Tag Archives: Mona Eltahawy

In the Media, January 2017

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In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Image by Abigail Grey Swartz

Where is there to start other than with articles about the new American regime?

On the Women’s March:

On Melania:

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On American society under Trump:

On Trump:

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media, May 2016, Part Two

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In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

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Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media, May 2016, Part One

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In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Jenny Diski at the LRB bookshop in London.

The last fortnight’s been dominated by death. On Thursday, Jenny Diski died less than two years after being diagnosed with terminal cancer. Literary Hub ran ‘Remembering Jenny Diski‘ including pieces from Hayley Mlotek, Michelle Dean, Joanna Walsh, Bridget Read, Laura Marsh, Marta Bausells and Charlotte Shane. The Guardian ran an extract from her cancer diary. Joanne Harris wrote a found poem ‘Opium Ice Cream‘ from Diski’s tweets, and The London Review of Books opened Jenny Diski’s entire archive to non-subscribers.

The previous week comedian Victoria Wood died. A.L. Kennedy declared her, ‘My Hero‘ in The Guardian; Helen Walmsley Johnson wrote, ‘Victoria Wood gave us the gift of being able to laugh at ourselves‘ in The New Statesman

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Although he’s not a female writer, Prince also died just over a week ago and so much brilliant writing by women has come from that: Porochista Khakpour, ‘Prince’s Woman and Me: The Collaborators Who Inspired a Generation‘ in the Village Voice; Maya West, ‘A Hierarchy of Love and Loss and Prince‘ on Jezebel; Bim Adewunmi, ‘Celebrating Prince For 48 Hours In Minneapolis‘ on Buzzed; Heather Haverilsky, ‘Prince Showed Me a Whole New Way of Existing‘ on The Cut; Amanda Marcotte, ‘Sexy MFers, unite: The feminist power of Prince’s sex-positive songs‘ on Salon; K.T. Billey, ‘Prince and the queer body: Our dirty patron saint of pop gave me permission to think outside the gender binary‘ on Salon; Kaitlyn Greenidge, ‘Surviving a Long Alaskan Winter with Prince‘ on Literary Hub; Julianne Escobedo Shepherd, ‘Prince Spent His Life Elevating and Mentoring Women‘ on Jezebel; Lily Burano, ‘Why Prince Was a Hero to Strippers‘ on The Cut; Ashley Weatherford, ‘Understanding the Politics of Prince’s Hair‘ on The Cut; Mona Hayder, ‘Prince Was a Demigod Who Uplifted the Masses Through Music‘ on Literary Hub; Naomi Jackson, ‘Prince: Finding Joy Outside Conformity‘ on Literary Hub; Rhiannon Lucy Cosslett, ‘Prince conjured the kind of sex you’d want to have – filthy and fun, and sometimes offensive‘ in The Independent; Tracy King, ‘We should celebrate Prince for championing female musicians‘ in The New Statesman; Laura Craik, ‘“I loved him because of how his music made me feel”‘ on The Pool; Michelle Garcia, ‘Prince gave black kids permission to be weirdos‘ on Vox; Ijeoma Oluo, ‘Prince Was The Patron Saint Of Black Weirdos‘ on The Establishment.

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Other brilliant writing about music came from the launch of Beyoncé’s new album Lemonade. Brittany Spanos, ‘How Beyonce’s ‘Lemonade’ Reclaims Rock’s Black Female Legacy‘ in Rolling Stone; Mandy Stadtmiller, ‘How Lemonade Helped Me Talk to My Husband About Cheating‘ on The Cut; Treva Lindsey, ‘Beyoncé’s Lemonade Isn’t Just About Cheating, It’s About Black Sisterhood‘ in Cosmopolitan; Caroline O’Donoghue, ‘Monica, Becky With The Good Hair, and the power of the Other Woman‘ in The Pool; Diamond Sharp, ‘Beyonce’s ‘Lemonade’ Is an Anthem for the Retribution of Black Women‘ on Vice; Morgan Jerkins, ‘‘Lemonade’ Is About Black Women Healing Themselves and Each Other‘ in Elle; Daisy Buchanan, ‘What can Beyoncé’s Lemonade teach us about love?‘ on The Pool; Vanessa Kisuule, ‘Why Beyoncé’s ‘Lemonade’ Shows a Refinement of her Artistry‘ on Gal-Dem; Carrie Battan, ‘Beyoncé’s “Lemonade” Is a Revelation of Spirit‘ in The New Yorker; Priscilla Ward, ‘Beyoncé’s radical invitation: In “Lemonade,” a blueprint for black women working through pain‘ on Salon; Ezinne Ukoha, ‘I Will Do Better By My Sisters‘ on Medium; June Eric-Udorie, ‘Beyoncé’s Lemonade, and the power it bestows young black women‘ on The Pool; Rafia Zakaria, ‘Warsan Shire: the Somali-British poet quoted by Beyoncé in Lemonade‘ in The Guardian; Juliane Okot Bitek wrote, ‘On the Poet Warsaw Shire, Nobody’s Little Sister‘ on Literary Hub. While Jamila addressed Piers Morgan’s criticisms of the album with ‘Dear Piers…‘ on her blog.

And I wanted to include this story because it’s just lovey: Jessie Burton’s new novel The Muse includes a setting named after Waterstones’ bookseller Leila Skelton. Skelton does the most incredible window displays at the Doncaster shop which are often shared on Twitter.

The best of the rest:

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On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Francine Prose

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

‘I want to see Muslim women everywhere.’ Mona Eltahawy at Off the Shelf Festival, Sheffield

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Screen 3 at Sheffield’s Showroom Cinema is almost full – and not just of women, approximately a third of the audience are men – to listen to Mona Eltahawy talk about her book Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution.

She begins by reading an extract from the book to give us a flavour and then the interviewer asks her about writing the book. It wasn’t an easy book to write, says Eltahawy. Partly because of the research into domestic violence, child marriage and Female Genital Mutilation (FGM) but also because of the personal elements she included.

Eltahawy was born in Egypt, moved to the UK at the age of 7 and then to Saudi Arabia when she was 15. Now she divides her time between the USA and Cairo. In 2005, she moved back to Cairo for a few months to take part in protests in Tahrir Square against the Mubarak regime. She said it felt as though they were ‘breaking the barrier of fear’. Men and women protested together against political repression which affects everyone.

However, she says, women are also repressed on the street corner and in the home. She’s speaking out and showing her personal experiences to try and remove the silence and the shame that often prevents women from doing so. Privilege obliges us to fight ten times harder, she says. Not because others don’t have a voice but because they’re too scared to use it. She calls the repression of women through the political, the street and the home a ‘trifecta of misogyny’.

Egypt’s not safe, she tells us, but she feels safer because of her profile. There are thousands of anonymous dissidents in jail in Egypt. One of Eltahawy’s friends disappeared a few months ago.

The interviewer asks what drives her. ‘I’m fucking enraged! I’m angry all the time.’ She talks about the spectrum of misogyny across the world. ‘It’s shit everywhere!’ She tells us not to feel culturally superior. The UK doesn’t have equal pay or equal political representation. ‘I’m not here to make you feel comfortable. Use your anger to fight shit here.’

What does she say to the idea that the fight for women’s rights should be hold while the humanitarian crises happening across the world are on going? ‘Wait for what? Fuck waiting! I want to be free now! Women are half the population. Imagine asking half the community to wait.’

She talks about a letter Martin Luther King wrote from his jail cell in Birmingham, Alabama in which he said that being asked to wait was code for it’s never going to happen. Eltahawy points out that nothing is going to be solved anywhere without the equality of women. Women and children are always most affected by displacement.

Questions are opened to the audience. The first comes from a Muslim woman wearing a hijab who talks about the roots of Islam and how Muslim women had equal pay and the right to divorce 1400 years ago. Eltahaway says her response to this idea is always to ask ‘What have we done to Khadija?’ She tells us that Khadija was the first wife of the prophet Muhammad. She was powerful and rich. At 40 years old, she was 15 years older than her employee, Muhammad, and she asked him to marry her. She was his only wife until she died.

A toxic mix of religion and culture has made it difficult for Muslim women, Eltahawy says. She’s accused of imitating the west and trying to bring a feminism that doesn’t belong in her part of the world. Why have we forgotten our heritage? She says. What have we done to it?

The next question is about her time in Saudi Arabia. She says the Islam in Saudi Arabia wasn’t the Islam she was raised with. She and her sibling(s) were raised as equals. They came to the UK because both of her parents were studying for PhDs in medicine. At the end of their studies, her mother secured a job but her father didn’t. He became a househusband. But UK visa regulations stated that the father had to be employed so they had to leave. In Saudi Arabia, everything was reversed: her father worked and her mother stayed at home, needing her husband’s permission to do many basic things.

Here, Eltahawy, points out that the UK government support this misogynistic regime, trading with them. She tells us to hold our government accountable. Why are they supporting gender apartheid?

