Backlist Books of the Year 2018

Some of the best books I read this year weren’t published in 2018 so I thought I’d put them in a separate round-up. I always try and keep this to ten books, I haven’t managed it this year, here’s twelve instead.

Union Street – Pat Barker

One day I’ll learn to read a writer’s work before judging it. I’ve always assumed that Pat Barker wrote books about men in war, then I had to read The Silence of the Girls to write the copy for her Manchester Literature Festival event. I posted a picture of me reading it on my personal Instagram and the brilliant Adelle Stripe mentioned Barker’s earlier, feminist works which she thought I’d like. She was right. Union Street begins with Kelly, stalked by an older man, then moves along the street, chapter-by-chapter, to tell the tales of the other women and girls. It’s a grim read filled with neglect, abuse, pregnancy and death but it captures life for white working class women and still feels as relevant in 2018 as it would’ve done in 1982.

Home Fire – Kamila Shamsie

Home Fire moves Sophocles’ Antigone to the present, telling the story of twins Isma and Aneeka and their brother Parvaiz. When the young women meet Eamonn Lone, son of the UK’s first Muslim Home Secretary, all of their lives are irrevocably changed. A compelling retelling which places a spotlight on the West’s treatment of Muslims and ideas of integration. My full review is here.

Sing, Unburied, Sing – Jesmyn Ward

Narrated by 13-year-old Jojo, his mother Leonie, and the ghost of a boy named Richie, Sing, Unburied, Sing tells the story of a Black family in Southern America who can’t escape the ghosts of the past. Ward intertwines family history with that of Black people in North America and uses the present day to show the damage that history has wrought. It’s a devastating and timely tale. My mini-review is here.

A Thousand Paper Birds – Tor Udall

Another example of my work leading me to a book I’d previously overlooked. I was asked to interview Udall as part of a panel at Jersey Festival of Words and A Thousand Paper Birds was a real surprise. Jonas’ wife is dead. He retreats to Kew Gardens as a place to try and heal. There he meets Chloe, Harry and Millie, all of whom are keeping their own secrets. Beautifully written and affecting, an absolute gem.

Tell Me How It Ends: An Essay in Forty Questions – Valeria Luiselli (some sections translated by Lizzie Davies)

Another timely work. In 2015, Luiselli began working as a volunteer translator interviewing unaccompanied migrant children crossing the border from Mexico to the United States. Through the questions the children are asked, Luiselli tells some of their stories and the wider tale of how these children are being failed. My full review is here.

Things I Don’t Want to Know – Deborah Levy

Conceived as a response to George Orwell’s ‘Why I Write’ and the first in a trilogy about Levy’s life and work, Things I Don’t Want to Know is a feminist discussion on women’s writing. Levy talks about the need to speak up, to write calmly through rage, to find a space in which to write. I underlined a lot.

Die, My Love – Ariana Harwicz (translated by Sarah Moses & Carolina Orloff)

An unnamed woman struggles with new motherhood in a new country. She’s angry and frustrated but also full of love and lust, all of which spill out at inappropriate moments. Harwicz questions society’s expectations of women in this inventive, sharp novella. My full review is here.

The White Book – Han Kang (translated by Deborah Smith)

A fractured, often brutal book about Han’s sister who died two hours after she was born. Han uses the colour white repetitively as a meditation on grief and loss, writing her sister back into existence. Beautifully translated by Smith, The White Book is short and highly affecting but not without hope.

Kindred – Octavia Butler

One of the bookish things I’ve most enjoyed this year is taking part in the #ReadWomenSF discussions on Twitter, led by the writer G X Todd. It’s meant I’ve read a number of books that have been sitting on my shelves for some time and Kindred was one of them. In 1976, Dana, a young Black woman, is pulled into 1815 where she saves a young white boy’s life. He is the son of a plantation owner and one of Dana’s relatives. Through Dana, Rufus and Dana’s white husband, Kevin, Butler explores structural inequality, complicity and the normalising of horrific behaviour, all of which doesn’t seem so distant in 2018.

The Poison Tree – Erin Kelly

Last year I loved Erin Kelly’s He Said/She Said so this year I went back to the beginning and read her debut, The Poison Tree. In 1997, Karen meets Biba and is swept into her bohemian lifestyle. In 2007, Karen and her daughter Alice, collect their husband and father from prison. We know that at the end of the summer in 1997 two people died. But we don’t know how and we don’t know who. Tightly plotted and compelling with a perfect ending.

Die a Little – Megan Abbott

Megan Abbott is one of those writers that everyone seems to rave about so I decided to start at the beginning with her debut. Set on the edges of Hollywood during the Golden Age, Die a Little, tells the story of school teacher Lora King’s investigation into her new sister-in-law, Alice Steele, a Hollywood wardrobe assistant. As her findings build, Lora uncovers a world of drugs and sex work as well as some secrets about her own life. Possibly the only book I’ve ever read that I thought was too short.

Resurrection Bay – Emma Viskic

Caleb Zelic’s best friend dies in his arms in the opening pages of Resurrection Bay and the pace doesn’t let up until the end of the book. His best friend has been murdered and Caleb’s turns investigator to find out who did it. His mission is made all the more interesting – and sometimes scary – because Caleb’s deaf meaning sometimes he picks up on cues others might miss and other times he doesn’t hear people sneaking up on him. There are subplots involving his estranged relations – a brother and a wife – and some fun with Australian sign language too. My review of the follow-up And Fire Came Down is here, along with an interview with Emma Viskic.

The Women’s Prize for Fiction Winner 2018

Last night The Women’s Prize for Fiction 2018 was awarded to Kamila Shamsie for the brilliant Home Fire. The judges referred to the book as ‘a novel of our time’ and I’d agree that Shamsie’s retelling of the Greek tragedy Antigone is a compelling update exploring issues around immigration, assimilation and terrorism. I read it in one sitting; my review is here.

There was some number crunching with regards to The Women’s Prize on The Bookseller yesterday. The article looked at the trends in terms of previous winners. In the 23 years of the prize, Kamila Shamsie is only the fourth woman of colour to win the award and the first since 2007. What’s most interesting about the three previous winners is that they’ve gone on to be three of the top four biggest sellers (see snippet below); I’d be delighted to see Shamsie go on to join them.

The Women’s Prize for Fiction 2018 Shortlist

The Women’s Prize for Fiction shortlist was announced very early this morning on BBC Radio 4 after the list was leaked. On it are three debut novels, although only The Mermaid and Mrs Hancock is a first book. Elif Batuman previously published a non-fiction book The Possessed and Jessie Greengrass published an excellent short story collection, An Account of the Decline of the Great Auk According to One Who Saw It, which won The Edge Hill Prize and was shortlisted for Sunday Times/PFD Young Writer Award (winning the shadow panel prize for which I was a judge).

Those of you who read the blog regularly will know that I am a huge fan of Meena Kandasamy and her second novel When I Hit You in particular. It was my book of the year last year and my favourite to win the prize.

The more established novelists who complete the shortlist are Kamila Shamsie for Home Fire and Jesmyn Ward for Sing, Unburied, Sing which has already taken the National Book Award in the USA. I loved Home Fire, it’s gripping, nuanced and utterly relevant. Sing, Unburied, Sing is beautifully told and completely heart-breaking. I sobbed through the last three chapters.

The list shares four titles with our shadow panel shortlist and four with my own personal list. The title missing that the shadow panel and I expected to see is Elmet. I hope it’s inclusion on a number of prize lists in the past few months means that people do read it.

The winner of the Women’s Prize for Fiction 2018 will be announced on June 6th.

The Women’s Prize for Fiction 2018 Shadow Panel Shortlist

With the official Women’s Prize for Fiction shortlist due today, here’s the books the shadow panel felt should make the shortlist.

I’ve reviewed three so far, if you click on the covers of Elmet, A Boy in Winter and Home Fire it will take you to my reviews. The rest are on their way!

This is the fourth year I’ve run a panel and it was our most varied discussion yet. We’ve never had such a wide range of opinions on the same set of books, which mirrors both the range and quality of the longlist. We also discovered that some of us fundamentally disagree on what constitutes fiction and what its job should be. That introduced an interesting element to our conversation!

We’re looking forward to seeing what makes the official shortlist. Apparently the announcement is happening this morning on BBC Radio 4…

Home Fire – Kamila Shamsie

‘You know what fathers and sons are like.’

‘Not really, no.’

‘They’re our guides into manhood, for starters […] We want to be like them; we want to be better than them. We want to be the only people in the world who are allowed to be better than them.’

Home Fire begins from the perspective of one of the women. Isma is about to miss her flight to America where she has a place to do a PhD in sociology at Amherst. She’s been detained by immigration in the UK who search and interrogate her. ‘He wanted to know her thoughts on Shias, homosexuals, the Queen, democracy, the Great British Bake Off, the invasion of Iraq, Israel, suicide bombers, dating websites.’ Eventually she’s allowed to leave but not before she’s missed her flight.

Eventually Isma arrives in Massachusetts where she meets Eamonn Lone, son of the British politician Karamat Lone. Isma recognises Eamonn. When she was younger there was a photograph of the local cricket team in the house of a family friend. Karamat Lone was on it. Isma overheard her grandmother telling someone of the cruelty he’d shown their family when he could’ve acted otherwise. However, Isma doesn’t reveal to Eamonn that she knows who he is and a relationship begins to develop between them.

Isma’s family situation is complicated. Her mother and grandmother died within a year, leaving her to parent her twelve-year-old twin siblings, Aneeka and Parvaiz. Aneeka is at home in London, attending college. Parvaiz has left, occasionally letting Aneeka know via Skype messages that he’s okay.

Shamsie intertwines the two families in order to explore relationships, love and loyalty. Through the range of characters, she creates a complex view of what it means to be a Muslim, exploring different perspectives within Muslim communities. This is at its most stark with Karamat Lone and Aneeka. Lone is known as Lone Wolf due to his championing by the tabloids who see him ‘as a lone crusader taking on the backwardness of British Muslims’. Not long after his appointment as Home Secretary, he returns to the secondary school he attended in Bradford to give a speech.

‘You are, we are, British. Britain accepts this. So do most of you. But for those of you who are in some doubt about it, let me say this: don’t set yourselves apart in the way you dress, the way you think, the outdated codes of behaviour you cling to, the ideologies to which you attach your loyalties. Because if you do, you will be treated differently – not because of racism, though that does still exist, but because you insist on your difference from everyone else in this multi-ethnic, multitudinous United Kingdom of ours. And look at all you miss out on because of it.’

Aneeka wears the hijab, prays and is teetotal. She’s also about to enter Lone’s life and have a profound effect.

Home Fire is a retelling of the Greek tragedy Antigone. While a number of recent retellings of Greek and Shakespearean plays have fallen short, Shamsie pulls this one off with aplomb. The novel uses the key themes and follows the structure of the source play but its characters, settings and ideas are contemporary and highly relevant. As the story moves from character to character – Isma, Eamonn, Parvaiz, Anneka, Karamat – the sense of urgency builds. Home Fire is a compelling, tightly crafted novel; I read it in one sitting.

Thanks to Bloomsbury for the review copy.

The Women’s Prize for Fiction Longlist 2018

Here it is, the Women’s Prize for Fiction 2018 longlist. Initial thoughts are that I’m very excited. This is a great list. Two of my favourite books of last year are there – When I Hit You by Meena Kandasamy and Elmet by Fiona Mozley – and one of my favourites so far this year – Sight by Jessie Greengrass. One of my all-time favourite writers, Nicola Barker, makes the longlist for the first time with her twelfth novel H(A)PPY. I haven’t read it yet because I’ve been wanting time to sit and savour it, which never happens, so I’m delighted to have to make that time now. The book and writer I hadn’t heard of is Miss Burma by Charmaine Craig. I love that this list always produces at least one new to me writer. The other thing that’s really pleasing is that seven of the sixteen writers are women of colour, by far the highest number we’ve ever seen from this prize and about time too.

Here’s the list in full. I’ve linked to my reviews of the four I’ve already covered and will return to this page to link the rest as I work my way through the rest of the list.

H(A)PPY – Nicola Barker

The Idiot – Elif Batuman

Three Things About Elsie – Joanna Cannon

Miss Burma – Charmaine Craig

Manhattan Beach – Jennifer Egan

The Mermaid and Mrs Hancock – Imogen Hermes Gower

Sight – Jessie Greengrass

Eleanor Oliphant Is Completely Fine – Gail Honeyman

When I Hit You: Or, A Portrait of the Writer as a Young Wife – Meena Kandasamy

Elmet – Fiona Mozley

The Ministry of Utmost Happiness – Arundhati Roy

See What I Have Done – Sarah Schmidt

A Boy in Winter – Rachel Seiffert

Home Fire – Kamila Shamsie

The Trick to Time – Kit de Waal

Sing, Unburied, Sing – Jesmyn Ward

My Women’s Prize for Fiction Wishlist

It’s that time of year again. On Thursday 8th March, International Women’s Day, the longlist for the Women’s Prize for Fiction will be announced. The list will comprise of twelve books (if they stick to their own rules this year) written by female writers in English and published in the UK between 1st April 2017 and 31st March 2018.

I call this my wishlist because it’s somewhere between a prediction and what I’d like to see longlisted. I’ve never successfully identified more than half of the longlisted books but reading titles I might otherwise never have chosen is part of the pleasure of shadowing the prize.

I’ve reviewed the first three, click on the covers to read.

  

Things on the Internet I’ve Enjoyed Lately

I suppose this is a very mini version of In the Media with not quite so catchy a title. There are a few things that have caught my attention lately that I thought were worth sharing.

Firstly, The Prime Writers, a group of writers who had their debut novels published at 40+, have joined together and launched their website last week. (No surprise that the majority of the group are female.) There you’ll find everything you need to know about each of the writers and their books. There’s also fantastic content being posted regularly, I particularly enjoyed this conversation between Antonia Honeywell and Claire Fuller about their debuts which are both about fathers and daughters.

Norwich Writers Centre have announced their Brave New Reads for the summer. They include Black Country by Liz Berry, Green Carnation Winner Any Other Mouth by Anneliese Mackintosh and one of my books of the year so far, Jennifer Clement’s Prayers for the Stolen. You can find out more about the authors, read extracts from the books and find out how to join in the discussion on the website.

Other things well worth reading:

One of my favourite writers, Janice Galloway, has a new short story collection, Jellyfish, out this week. You can read a short story from it in Prospect called ‘Romantic‘.

Lauren Laverne’s blog for The Pool is always worth reading (published on Mondays) but this week’s is particularly good, ‘What’s Happened to Social Mobility?‘

Also on The Pool and worth reading every week is Sali Hughes. Last week she wrote, ‘Let’s hear it for honest celebrities‘.

Eva Wiseman’s column for the Observer is also brilliant every single week. This Sunday’s was particularly fantastic and beautiful: ‘What is the price of heartbreak?‘

Rufi Thorpe whose debut The Girls from Corona del Mar is well worth a read, wrote a beautiful piece about publishing a first novel on Medium: ‘The Frightening and Wondrous Things That Will Happen to You When You Publish Your First Novel‘.

Also beautiful is Jess Richards’ piece for Scottish Book Trust, ‘Undrowned‘.

Briliant interviews published in The Guardian/Observer this week with my new favourite writer Nell Zink and feminist YA writer Louise O’Neill whose book Only Ever Yours I bought last week as it sounds amazing.

Last week I said I was considering writing a response to Kamila Shamsie’s piece calling for a year of publishing only women but Foyles Assistant Head of Fiction, Marion Rankine, said everything I was going to say in her piece for The Guardian, ‘Battling bias on the shop floor: how bookstores can support diversity‘. I went into Foyles on the Southbank last week and face on to the door, first book you saw as you walked in was Dust by Yvonne Adhiambo Owuor. I was impressed (and I bought it).

And if you need a good laugh, there’s an extract from Bridget Christie’s forthcoming A Book for Her in The Guardian, ‘Feminists never have sex and hate men opening doors for them, even into other dimensions‘ and John Crace’s Digested Read of Grey by EL James also in The Guardian is hilarious. Count how many times you can get the phrase ‘enormous cock’ into one article (you’d never get away with that in The Times).

 

An Update

My personal situation is beginning to sort itself out, so I thought I’d give you an update on plans for the blog. First though, I just want to say thank you again to everyone who sent messages. People – some of whom I’ve never met – have been absolutely brilliant. I wouldn’t have got through the last three weeks without everyone’s support and I’m so grateful that I know so many wonderful people.

The outcome of my situation is that we’re going to be moving house over the summer. As well as that, I’m currently doing an intense block of paid work. I also have a substantial amount of PhD work to do – including my confirmation seminar at the beginning of September and next semester (from the end of September/beginning of October) I’m going to be teaching undergraduates for a few hours a week as well. The latter means I’ve some reading and planning to do over the summer too.

What this means is that I’ll update the blog as and when I can. I have a stack of books I’ve already read waiting to be reviewed so I’ll post them as I manage them.

One of the things that’s happened over the last three weeks is my reading has slowed enormously; I don’t think this is a bad thing. I re-read a book last week, pencil in hand, making notes and it was thoroughly enjoyable. I’d like to do more of that. I’ve also so many books in the house – both review copies and ones I’ve bought – that I really want to read (and in some cases re-read) that I’ve given myself a stern talking to about accepting review copies when I have a stack of books already. It’s not as though I accept them indiscriminately either, there are just so many interesting sounding books about. (If you follow me on Twitter, you will have seen I’ve broken my book-buying ban though. What can I say? I was low and what better pick-me-up? See photos for damage!)

What that means for the future of the blog is I won’t be posting reviews as frequently as I have in the last six months or so. Partly because I won’t have time, partly because I won’t be reviewing everything I read. I’m going to be kinder to myself, both in terms of reading things I want to read, not finishing things I’m not enjoying and reading books for the sheer pleasure of reading them.

As for In the Media, I’m going to leave it on hiatus until some point in September. I know a lot of people enjoy that post and I love compiling it but it had begun to take a lot of time. When it returns it will be in a slightly different (and reduced) format and will most likely be fortnightly rather than every week. I haven’t quite worked out all the details myself so I’ll write more about it closer to the time.

Meanwhile, I’m toying with a post about Kamila Shamsie’s call for a year of publishing only books by women – and the responses to it so far, and a list of ‘unlikeable’ heroines spurred by a comment Antonia Honeywell made when I interviewed her last week. Watch this space, as they say.

In the Media: 3rd May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There’s an election in the UK this week. As you’d expect, there’s been a number of articles about it, policies and where the previous coalition has left us. Huffington Post have been running a ‘Beyond the Ballot’ series. Contributions include: Vivienne Westwood, ‘The Housing Crisis – Politicians Are Criminals‘ and Denise Robertson, ‘Today, There Are No Housing Lifelines for People Who Fall on Hard Times‘. Media Diversified also have a series called ‘Other Voices’. Contributions include, Maya Goodfellow ‘Why aren’t politicians talking about racial discrimination in the job market?‘ and ‘Letting migrants drown in the Mediterranean, is this what the Tories mean by ‘British values’?‘ and ‘The pro-Tory business letter: a reminder that politics shouldn’t be dominated by a privileged few‘

Elsewhere, Zoe Williams wrote ‘10 big misconceptions politicians have about women‘ in The Pool; Deborah Orr, ‘Scotland is sending a curveball down Westminster way – and it’s not just Labour that will get hit‘ in The Guardian; Gaby Hinsliff, ‘We floating voters may be unenthused but we’re definitely not unprincipled‘ in The Guardian; Rhiannon Lucy Cosslett wrote, ‘Why I’m thinking about spoiling my ballot‘ in the New Statesman; Laura Waddell, ‘Pink Vacuum Politics‘ on Libertine’ Suzanne Moore, ‘Parliament? Over the years I’ve met several powerful men there who have no idea of boundaries‘ in the New Statesman; Hannah Pool asks, ‘Why aren’t black women voting?‘ in The Pool; Suzanne Moore, ‘I’m sick of this estate agent election‘ in The Guardian

Saturday saw the death of crime writer, Ruth Rendell. The Guardian reported her death and ran a series of articles: Val McDermid wrote, ‘No one can equal Ruth Rendell’s range or accomplishment‘; Mark Lawson, ‘Ruth Rendell and PD James: giants of detective fiction‘; Stanley Reynolds wrote her obituary; here she is ‘In Quotes‘ and if you haven’t read anything by her, The Guardian also recommend ‘Five Key Works’ while The Telegraph have, ‘The best of Ruth Rendell: 10 to read, watch and listen to‘.

And then there was that beach body ready advertisement. Responses to which ranged from Gemma Correll, ‘Hilarious Illustrations Show You How to Get “Beach Body Ready”‘ in Stylist; Hadley Freeman, ‘What is a beach body anyway?‘ in The Guardian, and Tara Costello explained, ‘Why I Stripped to Make a Statement‘ on the Huffington Post.

Congratulations to Marion Coutts on winning the Wellcome Prize. Jenny Turner writes in The Guardian as to why Coutts is her hero. The shortlist for the Encore Award was announced and includes Harriet Lane, Amanda Coe, Rebecca Hunt and Deborah Kay Davies. And Gaby Wood was ‘…made Booker’s literary director‘ reports The Bookseller.

And the woman with the most publicity this week is Leesa Cross-Smith who’s the featured writer on Atticus Review. She’s interviewed and has two stories up, ‘My Lolita Experiment‘ and ‘Dandelion Light‘; another in Synaesthesia Magazine, ‘The Darl Inn‘, and her column on Real Pants this week is ‘Who Will Run the Frog Hospital? & Girlfriendships‘.

 

The best of the rest:

On or about books/writers/language:

• John Yau, ‘Language Is Not Colorless: The Amazing Writing of Sawako Nakayasu‘ on Hyperallergic
• Bim Adewunmi, ‘Crush of the week: Toni Morrison‘ in The Guardian
• MJ Carter, ‘We should thank a Devon shoemaker for freedom of the press’ in The Guardian
• Heather Cocks and Jessica Morgan, ‘“Who Is Cagney Without Lacey?”: The Fug Girls on Writing as a Duo‘ in The Toast
• Neil Gaiman, ‘Why I love Jonathan Strange & Mr Norrell‘ in The Guardian
• Susanna Clarke ‘on the TV Jonathan Strange & Mr Norrell: “My own characters were walking about!”‘ in The Guardian
• Masha Gessen, ‘“Paying Attention and Paying Respect Is All That Writers Can Do”‘ on Slate
• Ali Smith, ‘The Joy of Finding Myself Guest Director of Brighton Festival‘ on the Huffington Post
• Doreen St. Félix, ‘Toni Morrison‘ on The Oyster Review
• Lucy Worsley, ‘It doesn’t matter if The Tudors and Wolf Hall are historically inaccurate and a bit silly‘ in the Independent
• Sarah Hilary, ‘Writing a New Crime Series‘ on Headline
• EllaClaire, ‘Teenage opinion: why you should read classic books‘ in The Guardian
• Patrice Gopo, ‘Does Race Matter If Books, Like ‘Anne of Green Gables,’ Touch Your Heart?‘ in The New York Times
• Charlotte Gordon, ‘Why I Teach Mary Wollstonecraft‘ on the Huffington Post
• Louise O’Neill ‘on Lisbeth Salander‘ on We Love This Book
• Kirsty Logan, ‘Boats, Buddhism and the Boom‘ on Foyles
• Hillary Kelly, ‘Bring back the serialized novel‘ in the Washington Post
• Arifa Akbar, ‘How many more books will there be telling me how to be a Muslim?‘ in The Independent
• Lesley McDowell, ‘Do you have to be middle-class to be a writer?‘ on her blog
• Amelia Gray ‘on “Labyrinth”‘ on Real Pants
• Hannah Gersen, ‘The Value of Writing Programs: On Why I Don’t Have an M.F.A.‘ on The Millions
• Mo Moulton, ‘On Harriet Vane and Lord Peter Wimsey: An Essay with Personal Interruptions‘ in The Toast
• Charles Wolford, ‘Obsessive Love: Sex in Brontë and Faulkner‘ on Quadrapheme
• Allison Pohle, ‘The Last Days of Ladies’ Home Journal‘ on The Hairpin
• Hannah Furness, ‘Jane Austen’s real Mr Darcy unmasked by historian‘ in The Telegraph
• Alice Audley, ‘Zoella and the YouTuber books you need to buy‘ in The Telegraph
• Hanya Yanagihara, ‘How I Wrote My Novel: A Little Life‘ on Vulture
• Francine Prose, ‘I admire Charlie Hebdo’s courage. But it does not deserve a PEN award‘ in The Guardian
• Julia Copus, ‘A Self Among the Crowd‘ on Royal Literary Fund
• Elisa Gabbert, ‘The Art of the Paragraph‘ on The Smart Set
• Emma Teitel, ‘Why romance novelists are the rock stars of the literary world‘ on Macleans
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Mommie Dearest‘ in The Butter
• Kirsty Logan, ‘Made-up worlds (and a worldie maid)‘ on Bookanista
• Melissa Moorer, ‘This Writer’s On Fire: Lisa Mecham‘ in The Butter
• Lizzy Kremer, ‘What Happens Next: Predicting the Future‘ on Publishing for Humans
• ‘Day and Night I Find Neither Rest Nor Peace’; Charlotte Brontë’s Beautiful Letters On Unrequited Love‘ in Stylist
• Katrina Otuonye, ‘On Deadlines, Failure, and Getting Started‘ on Litro
• Dr Jenny McAuley, ‘on “Vindication of the Writes of Woman” by Mary Wollstonecraft‘ on The History Vault

Personal essays/memoir:

• Alison Taylor, ‘I’ve become part of a new social phenomenon – the boyfriend proposal‘ in The Independent
• Stacey Duguid, ‘Marathon Shopper‘ in The Pool
• Jordana Narin, ‘No Labels, No Drama, Right?‘ in The New York Times
• Michelle García, ‘The War of Forgetting‘ in Guernica
• Allison P. Davis, ‘Boxing Helped Me Tap Into My Inner Rage‘ in The Cut
• Sonya Lea, ‘Shattered‘ in Guernica
• Alana Massey, ‘The Dickonomics of Tinder‘ on Medium
• Casie Brown, ‘The Boy Is Mine‘ on The Hairpin
• Leah Reich, ‘The Cruelest Month‘ on Medium
• Amanda Giracca, ‘The Art of Butchery‘ in Aeon
• Rebecca Harrington, ‘The Apple Watch Is Great for Starting Conversations About the Apple Watch‘ in The Cut
• Alix Johnson, ‘Telling Stories: Secrets, Lies, and Sexual Assault‘ in The Toast
• Vivian Underhill, ‘Steal This Book if You Need To‘ on The Fem
• Sali Hughes, ‘Not going out‘ in The Pool
• Erika Smith, ‘A Return to Babysitting‘ on The Billfold
• Amy Glynn, ‘Desire Lines‘ on Berfrois
• Caolan Madden, ‘I Was Somebody: My Weekend With Miranda July’s App‘ on Weird Sister
• Tracy Moore, ‘My Love Affair with Androgynous Clothes‘ on Jezebel
• Shanrah Wakefield, ‘The Best Time I Burned the Shit Out Of My Hand Whilst Waxing My Box For A Boy‘ on The Hairpin
• Lynsey White, ‘Old Maid‘ on her blog
• Heather Steadham, ‘Firepower‘ in The Butter
• Colleen Kinder, ‘Long Night’s Journey Into Spring‘ in VQR
• Louise Troh, ‘The Tragic Love Story Behind America’s First Ebola Victim‘ in Vanity Fair

Feminism:

• Hattie Crisell, ‘Why is going grey still such a big deal?‘ in The Pool
• Meghan Murphy, ‘On ‘corporate feminism’ and the appropriation of the women’s movement‘ on Feminist Current
• Caitlin Moran, ‘How to Build a Girl‘ in The Times
• Jennifer Purdie, ‘Mormon, Childless, And Constantly Condescended To‘ on Buzzfeed
• Alexandra Duncan, ‘How I Made A Career Out Of Showing People My Cervix‘ on Buzzfeed
• Ann Friedman, ‘Older Women Aren’t Enemies, They’re Envied‘ in The Cut
• Ann Glaviano, ‘Report from the Field: On (Not) Reporting Sexual Violence‘ on VIDA
• Amelia Gentleman, ‘Time, gentlemen: when will the last all-male clubs admit women?‘ in The Guardian
• Siobhan Fenton, ‘Why do British feminists care more about sexist adverts than abortion rights in Northern Ireland?‘ in The Independent
• H. Liang, ‘Advice to my former self: desperate working mother of two young children‘ on Shrink Grows Kids
• Alana Levinson, ‘Girl, Send Me a Frext‘ on Medium
• Julia Alsop, ‘Out of Our Hands‘ on Maisonneuve
• Jessica Roy, ‘A Modest Proposal: How to Close the Gender Wage Gap‘ in The Cut
• Tracey Moore, ‘What Do Men Want? Obedient Wives and Independent Daughters, Apparently‘ on Jezebel
• Mara Lee, ‘Kissing historically‘ on Media Diversified
• Joanne McAlpine, ‘Looking Back: Fragments From Women’s Shelters (1981 – 1996)‘ in The Toast
• Janet Reitman, ‘Abortion Rights at Risk: The GOP Opens a New Front in the War on Women‘ in Rolling Stone
• Jane Merrick, ‘Should wolf-whistling be reported to the Police? If you’re Poppy Smart, then yes‘ in The Independent
• Shani Gilchrist, ‘Why I Talk To My Sons About My Work‘ on Role Reboot
• Vaidehi Mujumdar, ‘The state still controls women’s bodies. Especially brown and black ones‘ in The Guardian
• Joni Edelman, ‘Being Thin Didn’t Make Me Happy, But Being ‘Fat’ Does‘ on Everyday Feminism
• Joan Smith, ‘Women who waive their anonymity are changing our perspective on rape‘ in The Guardian

Society and Politics:

• Megan Garber, ‘The History of ‘Thug’‘ in The Atlantic
• Meredith Talusan, ‘From A Symbol Of Athletic Power To A Symbol Of Gender Transition‘ on Buzzfeed
• Pilot Viruet, ‘Black Exhaustion‘ on Medium
• Shannon Keating, ‘Coming Out as Gay in Elementary School‘ on Buzzfeed
• Anna Della Subin, ‘In the Light of Ras Tafari‘ in The White Review
• Amie Ferris-Rotman, ‘The Earthquake-Wrecked Town That the Nepali Government Forgot‘ in The Atlantic
• Sharon Harrigan, ‘Foie Gras, the Vegetable‘ in VQR
• Amy Quan Barry, ‘Forty Years Ago Today‘ in the Huffington Post
• Leigh Cowart, ‘The Drug That’s Infecting Indiana‘ on Medium
• Dawn Foster, ‘Free Schools‘ in the London Review of Books
• Minal Hajratwala, ‘A Brief Guide to Gender in India‘ in Granta
• Julie Vuong, ‘What does it feel like to flee your country in an unsafe boat?‘ in The Pool
• Erika Hayasaki, ‘Living with Being Dead‘ on Medium
• Annie Waldman, ‘Scientific Expertise on Lethal Injection Falls Short‘ in Guernica
• Joan Walsh, ‘The hideous white hypocrisy behind the Baltimore “Hero Mom” hype: How clueless media applause excuses police brutality‘ on Salon
• Bella Qvist, ‘Freshly Filtered Favouritism: Why I Wouldn’t Want to Be a Barista at Pret‘ on the Huffington Post
• Maureen Rich Wallace, ‘My Son Belongs in Your Child’s Class‘ on Medium
• Myriam Francois-Cerrah, ‘To talk about race, we need to talk about the problem with “whiteness”‘ in the New Statesman
• Kamila Shamsie, ‘Murdered on the streets of Karachi: my friend who dared to believe in free speech‘ in The Guardian
• Diana Prichard, ‘Cultivating a New Immigrant Narrative‘ on Medium
• Kimberly Chrisman-Campbell, ‘The Day AIDS Hit the Fashion Industry‘ in The Atlantic
• Rafia Zakaria, ‘Drones — One white death can change everything‘ on Dawn
• Alex Morris, ‘How Exactly Do You Teach Femininity?‘ in The Cut
• Paris Lees, ‘Why the world needs to stop gawping, and support Bruce Jenner’s transition.’ in Cosmopolitan
• Laura Gottesdiener, ‘A Foreclosure Conveyor Belt‘ in Guernica
• Elif Shafak, ‘There is no us and them: remembering the lost Armenians‘ in the New Statesman
• Nancy Cook, ‘When Cities and Suburbs Work Together‘ in The Atlantic
• Morgan Meaker, ‘Gentrification in Brixton: who wins, who loses and who’s to blame?‘ in the New Statesman
• Helen Lewis, ‘The battle for better maternity care shows the limits of the Amazon warehouse approach to medicine‘ in the New Statesman

Music, Film and Television, Personalities:

• Tracey Thorn, ‘In music today, it’s all or nothing – rich at the top or languishing forlornly at the bottom‘ in the New Statesman
• Louisa Thomas, ‘The Boxer and the Batterer‘ on Grantland
• Sally Howe, ‘Pulp Nonfiction: Death (and Life) on Reality TV‘ on Blunderbuss
• Helen O’Hara, ‘Meryl Streep and Rose Byrne are prising open Hollywood for women‘ in The Pool
• Eleanor Margolis, ‘Calling Eurovision too gay for a “family show” is as perplexing as it is insidious‘ in the New Statesman
• Lauren Laverne, ‘Katie Hopkins and incendiary opinions are the new celebrity gossip‘ in The Pool
• Agata Pyzik, ‘In Praise of Vulgar Feminism: On Kim Gordon and Courtney Love‘ in n+1

The interviews:

• Sandra Newman on The Writes of Woman
• Chimamanda Ngozi Adichie in the Wall Street Journal
• Miriam Toews in The Guardian
• Mariel Hemingway in the LA Times
• Sarah Gerard on Literary Hub
• Aimee Bender on Literary Hub
• Elizabeth Alexander in the Washington Post
• Lucy K Shaw on Real Pants
• Rachel Holmes on Guernica
• Sarah Waters in the Huffington Post and Culture Whisper
• Meghan Daum on Slate
• Jandy Nelson in The Guardian
• Tracey Thorn in The Pool
• Alison Bechdel in TIME
• Michelle Tea on The Rumpus
• Valeria Luiselli on Literary Hub
• Sarah Lepiciger on Reading Agency
• Darcey Steinke on The Rumpus
• Jillian Tamaki on The Hairpin
• Laura Salters on Sky’s Book Corner
• Hilary Mantel on Fourth Estate
• Carla Berrocal on Broken Frontier
• Jodi Picoult and Samantha van Leer via Bustle
• Vivian Gornick on Publishers Weekly
• Anna North on One Book Lane
• Janice Galloway in the Falkirk Herald
• Liza Klaussman on The White Company
• Janet Champ on The Toast
• Annelise Finegan on Three Percent
• Kate Hamer on Thriller Books Journal
• Kim Gordon on The Quietus
• Cece Bell in The Guardian

If you want some fiction to read:

• ‘The Taste of Home‘ by Ola Awonubi on The Reading Life
• An extract from The Green Road by Anne Enright in The Irish Times
• ‘Love Isn’t Easy When You’re the National Anthem‘ by Aoko Matsuda (translated by Jeffrey Angles) in Guernica
• ‘Light‘ by Leslie Nneka Arimah in Granta (Winner of Commonwealth Writers Short Story for Africa)
• ‘Famished Eels‘ by Mary Rokonadravu in Granta (Winner of Commonwealth Writers Short Story for the Pacific)
• An extract from The Enchanted by Rene Denfeld on Orion Books
• ‘Redshift‘ by Erin Calabria in Atlas and Alice
• ‘Chamber in My Heart‘ by Sossity Chiricuzio in Atlas and Alice
• ‘The School of English‘ by Hilary Mantel in the London Review of Books
• An extract from The Gracekeepers by Kirsty Logan on Foyles
• An extract from The Last Summer of Us by Maggie Harcourt on We Love This Book
• An extract from Today I Am a Book by xTx on Literary Hub
• ‘Escape, Release, and Return‘ by Leslie Baum in Guernica
• An extract from Sphinx by Anne F. Garréta (translated by Emma Ramadan) on Electric Literature
• ‘A Satisfying End-of-Relationship Goods Exchange In Three Acts‘ by Maria Yagoda on The Hairpin
• ‘How to Clean a Dollhouse‘ by Betty Capot on Blunderbuss
• ‘A Sheltered Woman‘ by Yiyun Li (Winner of the Times’ Short Story Award)
• An extract from The Sound of a Sundial by Hana Andronikova (translated by David Short) on Body
• An extract from The Children’s Crusade by Ann Packer
• ‘How to Hook‘ by Jodi Angel in The Offing
• ‘The Fairy Sword‘ by Laura Madeline Wiseman on The Fem
• An extract from God Help the Child by Toni Morrison on Essence
• ‘Fortune‘ by Erin Lawless on Books With Bunny
• ‘Fincan‘ by Mia Hooper in The Toast
• ‘Normal‘ by Bree in Guernica
• An extract from A God in Ruins by Kate Atkinson on the Penguin Blog

If you want some poetry to read:

• Twenty-One Love Poems (The Floating Poem, Unnumbered) by Adrienne Rich on All Poetry
• ‘exodon paradoxus (bucktooth tetra)‘ by Dana Ranga (translated by Monika Cassel) in Guernica
• ‘Backdrop‘ by Andrea Gilham in Atlas and Alice
• Two Poems from Monetized by Alissa Quart on The Offing
• Three Pantoums by Lo Kwa Mei-en in The Offing
• ‘The Advantage of Sexual Cannibalism‘ by Antoinette Nena Villami on CactiFur
• Three Poems by Marika Prokosh on Lemon Hound
• ‘The Bookbinder‘ by Clare Best on Anthony Wilson’s blog
• ‘Whitewashed‘ by Natasha Head on The Tashtoo Parlour
• Two Poems by Sandra Simonds on Fanzine
• ‘Scientific‘ by Marisa Seigel on The Rumpus
• Two Poems by Sharon Olinka in Drunken Boat
• ‘Agression Diary‘ by Annemarie Austin
• ‘Errant Fathers, Stupid Women‘ by Marina Sofia in Think Pink

If you want some non-fiction to read:

• An extract from Headstrong: 52 Women Who Changed Science and the World by Rachel Swarmy on Literary Hub
• An extract from Naked at the Albert Hall by Tracey Thorn in The Pool

The lists:

• Books of the Week, May 1, 2015 on Publishers Weekly
• 14 Of The Most Buzzed-About Books Of 2015 on Buzzfeed
• 18 Brilliant Books You Won’t Want To Miss This Summer on the Huffington Post
• 18 Of May 2015’s Best Books To Either Read By Yourself Or Share With Your Mom This Month on Bustle
• 10 Reasons to Love Nella Larson on For Books’ Sake
• 21 Books Every Woman Should Read By 35, Because Reading Keeps You Young (Sort Of) on Bustle
• The June 2015 Indie Next List Preview on American Booksellers Association
• Anne Helen Petersen’s Ten Writers On Entertainment in Vela
• 5 Great Books To Read In May on Buzzfeed
• Best Books April Part Two on Quadrapheme
• Best New Fiction: May 2015 on Typographical Era
• Top 10 books about working life in The Guardian
• Life Lessons from To Kill a Mockingbird on Scottish Book Trust
• 11 Steamy Books for Teens on Scottish Book Trust
• Novelicious Picks…Psychological Thrillers on Novelicious
• Kirsty Logan’s Top Five Literary Circuses on We Love This Book