Backlist Books of the Year

At the end of 2019, I challenged myself to read 100 books from my own shelves. What I meant by from my own shelves were the books that had been sitting there some time, often for years. I was fed up of not getting to books that I knew I wanted to read because there was always something shiny and new in front of me. The pandemic helped, of course; losing most of your work and being forced to stay at home will do that. I finished the 100 in early December. Here are the ones I really really loved.

The Particular Sadness of Lemon Cake – Aimee Bender (Windmill)

I thought this would be twee, I was so wrong. The story of a girl who realises she can taste people’s emotions; the story of her brother who begins to disappear. It’s about trauma and depression and it’s perfect.

The Western Wind – Samantha Harvey (Jonathan Cape)

A Brexit allegory disguised as a Medieval whodunnit. Utterly compelling.

Fleishman Is in Trouble – Taffy Brodesser-Akner (Wildfire)

A soon-to-be-ex-wife and mother disappears. A terrible soon-to-be-ex-husband who thinks he’s great has his story narrated by his ‘crazy’ friend. A piercing look at heterosexual marriage and a send-up of the Great American Novel. Longer review here.

Things we lost in the fire – Mariana Enriquez (translated by Megan McDowell) (Granta)

Dark, dark, dark stories. So haunting, so brilliant.

Exquisite Cadavers – Meena Kandasamy (Atlantic)

A Oulipo style novella showing how fiction can be created from life, but it isn’t the same thing. Longer review here.

Ongoingness: The End of a Diary – Sarah Manguso (Graywolf Press)

Manguso wrote a daily diary until she had her first child. This is full of ideas of letting go which are so brilliant I copied many of them on to Post-Its and stuck them above my desk. It’s published by Picador in the UK.

we are never meeting in real life – Samantha Irby (Faber)

Irby is my discovery of the year. Her essays are laugh-out-loud funny and entertaining but they are also about her life as a working class, disabled Black woman with a traumatic childhood. Revolutionary.

Heartburn – Nora Ephron (Virago)

Funny; good on cooking and marriage. Devastating final chapter.

Fingersmith – Sarah Waters (Virago)

Clever crime novel about class, the art of theft and pornography. Superb structure. A masterpiece.

The Chronology of Water – Lidia Yuknavitch (Canongate)

Yuknavitch’s non-chronological memoir about the fifteen lives she has lived. It’s about dying (metaphorically), swimming (literally and metaphorically) and living (literally). It fizzes.

Bear – Marian Engel (Pandora)

The headline is this is a book about a woman who has sex with a bear. It’s really about female autonomy. It’s being republished in the UK in 2021 by Daunt Books.

Magic for Beginners – Kelly Link (Harper Perennial)

Kelly Link is a genius. These stories are so rich in detail; she takes you from a situation that seems perfectly normal to a wild, subverted world that also seems perfectly normal. Incredible.

Parable of the Talents – Octavia E. Butler (Headline)

The novel that predicted a president who would aim to ‘Make America Great Again’. It’s as much the story of a mother / daughter relationship formed under significant trauma as it is the story of a country at war with itself. Longer review here.

Copies of The Particular Sadness of Lemon Cake, Fleishman is in Trouble, Exquisite Cadavers, we are never meeting in real life, The Chronology of Water and Parable of the Talents were courtesy of the publishers as listed. All others are my own copies.

In the Media, May 2016, Part Three

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Books in translation have been having a moment following Han Kang and translator Deborah Smith winning the Man Booker International Prize for The Vegetarian. They wrote, ‘It is fascinating to ponder the possibili­ties of language‘ for The Guardian; Charles Montgomery wrote, ‘The Triumph of Han Kang and the Rise of Women’s Writing in Korea‘ in The Los Angeles Review of Books; Sophie Hughes wrote, ‘On the Joyful Tears of a Translator‘ on Literary Hub. Judith Vonberg writes, ‘Translated fiction is not a genre. Why do bookshops tell us it is?‘ in The New Statesman and Anjali Enjeti asks, ‘Do Americans Hate Foreign Fiction‘ on Literary Hub

The best of the rest:

On or about books/writers/language:

• Rose Tremain, ‘Forty Years as a Writer‘ on Waterstones’ Blog
• Francesca Simon, ‘I’m a mixture of both Horrid Henry and Perfect Peter‘ in The Telegraph
• Rebecca Solnit, ‘To Break the Story, You Must Break the Status Quo‘ on Literary Hub
• Rose Courteau, ‘Team Ladislaw: What Henry James (and Everyone Else) Gets Wrong About Middlemarch‘ on The Millions
• Claire Christian, ‘Self-publish and be sneered at?‘ in The Bookseller
• Hannah Engler, ‘Nora Ephron and Literary Moms‘ on Bookriot
• Sarah LeFanu, ‘on Women’s Writing: A Small Bit of Recent History‘ on Something Rhymed
• Sarah Boxer, ‘Reading Proust on My Cellphone‘ on The Atlantic
• Casey Rocheteau, ‘Literary Juneteenth (or Why I Left The Offing)‘ on The Offing
• Julie Feng, ‘The Weight of the World, The Weight of Words‘ on Winter Tangerine
• Amy Watkin, ‘Harper Lee Would Like a Word With You‘ on McSweeney’s
• Rufi Thorpe, ‘Actually, All Writers Steal‘ on Literary Hub
• Julia Rochester, ‘My fiction is preoccupied with belonging and exile‘ in The Guardian
• Nuzaifa, ‘Muslims Represented in YA Fiction‘ on Word Contessa
• Zara Raab, ‘These Molten Flowers: on Lola Ridge, radical poet and activist‘ on Critical Flame
• Soniah Kamal, ‘When My Authentic Is Your Exotic‘ on Literary Hub
• Glosswitch, ‘Re-reading Wide Sargasso Sea‘ on Glosswatch
• Paula Erizanu, ‘Sarah Crossan wins the Irish children’s book of the year‘ in The Guardian
• Elif Shafak, ‘Writing Fiction is an Act of Faith‘ on Waterstones’ Blog
• Bridget Read, ‘Jenny Diski, Down the Final Rabbit Hole‘ on Literary Hub
• Melissa Holbrook Pierson, ‘That’s Inspiration!: Rereading Annie Dillard‘ in The Los Angeles Review of Books
• Enrique Vila-Matas, ‘The Unstoppable Myth of Alejandra Pizarnik‘ on Literary Hub
• Judith Shulevitz, ‘The Brontës’ Secret‘ on The Atlantic
• Alex Clark, ‘‘No drugs on the bus’: Carol Ann Duffy takes a road trip‘ in The Guardian
• Anne Enright, ‘In search of the real Maeve Brennan‘ in The Guardian
• Milena Busquets, ‘Writing my way out of the loneliness of grief‘ on The Pool
• Laura Miller, ‘Introducing My Ántonia‘ on Slate
• Nina Stibbe, ‘Helena Bonham Carter was cast in a TV series about my life – and all I could do was blag a Harry Potter ticket from her,’ in The Telegraph
• Candace Opper, ‘The Suicide Memoir: True Crime, Mystery and Grief‘ on Literary Hub
• Rebecca Smart, ‘Pride not prejudice’ in The Bookseller
• Nicole Brinkley, ‘“Women built this castle”: An in-depth look at sexism in YA.‘ on YA Interrobang
• Samantha Shannon, ‘An abridged Da Vinci Code implies teens need simple books – they don’t‘ in The Guardian
• Lucy Caldwell, ‘On Why Short Stories Matter‘ on Faber & Faber Blog
• Lynn Steger Strong, ‘Topography of a Novel: Hold Still‘ on Blunderbuss
• Robin Wasserman, ‘What Does It Mean When We Call Women Girls‘ on Literary Hub
• Rebecca Wait, ‘Following the Leader‘ on Waterstones’ Blog
• Marianne Tatipo, ‘Young, BAME, and chasing the ‘alternative route into publishing’ dream‘ in The Bookseller
• Chris Power, ‘A brief survey of the short story: Lucia Berlin‘ in The Guardian
• Janice P. Nimura, ‘History Never Ends, It Just Gets Retold‘ on Literary Hub
• Helena Fitzgerald, ‘How Katherine Dunn’s Geek Love Saved Me‘ on Literary Hub
• Laura Smith, ‘House Hunting with Martha Gellhorn‘ on Hazlitt
• Mikita Brottman, ‘Jane Austen’s Ivory Cage‘ in The American Scholar
• Faye Bird, ‘Why I Wanted to Write About Selective Mutism‘ on Scottish Booktrust
• Chris Kraus, ‘I Love Dick happened in real life, but it’s not a memoir‘ in The Guardian

Personal essays/memoir:

• Jess Carroll, ‘Watch Me Bathe‘ on Hazlitt
• Amy Jones, ‘Stuck in the middle — between body positivity and clean eating‘ on Medium
• Carly Rose, ‘My Journey Into the Woods: What Stephen Sondheim Taught Me About Conceiving a Child‘ on Electric Literature
• Joanna Sing, ‘What I Have Learnt from Being (Occasionally) White-Passing‘ on Gal-Dem
• Nicole Cliffe, ‘How God Messed Up My Happy Atheist Life‘ on Christianity Today
• Eva Hagberg Fisher, ‘Vital Signs‘ on Guernica
• Maggie O’Farrell, ‘‘I have three seconds before she draws blood’: life with extreme eczema‘ in The Guardian
• Helena Fitzgerald, ‘The Fierce Triumph of Loneliness‘ on Catapult
• Vanessa Hua, ‘The Sandwich Generation‘ in the San Francisco Chronicle
• Anna March, ‘The Burn‘ on Midnight Breakfast
• Katrina Kenison, ‘Solitude: A Reprieve from the Noise of Doing‘ on On Being
• Sinéad Gleeson, ‘Blue Hills and Chalk Bones‘ on Granta
• Nina Stibbe’s letter to her younger self: ‘Try not to have a weave perm’ in The Guardian
• Rufi Thorpe, ‘Do the Deer‘ on Medium
• Rumaan Alam, ‘What Happened When I Tried to Have It All‘ on The Cut

Feminism:

• Katie J.M. Baker, ‘Ethics and the Eye of the Beholder‘ on Buzzfeed
• Alana Massey, ‘The Clique Imaginary‘ in The New Inquiry
• Lena Dunham, ‘Sorry, Not Sorry: My Apology Addiction‘ on Linkedin
• Emma Garman, ‘A Liberated Woman: The Story of Margaret King‘ on Longreads
• Joanna Walsh, ‘“She wore a USB cord instead of a necklace”: whatever happened to Cyberfeminism?‘ in The New Statesman
• Rebecca Reid, ‘GirLand, Habbo Hotel and me: how I learned to masturbate online‘ in The New Statesman
• Lola Okolosie, ‘“Misogynoir is a very real problem and feminism can no longer ignore it”‘ in Stylist
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt
• Afak Afgun, ‘Women carry a heavier coffin‘ on Sister-Hood
• Suzanne Moore, ‘Stop telling women they’re doing feminism wrong‘ in The Guardian
• Sarah Menkedick, ‘In Defense of Motherhood as Art‘ on Vela
• Sian Norris, ‘The value of women’s silence‘ on Sian and Crooked Rib
• Lasha, ‘bell hooks vs. Beyoncé: What this feminist scholarly critique gets wrong about “Lemonade” and liberation‘ on Salon
• Sari Botton, ‘Unchain My Heart: On the Emotional Effectiveness – and Lingering Sexism – of Jewish Divorce‘ on Longreads
• Lindy West, ‘Why women need to be bigger: on why we all should be loud and proud‘ in Stylist

Society and Politics:

• Charlotte Riley, ‘Working class girls don’t threaten our universities, they enrich them‘ in The New Statesman
• Jessica Contrera, ‘13, right now‘ in The Washington Post
• Daisy Hernández, ‘Kiss of Death‘ in Guernica
• Lindy West, ‘My husband isn’t fat, and that enrages people‘ on The Pool
• Holly Root-Gutteridge, ‘The songs of the wolves‘ on Aeon
• Mary Wang, ‘Seeing Through the Fog, Part Two‘ on Guernica
• Tracy O’Neill, ‘The Long Line to Tonight‘ on Catapult
• Ella Wilks-Harper, ‘There’s a Fine Line Between Tokenism and Diversity‘ on Gal-Dem
• Tracie White, ‘The Puzzle Solver‘ on Stanford Medicine
• Katherine Laidlaw, ‘Hold the Fort‘ on The Walrus
• Sonia Faliero, ‘The Long Rescue‘ in Harper’s
• Mallika Rao, ‘From Nina to Lemonade, Why We’re Still So Bad at Talking About Colorism‘ on Slate
• Deborah Halber, ‘192 Days as John Doe’ on Mosaic
• Bridget Minamore, ‘Racism and misogyny explains why there are so few black women in politics‘ on The Pool
• Christine Baumgarthuber, ‘Dinner with Caligula‘ on The New Inquiry
• Anna Furman, ‘Meeting Edward Said‘ on Guernica

Film, Television, Music, Art, Fashion and Sport:

• Louise Ridley, ‘Celebrity Injunctions Show ‘Moral Abuse’ Of Courts As They Are ‘Almost Entirely Taken Out By Unfaithful Men’ Say Lawyers‘ on The Huffington Post
• Arielle Bernstein, ‘Beyond the “girl power” anthem: Beyoncé, Lana Del Rey and pop’s radical embrace of female vulnerability‘ on Salon
• Elizabeth Daley, ‘Above and Beyoncé‘ on Guernica
• Joanna Sing, ‘Can We Excuse Azealia Banks on Account of Her Bipolar Disorder?‘ on Gal-Dem

The interviews/profiles:

• Miranda Beverly Whittemore on Literary Hub
• Emma Cline on The Bookseller
• Emma Straub in The New York Times
• Mary Gaitskill on Guernica
• Mona Awad on Hazlitt
• Lindy West on Buzzfeed
• Stephanie Danler on Electric Literature, The Paris Review, Vanity Fair and Guernica
• Kit de Waal in The Bookseller
• Rufi Thorpe on Electric Literature
• Fionnuala Kearney on Rebecca Mascull’s blog
• Rebecca Schiff on Electric Literature
• Svetlana Alexievich on The Millions
• Sarah Perry on Foyles
• MariNaomi on The Millions
• Margo Jefferson in The Observer
• Kelly Link on The Masters Review
• Anakana Schofield on The Gloss
• Teow Lim Goh on The Fem
• Elena Ferrante in The New Yorker
• Rivka Galchen on Electric Literature

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media: March 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

The Bailey’s Women’s Prize for Fiction longlist was announced this fortnight. While former winner, Lionel Shriver declared ‘Women’s literary prizes are ‘problematic’‘.

And the Wellcome Book Prize announced their shortlist with four (out of six) female writers on it, as did the YA Book Prize with eight women writers on its ten book shortlist.

Elena Ferrante is hot news in the literary world once again after Corriere della Sera published an article in which Marco Santagata claimed to know her identity. Rachel Donadio wrote, ‘Who Is Elena Ferrante? An Educated Guess Causes a Stir‘ in The New York Times; Jonathan Sturgeon said, ‘We Already Know the Identity of Elena Ferrante‘ on Flavorwire; Lincoln Michel asked, ‘Why Do We Care Who the “Real” Elena Ferrante Is?‘ on Electric Literature; Stassa Edwards asked, ‘What’s Really Behind Our Obsession Over Unmasking Elena Ferrante?‘ on Jezebel; John Dugdale wrote, ‘Will Elena Ferrante outlast Louisa May Alcott’s secret alter ego?‘ in The Guardian, and Jessica Roy declared, ‘Leave Elena Ferrante Alone‘ in The Cut.

Anita Brookner died. Rebecca Hawkes wrote her obituary while Linda Grant wrote, ‘Why Anita Brookner’s funny, sharp novels got under your skin‘ both in The Telegraph.

The best of the rest:

On or about books/writers/language:

• Kevin McKenna, ‘Jackie Kay: Scotland’s poet of the people‘ in The Observer
• Elissa Washuta, ‘They Just Dig: On Writing, Coal Mining and Fear‘ on Literary Hub
• Louise Beech, ‘On Life Writing‘ on Women Writers, Women’s Books
• Rachel Kessler, ‘When the Apocalypse Is Your Religion‘ on Literary Hub
• Michelle Dean, ‘Why You Should Watch the New Nora Ephron Documentary‘ on Literary Hub
• Laura June, ‘Charlotte Brontë and her Best Friend’s Broken Promise‘ on Jezebel
• Meaghan O’Connell, ‘The Patronizing Questions We Ask Women Who Write‘ in The Cut
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• M Lynx Qualey, ‘In the Race for Literary Prizes, Is Gender Parity Possible?‘ in The National
• Fiona Noble, ‘YA and children’s books deserve to be judged separately‘ in The Bookseller
• Mimi Wong, ‘Slut Lit & Dismantling “The Fallen Woman”‘ on The Offing
• Boris Kachka, ‘A First-Time Novelist’s 7-Figure Midlife Breakthrough‘ on Vulture
• Claire Armistead, ‘Happiness to mindfulness, via wellbeing: how publishing trends grow‘ in The Guardian
• Jerome Charyn, ‘A Loaded Gun: The Real Emily Dickinson‘ on Longreads
• Belinda McKeon, ‘Dipping the Pen Nib Into Tragedy‘ on Catapult
• Emily Foster, ‘The Monster in the Mirror: On Horror, Disability, and Loving Both at Once‘ on Tor.Com
• Ilana Masad, ‘The First Unappreciated Woman Writer‘ on Broadly
• Sarah Blake, ‘Men Explain Submissions to Me‘ on The Rumpus

• Rosalie Knecht, ‘This Writer: On Social Work and Fiction‘ on Literary Hub
• Doris Grumbach, ‘A Life in Letters: From the New Republic to Iowa to Knopf‘ on Literary Hub
• Elizabeth Zaleski, ‘Other Writers’ Mothers: Some Reflections on Representing Family‘ on Vida
• Tracy Chevalier, ‘Past President of the Laura Ingalls Wilder Club‘ on Literary Hub
• Sara Nović ‘Sign of the Times‘ in Guernica
• Maddie Crum ‘Unhappily Ever After: How Women Became Seen Not Heard in Our Favourite Fairy Tales‘ on the Huffington Post
• Corrine Duyvis, ‘Fiction, like life, tells disabled people their lives have less value‘ in The Guardian
• Lisa McInerney, ‘Write what you know? Know what you write? I’d rather wing it, thanks‘ in The Irish Times
• Julia Pierpoint, ‘Topography of a novel: on how she wrote Among the Ten Thousand Things‘ in The Guardian
• Valerie Grove, ‘Margaret Forster: A northern lass in NW5‘ in The New Statesman
• Margaret Drabble, ‘My Hero: Elena Ferrante‘ in The Guardian
• Deborah Smith, ‘Only wilful disregard can hide the need to publish more women‘ in The Guardian
• Elisa Gabbert, ‘Can Ideas Withstand Shifts in Language?‘ in Guernica
• Pico Iyer, ‘On Annie Dillard‘ on Literary Hub
• Katy Derbyshire, ‘Translated fiction by women must stop being a minority in a minority‘ in The Guardian
• Summer Brennan, ‘The Things We Do to Promote the Books We Write‘ on Literary Hub
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Caroline Criado Perez, ‘“Publishing is a women’s world”: Gender inequality in the writing industry‘ on Scottish Pen
• Christina Wodtke, ‘It’s Not Easy Being She‘ on Medium
• Anne Boyd Rioux, ‘Constance Fenimore Woolson: The Forgotten Author Who Inspired Henry James‘ on The Daily Beast

Personal essays/memoir:

• Julienne Grey, ‘What We Remember: One Small Act Replaces the Rest‘ on Electric Literature
• Jess E. Jellsma, ‘Frigid‘ on The Rumpus
• Alison Motluk, ‘A Journey to the Medical Netherworld‘ On Hazlitt
• Kathleen Hale, ‘Surviving the Love Bomb‘ on Hazlitt
• Janice Lee, ‘I Can’t Go On / I’ll Go On‘ on Berfrois
• Kaitlyn Greenidge, ‘I Found My Father’s Eulogy In Junk Food‘ on Buzzfeed
• Alana Massey, ‘First the Breakup. Then the Screenshots.‘ in The Cut
• Anakana Schofield, ‘Bold, Open-Minded and Entrepreneurial‘ on the LRB Blog
• Chelsea G. Summers, ‘The Half Dad‘ on Catapult
• Sarah Menkedick, ‘One Afternoon in Texas‘ on Vela
• Arial Gore, ‘Blood-Red Bougainvillea‘ on The Rumpus
• Ann Patchett, ‘That Family Party Everyone Hated? It Was Mine.‘ in The New York Times
• Jessica Silvester, ‘On an Italian Island, How He Met My Mother‘ in The New York Times
• Jasmine Sanders, ‘Mama‘ on Catapult
• Michelle Levitt, ‘Buckle and Sway‘ on Catapult
• Sarah Menkedick, ‘Everyday Geography‘ on Vela
• Naomi Gordon-Loeb, ‘Even Lumberjacks Deserve Lotion: Gender in the Locker Room‘ on The Toast

Feminism:

• Helen Walmsley-Johnson, ‘How we think about women and shame‘ in The New Statesman
• Sarah Ditum, ‘A Woman’s Body Is Not a Disgrace‘ in The New Statesman
• Marie Phillips, ‘What would the world look like if men took the pill?‘ in The Pool
• Caitlin Moran,“You were not born scared and self-loathing” in Stylist
• Em LaFave Olson, ‘Why I’m Returning to My Maiden Name‘ on Medium
• Caitlin Moran, ‘I’m sticking my neck out‘ on Adelaide Now
• Rachel Pashley, ‘We’ve placed motherhood on such a high pedestal we’ve forgotten the huge pros of being a child-free woman‘ in The Independent
• Fiammata Rocco, ‘Fiction at its Finest‘ in The Bookseller
• Emer O’Toole, ‘Three ways for feminists to cope with the abuse we face‘ in The Irish Times

Society and Politics:

• Eternity Martis, ‘What It Was Like to Grow Up Fat‘ on Vice
• Olga Khazan, ‘Lean In to Crying at Work‘ in The Cut
• Katy Derbyshire, ‘Berlin, It’s Not Sex All the Time‘ on Literary Hub
• Alena Gradon, ‘Distant Brains‘ in Guernica
• Rukmini Callimachi, ‘To Maintain Supply of Sex Slaves, ISIS Pushes Birth Control‘ in The New York Times
• Chimamanda Adichie. ‘Why can’t he just be like everyone else?‘ on The Scoop
• Erin Allday, ‘Last Men Standing‘ in the San Francisco Chronicle
• Suki Kim, ‘Mr. Rubio’s Neighbourhood‘ in New Republic
• Amena Ziard, ‘There’s More to Saudi Arabia than the Ban on Women Driving‘ on Media Diversified

Film, Television, Music, Art, Fashion and Sport:

• Elizabeth Day, ‘Happy Valley: female solidarity is stronger than male exploitation‘ on The Pool
• Sara Baume, ‘How to Understand America, One Pattern at a Time‘ on Literary Hub
• Sonia Saraiya, ‘“The Bachelor” is still for white people: A sour fairy tale, fed to millions, that keeps prizing whiteness above all‘ on Salon
• Rosalind Jana, ‘Mark My Words: The Subversive History of Women Using Thread as Ink‘ on Broadly
• Emma Dabiri, ‘Why Zoe Saldana was the wrong black woman to play Nina Simone‘ in The Telegraph

The interviews:

• L.S. Hilton on The Debrief and The Pool
• Deborah Levy in The Guardian
• Cynthia Cruz in Maenad Magazine
• Gillian Slovo in The Independent
• Helen Macdonald in The Washington Post
• Lauren Groff on Longreads
• Rachel Kushner, Rivka Galchen (& Hari Kunzru) on Electric Literature
• Dana Spiotta on Electric Literature
• Morgan Jerkins on BlacQurl
• Joanna Walsh in The Gloss
• Sunny Singh in The TES
• Carol Lovekin on The Writes of Woman
• Sarayu Srivatsa on The Writes of Woman
• Antonia Honeywell on The Writes of Woman
• Sarah Howe in Neue Journal
• Danielle Dutton in The LA Times, in Bomb Magazine and 3am Magazine
• Melissa Broder in Elle
• Anna Moschovakis on Flavorwire
• Jessa Crispin on The Rumpus
• Samantha Hunt on Literary Hub
• Annie Proulx in The New Yorker
• Malorie Blackman in The Bookseller
• Victoria Aveyard in The Guardian
• Mary Oliver on Oprah
• Brooke Magnanti in The Guardian
• Meghan Daum on The Rumpus
• Cressida Cowell, Laura Dockrill (and Philip Ardagh) in The Guardian
• Melissa Harrison in The Herald
• Anne Boyd Rioux on History in the Margins
• Ottessa Moshfegh on Penguin
• Helen Oyeyemi on Broadly
• Annie Dillard on Literary Hub
• Joanna Cannon in Standard Issue
• L.A. Weatherly in The Guardian
• Anjali Joseph on The Asian Writer
• Cassandra Clare in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media: January 2016

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

January’s been living up to it’s reputation as the most miserable month in the calendar. There’s been the misogynistic and racist response to Sarah Howe’s Young Writer of the Year Award and TS Eliot Award wins. Poet, Katy Evans-Bush responded with ‘TS Eliot prize row: is winner too young, beautiful – and Chinese?‘ in The Guardian.

The deaths of David Bowie and Alan Rickman at least inspired some great writing: Stacey May Fowles, ‘Reconciling David Bowie‘ on Hazlitt and Sali Hughes, ‘I’ve had it up to here with the grief police‘ on The Pool. Gwendolyn Smith, ‘Forget Snape – in concentrating on him, we leave out one of the greatest roles Alan Rickman ever performed‘ in The Independent and Daisy Buchanan, ‘Alan Rickman’s Colonel Brandon taught me an important lesson about love‘ on The Pool

In happier news, there were a number of other prize wins for female writers: Kate Atkinson won the Costa Novel Prize; Anuradha Roy won the 2016 DSC prize for south Asian literature; A.S. Byatt won the Erasmus Prize, and the writers shortlisted for the Costa Short Story Award were revealed, including Annalisa Crawford, Peggy Riley and Erin Soros.

Glamour welcomed a transgender columnist: Juno Dawson will chart her journey in the magazine. I’ll add Juno’s column to the regular columnists list once it has a permanent URL.

The Observer revealed their New Faces of Fiction for 2016 and Joanna Cannon wrote this great piece – The Monster Under the Bed – about her inclusion.

And the woman with the most publicity of late is Amy Liptrot with ‘I swam in the cold ocean and dyed my hair a furious blue… I was moving upwards slowly‘ in The Guardian; interviews in The Independent and The Pool.

The best of the rest:

On or about books/writers/language:

• Morgan Jerkins, ‘Writing While Black: On Cliche, Stereotype and the Struggle to Describe Blackness‘ on Literary Hub
• E.V. de Cleyre, ‘On “the Terrible Efficiency of Gaslighting”‘ on Brevity
• Sarah Weinmann, ‘True-crime stories: a centuries-old craze from Ben Franklin to Making a Murderer‘ in The Guardian
• Zetta Elliott, ‘Nobody’s Cheerleader‘ on her blog
• Lauren Groff, ‘on Writing with Lightness‘ on The Atlantic
• Sian Cain, ‘Why a non-white Nancy Drew could be amazing‘ in The Guardian
• Lenika Cruz, ‘The Promising Case of a Non-White Nancy Drew‘ on The Atlantic
• Catherine Lacey ‘on the Inspiration Behind Nobody is Ever Missing‘ on the WHSMITH blog
• Brigid Delaney, ‘A Little Life: why everyone should read this modern-day classic‘ in The Guardian
• Zoe Heller and Francine Prose, ‘Is the Writer’s Only Responsibility to His Art?‘ in The New York Times
• Gideon Lewis-Kraus, ‘The Trials of Alice Goffman‘ in The New York Times Magazine
• Claire Fuller, ‘The Huge, Unwieldy Beast versus Flash Fiction‘ on Women Writers, Women’s Books
• Adelle Waldman, ‘The Ideal Marriage, According to Novels‘ in The New Yorker
• Ali Smith ‘on Trumpet by Jackie Kay‘ in The Guardian
• Sarah Crompton, ‘Sexism on the stage – meet the women tearing up the script‘ in The Guardian
• Maria Turtschaninoff, ‘Why is feminist fantasy important?‘ in The Bookseller
• Catherine Hokin, ‘The Challenges of Writing Historical Fiction‘ on Helen MacKinven’s blog
• Deborah Smith, ‘On Translating Human Acts by Han Kang‘ on Asymptote
• Alison Glock Cooper and T Cooper, ‘Transgender: identity is never one single thing so tick the box that says ‘other’‘ in The Guardian
• Ann Mah, ‘Elena Ferrante’s Naples, Then and Now‘ in The New York Times
• Chloe Angyal, ‘I Decided Not To Read Books By White Authors For A Year. Conservatives Lost Their Damn Minds‘ on The Huffington Post
• Carmiel Banasky, ‘Topography of a Novel: The Suicide of Claire Bishop‘ on Blunderbuss
• Laura Miller, ‘Ladies of Leisure: The resurgence of the housewife novel‘ on Slate
• Martha Tennent and Maruxa Relaño, ‘How a Mother-Daughter Translation Team Makes it Work‘ on Literary Hub
• Peter Bebegal, ‘Cracking the Codes of Leena Krohn‘ in The New Yorker
• Sarah Lyall, ‘The Author Elizabeth Strout on ‘Lucy Barton’ and How Her Characters Come Into Being‘ in The New York Times
• Isabel Rogers, ‘on What a Poet can teach a Novelist‘ on Isabel Costello’s Literary Sofa
• Vidhu Aggarwal, ‘“I’m nothing, if not”: An Anecdote of a Jar‘ on VIDA
• Dawn Finch, ‘Why are we still talking about diversity and inclusion?‘ on An Awfully Big Blog Adventure
• Samantha Hunt’s Literary Mixtape: how to be a deranged cult leader in The Guardian
• Emma Claire Sweeney, ‘on the power of poetry and fiction‘ on Legend Press
• Joanna Biggs, ‘Work is where we make friends, exert power, fall in love‘ in The Guardian
• Non Pratt, ‘No taboo should be off limits when writing for teenagers‘ in The Guardian
• Brittany K. Allen, ‘I Wrote the Accent: A Black Writer Considers “Urban Romance”‘ in The Toast
• Laura Miller, ‘Why Fates and Furies was this year’s most talked-about novel‘ in The Guardian
• Cynthia Ozick, ‘The Novel’s Evil Tongue‘ in The New York Times

Personal essays/memoir:

• Alana Massey, ‘Marriage and Two Kids: A Most Scandalous Fantasy‘ in The Cut
• Lydia Kiesling, ‘Death and Heirs: A View from the San Francisco Housing Market‘ on The Millions
• Saigowri Kuruvada, ‘How I Learned To Accept My Self-Harm Scars‘ on Buzzfeed
• Isabel Murray, ‘I’m a Disgusting Sleeper‘ on The Awl
• Rowan Whiteside, ‘Uninvited‘ in Standard Issue
• Jane Campbell, ‘The Long Run‘ on Hazlitt
• Yurina Ko, ‘Little Big Eater Girl‘ on The New Inquiry
• Fleur Smithwick, ‘A response from my mother to the weird kid blog‘ on her blog
• Jen Gann, ‘Why Am I So Sad About Having a Boy?‘ in The Cut
• Monica Sok, ‘On Fear, Fearlessness, and Intergenerational Trauma‘ on VIDA
• Jenny Diski, ‘The Island of lost words‘ on her blog
• Lyz Lenz, ‘Growing Up With White Paranoia: Persecution vs. Privilege‘ on Pacific Standard
• Ellabel Risbridger, ‘#BREAKFREE From Likes: ‘I’ve Grown Up On The Internet’‘ in Marie Claire
• Cris Mazza, ‘A Finished Brain‘ on The Rumpus
• Julianne Smolinski, ‘The Funny Thing About Abusive Relationships‘ on The Cut
• Jean Hannah Edelstein, ‘I’m a Previvor‘ on Catapult
• Nicole Chung, ‘What Goes Through Your Mind: On Nice Parties and Casual Racism‘ in The Toast
• Lauren McKeon, ‘As Women Scorned‘ on Hazlitt
• Kim Brooks, ‘I’m Having a Friendship Affair‘ in The Cut
• Claire Jimenez, ‘Spanish Lessons: On Language Loss and Recovery‘ in The Toast

Feminism:

• Amy Swales, ‘A Story of a Fuck Off Fund‘ on Medium
• Cade Lebron, ‘Liar, Liar: On Writing About Rape Online‘ on Electric Literature
• Jane Marie, ‘On Going Off My Depression Medication During Pregnancy‘ in Cosmopolitan
• Rosamund Urwin, ‘Why do crimes against women always have the same, sad ending?‘ on The Pool
• Kathy Dobie, ‘To Catch a Rapist‘ in The New York Times
• Ann Friedman, ‘The 2015 renaissance of the agony aunt‘ on The Pool
• Nadia Atia, ‘Your fascination with Muslim women’s bodies has a long misogynistic history‘ on Media Diversified

Society and Politics:

• Chimene Suleyman, ‘‘Integration’ or ‘Assimilation’ is a Two-sided Negotiation‘ on Media Diversified
• Afroze Zaidi-Jivraj, ‘What It’s Like Being Muslim In 2016‘ on Media Diversified
• Leena Habiballa, ‘Too Black to be Arab, too Arab to be Black‘ on Media Diversified
• Alicia Eler and Eve Peyser, ‘Tinderization of Feeling‘ on The New Inquiry
• Harriet Alida Lye, ‘The Myth of the Myth of the City of Love‘ on Hazlitt
• Emer O’Toole, ‘How to be a moderately successful person‘ in The Guardian
• Kavita Bhanot, ‘Decolonise, not Diversify‘ on Media Diversified
• Stacia L. Brown, ‘The ugly history of comparing black athletes and animals‘ in The Washington Post

Film, Television, Music, Art and Fashion:

• Lynn Enright, ‘The brilliant feminism of Transparent and Jill Soloway‘ on The Pool
• Jude Rogers, ‘Why we’re wired to love pop music‘ on The Pool
• Hannah McGill, ‘Nora Ephron: queen of hearts‘ on the BFI website
• Michelle Smith, ‘Suffragette reminds us why it’s a lie that feminists need men’s approval‘ in The Guardian
• Sarah Maria Griffin, ‘Girls Explain Star Wars to You‘ on Scannain
• Robin James, ‘Hello From the Same Side‘ in The New Inquiry

The interviews:

• Joyce Carol Oates on Electric Literature and in The Guardian
• Lisa Williamson in The Guardian and on Scottish Book Trust
• Amy Gustine on Electric Literature
• Helen Ellis in The New York Times
• Mira Ptacin on Flavorwire
• Chelsea Hodson in Hobart
• Tara Guha on Chouett
• Elizabeth Evans on Guernica
• Diane Williams in The Los Angeles Review of Books
• Ann Goldstein (Elena Ferrante’s translator) on Guernica
• Chaitali Sen on The Rumpus
• Valerie Martin in The Guardian
• Eileen Myles in The New York Times
• Liz Lochhead in The Guardian
• Margaret Atwood on Electric Literature
• Emma Donoghue on The Pool
• Sandra Cisneros on The Rumpus
• Lidia Yuknavitch and Anakana Schofield on Electric Literature
• Marlene Van Niekerk in The White Review
• Helen McClory on The Skinny
• Caitlin Moran in Stylist
• Roxane Gay on Sky Blue Window
• Tessa Hadley in the Wall Street Journal and The New York Times
• Ayisha Malik in The New Statesman
• Samantha Hunt on The Millions
• Claire Fuller on Sarah Jasmon’s blog
• Claudia Rankine in The Guardian
• Amy Poehler in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans