Non-Fiction Round-Up

There are some books that, for a range of reasons, I read but just didn’t get around to reviewing in full this year. Because I’d like to start the new year without a pile of books I haven’t reviewed yet glaring at me I thought I’d do a couple of round-ups instead. Today it’s non-fiction, earlier in the week it was fiction.

The Lonely City – Olivia Laing

Laing examines the idea of being lonely in the busiest place on earth – the city, specifically in her case New York City. Part memoir, part mediation on art, Laing looks at a number of artists who’ve dealt with the theme of loneliness – in their work and often in their private lives too – focusing in on Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The Lonely City is a fascinating exploration of what loneliness is; how we attempt to stave it off; why some people are consumed by it, and what its relationship to artistic creation might be.

The Pursuit of Happiness – Ruth Whippman

When her husband’s job takes her and their toddler to California, Ruth Whippman decided to take a look at the USA’s happiness industry. What does it consist of? Does it work? On a personal journey that takes in mindfulness, happiness gurus, a cultural project in Las Vegas, parenting, Mormons, Facebook and positive psychology, Whippman discovers what’s simply big business and what might actually be the key to feeling happy. Told from a cynical Brit’s point of view, this cynical Brit found it an interesting and engaging read.

Rain: Four Walks in English Weather – Melissa Harrison

Harrison explores the English countryside in the most British of weathers: the rain. Beginning in the waterlogged Fens before taking the reader through Shropshire and The Darent Valley to Dartmoor, Harrison combines historical fact with a glimpse of memoir and notes on the countryside, making you feel as though you’ve visited each place with her. Interesting enough from your armchair if you’re not a fan of walking in the rain; you can also amuse yourself with the 100 Words Concerning Rain contained in the back of the book and impress your friends with a range of dialectal terms.

 

Thanks to Canongate, Windmill Books and Faber and Faber for the review copies.

At Hawthorn Time – Melissa Harrison

At Hawthorn Time tells the story of three sets of people: Howard and Kitty have moved to Lodeshill from London; Jamie, 19, has lived in the village with his family his whole life, and Jack is an outsider, more comfortable in nature than in society.

Following a short prologue, the novel begins with Jack leaving a hostel in London with his tatty notebooks, some cooking utensils, a tent and a sleeping bag. We’re told he’s self-educated. He’s done short stints in a number of prisons for breaching bail, vagrancy and selling pot. He used to be a protester but now moves about, working on farms.

Growing ever more unloosed from what seems to sustain the rest of us, more stubborn with every arrest and stranger and more elliptical in his thinking, Jack became, with the passing of decades, less like modern man and more like the fugitive spirit of English rural rebellion. Or – to some, at least – mad.

Jack makes his way to Lodeshill for asparagus picking and the farms he knows will take him on, no questions asked.

Howard and Kitty’s marriage is on the rocks. Howard sold his haulage business so Kitty could fulfil her dream of moving to the countryside and now they live in a nice house in Lodeshill where they bicker with each other and sleep in separate rooms. But Howard didn’t want to move to the countryside and feels like an outsider, assuming that the locals view them as incomers. He spends his days doing up old wirelesses and enjoying a beer or three. Kitty goes out painting the countryside and spending time with her new artist friend, Claire.

Cars are Jamie’s passion or, at least, his car: a Corsa. As if the time, money and energy he spends on it aren’t enough, Jamie’s family and closest friendship are his biggest source of worry. His mum suffers from depression; his maternal grandfather is ninety-three and becoming increasingly withdrawn, while his best friend, Alex, has left and the farm he lived on next door to Jamie is being sold following his father’s death.

This was Jamie’s earliest memory: a magnet drawn dripping from black water on a rope. His grandfather’s strong hand prising a bright blade from it; the red drops hanging from his fingertips. And then, as he shook it off, the old man’s blood landing warm on Jamie’s lips and streaking the back of his hand when he tried to wipe it away.

Nature is Harrison’s other main character. She interweaves the natural world into the plot through each of the characters relationship to it – positive and negative. Jack is closely connected to the natural world: his observations, which he writes in his tatty notebooks form the novel’s chapter headings, rooting (sorry, couldn’t resist) the book firmly in flora and weather.

There was sickness and sickness, Jack thought, pausing by the roadside and looking up at an ash. Always the heart-rot and bracket fungus and gall wasps and wood-boring beetles, the old to-and-fro. But now there was something else: a hand on the trunk and he could feel it, like sadness in an embrace. The ash trees were steeling themselves.

He remembered the graceful elms. So did the rooks, you could hear the loss of them in their chatter still. Things didn’t always turn out as you feared, though; the countryside was still full of saplings, but fugitive, sheltered in hedgerows and abetted by taller trees. One day they might come back. It was something Jack tried to believe.

The novel’s prologue details the road, known as the Boundway, and the car crash which happens on it. It’s not clear who’s observing the crash nor who’s involved in it. This helps to drive the novel, creating tension, particularly as it begins to come clear who the people involved must be. However, Harrison also creates tension via the idea of the natural world dying. Key characters here are Howard with his love of London and wilful ignorance of the countryside and Jamie, who seems to embody the future; what will win out, his love of his car and his desire to leave Lodeshill or his love for his grandfather and all he’s taught him?

Harrison doesn’t leave the reader with any easy answers about nature or the character’s dilemmas, but the novel’s stronger for posing questions which the reader needs to ponder after they’ve closed the final page.

At Hawthorn Time is an interesting, engaging read. The variety of well-drawn characters combined with the structure, pace and language of the natural world make it clear why this was shortlisted for the Costa Novel of the Year Award and is now on the Bailey’s Prize longlist.

In the Media: March 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

The Bailey’s Women’s Prize for Fiction longlist was announced this fortnight. While former winner, Lionel Shriver declared ‘Women’s literary prizes are ‘problematic’‘.

And the Wellcome Book Prize announced their shortlist with four (out of six) female writers on it, as did the YA Book Prize with eight women writers on its ten book shortlist.

Elena Ferrante is hot news in the literary world once again after Corriere della Sera published an article in which Marco Santagata claimed to know her identity. Rachel Donadio wrote, ‘Who Is Elena Ferrante? An Educated Guess Causes a Stir‘ in The New York Times; Jonathan Sturgeon said, ‘We Already Know the Identity of Elena Ferrante‘ on Flavorwire; Lincoln Michel asked, ‘Why Do We Care Who the “Real” Elena Ferrante Is?‘ on Electric Literature; Stassa Edwards asked, ‘What’s Really Behind Our Obsession Over Unmasking Elena Ferrante?‘ on Jezebel; John Dugdale wrote, ‘Will Elena Ferrante outlast Louisa May Alcott’s secret alter ego?‘ in The Guardian, and Jessica Roy declared, ‘Leave Elena Ferrante Alone‘ in The Cut.

Anita Brookner died. Rebecca Hawkes wrote her obituary while Linda Grant wrote, ‘Why Anita Brookner’s funny, sharp novels got under your skin‘ both in The Telegraph.

The best of the rest:

On or about books/writers/language:

• Kevin McKenna, ‘Jackie Kay: Scotland’s poet of the people‘ in The Observer
• Elissa Washuta, ‘They Just Dig: On Writing, Coal Mining and Fear‘ on Literary Hub
• Louise Beech, ‘On Life Writing‘ on Women Writers, Women’s Books
• Rachel Kessler, ‘When the Apocalypse Is Your Religion‘ on Literary Hub
• Michelle Dean, ‘Why You Should Watch the New Nora Ephron Documentary‘ on Literary Hub
• Laura June, ‘Charlotte Brontë and her Best Friend’s Broken Promise‘ on Jezebel
• Meaghan O’Connell, ‘The Patronizing Questions We Ask Women Who Write‘ in The Cut
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• M Lynx Qualey, ‘In the Race for Literary Prizes, Is Gender Parity Possible?‘ in The National
• Fiona Noble, ‘YA and children’s books deserve to be judged separately‘ in The Bookseller
• Mimi Wong, ‘Slut Lit & Dismantling “The Fallen Woman”‘ on The Offing
• Boris Kachka, ‘A First-Time Novelist’s 7-Figure Midlife Breakthrough‘ on Vulture
• Claire Armistead, ‘Happiness to mindfulness, via wellbeing: how publishing trends grow‘ in The Guardian
• Jerome Charyn, ‘A Loaded Gun: The Real Emily Dickinson‘ on Longreads
• Belinda McKeon, ‘Dipping the Pen Nib Into Tragedy‘ on Catapult
• Emily Foster, ‘The Monster in the Mirror: On Horror, Disability, and Loving Both at Once‘ on Tor.Com
• Ilana Masad, ‘The First Unappreciated Woman Writer‘ on Broadly
• Sarah Blake, ‘Men Explain Submissions to Me‘ on The Rumpus

• Rosalie Knecht, ‘This Writer: On Social Work and Fiction‘ on Literary Hub
• Doris Grumbach, ‘A Life in Letters: From the New Republic to Iowa to Knopf‘ on Literary Hub
• Elizabeth Zaleski, ‘Other Writers’ Mothers: Some Reflections on Representing Family‘ on Vida
• Tracy Chevalier, ‘Past President of the Laura Ingalls Wilder Club‘ on Literary Hub
• Sara Nović ‘Sign of the Times‘ in Guernica
• Maddie Crum ‘Unhappily Ever After: How Women Became Seen Not Heard in Our Favourite Fairy Tales‘ on the Huffington Post
• Corrine Duyvis, ‘Fiction, like life, tells disabled people their lives have less value‘ in The Guardian
• Lisa McInerney, ‘Write what you know? Know what you write? I’d rather wing it, thanks‘ in The Irish Times
• Julia Pierpoint, ‘Topography of a novel: on how she wrote Among the Ten Thousand Things‘ in The Guardian
• Valerie Grove, ‘Margaret Forster: A northern lass in NW5‘ in The New Statesman
• Margaret Drabble, ‘My Hero: Elena Ferrante‘ in The Guardian
• Deborah Smith, ‘Only wilful disregard can hide the need to publish more women‘ in The Guardian
• Elisa Gabbert, ‘Can Ideas Withstand Shifts in Language?‘ in Guernica
• Pico Iyer, ‘On Annie Dillard‘ on Literary Hub
• Katy Derbyshire, ‘Translated fiction by women must stop being a minority in a minority‘ in The Guardian
• Summer Brennan, ‘The Things We Do to Promote the Books We Write‘ on Literary Hub
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Caroline Criado Perez, ‘“Publishing is a women’s world”: Gender inequality in the writing industry‘ on Scottish Pen
• Christina Wodtke, ‘It’s Not Easy Being She‘ on Medium
• Anne Boyd Rioux, ‘Constance Fenimore Woolson: The Forgotten Author Who Inspired Henry James‘ on The Daily Beast

Personal essays/memoir:

• Julienne Grey, ‘What We Remember: One Small Act Replaces the Rest‘ on Electric Literature
• Jess E. Jellsma, ‘Frigid‘ on The Rumpus
• Alison Motluk, ‘A Journey to the Medical Netherworld‘ On Hazlitt
• Kathleen Hale, ‘Surviving the Love Bomb‘ on Hazlitt
• Janice Lee, ‘I Can’t Go On / I’ll Go On‘ on Berfrois
• Kaitlyn Greenidge, ‘I Found My Father’s Eulogy In Junk Food‘ on Buzzfeed
• Alana Massey, ‘First the Breakup. Then the Screenshots.‘ in The Cut
• Anakana Schofield, ‘Bold, Open-Minded and Entrepreneurial‘ on the LRB Blog
• Chelsea G. Summers, ‘The Half Dad‘ on Catapult
• Sarah Menkedick, ‘One Afternoon in Texas‘ on Vela
• Arial Gore, ‘Blood-Red Bougainvillea‘ on The Rumpus
• Ann Patchett, ‘That Family Party Everyone Hated? It Was Mine.‘ in The New York Times
• Jessica Silvester, ‘On an Italian Island, How He Met My Mother‘ in The New York Times
• Jasmine Sanders, ‘Mama‘ on Catapult
• Michelle Levitt, ‘Buckle and Sway‘ on Catapult
• Sarah Menkedick, ‘Everyday Geography‘ on Vela
• Naomi Gordon-Loeb, ‘Even Lumberjacks Deserve Lotion: Gender in the Locker Room‘ on The Toast

Feminism:

• Helen Walmsley-Johnson, ‘How we think about women and shame‘ in The New Statesman
• Sarah Ditum, ‘A Woman’s Body Is Not a Disgrace‘ in The New Statesman
• Marie Phillips, ‘What would the world look like if men took the pill?‘ in The Pool
• Caitlin Moran,“You were not born scared and self-loathing” in Stylist
• Em LaFave Olson, ‘Why I’m Returning to My Maiden Name‘ on Medium
• Caitlin Moran, ‘I’m sticking my neck out‘ on Adelaide Now
• Rachel Pashley, ‘We’ve placed motherhood on such a high pedestal we’ve forgotten the huge pros of being a child-free woman‘ in The Independent
• Fiammata Rocco, ‘Fiction at its Finest‘ in The Bookseller
• Emer O’Toole, ‘Three ways for feminists to cope with the abuse we face‘ in The Irish Times

Society and Politics:

• Eternity Martis, ‘What It Was Like to Grow Up Fat‘ on Vice
• Olga Khazan, ‘Lean In to Crying at Work‘ in The Cut
• Katy Derbyshire, ‘Berlin, It’s Not Sex All the Time‘ on Literary Hub
• Alena Gradon, ‘Distant Brains‘ in Guernica
• Rukmini Callimachi, ‘To Maintain Supply of Sex Slaves, ISIS Pushes Birth Control‘ in The New York Times
• Chimamanda Adichie. ‘Why can’t he just be like everyone else?‘ on The Scoop
• Erin Allday, ‘Last Men Standing‘ in the San Francisco Chronicle
• Suki Kim, ‘Mr. Rubio’s Neighbourhood‘ in New Republic
• Amena Ziard, ‘There’s More to Saudi Arabia than the Ban on Women Driving‘ on Media Diversified

Film, Television, Music, Art, Fashion and Sport:

• Elizabeth Day, ‘Happy Valley: female solidarity is stronger than male exploitation‘ on The Pool
• Sara Baume, ‘How to Understand America, One Pattern at a Time‘ on Literary Hub
• Sonia Saraiya, ‘“The Bachelor” is still for white people: A sour fairy tale, fed to millions, that keeps prizing whiteness above all‘ on Salon
• Rosalind Jana, ‘Mark My Words: The Subversive History of Women Using Thread as Ink‘ on Broadly
• Emma Dabiri, ‘Why Zoe Saldana was the wrong black woman to play Nina Simone‘ in The Telegraph

The interviews:

• L.S. Hilton on The Debrief and The Pool
• Deborah Levy in The Guardian
• Cynthia Cruz in Maenad Magazine
• Gillian Slovo in The Independent
• Helen Macdonald in The Washington Post
• Lauren Groff on Longreads
• Rachel Kushner, Rivka Galchen (& Hari Kunzru) on Electric Literature
• Dana Spiotta on Electric Literature
• Morgan Jerkins on BlacQurl
• Joanna Walsh in The Gloss
• Sunny Singh in The TES
• Carol Lovekin on The Writes of Woman
• Sarayu Srivatsa on The Writes of Woman
• Antonia Honeywell on The Writes of Woman
• Sarah Howe in Neue Journal
• Danielle Dutton in The LA Times, in Bomb Magazine and 3am Magazine
• Melissa Broder in Elle
• Anna Moschovakis on Flavorwire
• Jessa Crispin on The Rumpus
• Samantha Hunt on Literary Hub
• Annie Proulx in The New Yorker
• Malorie Blackman in The Bookseller
• Victoria Aveyard in The Guardian
• Mary Oliver on Oprah
• Brooke Magnanti in The Guardian
• Meghan Daum on The Rumpus
• Cressida Cowell, Laura Dockrill (and Philip Ardagh) in The Guardian
• Melissa Harrison in The Herald
• Anne Boyd Rioux on History in the Margins
• Ottessa Moshfegh on Penguin
• Helen Oyeyemi on Broadly
• Annie Dillard on Literary Hub
• Joanna Cannon in Standard Issue
• L.A. Weatherly in The Guardian
• Anjali Joseph on The Asian Writer
• Cassandra Clare in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

The Bailey’s Women’s Prize for Fiction Longlist 2016

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

Here they are, the 20 books longlisted for this year’s Bailey’s Women’s Prize for Fiction. In alphabetical order (of author’s surname):

A God In Ruins – Kate Atkinson

Rush Oh! – Shirley Barrett

Ruby – Cynthia Bond

The Secret Chord – Geraldine Brooks

The Long Way to a Small, Angry Planet – Becky Chambers

A Dictionary of Mutual Understanding – Jackie Copleton

Whispers Through a Megaphone – Rachel Elliott

The Green Road – Anne Enright

The Book of Memory – Petina Gappah

Gorsky – Vesna Goldsworthy

The Anatomist’s Dream – Clio Gray

At Hawthorn Time – Melissa Harrison

Pleasantville – Attica Locke

The Glorious Heresies – Lisa McInerney

The Portable Veblen – Elizabeth McKenzie

Girl at War – Sara Nović

The House at the Edge of the World – Julia Rochester

The Improbability of Love – Hannah Rothschild

My Name Is Lucy Barton – Elizabeth Strout

A Little Life – Hanya Yanagihara

My initial reaction is that the three books I thought were certs are all on there – A God in Ruins, My Name Is Lucy Barton and A Little Life. Very pleased to see all three.

I predicted six of the titles, which is my highest success rate ever! Very pleased to see Girl at War on the list as well as The Portable Veblen. I’ve enjoyed all those I’ve already read, which includes The Green Road which I haven’t posted my review for yet.

As for the rest of the list, I’m delighted to see Pleasantville – I loved Black Water Rising and have had the latest on my TBR pile for ages. I’ve also heard good things from people I trust about The Book of Memory, At Hawthorn Time and The Glorious Heresies.

As always with The Bailey’s Prize there are some books I hadn’t heard of before I saw the list. My absolute favourite part of this is reading those titles, there’s always one in there that surprises me with its brilliance. On looking through the blurbs, I can’t believe I hadn’t come across Ruby, it’s had so many fantastic reviews, and The Anatomist’s Dream is perfect for my PhD thesis so I’m very pleased it’s come to my attention.

I’m looking forward to getting stuck into the reading and debating the books with the rest of the shadow panel. I’m hoping you’ll join in the discussion on our blogs and Twitter too. Can’t wait to hear what everyone thinks of the chosen titles.

 

 

In the Media, March 2016, part one

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

The best of the rest:

On or about books/writers/language:

• Eve Ainsworth, ‘Toxic love: YA’s bad boys need to stay between the covers‘ in The Guardian
• Hanya Yanagihara: ‘Don’t we read fiction exactly to be upset?’ in The Guardian
• Jessie Burton, ‘Success, Creativity and the Anxious Space‘ on her blog
• Claire Fuller, ‘Some things I’ve learned in my year of being published‘ on her blog
• Bree Crowder, ‘Four Young Adult Authors Share Why They Write Funny Books‘ on Bustle
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Deborah Moggagh, ‘Man Booker Prize has an unhealthy effect on the market, says author Deborah Moggagh‘ in The Independent
• Claire Fallon, ‘Our Favourite Children’s Books Are Super Problematic‘ on the Huffington Post
• Alison Flood, ‘Tessa Hadley among nine winners of surprise $150,000 literary awards‘ in The Guardian
• Sian Cain, ‘Toni Morrison wins PEN/Saul Bellow award for contribution to American fiction‘ in The Guardian
• Jo Hall, ‘If We Can Imagine Dragons: On Writing Non-Heterosexual Relationships in Fantasy‘ on Holdfast
• Alison Stine, ‘On Poverty‘ on Kenyon Review
• Joan Schenkar, ‘What Patricia Highsmith did for love: ‘The Price of Salt’ and the secrets behind ‘Carol’‘ in the Los Angeles Times
• Louise Walters, ‘I didn’t want to resort to self-publishing, but it’s an exhilarating change‘ in The Guardian
• Gaby Wood, ‘How Karl Ove Knausgaard and Elena Ferrante won us over‘ in The Telegraph
• Moira Redmond, ‘Leap year fear: a literary history of women proposing marriage‘ in The Guardian
• Katy Derbyshire, ‘Women in Translation: Why Does It Matter?‘ on Free Word
• Eva Jurczyk, ‘No More Books by Men‘ on The Awl
• Elizabeth Strassner, ‘How To Tell If You’re In a Flannery O’Connor Story‘ in The Toast
• Anne Boyd Rioux, ‘How to Make Sure Your Writing Is Forgotten‘ on The Rumpus
• Holly Williams, ‘From The Roaring Queen to Downton Abbey: the afterlives of Virginia Woolf‘ in the New Statesman
• Anna North, ‘What Publishing a Novel Taught Me About Life‘ on Waterstones’ Blog

• Kate Jenkins, ‘Harper Lee and the Myth of a Post-Racial America‘ on Literary Hub
• Sian Cain, ‘Fear of Flying still soars above tabloid outrage‘ in The Guardian
• Brigit Katz, ‘These forgotten female crime writers had no time for femme fatales or dowdy housewives‘ on Women in the World
• Idra Novey, ‘Writing While Translating‘ on Literary Hub
• Elizabeth Minkel, ‘Teen readers aren’t in crisis, they’re just making their own rules‘ in The Guardian
• Jaya Saxena, ‘I Know I Should Like Reading More But There Are Things About The Act Of Reading That Make It Very Difficult‘ in The Toast
• Deirdre Sullivan, ‘The seed of Needlework was anger, and I wanted it to feel raw’ in The Irish Times
• Jesmyn Ward remembers Harper Lee: ‘She saw and responded to the humanity of each and every one of us’ on Entertainment Weekly
• Vipash Bansal, ‘Remembering Octavia Butler: 1947-2006‘ on Media Diversified
• Chris Power, ‘A brief survey of the short story: Elizabeth Taylor‘ in The Guardian
• Brooke Magnanti, ‘Where are the normal women in fiction?‘ on One Book Lane
• Robin Stevens, ‘Boys could enjoy stories about girls, and vice versa – if only we’d let them‘ in The Guardian
• Chelsea G. Summers, ‘A History of Horny‘ on Hazlitt
• Brit Mandello, ‘Dear Joanna Russ: A Letter for an Inimitable Writer‘ on Tor.Com
• Sunny Singh, ‘Why set up a prize for writers of colour?‘ in The Bookseller
• Rory Samantha Green, ‘Born Lucky: my mum Jackie Collins and her wild child alter ego‘ in The Guardian
• Laura Barnett, ‘Finding ideas isn’t usually a problem‘ in The Guardian
• Joanna Cannon, ‘Mental illness is always a problem, so we will always need books about it‘ in The Guardian
• Jonathan Sturgeon, ‘The Paradoxical Legacy of Harper Lee‘ on Flavorwire
• Tricia Tongco, ‘Meet Faith, The Body-Positive Superhero Of Our Dreams‘ on the Huffington Post
• Melissa Harrison, ‘How cars ruined our love of the countryside‘ in The Guardian
• Shelley Harris, ‘The Secret Life of Mothers‘ on the WHSmith Blog
• Morgan Jerkins, ‘Black Women Writers and the Secret Space of Diaries‘ in The New Yorker

 

Personal essays/memoir:

• Esther Wang, ‘Watching And Reading About White People Having Sex Is My Escape‘ on Buzzfeed
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Georgina Kleege, ‘On Being Who I Am: My Life as a Tall Blind Woman‘ in The Toast
• Briallen Hopper, ‘Relying on Friendship in a World Made for Couples‘ in The Cut
• Sarah Resnick, ‘H‘ on n+1
• Rosalind Jana, ‘The One Piece Of Clothing That Makes Me Feel Extraordinarily Sexy‘ on Refinery 29
• Alana Massey, ‘Why I’m Buying a House Without a Family to Put in It‘ on The Cut
• Anna Holmes, ‘I Feel Destined to Be Single, and That’s Okay‘ on The Cut
• Kade Walker, ‘Veronica Dies in Jamaica‘ on The Rumpus
• Ellen Urbani, ‘There Is No Such Thing as a True Story‘ on The Rumpus

Feminism:

• Rebecca Traister, ‘The Single American Woman‘ in The Cut
• Aria Dean, ‘Closing the Loop‘ on The New Inquiry
• Eleanor Ross, ‘Why estate agent sexism could be costing you‘ on The Pool
• Gaby Hinsliff, ‘It’s the £30bn cut you’ve never heard of. And women are bearing the brunt‘ in The Guardian
• Ann Friedman, ‘So You’re a Celebrity Who Calls Yourself a Feminist. Now What?‘ in The Cut
• Linda Chavers, ‘To Black Girls Everywhere‘ on The Offing
• Caroline Paul, ‘Why Do We Teach Girls That It’s Cute to Be Scared?‘ in The New York Times

Society and Politics:

• Caitlin Moran, ‘How to start – and win – an argument online‘ in The Guardian
• Hadley Freeman, ‘So the privately educated are the new underclass? Spare me the sob story‘ in The Guardian
• Chimene Suleyman, ‘Trump has succeeded in an America that is already pre-disposed to racial suspicion‘ on Media Diversified
• Sarah Churchwell, ‘Hillary Clinton’s haters and the glass ceiling of American politics‘ in the New Statesman
• Molly Crabapple, ‘What Life Is Like Inside the Besieged, War-Torn Syrian City of Aleppo‘ on Vice
• Julia Lee, ‘When People of Color Are Discouraged From Going Into the Arts‘ in The Atlantic
• Dorothy Cummings McLean, ‘Marriage Is an Accomplishment‘ on Quadrapheme
• Kate Spicer, ‘Does where you go to school affect your ability to succeed?‘ on The Pool
• Jamilah King, ‘How Black Women Like Me Reckon With America’s Political Process‘ on Mic

Film, Television, Music, Art, Fashion and Sport:

• Rachel Syme, ‘The Return to Predictability‘ on Complex
• Anna Leszkiewicz ‘The Ghostbusters trailer shows the new film is categorically not aimed at men‘ in the New Statesman
• Emma Brockes,  ‘Whether it’s Ali G or Tina Fey, ironic racism just isn’t funny any more‘ in The Guardian
• Venus Williams, ‘Why I’m Going Back to Indiana Wells‘ on The Players’ Tribune
• Joan Smith, ‘Now we know – the BBC’s macho culture protected predatory men for decades‘ in The Guardian
• Allison P. Davis, ‘Why Are White People Trying to Ruin ‘Formation’?‘ on The Cut
• Anohni, ‘Why I Am Not Attending the Academy Awards‘ on Pitchfork
• Gwynne Watkins, ‘Before #OscarsSoWhite: The Forgotten Story of Queer Nation’s 1992 Academy Awards Protest‘ on Yahoo
• Elisabeth Donnelly, ‘Boston Rules‘ on Hazlitt
• Caroline O’Donoghue, ‘Kesha: the musical equivalent of the drunk girl in the short dress‘ on The Pool
• Kiva Reardon, ‘Mainstream Creep: Keeping Feminist Film Criticism Subversive‘ on Hazlitt

The interviews:

• Han Kang in The White Review (translated by Deborah Smith)
• Louise O’Neill in Elle
• Helen Stephenson on The Pool
• Chinelo Okparanta on For Books’ Sake
• Tracy Chevalier in The Bookseller and The Telegraph
• Rachel B. Glaser on For Books’ Sake
• Molly Crabapple on Literary Hub
• Shelley Harris on The Writes of Woman and One Book Lane
• Kathleen Spivak on The Rumpus
• Rebecca Traister on Jezebel and Elle (with Roxane Gay)
• Mona Awad on Electric Literature
• Virginia Reeves on Literary Hub
• Jennifer Clement on Pen America
• Monica Wendel on Vida
• Sara Taylor in The Big Issue
• bell hooks (with Emma Watson) in Paper
• Ottessa Moshfegh in The Observer
• Emma Donoghue on Public Books
• Meg Rosoff on Bookanista
• Sarah Ruhl in The New York Times
• Sarah Bakewell on The Bookseller
• Marian Keyes in the Bath Chronicle
• Laura van den Berg and Emily St. John Mandel on the FSG blog
• Joyce Maynard on Literary Hub
• G. Willow Wilson on Black Nerd Problems
• Sharon Horgan on Creative Review
• Elizabeth Kadetsky on The Rumpus
• Lucy Kalanithi in Stylist
• Jacky Fleming on The Pool
• Petina Gappah on NPR
• Carol Tulloch in The Observer
• Caitlin Moran on The Debrief
• Deborah Smith on The Quietus

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media: 24th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Cannes Film Festival’s been in the spotlight (haha) this week for turning women away from a screening because they were wearing flat shoes. Heels as compulsory footwear for women may or may not (depending which day it is someone asks) be part of their dress policy. Helen O’Hara writes ‘How the 2015 Cannes Film Festival became all about women‘  while Laura Craik asks, ‘Is the tyranny of high heels finally over?‘ both in The Pool. Hadley Freeman wrote, ‘Can’t do heels? Don’t do Cannes‘ in The Guardian, while Elizabeth Semmelhack wrote, ‘Shoes That Put Women in Their Place‘ in The New York Times

The other big feminist story was about ‘wife bonuses’ after Wednesday Martin wrote a piece for the New York Times called, ‘Poor Little Rich Women‘. Amanda Marcotte asked, ‘What’s Wrong With “Wife Bonuses”?‘ in Slate

Awards this week went to the five 2015 Best Young Australian Novelists, three of whom are women, all of whom are women of colour – hurrah for progress. Also in Australia, the shortlist for the Miles Franklin Award was revealed, four of the five shortlisted writers are women. The O. Henry Prize Stories for 2015 were announced. Of the twenty selected, fifteen were by women. You can read those by Dina Nayeri, Molly Antopol and Lynne Sharon Schwartz by clicking on their names.

The best of the rest:

On or about books/writers/language:

• Bryony Gordon, ‘How to survive Hay Festival‘ in The Telegraph
• Sinclair McKay, ‘Leading Ladies: meet the Queens of Romance‘ in The Telegraph
• Cate Dicharry, ‘Diary of a First-Time Book Tour‘ on Literary Hub
• Kelly Link, ‘Subversive Pleasure‘ (on Angela Carter) in the New York Times
• Katy Waldman, ‘It’s Time to Stop Praising Authors for Being “Good at the Internet”‘ on Slate
• Laurie Uttich, ‘In Defense of ‘Depressing’ Books‘ on the Huffington Post
• Emily M. Keeler, ‘Friends don’t let friends review their friend’s books… do they?‘ in the National Post
• Susanna Rustin, ‘Literary festivals are getting too big for their books‘ in The Guardian
• Various, ‘Take a book holiday with some of our favourite authors!‘ on One Book Lane
• Abie Longstaff, ‘A history of human rights abuses in fairytales‘ in The Guardian
• Jonathan Clarke, ‘Six Possibly True Observations About Renata Adler‘ on The Millions
• Eleanor Morgan, ‘What the Hell Is a Hot Feminist?’ on Vice
• Samantha Langsdale, ‘Simon Pegg is wrong – comics aren’t an escape from reality, they help us deal with it‘ in The Guardian
• Claire Landsbaum, ‘How the Success of Marvel’s Female Superheroes Heralds a More Inclusive Age of Comics‘ on Vulture
• Felix Kent, ‘How To Tell If You Are In An ’80s Biography Of A Famous Woman‘ in The Toast
• Meytal Radzinski , ‘WITMonth 2015 Intro Post: FAQs and helpful references‘ on Biblibio
• Lizi Gilad Silver, ‘Please Come with Me on the Yellow Bus for a Field Trip to the Library Where We Will Find Bean Spasms and Other Rare Treasures‘ on Real Pants
• Sarah Seltzer, ‘Why Do We Re-Read Our Favorite Books as Kids, and Why Do We Stop When We Get Older?‘ on Flavorwire
• Caitriona Lally, ‘on writing Eggshells: from the dole to a debut novel‘ in The Irish Times
• Karen Gordon, ‘Against Type: Unapologetically Sexual‘ on Rewriting Mary Sue
• Jessica Valenti, ‘Feminists don’t care if you like hot pink, eat salads or shave your crotch‘ in The Guardian
• Polly Vernon, ‘The Hot Feminist Manifesto‘ in The Times

• Rebecca Falkoff, ‘To Translate Is to Betray: On the Elena Ferrante Phenomenon in Italy and the US‘ on Public Books
• Alison Flood, ‘Agatha Christie’s ‘forgotten’ Syrian memoir gets new lease of life‘ in The Guardian
• Natalie Haynes, ‘March of the megabooks: it’s all Donna Tartt’s fault‘ in The Guardian
• Alice Jones, ‘If this is the year of the mega-novel, it’s going to be a very long 12 months‘ in The Independent
• Philip Graham, ‘Trouble Using Light: The Complications of Art in the Fiction of Christine Sneed‘ on The Millions
• Joanna Cannon, ‘The Story Behind Goats and Sheep‘ on her blog
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• Whitney Phillips, ‘Laugh It Off?‘ on Slate
• Rebecca Mascull, ‘The difficult second novel‘ on Just Write
• Diane Hurlburt, ‘“Bee Theres”: The Mormon YA of My Youth‘ in The Toast
• Lauren Alwan, ‘A Brief History of the Colloquial Title‘ on The Millions
• Iona Grey, ‘The things we should’ve asked‘ on Gransnet
• Kelly Jensen, ‘Depression Has No Straight Lines, Only Lies‘ on Disability in Kidlit
• Ruth Ware, ‘“When I was about thirteen or fourteen, I fell in love”‘ (on Josephine Tay) on the Penguin Blog
• Julia Donaldson, ‘Why hearing children should find out about signing‘ in The Guardian
• Madeline Thein, ‘Why Hong Kong is clamping down on creative writing‘ in The Guardian
• Jami Attenberg, ‘How 15 Minutes Of Internet Fame Did Nothing For My Books‘ on Buzzfeed
• Jessica Anya Blau, ‘My Favorite Women Writers of the 1950s‘ on Read Her Like an Open Book
• Leesa Cross-Smith, ‘Writing Some Stuff & Keeping On Keeping On‘ on Real Pants
• Helen Grant, ‘My inspiration: The Lost World‘ in The Guardian
• Kirsty Logan, ‘Jonathan Strange and Mr Norrell: A Fairytale Education‘ on Vintage Books
• Jessica Valenti, ‘You might not think you’re sexist – until you take a look at your bookshelf‘ in The Guardian
• Susan Lannigan, ‘We need to talk about…Day jobs and money‘ on her blog
• Christine Sneed, ‘on The Pleasure of Influence‘ on Read Her Like an Open Book

Personal essays/memoir:

• Rebecca Wait, ‘One woman’s experience of cults‘ in The Pool
• Sali Hughes, ‘What do brilliant, extravagant presents actually mean?‘ in The Pool
• Lauren Laverne, ‘Why everyone needs a list of Cheering-Up Things‘ in The Pool
• Suzanne Moore, ‘In a far corner of the school field, we would defy gravity‘ in the New Statesman
• Clare Archibald, ‘Sweet Sixteen Saturdays‘ on TYCI
• Clare Archibald, ‘Meandering Route of the Muscle Memories‘ on Scottish Book Trust
• Eva Holland, ‘Unclimbable‘ in SB Nation
• Susie Cage, ‘What Is A Woman’s Wardrobe Worth?‘ on Buzzfeed
• Eryn Loeb, ‘Return Trip, OBX‘ in Vela
• Martha Stortz, ‘How I Gave Myself Permission To Be Gluten-Free‘ on Buzzfeed
• Upasna, ‘A Girl Without a Country‘ on Rookie
• Maureen O’Connor, ‘De-Cluttering Is the New Juice Cleanse (and Equally Annoying)‘ in The Cut
• Stephanie Butzer, ‘Heat‘ on The Fem
• Alysia Abbott, ‘Fairyland: Memories of a Singular San Francisco Girlhood‘ on Longreads
• Trisha Low, ‘On Being-Hated: Conceptualism, the Mongrel Coalition, the House That Built Me‘ on San Fransisco MOMA
• Storm Persephone Tara-Meiying Liu, ‘How Losing My Sight Helped Me Express My Gender Identity‘ on Vice
• Catherine Santino, ‘Dear college graduates: it’s OK not to know‘ on Hello Giggles
• Rebecca Riley, ‘How I Learned the Meaning of Ableism‘ on The Fem
• Sadie Stein, ‘Bus Pass‘ on The Paris Review Blog
• Ella Wilson, ‘The Therapist Who Saved My Life‘ on Literary Hub
• Sarah Maria Medina, ‘Iced Cake Frosting‘ in Midnight Breakfast
• Sousan Hammad, ‘A Map of Jerusalem‘ in Words Without Borders
• DeLaynna Corley, ‘Motel 6‘ in New Mexico Review
• Alexis Paige, ‘Not a Place on Any Map‘ in New Mexico Review
• Melissa Grunow, ‘Out of Ash‘ in New Mexico Review
• Erika Anderson, ‘Never Write From a Place of Despair‘ in Midnight Breakfast
• Elena Dunkle, ‘The Cost of My Teenage Years as an Unrecovered Anorexic‘ on the Huffington Post
• Wendy C. Ortiz, ‘What is Sacred‘ in Midnight Breakfast
• Amanda Parrish Morgan, ‘O Martyr My Martyr!‘ on The Rumpus
• Seyward Darby, ‘I was on Amtrak train 188. Afterward, I saw the crash through my fiance’s eyes‘ in The Washington Post
• Jochebed Smith, ‘Swearing Off the Modern Man‘ in The New York Times
• Suzanne Clores, ‘When You Dream Your Husband Is Trying to Kill You‘ on The Rumpus

Feminism:

• Eve Barlow, ‘The horrible proof that sexism in the workplace still exists‘ in The Pool
• Isabelle O’Carroll, ‘A comprehensive guide to the sexist world of beer adverts‘ in The Pool
• Caroline Criado-Perez, ‘Five Fearless Women Who Have Inspired Me To Be A Proud Feminist‘ in Marie Claire
• Mac McClelland, ‘We Learned Together: A Nice Afternoon With The Women Of New Orleans’ Trans Veterans Support Group‘ on Buzzfeed
• Jill Lepore, ‘To Have and To Hold‘ in The New Yorker
• Sharon H. Chang, ‘This Mocha-Caramel-Honey Post-Racial Fantasy Is Making Me Sick‘ on Buzzfeed
• Syreeta McFadden, ‘Revelations About Being Brown In A World Of White Beauty‘ on Buzzfeed
• Paula Cocozza, ‘Actors: go ahead, lie about your age – look how Maggie Gyllenhaal was treated‘ in The Guardian
• Glosswitch, ‘The feminist history of surrogacy: should pregnancy give a woman rights over a baby?‘ in the New Statesman
• Mika Brzezinski, ‘Working Your Value‘ on Medium
• Jessica Roake, ‘I Am a Good Mother‘ on Slate
• Sammy Nickalls, ‘I don’t know if I want to have kids, and that’s OK‘ on Hello Giggles
• Rhiannon Lucy Cosslett, ‘Bring back self-defence classes for women – it’s the feminist thing to do‘ in The Guardian
• Meredith Talusan, ‘Women’s colleges should reinvent themselves as havens for trans women‘ in The Guardian
• Tracy King, ‘No, Mad Max: Fury Road is not a feminist masterpiece (but that’s OK)‘ in the New Statesman
• Eva Wiseman, ‘Which body should I try on next?‘ in The Observer
• Heather Havrilesky, ‘With Amal Clooney, We Finally Have the Consummate Feminist Superhero. Let’s Not Ruin It‘ in The Cut
• Nicole Nolan, ‘Boobs, Money, and Plastic Surgery‘ in The Toast
• Talat Yaqoob, ‘29% is Equality‘ on the Huffington Post

Society and Politics:

• Suzanne Moore, ‘Why is it so hard to say sorry?‘ in The Pool
• Sophie Heawood, ‘Call me naive, politicians, but how about saying what you really think?‘ in The Guardian
• Sarah Hagi, ‘Those Who Leave Somalia Need Remittance Too‘ on Buzzfeed
• Hon Lai Chui, ‘I Just Want To See The Sea‘ (tr. Henry Wei Leung with Louise Law) in The Offing
• Jaimie Lauren Keiles, ‘How To Be Spiritual (If You’re Not)‘ on The Awl
• Amy Maxmen, ‘Frontline health workers were sidelined in $3.3bn fight against Ebola‘ in Newsweek
• Diana Kapp, ‘Why Are Palo Alto’s Kids Killing Themselves?‘ in San Francisco Magazine
• Lisa Miller, ‘Can Racism Be Stopped in the Third Grade?‘ in New York Magazine
• Rajeswari Sunder Rajan, ‘A Woman’s Worth‘ in Granta
• Alexis Coe, ‘By Reason of Insanity‘ in Lapham’s Quarterly
• Anonymous, ‘Confucius say what? Whitewashed by the colorblind‘ on Empathize This
• Lindsey Newhall, ‘Fighting for Identity: The Life of a Transgender Kickboxer in Rural Thailand‘ on Vice
• Katie Roiphe, ‘Why Professors Should Never Have Affairs With Their Students‘ on Slate
• Eleanor Margolis, ‘The Breakfast in Bed Café is a desperate cry for help – Ikea should stick to meatballs and sofas‘ in the New Statesman
• Elyssa Goodman, ‘Riding with the Oldest All-Gay, All-Male, All-Riding Motorcycle Club‘ on Vice
• Neda Tehrani, ‘It’s Time To Talk About ‘British Values’‘ on Media Diversified

Film, Television, Music and Fashion:

• Hadley Freeman, ‘My Dirty confession‘ in The Jewish Chronicle
• Karen Krizanovich, ‘Mad Max: Fury Road is a brilliant celebration of women’s power‘ in The Pool
• Bim Adewunmi, ‘The Curious Conformity Of YouTube’s Beauty Tutorials‘ on Buzzfeed
• Emily Yahr, ‘From guilty pleasure to Emmy Awards: The delightfully weird history of Lifetime movies‘ in The Washington Post
• Deborah Cohen, ‘How Indie Rock Changed the World‘ in The Atlantic
• Kathleen E. Kennedy, ‘What Sansa Stark’s Rape Tells Us About Our Culture‘ on Vice
• Anna Leszkiewicz, ‘Amy Schumer’s coarse, playful comedy explores how women are complicit in their oppression (And forgives them for it.)‘ in the New Statesman
• Kate Aurthur, ‘All 90 Episodes Of “Mad Men” Ranked, From Good To Perfect‘ on Buzzfeed

The interviews:

• Marian Keyes in The Pool (or the 40 minute Director’s Cut)
• Rachel Trezise on London Short Story Festival
• Judy Blume in The Guardian and The New York Times
• Mary Costello on Bloom
• Jodi Picoult on Bustle
• Melissa Harrison on Tania Hershman’s Blog
• Taiye Selasi on Essence
• Hanya Yanagihara on Electric Literature
• Sophia Jansson on Bookanista
• Edna O’Brien in The New York Times
• Anne Enright on The Millions
• S.D. Sykes on Rebecca Mascull’s blog
• Rainbow Rowell on Buzzfeed
• Honorée Jeffers on The Rumpus
• Kate Atkinson on Our Book Reviews Online
• Sunetra Gupta on Medium
• Kirsty Logan, Vesna Goldsworthy and Anne Enright on Vintage Books Podcast
• Randa Abdel-Fattah on Words Without Borders
• Elenor Kopka on Okey-Panky
• Naomi Novik on Publishers Weekly Podcast
• Keller Easterling in Guernica
• Vivian Gornick on Longreads and in The Observer
• Maggie Nelson on Jezebel
• Alison Layland on Thriller Books Journal
• Dasha Kelly on The Rumpus
• Lynda Barry in The Guardian
• Meera Syal in The Times
• Ashley Ford on IndyStar
• Elaine Feeney in the Honest Ulsterman

If you want some fiction to read:

• The first five chapters of The Woman Who Stole My Life by Marion Keyes in The Pool
• ‘The Edge‘ by Barbara Mhangami-Ruwende in Guernica
• ‘The Biscuit‘ by Jette Harris on The Fem
• ‘Come Make Love With Us‘ by Cari Luna in Midnight Breakfast
• An extract from Uprooted by Naomi Novik on Pan Macmillan
• An extract from Coming Up Roses by Rachel Lucas on Pan Macmillan
• An extract from The Gracekeepers by Kirsty Logan on The Awl
• ‘Star Bellies‘ by Evelyn Alfred in Literary Orphans
• ‘Survival of the High-Riding Bitch‘ by June Frances Coleman in Literary Orphans
• ‘Fade‘ by Morgan Jerkins in Literary Orphans
• ‘Passive-Aggressive‘ by Naadeyah Haseeb in Literary Orphans
• ‘A Warm Winter‘ by Molly McArdle in Midnight Breakfast
• ‘The Necklace‘ by Claire Fuller on her blog
• ‘Your Baby‘ by Asmaa Alghoul (tr. Kareem James Abu-Zeid) on Words Without Borders
• ‘What Wolves Dream‘ by Olya Stoyanova (tr. Angela Rodel) in Words Without Borders
• ‘Scumbag‘ by Gabrielle Moss in Midnight Breakfast
• ‘The Freezer Chest‘ by Dorthe Nors in The New Yorker and she discusses the story here
• ‘The Murder Stone‘ by Jo Mazelis on Litro

Photograph by Kwesi Abbensetts

If you want some poetry to read:

• ‘My Tits Are More Feminist Than Your Tits‘ by Salena Godden on This Is My Jam (or watch it on Youtube (images of tits, obviously))
• ‘A Numbered Graph That Shows How Each Part of the Body Would Fit Into A Chair‘ by Mary Jo Bang in Granta
• ‘No Soft Pink Hands‘ by Helena Chung in Pank
• ‘All They Want Is My Money My Pussy My Blood‘ by Morgan Parker on Literary Hub
• ‘Travel Anatomy‘ by Corinne Gaston in Literary Orphans
• ‘Art | is | Sometimes They Call Me “T”‘ by Teré Fowler-Chapman in Literary Orphans
• ‘The Body on the Interstate‘ by Paige Sullivan in New Mexico Review
• ‘Sharks in Albuquerque‘ by Janna Layton in New Mexico Review
• ‘The haunting of the Oatman Hotel‘ by Leah Angstman in New Mexico Review
• ‘Ways to Divide‘ by Meghan McClure in New Mexico Review
• ‘The Answers That Were Sewn‘ by Jacqueline Markowski in Up the Staircase Quarterly
• ‘After Marvin Bell’s Dead Man poems‘ by Tamra Hays in Up the Staircase Quarterly
• ‘Lovesick Woman Spends Week in KFC‘ by Laryssa Wirstuk in Up the Staircase Quarterly
• ‘Tree‘ by Jennifer Martelli in Up the Staircase Quarterly
• ‘interstellar‘ by Orooj-e-Zafar in Up the Staircase Quarterly
• ‘Final Purification‘ by Kelly Andrews in Up the Staircase Quarterly
• Two Poems by Lauren Gordon in Up the Staircase Quarterly
• ‘Shipwreck Survivor Refuses to Speak to CNN‘ by Janeen Pergrin Rastall in Up the Staircase Quarterly
• ‘As It Is‘ by Lauren Camp in Up the Staircase Quarterly
• ‘This is the Healing Part, it Looks Like Setting a Broken Bone‘ by Bri Lopez Donovan in Burn Something
• ‘Force‘ by Irna Landrum
• ‘Women’s Poetry‘ by Daisy Fried in Berfrois
• Three Miley Cyrus Poems by Talin Tahajian in Blunderbuss
• ‘I’m a Young Cowboy and Know I’ve Done Wrong‘ by Catherine Pond in the Boston Review
• ‘For the Officer Who Put the 8-Year-Old Boy in Handcuffs‘ by Katy Richey in The Offing
• ‘No System for Grief‘ by Kimberly Grey on Linebreak
• ‘You Probably Think This Poem Is About You‘ by Tovah Leah Green on Cahoodaloodaling
• ‘How Mike Weston Died‘ by Janet Hagelgans in Thrush

If you want some non-fiction to read:

• An extract from Ballad of the Black and Blue Mind by Anne Roiphe on Literary Hub

The lists:

• Female Literarti Pick Summer’s Best Books in Harper’s Bazaar
• 22 Thrilling, Imaginative, and Twisted Genre Books By Women on Flavorwire
• 8 Books To Read Over A Long Holiday Weekend on The Huffington Post
• Kirsty Logan’s Born This Way: 10 great LGBT books for teens on Scottish Book Trust
• SD Sykes’ Five Favourite Historical Crime Novels on the Curtis Brown Book Group Blog
• 6 African novels to fuel your wanderlust on Voices of Africa
• Best Books: May Part One on Quadrapheme

In the Media: 26th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

This week’s been all about friendship. The Cut declared it Friends Forever Week and ran a series of articles including, ‘The Friend Who Showed Me the Life I Could Have Had‘ by Nell Freudenberger; Emily Gould wrote, ‘Envy Nearly Wrecked My Best Friendship‘; Carina Chocano, ‘9 Friends Who Made Me Who I Am‘; Heather Havrilesky, ‘The Friend I’ve Been Fighting With for 20 Years‘; ‘Clique-Stalking: Instagram’s Greatest Social Pleasure‘ by Maureen O’Connor, and ‘25 Famous Women on Female Friendship‘. While Megan O’Grady wrote ‘This Spring’s Literary Subject May Have You Calling Your Pals‘ in Vogue; Lauren Laverne says ‘It’s time to rehabilitate matchmaking‘ in The Pool, Sulagna Misra writes ‘How Captain America Helped Me Make Friends in the Real World‘ on Hello Giggles and Leesa Cross-Smith writes, ‘Broken Friendships & Knowing All Too Well‘ on Real Pants.

If you’re still to discover it, one of my favourite blogs Something Rhymed covers friendships between female writers and is run by two female writers who are also best friends, Emma Claire Sweeney and Emily Midorikawa. On the site this week, ‘Crying Tears of Laughter: Irenosen Okojie and Yvette Edwards‘.

And then there’s the Amy Schumer sketch with Julia Louis-Dreyfus, Patricia Arquette and Tina Fey celebrating Louis-Dreyfus’ ‘Last Fuckable Day’. If you haven’t seen it yet, you must watch it RIGHT NOW! And when you’ve done that you can read Eleanor Margolis, ‘This Inside Amy Schumer sketch about the media’s treatment of “older” women is perfect‘ in the New Statesman and/or Lynn Enright, ‘Hollywood actresses skewer sexism and ageism brilliantly‘ in The Pool.

Unfortunately, it’s also been about Twitter trolls: Soraya Chemaly wrote in Time, ‘Twitter’s Safety and Free Speech Tightrope‘; Fiona Martin wrote ‘Women are silenced online, just as in real life. It will take more than Twitter to change that‘ in The Guardian; Sali Hughes wrote, ‘Trolls triumph by shutting down women’s voices‘ in The Pool

Congratulations to Yiyun Li who became the first woman to win the Sunday Times short story award and to Emily Bitto who won The Stella Prize this week.

In this week’s Harper Lee news, ‘Reese Witherspoon set to record Harper Lee’s new novel‘ reports Alison Flood in The Guardian.

And the woman with the most publicity this week is Kate Bolick, author of Spinster: Making a Life of One’s Own, who writes ‘How Writers Can Grow by Pretending to Be Other People‘ in The Atlantic, and is interviewed on Slate, in Cosmopolitan and on Longreads. While Stephanie Gorton Murphy writes, ‘The Uneasy Woman: Meghan Daum, Kate Bolick, and the Legacy of Ida Tarbell‘ on The Millions.

The best of the rest:

On or about books/writers/language:

• Doireann Ní Ghríofa, ‘on writing Clasp and what became of Airt Uí Laoghaire’s horse‘ in The Irish Times
• Ali Smith, ‘on Public Libraries‘ in The Independent
• Anne Milano Appel, ‘Skirting the Juniper Brambles: A Translator Narrowly Misses Getting Trapped in the Copyright Thicket‘ on Publishing Perspectives
• Anne Boyd Rioux, ‘Creating the Literary World of the Future: A Response to VIDA’s Recommendations‘ on The Millions
• ‘“Can You Think About Rising?” A year after the firings of two top women editors, four journalism leaders discuss the challenges of editing while female‘ in Politico
• Sage Stossel, ‘Writers who are also mothers‘ in The Boston Globe
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Caitlin White, ‘J.K. Rowling’s New Robert Galbraith Novel Is Coming, and Her Announcement Proves Again Why She’s the Queen of Twitter‘ on Bustle
• Moira Redmond, ‘The Girl on the Train – and other express encounters in literature‘ in The Guardian
• Sarah Winman, ‘What it means to be a reader‘ on Waterstones’ blog
• Elizabeth Andre, ‘Now Writing Is for Extroverts Too‘ on The Rumpus
• Ann Patchett, ‘Owning a bookstore means you always get to tell people what to read‘ in The Washington Post
• Norah Vincent, ‘On the Subject of My Suicide‘ on Literary Hub
• Rosy Edwards, ‘Why You Should Never Read Your Reviews, and it’s Not the Reason You Think‘ on the Huffington Post
• James Parker, ‘Renata Adler: Troll or Treasure?‘ in The Atlantic
• Alice Stephens, ‘Behind in the Count‘ in the Washington Independent Review of Books
• Elif Shafak, ‘Books were my crazy, wise companions in a conservative world‘ in The Pool
• Leslie Wilson, ‘Writing Last Train from Kummersdorf – A Little Bit of My Soul‘ on The History Girls blog
• A Celebration of Reading, by Outside the Box: Women Writing Women on Jane Davis’ website
• Concepta Cassar, ‘Food For Thought: What Montaigne Can Teach Us About Ultraprocessed Foods‘ on Litro
• Robin Black, ‘What’s So Great About Young Writers?‘ in The New York Times
• Sulagna Misra, ‘The Everyday Matters of Superheroes, Part I: Civil War, Marvel Nine Nine, and Dwayne McDuffie‘ and ‘The Everyday Matters of Superheroes, Part II: Jane Austen, AUs, and Pacific Rim‘ in The Toast
• Amanda Holmes, ‘Reading Wuthering Heights with Juvenile Offenders‘ on Women Writers, Women’s Books
• Melissa Harrison, ‘How to get down to grips with writing a book? Take a walk on the wild side‘ in The Guardian
• Sunili, ‘Reading as Revolution: Why I’m still banging on about People of Colour and Literature‘ on Medium
• Kelly Jensen, ‘A Conversation About Girls’ Stories with Laurie Halse Anderson and Courtney Summers‘ on Bookriot

• Mallory Ortberg, ‘How To Tell If You Are In A Shirley Jackson Story‘ in The Toast
• Arifa Akbar, ‘A foreign language can make sex scenes read better‘ in The Independent
• Rene Denfeld, ‘Books Saved Me‘ on Waterstones’ blog
• Michelle Dean, ‘Race, wit and mansplaining: female authors debate at Los Angeles books festival‘ in The Guardian
• Genevieve Cogman, ‘Women in SF&F Month‘ on Fantasy Cafe
• Taylor Sperry, ‘Readers may binge, but they do not purge‘ on Melville House
• Jessamyn West, ‘Kind of a Big Deal: What it’s like to be a famous librarian‘ on Medium
• Kamila Shamsie, ‘How I Began to Read‘ on Yahoo News India
• Harriet Mallinson, ‘Is romantic fiction a dangerous passion?‘ in The Guardian
• Courtney Maum, ‘Why Being A Debut Author Isn’t Exactly A Dream Come True‘ on Buzzfeed
• Joanna Walsh, ‘Kathy Acker’s pioneering adventures in the internet’s erogenous zone‘ in The Guardian
• Danielle Lazarin, ‘Where Are the Female Lit Mag Editors? Here.‘ on The Review Review
• Caitlin Moran, ‘What Have They Done to My Library?‘ on Nosy Crow
• Emily Beber, ‘Passed over to a broken machine: on Claire Potter’s Mental Furniture‘ in 3AM: Magazine
• ‘Glamorous and Bold: The Story of the First Black Female Cartoonist‘ on Black Then
• Bronte siblings bicentenary plans announced on the BBC
• Alissa Wilkinson, ‘The Power of Confession‘ in Pacific Standard
• Jonathan Shia, ‘Alison Bechdel: The Bechdel Test “Has Been a Very Strange Turn in My Life”‘ on Vulture
• Kaitlyn Greenidge, ‘The Riotous Power of Toni Morrison‘ in VQR
• Melissa Moorer, ‘This Writer is on Fire: Cathy Linh Che‘ in The Butter
• Alyssa Cole, ‘History in Color: A Black American Romance Roundtable‘ in The Toast
• Paul Kerschen, ‘Sour, Salty, Bitter, Spicy, Sweet: On Can Xue and Five Spice Street‘ in Music & Literature
• Alexander Chee, ‘From Potter to Tartt To Ferrante: How We Came to Love the Multi-Volume Novel‘ on Literary Hub
• Rachel Joyce, ‘In my head, books are always competing with real life‘ in The Telegraph
• Anna James, ‘Slew of second novels set for this summer‘ in The Bookseller
• Alison Flood, ‘Report finds UK books world has marginalised and pigeonholed ethnic minorities‘ in The Guardian

Personal essays/memoir:

• Hayley Webster, ‘I love cemeteries and memorial gardens…I need to see the evidence someone existed‘ on her website
• Ashley C. Ford, ‘I Moved to New York on Crutches’ on Femsplain
• Jo Hogan, ‘Heartbeats and Heartbreak‘ on her blog
• Lisa Grunwald, ‘The Art of Being Apart‘ in the New York Times
• Anna Feintuck, ‘Making sense of the city‘ on Scottish Book Trust
• Edwidge Danticat, ‘Without Her‘ in The New York Times
• Cal Flyn, ‘How do you acknowledge a shameful heritage?‘ in The Pool
• Sadie Stein, ‘Shying‘ in The Paris Review
• Abby Kloppenberg, ‘Small Talk: Intimacy Doesn’t Require Two People, Does It?‘ on Medium
• Heidi Julavits, ‘Turning Clutter Into Joy‘ in The New York Times
• Robyn Wilder, ‘How motherhood messes with your identity‘ in The Pool
• Leah Reich, ‘The Princess Who Learned To Lock Her Heart Away‘ on Medium
• Madhurima Chakraborty, ‘By Any Other Name‘ on The Hairpin
• Nicole Soojung Callaghan, ‘First Steps: Searching for My Birth Family‘ in The Toast
• Anastasia Selby, ‘The Day Before Thanksgiving I Got an Abortion‘ on Weird Sister
• Bridget Foley, ‘“I am not supposed to be alone. I am one of a pair”‘ on Salon
• Kelly Davio, ‘The Waiting Room: There Was That One Time‘ in The Butter
• Alexandra Neuman, ‘Tampon‘ on The Fem
• Pia Ehrhardt, ‘Inpatient, Outpatient‘ in The Butter
• Jess Bergman, ‘Letters to Anita: On My Grandmother’s Legacy‘ in The Toast
• Dini Karasik, ‘A Country Called My Mother‘ in The Butter
• Claire Greaves, ‘How Am I? Honestly!‘ on the Huffington Post
• Laura Turner, ‘The Claustrophobia of Fear‘ on Medium

Feminism:

• Caitlin Moran, ‘on Getting Her Legs Out‘ on The Pool
• Maanvi Singh, ‘See Priya Cook: Gender Bias Pervades Textbooks Worldwide‘ on NPR
• Margaret Corvid, ‘Moving on from the “happy hooker”: why I love my job as a sex worker‘ in the New Statesman
• Adeline Ginn, ‘Why Do Fewer Women Vote?‘ on the Huffington Post
• Anonymous, ‘I had an abortion because of extreme morning sickness. Spare others that pain‘ in The Guardian
• Camille Beredjick, ‘When A Queer Woman Counts Calories‘ on Buzzfeed
• Jetta Rae, ‘The Incidental Activism Of My Going Outside‘ on Ravishly
• Nilanjana S Roy & Radhaben Garva, ‘Painting the Women’s Movement‘ in Granta
• Jane C. Hu, ‘Gal Science: What Is Female Brain?‘ in The Toast
• Jamie Lauren Keiles, ‘Acceptable Catcalls‘ on The Awl
• Suzanne Moore, ‘Wanting to be liked won’t earn you respect‘ in The Pool
• Imogen Fox, ‘Sideburns for women: get in the loop‘ in The Guardian
• June Carbone and Naomi Cahn, ‘The Marriage Calculus‘ in Aeon
• Polly Neate, ‘Domestic Abuse Can Deny Women Their Vote – Here’s How‘ on the Huffington Post
• Alexandra Heminsley, ‘Paula Radcliffe’s final marathon‘ in The Pool

Society and Politics:

• Bim Adewunmi, ‘An Article About Black Women Shouldn’t Have To Come With A Warning Label‘ on Buzzfeed
• Rachel Munroe, ‘Have You Ever Thought About Killing Someone?‘ on Medium
• Kim Brooks, ‘The Struggle To Reclaim Parenting‘ on Buzzfeed
• Sarah Stillman, ‘Where Are the Children?‘ in The New Yorker
• Amanda Ripley, ‘The Upwardly Mobile Barista‘ in The Atlantic
• Tyler Wetherall, ‘Female distillers prove women know their alcohol – and always have‘ in The Guardian
• Amy Merrick, ‘Designing for Disability‘ in The New Yorker
• Paula Cocozza, ‘Unlike Matilda Kahl, I enjoy making decisions on what to wear every morning‘ in The Guardian
• Beejoli Shah, ‘My Bindi Is Not Your Bindi‘ on The Frisky
• Zakia Uddin, ‘What It’s Like Speaking A Different Language From Your Parents‘ on Buzzfeed
• Elizabeth Minkel, ‘From Nate Silver to #Milifans: welcome to the age of political fandom‘ in the New Statesman
• Sophie Heawood, ‘How hard can it be to cancel a mobile phone or satellite TV contract?‘ in The Guardian
• Lo Kwai Mei-en, ‘Reports from the Field– Speak Test: The Silencing of the Racialized Body‘ on VIDA
• Chimene Suleyman, ‘From Boyle to May, Immigration, as it turns out, has done rather well on providing jobs‘ on Media Diversified
• Eleanor Margolis, ‘No more “gal pals”: why do we assume lesbians are confused, attention-seeking, or man-boycotting straight women?‘ in the New Statesman
• Kristina Kay Robinson, ‘What’s Old Is New Again‘ in Guernica
• Morgan Meaker, ‘How has Britain’s most deprived community fared under the coalition?‘ in the New Statesman
• Marcia Rigg, ‘I Am Tired of Reports and Recommendations – What We Need Is a Culture Change in Attitudes Towards Mental Health‘ on the Huffington Post
• Natalie Bennett, ‘It’s Time for the UK to Stand Up for Migrants‘ on the Huffington Post
• Natasha Devon, ‘I’m a size 14 to 16, and Jamelia doesn’t think I should be able to shop for clothes that fit me – is she ok?‘ in The Independent
• Caroline Criado Perez, ‘Why don’t you care who made your clothes?‘ in the New Statesman
• Rachel Shabi, ‘Britain must help stop the human tragedy in the Mediterranean‘ in the Evening Standard
• Jameela Jamil, ‘Thank God I’m Not Jamelia‘ on the Huffington Post
• Rhiannon Lucy Cosslett, ‘Hooray for the Milifans. They can change the world for the better‘ in The Guardian
• Lauren Smiley, ‘What Strippers Can Teach Uber‘ on Medium
• Angela Flournoy, ‘When Black Neighbourhoods Disappear‘ on Literary Hub
• Joanna Biggs, ‘Keep smiling if you want a job in 2015‘ in The Guardian
• Zoe Williams, ‘Demanding more: on where democracy lives in the 21st century‘ on the Penguin blog
• Deborah Orr, ‘Why the hysteria over Nicola Sturgeon?‘ in The Guardian
• Bryony Gordon, ‘Katie Hopkins is a monster of our own making‘ in The Telegraph
• Hannah Pool, ‘Jourdan Dunn draws attention to fashion’s problem with black hair‘ in The Pool
• Laurie Penny, ‘There may be nothing to vote for — but there’s plenty to vote against‘ in the New Statesman
• Zoe Williams, ‘Katie Hopkins calling migrants vermin recalls the darkest events of history‘ in The Guardian
• Jane Rawson, ‘Don’t Mention the War‘ in Overland
• Sarah Ditum, ‘What Katie Hopkins wrote was monstrous. But save your anger for the politicians who decided to let migrants drown‘ in the New Statesman

Music, Film and Television:

• Rawiya Kameir, ‘Your Fave Is Problematic, And That’s Okay For You, But They Still Need To Apologize‘ in Fader
• Tracy Ann Oberman, ‘Here’s to you, Anne Bancroft‘ in The Pool
• Jeanette Leach, ‘Say What You Can‘ on [post-rock]
• Lauren Barton, ‘Patti Smith: punk’s poet laureate heads back on the road for her sins‘ in The Guardian

The interviews:

• Toni Morrison in The Guardian and on NPR
• Nicky Beer on The Rumpus
• Kirsty Logan on the Penguin Blog
• Charlotte Gordon in the Wall Street Journal
• Sabaa Tahir on Publishers Weekly podcast
• Yumi Sakugawa on Okey Panky
• Heidi Julavits on Electric Literature and Lit Up
• Meredith Talusan in The Toast
• Emily Schultz in Vol. 1 Brooklyn
• Lora Mathis on The Fem
• Jillian Tamaki in The Guardian
• Laila Lalami on the Los Angeles Review of Books Podcast
• Monica Byrne on The Rumpus
• Jan Morris in The Guardian
• Paula Hawkins on The Daily Beast and in The Guardian
• Mary Costello on Electric Literature
• Attica Locke on Kirkus and NPR
• Renée Knight on The Gymkhana Club
• Liz Fenwick on One Book Lane
• Helen Skelton in The Guardian
• P.P. Wong in The Strait Times
• Elizabeth Alexander on Salon
• Iona Grey on Rebecca Mascull’s blog
• Claire Potter on Very Small Kitchen
• Liza Klaussman in The Pool
• Andrea Gillies on Novelicious

If you want some fiction to read:

• ‘The Penis Problem‘ by Suzanne Schafer on her website
• ‘Last Chapter on Hotel Stationery‘ by Ursula Villarreal-Moura in The Butter
• ‘The Rental Heart‘ by Kirsty Logan on Storychord
• ‘Last Night & Yesterday‘ by Joslyn Sklar in The Offing
• An extract from Adult Onset by Anne-Marie MacDonald on Literary Hub
• ‘Maps‘ by Kate Sparks on Whiskeypaper
• ‘The Beacon‘ by Claire Fuller on her blog
• ‘Bird Song‘ by Nadia Hassan on Rewriting Mary Sue
• ‘Far Beyond the Brilliant Sky: 9‘ by Rebecca Burns on The Word Runs Through It
• An extract from Amy Wild: Amazon Summer by Helen Skelton
• An extract from The Enchanted by Rene Denfeld on Orion Books
• The opening of Mental Furniture by Claire Potter on Very Small Kitchen
• ‘Letters to a Mostly Imagined Correspondent‘ by Katherine Riegal in The Offing
• The first five chapters of Villa America by Liza Klaussman
• ‘You Are a Sacred Space‘, by Yumi Sakugawa in Okey Panky
• ‘Inkubation‘ by Jacqui Pack on Litro

If you want some poetry to read:

• ‘Elegie of a Diaspora‘ by Ally Ang on Vagabond City
• Five poems by Elizabeth T. Gray Jr. in Drunken Boat
• ‘All My Creys‘ by Cynthia Arrieu-King in Drunken Boat
• ‘Pathology‘ by Kenzie Allen on Litragger
• Three Poems by MRB Chelko on Blunderbuss
• ‘Dorothy Parker Swipes Left‘ by Heather Alexander in The Toast

If you want some non-fiction to read:

• An extract from Angry in Piraeus by Maureen Freely in The New York Review of Books
• ‘Small Stories #11‘ by Madeline Witt on The Rumpus
• An extract from The Sixth Extinction by Elizabeth Kolbert
• An extract from Hammer Head by Nina MacLaughlin on Literary Hub

The lists:

• The Spinster Hall of Fame: Cut-out Dolls of Five Pioneering Women Writers on Literary Hub
• 11 Novels That Expectant Parents Should Read Instead of Parenting Books on Electric Literature
• LGBTQ* Poets You Should Know: Highlighting Women of Color on The Fem
• 11 Books To Give Your Future Daughter Throughout Her Life on Bustle
• 31 Contemporary Poets You Need To Read on Buzzfeed

In the Media: 22nd March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The big news this week is that Kath Viner became the first woman appointed to the role of editor-in-chief at The Guardian in its 194 year history. The first woman to edit a UK broadsheet and only the second EIC of The Guardian to have attended a (selective) state school.

Unfortunately, the other trend in articles this week have been about the abuse women have suffered from a variety of sources; Heidi Stevens wrote in the Chicago Tribune ‘Hate mail lesson: Uncombed hair threatens the natural order‘; Sarah Xerta wrote ‘The Brick Wall: The Intersection of Patriarchy, Privilege, Anger, and Language‘ on VIDA; Juliet Annan ‘is a Lazy Feminist‘ in publishing on the Penguin Blog; Sara Pascoe wrote ‘The hymen remains an evolutionary mystery – and the focus of the oppression of women’s sexuality‘ in The Guardian; Katie McDonough wrote ‘If you’re shocked by this Penn State frat’s nude photo ring, you’re not paying attention‘ on Salon; Jessie Burton took ‘Speakers’ Corner‘ on Hunger TV; Claire Byrne wrote, ‘One sordid, gross and offensive comment must have been thought up while he sat there scratching himself in his grey fading jocks. I wonder what makes people think it’s acceptable to make comments like that?‘ in the Irish Independent, and Ashley Judd wrote, ‘Forget Your Team: Your Online Violence Toward Girls and Women Is What Can Kiss My Ass‘ on Mic.

And there’s been a number of articles about race; Rebecca Carroll wrote ‘Calling out one racist doesn’t make white people any less complicit in supremacy‘ in The Guardian; Jia Tolentino wrote ‘How to Talk About Race With Your Starbucks Barista: A Guide‘ in Jezebel; Maya Goodfellow wrote, ‘Climate change is easier to ignore because right now it’s people of colour who suffer the most‘ on Media Diversified; Vulture interviewed Claudia Rankine on ‘Serena, Indian Wells, and Race‘ and KCRW’s Bookworm asked her about writing the racial ‘other’.

This week’s Harper Lee news: To Kill a Mockingbird was named #78 on The Guardian list of The 100 Best Novels; Casey N. Cep reported on ‘Harper Lee’s Abandoned True-Crime Novel‘ in The New Yorker, and Jonathon Sturgeon asked ‘Is It Time to Get Hopeful About Harper Lee?‘ on Flavorwire.

And prizes this week went to Louise O’Neill who won the inaugural YA Book Prize and Louise Erdrich won the Library of Congress Award.

The best of the rest articles/essays:

• Mary Chris Escobar, ‘In Defence of Fluff‘ on Women Writers, Women’s Books
• Lizzy Kremer, ‘Let’s All Fall in Love: Reading and Romance‘ on Publishing for Humans
• Margaret Dilloway, ‘on Disobedient and Difficult Female Characters‘ on Read Her Like an Open Book
• Andrea Calabretta, ‘Land of Fire and Ice‘ in Litro
• Bryce R. Covert, ‘When Men Want Kids — and Women Aren’t So Sure‘ in The Cut
• Chika Unigwe, ‘The Transformation of Mama Paulina‘ in Guernica
• Habibe Jafarian, ‘How to Be a Woman in Tehran‘ (tr. Salar Abdoh) in Guernica
• Melissa Harrison, ‘Rivertones 3‘ (two songs to accompany her new novel At Hawthorn Time on Caught By the River
• The Morning News Tournament of Books An Untamed State vs Station Eleven
• Rachel Brownson, ‘The Resurrection of the Body: On Family, Mental Illness, and Grief‘ in The Toast
• Shonda Rhimes at The Human Rights Campaign Gala in Los Angeles, 2015 on Medium
• Sarah Perry, ‘Sherlock’s swansong: the ideal Holmes expedition‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Winter of Our Discontent‘ in The Butter
• Sara Alaica, ‘Over the Mountains‘ in Vela
• Andre Gerard, ‘Names, Texts and WWI in To the Lighthouse‘ in Berfois
• Andre Gerard, ‘The Odyssey, The Times and Howard’s End in To the Lighthouse‘ in Berfois
• Andre Gerard, ‘Virgil, Tolstoy and War in To the Lighthouse‘ in Berfois
• Zadie Smith, ‘Yates Lane, NW8‘ in Five Dials
• Lynn Melnick, ‘First Loves‘ on Poetry Foundation
• Rita Dove, ‘Homage to Toni Morrison‘ on Critical Mass
• Brigid Schulte, ‘Why time is a feminist issue‘ on Daily Life
• Emily Drabble, ‘Carnegie medal and Kate Greenaway 2015 shortlists announced‘ in The Guardian
• Catharine Morris, ‘Ali Smith at the Wapping Project‘ on the TLS Blog
• Caroline Criado-Perez, ‘If the UK government doesn’t protect exploited domestic workers, it is complicit in slavery‘ in the New Statesman
• Roopa Farooki, ‘Making Time to Write‘ on the Tinder Press Blog
• Elaine Feeney, ‘Untitled‘ (on what it’s like to die) on The Bogman’s Cannon
• Rafi Schwartz, ‘Male Science-Fiction Authors Discuss The Women Writers Who Influenced Them‘ on Good
• Lorna Bradbury, ‘Picture books are not just for babies‘ in the Telegraph
• Thea Lenarduzzi, ‘When Virginia found her Rachel?‘ on the TLS Blog
• Julie Zeilinger, ‘This Author Is Exposing the Sexist Double Standard in Children’s Literature‘ on Mic
• Emma Hogan, ‘The Sweet Sting of Muriel Spark‘ on Intelligent Life
• Sari Botton, ‘Curtis Sittenfeld’s Prep 10 Years Later‘ on Longreads
• Heather Havrilesky, ‘Like a Prayer‘ in Aeon
• Jeanette Winterson, ‘on The Waves‘ on the Penguin Blog
• Elif Shafak, ‘As storytellers, we speak for pluralism and democracy‘ in The Observer

• Liz Blocker, ‘Things We Don’t Talk About: On Coming Out to My Family‘ on The Toast
• Jaki McCarrick, ‘The Genesis of Belfast Girls‘ on CloudNine
• Deborah Smith, ‘Writing Against the Grain: Contemporary Korean Women to Watch‘ on For Books’ Sake
• Leslie Jamison, ‘Enough About Me‘ in The Atlantic
• Allison Williams, ‘Women and the Global Imagination: Sweet Time‘ on Prairie Scooner
• Anna Ross, ‘Report from the Field: I Don’t Know How She Does It‘ on VIDA
• Ilana Masad, ‘On Hebrew and Living in Gendered Language‘ in The Toast
• Leesa Cross-Smith, ‘Why A Well-Written Story May Be Rejected, Or, Every Editor Has Their Things‘ on The Review Review
• Leesa Cross-Smith, ‘First Tastes and Endeavors‘ on Real Pants
• Tania James, ‘What Writers Can Gain From Seeing the World Through Different Eyes‘ in The Atlantic
• Kim Phillips-Fein, ‘Why Workers Won’t Unite‘ in The Atlantic
• Anne Hull, ‘For Hardee’s workers, it’s not a parable, it’s a job‘ in The Washington Post
• Ainehi Edoro, ‘Why Zadie Smith Tops Adichie’s List of Women Who Write Well and Dress Well‘ on Brittle Paper
• April Bernard, ‘Laura’s World‘ (on Laura Ingalls Wilder) in the New York Review of Books
• Elizabeth Mills, ‘Liminal Space, or: Depression, Transitioning, and What’s in Between‘ in The Toast
• Ashley Ford, ‘Disrupting Domesticity: Take Care‘ in The Butter
• Aeman Ansari, ‘Origin Story‘ on Hazlitt
• Sophie Gilbert, ‘Why Are Art Heists So Fascinating?‘ in The Atlantic
• Jessie Burton, ‘A Week in the Life of the Novelist‘ in the Wall Street Journal
• Hadley Freeman, ‘I had anorexia – but not because I wanted to look like a fashion model‘ in The Guardian
• Harriet Alida Lye, ‘The New Occupation of Paris‘ in Vice
• Nicole Cliffe, ‘Trapped in the Stairwell: My Birth Story‘ in The Toast
• Felicity Cloake, ‘So hot right now: the peppers that prove there’s a perv in all of us‘ in the New Statesman
• Sady Doyle, ‘Season of the witch: why young women are flocking to the ancient craft‘ in The Guardian
• Alice Hoffman, ‘My inspiration: Mary Poppins‘ in The Guardian
• Tracey Thorn, ‘There’s no magic to raising twins – I just had to find my own brand of baby care‘ in the New Statesman
• Jessica Levine, ‘Living Time, Writing Time: Narrating the Fourth Dimension in Fiction‘ on Bloom
• Susan Pinker, ‘Why face-to-face contact matters in our digital age‘ in The Guardian
• Bianca Stone, ‘The House With Feet: The Dire Importance of Ruth Stone’s Bequest‘ on VIDA
• Jonathon Sturgeon, ‘Zoella’s Clockwork Novels: Fanfiction, Ghostwriters, and the Bizarre, Automated Future of Publishing‘ on Flavorwire
• Rebecca Scherm, ‘New Genres: The Worm in the Apple‘ on Electric Literature
• Alison Flood, ‘How come the romantic novel of the year is a work of Young Adult fiction?‘ in The Guardian
• Gabrielle Glaser, ‘The Irrationality of Alcoholics Anonymous‘ in The Atlantic
• Rebecca Mead, ‘Sole Cycle‘ in The New Yorker
• Kate Garrett, ‘Why We Do Poetry‘ on Pankhearst
• Robin Rinaldi, ‘Then They Took Off Their Clothes and Did That Thing‘ on Book Keeping
• Judith Thurman, ‘Doll’s Play‘ in The New Yorker
• Monique Rivalland and Louise France, ‘i’m a teen, there 4 i tweet‘ in The Times
• Edith Hall, ‘Challenging the Classical Conservatives‘ on Edithorial
• Margaret Atwood, ‘Game of Thrones: “Real people, every murderous one”‘ in The Observer
• Moira Redmond, ‘Judging a book by its title: when books don’t live up to their names‘ in The Guardian
• Rebecca Mascull and Louise Walters, ‘Moon Tiger discussion‘ on Rebecca Mascull’s blog
• Eve Makis, ‘on Cyprus‘ on Isabel Costello’s Literary Sofa
• Judith Shulevitz, ‘In College and Hiding From Scary Ideas‘ in The New York Times
• Sasha Garwood, ‘Trigger warning: in which intent and outcome are so rarely coincident‘ on The F Word

The interviews:

• Maggie Nelson in Guernica
• Laxmi Narayan Tripathi in Guernica
• Caitlin and Caz Moran on The Debrief
• Rachel Cusk on Foxed Quarterly
• Miranda July in The Scotsman
• Laura Munson on Blogcritics
• Kim Gordon in The NME and on It’s Nice That
• Robin Rinaldi on Salon
• Kirsty Gunn and Deborah Levy on the LRB Bookshop Podcast
• Emma Healey in Woman
• Kate Forsyth on New Australian Women Writers Challenge Blog
• Azar Nafisi in the New Humanist
• Lauren Olivier in The Guardian and on the Huffington Post
• Zen Cho and Stephanie Feldman on Electric Literature
• PP Wong on This Is Writing
• Naja Marie Aidt on Maisonneuve
• Eula Bliss and Kate Hamer on The Guardian Books’ Podcast
• Lucy Knisley on Publishers Weekly
• Polly Teale on Northern Soul

If you want some fiction/poetry to read:

• ‘Andromeda‘ by Sam Mills in Litro
• ‘Calypso in Therapy‘ by Louise Palfreyman in Litro
• ‘The Tikbalang‘ by Bethany W. Pope in Litro
• ‘Petrification‘ by Ruth Brandt in Litro
• ‘Fimbulwinter‘ by Francoise Harvey in Litro
• ‘Arcadia, Mars‘ by Elizabeth Lindsey Rogers in Guernica
• ‘Subcortical‘ by Lee Conell in Guernica
• ‘An Optical Illusion‘ by Eimear Ryan on Long Story, Short
• ‘Postal Worker and Housewife‘ by Nellie Hermann on Blunderbuss
• An extract from The Holiday by Nell Osbourne on Goldfish
• ‘Caterpillars‘ by Hallie Bateman on Blunderbuss
• ‘The Slanted Life of Emily Dickinson‘ by Rosanna Bruno
• ‘Erasure Methods‘ by Annie Ostlund on Electric Literature
• ‘The Matter of Seggri‘ by Ursula K. Le Guin on poliscifi
• ‘Initiation‘ by Kamilah Aisha Moon in The Offing
• ‘I looked for you, I called your name‘ by Laura Van Den Berg on Bookanista
• ‘Routine‘ by Arike Oke in Litro
• ‘A-Z of the Death Drive‘ by Deborah Levy in Five Dials
• ‘Talking With the Dead‘ by Claire Fuller on her blog
• ‘Tra le righe/Between the Lines‘ by Mati Colarossi (tr. Mati Colarossi) on Parallel Texts

Or some non-fiction:

• A new introduction to The Beauty Myth by Naomi Wolf on the Penguin Blog
• An extract from Ghettoside by Jill Leovy
• ‘Escape from New York‘ by Ellen Willis from The Essential Ellen Willis on The Village Voice

The lists:

• 12 Super Short Stories You Can Read in a Flash on the Huffington Post
• Read Her Now: Five Women to Translate in 2015 on All Wrongs Reversed
• Five things we learnt… from Caitlin Moran at WOW on the Southbank Centre
• How Do You Get Over Someone? 15 Books to Get You Through a Breakup With Your Dignity Intact on Bustle
• 3 New Books to Read If You Loved The Girl on the Train in Glamour
• From Zadie Smith To Helen Oyeyemi And Emily Brontë, Bestselling Female Authors Who Nailed Their Biggest Hit Novel Under The Age Of 30 in Stylist
• 7 YA Reads That Will Sweep You Up in Politics on the Huffington Post
• 15+ Top Indian Women Authors Whose Books Should Be On Your Summer Reading List on Polka Cafe
• 10 Best Coming-of-Age Books You’ve Never Read on Publishers Weekly
• 17 Things We Just Learned About Elena Ferrante From Her Paris Review Interview on Vulture
• 10 Poets of Colour we Discovered (or Rediscovered) in 2014 on Media Diversified
• Spring Books Guide: 22 Novels, Memoirs, and Collections We Can’t Wait to Read in Vogue
• Kat Brown’s How to write a dystopian YA novel in 10 easy steps in the Telegraph
• IRL: Nonfiction to Read if You Loved AMERICANAH on BookRiot

In the Media: 15th February 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

This week it’s been almost impossible to escape Fifty Shades of Grey and the commentary surrounding it. Girl on the Net wrote ‘Is 50 Shades of Grey abuse?‘ on her blog; Leslie Bennets wrote, ‘Sex, Lies and Fifty Shades‘ for EW; Janice Turner wrote ‘At last, a man who knows what women want‘ in The Times, while Eva Wiseman went with ‘Why Fifty Shades finds itself in a world of pain‘ in The Observer.

And the pieces about and around the ‘new’ Harper Lee novel keep coming; The Guardian reported ‘Harper Lee ‘hurt and humiliated’ by Mockingbird sequel controversy‘; Salon reported on ‘Harper Lee and America’s silent abuse epidemic‘; Sadie Stein wrote, ‘Hot Stove‘ in The Paris Review; The New Yorker went with ‘Harper Lee and the Benefit of the Doubt‘; McSweeney’s ran ‘Harper Lee’s Letters to Her Editor After the Publication of To Kill a Mockingbird‘; The Los Angeles Times asked ‘Is Harper Lee’s new book headed for Hollywood?‘; while the Huffington Post asked ‘What Did Atticus Finch Think of the Civil Rights Movement?‘

There’s also been a focus on women’s deaths with the launch of The Femicide Census. Karen Ingala Smith wrote, ‘Femicide is a leading a cause of premature death for women – why aren’t we doing more?‘ and Sarah Ditum, ‘Why we need a Femicide Census‘ both in the New Statesman, while Parker Marie Malloy wrote ‘Trans Women of Color Deserve to Be Mourned as Much as Leelah Alcorn‘ on Slate.

The best of the rest articles/essays:

• Megan Garber, ‘Foucault That Noise: The Terror of Highbrow Mispronunciation‘ in The Atlantic
• Siobhan Phillips, ‘Beauty Work: Lessons in Ballet‘ in The Toast
• Emily Parker, ‘Writing Under Embargo: The Challenges of Controlled Information in Cuba‘ on Discourse in Progress
• Lee Siegel, ‘The Poet’s Keeper: Rereading Eileen Simpson’s “Poets in Their Youth”‘ in The New York Times
• Jaclyn Voran, ‘The Rise of the Teenage Breast Reduction‘ in The Atlantic
• Alana Semuels, ‘Is Ending Segregation the Key to Ending Poverty?‘ in The Atlantic
• Tara Ison, ‘How to lose your virginity: What movies taught me about sex and vulnerability‘ on Salon
• Perks, ‘Paul Dacre Leaves House Wearing Unflattering Suit, Sporting High Forehead Haircut and No Make Up‘ in the Evening Harold (I don’t know the gender of the person who wrote this but figured it was worth it for the Daily Mail ridiculing.)
• Lizzy Kremer, ‘Here I Am, In Your House‘ on her blog, Publishing for Humans
• Snigdha Poonam, ‘The Fixer‘ in Granta
• Melissa Harrison, on The Fish Ladder and female nature writers on Caught By the River
• Rosalind Jana, ‘Reckless‘ on her blog Clothes, Camera and Coffee
• Ann Morgan, ‘All the world’s a page: One woman’s year-long quest to read a book from every country‘ in The Independent
• Glosswitch, ‘Paternity leave: why we should stop romanticising fatherhood‘ on the New Statesman
• Lissa Evans, ‘I’m Serious About This‘ on Commonwealth Writers
• Paul Collins, ‘Vanishing Act‘ on Barbara Newhall Follett in Lapham’s Quarterly
• Yvonne Roberts, ‘Depression and the fragility of the strong, silent male‘ in The Guardian
• Gayle Lazda, ‘Valentine’s Day is Over: Celebrating the Literary Spinster‘ on BookMachine
• Marjorie Brennan, ‘We’ll talk openly about sex – but why are periods still a taboo subject?‘ in the Irish Examiner
• Marissa Higgins, ‘No Results Found‘ in Guernica
• Megan Garber, ‘But Seriously, ‘”Ought Women to Learn the Alphabet?”‘ in The Atlantic
• Emily Bolton, ‘“My Macabre Passion”: The Musical Saw‘ in The Toast
• Elisabeth Donnelly, ‘Joni Mitchell Wants to Define Her Own Legacy — So Why Don’t We Let Her?‘ on Flavorwire
• Juhanna Rogers, ‘Lessons I’ve Learned as a Black Woman World Traveler‘ on For Harriet
• Suzanne Moore, ‘The Baftas don’t even bother with tokenism any more‘ in The Guardian
• Dianca London Potts, ‘I, Tituba: Working as a Historical Reenactor in Salem‘ in The Toast
• Miranda Ward, ‘Dream Body‘ in Vela
• Katherine Heiny, ‘With Writing, Opportunity Comes From Small Moments‘ on The Atlantic
• Sadie Stein, ‘Into the Weekend‘ on Elizabeth Bowen in The Paris Review
• Francine Prose, ‘The Case for Hollywood History‘ in The New York Review of Books
• Chimamanda Ngozi Adichie, ‘Democracy, Deferred‘ on The Atlantic
• Stella Newman, ‘Stella’s Dream Valentine’s Date‘ on Handwritten Girl
• Helen Lewis, ‘Beyond the pink bus: why we still need to talk about “women’s issues”‘ on the New Statesman
• Margaret Sullivan, ‘The Times and Transgender Issues (Part 1 of 2): On Pronouns‘ in The New York Times
• Maria Popova, ‘Joan Didion’s Favorite Recipes‘ on Brainpickings
• Amy Collier, ‘A Paint Company Describes White Paint Colors‘ in The Toast

• Katy Phillips, ‘My Feminist Engagement (And Why I Won’t Crash Diet to be a Bride)‘ on Vagenda
• Lisa Gardner, ‘on Researching for Crash & Burn‘ on WHSmith Blog
• Mallory Ortberg, ‘What The Happiest Woman In The World Looks Like‘ in The Toast
• Emily Gould, ‘What Would Laurie Colwin Do?: On Eating and Contentment‘ in The Toast
• Rob Dunn, ‘The Hearts of Mary Shelley‘ in the Huffington Post
• Helen Harris, ‘Where are all the grandparents in modern fiction?‘ in The Guardian
• Kait Heacock, ‘I Spent A Year Following #ReadWomen2014, And I Learned 5 Big Lessons From Reading Female Voices‘ on Bustle
• Emily Bullock, ‘Double English‘ on Bookanista
• Deborah McKinlay, ‘In Praise of Love Letters‘ on One Book Lane
• Alexander McCall Smith, ‘Very Barbara Pym‘ in The Guardian
• Bethany Black, ‘As a Trans Woman, You Find That Your Stories Are Rarely Told‘ in the Huffington Post
• Anthony Lawton, ‘Rosemary Sutcliff’s account of her First Love‘ on Slightly Foxed
• Tanya Landman, ‘YA – A Double Edged Sword?‘ on The History Girls
• Robin Black, ‘One of the Most Difficult Things About this Career‘ on Gulf Coast
• Diana Walter, ‘How To Tell If You Are In A Logic Puzzle‘ in The Butter
• Terese Svoboda, ‘The Too Small House: Lola Ridge and I‘ in The Los Angeles Review of Books
• Hannah Beckerman, ‘A Year in the Life of a Debut Novelist‘ on the Huffington Post
• Aminatta Forna, ‘Don’t judge a book by its author‘ in The Guardian
• Gail Rebuck, ‘Reflecting on Women in Publishing‘ in The Bookseller
• Andrew Dickson, ‘Sarah Kane: a Blast from the past‘ in The Guardian
• Francine Prose, ‘on the Modern Classic Novel A House and its Head by Ivy Compton-Burnett‘ on NYBooks (PDF)
• Alissa Nutting ‘on Sara Woods’ Sara or the Existence of Fire‘ on Electric Literature
• Myriam Francois-Cerrah, ‘Feminism has been hijacked by white middle-class women‘ in the New Statesman
• Jennifer Weiner responds to Jonathan Franzen’s latest comments on her blog
• Brooke Jarvis, ‘Homeward‘ in The California Sunday Magazine
• Cat Winters, ‘US Suffragettes in YA Fiction‘ on For Books’ Sake
• Mashaal Mir, ‘Chapel Hill shooting: Would the media have covered the tragedy if Twitter didn’t exist, and what would have happened if the murderer was Muslim?‘ in The Independent
• Marion McGilvary, ‘The importance of my work ‘family’‘ in The Guardian
• Sophie Heawood, ‘Think you don’t have a racist bone in your body?‘ in The Guardian
• Lorrie Moore, ‘Our Date with Miranda‘ in The New York Review of Books
• Diane Watts #mylgbtbooks 8-14 February on Storify
• Kathryn Hughes, ‘Angela Brazil: dorm feasts and red-hot pashes‘ in The Guardian
• Colin Stokes, ‘Pride and Prejudice in the Club‘ in The New Yorker
• Louise O’Neill, ‘Single White Female‘ in the Irish Examiner
• Jennifer Weiner, ‘Great! Another Thing to Hate About Ourselves‘ in the New York Times
• Elizabeth Kolbert, ‘A Stone for My Great-Grandmother‘ in The New Yorker
• Laura Van Den Berg on the complex writing process behind Find Me on Read Her Like an Open Book

The interviews:

• Fay Weldon in The Guardian
• Susan Daniel in The Times of India
• Kelly Link on The Millions
• Liu Yu in The New York Review of Books
• Sarah Gerard on Electric Literature
• Fay Weldon web chat on The Guardian
• Ann Pancake on Bloom
• Virginia Burges on Bookbag
• Roxane Gay on Poets & Writers
• Eva Holland on Longreads
• Cate Marvin on American Microreviews and Interviews
• Meghan Daum on Forth
• Sara Baume in The Irish Times
• Noelle Stevenson, Grace Ellis and Shannon Watters, creators of Lumberjanes on Comic Alliance
• Katherine Heiny in The Observer
• Anne Tyler in The Observer

If you want some fiction/poetry to read:

• An extract from The Impossible Fairytale by Han Yoojoo (tr. Janet Hong) on PEN American Centre
• ‘The Tree Planted By Water‘ by Megan Byrne on Necessary Fiction
• ‘Labyrinth‘ by Amelia Gray in The New Yorker which she discusses here
• An excerpt from Sister Golden Hair by Darcey Steinke on Hypertext
• An excerpt from Me and My Daddy Listen to Bob Marley by Ann Pancake on Bloom
• ‘Forest fire, supper time‘ by K.T. Billey on Blunderbuss
• ‘The Transparency Project‘ by Alissa Nutting on Guernica
• ‘There Is an Angel Inside Me I’m Constantly Shocking‘ by Sabrina Tom in the New Orleans Review
• ‘Making Monuments‘ by Christine Murray on Poethead
• ‘The Bottomless Pit‘ by Sharma Shields on Electric Literature
• An extract from The Longest Fight by Emily Bullock on Bookanista
• An extract from Dust by Yvonne Adhiambo Owuor on Penguin Random House Canada
• ‘The Time Being‘ by Antonia Honeywell (a prequel story to The Ship) on Whole Story Audiobooks
• ‘Penelope‘ by Sarah Thomasin on Three Drops Poetry
• ‘formal place setting‘ by Sophie Collins and Livia Franchini in 3:AM Magazine
• ‘Happy Valentines‘ by Amie Taylor on The 1033 Project
• ‘Driveways‘ by Kathryn Ailes in Quotidian
• ‘The House Made of Sugar‘ by Silvina Ocampo (tr. Daniel Balderston) on Longreads

The lists:

• The 2015 Amelia Bloomer Project List (Best Feminist Books for Children and Young Adults) on Amelia Bloomer
• Five Books Which Romanced Me on Louise Marley’s blog
• 6 Awesome YA Books Coming in February on the Huffington Post
• The top 10 books about addiction in The Guardian
• 10 Reasons to Love Edna O’Brien on For Books’ Sake
• 2015 Fiction Preview, Part 2: 15 Books to Add to Your Spring List on Read Her Like an Open Book
• Maggie Nelson’s Six Non-Fiction Writers in Vela
• 19 Unforgettable Children’s Books That Celebrate Diversity on Buzzfeed
• 10 Young American Poets Changing the Face of Poetry on The Culture Trip
• 19 Stories About Love in The Riveter
• Six Books by Black Women We’re Looking Forward to in 2015 on For Harriet

My favourite pieces this week:

• Leesa Cross-Smith, ‘Red & Lipstick‘ on Real Pants
• Naomi Alderman, ‘A Fat Person Making a Fitness App Is Like a Nun Giving Sex Advice, Right?‘ on Matter
• Emma Green, ‘Helen Keller Puts the Smackdown on Mansplaining‘ on The Atlantic
• Emma Jane Unsworth, ‘Holidays for one: why I love to hit the road alone‘ in The Guardian

(Harper Lee) In the Media: 8th February 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

You would have had to be living somewhere with no media access since Tuesday not to know that after 55 years, Harper Lee has a ‘new’ novel coming out. Go Set a Watchman is the prequel/sequel/first draft of To Kill a Mockingbird, discovered in a bank deposit box and set to be published on both sides of the Atlantic in July. There’s probably already been as many words written about the book as there are in it. Harper Lee’s/Go Set a Watchman‘s week in the media went something like this:

On Tuesday, The Bookseller broke the news, then ‘About that new Harper Lee novel…‘ was published on the Lawyers, Guns & Money blog. Vulture published, ‘Read Harper Lee’s 5 Amazing Nonfiction Pieces‘ with links to them all before Jezebel ran ‘Be Suspicious of the New Harper Lee Novel‘ and The Guardian ended the day with ‘Harper Lee to publish new novel, 55 years after To Kill a Mockingbird‘.

Wednesday began with Vulture publishing an interview with Lee’s editor which Mallory Ortberg responded to in The Toast with ‘Questions I Have About the Harper Lee Editor Interview‘. Judith Claire Mitchell wrote about her dream date with Atticus Finch on the 4th Estate website. The Atlantic published, ‘Harper Lee: The Sadness of a Sequel‘ while The Guardian said, ‘Harper Lee is excited about new book, says agent after sceptics raise doubts‘. Electric Literature came in with ‘Should We Hold the Horses on the Harper Lee Celebration?‘; Buzzfeed gave us ‘12 Beautifully Profound Quotes From “To Kill A Mockingbird”‘, while The Huffington Post ended the day with ‘12 Women On What Harper Lee’s Work Has Meant To Them‘.

By Thursday morning, Hadley Freeman in The Guardian was telling us ‘Let’s not assume Harper Lee is being exploited. Atticus Finch wouldn’t‘ and then a new statement arrived and was reported in The Bookseller, ‘Harper Lee ‘happy as hell’ with book reaction‘. The Guardian reacted to the statement with, ‘Harper Lee’s ‘lost’ novel was intended to complete a trilogy, says agent‘. Then Lincoln Michel came in with ‘Harper Lee And Exploitation In The Name Of Literature‘ on Buzzfeed, while The Telegraph asked ‘Could there be a third Harper Lee novel?‘; the Times Literary Supplement ran a piece titled ‘Harper Lee: happy as hell‘ and cartoonist Emily Flake drew ‘What Harper Lee’s Really Been Up To All These Years‘ for The New Yorker

The Huffington Post began Friday by asking ‘Is The New Harper Lee Novel A Mistake?: Author Idolatry And “Go Set a Watchman”‘, followed by Sarah Churchwell in The Guardian telling us ‘Why To Kill a Mockingbird Is Overrated‘. The Guardian also ran, ‘Harper Lee book news leaves home town surprised, bemused and sceptical‘ before Slate stated, ‘Don’t Publish Harper Lee’s New Novel, HarperCollins‘. Flavorwire went for ‘Harper Lee’s New Book: The Case for Optimism‘ and Salon started speculating on the content of the novel, ‘“Scout is a lesbian”: Some modest theories on what Harper Lee’s “To Kill a Mockingbird” follow-up will hold‘. The Guardian finished the day with, ‘Harper Lee and the vexed question of who owns an author’s work‘; Yahoo interviewed one of Lee’s friends, ‘Harper Lee was fine the day before sequel announced‘ and the Wall Street Journal wrapped it up with ‘Harper Lee Bombshell: How News of Book Unfolded‘.

The only news since then came on Saturday when the cover of Go Set a Watchman was revealed. Here’s Bookriot on it.

The other person to have a bit of a week in the limelight is Kelly Link whose latest short story collection Get in Trouble was published in America this week (it’s out in the UK next month). She’s interviewed on Electric Literature, Publishers Weekly and NPR Books. You can read ‘The Summer People‘ from Get in Trouble via Random House or ‘Stone Animals‘ from Magic for Beginners on Electric Literature

Elsewhere, there’s been a reoccurring theme of friendship (thanks to Longreads for pointing this out): Anne Helen Peterson wrote ‘The Genius of Taylor Swift’s Girlfriend Collection‘ on Buzzfeed; Claire Comstock-Gay wrote the story ‘I Knew I Loved You‘ published in Midnight Breakfast; Jennifer Weiner wrote ‘Mean Girls in the Retirement Home‘ in The New York Times; Meghan O’Connell wrote ‘Trying to Make Mom Friends Is the Worst‘ in The Cut; Nicole Soojung Callaghan wrote ‘Friendship and Race and Knowing Your Place‘ in The Toast; Freddie Moore wrote, ‘Is Every Unhappy Friendship Unhappy In Its Own Way? On Emily Gould’s Friendship and Lindsay Hunter’s Ugly Girls‘ on Electric Literature

The best of the rest articles/essays:

• Eva Wiseman, ‘Why are creative women dismissed as ‘quirky’?‘ in The Observer
• Caitlin Moran, ‘Why page 3 should go‘ in The Times
• Emma Dabiri, ‘Afrofuturism: An invitation to dance, or a provocation to insurgency?‘ on Media Diversified
• Diane Watt, ‘#mylgbtbooks 1-7 February‘ on Storify
• Emma Healey, ‘By 16, I had already made several plans to end my life‘ in The Sunday Times
• Roxane Gay on The Sacrifice by Joyce Carol Oates and writing difference in The New York Times
• Caitlin Moran, ‘Caitlin Takes New York‘ in The Times
• Anne Enright, ‘How the World Reads Irish Writers‘ in The Irish Times
• Chimamanda Ngozi Adichie, ‘Lights Out in Nigeria‘ in The New York Times
• Stephanie Merritt, ‘Colleen McCullough’s obituary shows looks aren’t everything. Unless you’re a woman‘ in The Guardian
• Jillian Dunham, ‘The Real Reason Women Freeze Their Eggs‘ in The Cut
• Emma Claire Sweeney and Emily Midorikawa, ‘Nancy Hamilton and Helen Kellor‘ on Something Rhymed
• Maria Konnikova, ‘Is Bilingualism Really an Advantage?‘ in The New Yorker
• Laura Macdougall, ‘The Struggle for Equality Goes On‘ in Standard Issue
• Helen Brocklebank, ‘The Jilly Cooper Cure‘ on Mrs Trefusis Takes a Taxi
• Ruth F. Hunt, ‘Disability in Fiction: Would YOU Dare to be Different?‘ on The Single Feather
• Barbara Taylor, ‘My Asylum‘ in Guernica
• Alison Flood, ‘Jane Austen family letters offer ‘deeply personal’ insight into author’s world‘ in The Guardian
• Lauren Van Den Berg, ‘Flight‘ in The Butter
• Ron Rosenbaum, ‘The Other Tolstoy and the Book of Night‘ on Slate
• Alison Herman, ‘Jill Soloway Will Never Be a Perfect Voice for Trans People — So Why Are We Expecting Her to Be?‘ on Flavorwire
• Meghan O’Rourke, ‘Seeing Is Not Believing‘ (On Rachel Cusk) on Slate
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: American Gladiators‘ in The Butter
• Suzanne Ushie, ‘Lipstick, Eyeliner & Everything in Between‘ on Brittle Paper
• Amanda Miska, ‘Stalking My Ex-Boyfriend’s Girlfriend on Facebook‘ in Hippocampus
• Lindy West, ‘What happened when I confronted my cruellest troll‘ in The Guardian
• Sarah Seltzer, ‘We Need Diverse Books: Can Children’s Authors End Publishing Industry Prejudice — and Change the Way America Reads?‘ on Flavorwire
• Kathryn Harrison, ‘The Rise of Joan of Arc‘ on Longreads
• Ann Friedman, ‘The Problem With Those ‘Feminist’ Super Bowl Ads‘ in The Cut
• Henriette Lazaridis, ‘Honey, Would You Read My Book‘ on The Millions
• Kathryn Schulz, ‘On Wintery Mix‘ in The New Yorker
• Laura Tanenbaum, ‘What Does ‘Slut’ Mean, Anyway?‘ on The Huffington Post
• Elizabeth Alexander, ‘Lottery Tickets‘ in The New Yorker
• Lois Leveen, ‘Appropriating (F)Acts In Feminist Fiction: Excavating the Life of Mary Bowser‘ on For Books’ Sake
• Gaby Hinsliff, ‘Can Theresa May make it to the top‘ in The Guardian
• S.M. Hulse, ‘Is The Western Genre Still Relevant Today?‘ on Huffington Post
• Sarah Smarsh, ‘Beyond the Churn‘ in Aeon
• VIDA Roundtable on Misogynist Content and Editorial Responsibility
• Libby Purves, ‘Alice in Wonderland: 150 years on, we still adore her marvellous adventure‘ in The Telegraph
• Roxane Gay, ‘Actually Usher Baby, Shawty Does Mind‘ in The Butter

• Victoria Beale, ‘“You understand it to the point that it almost tears you to pieces”: Growing Up with Mary Gaitskill‘ in the Los Angeles Review of Books
• Mistress Trinity, ‘Fifty Shades of Meh: A Real Dominatrix Takes On the Bestseller‘ on Huffington Post
• Laura Bates, ‘On Louisa M. Alcott‘ on Great Lives
• Sara Baume, ‘Spill Simmer Falter Wither‘ on her blog
• Sara Baume, A ‘cautionary tale about what it costs to be a writer‘ in The Irish Times
• Jenny Erpenbeck (tr. Susan Bernofsky), ‘Homesick for Sadness: A Childhood in Incompletion‘ in The Hudson Review
• Katy Waldman, ‘How the Paris Review Snagged the First-Ever In-Person Interview With Elena Ferrante‘ on Slate
• Alison Stine, ‘Could Whisky Save Our Water?‘ in The Butter
• Soraya Chemaly, ‘Silicon Valley sexism: why it matters that the internet is made by men, for men‘ in the New Statesman
• Claire Fallon, ‘Why Everyone’s Talking About ‘The Girl On The Train’‘ on Huffington Post
• Juliet Greenwood, ‘The Story That Changed My Life‘ in The People’s Friend
• Laura Dattaro, ‘Bot Looks Like a Lady‘ on Slate
• Sarah Seltzer and Jillian Mapes, ‘Beyoncé Says “Goodbye to All That”‘ on Flavorwire
• Eva Holland, ‘“It’s Yours”: A Short History of the Horde‘ on Longreads
• Shari Goldhagen, ‘Against being “sponsored”: I never wrote less than when my boyfriend supported me‘ on Salon
• Linda Grant, ‘How I Won the Housing Market (Without Really Trying)‘ in The Guardian
• Kaleigh Rogers, ‘Wikipedia’s Gender Problem Has Finally Been Quantified‘ on Motherboard
• Sara Sheridan, ‘Literary Snobbery‘ on Women Writers Women’s Books
• Frances Ryan, ‘Mind the gap: how charities are mopping up after the government’s failure to care‘ in the New Statesman
• Adèle Geras, ‘Quick Reads‘ on Foyles’ blog
• Sarah Ditum, ‘If you think decriminalisation will make prostitution safe, look at Germany’s mega brothels‘ in the New Statesman
• Caroline Moorhead, ‘Place of Terror‘ in the Literary Review
• Shawn Wen, ‘A Closer Joan‘ in The White Review
• Tracey Thorn, ‘The more attention we pay to childish behaviour, the more we get‘ in the New Statesman
• Amber Sparks, ‘The Internet Is a Hard Place to Be Human: Toward a Better Internet Discourse‘ on Real Pants
• Bim Adewunmi, ‘Lusting Out Loud: Women, Social Media, And Desire‘ on Buzzfeed
• Maria Konnikova, ‘You Have No Idea What Happened‘ in The New Yorker
• Deborah Smith, ‘How Korean Is It?‘ on translating Han Kang’s The Vegetarian on English Pen
• Arabelle Sicardi, ‘My Body, The Unwelcome Relative‘ on Buzzfeed
• Remembering Kathy Acker on The Allen Ginsberg Project
• Rob Williams, ‘Laura Ingalls Wilder’s 148th Birthday: Google celebrates ‘Little House on the Prairie’ author‘ in The Independent
• Katharine Norbury, ‘Walking with my daughter, everything starts to flow‘ in The Guardian
• Amy Jenkins, ‘Fifty Shades of Grey: This enters a new terrain of toxicity – and no feminist can think otherwise‘ in The Independent
• Tishani Doshi, ‘In Defence of Literary Dandies and Dandizettes‘ in Open
• Alison Taylor, ‘What happened when I joined Happn‘ in The Independent
• Antonia Honeywell, ‘‘I lurch from one to the other’ on Motherhood and Writing‘ on One Book Lane
• Katharine Norbury, ‘Pleasures of…January‘ on Caught by the River
• M Lynx Qualey ‘‘Immortal’ Algerian Novelist Assia Djebar Dies, 78‘ on Arabic Literature (includes links to work available online)
• Ijeoma Olou, ‘Why Don’t We Talk About Africa?‘ in The Archipelago
• Elizabeth Weil, ‘What Really Happened to Baby Johan?‘ in Matter
• Rebecca Traister, ‘Labor Pains‘ in the New Republic
• Diana Saverin, ‘The Thoreau of the Suburbs‘ in The Atlantic
• Christina Patterson, ‘I’ve found a little bit of heaven for those who’ve been in hell‘ in The Guardian
• Alison Flood, ‘Laura Ingalls Wilder memoir reveals truth behind Little House on the Prairie‘ in The Guardian
• Laura Bogart, ‘The Price I Pay to Write‘ on Salon
• Jennifer Niven, ‘My Inspiration: Virginia Woolf‘ in The Guardian

The interviews:

• Richelle Mead on Publishers Weekly
• M.J. Carter on Publishers Weekly
• Anya Schiffrin in Guernica
• Lucy Ribchester on The GB Bookshop
• Helen Lederer in The Telegraph
• Katherine Heiny on Longreads
• Mary Pilon in Publishers Weekly
• Angela Neville in The Guardian
• Sarah McGrath (US editor of The Girl on the Train) on Publishers Weekly
• Excerpts from interviews with Hilary Mantel, Lydia Davis and Elena Ferrante in The Paris Review
• Anne Tyler in The Daily Mail and the New York Times
• Roxane Gay in Now
• Rilla Askew on Longreads
• Kim Gordon in GQ
• Jacqueline Wilson in The Guardian
• Margaret Atwood on Slate
• Jennifer Clement on We Love This Book
• Ayelet Tsabari on Room
• Amanda Filipacchi on the Huffington Post
• Miranda July in The Observer and on The Book Show on RTE

If you want some fiction/poetry to read:

• The Sunday Times EFG Short Story Award longlist was announced last weekend. You can read the longlisted stories, including pieces from Ann Beattie, Louise Doughty, Emily Franklin, Rebecca F. John, Yiyun Li, Elizabeth McCracken, Paula Morris, Mary O’Donoghue, Julianne Pachico, Mona Simpson, Erin Soros, E.J. Swift and Madeline Thien here.
• The New Writing 2015 eBook sampler from Scottish Book Trust includes writing from Orla Broderick, Alison Gray, Ann Elizabeth Mackinnon, Juliette Forrest, Lindsay McKrell, Em Strang and Bridget Kursheed.
• ‘Sweetness‘ by Toni Morrison in The New Yorker
• ‘Co-operative‘ by Sarah Barber in Guernica
• The first three chapters of Touch by Claire North
• Three Prose Poems by Sharmistha Mohanty in Granta
• ‘What Grief Feels Like…‘ by Onomarie Uriri on Brittle Paper
• ‘Calcium Commune‘ by Anna Katharina Hahn (tr. Marshall Yarbrough) on n+1
• An extract from The Hourglass Factory By Lucy Ribchester in The Scotsman
• Poems from Her Father’s Daughter by Nessa O’Mahony
• ‘World Is Your‘ by Rosa Campbell on Litro

Or some non-fiction:

• An extract from Girl in a Band by Kim Gordon in The Guardian

The new edition of The Letters Page was published this week including letters (fiction and non-fiction) from Rosa Campbell, Naomi Alderman, Kim Sherwood, Haisu Huang, Emma Chapman, Evelyn Conlon, Melissa Harrison and Karen McLeod.

The lists:

• 5 Great Books to Read in February on Buzzfeed
• 14 Books to Give As Valentine’s Day Gifts This Year on Bustle
• Kim Gordon’s memoir Girl in a Band: 10 things we learned in The Guardian
• 15 Of February 2015’s Best YA Books To Get You Through The Snowy, Cold Weather on Bustle
• 10 Must-Read Books For February on Flavorwire
• 5 Splendid New Short Story Collections on Huffington Post
• The top 10 novels featuring works of art in The Guardian
• 10 Funny Books by Women on Scottish Book Trust
• 7 Fictional Women Whose Life Stories Inspire Us on the Huffington Post
• 9 Books To Read This February in Red magazine
• Your Must-Read Books of 2015 in Paper
• 10 Reasons to Love Vera Brittain on For Books’ Sake
• Top 5 Literary Heroines Every Young Girl Should Meet in The Big Issue