, ‘I fell in love with a refugee – here’s what I learned when the world didn’t love him too‘ on the New Statesman
• Rebecca Schuman, ‘Hello, Lenin? (Berlin, 1997)‘ on Longreads
• Alana Massey, ‘The Rotten, Precious Land‘ on Hazlitt
• Jonatha Kottler, ‘Fat in Every Language‘ in The Cut
• Alexandra Burt, ‘What Remains When Your First Language Fades Away‘ on Literary Hub
• Jen Gann, ‘I Love My Ugly Old Hands‘ on The Cut
• Melissa Febos, ‘Wunderkammer‘ in Vogue
• Bonnie Nadzam, ‘Experts in the Field‘ on Tin House
• Imbolo Mbue, ‘‘With every inch, the challenge multiplies’: me and my afro‘ in The Guardian
• Yemisi Aribisala, ‘People try to squeeze Nigerian food into an all-encompassing African label‘ in The Guardian
• Eileen Myles, ‘Aging Is Feminizing Me and I Hate It‘ in The Cut
• Stacey Dugid, ‘The skirt that gave me back my mojo‘ on The Pool
• Laurie Frankel, ‘When my son became my daughter, the transition was more routine than dramatic‘ in The Sydney Morning Herald
• Jaya Saxena, ‘Explaining My Multiracial Identity (So Others Don’t Do It For Me)‘ on Catapult
• Catherine LaSota, ‘Becoming an Artist and a Parent in NYC‘ on Catapult
• Cat Marnell, ‘How to Murder Your Life‘ on The Cut
• Kayla Rae Whitaker, ‘How I Learned To Date After Drinking‘ on Buzzfeed
• Jia Tolentino, ‘The Most American Thing‘ in The New Yorker
• Kuba Shand Baptiste, ‘It took me 17 years to fall in love with my black hair. Why?‘ on The Pool
• Eva Tenuto, ‘Feeling Unsafe at Every Size‘ on Longreads
• Lori Jakiela, ‘A Portrait of the Artist as a Bingo Worker‘ on Electric Literature
• Patricia Bosworth, ‘The Men in My Life‘ on Literary Hub
• Meghan Tear Plummer, ‘Real Life: My Sister, My Brother‘ in Glamour
• Tracy O’Neill, ‘A Scar Is Not a Story‘ on Catapult
• Laila Lalami, ‘Love and Betrayal in America‘ in The New Yorker

Feminism:

• Dayna Tortorici, ‘While the Iron Is Hot‘ in n+1
• Michelle Darmody, ‘From the heart: One woman’s experience of abortion‘ in the Irish Examiner
• Riyan Fergins, ‘Follow the Oil Trail and You’ll Find the Girls‘ on Longreads
• Anita Bhagwandas, ‘The true meaning of beauty is to celebrate our imperfections‘ on The Pool
• Tobi Oredin, ‘As a black woman, I’ve had to unlearn what beauty means to me‘ on The Pool
• Jennilie Brewster, ‘Frozen Ground: On Reporting a Statutory Rape Twenty Years Later‘ on Catapult
• Zoe Samudsi, ‘Remy, Nicki, And The White Feminist Optics Of Black Women’s Beefs‘ on Equality for Her
• Katie Booth, ‘People Mountain, People Sea‘ on Vela
• Deborah Orr, ‘Helen Bailey and the lethal darkness behind this ‘middle-aged woman’ myth‘ in The Guardian
• Carmen Maria Machado, ‘The Trash Heap Has Spoken‘ on Guernica
• E.J. Dickson, ‘Why Did Everyone Act Like I Was Crazy When I Decided to Have a Baby in My 20s?‘ in The Cut
• Jendella Benson, ‘Feminist love will save men too‘ on Media Diversified
• Eve Ensler, ‘Female Fighters Series Re-examines Women’s Rage Around the World‘ on Guernica
• Abbie, ‘It’s Time to Trash Body Positivity‘ on Bullshitist
• Nimmi Gowrinathan, ‘Of Monsters & Women‘ on Guernica
• Yas Necati, ‘As a queer woman I will be marching against Donald Trump this weekend – but for my disabled friends it won’t be that easy‘ in The Independent
• Jessica Valenti, ‘Calling pregnant women ‘hosts’? We’re in an anti-choice Republican dystopia‘ in The Guardian
• Suzanne Moore, ‘Women in public life are now being openly bullied. How has this become normal?‘ in The Guardian
• Jessa Crispin, ‘The Failures of Mainstream Feminism‘ on New Republic
• Sara Ahmed, ‘Smile!‘ on Feminist Killjoys
• Shannon Keating, ‘Can Lesbian Identity Survive The Gender Revolution?‘ on Buzzfeed
• Melissa Denes, ‘‘It’s always high drama. It’s somebody’s life at stake’: inside British rape trials‘ in The Guardian
• Megan Nolan, ‘If British abortion providers turn away Irish women, it will be catastrophic‘ in The Pool
• Glosswitch, ‘What Would Happen if the World’s Women Went on Strike?‘ in the New Statesman
• Andrea Penman-Lomeli, ‘Consuming la Malinche, Destroying the Myth‘ on The New Inquiry
• Jia Tolentino, ‘The Case Against Contemporary Feminism‘ in The New Yorker
• Nadine Ajaka, ‘The Casualties of Women’s War on Body Hair‘ in The Atlantic
• Amanda Hess, ‘How a Fractious Women’s Movement Came to Lead the Left‘ in The New York Times
• Naomi Alderman, ‘Utopian thinking: how to build a truly feminist society‘ in The Guardian
• Rebecca Traister, ‘The Future of the Left Is Female‘ in The Cut
• Sadie Hassler, ‘Three abortions‘ on Standard Issue
• Caroline O’Donoghue, ‘I may never be ready to stop saying “dude”‘ on The Pool

Society and Politics:

• Dana Snitzky, ‘The Ban, The Wall, Bearing Witness‘ on Longreads
• Hannah Black, ‘New World Disorder‘ on Art Forum
• Gaby Hinsliff, ‘The government can’t pledge support for mental illness – and then backtrack‘ on The Pool
• Elizabeth Weil, ‘The Curse of the Bahia Emerald‘ on Wired
• Claire Heuchan, ‘The parallels between Scottish nationalism and racism are clear‘ in The Guardian
• Tasbeeh Herwees, ‘Resistance In The Time Of Protest Selfies‘ on Good
• Teow Lim Goh, ‘On Borders and Citizens‘ on Catapult
• Gaby Hinsliff, ‘Labour can’t keep returning to its roots empty handed‘ in The Guardian
• Mehreen Kasana, ‘The Meaning of Allahu Akbar‘ on Hazlitt
• Rumana Ahmed, ‘I Was a Muslim in Trump’s White House‘ on The Atlantic
• Gabrielle Bellot, ‘M*lo Might Be Done, But His Transphobia Lingers‘ on Literary Hub
• Sarah Larson, ‘The Librarian of Congress and the Greatness of Humility‘ in The New Yorker
• Rachel Cusk, ‘The Age of Rudeness‘ in The New York Times
• Gaby Hinsliff, ‘We are overdosing on empathy‘ in The Guardian
• Arifa Akbar, ‘The value we place on romantic love can feel tyrannical – especially if you’re a single woman‘ on The Pool
• Suzanne Moore, ‘It’s liking, not loving, that’s the true challenge in relationships‘ on The Pool
• Diane Abbott, ‘I fought racism and misogyny to become an MP. The fight is getting harder‘ in The Guardian
• Elizabeth Day, ‘What does true love really look like?‘ on The Pool
• Ruth Whippman, ‘Authentic? Try being polite instead‘ in The Guardian
• Deborah Cohen, ‘Before Straight and Gay‘ on The Atlantic
• Lizzie Presser, ‘Below Deck‘ in The California Sunday Magazine
• Tari Ngangura, ‘How Black History Month Reminds Me How Exhausting It Is To Be Black‘ on Vice
• Caitlin L. Chandler, ‘The Other World‘ on Guernica
• Helen Haft, ‘Telling Memories‘ on Aeon
• Andrea Pitzer, ‘Trump Revives a Shameful Tradition: Targeting a Minority Group with Crime Reports‘ on Longreads
• Ijeoma Oluo, ‘White People: I Don’t Want You To Understand Me Better, I Want You To Understand Yourselves‘ on The Establishment
• Lois Parshley, ‘Here Be Dragons: Finding the Blank Spaces in a Well-Mapped World‘ on VQR
• Hina Shamsi, ‘Flying Home From Abroad, a Border Agent Stopped and Questioned Me … About My Work for the ACLU‘ on ACLU
• Tina Nguyen, ‘Trump Grill Could Be the Worst Restaurant in America‘ in Vanity Fair
• Tamara Winfrey Harris, ‘The Real Work of Being an Ally‘ on The Cut
• Nesrine Malik, ‘Suddenly, Muslims are America’s pariahs‘ in The Guardian
• Margaret Simons, ‘The Karen road to Nhill‘ on SBS
• Fariah Roísín, ‘What Makes a Border Be?‘ on Hazlitt

Film, Television, Music, Art, Fashion and Sport:

• Anna Leszkiewicz, ‘From Hannah Horvath to Rory Gilmore: the problem with women writers on TV‘ in the New Statesman
• Eva Holland, ‘Bird Man‘ on Longreads
• Lynn Enright, ‘Twentysomething women often win Best Actress. Men in their twenties basically never win Best Actor‘ on The Pool
• Brittney Cooper, ‘Why It’s Important to Recognize That “Moonlight” Was Robbed Of Its Moment‘ in Cosmopolitan
• Jia Tolentino, ‘The Awkward Politics of the Oscars‘ in The New Yorker
• Megan Garber, ‘Why Are They ‘Stars’?‘ on The Atlantic
• Jess Goldschmidt, ‘Against La La Land‘ on Guernica
• Ann Powers, ‘The Problem With The Grammys Is Not A Problem We Can Fix‘ on NPR
• Helen O’Hara, ‘TV is better placed to tell love stories than cinema – and its writers have finally realised that‘ on The Pool
• Frances Ryan, ‘I, Daniel Blake is a realistic depiction of life on benefits. Isn’t it?‘ in The Guardian
• Emma Gray, ‘What White Women Can Learn From Adele’s Grammys Speech‘ on the Huffington Post
• Anindita Ghose, ‘What John Berger would say about Beyoncé‘ on Live Mint
• Hadley Freeman, ‘Oh, how I loved you, Johnny Depp. Now I see the purple-tinted truth‘ in The Guardian
• Laura Craik, ‘Why do we judge Victoria Beckham by her husband?‘ on The Pool
• Micha Frazer-Carroll, ‘Why We Should Celebrate Beyoncé’s Pregnancy in the Era of Trump‘ on Gal-Dem
• Danielle Dash, ‘Beyonce, Black Joy & White Women‘ on her website
• Jennifer Keshin Armstrong, ‘The Mary Tyler Moore Show’s Feminist Struggle‘ on Longreads
• Dayna Evans, ‘Why Would a Woman Want to Play Football?‘ on The Cut
• Véronique Hyland, ‘Why Won’t We Let Madonna Age the Way She Wants To?‘ on The Cut

The interviews/profiles:

• Susan Hill in The Guardian
• Cara Hoffman on Broadly
• Rowan Hisayo Buchanan on Literary Hub
• Kate Zambreno on The Creative Independent
• Yoojin Grace Wuertz on Electric Literature
• Melissa Febos on Guernica
• Masha Gessen on The Millions
• Zeba Talkhani and Laura Waddell on Minor Literature[s]
• Patty Yumi Cottrell in the Los Angeles Review of Books
• Ayòbámi Adébáyò in The Guardian
• Claudia Rankine in The Financial Times
• Claire Fuller in The Chicago Review of Books
• Ethel Rohan on The Millions and on Bustle
• Yiyun Li in The Guardian, on Five Books
• Jane Wong and Aditi Machado on Literary Hub
• Roxane Gay on Brooklyn
• Emily Ruskovich on Electric Literature
• Roshi Fernando on Short Story Award
• Jess Phillips on The Debrief
• Morgan Parker in The Cut
• Liane Moriarty in The Guardian
• Dreda Say Mitchell on Greenacre Writers
• Sara Baume in The Guardian
• Ola Nubi on Ankara Press
• Shappi Khorsandi in The Guardian
• Heather O’Neill on The Millions
• Rachel Cusk in BOMB
• Nina LaCour on The Booklist Reader
• Emma Donoghue on Literary Hub
• Ayelet Waldman in California
• Alice Broadway on Foyles, in The Guardian
• Amanda Owen in The Guardian
• Chimamanda Ngozi Adichie in The Guardian
• Margaret Atwood in The Guardian
• Ali Smith in The New York Times
• Lara Pawson on Rhys Tranter
• Christine Hyung-Oak Lee on NPR
• Jade Sharma in The Rumpus
• Alana Massey on Hello Giggles, Hazlitt
• Khairani Barokka on Disability Arts
• Adrian Shirk on Catapult
• Katie Kitamura on Literary Hub
• Camille Pagán in the Huffington Post
• Adania Shiboli on Literary Hub
• Naomi Jackson on The Rumpus
• Katie Khan on In the Words of
• Kyo Maclear on Mcleans
• Kim Hyesoon on Guernica
• Jessica Valenti on The Rumpus
• Elif Shafak in The Guardian, on Foyles
• Erica Ferencik on Electric Literature
• Eimear McBride on Electric Literature
• Sandra Cisneros on Literary Hub
• Shanthi Sekaran on Bookanista
• Ottessa Moshfegh on Lenny

The regular columnists:

• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, June 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s impossible to begin with anything other than the Stanford rape case. The victim’s court statement was published on Buzzfeed and went viral. The piece, along with responses from Brock Turner’s father and friends, including a female friend who defended him, have prompted some impassioned and powerful pieces: Louise O’Neill wrote, ‘20 minutes is an awfully long time when you’re the one being raped‘ in the Irish Examiner; Estelle B. Freedman, ‘When Feminists Take On Judges Over Rape‘ in The New York Times; Sarah Lunnie, ‘Maybe the word “rapist” is a problem: The utility of nouns and verbs, or accepting who we are and what we do‘ on Salon; Adrienne LaFrance, ‘What Happens When People Stop Talking About the Stanford Rape Case?‘ on The Atlantic; Kim Saumell, ‘I was never raped but…‘ on Medium; Rebecca Makkai, ‘The Power and Limitations of Victim-Impact Statements‘ in The New Yorker; Roe McDermott, ‘He Said Nothing‘ on The Coven; Glosswitch, ‘Does the outrage over the Stanford rape case do anything to help victims?‘ in the New Statesman

The other big news this fortnight was Lisa McInerney’s debut novel, The Glorious Heresies, taking The Baileys Women’s Prize for Fiction 2016. Justine Jordan wrote, ‘Sweary Lady’s riot of invention is a well-deserved winner of the Baileys prize‘ in The Guardian. While McInerney wrote about her working day for The Guardian and shared a secret in ‘Bad Behaviourism‘ on Scottish Book Trust

There’s a new series on Literary Hub about women writers in translation. Written by a group of translators, each fortnight they’re looking at a country and the women writers from there yet to be translated into English. So far they’ve covered Germany, China and Italy. I’ve added it to the regulars at the bottom of the page.

And finally, the excellent Jendella Benson has a new column on Media Diversified. This week’s is ‘How to Raise a Champion‘ and I’ve also added her to the list of regulars at the bottom of the page.

The best of the rest:

On or about books/writers/language:

• Natasha Walter, ‘We’ve been expecting you, Ms Bond: why fiction needs more female spies‘ in The Guardian
• Barbara Donsky, ‘The Power of Nancy Drew‘ on Women Writers Women’s Books
• Kaulie Lewis, ‘Books I Wish I Wrote: On Writerly Jealousy‘ on The Millions
• Daisy Buchanan, ‘Sex, drugs and radical feminism. At 50, Valley Of The Dolls is as relevant as ever‘ on The Pool
• Tessa Hadley, ‘At Home in the Past‘ in The New Yorker
• Peggy Frew, ‘The closest Mum ever came to saying ‘I love you’ – Dad never even came close‘ in The Irish Times
• Joanna Walsh, ‘The N Word – Against the Novel‘ in The Irish Times
• M.J. Carter, ‘Who Were the Infidels‘ on For Winter Nights
• Lisa Dempster, ‘If you doubted there was gender bias in literature, this study proves you wrong‘ in The Guardian
• Rachael Acks, ‘An Open Letter to a Novel I Was Certain I’d Love (And Didn’t)‘ on BookRiot
• Teresa Preston, ‘Where Are All the Single Ladies in Fiction‘ on BookRiot
• Sarah Hepola, ‘What My Parents Really Think About My Memoir of Alcoholism‘ on Literary Hub
• Alix Hawley, ‘Angels of the North: On ‘Happy Valley’ and Anne Brontë‘ on The Millions
• Ainehi Edoro, ‘Beyoncé is not shining a light on African literature – it’s the other way round‘ in The Guardian
• Lionel Shriver’s ‘teenage diary: bad spelling and unreturned affections‘ in The Guardian
• Mo Moulton, ‘Dorothy L. Sayers, Marjorie Barber, and the Story of a Wartime Lemon‘ in The Toast
• Christina Patterson, ‘Memorising Poetry Is an Art of the Heart‘ in The Guardian
• Sarah Madison, ‘Dear Broke Reader: Your Sense of Entitlement is Killing Me‘ on her website
• Kelly Kanayama, ‘Even with “inclusive” Shakespeare, whiteness takes priority‘ on Media Diversified
• Rivka Galchen, ‘Where Is Luckily?‘ in The New Yorker
• Mylo Freeman, ‘Black girls can be princesses too, that’s why I wrote my books‘ in The Guardian
• Annie Liontas, ‘Inherit the Word‘ in The New York Times
• JoAnna Novak, ‘The Long Dash‘ on Catapult
• Lucie Whitehouse, ‘Why Strong Female Friendships Are So Important In Literature Today‘ in Bustle
• Kate Angus, ‘How to Tell the Future with Books‘ on Literary Hub
• Ellah Wakatama Allfrey, ‘Writers need new ways of talking about Africa’s past and present‘ in The Guardian
• Amber Sparks, ‘Let Us Now Praise Famous Short Story Writers (And Demand They Write a Novel)‘ on Electric Literature
• James Wallace Harris, ‘The Resurrection of Lady Dorothy Mills‘ on BookRiot
• Alison Flood, ‘Yale English students call for end of focus on white male writers‘ in The Guardian
• Anne Tyler, ‘Let’s face it, Shakespeare’s plots are terrible’ in The Guardian
• C.J. Flood, ‘Teen girls have a right to roam too‘ in The Guardian
• Michelle Dean, ‘In Between Daze‘ in The Awl
• Charlotte Eyre, ‘Crossan wins YA Book Prize 2016‘ in The Bookseller
• Tabitha Blankenbiller, ‘Girly Book Covers and Man Book Clubs‘ on Electric Literature
• Saengeeta Bandyopadhyay, ‘My God, so Much Sex?‘ on English Pen (translated by Arunava Sinha)
• Michelle Dean, ‘Read it and keep: is it time to reassess the ‘beach read’?‘ in The Guardian
• Sarra Manning, ‘I Love Books, Let Me Count The Ways…‘ in Red
• Katherine Wilson, ‘How Elena Ferrante made the neglected Naples a must-visit destination‘ on The Pool
• Jonathan Coe, ‘Enid Blyton? She gave me my sense of social justice‘ in The Guardian
• Sarah Hilary, ‘A Gift for Killing: Patricia Highsmith’s legacy for today’s crime writers‘ on Virago
• Esther Allen, ‘From the Translator: The Song Remains the Same?‘ on Words Without Borders
• Monica Tan, ‘Women and Melbourne writers dominate Miles Franklin 2016 shortlist‘ in The Guardian
• Amelia Gentleman, ‘The mystifying disappearance of children’s author Helen Bailey‘ in The Guardian
• Rachel Buchanan, ‘How Shakespeare shaped Greer’s feminist masterpiece‘ on ABC
• Ursula K. LeGuin, ‘Up the Amazon with the BS Machine‘ on Book View Cafe
• Emily Carr, ‘Finding Poems in My Own Labyrinth‘ on Literary Hub
• Gretchen Gerzina, ‘“True Love”: The Victorian (re)discovery that transformed our understanding of black women’s literature‘ on Salon

Personal essays/memoir:

• Melynda Fuller, ‘Rapture of the Deep‘ on The Rumpus
• Claire Hoffman, ‘Growing Up in Meditationland‘ in The Cut
• Tanwi Nandini Islam, ‘How Failure Became My New Beginning‘ in Elle
• Maya Binyam, ‘That Place Becomes a Wound‘ on The Hairpin
• Stephanie Danler, ‘On Losing Something Precious‘ on Literary Hub
• Marina Benjamin, ‘My Daughter, Myself‘ on Aeon
• Rebecca Worby, ‘Expanding the Story‘ in Guernica
• Cathy Day, ‘They Found a Meth Lab in Cole Porter’s Childhood Home‘ on Literary Hub
• Bryony Gordon, ‘How my relationships with men were affected by my mental illness‘ on The Pool
• Allison Moorer, ‘Below The Belt‘ on Guernica
• Rina Caballar, ‘How to Make Polvoron: Growing Up With a Mother Overseas‘ in The Toast
• Soniah Kamal, ‘The Reluctant Writer‘ on Catapult
• Stephanie Wittels Wachs, ‘How to Reinvent Yourself‘ on Medium
• Elisa Gabbert, ‘Time, Money, Happiness‘ on The Smart Set
• Gillian B. White, ‘Muhammad Ali and the Importance of Identity‘ on The Atlantic
• Erin Williams, ‘Before I Was A Mother, I Was A Drunk‘ on Buzzfeed
• Sarah Sweeney, ‘Some Girls‘ on Catapult
• Nicole Walker, ‘DNA‘ on The Rumpus
• Rufi Thorpe, ‘The Plus Side to Marrying a Total Stranger‘ on Female First
• Ulrika Campbell, ‘My Mother Told Me I Should Get Breast Implants When I Was 14‘ on XOJane
• Bridget Minamore, ‘The simple joy shared by two women on the road‘ on The Pool
• Marie Phillips, ‘Can you ever truly feel at home in a country you weren’t born in?‘ on The Pool
• Francine Prose, ‘Enthralled by Sicily, Again‘ in The New York Times
• Jane Demuth, ‘This Is to Mother You: On Caring for a Toxic Parent in Her Greatest Time of Need‘ on Longreads

Feminism:

• Marina Benjamin, ‘The ‘middlepause’: what no one tells you about turning 50‘ in The Telegraph
• Alexandra Heminsley, ‘Why BodyForm’s new ad is a game changer‘ on The Pool
• Megan Garber, ‘When Newsweek ‘Struck Terror in the Hearts of Single Women’‘ on The Atlantic
• Robyn Wilder, ‘Finding your place in the mummy-cliques‘ on The Pool
• Helen Phillips, ‘Escaping the Self-Critical Eye for the Sake of My Daughter‘ on Literary Hub
• Holly Brockwell, ‘“There’s not a shadow of regret”: one woman’s diary of her struggle to become voluntarily infertile aged 30‘ in Stylist
• Jessica Valenti, ‘My life as a ‘sex object’‘ in The Guardian
• Orbala, ‘On Conditional Love in Patriarchies and Death to Patriarchy‘ on Freedom from the Forbidden
• Claire Heuchan, ‘Your Silence Will Not Protect You: Racism in the Feminist Movement‘ on Sister Outrider
• Ann Friedman, ‘Pop Feminism Doesn’t Mean the End of the Movement‘ in The Cut
• Caroline Criado-Perez, ‘When it comes to online abuse, we need to see a fuller picture‘ on The Pool
• Dawn Foster, ‘If I ever see you in the street, I hope you get shot’ on The London Review of Books
• Una Mullally, ‘Shifting Ground‘ in Granta
• Hadley Hall Meares, ‘The invention of the paper bag was a triumph of feminism‘ on Aeon

Society and Politics:

• Alana Massey, ‘Your Parents’ Romantic Lives Don’t Have to Determine Your Own‘ in The Cut
• Sonia Smith, ‘Unfriendly Climate‘ in Texas Monthly
• Nikole Hannah-Jones, ‘Choosing a School for My Daughter in a Segregated City‘ in The New York Times Magazine
• Ijeoma Oluo, ‘The Brown, Queer, And Poor Are Not The Ones Holding The Left Back‘ in The Establishment
• Mary Milz, ‘Blindsided: A Dream Engagement Turned Nightmare‘ in Indianapolis Monthly
• Alex Mar, ‘What Ever Happened to “The Most Liberated Woman in America”?‘ on Longreads
• Andrea Nguyen, ‘The History of Pho‘ on Lucky Peach
• Ella Risbridger, ‘If I am your “carer”, can I also be your girlfriend, mother or daughter?‘on The Pool
• Kathleen McAuliffe, ‘Disgust Made Us Human‘ on Aeon
• Sarah Hughes, ‘Sexuality today: how we embarked on a new age of freedom and tolerance‘ in The Guardian
• Kathryn Schultz, ‘Citizen Khan‘ in The New Yorker
• Ashley Powers, ‘The Man in the Woods‘ in the California Sunday Magazine
• Lynn Enright, ‘Negotiating the etiquette of love in the airport‘ on The Pool
• Rhiannon Lucy Cosslett, ‘The disastrous message sexism in the Labour party is giving young women voters‘ on The Pool
• Jacinda Townsend, ‘Heteronormativity and the Single Mother‘ in The White Review
• Glosswitch, ‘To ignore someone’s educational background isn’t “fair play” – it perpetuates inequality‘ in the New Statesman
• Olga Khazan, ‘Not White, Not Rich, and Seeking Therapy‘ in The Atlantic
• Rebecca Traister, ‘Hillary Clinton vs. Herself‘ in New York Magazine

Film, Television, Music, Art, Fashion and Sport:

• Eleanor Margolis, ‘Why, after years of gay-free cartoons, I can’t get excited about Finding Dory’s lesbian couple‘ on the New Statesman
• Chitra Ramaswamy, ‘Why we need more gay characters on screen‘ on The Pool
• Kristen Lopez, ‘How the Weepy Fantasy ‘Me Before You’ Infantilizes the Disabled‘ on Flavorwire
• Harriet Hall, ‘Watch author Jojo Moyes respond to controversy over the portrayal of disability in Me Before You‘ in Stylist
• Clover Hope, ‘How White Are the Women’s Magazine Covers of 2016 so Far?‘ on Jezebel
• Kat George, ‘Why Missy Elliott’s feminist legacy is criminally underrated‘ on Dazed
• Désirée Wariaro, ‘Beyoncé and Resistance‘ on Media Diversified

The interviews/profiles:

• Cynthia D’Aprix Sweeney in The New York Times
• Annie Proulx in The Telegraph, The Guardian and The Wall Street Journal
• Marilynne Robinson on BookRiot
• Nina Stibbe in Red
• Mary Roach in The New York Times
• Christina MacSweeney on Words Without Borders
• Sarah Hepola on Salon
• Rebecca Schiff on The Rumpus
• Stephanie Danler on Literary Hub
• Jessica Valenti on BookRiot and The Pool
• Lynne Kutsukake on Bloom
• Sarah Gerard on The Huffington Post
• Rita Mae Brown on Broadly
• Lydia Millet and Jenny Offill on Slate
• Nell Dunn on The F Word
• Sarah Perry on The History Girls and Five Books
• Yaa Gyasi on NPR
• Lynn Steger Strong on The Rumpus
• Eleanor Wasserberg on Waterstones
• Sylvia Patterson in The Guardian
• Laura Lippman on The Los Angeles Review of Books
• Patricia Engel on Electric Literature
• Hanya Yanagihara on Waterstones and The Bookseller
• Leila Aboulala (and Elnathan John) on Literary Hub
• Emma Jane Unsworth and Rachel B. Glaser on Granta
• Emma Straub on BookRiot and Electric Literature
• Kathleen Alcott in The Guardian
• Julie Myerson on Bookanista
• Emma Cline on The Bookseller
• Weina Dai Randel on History from a Woman’s Perspective
• Joanna Walsh in The Honest Ulsterman
• Helen MacKinven on Christina Banach’s website
• Charlotte Hobson in the Financial Times
• Rebecca Perry in The Honest Ulsterman
• Kimberle Crenshaw in The Guardian
• Alice Walker on Salon

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

Book Lists for All Humans #3

Today’s list comes in reaction to this list on Publishers Weekly: The 10 Funniest Books, only two of which are written but women and none by writers of colour. Note to us all: only  white men are funny.

Or not. I’m struggling a little with this one as funny isn’t my go-to so please add your suggestions, especially books by women of colour from beyond the UK and USA.

Animals – Emma Jane Unsworth
friends, booze, debauchery

What Looks Like Crazy on an Ordinary Day – Pearl Cleage
HIV, religion, love

Love, Nina – Nina Stibbe
nannying, working class nanny meets the literati

Is Everyone Hanging Out with Me? – Mindy Kaling
memoir

Crooked Heart – Lissa Evans
war, evacuees, survival

Mr Loverman – Bernadine Evaristo
homosexuality, London, family, Caribbean

The Table of Less Valued Knights – Marie Phillips
quests, feminism, sexuality

Not a Self-Help Book: The Misadventures of Marty Wu – Yi Shun Lai
dating, mothers, following your dreams

Yes, Please – Amy Poehler
memoir, feminism

Sofia Khan Is Not Obliged – Ayisha Malik
hijabs, dating, writing

Links are to my reviews

In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

The best of the rest:

On or about books/writers/language:

• Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
• Hilary Mantel, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
• Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
• Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
• Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
• Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
• Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
• Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
• Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
• Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
• Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
• Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘  on Literary Hub
• Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
• Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
• Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
• Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
• Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
• Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
• Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
• Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
• Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
• Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
• Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
• Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
• Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
• Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
• Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
• Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
• Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
• Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
• Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
• Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
• Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
• John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
• Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian

Personal essays/memoir:

• Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
• Marina Lucic, ‘Lessons on Hate‘ in Litro
• Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
• Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
• Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
• Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
• Faith Adiele, ‘All of the Above‘ on The Rumpus
• Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
• Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
• Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
• Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
• Clare Archibald, ‘Congealed‘ on The Real Story
• Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
• Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
• Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
• Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
• Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
• Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
• Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut

Feminism:

• Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
• Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
• Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
• Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
• Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
• Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
• Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
• Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
• Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
• Melissa Gira Grant, ‘Heather‘ on Buzzed
• Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool

Society and Politics:

• Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
• Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
• Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
• Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
• Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
• Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
• Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
• Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
• Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
• Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
• Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph

Film, Television, Music, Art, Fashion and Sport:

• Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
• Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
• Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
• Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool

The interviews/profiles:

• Lisa Owens in The Bookseller
• Robin Black & Natalie Serber on Bloom
• Maggie Nelson in The Guardian
• Michelle de Kretser in Vol. 1 Brooklyn
• Brit Bennett on Jezebel
• Danielle Dutton in Brooklyn Magazine
• Idra Novey on The Rumpus
• Helen Garner in the Sydney Morning Herald
• Yvette Edwards on the Waterstones’ Blog
• Lynsey Hanley in The Guardian
• Elif Batuman on Literary Hub
• Rachel Traister on The Pool
• Sara Sheridan on From First Page to Last
• Janet Todd in Shiny New Books
• Sharon Guskin in Shiny New Books
• Karen Kovacik on Guernica
• Caitlin and Caz Moran on The Pool
• Maylis de Kerangal in BOMB
• Sophia Bennett in The Guardian
• Cynthia D’Aprix Sweeney on Literary Hub
• Danielle McLaughlin on Short Fiction
• Jenny Downham on The Bookseller

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media: March 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

The Bailey’s Women’s Prize for Fiction longlist was announced this fortnight. While former winner, Lionel Shriver declared ‘Women’s literary prizes are ‘problematic’‘.

And the Wellcome Book Prize announced their shortlist with four (out of six) female writers on it, as did the YA Book Prize with eight women writers on its ten book shortlist.

Elena Ferrante is hot news in the literary world once again after Corriere della Sera published an article in which Marco Santagata claimed to know her identity. Rachel Donadio wrote, ‘Who Is Elena Ferrante? An Educated Guess Causes a Stir‘ in The New York Times; Jonathan Sturgeon said, ‘We Already Know the Identity of Elena Ferrante‘ on Flavorwire; Lincoln Michel asked, ‘Why Do We Care Who the “Real” Elena Ferrante Is?‘ on Electric Literature; Stassa Edwards asked, ‘What’s Really Behind Our Obsession Over Unmasking Elena Ferrante?‘ on Jezebel; John Dugdale wrote, ‘Will Elena Ferrante outlast Louisa May Alcott’s secret alter ego?‘ in The Guardian, and Jessica Roy declared, ‘Leave Elena Ferrante Alone‘ in The Cut.

Anita Brookner died. Rebecca Hawkes wrote her obituary while Linda Grant wrote, ‘Why Anita Brookner’s funny, sharp novels got under your skin‘ both in The Telegraph.

The best of the rest:

On or about books/writers/language:

• Kevin McKenna, ‘Jackie Kay: Scotland’s poet of the people‘ in The Observer
• Elissa Washuta, ‘They Just Dig: On Writing, Coal Mining and Fear‘ on Literary Hub
• Louise Beech, ‘On Life Writing‘ on Women Writers, Women’s Books
• Rachel Kessler, ‘When the Apocalypse Is Your Religion‘ on Literary Hub
• Michelle Dean, ‘Why You Should Watch the New Nora Ephron Documentary‘ on Literary Hub
• Laura June, ‘Charlotte Brontë and her Best Friend’s Broken Promise‘ on Jezebel
• Meaghan O’Connell, ‘The Patronizing Questions We Ask Women Who Write‘ in The Cut
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• M Lynx Qualey, ‘In the Race for Literary Prizes, Is Gender Parity Possible?‘ in The National
• Fiona Noble, ‘YA and children’s books deserve to be judged separately‘ in The Bookseller
• Mimi Wong, ‘Slut Lit & Dismantling “The Fallen Woman”‘ on The Offing
• Boris Kachka, ‘A First-Time Novelist’s 7-Figure Midlife Breakthrough‘ on Vulture
• Claire Armistead, ‘Happiness to mindfulness, via wellbeing: how publishing trends grow‘ in The Guardian
• Jerome Charyn, ‘A Loaded Gun: The Real Emily Dickinson‘ on Longreads
• Belinda McKeon, ‘Dipping the Pen Nib Into Tragedy‘ on Catapult
• Emily Foster, ‘The Monster in the Mirror: On Horror, Disability, and Loving Both at Once‘ on Tor.Com
• Ilana Masad, ‘The First Unappreciated Woman Writer‘ on Broadly
• Sarah Blake, ‘Men Explain Submissions to Me‘ on The Rumpus

• Rosalie Knecht, ‘This Writer: On Social Work and Fiction‘ on Literary Hub
• Doris Grumbach, ‘A Life in Letters: From the New Republic to Iowa to Knopf‘ on Literary Hub
• Elizabeth Zaleski, ‘Other Writers’ Mothers: Some Reflections on Representing Family‘ on Vida
• Tracy Chevalier, ‘Past President of the Laura Ingalls Wilder Club‘ on Literary Hub
• Sara Nović ‘Sign of the Times‘ in Guernica
• Maddie Crum ‘Unhappily Ever After: How Women Became Seen Not Heard in Our Favourite Fairy Tales‘ on the Huffington Post
• Corrine Duyvis, ‘Fiction, like life, tells disabled people their lives have less value‘ in The Guardian
• Lisa McInerney, ‘Write what you know? Know what you write? I’d rather wing it, thanks‘ in The Irish Times
• Julia Pierpoint, ‘Topography of a novel: on how she wrote Among the Ten Thousand Things‘ in The Guardian
• Valerie Grove, ‘Margaret Forster: A northern lass in NW5‘ in The New Statesman
• Margaret Drabble, ‘My Hero: Elena Ferrante‘ in The Guardian
• Deborah Smith, ‘Only wilful disregard can hide the need to publish more women‘ in The Guardian
• Elisa Gabbert, ‘Can Ideas Withstand Shifts in Language?‘ in Guernica
• Pico Iyer, ‘On Annie Dillard‘ on Literary Hub
• Katy Derbyshire, ‘Translated fiction by women must stop being a minority in a minority‘ in The Guardian
• Summer Brennan, ‘The Things We Do to Promote the Books We Write‘ on Literary Hub
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Caroline Criado Perez, ‘“Publishing is a women’s world”: Gender inequality in the writing industry‘ on Scottish Pen
• Christina Wodtke, ‘It’s Not Easy Being She‘ on Medium
• Anne Boyd Rioux, ‘Constance Fenimore Woolson: The Forgotten Author Who Inspired Henry James‘ on The Daily Beast

Personal essays/memoir:

• Julienne Grey, ‘What We Remember: One Small Act Replaces the Rest‘ on Electric Literature
• Jess E. Jellsma, ‘Frigid‘ on The Rumpus
• Alison Motluk, ‘A Journey to the Medical Netherworld‘ On Hazlitt
• Kathleen Hale, ‘Surviving the Love Bomb‘ on Hazlitt
• Janice Lee, ‘I Can’t Go On / I’ll Go On‘ on Berfrois
• Kaitlyn Greenidge, ‘I Found My Father’s Eulogy In Junk Food‘ on Buzzfeed
• Alana Massey, ‘First the Breakup. Then the Screenshots.‘ in The Cut
• Anakana Schofield, ‘Bold, Open-Minded and Entrepreneurial‘ on the LRB Blog
• Chelsea G. Summers, ‘The Half Dad‘ on Catapult
• Sarah Menkedick, ‘One Afternoon in Texas‘ on Vela
• Arial Gore, ‘Blood-Red Bougainvillea‘ on The Rumpus
• Ann Patchett, ‘That Family Party Everyone Hated? It Was Mine.‘ in The New York Times
• Jessica Silvester, ‘On an Italian Island, How He Met My Mother‘ in The New York Times
• Jasmine Sanders, ‘Mama‘ on Catapult
• Michelle Levitt, ‘Buckle and Sway‘ on Catapult
• Sarah Menkedick, ‘Everyday Geography‘ on Vela
• Naomi Gordon-Loeb, ‘Even Lumberjacks Deserve Lotion: Gender in the Locker Room‘ on The Toast

Feminism:

• Helen Walmsley-Johnson, ‘How we think about women and shame‘ in The New Statesman
• Sarah Ditum, ‘A Woman’s Body Is Not a Disgrace‘ in The New Statesman
• Marie Phillips, ‘What would the world look like if men took the pill?‘ in The Pool
• Caitlin Moran,“You were not born scared and self-loathing” in Stylist
• Em LaFave Olson, ‘Why I’m Returning to My Maiden Name‘ on Medium
• Caitlin Moran, ‘I’m sticking my neck out‘ on Adelaide Now
• Rachel Pashley, ‘We’ve placed motherhood on such a high pedestal we’ve forgotten the huge pros of being a child-free woman‘ in The Independent
• Fiammata Rocco, ‘Fiction at its Finest‘ in The Bookseller
• Emer O’Toole, ‘Three ways for feminists to cope with the abuse we face‘ in The Irish Times

Society and Politics:

• Eternity Martis, ‘What It Was Like to Grow Up Fat‘ on Vice
• Olga Khazan, ‘Lean In to Crying at Work‘ in The Cut
• Katy Derbyshire, ‘Berlin, It’s Not Sex All the Time‘ on Literary Hub
• Alena Gradon, ‘Distant Brains‘ in Guernica
• Rukmini Callimachi, ‘To Maintain Supply of Sex Slaves, ISIS Pushes Birth Control‘ in The New York Times
• Chimamanda Adichie. ‘Why can’t he just be like everyone else?‘ on The Scoop
• Erin Allday, ‘Last Men Standing‘ in the San Francisco Chronicle
• Suki Kim, ‘Mr. Rubio’s Neighbourhood‘ in New Republic
• Amena Ziard, ‘There’s More to Saudi Arabia than the Ban on Women Driving‘ on Media Diversified

Film, Television, Music, Art, Fashion and Sport:

• Elizabeth Day, ‘Happy Valley: female solidarity is stronger than male exploitation‘ on The Pool
• Sara Baume, ‘How to Understand America, One Pattern at a Time‘ on Literary Hub
• Sonia Saraiya, ‘“The Bachelor” is still for white people: A sour fairy tale, fed to millions, that keeps prizing whiteness above all‘ on Salon
• Rosalind Jana, ‘Mark My Words: The Subversive History of Women Using Thread as Ink‘ on Broadly
• Emma Dabiri, ‘Why Zoe Saldana was the wrong black woman to play Nina Simone‘ in The Telegraph

The interviews:

• L.S. Hilton on The Debrief and The Pool
• Deborah Levy in The Guardian
• Cynthia Cruz in Maenad Magazine
• Gillian Slovo in The Independent
• Helen Macdonald in The Washington Post
• Lauren Groff on Longreads
• Rachel Kushner, Rivka Galchen (& Hari Kunzru) on Electric Literature
• Dana Spiotta on Electric Literature
• Morgan Jerkins on BlacQurl
• Joanna Walsh in The Gloss
• Sunny Singh in The TES
• Carol Lovekin on The Writes of Woman
• Sarayu Srivatsa on The Writes of Woman
• Antonia Honeywell on The Writes of Woman
• Sarah Howe in Neue Journal
• Danielle Dutton in The LA Times, in Bomb Magazine and 3am Magazine
• Melissa Broder in Elle
• Anna Moschovakis on Flavorwire
• Jessa Crispin on The Rumpus
• Samantha Hunt on Literary Hub
• Annie Proulx in The New Yorker
• Malorie Blackman in The Bookseller
• Victoria Aveyard in The Guardian
• Mary Oliver on Oprah
• Brooke Magnanti in The Guardian
• Meghan Daum on The Rumpus
• Cressida Cowell, Laura Dockrill (and Philip Ardagh) in The Guardian
• Melissa Harrison in The Herald
• Anne Boyd Rioux on History in the Margins
• Ottessa Moshfegh on Penguin
• Helen Oyeyemi on Broadly
• Annie Dillard on Literary Hub
• Joanna Cannon in Standard Issue
• L.A. Weatherly in The Guardian
• Anjali Joseph on The Asian Writer
• Cassandra Clare in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media, February 2016, part two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

The best of the rest:

On or about books/writers/language:

• Janet Ellis,‘I submitted my book under a pseudonym’ in The Telegraph
• Sarah Pinborough, ‘“The first outline was way more weird than the final novel” – on writing 13 Minutes‘ on One Book Lane
• Katherine Clements, ‘The Real Wicked Lady‘ on The History Girls
• Elen Caldecott, ‘Children’s books: a middle class ghetto?‘ in The Guardian
• Grady Hendrix, ‘Beloved: The Best Horror Novel the Horror Genre Has Never Claimed‘ on Tor.Com
• Laura Malonee, ‘The Subversive Women Who Self-Publish Novels Amid Jihadist War‘ on Wired
• Cathy Retzenbrink, ‘Lucy Kalanithi, a mourning wife on her husband’s brilliant legacy‘ on The Pool
• Susan Burton, ‘The Quietly Subversive Fictions of Dana Spiotta‘ in The New York Times
• Lisa Levy, ‘The Fine Grim Line Between Love and Stalking: On the Crime Fiction of Caroline Kepnes‘ on Literary Hub
• AFP, ‘Love, Rage, Silence: Secret Lives of Afghanistan’s Female Poets‘ in The Express Tribune
• Belinda McKeon, ‘The Night that Sylvia Plath Met Ted Hughes‘ on Literary Hub
• Edan Lepucki, ‘The Anxiety of Influence: Children’s Books and Their Grown-Up Counterparts‘ on The Millions
• Emily Harnett, ‘When Art Cannot Console Us In Death‘ on Literary Hub
• Anna Hope, ‘The inspiration for an asylum set on the Yorkshire Moors‘ on the Penguin blog
• Rosalind Harvey, ‘A Response to “Beyond Bolaño and Beyond”‘ on Full Stop
• Lisa McInerney, ‘Writers on Location: on Cork City‘ on The Literary Sofa
• Melissa Keil, ‘When is YA going to shape up to body diversity?‘ in The Guardian
• Maddie Crum ‘Some Books Just Aren’t Made To Be Adapted For The Screen, And That’s OK‘ on Huffington Post
• Gila Lyons ‘Female Friendships and Online Literary Sexism‘ on The Rumpus
• Polly Vernon, ‘All the attention came from women telling me how stupid my book was‘ in The Guardian
• Kathryn Evans, ‘How writing YA helped me make sense of my childhood‘ on Scottish Book Trust
• Robert McCrum, ‘The 100 best nonfiction books: No 3 – No Logo by Naomi Klein (1999)‘ in The Guardian
• Tracy McVeigh, ‘Ferrante fever sees ‘dangerous’ Naples turn into a tourist hotspot‘ in The Observer
• Valerie Grove, ‘My hero: Margaret Forster‘ in The Guardian
• Sarah Crompton. ‘Girl, uninterrupted: staging Eimear McBride’s chaotic masterpiece‘ in The Guardian
• William Deresiewicz, ‘Where Have You Gone, Annie Dillard?‘ on The Atlantic
• Kavita Das, ‘On Parsing‘ on VIDA
• Emily Sipiora, ‘Françoise Sagan and Luxury Existentialism‘ in The Northwest Review of Books
• Katie Cotton, ‘Women in picture books: are we there yet?‘ on Scottish Book Trust
• Martin Chilton, ‘How Valley of the Dolls went from a reject to a 30-million best-seller‘ in The Telegraph
• Candy Gourlay and Laura Dockrill, ‘Why we love enchantment in children’s books‘ in The Guardian
• Daniel Peña, ‘Octavia Butler’s Notebook Represents All The Anxieties Of Writers Of Color‘ on Ploughshares
• Niina Pollari, ‘The Marvelous Bonfire‘ on Catapult
• Nandini Balial, ‘On Finding Yourself in the Work of Jhumpa Lahiri‘ on Literary Hub
• Siyanda Mohutsiwa, ‘I’m Done With African Immigrant Literature‘ on Okay Africa
• Andrew Harrison, ‘Framed! Meet the creators shaking up modern comics‘ in The Guardian
• Claire Armitstead, ‘Margaret Forster, award-winning author, dies at 77‘ in The Guardian
• Hannah Tennant-Moore, ‘The Best Literary Writing About Sex‘ on Literary Hub
• Catherine Nichols, ‘One Weird Trick That Makes a Novel Addictive‘ on Jezebel
• Eleanor Franzén, ‘On Culture: The Dark Side of Beatrix Potter‘ on Litro
• Máire T Robinson, ‘Sheela-na-gigs and writing what you don’t know‘ in The Irish Times
• Chibundu Onuzo, ‘Yes, I’m black. But an ethnic minority? Forget it‘ in The Guardian
• Anne Boyd Rioux, ‘Eight Classic Female Bildungsromane You Should Know About If You Don’t Already‘ in The Toast
• Esther Kuforiji, ‘Stories of Blackness — Chapter 4: Literary Festivals‘ on Medium
• Julia Eccleshare, ‘Gillian Avery obituary‘ in The Guardian

Personal essays/memoir:

• Liz Dashwood, ‘Grown-ups are allowed to have meltdowns, too‘ on The Pool
• Joyce Maynard, ‘What Luck Means Now‘ in The New York Times
• Erin Lee Carr, ‘Still Rendering‘ on Medium
• Danielle Bacher, ‘My Autistic Brother’s Quest for Love‘ in Esquire
• Bruna Dantas Labato, ‘Notes on Record-Keeping‘ on Ploughshares
• Joanna Horton, ‘Hard Luck: On Motherlessness‘ in The Toast
• Edan Lepuki, ‘The Secret, Magical Underwear That Only Moms Know About‘ in The Cut
• Kim Pittaway, ‘After‘ on Hazlitt
• Jennifer Hanks, ‘Somewhere Across The Sea‘ in Lumen
• Nicolette Loizou, ‘Travelling in Fiji‘ on Litro
• Esther Schor, ‘My Last JDate‘ in Tablet
• Antonia Honeywell, ‘I was driven out of my beloved church by homophobia‘ in The Telegraph
• Marian Keyes , ‘on the Agony of Small Goodbyes‘ on The Pool
• Susan Shapiro, ‘Both Sides Now‘ on Tablet
• Carmen Maria Machado, ‘The Moon Over the River Lethe‘ on Catapult
• Sarai Walker, ‘Yes, I’m Fat. It’s O.K. I Said It.‘ in The New York Times
• Miriam Foley, ‘Remembering Román‘ on Litro
• Susan Daitch, ‘Treasure Hunters‘ on Guernica
• Farah Róisín, ‘Why Them?‘ on Hazlitt

Feminism:

• Anna James, ‘What’s behind the lack of female pilots?‘ on The Pool
• Jia Tolentino, ‘What Should We Say About David Bowie and Lori Maddox?‘ on Jezebel
• Laura Munoz, ‘To Men I Love, About Men Who Scare Me‘ on Medium
• Dolly Alderton, ‘Hey, spurious polls. This is the *perfect* woman‘ on The Pool
• Emma Lindsay, ‘What I Learned From Dating Women Who Have Been Raped‘ on Medium
• Caroline O’Donoghue, ‘On the sad inevitability of the grown man and the teenage girl‘ on The Pool
• Caroline Criado-Perez, ‘Companies are to publish their gender pay gaps – but will this lead to financial equality?‘ on the New Statesman
• Louise O’Neill, ‘I wonder if my ex-boyfriends thought female sexuality was something to be laughed at‘ in the Irish Examiner
• Sandra Newman, ‘Woman Facts‘ on McSweeney’s
• Robyn Wilder, ‘Why is the P-word so cringingly awful?‘ on The Pool
• Rebecca Solnit, ‘The Case of the Missing Perpetrator‘ on Literary Hub
• Sophie Mayer, ‘The Legend of Greenham Common Women’s Peace Camp‘ on Berfrois
• Sady Doyle, ‘Progressive‘ on her Tumblr
• Aricka Foreman and Mimi Wong, ‘Except, All Of Us: Women & the Myth of Safety‘ on The Offing
• Laura June ‘When You’re Pregnant, Nothing Seems in Your Control‘ on The Cut

Society and Politics:

• Kyla Marshell, ‘The Other World Where Everyone Lives‘ in The Blueshift Journal
• Elspeth Reeve, ‘The Secret Lives of Tumblr Teens‘ on New Republic
• Michelle Goldberg, ‘Is a Surrogate a Mother?‘ on Slate
• Alana Massey, ‘Checking Your Date’s Instagram Isn’t ‘Stalking,’ It’s Research‘ on The Cut
• Meena Kandasamy, ‘“I Am An Anti-National…Count Me Out”‘ on Outlook
• Aaminah Khan, ‘I Don’t Need White Progressives Telling Me, A Queer Muslim, About Homophobia In Islam‘ on Harlott
• Lisa Rab, ‘Poverty in Charlotte: ‘It Was Never Okay’‘ in Charlotte Magazine
• Beulah Maud Devaney, ‘Which Cities Would Be Most Likely to Survive a Zombie Apocalypse?‘ on City Metric
• Jihan Crowther ‘What Dating Abroad Taught Me About Stateside Racism‘ on Jezebel
• Jaya Saxena, ‘Some Unorganized Mixed Race Thoughts‘ in The Toast
• Lineal Ajello, ‘More and More War Stories‘ on Guernica
• Susan Gillman, ‘Remembering Slavery, Again‘ in The Los Angeles Review of Books
• Eleanor Margolis, ‘The new young fogeys‘ in The New Statesman
• Emiko Jozuka, ‘The Woman Who Makes Prosthetic Pinkies for Ex-Yakuza Members‘ on Motherboard

Film, Television, Music, Art, Fashion and Sport:

• Joy Resmovits, ‘The UCLA gymnast who became a viral sensation by just being herself on the floor‘ in the LA Times
• Elizabeth Day, ‘Happy Valley’s women: flawed, funny and completely brilliant‘ on The Pool
• Elizabeth Sankey, ‘In praise of Ab Fab, female friendship and not caring what other people think‘ on The Pool
• Lorrie Moore, ‘The Shame of Wisconsin‘ in The New York Review of Books
• Caroline O’Donoghue, ‘Superheroes have to deal with the same problems the rest of us do‘ on The Pool
• Alexandra Molotkow, ‘The Uncomfortable Power of Pop-Music Cruelty‘ on The Cut
• Hannah Giorgia, ‘Why Do Black Women In Movies Have To Choose Between A Weave And A Relationship?‘ on Buzzfeed
• Cali Hughes, ‘Red is so much more than a colour. It’s a state of mind.’ on the 4th Estate blog
• Lisa Owens, ‘Does Don’t Tell The Bride actually contain the secrets to a happy life?‘ on The Pool
• Lisa Hix, ‘Out of the Shadow of Aunt Jemima: The Real Black Chefs Who Taught Americans to Cook‘ on Collectors Weekly
• Jamie Lauren Keiles, ‘I’m a Hat Person Now‘ on The Cut

The interviews:

• Elizabeth Strout in The Guardian
• Kelly Link on The Millions
• Elena Ferrante in The Gentlewoman
• Idra Novey on Hazlitt, Electric Literature, Weird Sister and Literary Hub
• Janet Ellis in The Bookseller
• Hilary Spiers on Greenacre Writers
• Ann Neuman and Sheri Fink in Guernica
• Marie Annhearte Baker in Room
• Marjorie Liu in Guernica
• Jhumpa Lahiri on Slate, the Wall Street Journal and  Literary Hub, Parts One and Two
• Belinda McKeon on Electric Literature
• Lucy Kalanithi in The Guardian
• Sara Majka on Electric Literature
• Salena Godden on The Woven Tale Press
• Marina Warner on The Literateur
• Ann Goldstein on NPR
• Antonia Honeywell on Greenacre Writers
• Angela Flournoy on The Rumpus
• Sarah Perry on Radio Praha
• Meg Rosoff in The Guardian
• Han Kang on Literary Hub
• Joanna Walsh in Tank
• Alida Nugent on The Rumpus
• Natasha Wimmey on Broadly
• Caroline Bergvall on Asymptote
• Jo Bloom in Psychologies
• Elizabeth McKenzie on Literary Hub
• Sharon Guskin in The Bookseller
• Cate Kennedy on Paul McVeigh’s website
• Sara Gruen and Sarah McCoy on Salon
• Gillian Slovo in The Observer
• Melissa Green in the Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour

Books of the Year, Part Two: 2015 Publications

Here we are then, the books from this year I’ve read and rated most highly. I’m basing my choices on the very unscientific, I thought it was brilliant at the time and I’m still thinking about it. I was concerned this would skew the list towards the end of the year but it hasn’t at all – two thirds of the books are from the first half of 2015. Publication dates are UK (where applicable) and if you click on the cover it will take you to my review.

Citizen – Claudia Rankine 

A superb book. An examination of race and the treatment of black people in present day America. Rankine uses flash fiction, essays and poetry to explore the way people of colour ‘…feel most colored when I am thrown against a sharp white background’ and, by implication, how often, as a white person, you are complicit in creating and maintaining that background. Short, sharp and powerful, I’d like to see a copy of Citizen distributed to every household, taught in schools and university, and added to the canon. If you believe art can change the world, this is a book that should be able to do so.

A Little Life – Hanya Yanagihara

It’s divided readers and critics but I make no apologies for including this book for several reasons: it’s utterly absorbing, I felt as though I’d been entombed in Yanagihara’s world; it focuses on male friendship which I think is unusual; the friendship group consists of four men of different ethnicities and different sexualities, one of whom is disabled and Yanagihara has written about their lives as though they are, well, people. They are not defined by their ethnicity or sexuality and this feels like a break through. It’s huge and harrowing and clearly not for everyone but I’m still thinking about it six months on.

 

The House in Smyrna – Tatiana Salem Levy (translated by Alison Entrekin)

A short, sharp tale told in fragments. At the centre of the book is the story of the key given to the unnamed narrator by her grandfather: the key to his old house in Turkey, in Smyrna. There are four threads to the book: the narrator’s journey to her grandfather’s house; the grandfather’s journey from the house to the woman who became the narrator’s grandmother; the narrator’s relationship with her dead mother, and the narrator’s passionate affair with an unnamed man. A shocking and beautiful novella about exile in many different forms.

The Private Life of Mrs Sharma – Ratika
Kapur 

Mrs Sharma’s thirty-seven-years-old and married with a fifteen-year-old son, Bobby. They live in a flat in Dehli with her parents-in-law. Her husband, Dheeraj, a physiotherapist, has been working in Dubai for over a year in a bid to raise enough money to cover his parents’ medical bills and send his son to college to do an MBA in business. She works as a receptionist in a gynaecological clinic and dreams of starting her own business. Mrs Sharma’s veneer begins to crack when she meets Vineet Seghal on a station platform. Tightly plotted with precise, often repetitive, language, this is a brilliant book about an unfulfilled woman.

Vigilante – Shelley Harris

Jenny Pepper, 42, manager of a charity bookshop, married to Elliot, graphic designer, with a 14-year-old daughter, Martha, is fed-up of her life. She’s particularly annoyed and frustrated by the way men objectify women and the consequences of this behaviour. Donning a superhero costume for a fancy dress party, she stops a mugging and gets a taste for the vigilante lifestyle. Before long, she’s on the tale of someone who’s attacking teenage girls. A gripping and believable look at the concerns of a middle-aged woman and her life.

 

The Last Act of Love – Cathy Rentzenbrink

When Cathy Rentzenbrink was seventeen, her sixteen-year-old brother, Matty, was hit by a car and left in a persistent vegetative state for eight years. The book is Rentzenbrink’s story of the effect of Matty’s accident on her and her family. Told in an unflinching first person account with a huge amount of love and dollops of humour, Rentzenbrink brings the Matty she loved back to life and pays tribute to her parents without descending into mawkishness. Heartbreaking and heartwarming. Buy tissues before reading, I’m welling up just thinking about it.

 

A God in Ruins – Kate Atkinson

A companion piece to Life After Life, A God in Ruins focuses on Ursula’s younger brother, Teddy and those who’ve shared his life – his wife, Nancy; daughter, Viola; grandchildren, Bertie and Sunny, and the men he served alongside in the RAF. The structure’s non-chronological, creating a jigsaw puzzle of Teddy’s life and the lives of his family members for the reader to reconstruct; every chapter capable of standing alone as a story in its own right. The chapters set in the war are some of Atkinson’s best writing but this is more than a character study, it’s a book that explores what fiction is. Superb.

 

The Vegetarian – Han Kang (Translated by Deborah Smith)

Mr Cheong chose his wife, Yeong-Ho, because she’s passive. But then, due to a set of reoccurring dreams, she turns vegetarian; a highly unorthodox act in South Korea. The reactions of Mr Cheong and Yeong-Ho’s family turn dark and sometimes violent quite quickly. But Yeong-Ho’s brother-in-law is fascinated with her and her mongolian mark which leads to him creating a physical work of art with her. A disconcerting story that explores society’s treatment of a woman who defies expectations and how her internalisation of those expectations affects her psyche.

 

The Ship – Antonia Honeywell 

In the not so distant future where banks have collapsed, the homeless population is out of control, food is scarce and the military rule, Lalage is protected by her father, Michael Paul, and his creation, the ship. The ship is a version of paradise, stocked with everything you might need and more. As it sets sail with Michael Paul’s chosen people on it, Lalage begins to question her father’s motives and what she really wants from life. The Ship raises questions of wealth and poverty; of governments who fail to protect all their citizens; of the value of art and artefacts. It’s futuristic setting is misleading, this is really a novel about what’s happening to society now.

The First Bad Man – Miranda July 

Cheryl Glickman, early forties, lives alone and works for a company who make self-defence, fitness DVDs. She has two fascinations: Phillip Bettelheim and babies who might be Kubelko Bondy, the son of her parents’ friends. Cheryl’s bosses ask if their daughter, Clee, can move in with her until she finds a job. First Clee trashes Cheryl’s system for keeping the house clean and tidy, then she’s physically fighting Cheryl for extended periods before Cheryl begins imagining herself as Phillip having sex with Clee. It sounds absurd but it’s a sharp exploration of loneliness which transforms into something emotionally fulfilling.

The Wolf Border – Sarah Hall

Rachel has spent almost a decade in Idaho, monitoring wolves on a reservation but an unplanned pregnancy, the death of her mother and the offer of a job supporting the reintroduction of the Grey Wolf to Great Britain sees her returning to the Lake District. The Wolf Border considers a variety of different intersections that humans come up against – birth, death, addiction, love, political change and, of course, nature. The precision of the language, particularly in the descriptions of the Lake District and the wolves, is superb as is the characterisation of Rachel. One of our best novelists, probably her best book.

Grow a Pair: 9 1/2 Fairytales About Sex 
 – Joanna Walsh

From the very opening sentences of the first story to the end of the afterword of Grow a Pair transformations occur: characters adopt and change their genitalia; a man becomes a woman; a queen becomes a witch; a woman fragments into multiple vaginas. Walsh mixes retellings of traditional fairytales like ‘The Princess and the Penis’ with new pieces. Filled with as many moments of humour as it is ones of magical realism, the collection allows its women to take control of their own sexuality and fulfilment. Entertaining, smart and thoughtful.

The Gracekeepers – Kirsty Logan

A dual narrative following two young women – North, who lives with Circus Excalibur, travelling the sea but performing most nights on land with her bear, and Callanish, the gracekeeper, living on a tiny island by the graveyard and performing Restings for the dead. North has a number of issues to deal with – she’s engaged to Ainsel and his father wants them to live on land, but she doesn’t want either of these things; Ainsel’s mother is jealous, and North is pregnant to someone else. She’s also tied to Callanish in ways that only begin to reveal themselves when the two meet. A beautifully rendered world.

 

An Untamed State – Roxane Gay 

Mirelle is kidnapped in front of her husband, Michael, and their baby, Christophe, directly outside the heavy steel gates at the bottom of the drive to her parents’ house in Haiti. She’s been taken because her father’s rich and the kidnappers believe he will pay a lot of money for her, his youngest and favourite daughter in U.S. dollars. He refuses, assuming they will return her unharmed. She’s repeatedly raped and tortured. The majority of the book deals with the aftermath, looking at whether it’s possible to rebuild a life, a marriage, a familial relationship after such horror. An interesting examination of power and privilege.

Talk of the Toun – Helen MacKinven

Angela’s short-term ambition is for her and her best friend, Lorraine, to lose their virginity over the summer holidays. Long-term, she wants to move away from the council scheme she’s grown up on and attend Glasgow School of Art. Her parents are determined she’s getting a job. Over one summer in the 1980s, Angela and Lorraine’s friendship will deteriorate thanks to Pamela aka Little Miss Brown Nose and Stevie Duffy, just out of borstal and ‘a total ride’. Class, religion, family and friendships are all explored but it’s the perceptive look at women’s sexuality and the use of Scots dialect that really make this a stand out read.

 

Honourable mentions also go to The Hourglass Factory by Lucy Ribchester; The Table of Less Valued Knights by Marie Phillips; Dear Thief by Samantha Harvey; Hausfrau by Jill Alexander Essbaum, The Chimes by Anna Smaill and Our Endless Numbered Days by Claire Fuller.

In the Media: 10th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mother’s Day in 80 countries around the world today. Not surprisingly, there has been a whole range of articles, from a whole range of view points, about mothers and motherhood this week. The Hairpin ran a series including  ‘Mommy Queerest‘ by Sarah Liss; ‘Thoroughly Modern Murdering Mothers; or, Women Who Kill for Their Children‘ by Meredith Haggerty; ‘A Joke, A Story‘ by Naomi Skwarna; ‘Going for the Burn: Revisiting Jane Fonda’s Workouts‘ by Alison Hamm’ ‘Mothers and Moms‘ by Haley Mlotek, and Randi Bergman, ‘The Weirdest Beauty Tips I Learned From My Mom‘.

Tameka Cage-Conley wrote, ‘Motherhood, Art, And Police Brutality‘ on VSB; Amy Shouse wrote ‘My mom never wanted kids‘ on Salon; Anne Enright wrote, ‘When Mother Leaves the Room‘ in The New York Times; Cheryl Strayed wrote, ‘The ‘Painful Personal Toll Lung Cancer Has Taken on My Life’‘ on The Huffington Post; Monica Hessler, ‘The long drive to end a pregnancy‘ in The Washington Post; Mary HK Choi, ‘The Dicks Of Our Lives‘ on Buzzfeed; Mary Elizabeth Williams, ‘Sorry about Mother’s Day, my childfree girlfriends: Moms aren’t any more special (or unselfish) than you‘ on Salon; Edwidge Danticat, ‘A Prayer Before Dying‘ on Literary Hub; Brogan Driscoll, ‘I Refuse to Celebrate ‘Dad Bod’, Until We Appreciate the ‘Mum Bod’ Too‘ on the Huffington Post

Catherine Bennett wrote in The Guardian, ‘It’s dehumanising to be ‘an oven’ for someone else’s baby‘; Jessica Roake wrote, ‘An Ode to the “Mom’s Night Out”‘ on Slate; Rebecca Mead wrote, ‘A Woman’s Place Is on the Internet‘ in The New Yorker; Sophie Heawood wrote, ‘I’ve read all the advice, but I still don’t know – am I raising a serial killer?‘ in The Guardian; Laila K wrote, ‘Up with the kids‘ in The Pool; Dahlia Lithwick, ‘“Bye-Bye, Normal Mommy”‘ on Slate; Christie Watson, ‘The Joy and Pain of Trans-Racial Adoption‘ on Literary Hub; Meagan O’Connell, ‘It’s My First Mother’s Day As a Mom. Now What?‘ in The Cut; Kate Spencer, ‘How I Finally Let Go Of Grief For My Dead Mom‘ on Buzzfeed; Domenica Ruta, ‘Can Having a Child Help Me Get Over My Abusive Mom?‘ in The Cut.

Danah Boyd, ‘I Miss Not Being Scared‘ on Medium; Melissa Duclos, ‘To the Doctor Who Reported Me to Child Protective Services‘ on The Offing; Christopher Frizzelle, ‘The Day Virginia Woolf Brought Her Mom Back to Life‘ on Literary Hub; Lauren Laverne, ‘“Mum” as a diss‘ in The Pool.

And if you’d rather read a book instead, Literary Hub suggests, ‘Five Intense Books for Mother’s Day‘ and the Huffington Post recommends, ‘Mother’s Day Reads: Eight Great Mother Characters in Literature‘.

Photograph by Idil Sukan

In the UK, there was a general election. 3AM Magazine ran a whole series of reactions including, Lauren Elkin, ‘an open letter to mark-francis vandelli‘; Juliet Jacques, ‘london – 2015‘; Eley Williams, ‘rosette manufacture: a catalogue and spotters’ guide‘, and Rachel Genn, ‘you wouldn’t like me when i’m disappointed‘. Other reactions included: Laurie Penny, ‘Don’t give in: an angry population is hard to govern; a depressed population is easy‘ in the New Statesman; Joan Smith, ‘Almost a third of all MPs are now women – a milestone has been reached‘ in The Guardian; Janice Turner, ‘Why the north is in revolt against Labour‘ in The Times; Beluah Maud Devaney, ‘Unfriending Tories on Facebook Is Not the Answer‘ on the Huffington Post

And there were a few pieces written prior to the result that I still think are worth reading: Sam Baker, ‘When voting doesn’t make you feel good‘ in The Pool; Suzanne Moore, ‘By Friday we’ll be reduced to bystanders at a revoltingly macho political stare-off‘ in The Guardian; Concepta Cassar, ‘Food For Thought: Hazlitt, Malthus and the Tragedy of Food Banks‘ in Litro; Katy Guest, ‘Sandi Toksvig’s Women’s Equality Party is a movement for which time has come‘ in The Independent; Salena Godden, ‘Colour-blind: What colour are you?‘ on her blog, and Isabel Rogers’ poem ‘The truth about political correctness‘ on her blog.

I promised myself I wouldn’t mention it but there have been a few good pieces written about the birth of THAT baby: Sian Norris, ‘She’s not like other girls…‘ on Sian and Crooked Rib; Heather Havrilesky, ‘Royal Baby Girl Fated to Lead International Mob of Fake Princesses?‘ in The Cut, and Viv Groskop, ‘She’s a tiny baby, not a Kardashian‘ in The Pool.

Congratulations to Gill Lewis who won the Little Rebels children’s book award with Scarlet Ibis this week; to Emily St. John Mandel who won the Authur C Clarke award, and to Alice Notley who won the Ruth Lilly Poetry Foundation Prize. A gender balanced shortlist was announced for the RSL Ondaatje Prize 2015 and a female dominated one for the Branford Boase Award 2015. The ALS Longlist and NSW Premier’s Literary Awards Shortlists were also announced.

The best of the rest:

On or about books/writers/language:

• Katy Derbyshire, some stats about Women in Translation on Women in Translation
• Voula Grand, ‘on The next Gone Girl (The spells stories cast – or don’t)’ on Isabel Costello’s Literary Sofa
• Lois Leveen, ‘All the Years Ahead: On Committing Literary Suicide‘ on The Millions
• Joanna Biggs, ‘My hero: Shulamith Firestone‘ in The Guardian
• Various, ‘‘Get your head out of that book!’ – the children’s stories that inspired leading writers‘ in The Guardian
• Anne Enright, ‘A return to the western shore: on yielding to the Irish tradition‘ in The Guardian]
• Jill Kronstadt, ‘A God in Ruins: Kate Atkinson After Kate Atkinson‘ on Bloom
• Diane Watt, ‘Rethinking the Medieval Canon‘ on The University of Surrey: Women’s Literary Culture and the Medieval Canon
• Jeanette Winterson, ‘Ruth Rendell: memories of a friend who stood by me‘ in The Guardian
• Alison Flood, ‘Archive find shows medieval mystic Margery Kempe’s autobiography ‘doesn’t lie’‘ in The Guardian
• Jordan Kinsley, ‘Rewriting Fairy Tales‘ on Rewriting Mary Sue
• ‘Like Madame Bovary blasted by lightning’: By Grand Central Station I Sat Down And Wept on the 4th Estate Blog
• Jill Lepore, ‘Looking at Female Superheroes with 10-year-old Boys‘ in The New Yorker
• Vanessa Lafaye, ‘The Breath of Creativity‘ on Random Things Through My Letterbox
• Josephine Livingstone, ‘Ban Men from Literary Readings‘ in the Gawker Review of Books
• Aminatta Forna, ‘Where Are the West’s Political Novelists?‘ on Literary Hub
• Emma Claire Sweeney, ‘Elizabeth Bishop and Marianne Moore‘ on Something Rhymed
• Kirsty Logan, ‘Made-up worlds (and a worldie maid)‘ on Bookanista
• Robert McCrum, ‘The 100 best novels: No 85 – The Bell Jar by Sylvia Plath (1966)‘ in The Guardian
• Lori Lansens, ‘Living with authoritis‘ on Bookanista
• Lizzy Kremer, ‘Living Life Through Metaphor: the Necessity of Fiction‘ on Publishing for Humans
• Sarah Seltzer, ‘Why We Should All Be Spinsters: Writers Take on a New Feminine Mystique‘ on Flavorwire
• Jason McBride, ‘Losing Control of the Language‘ (on Kathy Acker) on Slate
• Marsha Lederman, ‘Breaking up the Canadian theatre boys’ club: New plays fight the gender gap with all-female casts‘ in The Globe and The Mail
• Caroline Criado-Perez, ‘We deserve to know about the women who show us what can be done and how to do it’ in The Observer
• Jo Walton, ‘A Great Castle Made of Sea: Why Hasn’t Susanna Clarke’s Jonathan Strange & Mr Norrell Been More Influential?‘ on Tor
• M. J. Carter, ‘on Edgar Allan Poe‘ on Raven Crime Reads
• Marie Phillips, ‘In defence of Amy March‘ in The Pool
• Katherine May, ‘Happily Never After‘ on Aeon
• Jamie Fisher, ‘High Style and Desperate Love: On the Life and Work of Eileen Chang‘ on The Millions
• Mallory Ortberg, ‘Dirtbag Tess Of The D’Urbervilles‘ in The Toast
• Leah Ferguson, ‘It’s Like Having An Alter Ego, But Harder‘ on Women Writers, Women’s Books
• Alex Clark, ‘25 years of the Encore award: a cure for second-novel syndrome‘ in The Observer
• Kate Taylor, ‘We need to speak up about sexism in the arts‘ in The Globe and The Mail

Personal essays/memoir:

• Lucy Grealy, ‘Autobiography of a Body‘ on Nerve
• Masooma Hussain, ‘Symmetry in Our Misshapenness‘ in The Butter
• Sharisse T. Smith, ‘Hair Trajectory‘ in The Los Angeles Review
• Jenny Zhang, ‘Far Away from Me‘ in Rookie
• Tovah Burnstein, ‘A Woman Like Water‘ in The Butter
• Clarissa Wei, ‘Why I Will Always Love My Ex-Boyfriends‘ on XOJane
• Suzanne Joinson, ‘Dirty Talk and Dostoyevsky on the Night Shift‘ in The New York Times
• Leah Reich, ‘The Tin Woodman‘ on Medium
• Vickie Vertiz, ‘Kissing‘ in The Offing
• Anupa Mistry, ‘That Home Feeling‘ on Hazlitt
• Sali Hughes, ‘Proud to be a prude‘ in The Pool
• Melissa Hughes, ‘Starting Over at 35‘ on Medium
• Jenny Diski, ‘In Gratitude‘ in the London Review of Books (£)
• Jennifer S. Cheng, ‘Hikikomori: Salt Constellations‘ on LIterary Hub
• Mary J. Breen, ‘Childhood: Dollhouses, Solitude, and the Souls in Purgatory‘ in The Toast
• Amelia Gray, ‘Tsujita LA Artisan Noodle‘ on The Morning News
• Sonya Lee, ‘Daisy Duke and the Manosphere‘ on The Rumpus
• Mackenzie Mays, ‘Your Dad is Still Your Dad: On Family and Alcoholism‘ in The Toast
• Thea Goodman, ‘The Elevator Ride‘ on The Rumpus
• Abhilasha Kumar, ‘A Capital Affair‘ in Kindle
• Steph, ‘In celebration of discovering feminism, Caitlin Moran, and chips with curry sauce‘ on Reimagining My Reality
• Leesa Cross-Smith, ‘Kentucky Decadent & Derby Depraved‘ on Real Pants
• Sarah Lepiciger, ‘How do you cure homesickness?‘ in The Guardian
• Sarah Franklin, ‘How could I not guess that my son would love football?‘ in The Guardian

Feminism:

• Ann Friedman, ‘Let’s do this. Let’s talk about periods‘ in The Pool
• Rebecca Carroll, ‘The Police Hit Black Women With Both Racism and Sexism At Once‘ in The Guardian
• Guilaine Kinouani, ‘The language of distress: Black women’s mental health and invisibility‘ on Media Diversified
• Juniper Fitzgerald, ‘The Price of Knowledge: Discrimination Against Sex Workers In Academia‘ on Tits and Sass
• Katy Waldman, ‘Bitch, I’ll Tell You Why This Sentence Construction Is So Effective‘ on Slate
• Meg Zulch, ‘Why Calling Someone A “Tomboy” Is Hugely Problematic And Reifies Unnecessary Gender Roles‘ on Bustle
• Sayan Bhattacharya, ‘A Room of Her Own‘ in Kindle
• Koli Mitra, ‘Fault(y) Lines‘ in Kindle
• Deepa Bhasthi, ‘The Pakoda-Frying Feminist‘ in Kindle
• Tracy Moore, ‘The Best Time I Left a Used Tampon in a Dude’s Shower‘ in Jezebel
• Maxine Builder, ‘How The Lack Of Asian Models In The Fashion Industry Created A Divide Between My Racial Identity And My Body‘ on Bustle
• Megan Nolan, ‘Why is it so hard to get away from the powerful-man-loves-sweet-young-woman dynamic?‘ in The Pool

Society and Politics:

• Eva Wiseman, ‘Where have all the ghosts gone?‘ in The Observer
• Sarah Maslin, ‘The Price of Nice Nails‘ in The New York Times
• Kate Fagan, ‘Split Image‘ on ESPN
• Sarah Miller, ‘Death to the Maxi Dress: A Manifesto‘ on Jezebel
• Jessica Pressler, ‘Bullsh*t. The art of the sell, a half century after Mad Men‘ in New York Magazine
• Kera Bolonik, ‘America’s ugly whitesplaining epidemic: Baltimore, Freddie Gray and the media’s utter cluelessness‘ on Salon
• Aamina Shakur, ‘Who Are the Rightful Owners of Artifacts of Oppression?‘ on Hyperallergic
• Elisa Veini, ‘Doing Nothing Is an Art‘ in Berfrois
• Megan Garber, ‘Aisle Be Seeing You: The Rise of the Totally Transparent Bridal Gown‘ in The Atlantic
• Viv Groskop, ‘You’re never going to retire‘ in The Pool
• Keiko Lane, ‘Intersections, on the Anniversary of the Rodney King Rebellion‘ on The Rumpus
• Jamilah King, ‘#blacklivesmatter: How three friends turned a spontaneous Facebook post into a global phenomenon‘ in The California Sunday Magazine
• Noor Alnaqeeb, ‘My Middle East: ‘We should go out there and represent ourselves’‘ on Media Diversified
• Leslie Berlin, ‘Silicon Valley Then and Now: To Invent the Future, You Must Understand the Past‘ on Medium
• Stacia L. Brown, ‘Looking While Black‘ in The New Republic

The interviews:

• Mary Talbot on Escape Books
• Caroline Criado-Perez in The Pool and in The Observer
• Alice Notely on The Poetry Foundation
• Kate Mosse on One Book Lane
• Minette Walters in The Guardian
• Joanna Walsh on The Fem
• Maggie Nelson on Salon on The Rumpus, on Literary Hub, on Tin House
• Toni Morrison at Politics and Prose on Slate and in United Hemispheres Magazine
• Heidi Julavits in The Paris Review
• Deborah Install (and Ben and Tang) on Sitting on a Cornflake
• Joanna Biggs on the Guardian Books’ Podcast
• Lauren Olivier in The Guardian
• Kate Atkinson on Front Row on BBC Radio 4
• Jillian Tamaki on Publishers Weekly
• Catherine Lacey in The White Review
• Claire Fuller on Word Mothers
• Anne Marie Macari on The Rumpus
• Sarah Dessen on Bustle
• Ananda Devi in The Los Angeles Review of Books
• Amelia Gray on Midnight Breakfast
• Leslie Jamison on Salon
• Sara Novic on BookPage
• Sherry Simon on Drunken Boat
• Mia Alvar on Publishers Weekly
• Collier Nogues on Drunken Boat
• Zoe Pilger on PEN American Centre
• Tasha Kavanagh in The Independent
• Elisa Albert on For Books’ Sake
• Alison Sampson on Broken Frontier
• Lauren Beukes and Joelle Taylor on the For Books’ Sake Podcast
• Lindsay Parnell on Linen Press
• Abi Hynes on The Fem
• Anne Enright on Open Book, BBC Radio 4
• Mona Eltahawy in The Observer
• Mary Norris in The Observer
• Katherine Clements on Rebecca Mascull’s Blog
• Lydia Syson on Rebecca Mascull’s Blog

If you want some fiction to read:

• ‘The Boy Is Dead‘ by Kathryn Mockler in The Butter
• ‘Hyperbolics‘ an excerpt from The Story of My Teeth by Valeria Luiselli in BOMB Magazine
• ‘Infinite Cortex‘ by Clare Archibald in Visual Verse
• An extract from From a Distance by Raffaella Barker on Bloomsbury Publishing
• ‘The Creature‘ by Edna O’Brien on Literary Hub
• ‘From the Paint Stains‘ by Rachel Charlene Lewis in Plenitude
• ‘odds & evens‘ by Candy Sue Ellison in 3:AM Magazine
• Extracts from all the shortlisted novels for the Bailey’s Fiction Prize for Women on We Love This Book
• An extract from Sphinx by Anne Garréta in The Believer
• ‘Bad Sex‘ by Jowita Bydlowska on Numero Cinq
• ‘Mother Wit‘ by Nitasha Kaul in Kindle
• ‘My Life Is a Joke‘ by Sheila Heti in The New Yorker
• ‘CONTINUE? Y/N‘ by Kendra Fortmeyer in The Toast
• ‘Amazing‘ by Erin Fitzgerald in Okey-Panky
• An extract from Girl at War by Sara Novic on Literary Hub
• ‘I’ll Die and Be Right There‘ by Anna Mateeva (tr. Ellen Litman) on Guernica

If you want some poetry to read:

• ‘Glass, Ceiling‘ by C.E. Hyun in The Offing
• Three Micros by Caits Meissner in The Offing
• ‘The Mission‘ by Rita Ann Higgins on Poethead
• ‘The Cake‘ by Krystin Gollihue on Blunderbuss
• ‘The Door‘ by Nomi Stone on Guernica
• ‘Selling His Soul‘ by Sophie Hannah in The Guardian
• ‘Dear Dorothy‘ by Suzi F. Garcia in The Offing
• Two Poems by Lauren Gordon on Up the Staircase
• ‘This Was Ugly‘ by Lauren Gordon in Hermeneutic Staircase

If you want some non-fiction to read:

• ‘Scratching Out the City‘ from City Spaces: Filling in Berlin’s Gaps by Annett Groeschner (tr. Katy Derbyshire) in The Offing
• An extract from Between You and Me – Confessions of a Comma Queen by Mary Norris in The Observer

Photograph by Cybele Knowles

The lists:

• 19 Great Mysteries for Summer (with 19 Great Plot Twists) on The Oyster Review
• PW Picks: Books of the Week, May 11, 2015 on Publishers Weekly
• 32 Essential Asian-American Writers You Need To Be Reading on Buzzfeed
• 7 Moving, Must-Read Memoirs Coming Out This Year on the Huffington Post
• The Best Graphic Novels I’ve Ever Read on Electric Literature
• 5 Books to Take on Vacation in the Huffington Post
• Here’s the Non-Trashy Summer Books You Need to Be Reading This Year on The Debrief
• 10 (insane) things I learned about the world reading Ayn Rand’s “Atlas Shrugged” on Salon
• 18 Brilliant Books You Won’t Want To Miss This Summer on the Huffington Post
• The 22 Best F-Bombs From Female Authors in the Huffington Post

The Table of Less Valued Knights – Marie Phillips

It’s Pentecost at Camelot and the knights are waiting for this year’s quest to arrive so they can eat (or in Lancelot’s case, shag Guinevere). We’re introduced to the two other tables in King Arthur’s hall, the Table of Errant Companions and the Table of Less Valued Knights:

…to be found in the draughtiest corner furthest away from either of the fires, was rectangular, and had one leg shorter than the other so that it always had to be propped up with a folded napkin to stop it from rocking. It was home to the elderly, the infirm, the cowardly, the incompetent and the disgraced…

Edwin, ‘King of Puddock and next in line to the throne of Tuft’, rocks up and tells the assembled knights that his wife, Queen Martha, was kidnapped six days previously on their wedding knight. Sir Dorian Pendoggett – ‘always looking out for the quest that would get him into a poem’ – takes the quest and the knights eat.

Afterwards our Less Valued Knightly companion, Sir Humphrey du Val, remains in the hall and is sitting in his old seat in the Round Table when Lady Elaine do Mont, of Tuft arrives with a quest. Her parents arranged a tournament to decide who would marry her, the outcome fixed to be a Sir Alistair Gilbert – from a wealthy family – but as he pledged his troth to Elaine, he was kidnapped by a Black Knight. Elaine needs to find him so their wedding can take place.

Humphrey takes Elaine’s quest and sets off to discover who the Black Knight is. Travelling with him are his short giant squire, Conrad, and his elephant, Jemima – bought from a travelling circus. We travel part way with Humphrey and co. before being taken back a week or so to hear the story of Martha, Edwin’s Queen.

Martha’s father, the King, has died and as her brother, Jasper, has been dead for several years, the throne is hers. She has no idea what sort of queen she will be:

…Martha didn’t know what Martha was. She presided over jousts, opened country fairs, exclaimed at the beauty of babies and judged vegetables. She shook hands. She sat at banquets next to foreign dignitaries who talked across her to other foreign dignitaries or lectured her on their own achievements. She bestowed favours upon and accepted love poetry from knights and the sons of lords who had never actually spoken to her. She wore stiff dresses and uncomfortable shoes. She smiled.

There’s a catch though: for Martha to become queen, she must marry – so her husband can make all the important decisions, of course. Her parents arranged this when she was born; by nightfall, Prince Edwin has arrived and the wedding takes place the following day.

Edwin has only two things on his mind: sex – he’s all about the banter – and proving he’s better than his older brother and King, Leo. As we know from the opening of the novel, Martha’s not around for long and Edwin sets off looking for her.

In terms of the structure of the novel, just before the halfway point, the two quests collide and the pace increases as the two groups race to solve the disappearances – and a whole host of other questions posed along the way.

While the plot’s great and the characters are well drawn, the absolute joy of this novel is the way it tackles its themes. Phillips looks at sexism, racism, homophobia and acknowledges transphobia without lecturing or letting up on the laughs. There are so many lines I’d love to quote but I’ll restrict myself to three sections to give you a flavour.

As Humphrey, Conrad and Elaine reach the border between Camelot and Tuft, they have to pass a customs official who is a dwarf:

‘Never thought I’d see the day,’ said the dwarf, shaking his head. ‘A giant as a squire. I thought he’d be burning down villages, raping, looting and the like. Thought it’d be more than my job’s worth with King Leo, letting a giant in. Even a small one. I feel quite ashamed of myself, making assumptions like that. Believe me, I know what it’s like. People see me, they think trickster, con artist, thief. Never imagine that I might be a government official. People think with their eyes, not with their minds. That’s the problem.

When Conrad questions Humphrey’s use of bribery:

There isn’t actually a prohibition against it in the Knights’ Code. In fact, the Knights’ Code relies a lot on interpretation. Lots of stuff about goodness, honour, faith and trust. Not so many specifics.

And when Martha becomes Queen:

‘Speech!’ cried one of the men.

The others took up the call. ‘Speech! Speech! Speech!’

Martha cleared her throat.

‘It is an honour –‘ she began.

‘Sir John!’ interrupted the first man.

‘Sir John! Sir John! Sir John!’ chorused the others.

‘Oh, well, if you insist,’ said Sir John.

Every year the Bailey’s Women’s Prize throws up a couple of gems that I otherwise might not have read, The Table of Less Valued Knights is one of those gems. Smart and funny with a cracking plot, what more could you want?

 

Thanks to Jonathan Cape/Vintage Books for the review copy.

The Bailey’s Women’s Prize for Fiction Longlist 2015

It’s here! The Bailey’s Women’s Prize for Fiction Longlist 2015 is as follows:

Rachel Cusk: Outline

Lissa Evans: Crooked Heart

Patricia Ferguson: Aren’t We Sisters?

Xiaolu Guo: I Am China

Samantha Harvey: Dear Thief

Emma Healey: Elizabeth is Missing

Emily St. John Mandel: Station Eleven

Grace McCleen: The Offering

Sandra Newman: The Country of Ice Cream Star

Heather O’Neil: The Girl Who Was Saturday Night

Laline Paull: The Bees

Marie Phillips: The Table of Less Valued Knights

Rachel Seiffert: The Walk Home

Kamila Shamsie: A God in Every Stone

Ali Smith: How to be both

Sara Taylor: The Shore

Anne Tyler: A Spool of Blue Thread

Sarah Waters: The Paying Guests

Jemma Wayne: After Before

PP Wong: The Life of a Banana

I’ve read and reviewed six of those already, if you hover over the titles, I’ve linked to my reviews.

Initial thoughts are I’m absolutely thrilled for Lissa Evans whose book I love and made my end of year list last year. Also very pleased for Sara Taylor whose debut I’ve read but not posted my review of yet (it’s published later this month), which is very good. I’ve got lots of reading to do but many of the books there are books I’ve had in my to be read pile for a while! (I also need to apologise to the person who commented on my wish list and mentioned Heather O’Neill’s book; I didn’t think it was eligible and clearly I was wrong. I’m pleased it comes highly recommended though.)

I’m looking forward to reading the rest and discussing with the rest of the shadow panel. Please do join in and let us know what you think of the list and any of the books you read.