How is she treated by regimes when she speaks out? She says the right wing use anything she says against Muslim men. The right wing within Egypt want to silence her. The external left wing are mostly silent because they don’t want to be accused of racism. She says she deals with a mixture of racism, xenophobia and misogynism. She tells the right wing to fuck off because they don’t care about women’s rights, they use them as a political tool but they don’t want to talk to women. ‘I want to see Muslim women everywhere.’ She wants to see them leading the conversation because in their absence, it’s been reduced to ‘what’s on our head and what’s between our legs’.

She points out that people see Muslim women as one type but there are cultural differences within the UK too. It takes a different skin colour for people to notice and talk about difference. She says she has more in common with LGBT and sexual rights activists than some people who have the same skin colour as her.

Another Muslim woman wearing a hijab tells Eltahawy her position on the veil and Muslim women and asks what Eltahawy’s opinions are. ‘I could not disagree with you more,’ she begins. She points out that this is a positive thing: ‘I think disagreement complicates Muslim women and humanises us’.

Every religion discriminates against women. Every religion ‘is obsessed with my vagina and I tell them to stay out unless I want them in there’. Why is it easier to choose to veil than it is to unveil? She says this has to be a conversation for and between Muslim women. ‘I absolutely reject modesty. I absolutely reject modesty culture. It’s an unfair burden on women.’ She wants any man or woman addressing her to address her intellect not her breasts, her bottom or her legs.

She talks about men across the world taking up public space and that her next book’s going to be titled, ‘What the fuck is wrong with men?’ She says surveys done show that women covering up are subjected to the same level of street harassment as women who don’t. She suggests that covering up is allowing men to misbehave. ‘Fucking behave! That’s my message to men.’

The next question is about LGBT Muslims. Eltahawy says this is one of the reasons we need a sexual revolution. ‘I own my body’ not the church, state, mosque or family. She says that Muslims have a poetic heritage of same sex relationships but that homosexuality was made illegal largely by colonisers including the British in India. ‘You guys have a very prudish past.’ She talks about an organisation called Muslims for Progressive Values who have scholarship and support for LGBT Muslims.

The penultimate question is about whether Saudi Arabian women will actually get the vote this year. Eltahawy reminds us that neither men nor women currently have the vote in Saudi Arabia. If it does happen and the candidates that are currently being allowed to stand are voted for by the public, they’ll be elected to a toothless body. She tells us that female candidates have been told they can’t speak to men when they’re campaigning. She says it’s the guardianship system that needs removing, it’s this that’s controlling the trifecta of misogyny in Saudi Arabia. Again she points out that the UK and the USA support the Saudi regime, a regime that carries out more beheadings than ISIS. ‘Money always wins and women are always sold out.’

The final audience question is about the role of the mothers in FGM and why can’t all women have a discussion about our various repressions? As for FGM, ‘Women are not stupid.’ Mothers doing FGM know they’re enabling their daughters to survive. They have a lack of power to undo FGM, the trifecta needs dismantling for them to have the power to do this. She points out that it was only criminalised in the UK in 1988 and the first case only went to trial this year.

In terms of which women should be having conversations about what, she says that we should be listening to the voices of women from other communities and amplifying them. There’s a power differential: white women are fighting misogyny; women of colour are fighting misogyny, racism and xenophobia. ‘It’s fucking exhausting to be a Muslim woman.’ She points out that there are complexities and disagreements between Muslim women and that these need to be heard.

The event finishes with Eltahawy talking about her aims. She says she wants people to see and hear Muslim women behave badly. She wants her appearance to be recognised as that of a Muslim woman – her red hair, her tattoos, her swearing. She says there’s a vile, gutter struggle to see who can shit on Muslim’s the most in the USA but ‘the revolution is about discomfort’ and Eltahawy’s happy to provide it, ‘Fuck you, you’re not gonna speak for me anymore’.

I don’t want to speak for Eltahawy but I do want to shout ‘Fuck, yes’ at every point she makes and judging by the applause after pretty much every point, so do most of the people making up tonight’s audience.

In the Media: 17th May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Two excellent UK prizes – the Jerwood Fiction Uncovered Prize and the Desmond Elliot Prize announced their longlist and shortlist, respectively this week. The former has eleven women on a longlist of fifteen. Yes, that does say ELEVEN, that’s 75% of the shortlist (well, 73.3 if you’re being pedantic). And the latter is an ALL WOMEN shortlist of three, from a longlist of ten that had gender parity. Excellent news.

You can read interviews with two of the Desmond Elliot shortlisted writers, Cary Bray and Emma Healey, in The Bookseller

Two important pieces about sexual abuse and victim blaming were published this week: Hayley Webster ‘31 years have passed with me thinking I asked for it…but what if I didn’t‘ on her blog and Lizzie Jones, ‘Sexual Assault: Society, Stop With the Slut Shaming‘ on The Huffington Post.

 

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

The interviews:

 

If you want some fiction to read:

If you want some poetry to read:

The lists:

In the Media: 10th May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mother’s Day in 80 countries around the world today. Not surprisingly, there has been a whole range of articles, from a whole range of view points, about mothers and motherhood this week. The Hairpin ran a series including  ‘Mommy Queerest‘ by Sarah Liss; ‘Thoroughly Modern Murdering Mothers; or, Women Who Kill for Their Children‘ by Meredith Haggerty; ‘A Joke, A Story‘ by Naomi Skwarna; ‘Going for the Burn: Revisiting Jane Fonda’s Workouts‘ by Alison Hamm’ ‘Mothers and Moms‘ by Haley Mlotek, and Randi Bergman, ‘The Weirdest Beauty Tips I Learned From My Mom‘.

Tameka Cage-Conley wrote, ‘Motherhood, Art, And Police Brutality‘ on VSB; Amy Shouse wrote ‘My mom never wanted kids‘ on Salon; Anne Enright wrote, ‘When Mother Leaves the Room‘ in The New York Times; Cheryl Strayed wrote, ‘The ‘Painful Personal Toll Lung Cancer Has Taken on My Life’‘ on The Huffington Post; Monica Hessler, ‘The long drive to end a pregnancy‘ in The Washington Post; Mary HK Choi, ‘The Dicks Of Our Lives‘ on Buzzfeed; Mary Elizabeth Williams, ‘Sorry about Mother’s Day, my childfree girlfriends: Moms aren’t any more special (or unselfish) than you‘ on Salon; Edwidge Danticat, ‘A Prayer Before Dying‘ on Literary Hub; Brogan Driscoll, ‘I Refuse to Celebrate ‘Dad Bod’, Until We Appreciate the ‘Mum Bod’ Too‘ on the Huffington Post

Catherine Bennett wrote in The Guardian, ‘It’s dehumanising to be ‘an oven’ for someone else’s baby‘; Jessica Roake wrote, ‘An Ode to the “Mom’s Night Out”‘ on Slate; Rebecca Mead wrote, ‘A Woman’s Place Is on the Internet‘ in The New Yorker; Sophie Heawood wrote, ‘I’ve read all the advice, but I still don’t know – am I raising a serial killer?‘ in The Guardian; Laila K wrote, ‘Up with the kids‘ in The Pool; Dahlia Lithwick, ‘“Bye-Bye, Normal Mommy”‘ on Slate; Christie Watson, ‘The Joy and Pain of Trans-Racial Adoption‘ on Literary Hub; Meagan O’Connell, ‘It’s My First Mother’s Day As a Mom. Now What?‘ in The Cut; Kate Spencer, ‘How I Finally Let Go Of Grief For My Dead Mom‘ on Buzzfeed; Domenica Ruta, ‘Can Having a Child Help Me Get Over My Abusive Mom?‘ in The Cut.

Danah Boyd, ‘I Miss Not Being Scared‘ on Medium; Melissa Duclos, ‘To the Doctor Who Reported Me to Child Protective Services‘ on The Offing; Christopher Frizzelle, ‘The Day Virginia Woolf Brought Her Mom Back to Life‘ on Literary Hub; Lauren Laverne, ‘“Mum” as a diss‘ in The Pool.

And if you’d rather read a book instead, Literary Hub suggests, ‘Five Intense Books for Mother’s Day‘ and the Huffington Post recommends, ‘Mother’s Day Reads: Eight Great Mother Characters in Literature‘.

Photograph by Idil Sukan

In the UK, there was a general election. 3AM Magazine ran a whole series of reactions including, Lauren Elkin, ‘an open letter to mark-francis vandelli‘; Juliet Jacques, ‘london – 2015‘; Eley Williams, ‘rosette manufacture: a catalogue and spotters’ guide‘, and Rachel Genn, ‘you wouldn’t like me when i’m disappointed‘. Other reactions included: Laurie Penny, ‘Don’t give in: an angry population is hard to govern; a depressed population is easy‘ in the New Statesman; Joan Smith, ‘Almost a third of all MPs are now women – a milestone has been reached‘ in The Guardian; Janice Turner, ‘Why the north is in revolt against Labour‘ in The Times; Beluah Maud Devaney, ‘Unfriending Tories on Facebook Is Not the Answer‘ on the Huffington Post

And there were a few pieces written prior to the result that I still think are worth reading: Sam Baker, ‘When voting doesn’t make you feel good‘ in The Pool; Suzanne Moore, ‘By Friday we’ll be reduced to bystanders at a revoltingly macho political stare-off‘ in The Guardian; Concepta Cassar, ‘Food For Thought: Hazlitt, Malthus and the Tragedy of Food Banks‘ in Litro; Katy Guest, ‘Sandi Toksvig’s Women’s Equality Party is a movement for which time has come‘ in The Independent; Salena Godden, ‘Colour-blind: What colour are you?‘ on her blog, and Isabel Rogers’ poem ‘The truth about political correctness‘ on her blog.

I promised myself I wouldn’t mention it but there have been a few good pieces written about the birth of THAT baby: Sian Norris, ‘She’s not like other girls…‘ on Sian and Crooked Rib; Heather Havrilesky, ‘Royal Baby Girl Fated to Lead International Mob of Fake Princesses?‘ in The Cut, and Viv Groskop, ‘She’s a tiny baby, not a Kardashian‘ in The Pool.

Congratulations to Gill Lewis who won the Little Rebels children’s book award with Scarlet Ibis this week; to Emily St. John Mandel who won the Authur C Clarke award, and to Alice Notley who won the Ruth Lilly Poetry Foundation Prize. A gender balanced shortlist was announced for the RSL Ondaatje Prize 2015 and a female dominated one for the Branford Boase Award 2015. The ALS Longlist and NSW Premier’s Literary Awards Shortlists were also announced.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

If you want some non-fiction to read:

Photograph by Cybele Knowles

The lists:

In the Media: 19th April 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Bailey’s Women’s Prize for Fiction shortlist was revealed this week. Sarah Shaffi of The Bookseller reports, ‘Experience tells on Baileys Women’s Prize shortlist‘ while Anna James of We Love This Book introduces us to each of the books and invites us to read along in this video.

Other big news was London Book Fair. For readers, this means announcements about new acquisitions from significant writers. Alison Flood in the Guardian reports, ‘Age shall not weary them: Diana Athill, 97, and Edna O’Brien, 84, are stars of London book fair‘ and ‘London book fair excited by Erica Jong’s new novel‘. The Quietus reports on Viv Albertine’s new book and the cover for Patti Smith’s sequel to Just Kids was released this week, see it in The Pool. If you want a glimpse into what goes on at the fair, Antonia Honeywell wrote on her blog about the panel she was part of, ‘Promoting Debut Authors – London Book Fair 14th April 2015‘.

The woman with the most publicity this week is Evangeline Jennings who’s interviewed on The Indie View, Col’s Criminal Library, Quirky Fiction, Omnimystery News and in character as one of the narrators of her short stories, Helen Wheels on Reflections of Reality.

In this week’s Harper Lee news, ‘PRH reveals Harper Lee title page‘ reports Publishers Weekly.

And in this week’s Elena Ferrante news, if you haven’t read anything by her, she’s this week’s Bedtime Bookclub in The Pool where you can read the first five chapters of My Brilliant Friend. Also in The Pool, Viv Groskop asks, ‘Is being a bestseller all in a name?‘ and Cristina Marconi writes, ‘Elena Ferrante versus Italy‘ on Little Atoms.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Music, Film and Television:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

  • ‘What Did Sriraman Say?‘ by Perundevi (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • ‘Highway‘ by Malathi Maithri (translated by Lakshmi Holmström) in Words Without Borders
  • ‘Three Dreams‘ by Sharmila Seyyid (translated by Lakshmi Holmström) in Words Without Borders
  • ‘Fear‘ by Krishangini (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • ‘Shunaka: Blood Count‘ by Karthika Nair in Granta
  • ‘Gone to Pasture/To Speak‘ by Natalie Eilbert in The Offing
  • ‘Compromised Field‘ by Shareen Mansfield on The Honeyed Quill
  • ‘Humbles‘ by Frances Leviston on Poem Today
  • ‘The Handshake‘ by Isabel Rogers on her blog
  • ‘A Psalm for the Scaffolders‘ by Kim Moore on Seren Books’ Blog

If you want some non-fiction to read:

The lists: