In the Media, March 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

This fortnight’s seen a number of prize lists announced. The big ones for women writers are the Baileys Women’s Prize for Fiction longlist and the Stella Prize shortlist.

Chimamanda Ngozi Adichie’s comments on trans women have prompted a number of responses.

• Thembani Mduli, ‘When Callouts Become Anti-Black: On Chimamanda Ngozi Adichie’s Transphobia, Disposability Culture & British Colonialism‘ on Rest for Resistance
• Rhyannon Styles, ‘The New Girl: A Trans Woman’s View Of White Male Privilege‘ in Elle
• Kuchenga Shenjé, ‘Chimamanda Ngozi Adichie’s Transgender Comments Invalidated My Womanhood‘ on gal-dem
• Halle Kiefer, ‘Laverne Cox Responds to Chimamanda Adichie’s Comments About Trans Women and Male Privilege‘ on Vulture
• Jarune Uwujaren, ‘Why Chimamanda Ngozi Adichie’s Comments on Trans Women are Wrong and Dangerous‘ on Unapologetic Feminism
• Racquel Willis, ‘A trans woman’s thoughts on Chimamanda Adichie‘ on Twitter
• Morgan Jerkins, ‘Chimamanda Ngozi Adichie Is Getting Criticized for Her Comments About Transgender Women‘ on Teen Vogue
• Hadley Freeman, ‘Identity is the issue of our age: so why can’t we talk more honestly about trans women?‘ in The Guardian
• Glosswitch, ‘The debate over Jenni Murray suggests we don’t see older women as “real women”‘ in the New Statesman

The best of the rest:

On or about books/writers/language:

• Emine Saner, ‘Books for girls, about girls: the publishers trying to balance the bookshelves‘ in The Guardian
• Lynn Steger Strong, ‘When Femininity Is Code for Feelings‘ on Literary Hub
• Caitlin Moran, ‘Were I not a writer, I’d have the peachy, zingy buttocks of Gigi Hadid’ in The Guardian
• Andreá Stella, ‘Clarice Lispector’s Children’s Story Taught Me to Read Her Like An Adult‘ on Literary Hub
• Becky Chambers, ‘My Alien Family: Writing Across Cultures in Science Fiction‘ on Tor.com
• Lorraine Berry, ‘The Man Who Doesn’t Read Women‘ on Signature
• Shaj Mathew, ‘Poetry as Life, Life as Poetry‘ on Guernica
• Jami Attenberg, ‘How Working at a Bookstore Changed My Writing Career‘ on Literary Hub
• Roxane Gay, Aimee Bender, and more ‘On Assault and Harassment in the Literary World‘ on Literary Hub
• Sophie Brown, ‘How to Escape from Prison‘ in The TLS
• Jhumpa Lahiri, ‘on the Compulsion to Translate Domenico Starnone‘ on Literary Hub
• Madeleine Wattenbarger, ‘Finding a Room of One’s Own in the Mexico City Metro‘ on Literary Hub
• Rebecca Solnit, ‘On Silence, Pornography, and Feminist Literature‘ on Literary Hub
• Alex Clark, ‘Writers unite! The return of the protest novel‘ in The Guardian
• Margaret Atwood, ‘on What ‘The Handmaid’s Tale’ Means in the Age of Trump‘ in The New York Times
• Casey Stepaniuk, ‘Meet Your New Favourite Darkly Comic, Magical Realist Writer: Eden Robinson‘ on BookRiot
• Margaret Atwood, ‘on What it’s Like to Watch Her Own Dystopia Come True‘ on Literary Hub
• Larissa Pham, ‘Your Own Private Party: How reading Eve Babitz got me through the depths of winter‘ on The Paris Review
• Alexandra Schwartz, ‘Rereading Paula Fox’s “Desperate Characters”‘ in The New Yorker
• Lauren Oyler, ‘How the Push to ‘Break the Silence’ Fails the Feminist Movement‘ on Broadly
• Candy Royale, ‘Ali Cobby Eckermann’s poetry: inspiring those of us who feel like outsiders‘ in The Guardian

Personal essays/memoir:

• Carolyn Desalu, ‘The Kitchen Drawer: On Black Families and Suicide‘ on Catapult
• Katherine Laidlaw, ‘A Place of Absorption‘ on Hazlitt
• Anna Graham Hunter, ‘Lying Down With Older Men‘ on Medium
• Valeria Luiselli, ‘On the Choices People Make in Coming to America‘ on Literary Hub
• Nicole Cox, ‘Proper Young Ladies: Writing My Mother’s Shakespeare Essay‘ on Medium
• Funmi Iyanda, ‘Theory of Death” In Conversation with My Mother‘ on Medium
• Elisabeth Fairfield Stokes, ‘Life and Breath: On Pregnancy and the Spirit World‘ on Catapult
• Keph Senett, ‘A Bed of Fists: On Playing Soccer in Moscow‘ on Catapult
• Ashley P. Taylor, ‘Für Bess: On Neighbors, Music Parties, and Growing Up‘ on Catapult
• Jessica Furseth, ‘I Don’t Have Cancer (Yet)‘ on Buzzfeed
• Darcy Steinke, ‘How I Came to the Church of Rock and Roll‘ on Literary Hub
• Jessie Male, ‘Mirror Pain‘ on Guernica
• Nicole Chung, ‘The Worry I No Longer Remember Living Without‘ on Hazlitt
• Nneka Onwuzurike, ‘My Mother’s Name‘ on The Offing

Feminism:

• Rachel Vorona Cote, ‘The Misogynistic History of Trying to Understand Women Who Self-Harm‘ on Broadly
• Liza Munday, ‘Why Is Silicon Valley So Awful to Women?‘ on The Atlantic
• Zoe Williams, ‘Cuts are a feminist issue. So what would a suffragette do?‘ in The Guardian
• Erin Vanderhoof, ‘How the Combative Beginning of Women’s Studies Shaped Feminist In-Fighting Today‘ on Broadly
• Arianna Rebolini, ‘Heads Up, ‘Slimming’ Is Not a Compliment‘ on Racked
• Jendella Benson, ‘Patriarchy and The Idealisation Of Motherhood‘ on Media Diversified
• Han Yujoo, ‘Misogyny blooming and the universal feminine‘ on The TLS
• Rebecca Solnit, ‘Silence and powerlessness go hand in hand – women’s voices must be heard‘ in The Guardian
• Jia Tolentino, ‘The Women’s Strike and the Messy Space of Change‘ in The New Yorker
• Joanna Cannon, ‘How to embody the “Be Bold For Change” ethos‘ on The Pool
• Maxine Beneba Clarke, ‘My Feminism‘ on Victoria Women’s Trust

Society and Politics:

• Jess Phillips, ‘I feel sorry for the people of Tatton – I hear their MP is just too busy to care‘ in The Guardian
• Amelia Tait, ‘Joining Generation Rent isn’t a quirky choice – it’s our unavoidable state of economic insecurity‘ in the New Statesman
• Ijeoma Oluo, ‘Welcome To The Anti-Racism Movement — Here’s What You’ve Missed‘ on The Establishment
• Molly Ball, ‘Kellyanne’s Alternative Universe‘ on The Atlantic
• Vera Chok, ‘If you saw a nanny in this BBC interview, what does that say about you?‘ in The Guardian
• Molly Ball, ‘Washington’s Spy Paranoia‘ on The Atlantic
• Julie Beck, ‘This Article Won’t Change Your Mind‘ on The Atlantic
• Sara Noviç, ‘The Right to Remain Silent‘ in The New Enquiry
• Rebecca Omonira-Oyekanmi, ‘“I want to try. Live or die”: how refugees decide whether to make the dangerous trip to Europe‘ in the New Statesman
• Sarah Menkedick, ‘The Making of a Mexican-American Dream‘ on Pacific Standard
• Renata Adler, ‘Brontosaurs Whistling in the Dark‘ in Lapham’s Quarterly
• Alana Semuels, ‘The Racist History of Portland, the Whitest City in America‘ on The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Kate Robertson, ‘Why Female Cannibals Frighten and Fascinate‘ in The Atlantic
• Sophie Gilbert, ‘Is Girls Heading Toward a Conventional Happy Ending?‘ on The Atlantic

The interviews/profiles:

• Katie Kitamura in The Guardian
• Rachel Cusk in The Cut
• Jami Attenberg on The Millions, Vogue and Electric Literature
• Rebecca Solnit in Elle
• Ann Goldstein on Hazlitt
• Delia Bell Robinson on Bloom
• Can Xue on Words Without Borders
• Ariel Levy on Longreads and Jezebel
• Ahd Niazy on The Establishment
• Elif Batuman on Vulture and Publishers Weekly
• Megan Bradbury in The Skinny
• Allison Benis White on Electric Literature
• Gwendoline Riley on The Skinny
• Sawako Nakayasu on Asymptote
• Chris Kraus on Ssense
• Angie Thomas in The Bookseller
• Danielle Dutton on Catapult
• Claudia Roden on Food52
• Susan Hill on Waterstones
• Dorthe Nors on The Writes of Woman
• Sharon Olds on Literary Hub
• Chimamanda Ngozi Adichie in The Guardian
• Ursula K. Le Guin in The TLS
• Judith Kerr in The Guardian

The regular columnists:

• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, April 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

There’s been a strong narrative about the abuse of women over the last fortnight. Jessica Knoll wrote a personal and powerful essay about the gang rape which informed the writing of her novel Luckiest Girl Alive. ‘What I Know‘ was published on Lena Dunham’s site Lenny. Daisy Buchanan interviewed Knoll for The Pool. Jia Tolentino looked at the reporting of abuse in ‘Is this the End of the Era of the Important, Inappropriate Literary Man‘ on Jezebel. Helen Walmsley-Johnson wrote ‘The shame of abuse has held me hostage for years‘ on The Pool; Kathryn Joyce wrote ‘Out Here, No One Can Hear You Scream‘ on The Huffington Post; Jade Blair wrote, ‘Women Do What They Need To Do To Survive‘ on Hazlitt, and Louise O’Neill wrote ‘Nothing could prepare me for what happened when I published my book‘ on The Pool and ‘What a privilege it is to think that I might have touched other peoples lives in some small way‘ in The Irish Examiner. (The later is O’Neill’s weekly column which I’ve now added to the regulars section at the bottom of the post.)

The 2015 VIDA count for the number of bylines and reviews for female writers in literary magazines was announced. There’s some good news in some areas but, overall, there’s still a long way to go. Rachel McCarthy James followed this with, ‘Women in Publishing 100 Years Ago: A Historical VIDA Count: Representation and Gender (Im)Balance in 1916‘ on Literary Hub

The longlist for the Desmond Elliott Prize was announced with seven books by female writers in the running.

The best of the rest:

On or about books/writers/language:

• Sara Barrett, ‘I have autism and the lack of authentic autistic voices in books angers me‘ in The Guardian
• Narwali Serpell, ‘Africa Has Always Been Sci-Fi‘ on Literary Hub
• Boris Kachka, ‘Claudia Rankine Challenges White Teachers, Pities White Racists in AWP Keynote‘ on Vulture
• Jane Mendlesohn, ‘Why I Wrote a Novel About Sex Trafficking‘ on Literary Hub
• Kate Tempest, ‘It’s difficult to look at words as pegs to hang a plot from’ in The Guardian
• Joanna Walsh, ‘On Self-Writing‘ in the Irish Times
• Harriet Reuter-Hapgood, ‘“I wake up panicked at 2am every night”: an author reveals what it’s (really) like to write a debut novel‘ in Stylist
• Mallory Ortberg, ‘Every Meal In Wuthering Heights Ranked In Order Of Sadness‘ in The Toast
• Ros Barber, ‘For me, traditional publishing means poverty. But self-publish? No way‘ in The Guardian
• Rachel Abbott, ‘14 hour days, marketing and dealing with snobbery: my life as a self-published bestseller‘ on The Guardian
• Brigid Delaney, ‘What we write about when we write about running‘ in The Guardian
• Kelly Kerney, ‘The Impossible Task of Writing Historical Fiction‘ on Publishers Weekly
• Sofia Samatar, ‘On the 13 Words that Made Me a Writer‘ on Literary Hub
• Gaby Wood, ‘Harper Lee’s letters: priceless literary artifacts or tasteless celebrity memorabilia?‘ in The Telegraph
• Viv Groskop, ‘Celebrating Eat, Pray, Love 10 years on‘ on The Pool
• Mairi Kidd, ‘Access to books and reading should be a right‘ on The Bookseller
• Rachel Kondo, ‘Write How You Like Write: Representing Hawai’i Creole English as a Literary Participant‘ on Electric Literature
• Katie Roiphe, ‘Remembering Susan Sontag’s Final Days‘ on Literary Hub
• Rowan Whiteside, ‘Why I ❤️ Georgette Heyer‘ in Standard Issue
• Leigh Stein, ‘Millennial Days‘ in The New York Times
• David Featherstone, ‘Doreen Massey obituary‘ in The Guardian
• Sarah Hughes, ‘Why those subversive Brontë sisters still hypnotise us‘ in The Guardian
• Hanya Yanagihara, ‘Writing can be lonely‘ in The Telegraph
• Kate Elliott, ‘Writing Women Characters into Epic Fantasy Without Quotas‘ on Tor.Com
• Sara Nović, ‘on how she wrote Girl at War‘ in The Guardian
• Sarah Bakewell, ‘At the Existentialist Café‘ on Literary Hub
• Mira Ptacin, ‘Hard Truth and Deep Trauma Behind Bars‘ on Literary Hub
• Shirley Barrett, ‘How to Be a Whaler’s Wife in 1908: Boil Everything, Wash the Clothes in Gin‘ on Literary Hub
• Lucy Mangan, ‘The forgotten genius: why Anne wins the battle of the Brontës‘ in The Guardian
• Danielle Dutton, ‘On Dressing Margaret Cavendish‘ in The Believer
• Vespa Goldsworthy, ‘I started from Gatsby as a Greek dramatist starts from Antigone‘ in The Guardian
• Rachel Cooke, ‘Anita Brookner’s wry, elegant world of disappointed women‘ in The Guardian

Personal essays/memoir:

• Madison Griffiths, ‘An Open Letter to My Vagina: Sex, Pain, and Vaginismus‘ on Vice
• Lynn Steger Strong, ‘Running Still‘ in Guernica
• Lynn Steger Strong, ‘To Be a Mother, To Be a Writer‘ on Literary Hub
• Sara Black-McCulloch, ‘Catching the Light‘ on Maisonneuve
• Liz Jackson, ‘Four Years Ago Today, I Fell Out of Bed.‘ on Medium
• Susan Ito, ‘Names‘ on Catapult
• Molly Prentiss, ‘From a California Commune to New York City or, How to Be an Adult Woman in NYC‘ on Literary Hub
• Nandini Balial, ‘Agemus‘ on Midnight Breakfast
• Vivian Huyun, ‘I thought assimilation was the key to happiness, but I ended up trapped in a cultural prison‘ in The Guardian
• Abby Higgs, ‘A Conversation with Brandon‘ on Catapult
• Clare Vaye Watkins, ‘How to Escape Your Hometown‘ on Literary Hub
• Patricia Smith, ‘Bazooka Smackdown‘ in Guernica
• Marissa Korbel, ‘No, Lolita‘ on The Rumpus

Feminism:

• Katie Daubs, ‘The woman who was trans before her time‘ in The Toronto Star
• Glosswitch, ‘Cristiano Ronaldo’s approach to fatherhood is a victory for male supremacy‘ in the New Statesman
• Chimene Suleyman, ‘There is an epidemic of missing women and girls of colour in the UK‘ on Media Diversified
• Elisa Albert, ‘Confessions of a Radical Doula‘ in The Cut
• Tabitha Blankenbiller, ‘The Slow Fall of the Hot Heroine‘ on The Rumpus
• Jendella Benson, ‘Is It Worth it?: Black Women’s Voices and the Permission to Speak‘ on the Huffington Post
• Laura Bates, ‘Why is travelling alone still considered a risky, frivolous pursuit for women?‘ in The Guardian
• Rosie Fletcher, ‘It’s great that Emma Watson is standing up for feminism – but #HeforShe is the wrong approach‘ in The New Statesman

Society and Politics:

• Bettina Judd, ‘On or about July 10, 2015‘ on The Offing
• Jo Scott-Coe, ‘Listening to Kathy‘ on Catapult
• Ellen Cantarow and Alison Rose Levy, ‘A Fukushima on the Hudson?‘ in Guernica
• Christina Cauterucci, ‘We Expect Women to Have Impostor Syndrome. That’s Why We Can’t Handle Hillary Clinton.‘ on Slate
• Erica Schweigershausen, ‘How Biased Policies Push Black Girls Out of School‘ on The Cut
• Angie Maxwell, ‘Donald Trump and the Lost Cause‘ in VQR
• Miranda Trimmier, ‘Dark Pools‘ on The New Inquiry
• Patricia Lockwood, ‘Lost in Trumplandia‘ in the New Republic
• Zoe Williams, ‘These Tory messages show us why faith has no place in politics‘ in The Guardian
• Elaine Brown, ‘‘A Taste of Power’: The Woman who Led the Black Panther Party‘ on Longreads
• Rebecca Solnit, ‘Death by gentrification: the killing that shamed San Francisco‘ in The Guardian
• Amanda Chicago Lewis, ‘How Black People Are Being Shut Out of America’s Weed Boom‘ on Buzzfeed
• Emma Green, ‘Black Activism, Unchurched‘ in The Atlantic
• Eleanor Margolis, ‘“Faithful amanuensis”: how the guise of friendship is used to erase lesbian relationships‘ in The New Statesman

Film, Television, Music, Art, Fashion and Sport:

• Taffy Brodesser-Akner, ‘Water’s Edge‘ on ESPN
• Bronwen Dickey, ‘Dogs of Character: Pride, Prejudice, and the American Pit Bull Terrier‘ in VQR
• Hanna Yusuf, ‘Why the fashion elite needs to stop undermining Muslim women’s choice of clothing‘ in The Pool
• Helen Garner, ‘‘A certain sort of maleness’: on a week spent watching Russell Crowe films‘ in The Guardian
• Ali Smith, ‘The enigma of Giorgione‘ on The Royal Academy of Arts blog
• Anne Helen Peterson, ‘The Unbearable Sadness Of Ben Affleck‘ on Buzzfeed
• Anne Helen Petersen, ‘How Jennifer Garner Went Full “Minivan Majority”‘ on Buzzfeed
• Megha Majumdar, ‘Privileged Nostalgia: On Hollywood, Perception, and the Quest for Authenticity‘ on Electric Literature
• Jean Hannah Edelstein, ‘Unpicking the fascination with the Queen of Goop, Gwyneth Paltrow‘ on The Pool
• Zadie Smith, ‘Windows on the Will‘ in The New York Review of Books
• Ella Risbridger, ‘You walk differently in boots – and that’s their power‘ on The Pool

The interviews:

• Maggie Nelson in The Observer
• Ursula Le Guin on Literary Hub
• Mona Awad on Electric Literature and Tin House
• Jennifer Barber on The Rumpus
• Anne-Marie Slaughter in The Cut
• Attica Locke on the Bailey’s Women’s Prize for Fiction blog
• Phoebe Fox on Women Writers, Women’s Books
• Cynthia D’Aprix Sweeney on Electric Literature
• Danielle Dutton on Literary Hub
• Marilynne Robinson in The Washington Post
• Donna Leon on the Waterstones blog
• Idra Novey in 3:AM Magazine
• Jackie Copleton on the Bailey’s Women’s Prize for Fiction blog
• Shelley Harris on Rebecca Mascull’s blog
• Dawn Tripp on Salon
• Lynn Steger Strong on Electric Literature
• Clio Gray on the Bailey’s Women’s Prize for Fiction Blog
• Edna O’Brien in The New York Times
• Helen Oyeyemi on Vice
• Camille Rankine in Interview Magazine
• Tracy Chevalier in The Independent
• Angela Flournoy and Kaitlyn Greenidge on Literary Hub
• Antonia Honeywell on Jo Hogan Writes
• Susan Orlean on Broadly
• Sinéad Gleeson on Minnie Melange

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, February 2016, part two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

The best of the rest:

On or about books/writers/language:

• Janet Ellis,‘I submitted my book under a pseudonym’ in The Telegraph
• Sarah Pinborough, ‘“The first outline was way more weird than the final novel” – on writing 13 Minutes‘ on One Book Lane
• Katherine Clements, ‘The Real Wicked Lady‘ on The History Girls
• Elen Caldecott, ‘Children’s books: a middle class ghetto?‘ in The Guardian
• Grady Hendrix, ‘Beloved: The Best Horror Novel the Horror Genre Has Never Claimed‘ on Tor.Com
• Laura Malonee, ‘The Subversive Women Who Self-Publish Novels Amid Jihadist War‘ on Wired
• Cathy Retzenbrink, ‘Lucy Kalanithi, a mourning wife on her husband’s brilliant legacy‘ on The Pool
• Susan Burton, ‘The Quietly Subversive Fictions of Dana Spiotta‘ in The New York Times
• Lisa Levy, ‘The Fine Grim Line Between Love and Stalking: On the Crime Fiction of Caroline Kepnes‘ on Literary Hub
• AFP, ‘Love, Rage, Silence: Secret Lives of Afghanistan’s Female Poets‘ in The Express Tribune
• Belinda McKeon, ‘The Night that Sylvia Plath Met Ted Hughes‘ on Literary Hub
• Edan Lepucki, ‘The Anxiety of Influence: Children’s Books and Their Grown-Up Counterparts‘ on The Millions
• Emily Harnett, ‘When Art Cannot Console Us In Death‘ on Literary Hub
• Anna Hope, ‘The inspiration for an asylum set on the Yorkshire Moors‘ on the Penguin blog
• Rosalind Harvey, ‘A Response to “Beyond Bolaño and Beyond”‘ on Full Stop
• Lisa McInerney, ‘Writers on Location: on Cork City‘ on The Literary Sofa
• Melissa Keil, ‘When is YA going to shape up to body diversity?‘ in The Guardian
• Maddie Crum ‘Some Books Just Aren’t Made To Be Adapted For The Screen, And That’s OK‘ on Huffington Post
• Gila Lyons ‘Female Friendships and Online Literary Sexism‘ on The Rumpus
• Polly Vernon, ‘All the attention came from women telling me how stupid my book was‘ in The Guardian
• Kathryn Evans, ‘How writing YA helped me make sense of my childhood‘ on Scottish Book Trust
• Robert McCrum, ‘The 100 best nonfiction books: No 3 – No Logo by Naomi Klein (1999)‘ in The Guardian
• Tracy McVeigh, ‘Ferrante fever sees ‘dangerous’ Naples turn into a tourist hotspot‘ in The Observer
• Valerie Grove, ‘My hero: Margaret Forster‘ in The Guardian
• Sarah Crompton. ‘Girl, uninterrupted: staging Eimear McBride’s chaotic masterpiece‘ in The Guardian
• William Deresiewicz, ‘Where Have You Gone, Annie Dillard?‘ on The Atlantic
• Kavita Das, ‘On Parsing‘ on VIDA
• Emily Sipiora, ‘Françoise Sagan and Luxury Existentialism‘ in The Northwest Review of Books
• Katie Cotton, ‘Women in picture books: are we there yet?‘ on Scottish Book Trust
• Martin Chilton, ‘How Valley of the Dolls went from a reject to a 30-million best-seller‘ in The Telegraph
• Candy Gourlay and Laura Dockrill, ‘Why we love enchantment in children’s books‘ in The Guardian
• Daniel Peña, ‘Octavia Butler’s Notebook Represents All The Anxieties Of Writers Of Color‘ on Ploughshares
• Niina Pollari, ‘The Marvelous Bonfire‘ on Catapult
• Nandini Balial, ‘On Finding Yourself in the Work of Jhumpa Lahiri‘ on Literary Hub
• Siyanda Mohutsiwa, ‘I’m Done With African Immigrant Literature‘ on Okay Africa
• Andrew Harrison, ‘Framed! Meet the creators shaking up modern comics‘ in The Guardian
• Claire Armitstead, ‘Margaret Forster, award-winning author, dies at 77‘ in The Guardian
• Hannah Tennant-Moore, ‘The Best Literary Writing About Sex‘ on Literary Hub
• Catherine Nichols, ‘One Weird Trick That Makes a Novel Addictive‘ on Jezebel
• Eleanor Franzén, ‘On Culture: The Dark Side of Beatrix Potter‘ on Litro
• Máire T Robinson, ‘Sheela-na-gigs and writing what you don’t know‘ in The Irish Times
• Chibundu Onuzo, ‘Yes, I’m black. But an ethnic minority? Forget it‘ in The Guardian
• Anne Boyd Rioux, ‘Eight Classic Female Bildungsromane You Should Know About If You Don’t Already‘ in The Toast
• Esther Kuforiji, ‘Stories of Blackness — Chapter 4: Literary Festivals‘ on Medium
• Julia Eccleshare, ‘Gillian Avery obituary‘ in The Guardian

Personal essays/memoir:

• Liz Dashwood, ‘Grown-ups are allowed to have meltdowns, too‘ on The Pool
• Joyce Maynard, ‘What Luck Means Now‘ in The New York Times
• Erin Lee Carr, ‘Still Rendering‘ on Medium
• Danielle Bacher, ‘My Autistic Brother’s Quest for Love‘ in Esquire
• Bruna Dantas Labato, ‘Notes on Record-Keeping‘ on Ploughshares
• Joanna Horton, ‘Hard Luck: On Motherlessness‘ in The Toast
• Edan Lepuki, ‘The Secret, Magical Underwear That Only Moms Know About‘ in The Cut
• Kim Pittaway, ‘After‘ on Hazlitt
• Jennifer Hanks, ‘Somewhere Across The Sea‘ in Lumen
• Nicolette Loizou, ‘Travelling in Fiji‘ on Litro
• Esther Schor, ‘My Last JDate‘ in Tablet
• Antonia Honeywell, ‘I was driven out of my beloved church by homophobia‘ in The Telegraph
• Marian Keyes , ‘on the Agony of Small Goodbyes‘ on The Pool
• Susan Shapiro, ‘Both Sides Now‘ on Tablet
• Carmen Maria Machado, ‘The Moon Over the River Lethe‘ on Catapult
• Sarai Walker, ‘Yes, I’m Fat. It’s O.K. I Said It.‘ in The New York Times
• Miriam Foley, ‘Remembering Román‘ on Litro
• Susan Daitch, ‘Treasure Hunters‘ on Guernica
• Farah Róisín, ‘Why Them?‘ on Hazlitt

Feminism:

• Anna James, ‘What’s behind the lack of female pilots?‘ on The Pool
• Jia Tolentino, ‘What Should We Say About David Bowie and Lori Maddox?‘ on Jezebel
• Laura Munoz, ‘To Men I Love, About Men Who Scare Me‘ on Medium
• Dolly Alderton, ‘Hey, spurious polls. This is the *perfect* woman‘ on The Pool
• Emma Lindsay, ‘What I Learned From Dating Women Who Have Been Raped‘ on Medium
• Caroline O’Donoghue, ‘On the sad inevitability of the grown man and the teenage girl‘ on The Pool
• Caroline Criado-Perez, ‘Companies are to publish their gender pay gaps – but will this lead to financial equality?‘ on the New Statesman
• Louise O’Neill, ‘I wonder if my ex-boyfriends thought female sexuality was something to be laughed at‘ in the Irish Examiner
• Sandra Newman, ‘Woman Facts‘ on McSweeney’s
• Robyn Wilder, ‘Why is the P-word so cringingly awful?‘ on The Pool
• Rebecca Solnit, ‘The Case of the Missing Perpetrator‘ on Literary Hub
• Sophie Mayer, ‘The Legend of Greenham Common Women’s Peace Camp‘ on Berfrois
• Sady Doyle, ‘Progressive‘ on her Tumblr
• Aricka Foreman and Mimi Wong, ‘Except, All Of Us: Women & the Myth of Safety‘ on The Offing
• Laura June ‘When You’re Pregnant, Nothing Seems in Your Control‘ on The Cut

Society and Politics:

• Kyla Marshell, ‘The Other World Where Everyone Lives‘ in The Blueshift Journal
• Elspeth Reeve, ‘The Secret Lives of Tumblr Teens‘ on New Republic
• Michelle Goldberg, ‘Is a Surrogate a Mother?‘ on Slate
• Alana Massey, ‘Checking Your Date’s Instagram Isn’t ‘Stalking,’ It’s Research‘ on The Cut
• Meena Kandasamy, ‘“I Am An Anti-National…Count Me Out”‘ on Outlook
• Aaminah Khan, ‘I Don’t Need White Progressives Telling Me, A Queer Muslim, About Homophobia In Islam‘ on Harlott
• Lisa Rab, ‘Poverty in Charlotte: ‘It Was Never Okay’‘ in Charlotte Magazine
• Beulah Maud Devaney, ‘Which Cities Would Be Most Likely to Survive a Zombie Apocalypse?‘ on City Metric
• Jihan Crowther ‘What Dating Abroad Taught Me About Stateside Racism‘ on Jezebel
• Jaya Saxena, ‘Some Unorganized Mixed Race Thoughts‘ in The Toast
• Lineal Ajello, ‘More and More War Stories‘ on Guernica
• Susan Gillman, ‘Remembering Slavery, Again‘ in The Los Angeles Review of Books
• Eleanor Margolis, ‘The new young fogeys‘ in The New Statesman
• Emiko Jozuka, ‘The Woman Who Makes Prosthetic Pinkies for Ex-Yakuza Members‘ on Motherboard

Film, Television, Music, Art, Fashion and Sport:

• Joy Resmovits, ‘The UCLA gymnast who became a viral sensation by just being herself on the floor‘ in the LA Times
• Elizabeth Day, ‘Happy Valley’s women: flawed, funny and completely brilliant‘ on The Pool
• Elizabeth Sankey, ‘In praise of Ab Fab, female friendship and not caring what other people think‘ on The Pool
• Lorrie Moore, ‘The Shame of Wisconsin‘ in The New York Review of Books
• Caroline O’Donoghue, ‘Superheroes have to deal with the same problems the rest of us do‘ on The Pool
• Alexandra Molotkow, ‘The Uncomfortable Power of Pop-Music Cruelty‘ on The Cut
• Hannah Giorgia, ‘Why Do Black Women In Movies Have To Choose Between A Weave And A Relationship?‘ on Buzzfeed
• Cali Hughes, ‘Red is so much more than a colour. It’s a state of mind.’ on the 4th Estate blog
• Lisa Owens, ‘Does Don’t Tell The Bride actually contain the secrets to a happy life?‘ on The Pool
• Lisa Hix, ‘Out of the Shadow of Aunt Jemima: The Real Black Chefs Who Taught Americans to Cook‘ on Collectors Weekly
• Jamie Lauren Keiles, ‘I’m a Hat Person Now‘ on The Cut

The interviews:

• Elizabeth Strout in The Guardian
• Kelly Link on The Millions
• Elena Ferrante in The Gentlewoman
• Idra Novey on Hazlitt, Electric Literature, Weird Sister and Literary Hub
• Janet Ellis in The Bookseller
• Hilary Spiers on Greenacre Writers
• Ann Neuman and Sheri Fink in Guernica
• Marie Annhearte Baker in Room
• Marjorie Liu in Guernica
• Jhumpa Lahiri on Slate, the Wall Street Journal and  Literary Hub, Parts One and Two
• Belinda McKeon on Electric Literature
• Lucy Kalanithi in The Guardian
• Sara Majka on Electric Literature
• Salena Godden on The Woven Tale Press
• Marina Warner on The Literateur
• Ann Goldstein on NPR
• Antonia Honeywell on Greenacre Writers
• Angela Flournoy on The Rumpus
• Sarah Perry on Radio Praha
• Meg Rosoff in The Guardian
• Han Kang on Literary Hub
• Joanna Walsh in Tank
• Alida Nugent on The Rumpus
• Natasha Wimmey on Broadly
• Caroline Bergvall on Asymptote
• Jo Bloom in Psychologies
• Elizabeth McKenzie on Literary Hub
• Sharon Guskin in The Bookseller
• Cate Kennedy on Paul McVeigh’s website
• Sara Gruen and Sarah McCoy on Salon
• Gillian Slovo in The Observer
• Melissa Green in the Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour

In the Media: 14th December 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

This week there’s been a lot written about rape and the culture which surrounds it due to a piece published in Rolling Stone magazine about a gang rape at The University of Virginia. Responses came from Margaret Talbot in The New Yorker, Emily Yoffe on Slate, Maya Dusenbery on Feministing, Rhiannon Cosslett of The Vagenda in Time, Salamishah Tillet in The Nation and Sarah Ditum in The New Statesman; Deb Rox wrote about working at a rape crisis program in ‘Truth Is a Fire I Couldn’t Hold‘ on The Butter; Lena Dunham wrote about her own experience of speaking out on Buzzfeed; Katie McDonough comment on Salon in a piece titled, ‘The right’s Lena Dunham delusion: Anger, misogyny and the dangers of business as usual‘, and Caitlin Moran wrote about the Ched Evans’ case in the UK. While from a story focus, Kathleen Founds wrote about Vonnegut and rape culture on Buzzfeed and Sarah Hughes wrote about ‘Rape on TV‘ in The Guardian.

It’s also been another week where #readwomen2014 has been highlighted. Creator Joanna Walsh reflected on the year in The Guardian; Lauren Aimee Curtis wrote about her year of reading women in Meanjin; Lorraine Meads wrote about creating the first Feminist Library in Nottingham on Dawn of the Unread; Rebecca Mascull wrote about her reading year on her blog, and @hashughes began a Women’s Writing Calendar – send her forthcoming events you’re involved in/are aware of so we can share in the goodness. Meanwhile, Nicola Sheppey at The Vagenda wrote ‘Why Women Need to Read Books By Men‘.

And the other big story was Vlogger Zoella’s novel. The fasting selling debut since records began was ghostwritten, it was revealed last Sunday. You can read the story in The Telegraph. Keren David wrote her thoughts about it on An Awfully Big Blog Adventure; Matt Haig defended her in The Guardian; thirteen-year-old Zoella fan Julia Brookes commented on Girl Online, and on Thursday, Siobhan Curham, the ghost writer involved, commented on her own blog.

The best of the rest articles/essays:

• Ursula K. Le Guin, ‘Knowing a Book By its Cover‘ on Book View Cafe Blog
• Francine Prose, ‘Courts Without Reporters‘ in the New York Review of Books
• Sadie Stein, ‘Hand in Glove‘ in The Paris Review
• Michelle Dean, ‘Wild and Into the Wild‘ on Slate
• Bethany Rose on Rebecca Solnit’s Men Explain Things to Me and Other Essays on For Books’ Sake
• Karrie Fransman, ‘Why We Should Be Taking Comics More Seriously‘ at TedxYouth@Manchester (video)
• Libby Copeland, ‘Oxytots‘ on Slate
• Rowan Coleman, ‘Dear Marian Keyes‘ on Novelicious
• Val McDermid, ‘Why I Write Mysteries and Thrillers‘ on Publishers Weekly
• Glynnis MacNicol, ‘I’m 40. I Don’t Want to Be a Mom. Now What?‘ on The Cut
• Valeria Luiselli, ‘Collected Poems‘ on New York in The New Yorker
• Sanjida O’Connell, ‘Science in Fiction‘ on Women Writers, Women’s Books
• Rachel Manija Brown and Sherwood Smith, ‘How our children’s book about a gay superhero avoided the straightwash‘ in The Guardian
• Jan Bindas-Tenney, ‘The Border Crisis in Leisureville‘ in Guernica
• Ruth Graham, ‘The Disappearance of Rosemary Tonks‘ on Poetry Foundation
• Jessie Burton, ‘The Miraculous Healing Power of a Doll’s House‘ in The Independent
• Viviana Hurtado, ‘Open Letter to the New York Times: Latino Children’s Authors and Illustrators Have Earned a Place on the Year-End List‘ Latinas for Latino Lit
• Emily Schultz, ‘How Ursula Le Guin’s “Very Far Away from Anywhere Else” Made Me Feel Less Alone‘ on Bustle
• Tiffany Midge, ‘Ghoul, Interrupted‘ on The Butter
• Roxane Gay on Megham Daum and personal essays in The New York Times
• Sheila Curry Oakes, ‘A Lifetime of Losing (And Finding) Myself in Literature‘ on Huffington Post
• Salena Godden on writing Springfield Road on For Books’ Sake
• Sophie Coulombeau, ‘I’m getting married: should I change my surname‘ in The Guardian
• Grace Dent on Lorna Sage’s Bad Blood on BBC Radio 4
• Marina Warner, ‘How Fairytales Grew Up‘ in The Guardian
• Carrie Frye, ‘The Gothic Life and Times of Horace Walpole‘ on Longreads
• Lucy McKeon, ‘The Meaning of Coincidence‘ on Guernica
• Lauren Laverne, ‘The best Christmas Present? An NHS with no funding issues‘ in The Observer
• Triple Canopy honours Lynne Tillman

The interviews:

• Elena Ferrante in The New York Times
• Valeria Luiselli on Electric Literature
• Lindsay Hunter in The Los Angeles Review of Books
• Raquel Cepeda on Amy Gigi Alexander’s blog
• Nell Zink in The Paris Review
• Elizabeth McCracken on Literary Mama
• Roxane Gay on the Nerdette Podcast
• Julia Wertz in The Paris Review
• Darcey Steinke on About
• Jan Morris in The New York Times
• Rebecca Solnit on Free Thinking on BBC Radio 3 (from 17.30)
• Mary Costello on Mr. B’s Emporium of Reading Delights blog
• Claudia Rankine in The Believer
• Lisa O’Donnell on Author Link
• Wendy Cope in The Guardian
• Marian Keyes – In the Bathroom, Part One on Sali Hughes Beauty

If you want some fiction or poetry to read:

• ‘The Sentimentality of William Tavener‘ by Willa Cather on Biblioklept
• ‘Savage Breast‘ by Elizabeth McKenzie in The New Yorker. McKenzie talks about the story here.
• An extract from Ridley Road by Jo Bloom on One Book Lane and a different extract on We Love This Book
• An extract from The Chimes by Anna Smaill on her website
• There’s a whole collection of chapbooks published by Sundress Publications free to read on their website
• ‘One-Hundred Percent Risk‘ by Cheryl Klein in Blunderbuss
• ‘Mother and Daughter‘ by Elisabeth Frost
• ‘Fragmented Instructions for Half-Formed Girls‘ by Claire Lombardo on Luna Luna
• ‘Through the Woods‘ by Abigail Mitchell on The Butter
• Academy Street by Mary Costello is BBC Radio 4’s Book at Bedtime
• ‘The Visit‘ by Kate Hamer on Wales Art Review
• ‘Crepuscular‘ by Leesa Cross-Smith on Wyvern Lit

Or some non-fiction:

• An extract from The Secret History of Wonder Woman by Jill Lepore on Bookanista
• An extract from Cinderland by Amy Jo Burns on The Butter
• ‘I miss my biggest heart‘, Emily Dickinson to Susan Huntingdon Gilbert on Letters of Note

And the lists:

• 19 Times Amy Poehler Gave Absolutely Sound Advice on Buzzfeed
• Amy Poehler’s Opinion on 26 Random Things on Buzzfeed
• 15 Powerful Books by Women to Give as Gifts on The Cut
• The Best Poetry Books of 2014 on Flavorwire
• 25 books You Might Have Missed in 2014 on Flavorwire
• Electric Literature’s 25 Best Novels of 2014
• Electric Literature’s 25 Best Story Collections of 2014
• For Books’ Sake’s Bookish Feminist Gift Guide
• 2015 Books We Can’t Wait to Read on Huffington Post
• 6 Things You Didn’t Know About Emily Dickinson’s Writing Process on Flavorwire
• YA Trilogies that Ended in 2014 (That You Should Read in 2015) on Huffington Post
• 2014’s 10 Best Debut Young Adult Novels on Bustle
• And The Millions added more contributions to their ‘A Year in Reading‘ overviews.

In the Media: 7th December 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

This week brought the news that the police involved in the deaths of Mike Brown and Eric Garner would not stand trial. Reaction came from many people. Janee Woods writes, ‘A Different Kind of Justice‘ in Guernica; Roxane Gay, ‘What he St Louis Rams know about Ferguson is a righteous glimpse of the way forward‘ in The Guardian; Mallory Ortberg, ‘Eric Garner’s Killer Won’t Be Indicted‘ on The Toast.

It’s fitting that Claudia Rankine’s Citizen was published recently. Here it’s discussed in The New York Times and on PBS.

It’s that time of year; the round-ups started weeks ago but this week they’ve proved impossible to ignore. First up is Joanna Walsh, creator of #ReadWomen2014 on the Shakespeare and Company blog and Sinéad Gleeson in The Irish Times. While The Millions do fantastic ‘A Year in Reading’ round-ups. Here’s Haley Mlotek, Karen Joy Fowler, Emily Gould, Laura van den Berg, Celeste Ng and Lydia Kiesling. Huffington Post has its ‘Best Books of 2014‘; Electric Literature asks ‘Was 2014 the Year of the Debut?‘; ‘Three million voters reveal the books of 2014‘ on Stylist; ‘The 24 Best Fiction Books of 2014‘ on Buzzfeed along with ‘32 of the Most Beautiful Book Covers of 2014‘; The Independent has ‘The best debuts‘ The New York Times has ‘The 10 Best Books of 2014‘; Bustle has ‘10 Female Authors That Ruled 2014‘, while Slate has ‘The 22 Best Lines of 2014‘, ‘27 Books You Shouldn’t Have Overlooked in 2014‘ and an all-female, yes, you read that correctly, an all-female – by choice not design – ‘Best Books of 2014‘.

Ayelet Waldman took to Twitter to comment on her non-inclusion in The New York Times 100 Notable Books of 2014. You can read about it in The Guardian and Erin Keane responds on Salon. While Laura Miller tells us ‘What I learned from reading two decades worth of NYT notable books lists‘ also on Salon.

The best of the rest articles/essays:

• Adaobi Tricia Nwaubani, ‘African Books for Western Eyes‘ on The New York Times
• Emily Nurenberger, ‘On Chick Lit‘ on her blog
• Zoe Todd, ‘An Indigenous Feminist’s Take on the Ontological Turn: ”ontology is just another word for colonialism‘ on her blog
• ‘Snapshots from a Life: Egyptian Novelist Radwa Ashour, 1946-2014‘ on Arablit
• Julie Naughton, ‘In Loving Color: Diversity in Romance Publishing, 2014‘ in Publisher’s Weekly
• Marie Hansen, ‘Reconciling My Feminism With My Beauty Mag Obsession‘ on Huffington Post
• Elif Shafak on why she writes in English and Turkish on English Pen
• Sarah Weinman, ‘The Real Lolita‘ in Hazlitt
• Rohan Maitzen, ‘Sex, Style and Sewage Farms: Winifred Holtby and Virginia Woolf‘ in 3:am Magazine
• Tamzin Baker, ‘La Milonguera‘ on Guernica
• Carole DeSanti asks ‘Why Is American book publishing so white?‘ in The Guardian (here is your ‘don’t read the comments’ warning)
• Julie R. Enszer, celebrates ‘Leslie Feinberg, Transgender Warrior‘ on The Butter
• Anne Lamott on forgiveness on Salon
• Sadie Stein ‘Angry Birds‘ in The Paris Review
• Alison Willmore, ‘Reece Witherson Plays the Year’s Most Satisfying Female Character in Wild‘ on Buzzfeed
• Cindy Lamothe, ‘Fireworks in June‘ on Guernica
• Jenn Lyons, ‘I Hate…Strong Female Characters‘ on Rewriting Mary Sue
• An all-female issue of The Critical Flame
• Kathryn Schulz, ‘Talking to Cheryl Strayed About What Made Wild Work‘ on Vulture
• Roxane Gay, ‘Our Stories‘ on The Butter
• Preeti Singh, ‘Are India’s young adults ready for LGBT literature?‘ on Mid-day
• Dan Chiasson on Olena Kalytiak Davis in The New Yorker
• Alexandra Kleeman on Fruitarians in The Guardian
• Alison Phipps, ‘The Dark Side of the Impact Agenda’ in THE
• Mary-Lan Tan on being nominated for the Bad Sex in Fiction award (YouTube)
• Jacqueline Wright, ‘What Kind of Girl‘ on Lena Dunham in Standard Issue
• Rebekah Frumkin, ‘The Abyss‘ in Granta
• Marina Benjamin on selfies on Various Small Fires
• An interestingly structured review of Valeria Luiselli’s Faces in the Crowd on Open Letters Monthly
• Ann Leckie, ‘What Makes Me Happy‘ in The Guardian
• Jill Lepore, ‘Wonder Woman: the feminist‘ in The Guardian
• Megham Daum on personal essays on Salon
• Robert MacFarlane on Nan Shepherd on the BBC (iPlayer available until Tuesday 9th)
• ‘The End of Alt Lit‘ on VIDA, includes interviews with Alexandra Naughton, Diane Marie and Lizzy Yizzil
• A Small Sampling of Ursula K. Le Guin’s Prescient Wisdom and Where To Find It on Electric Literature

The interviews:

• Herta Müller in The Paris Review
• Jessie Burton in The Guardian and on the BBC
• A round table discussion, including Jennifer Bartlett and Jillian Weise on ‘Disability and Poetry‘ on Poetry Foundation
• Jane Stubbs in Nudge
• Trisha Ashley on Tara Ford’s blog
• Meghan Daum (at 11.53) on The Gist on Slate and on bookforum
• Lydia Davis interviewing Dan Gunn (her questions are interesting) on Music and Literature
• Jane Smiley on The Guardian books podcast
• Jacqueline Woodson on Publishers Weekly
• Elif Shafak in The Guardian
• Samantha Norman on Shiny New Books

If you want some fiction/poetry to read:

• Three short pieces by Livia Franchini in The Quietus
• ‘Hopper’s Women‘ by Emily Carroll
• ‘My Father’s Poison‘ by Carrie Shippers on AGNI Online
• An extract from Butterflies in November by Audur Ava Ólafsdóttir (translated by Brian Fitzgibbon) on Guernica
• ‘Nostalgia‘ by Carol Ann Duffy in The TLS
• ‘Come Make Love With Us‘ by Cari Luna in Midnight Breakfast
• ‘Lost Love Lounge‘ by Cassie Pruyn on AGNI Online
• ‘A Mexican Fairytale‘ by Leonora Carrington on Weird Fiction Review
• An extract from The Affairs of Others by Amy Grace Lloyd on One Book Lane
• ‘The Lie Tree‘ by Jules Archer on The Toast
• ‘Grandfather’s Loop‘ by Marianne Morris on The Literateur
• ‘Grass‘ by Christina Sanders in Litro

The lists:

• The Best Dystopian Novels Everyone Should Read on Huffington Post
• 5 Great Books to Read in December on Buzzfeed
• 30 Women Novelists You Should Know #17: Laura McBride (read the whole series for far, it’s great) on Lynn Kanter’s blog
• 25 Genre Novels that Should Be Classics on Flavorwire (although that’s the strangest definition of genre novel I’ve ever seen, how about ‘books’ instead?)
• 35 Susan Sontag Quotes on Art, Writing and Life on Flavorwire
• 10 Great Books to Read Based on Your Favorite New Movies on Huffington Post
• Pictures from the TV adaptation of The Casual Vacancy in The Guardian

And the things I’ve most enjoyed reading this week:

• Tim Adams interviews Jenny Diski in The Observer
• Stephanie Feldman, ‘Great Local Moms in History‘ on The Toast (written after a profile of her focused on her being a mother)
• Rebecca Solnit, ‘Las Vegas and the Global Casino We Call Wall Street‘ on Guernica
• Adelle Waldman, ‘An Answer to the Novel’s Detractors‘ in The New Yorker
• Mallory Ortberg, ‘The Fictional Spinster Classification Index‘ on The Toast
• Sarah Perry interviewed on You Wrote the Book!

In the Media: 9th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s awards time again this week. Congratulations to Helen Macdonald who won the Samuel Johnson Prize with her stunning memoir H is for Hawk. There’s an article about it and an interview, both in The Guardian. You can also listen to interviews with all the shortlisted writers on BBC Radio 4.

While in France, Lydie Salvayre won the Prix Goncourt with Pas Pleurer.

The Green Carnation shortlist was announced this week and there are four women on the shortlist of six – congratulations to Kerry Hudson, Kirsty Logan, Anneliese Mackintosh and Laurie Penny. Prior to the announcement, Antonia Honeywell wrote her thoughts on the longlist.

The National Book Awards (UK) shortlists were also announced this week. Lots of books by women worth a read on there too.

And the Saltaire Society shortlisted a self-published book for their First Book Award, The Last Pair of Ears by Mary F. McDonough. The first self-published book to be shortlisted for a Scottish Prize.

That might make you think about Paul Kingsnorth’s novel The Wake which was the first crowd funded novel to be longlisted for The Man Booker Prize earlier this year. Well, Unbound, Kingsnorth’s publishers have announced a Women in Print campaign to try to increase the number of female authors published.

This week has also seen The Bookseller’s report on diversity in publishing – still not good enough, is the overriding conclusion.

It wouldn’t be an average week these days without a Lena Dunham story. Accused by a right-wing journalist of sexually molesting her younger sister following a confessional passage in her book, discussion ensued from Emily Gould, Katie McDonough, Mary Elizabeth Williams and Carolyn Edgar on Salon; Sarah Seltzer on Flavorwire; Emma Gannon on The Debrief; Grace Dent in The Independent. To cheer you up after that, here are 37 Funny and Inspired Thoughts from her book tour on Buzzfeed.

In more cheering news about prominent females, Mallory Ortberg, founder of The Toast, had her book Texts for Jane Eyre published in America this week. In the Los Angeles Review of Books, Sarah Mesle wrote a stunning essay/review about the book’s feminist credentials. She’s interviewed on Entertainment Weekly, The Huffington Post and The Guardian. And you can read an extract, 7 Brutal Literary Breakup Texts on Buzzfeed.

And the Amy Poehler stories are still going. The woman herself answers the Proust Questionnaire in Vanity Fair. Here’s 5 Unexpected Things Marie Claire learned from Poehler’s book. Jessica Valenti has (mis?) read the book and declared ‘bitchiness’ the secret to Poehler’s success in The Guardian. Also in The Guardian, Hadley Freeman told us ‘Why Amy Poehler is the Ultimate Role Model for British Women‘.

The best of the rest articles/essays:

• Jeanette Winterson on the books that changed her life in The Telegraph
• Meg Wolitzer, ‘Why are teenage girls drawn to books about mental instability?‘ in The Guardian
• ‘Finish that Book!‘, Juliet Lapidos in The Atlantic
• Tracey Thorn on going through phases in the New Statesman
• Dreda Say Mitchell, ‘Heroes to Die For‘ on Grab This Book
• Kate Mayfield on shrouds on her blog
• Erica Wagner on Rebecca Solnit and Chimamanda Ngozi Adichie in the Financial Times
• Sarah Galo on the Jennifer Egan edited ‘The Best American Short Stories 2014’ in The Guardian
• ‘Writers on the Titling Process‘ in The Millions
• ‘The Unfashionable Genius‘ on Marilynne Robinson in Commonweal Magazine
• Lynn Shepherd, ‘Pushing Pamela: Book Hype, 18th Century Style‘ in The Spectator
• ‘Women Rise in Sci Fi (Again)‘ by Rose Eveleth in The Atlantic
• Isabel Wolff on ‘The Forgotten Women of the War in the East‘ on Women Writers, Women’s Books
• Ruth Margalit on rereading The Giving Tree in The New Yorker
• Anakana Schofield, ‘Sorry, Mrs O’Duffy‘ on the lack of pensions for women in the Irish armed forces on the London Review of Books blog
• Louisa Treger on The Page 69 Test blog, talking about how Virginia Woolf led her to Dorothy Richardson on Blog Her and discussing how it feels to be between her fictional and real worlds on Women Writers, Women’s Books
• Jenny Diski, ‘Some things are best met with silence’ on her blog
• Frances Ambler, ‘Punk Debunked‘ on the plagiarism claims against Vivienne Westwood
• Isabel Costello, ‘My First Year as an Agented Writer‘ on her blog
• Catherine Ostler on Agatha Christie’s disappearance in The Independent
• Darcey Steinke’s tribute to a former teacher in The Roanoke Times
• Adèle Geras on ‘finding your voices‘ on The Great British Bookshop
• Sally Gardner, ‘Dyslexia and Me‘ in The Guardian
• Sonal Champsee, ‘How I Started the Margaret Atwood Revolution‘ in Hippocampus
• ‘What to Read When You’re Not Expecting‘ on The Millions
• ‘What Would Jessica Fletcher Tweet?‘ on PopMatters
• Lionel Shriver, ‘I was poor but I was happy‘ in The Guardian

The interviews:

• Sarah Waters interviewed by Rachel Cooke about the play she’s written in The Guardian
• Lindsay Hunter on Electric Literature
• Jane Rawson on Annabel Smith’s blog
• Roxane Gay on Phillips Exeter Academy website
• Anne Fine on Gender-Biased Books on BBC Radio 4
• Amy Mason on Bristol 24/7 and Scottish Book Trust
• Kate Zambreno on Catherine Mavrikakis’ A Cannibal and Melancholy Mourning in The Believer
• Rose Chast on her inspiration at The New Yorker festival
• Jenny Offill on Book Forum
• Averill Curdy in AGNI online
• Laurie Penny on Flavorwire
• Jill Meyers and Callie Collins on running A Strange Object independent press on Bustle
• Caitlin Moran on Talking Writing
• Jo Mazelis on the Seren Books blog
• Mindy Kaling on ‘Writing the Michael Scott Character as a Woman’ at The New Yorker festival
• Zoe Pilger in Flux
• Chimamanda Ngozi Adichie at the Washington Ideas Forum on The Atlantic (you might need to scroll through the videos)
• Mary Costello on The Works, RTÉ
• Margaret Atwood on Mr B’s Emporium blog
• Anne Lamott on Salon
• Christina James’ editor (who’s also her husband) on Strange Alliances
• Eliza Griswold in Guernica
• Rebecca Levene on Fantasy Faction
• Lynn Kanter on the PhD in Creative Writing Blog
• Lydia Millet interviewed by Jonathan Lethem in BOMB
• Annabel Smith on Seraglio
• Sali Hughes on Get the Gloss
• Anne Rice in The Independent

In translation:

• Jenny Erpenbeck (tr. Susan Bernofsky) ‘Homesick for Sadness’ on the fall of the Berlin Wall in The Paris Review
• Julie Winters Carpenter interviewed about translating Japanese poetry on the Asymptote Blog

If you want some fiction/poetry to read:

• Juliet Jacques, ‘Surveillance City‘ on Queen Mob’s Tea House
• Gillian Flynn, ‘Trouble at Osage Lake High‘ from Drivel: Deliciously Bad Writing By Your Favorite Authors on Buzzfeed
• An extract from Mary Costello’s Academy Street on Canongate Books
• ‘Stand Still‘ by Shelly Oria on Guernica
• Joanna Ruocco, ‘Gallup Poll’ and ‘The Face of Things’ in Threadcount
• An extract from Miranda Dickinson’s I’ll Take New York on Tishylou’s World
• Bethan Roberts’ ‘Like Rabbits‘ in The White Review
• ‘Luz‘ by Laura Bylenok
• ‘Plots from the Sopranos Re-Interpreted by Lydia Davis‘ (Not really, in case that wasn’t obvious) on Hobart
• Antonya Nelson, ‘Primum Non Noncere‘ in The New Yorker, which she discusses here.
• The first chapter of Amanda Coe’s Getting Colder on Virago’s site

The lists:

• My 5 favourite books to reread on Lonesome Reader
• 33 Books You Should Read Now, Based on Your Favourite Films on Buzzfeed
• 13 Successful First Novels by Female Writers on Popsugar
• 5 Stunning Debut Novels to Add to Your To-Read Pile in the Huffington Post
• 9 Cli-Fi Books for Teens on Scottish Book Trust
• The Best Debut Novels of 2014 according to Hannah Beckerman in the Huffington Post
• 10 Forgotten Children’s Books (8-11) on the Scottish Book Trust site
• Best Queer Characters in Fiction on For Books’ Sake
• The 8 Best Under the Radar Books to Read this Fall in Vogue
• 12 New Books all Twentysomething Women Will Be Obsessed with This Fall in Cosmopolitan
• 5 YA Books That Will Keep You on the Edge of Your Seat on Huffington Post
• 13 Best Books to Read in November in Good Housekeeping
• 6 Things We Learned from J.K. Rowling’s new Harry Potter stories on Mental Floss
• 10 Amazing Female Novelists Under 50 on Buzzfeed
• Five Challenging Memoirs by Remarkable Women Writers by Alice Jolly (who’s publishing her own memoir through Unbound – see top of the post) on For Books’ Sake

And the 13 (I tried to keep it to 10 but it’s been a very good week) best things I’ve seen this week:

• Meaghan O’Connell’s ‘A Birth Story‘ on Longreads
• The new Read Women bookmarks designed by Joanna Walsh, creator of #ReadWomen2014
• 100 Days of African Reads on Sister Killjoy’s Facebook page (runs from 10th October 2014 to 8th January 2015)
• Andrea Levy, ‘How I learned to stop hating my heritage‘ in The Guardian
• Ekphora, ‘A Liberating Rupture‘ on her blog
• ‘An Illustrated Guide to Writing People of Color‘ by MariNaomi on Buzzfeed
• ‘The War Is Over (If You Want It)‘ Rebecca Solnit on Tom Dispatch
• Olivia Lang’s profile of Hilary Mantel in Elle
• ‘Notes on the Exotic‘, Andrea Lee in The New Yorker
• Ann Patchett’s correction to the New York Times
• Lucy Ribchester’s Pinterest board for The Hourglass Factory
• Sarah Butler’s ‘Remaining Values Should Probably Be Left Alone‘ on her blog
• The book trailer (it’s more of a mini-film than a book trailer) for Tiffany Murray’s Sugar Hall

Unsung Female Writers (Part Two)

Thank you for the great response to our Unsung Female Writers (Part One) post. Today, we’ve got the rest of the list for you consisting of mine and Antonia’s choices. Let us know what you think of our picks and whether there’s anyone whose writing you love who isn’t on either of our lists.

Antonia Honeywell is a writer whose debut novel The Ship will be published in February 2015. She blogs each month about the journey towards publication and is a keen reader of literary prize lists – you can read her thoughts on the Bailey’s Prize and the Man Booker Prize on her website.

Maggie Gee

Gee’s thirteen novels span a vast range of subjects and settings; her work defies categorization by genre or concern. What her novels have in common, though, is a clear-sighted, unsentimental generosity about humanity and its place in the natural world. Her characters’ opinions of themselves are dissected with honesty and compassion, and this ability to create empathy where there is not necessarily sympathy is one that deserves wider recognition. Gee has a comic touch too – in her latest novel, she brings Virginia Woolf to modern-day Manhattan. Her memoir, My Animal Life, is a must-read; in novels, begin with The White Family (contemporary) or The Ice People (speculative future) and take it from there.

Stella Duffy

Stella Duffy is a powerhouse of energy. She’s published fourteen novels, several plays, she acts, she is a vocal champion of equal marriage and is the drive behind the Fun Palaces project (inspired by Joan Littlewood); she’s had cancer and written eloquently of her distaste for the language of battle that’s often used in relation to it. This concern for honest language permeates her novels – The Room of Lost Things, my suggested starting point, is London. Not the monuments and icons we’d all recognize, but the vibrancy and squalor of a life lived rather than a life created.

Marika Cobbold

If I ever have reservations about Twitter, I only have to think of the book chat it’s introduced me to and the writers I’d never heard of before I joined. I wonder how I’d have found Marika Cobbold’s writing if I’d never * butted in * on an exchange that started with Disney princes and carried on with the toads in my cellar lightwell, culminating in a photo of Rufus Sewell. Such frivolous humour led me to Tea With Guppies, a beautifully-observed exploration of aging, of dignity, of relationships between old and young. Cobbold’s latest novel is Drowning Rose. Witty, sharp and rewarding.

Edna O’Brien

Now in her 80s, Edna O’Brien has published twenty one works of fiction since The Country Girls (1960) was denounced and burned in her native Ireland for its open discussion of matters moral and sexual. She had already made her home in London, but remains an honest and precise dissector of the consequences of a repressive society on the life of its citizens. Down by the River (1996), for example, takes as its subject a teenage rape victim seeking an abortion. The Country Girls remains a relevant and fresh read and a fine starting place to explore the work of this prolific, fierce and assured novelist.

Dorothy L. Sayers

Dorothy L. Sayers wrote detective fiction. Detective fiction is genre fiction, and genre fiction rarely makes it onto the literary prize lists. But by dismissing genre fiction, readers dismiss some truly excellent writing. This is as true now as it’s ever been (see also Kate Atkinson). Sayers’ stories are masterclasses in creating character with a few deft strokes; in conveying emotion through a simple action; in using dialogue; in effective use of description. Sceptics should start with the short stories (Lord Peter Views the Body). Murder Must Advertise or Strong Poison would be a good place to start the novels.

And my choices are:

Janice Galloway

Galloway might seem like an odd choice for a list of unsung writers to some – she’s won a number of awards and her debut The Trick Is to Keep Breathing is considered a Scottish contemporary classic. However, the big prizes and sales seem to have alluded her whilst her contemporary Irvine Welsh has gone on to worldwide fame and acclaim. Galloway has written three novels, two short story collections and two memoirs. She observes ordinary life, describing it through vivid and often disturbing imagery. Where to start with her work would depend on your preference: for novels, The Trick Is to Keep Breathing; for stories, Blood, for memoir, This Is Not About Me.

Jackie Kay

Another Scottish writer who’s won a number of awards but not the popular recognition she deserves. A poet, novelist, short story writer, memoirist and playwright. She’s also a wonderful performer of her own work. Adopted by a Scottish couple as a baby, her memoir Red Dust Road is the story of her search for her birth parents – a Scottish mother and a Nigerian father. It’s a great introduction to her work. Alternatively, you could start with her novel Trumpet, inspired by the life of American jazz musician Billy Tipton who was born Dorothy and lived as a man for fifty years. The book begins as Joss Moody (the Tipton inspired character) dies and his adopted son discovers the truth about his father’s identity.

Salley Vickers

In contrast to the previous two writers, Vickers has never won an award for her books – something I’ve checked several times via a variety of sources, so astonished was I to discover this. She’s the author of seven novels and a short story collection. Her work is often inspired by art – her debut Miss Garnet’s Angel features the Guardi panels in the Chiesa dell’ Angelo Raffaele in Venice – and includes a magical element. However, it is her work as a psychoanalyst that allows her to create characters with such considered inner lives whilst maintaining a seemingly effortless style of writing. Her aforementioned debut is a good place to begin, or with my personal favourite Mr Golightly’s Holiday.

Bernadine Evaristo

Evaristo is the author of seven novels, several of which blend prose and poetry. Her writing is musical and rhythmic. She explores a variety of experiences through her work, including her own family’s mixed heritage in the verse novel Lara and the black experience in Europe through the ghosts of Pushkin’s great-grandfather and Mary Seacole, amongst others, in Soul Tourists. She was a recent winner of the Jerwood Fiction Uncovered Prize for her wonderful novel, Mr Loverman, about a 74-year-old African Caribbean man who comes out after decades of hiding his relationship with his lover. Barrington Jedidiah Walker’s story is my suggested starting point.

Rebecca Solnit

Writer, historian and activist, Solnit is an essayist and long form non-fiction writer. She’s covered topics as diverse as nuclear testing, Eadweard Muybridge and high-speed motion photography, activism, prison, altruism from disaster, the creation of stories and walking. Her essay ‘Men Explain Things to Me’, which led to the coining of the term ‘mansplaining’ will be published in a book later this year alongside essays on marriage equality and violence against women. That essay or her book A Field Guide to Getting Lost, which explores how we can steep outside of our comfort zones – both physically and mentally – would be good introductions to her work.

Huge thanks to Ali, Susan and Antonia for their contributions.