In the Media: May 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

In prize news, the Granta Best of Young American Novelists list was announced:

• Laura Miller, ‘Granta Made Us Obsessed With “Best Young Novelist” Lists‘ on Slate
• Michelle Dean, ‘The age of anxiety: what does Granta’s best young authors list say about America?‘ in The Guardian

Fiona McFarlane took The Dylan Thomas Prize for her short story collection The High Places, Maylis de Kerangal won The Wellcome Book Prize, and Sarah Perry and Kiran Millwood-Hargrave were winners at The British Book Awards. While Kit de Waal and Rowan Hisayo Buchanan were shortlisted for The Desmond Elliott Prize.

Chris Kraus and I Love Dick are having a moment:

• Kraus is interviewed in The Guardian and on Hazlitt with Sarah Gubbins
• Rachel Syme, ‘The Liberating Obsessiveness of I Love Dick‘ in New Republic
• I don’t usually link to book reviews but ‘Reviewing this book put me off marriage. And book reviewing‘ by Anakana Schofield is a brilliant piece of writing in its own right and is about Kraus’ novel Torpor.

And The Handmaid’s Tale has generated even more pieces:

• haettinger, ‘I Grew Up In A Fundamentalist Cult — ‘The Handmaid’s Tale’ Was My Reality‘ on The Establishment
• Megan Garber, ‘The Handmaid’s Tale Treats Guilt as an Epidemic‘ on The Atlantic
• Priya Nair, ‘Get out of Gilead: Anti-Blackness in The Handmaid’s Tale‘ on Bitch Media
• Kayla Chadwick, ‘The Biggest Lesson Of The Handmaid’s Tale? Silence Is Complicity.‘ on the Huffington Post
• Nora Caplan-Bricker, ‘One Sly Lesson of The Handmaid’s Tale:Appreciate the Messy Feminism We Have Now‘ on Slate
• Elizabeth Day, ‘What the Handmaid’s Tale taught me about being a woman‘ on The Pool
• Laura Hudson, ‘The Handmaid’s Tale: The Biggest Changes From the Book‘ on Slate
• Alexandra Schwartz, ‘Yes, “The Handmaid’s Tale” Is Femininst‘ in The New Yorker
• Soraya Nadia McDonald, ‘In “Handmaid’s Tale” a postracial, patriarchal hellscape‘ on The Undefeated
• Various, ‘“Margaret Atwood Made a Feminist Out of Me”: 12 Authors on The Handmaid’s Tale‘ in Elle
• Stacey D’Erasmo, ‘On Power Between Women: The Handmaid’s Tale Revisited‘ on Catapult
• Jamie Lincoln, ‘The Handmaid’s Tale: The Hidden Meaning in Those Eerie Costumes‘ on Vanity Fair

The best of the rest:

On or about books/writers/language:

• Emily Gould, ‘My Bad Parenting Advice Addiction‘ on Longreads
• Jenny Landreth, ‘Water Women: Jenny Landreth’s Swell and the Female Swimmers Who Changed the World‘ on the Waterstones’ blog
• Heather Corcoran, ‘One thing Amazon got wrong about “I Love Dick” (and women)‘ on Slate
• Judith Newman, ‘Dear Book Club: It’s You, Not Me‘ in The New York Times
• Susanna Basso (translated by Matilda Colarossi) ‘Lessons in Slowness‘ on Asymptote
• Rafia Zakaria, ‘The Lizzie Borden murder industry won’t die – but its feminism has‘ in The Guardian
• Elizabeth Alsop, ‘What Ferrante learned from Woolf‘ in The TLS
• Caren Lissner, ‘That Time a Guy Asked Me to Channel My Novel’s Protagonist On Our Creepy First Date‘ on Narratively
• Barbara Browning, ‘The Lie in My Novel‘ on Catapult
• Sarah Menkedick, ‘The Blue Jay’s Dance‘ in The Paris Review
• Sarah Menkedick, ‘The Book and the Baby‘ on Vela
• Meghan Daum, ‘What Makes a House a Home‘ on Literary Hub
• Alexandra Schwartz, ‘The Art and Activism of Grace Paley‘ in The New Yorker
• Kathryn Hughes, ‘George Eliot: is this a new portrait of the author as a young woman?‘ in The Guardian
• Lisa McInerney, ‘Don’t tell me that working-class people can’t be articulate‘ in The Guardian
• Emily Ballaine, ‘Bookselling in the 21st Century “Please Don’t Touch Me”‘ on Literary Hub
• Lisa Ko, ‘Not Finishing My Novel Would’ve Ruined My Life‘ on Literary Hub
• Hope Nicholson, ‘The fury and the fashion: comic-book heroines down the years‘ in The Guardian
• Helena Kelly, ‘The Many Ways in Which We’re Wrong About Jane Austen‘ on Literary Hub
• Jenni Fagan, on her path to publication on Dewar Art Awards
• Lorraine Berry, ‘on Didion, the South, and Race‘ on Essay Daily
• Rachel Rhys, ‘on writing a community of strangers‘ on The Literary Sofa
• Sarah Hughes, ‘‘She gave her mother 40 whacks’: the lasting fascination with Lizzie Borden‘ in The Guardian
• Nicola Streeten, ‘Drawn from history‘ in The TLS
• Sydney Moore, ‘Were women accused of witchcraft the first Essex Girls?‘ on The Pool
• Ever Dundas, ‘The Problems with Gender and Language‘ on The Skinny
• Danuta Kean, ‘Crossing the Line of Duty: why novels would never get away with TV’s crimes‘ in The Guardian
• Claire Cameron, ‘Why You Shouldn’t Get into a Fight with Jane Smiley‘ on Literary Hub
• Sunny Singh, ‘MP accuses BAME book prize of discrimination‘ on Media Diversified
• Kristen Arnett, ‘The Queer Erotics of Handholding in Literature‘ on Electric Literature
• Danuta Kean, ‘Why Brit crime fiction is paying international dividends‘ in The Guardian
• Nell Stevens, ‘Elizabeth Gaskell: Charlotte Brontë’s unlikely defender against prurient gossip‘ in The Guardian
• Sisonke Msimang, ‘All your faves are problematic: A brief history of Chimamanda Ngozi Adichie, stanning and the trap of #blackgirlmagic‘ on Africa Is a Country
• Rafia Zakaria, ‘A publisher of one’s own: Virginia and Leonard Woolf and the Hogarth Press‘ in The Guardian
• Laura Lam, ‘Gender-fluid Fiction: False Hearts Author on Breaking Stereotypes‘ on Waterstones’ Blog
• Dani Shapiro, ‘Writing About Marriage When You Want to Stay Married‘ on Catapult

Personal essays/memoir:

• Linda Mannheim, ‘Searching for the Internment Camp Where My Father Was Held‘ on Catapult
• Sarah Maria Griffin, ‘This Is What It’s Like To Have Sleep Paralysis‘ on Buzzfeed
• Caity Weaver, ‘My 14-Hour Search for the End of TGI Friday’s Endless Appetizers‘ on Gawker
• Ashley C. Ford, ‘My Father Spent 30 Years In Prison. Now He’s Out.‘ on Refinery29
• Eva Dillon, ‘My Father’s Secret Life as a Cold War Spy‘ on Literary Hub
• Stacy Torres, ‘The Admission‘ on Longreads
• Lisa Ko, ‘How I Learned To Live With A Chronic Skin Condition‘ on Buzzfeed
• Laura Turner, ‘On Miscarriage, Anxiety, and the Burden of Hope‘ on Catapult
• Julia Kingsford, ‘Aspergers and Asparagus‘ on Medium
• Sari Botton, ‘Hit Eject‘ on Longreads
• Kat Lister, ‘It’s essential that I tell you about my miscarriage‘ on The Pool
• Marie Myung-Ok Lee, ‘J. Stands Up‘ in The Paris Review
• Erin Chack, ‘My Boyfriend Isn’t My Soulmate, He’s My Carrot‘ on Buzzfeed
• Jennifer Hope Choi, ‘I Filmed The End Of My Parents’ Marriage‘ on Buzzfeed
• Zing Tsjeng, ‘My 14-Year-Old Cousin Taught Me How to Be a Cool Teen‘ on Broadly
• Betty Ann Adam, ‘How I lost my mother, found my family, recovered my identity‘ in Saskatoon Star Phoenix
• Clarissa Wei, ‘The Struggles of Writing About Chinese Food as a Chinese Person‘ on Munchies
• Lyz Lenz, ‘Lead Me On‘ on Hazlitt
• Eloghosa Osunde, ‘Don’t Let It Bury You‘ on Catapult
• Erin Kelly, ‘Learning to be a red lipstick kind of person‘ on The Pool
• Elisabeth Geier, ‘The Nostalgia of the Neighborhood Hardware Store‘ on Okey-Panky

Feminism:

• Nimco Ali, ‘I’m a Women’s Equality Party candidate – here’s why I’m standing against a female Labour MP‘ on The New Statesman
• Jess Zimmerman, ‘Dove’s dumb body wash bottles are an answer to a question nobody asked‘ in The Washington Post
• Eleanor Margolis, ‘Thanks Dove! Now I will finally stop comparing myself to the perfect form of a soap bottle‘ in The New Statesman
• Becca Andrews, ‘As a Girl, I Went Through Abstinence Ed. As a Woman, I’m Trying to Understand the Damage Done.‘ on Mother Jones
• Jenny Landreth, ‘Heroic British women swimming figures who deserve statues‘ in The Guardian
• Sady Doyle, ‘“Stealthing” Is Not a Trend. It’s Sexual Assault‘ in Elle
• Amy Hatvany, ‘I Taught My Son How Not to Be a Rapist‘ in Harper’s Bazaar
• Jess Zimmerman, ‘The Monstrous Female Ambition of the Harpy‘ on Catapult
• Danielle Dash, ‘Serena Williams and Black Pregnancy‘ on Danielle Dash
• Hawa Allen, ‘Becoming Meta‘ on Longreads

Society and Politics:

• Zoe Samudzi, ‘Who Are You and What Do You Really Know?‘ on The New Enquiry
• Masha Gessen, ‘The Autocrat’s Language‘ in The New York Review
• Maya Binyam, ‘Spell-Check Nation‘ on The New Enquiry
• Carla Bruce-Eddings, ‘Creating a Community for My Black Daughter‘ in The Cut
• Carole Cadwalladr, ‘The great British Brexit robbery: how our democracy was hijacked‘ in The Guardian
• Jessica Wapner, ‘Austin, Indiana: the HIV capital of small-town America‘ on Mosaic
• Nesrine Malik, ‘I Am Not Your Muslim‘ on NPR
• Javaria Akbar, ‘In praise of smelly food‘ on The Pool
• Rebecca Solnit, ‘Facing the Furies‘ in Harper’s
• Katherine Fidler, ‘How it feels when your research is used to justify disability benefit cuts‘ in The New Statesman
• Chimene Suleyman, ‘Britain is still searching for Maddie – why don’t we care about missing children of colour?‘ in International Business Times
• Julia Rampen, ‘View from Paisley: How the Conservatives are wooing Labour’s Scottish heartlands‘ in The New Statesman
• Rachel Monroe, ‘How rich hippies and developers went to war over Instagram’s favourite beach‘ in The Guardian
• Emma Green, ‘How Two Mississippi College Students Fell in Love and Decided to Join a Terrorist Group‘ on The Atlantic
• Irin Carmon, ‘If abortions become illegal, here’s how the government will prosecute women who have them‘ in The Washington Post
• Nina Caplan, ‘Beware of tea: the cuppa has started wars and ruined lives’ in The New Statesman
• Jess Phillips, ‘May says this is about stability. She should meet my constituents‘ in The Guardian
• Santilla Chingaipe, ‘Hair and social inclusivity‘ on The Saturday Paper
• Megan Garber, ‘Are We Having Too Much Fun?‘ in The Atlantic
• Ruth Whippman, ‘Work/life integration? No, thanks – I’d rather have balance‘ on The Pool

Film, Television, Music, Art, Fashion and Sport:

• Caity Weaver, ‘Dwayne Johnson for President!‘ in GQ
• Anna Leszkiewicz, ‘“I’m only human”: the rise and rise of male singers who cannot take criticism‘ in The New Statesman
• Helen Lewis, ‘From wars to power ballads: the geopolitics of Eurovision‘ in The New Statesman
• Sophie Gilbert, ‘What Does a Girlboss Look Like?‘ on The Atlantic
• Jude Rogers, ‘Bananarama – the ultimate British girl band – is back‘ on The Pool

The interviews/profiles:

• Joanna Ruocco in The Paris Review
• Dorothy Allison on Lenny
• Meg Howrey on Electric Literature
• Patricia Lockwood on The Pool, Literary Hub and The Observer
• Alyssa Cole on Jezebel
• Jess Arndt in The Cut
• Claudia Rankine on Literary Hub
• Dana Schwartz on Electric Literature
• Hala Alyan on Electric Literature
• Stephanie Powell Watts on Literary Hub
• Doree Shafrir on Hazlitt
• Edan Lepucki on The Millions
• Scaachi Koul on Hazlitt
• Olivia Sudjic in Vogue
• Irenosen Okojie on Medium and Minor Literature[s]
• Fiona Melrose on Short Story Day Africa
• Naomi Alderman in The New Statesman
• G. Willow Wilson in The New Yorker
• Kate Tempest in The Guardian
• Paula Cocozza in The Hackney Gazette
• Anne Elizabeth Moore on Literary Hub
• Claire Cameron on The Millions
• Lise Gaston on All Lit Up
• Sally Rooney on Short Story Award
• Lidia Yuknavitch on The Rumpus
• Monica Youn on Dive Dapper
• Morgan Parker in The New Yorker
• Amy Liptrot on Literary Hub
• Diane Schoemperlen on Queen Mob’s Tea House
• Jessie Burton in The TLS
• Aliette De Bodard on SciFiNow
• Elizabeth Strout in The New Yorker

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, April 2017, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Photograph by Pari Dukovic

The Handmaid’s Tale is having a moment due to the television serial airing this coming week and the current political situation in America (and beyond).

• Madeleine Davies, ‘The Misogynist Future of Hulu’s The Handmaid’s Tale Feels Terrifyingly Within Reach‘ on Jezebel
• Rebecca Mead, ‘Margaret Atwood, the Prophet of Dystopia‘ in The New Yorker
• Rebecca Mead, ‘Margaret Atwood’s Grimly Relevant Additions to “The Handmaid’s Tale” Audiobook‘ in The New Yorker
• Katrina Onstad, ‘The Handmaid’s Tale: A Newly Resonant Dystopia Comes to TV‘ in The New York Times
• Willa Paskin reviews the show on Slate
• Anne Helen Peterson, ‘The Radical Feminist Aesthetic Of “The Handmaid’s Tale”‘ on Buzzfeed
• Emily Temple, ‘The Handmaid’s Tale Adapts More than the Novel: Here Is America‘ on Literary Hub

As one series begins, another ended this week:

• Emma Gannon, ‘It’s time to move on from ‘Girls’…but I’ll always love Lena‘ in Glamour
• Sophie Gilbert, ‘What Was Missing From the Girls Finale‘ on The Atlantic
• Erica Jong, ‘Why Do Female Characters Have to Be “Likeable”‘ on the BBC
• Anna Leszkiewicz, ‘The final episode of Girls revealed Hannah Horvath’s two most important relationships‘ in the New Statesman
• Halima Marcus, ‘The Very Best Episodes of Girls Are Perfect Short Stories‘ on Electric Literature
• Jia Tolentino, ‘On Finally Watching “Girls”, A Different and Better Show than I’d Been Led to Imagine‘ in The New Yorker
• Elizabeth Wurtzel, ‘Of course ‘Girls’ spoke to my life. Its brilliance is that it could speak to everyone’s‘ in The Washington Post

And in women win prizes, ‘Heather Rose wins the Stella Prize for a novel that wouldn’t ‘let her go’‘ as reported by The Sydney Morning Herald.

The best of the rest:

On or about books/writers/language:

• Negar Azimi, ‘The Extravagant Jane Bowles: Always on the Edge of Something‘ in The New York Times
• Megan Mayhew Bergman, ‘The Feminine Heroic‘ on The Paris Review
• Joanna Cannon, ‘Breaking and Mending‘ on her blog
• Sarah Churchwell, ‘Sylvia Plath, a voice that can’t be silenced‘ in The Guardian
• Paula Cocozza, ‘21st-century fox: how nature’s favourite outsider seduced the suburbs‘ in The Guardian
• Deidre Coyle, ‘Men Recommend David Foster Wallace to Me‘ on Electric literature
• Meghan Daum, ‘The Quality of Life Report, 2017‘ on VQR
• Adyita Desi, ‘Woman with Power Is Woman Unchecked: Reading Narratives of Indian Women‘ on The Millions
• Lissa Evans, ‘How my novel about film-making was turned into a film‘ in The Guardian
• Merve Fejzula, ‘Zadie Smith and Multiculturalism after Brexit‘ on Black Perspectives
• Elizabeth Fremantle, ‘“Cringing” Historical Novelists: on Mantel at the Oxford Lit Fest‘ on The History Girls
• Sarah Gerard, ‘Mourning My Grandfather Through The Velveteen Rabbit‘ on Literary Hub
• Louise Glück, ‘On Realism and Fantasy‘ on Literary Hub
• Sophie Hopesmith, ‘Women Who Shock‘ on Dead Ink Books
• Terry Huang, ‘Gender Gap in Non-Professional Writer Submissions‘ on The Black List
• Danielle Jackson, ‘Life in North Memphis, and the Women Who Taught Me to Read‘ on Literary Hub
• Lucy Mangan, ‘This way to the ginger pop shop! The day I stepped into the pages of the Famous Five‘ in The Guardian
• Edie Meidav, ‘Discovering the Power of Storytelling in a Tattered Old Pulp Paperback‘ on Literary Hub
• Jennifer Mills, ‘The beauty regimen of a woman writer‘ on Overland
• Eilis O’Hanlon, ‘“She’s a thief who steals others’ hard-won words” – on the plagiarist who stole her novel‘ in The Irish Independent
• Sarah Paretsky, ‘From Joan of Arc to Little Women, A History of Heroes‘ on Literary Hub
• Pamela Paul, ‘Why You Should Read Books You Hate‘ in The New York Times
• Grace Payley, ‘Of Poetry and Women and the World‘ on FSG Work in Progress
• Ella Risbridger, ‘The letters Sylvia Plath wrote to her therapist are not ours to see‘ on The Pool
• Michèle Roberts, ‘The fallen woman: prostitution in literature‘ in The Guardian
• Lucy Scholes, ‘The Sisters Who Are Secretly Evil‘ on the BBC
• Doree Shafrir, ‘Not Everyone Is Meant To Have A Book Club‘ on Buzzfeed
• Kathryn Schultz, ‘Literature’s Arctic Obsession‘ in The New Yorker
• Rebecca Solnit, ‘Get That Life: How I Became a Writer, Historian, and Activist‘ in Cosmopolitan
• Sarah K. Stephens, ‘What Edith Wharton Taught Me about Marriage‘ on The Millions
• Beth Underdown, ‘Not From Around There: finding a place in historical fiction‘ on Northern Soul
• Saskia Vogel, ‘The Swedish Gangster’s Wife’s Bag‘ on The Paris Review
• Kyle Winkler, ‘Gertrude Stein: Unlikely Comp Teacher‘ on The Millions

Personal essays/memoir:

• Pearl Abraham, ‘Dreams of My Mother for One Last Passover‘ on Literary Hub
• Kerri Arsenault, ‘Growing Up in Maine’s “Cancer Valley”‘ on Literary Hub
• Jami Attenberg, ‘How Sicily Cemented an Unlikely Friendship‘ in The New York Times
• DeMisty D. Bellinger, ‘Tell Me Something Good‘ on The Rumpus
• Katie Booth, ‘The Bathrobe: On Quilting and Memory‘ on Catapult
• Rebecca Buckwalter-Poza, ‘The Law of Historical Memory​’ on Catapult
• Elizabeth Crain, ‘On Girls, Trump, and Everyone I Ever Dated Before My Husband‘ on Literary Hub
• Elizabeth Ellen, ‘Messages for a Balloon: On Relocation and Families‘ on Catapult
• Jennifer Epperson, ‘When Good Hair Is Natural Hair‘ on Lenny
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Deepti Kapoor, ‘I Come from a Place on Your Bucket List‘ in Granta
• Maris Kreizman, ‘My “Sick” Body‘ on Medium
• Andrea Lauren, ‘Don’t Think Twice and the Power of Improvising Through the Unknown‘ on The Rumpus
• Vivien Lee, ‘The Loneliness Recipe‘ on Hazlitt
• Kimberly Melton, ‘Good Hair‘ on Oregon Humanities
• Grace Prassad, ‘Feathers from Home, and Other Family Heirlooms‘ on Catapult
• Elisabeth Sherman, ‘Am I Asian Enough?‘ on Catapult
• Tasha Kerry Smith, ‘Not Everything Legal is Clean‘ on Catapult
• Madeleine Thien, ‘The Land in Winter‘ on Granta
• Lidia Yuknavitch, ‘Civic Memory, Feminist Future‘ on Electric Literature
• Lidia Yuknavitch, ‘I Will Always Inhabit the Waters‘ on Literary Hub
• Iza Wojciechowska, ‘Family Trees‘ on Vela
• Laura Zera, ‘Waiting to Go Home: On Being a Traveler in Trinidad‘ on Catapult

Feminism:

• Laura Bates, ‘What I have learned from five years of Everyday Sexism‘ in The Guardian
• Sady Doyle, ‘Women Don’t Need to Apologize Less—Men Need to Learn How to Apologize‘ in Elle
• Petula Dvorak, ‘On Easter, Mary Magdalene will be maligned as a prostitute. Except she wasn’t‘ in The Washington Post
• Jean Hannah Edelstein, ‘It feels almost impossible to escape the desire to make my body smaller‘ on The Pool
• Ashley C. Ford, ‘Millennial Women Are Conflicted About Being Breadwinners‘ on Refinery29
• Hadley Freeman, ‘Successful, lairy, scary – what does a vulnerable woman look like?‘ in The Guardian
• Ann Friedman, ‘When Women Pursue Sex, Even Men Don’t Get It‘ on The Cut
• Maya Harris, ‘Equal Pay Day Isn’t a Holiday. It’s a Call to Fight.‘ on Lenny
• Maddie Holden, ‘Why the Sentiment Behind Cosmopolitan’s Appalling Diet Tweet Is Not Unusual‘ on HighSnobiety
• Rachel Holmes, ‘A new feminist statue is a great idea. Shame they picked the wrong feminist‘ in The Guardian
• Brionne Janae, ‘No One Looks for Black Girls‘ on Bitch Media
• Jennifer McShane, ‘Why We’re Done With The Idea Of “Likeable” Women‘ on Image
• Vonny Moyes, ‘Why sex for rent is not a deal like any other‘ in The National
• Leslie Nguyen-Okwu, ‘The Forgotten Language that Only Women Once Knew‘ on Ozy
• Emer O’Toole, ‘The Sisters of Charity presided over abuse. They must not run a maternity hospital‘ in The Guardian
• Kate Ristow, ‘Why Didn’t I Get Help for Postpartum Depression Sooner?‘ on The Cut
• Sophie Walker, ‘Brexit will be disastrous for women unless we fight the rollback of our rights‘ in The Guardian

Photograph by Adrienne Mathiowetz

Society and Politics:

• Eula Biss, ‘Murder Mystery‘ in The TLS
• Caren Chesler, ‘The Blood of the Crab‘ on Popular Mechanics
• Rhiannon Lucy Cosslett, ‘My generation has to choose between a child or a career. We can’t afford both‘ in The Guardian
• Caitlin Flanagan, ‘How Late-Night Comedy Fueled the Rise of Trump‘ on The Atlantic
• Elisa Gabbert, ‘Earth Is Not Vengeful—It’s Just Indifferent‘ on Pacific Standard
• Erika Hayasaki, ‘How a Single Gene Could Become a Volume Knob for Human Suffering‘ on Wired
• Gaby Hinsliff, ‘The viral image of Saffiyah Khan is an antidote to an era of escalating male rage‘ on The Pool
• Kate Imbach, ‘Fairytale Prisoner by Choice: The Photographic Eye of Melania Trump‘ on Medium
• Sarah Kendzior, ‘Trump craves praise. We praise him for bombings. What possibly could go wrong?‘ in The Globe and the Mail
• Sarah Lyall, ‘Will London Fall?‘ in The New York Times
• Eimear McBride, ‘in the West Bank: “All that is human in me recoils from this”‘ in The Irish Times
• Rachel Monroe, ‘#Vanlife, the Bohemian Social-Media Movement‘ in The New Yorker
• Suzanne Moore, ‘In dark times, this image has a glorious message – resistance is not futile‘ in The Guardian
• Sarah Nicole Prickett, ‘Free the Roses‘ on Hazlitt
• Jana G. Pruden, ‘A Radical Grief‘ in The Globe and the Mail
• Sarah Scholes, ‘Brain-Altering Science and the Search for a New Normal‘ on Pacific Standard
• Elif Shafak, ‘Turkey could be about to leap from division to despotism‘ in The Guardian
• Sonia Weiser, ‘Do Women Actually Wear Men’s Dress Shirts After Sex?‘ on Racked

Film, Television, Music, Art, Fashion and Sport:

• Sarah Barker, ‘The Brutality of the Barkley Marathons‘ on Deadspin
• Angelica Jade Bastíen, ‘What the Debate Around Black American and British Actors Gets Wrong‘ on Vulture
• Francine Prose, ‘“Sex and the City” in Hell‘ in The New York Review of Books
• Fariha Róisín, ‘Kids Like Us‘ on Hazlitt
• Donna Seaman, ‘Surrealist Gertrude Abercrombie, Queen of the Bohemian Artists‘ on Literary Hub

The interviews/profiles:

• Sara Ahmed on Literary Hub
• Diana Athill on Lenny Letter
• Jennifer Finney Boylan on Vice
• Durga Chew-Bose in The Guardian and on Literary Hub
• Patty Yumi Cottrell in The Paris Review and on Electric Literature
• Jessa Crispin in The Observer and on Vox
• Rachel Dolezal (interviewed by Ijeoma Oluo) on The Stranger
• Sarah Gerard on Electric Literature
• Zoe Gilbert on The Word Factory
• Camilla Grudova on Minor Literature[s]
• Paula Hawkins on Northern Soul
• L.S. Hilton on The Pool
• Donna Leon in The Guardian
• Deborah Levy in The TLS
• Alia Malek in Gurenica
• Helen McClory on The Skinny
• Lisa McInerney in The Guardian and on TSS Publishing
• Dorthe Nors on The Man Booker Prize and Words Without Borders
• Hanna Nowinski on Teen Vogue
• Sarah Perry in The Radio Times
• Claudia Rankine in The Paris Review
• Emma Ramadan on Conversational Reading
• Samantha Schweblin on Words Without Borders
• Shanthi Sekaran on The Rumpus
• Olivia Sudjic on Flavorwire
• Cheryl Lu-Lien Tan on The Rumpus
• Angie Thomas on The Rumpus
• Mónica de la Torre on Literary Hub
• Laura Waddell on Nothing in the Rule Book
• Joanna Walsh on Review 31
• Lidia Yuknavitch on Electric Literature

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

Books of the Year 2016, Part One

As usual I’m dividing my Books of the Year into two parts. Part Two, coming tomorrow will be fiction published in 2016. Part One is fiction published pre-2016 and 2016 non-fiction. If you click on the pictures of the books they will take you to my full review.

Waking Lions – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Doctor Etian Green finishes a nineteen hour shift at Soroka Hospital, six of which he spent helping to stabilise road traffic accident victims. In the time it takes for him to walk from the hospital ward to his car, he goes from exhausted to adrenaline-fueled. He decides to drive to ‘a particularly challenging SUV track’ he’s read about. Sprinting along, he hits a man and leaves him for dead. The next morning, Sirkit, the man’s wife, appears at his door along with Etian’s wallet which he dropped at the scene. Sirkit offers him a deal but it’s one that will have serious consequences for his home life and his job. Everything in Waking Lions is grey area. Sharp, thoughtful and challenging.

Push – Sapphire

Claireece Precious Jones – Precious to her friends, Claireece to ‘mutherfuckers I hate’ – 16-years-old, five feet nine or ten, two hundred pounds, is pregnant for the second time to her father. Suspended from school, she goes to Each One Teach One, located on the nineteenth floor of a local hotel. Precious tells the story of her time attending the group, in which she learns to read and write, intertwined with that of her family situation. Push could be an unbearable read: every time you think it couldn’t get any darker, it does, but it’s balanced by Precious’ determination and Sapphire’s rendering of Precious’ voice which is pitch perfect and authentic.

One Night, Markovitch – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Yaacov Markovitch and Zeev Feinberg go on the run after Feinberg is caught having sex with the wife of Avraham Mandelbaum, the slaughterer. The deputy commander of the Irgun, a friend of Feinberg’s, sends the pair to Europe where they will marry ‘a Jewish girl’ and bring them back to Palestine, thus circumventing the closed gates of Europe. Once the men return, they will divorce and the women will be free to remain. But Markovitch refuses to divorce his wife, the stunning but cold, Bella Zeigerman. The backbone of the story is that of three women: Bella; Feinberg’s wife, Sonya, and Mandelbaum’s wife, Rachel. Gundar-Goshen uses them to explore the ups-and-downs of marriage, parenthood, war, death …basically all of life is here.

The Glorious Heresies – Lisa McInerney

Maureen kills Robbie O’Donovan when she finds him in her house. As the mother of Cork’s biggest gangster, Jimmy Phelan, she doesn’t need to worry about clearing up her mess. But the mess is bigger than a body and some blood: Robbie’s girlfriend, Georgie, is looking for him and she has problems of her own; Tara Duane, Georgie’s confidant is keen to know everyone’s business and she lives next door to Jimmy’s alcoholic clearer-upper, Tony Cusak. And then there’s Cusak’s son, fifteen-year-old Ryan, who loses his virginity, starts his first long term relationship and begins to step out from the shadow of his alcoholic, violent, widowed father. A bloody entertaining read.

Ruby – Cynthia Bond

Ruby’s returned to Liberty Township, Texas from New York City. Everyone knows she’s mad: she pees in the street and has sex with many of the men in Liberty, but Ruby’s caught the attention of one man who wants to treat her differently; Ephram Jennings is planning to bring Ruby one of his sister’s white lay angel cakes. Ruby’s tortured by the ghosts which have attached themselves to her. As she gives herself to them, we learn about her childhood and the long-standing relationship she has with Jennings’ family. Bleak but threaded with hope and beautiful writing.

 

The Devil in the Marshalsea – Antonia Hodgson

Tom Hawkins, eldest son of a Suffolk gentleman, Oxford graduate, set to join the clergy and inherit his father’s position, finds himself in the Marshalsea for unpaid rent and other debts. He arrives after the widow of Captain Roberts has taken up residence in the debtor’s  prison after Robert’s murder made to look like suicide. Hawkins gets drawn into solving the murder as he deals with his roommate, the despised Samuel Fleet, and the prison’s regime, divided by rich and poor. Intelligent, packed with period detail and plot, bawdy, has a social conscience and some hilarious lines. Entertaining.

 
Pleasantville – Attica Locke

Pleasantville is a neighbourhood in Houston, Texas, built in 1949 “specifically for Negro families of means and class”. As a middle class, politically aware area, it also holds political power, a power which has become legendary over four decades. The story takes place in 1996 in the run-up to Houston’s mayoral election, the results of which might bring Alex Hathorne to office as the city’s first black mayor. As the novel begins the situation is quickly complicated by two events: the first is the abduction of a teenage girl, following a stint distributing campaign leaflets door-to-door in Pleasantville; the second is a break-in at Jay Porter’s office.As the story unravels, all the threads become entwined with the mayoral race at the centre. Locke considers who really runs an election campaign: a matter of business and money – who pays for the campaigns, who dictates strategy – but ultimately, how low people are prepared to go in their desperation for power.

Negroland – Margo Jefferson

Margo Jefferson grew up in Chicago in the 1950s and ’60s. Born to a paediatrician father and a socialite mother, she experienced a particular type of privilege: that of the well-off, educated, black family. Personal experience is interwoven with the history of those Jefferson identifies as belonging to Negroland: Frances Jackson Coppin and Joseph Willson, for example; and cultural commentary on film, television and the media, discussing those black men and women who did appear on and in those mediums and what they came to represent for black communities. Negroland is a superb book which consider the intersections of race, class and gender. It’s a fascinating read and an insight into an underexplored area of society.

The Argonauts – Maggie Nelson

The Argonauts charts Nelson’s relationship with the artist Harry Dodge, including the conception and birth of their son, Iggy, and Dodge’s decision to begin taking testosterone and have top surgery. The Argonauts is not straightforward memoir, it is intellectual argument illuminated by personal experience and supported by academic rigour. It explores love – constructing and maintaining a relationship outside of heteronormativity and maternal love as stepmother and mother (the latter from the point of view of adult child and parent as well as the expectant mother/mother of a young child) – and the body – sex, gender fluidity, pregnancy and birth. Rigorous and fascinating.

The Lonely City – Olivia Laing

Laing examines the idea of being lonely in the busiest place on earth – the city, specifically in her case New York City. Part memoir, part mediation on art, Laing looks at a number of artists who’ve dealt with the theme of loneliness – in their work and often in their private lives too – focusing in on Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The Lonely City is a fascinating exploration of what loneliness is; how we attempt to stave it off; why some people are consumed by it, and what its relationship to artistic creation might be.

 

In the Media, June 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s impossible to begin with anything other than the Stanford rape case. The victim’s court statement was published on Buzzfeed and went viral. The piece, along with responses from Brock Turner’s father and friends, including a female friend who defended him, have prompted some impassioned and powerful pieces: Louise O’Neill wrote, ‘20 minutes is an awfully long time when you’re the one being raped‘ in the Irish Examiner; Estelle B. Freedman, ‘When Feminists Take On Judges Over Rape‘ in The New York Times; Sarah Lunnie, ‘Maybe the word “rapist” is a problem: The utility of nouns and verbs, or accepting who we are and what we do‘ on Salon; Adrienne LaFrance, ‘What Happens When People Stop Talking About the Stanford Rape Case?‘ on The Atlantic; Kim Saumell, ‘I was never raped but…‘ on Medium; Rebecca Makkai, ‘The Power and Limitations of Victim-Impact Statements‘ in The New Yorker; Roe McDermott, ‘He Said Nothing‘ on The Coven; Glosswitch, ‘Does the outrage over the Stanford rape case do anything to help victims?‘ in the New Statesman

The other big news this fortnight was Lisa McInerney’s debut novel, The Glorious Heresies, taking The Baileys Women’s Prize for Fiction 2016. Justine Jordan wrote, ‘Sweary Lady’s riot of invention is a well-deserved winner of the Baileys prize‘ in The Guardian. While McInerney wrote about her working day for The Guardian and shared a secret in ‘Bad Behaviourism‘ on Scottish Book Trust

There’s a new series on Literary Hub about women writers in translation. Written by a group of translators, each fortnight they’re looking at a country and the women writers from there yet to be translated into English. So far they’ve covered Germany, China and Italy. I’ve added it to the regulars at the bottom of the page.

And finally, the excellent Jendella Benson has a new column on Media Diversified. This week’s is ‘How to Raise a Champion‘ and I’ve also added her to the list of regulars at the bottom of the page.

The best of the rest:

On or about books/writers/language:

• Natasha Walter, ‘We’ve been expecting you, Ms Bond: why fiction needs more female spies‘ in The Guardian
• Barbara Donsky, ‘The Power of Nancy Drew‘ on Women Writers Women’s Books
• Kaulie Lewis, ‘Books I Wish I Wrote: On Writerly Jealousy‘ on The Millions
• Daisy Buchanan, ‘Sex, drugs and radical feminism. At 50, Valley Of The Dolls is as relevant as ever‘ on The Pool
• Tessa Hadley, ‘At Home in the Past‘ in The New Yorker
• Peggy Frew, ‘The closest Mum ever came to saying ‘I love you’ – Dad never even came close‘ in The Irish Times
• Joanna Walsh, ‘The N Word – Against the Novel‘ in The Irish Times
• M.J. Carter, ‘Who Were the Infidels‘ on For Winter Nights
• Lisa Dempster, ‘If you doubted there was gender bias in literature, this study proves you wrong‘ in The Guardian
• Rachael Acks, ‘An Open Letter to a Novel I Was Certain I’d Love (And Didn’t)‘ on BookRiot
• Teresa Preston, ‘Where Are All the Single Ladies in Fiction‘ on BookRiot
• Sarah Hepola, ‘What My Parents Really Think About My Memoir of Alcoholism‘ on Literary Hub
• Alix Hawley, ‘Angels of the North: On ‘Happy Valley’ and Anne Brontë‘ on The Millions
• Ainehi Edoro, ‘Beyoncé is not shining a light on African literature – it’s the other way round‘ in The Guardian
• Lionel Shriver’s ‘teenage diary: bad spelling and unreturned affections‘ in The Guardian
• Mo Moulton, ‘Dorothy L. Sayers, Marjorie Barber, and the Story of a Wartime Lemon‘ in The Toast
• Christina Patterson, ‘Memorising Poetry Is an Art of the Heart‘ in The Guardian
• Sarah Madison, ‘Dear Broke Reader: Your Sense of Entitlement is Killing Me‘ on her website
• Kelly Kanayama, ‘Even with “inclusive” Shakespeare, whiteness takes priority‘ on Media Diversified
• Rivka Galchen, ‘Where Is Luckily?‘ in The New Yorker
• Mylo Freeman, ‘Black girls can be princesses too, that’s why I wrote my books‘ in The Guardian
• Annie Liontas, ‘Inherit the Word‘ in The New York Times
• JoAnna Novak, ‘The Long Dash‘ on Catapult
• Lucie Whitehouse, ‘Why Strong Female Friendships Are So Important In Literature Today‘ in Bustle
• Kate Angus, ‘How to Tell the Future with Books‘ on Literary Hub
• Ellah Wakatama Allfrey, ‘Writers need new ways of talking about Africa’s past and present‘ in The Guardian
• Amber Sparks, ‘Let Us Now Praise Famous Short Story Writers (And Demand They Write a Novel)‘ on Electric Literature
• James Wallace Harris, ‘The Resurrection of Lady Dorothy Mills‘ on BookRiot
• Alison Flood, ‘Yale English students call for end of focus on white male writers‘ in The Guardian
• Anne Tyler, ‘Let’s face it, Shakespeare’s plots are terrible’ in The Guardian
• C.J. Flood, ‘Teen girls have a right to roam too‘ in The Guardian
• Michelle Dean, ‘In Between Daze‘ in The Awl
• Charlotte Eyre, ‘Crossan wins YA Book Prize 2016‘ in The Bookseller
• Tabitha Blankenbiller, ‘Girly Book Covers and Man Book Clubs‘ on Electric Literature
• Saengeeta Bandyopadhyay, ‘My God, so Much Sex?‘ on English Pen (translated by Arunava Sinha)
• Michelle Dean, ‘Read it and keep: is it time to reassess the ‘beach read’?‘ in The Guardian
• Sarra Manning, ‘I Love Books, Let Me Count The Ways…‘ in Red
• Katherine Wilson, ‘How Elena Ferrante made the neglected Naples a must-visit destination‘ on The Pool
• Jonathan Coe, ‘Enid Blyton? She gave me my sense of social justice‘ in The Guardian
• Sarah Hilary, ‘A Gift for Killing: Patricia Highsmith’s legacy for today’s crime writers‘ on Virago
• Esther Allen, ‘From the Translator: The Song Remains the Same?‘ on Words Without Borders
• Monica Tan, ‘Women and Melbourne writers dominate Miles Franklin 2016 shortlist‘ in The Guardian
• Amelia Gentleman, ‘The mystifying disappearance of children’s author Helen Bailey‘ in The Guardian
• Rachel Buchanan, ‘How Shakespeare shaped Greer’s feminist masterpiece‘ on ABC
• Ursula K. LeGuin, ‘Up the Amazon with the BS Machine‘ on Book View Cafe
• Emily Carr, ‘Finding Poems in My Own Labyrinth‘ on Literary Hub
• Gretchen Gerzina, ‘“True Love”: The Victorian (re)discovery that transformed our understanding of black women’s literature‘ on Salon

Personal essays/memoir:

• Melynda Fuller, ‘Rapture of the Deep‘ on The Rumpus
• Claire Hoffman, ‘Growing Up in Meditationland‘ in The Cut
• Tanwi Nandini Islam, ‘How Failure Became My New Beginning‘ in Elle
• Maya Binyam, ‘That Place Becomes a Wound‘ on The Hairpin
• Stephanie Danler, ‘On Losing Something Precious‘ on Literary Hub
• Marina Benjamin, ‘My Daughter, Myself‘ on Aeon
• Rebecca Worby, ‘Expanding the Story‘ in Guernica
• Cathy Day, ‘They Found a Meth Lab in Cole Porter’s Childhood Home‘ on Literary Hub
• Bryony Gordon, ‘How my relationships with men were affected by my mental illness‘ on The Pool
• Allison Moorer, ‘Below The Belt‘ on Guernica
• Rina Caballar, ‘How to Make Polvoron: Growing Up With a Mother Overseas‘ in The Toast
• Soniah Kamal, ‘The Reluctant Writer‘ on Catapult
• Stephanie Wittels Wachs, ‘How to Reinvent Yourself‘ on Medium
• Elisa Gabbert, ‘Time, Money, Happiness‘ on The Smart Set
• Gillian B. White, ‘Muhammad Ali and the Importance of Identity‘ on The Atlantic
• Erin Williams, ‘Before I Was A Mother, I Was A Drunk‘ on Buzzfeed
• Sarah Sweeney, ‘Some Girls‘ on Catapult
• Nicole Walker, ‘DNA‘ on The Rumpus
• Rufi Thorpe, ‘The Plus Side to Marrying a Total Stranger‘ on Female First
• Ulrika Campbell, ‘My Mother Told Me I Should Get Breast Implants When I Was 14‘ on XOJane
• Bridget Minamore, ‘The simple joy shared by two women on the road‘ on The Pool
• Marie Phillips, ‘Can you ever truly feel at home in a country you weren’t born in?‘ on The Pool
• Francine Prose, ‘Enthralled by Sicily, Again‘ in The New York Times
• Jane Demuth, ‘This Is to Mother You: On Caring for a Toxic Parent in Her Greatest Time of Need‘ on Longreads

Feminism:

• Marina Benjamin, ‘The ‘middlepause’: what no one tells you about turning 50‘ in The Telegraph
• Alexandra Heminsley, ‘Why BodyForm’s new ad is a game changer‘ on The Pool
• Megan Garber, ‘When Newsweek ‘Struck Terror in the Hearts of Single Women’‘ on The Atlantic
• Robyn Wilder, ‘Finding your place in the mummy-cliques‘ on The Pool
• Helen Phillips, ‘Escaping the Self-Critical Eye for the Sake of My Daughter‘ on Literary Hub
• Holly Brockwell, ‘“There’s not a shadow of regret”: one woman’s diary of her struggle to become voluntarily infertile aged 30‘ in Stylist
• Jessica Valenti, ‘My life as a ‘sex object’‘ in The Guardian
• Orbala, ‘On Conditional Love in Patriarchies and Death to Patriarchy‘ on Freedom from the Forbidden
• Claire Heuchan, ‘Your Silence Will Not Protect You: Racism in the Feminist Movement‘ on Sister Outrider
• Ann Friedman, ‘Pop Feminism Doesn’t Mean the End of the Movement‘ in The Cut
• Caroline Criado-Perez, ‘When it comes to online abuse, we need to see a fuller picture‘ on The Pool
• Dawn Foster, ‘If I ever see you in the street, I hope you get shot’ on The London Review of Books
• Una Mullally, ‘Shifting Ground‘ in Granta
• Hadley Hall Meares, ‘The invention of the paper bag was a triumph of feminism‘ on Aeon

Society and Politics:

• Alana Massey, ‘Your Parents’ Romantic Lives Don’t Have to Determine Your Own‘ in The Cut
• Sonia Smith, ‘Unfriendly Climate‘ in Texas Monthly
• Nikole Hannah-Jones, ‘Choosing a School for My Daughter in a Segregated City‘ in The New York Times Magazine
• Ijeoma Oluo, ‘The Brown, Queer, And Poor Are Not The Ones Holding The Left Back‘ in The Establishment
• Mary Milz, ‘Blindsided: A Dream Engagement Turned Nightmare‘ in Indianapolis Monthly
• Alex Mar, ‘What Ever Happened to “The Most Liberated Woman in America”?‘ on Longreads
• Andrea Nguyen, ‘The History of Pho‘ on Lucky Peach
• Ella Risbridger, ‘If I am your “carer”, can I also be your girlfriend, mother or daughter?‘on The Pool
• Kathleen McAuliffe, ‘Disgust Made Us Human‘ on Aeon
• Sarah Hughes, ‘Sexuality today: how we embarked on a new age of freedom and tolerance‘ in The Guardian
• Kathryn Schultz, ‘Citizen Khan‘ in The New Yorker
• Ashley Powers, ‘The Man in the Woods‘ in the California Sunday Magazine
• Lynn Enright, ‘Negotiating the etiquette of love in the airport‘ on The Pool
• Rhiannon Lucy Cosslett, ‘The disastrous message sexism in the Labour party is giving young women voters‘ on The Pool
• Jacinda Townsend, ‘Heteronormativity and the Single Mother‘ in The White Review
• Glosswitch, ‘To ignore someone’s educational background isn’t “fair play” – it perpetuates inequality‘ in the New Statesman
• Olga Khazan, ‘Not White, Not Rich, and Seeking Therapy‘ in The Atlantic
• Rebecca Traister, ‘Hillary Clinton vs. Herself‘ in New York Magazine

Film, Television, Music, Art, Fashion and Sport:

• Eleanor Margolis, ‘Why, after years of gay-free cartoons, I can’t get excited about Finding Dory’s lesbian couple‘ on the New Statesman
• Chitra Ramaswamy, ‘Why we need more gay characters on screen‘ on The Pool
• Kristen Lopez, ‘How the Weepy Fantasy ‘Me Before You’ Infantilizes the Disabled‘ on Flavorwire
• Harriet Hall, ‘Watch author Jojo Moyes respond to controversy over the portrayal of disability in Me Before You‘ in Stylist
• Clover Hope, ‘How White Are the Women’s Magazine Covers of 2016 so Far?‘ on Jezebel
• Kat George, ‘Why Missy Elliott’s feminist legacy is criminally underrated‘ on Dazed
• Désirée Wariaro, ‘Beyoncé and Resistance‘ on Media Diversified

The interviews/profiles:

• Cynthia D’Aprix Sweeney in The New York Times
• Annie Proulx in The Telegraph, The Guardian and The Wall Street Journal
• Marilynne Robinson on BookRiot
• Nina Stibbe in Red
• Mary Roach in The New York Times
• Christina MacSweeney on Words Without Borders
• Sarah Hepola on Salon
• Rebecca Schiff on The Rumpus
• Stephanie Danler on Literary Hub
• Jessica Valenti on BookRiot and The Pool
• Lynne Kutsukake on Bloom
• Sarah Gerard on The Huffington Post
• Rita Mae Brown on Broadly
• Lydia Millet and Jenny Offill on Slate
• Nell Dunn on The F Word
• Sarah Perry on The History Girls and Five Books
• Yaa Gyasi on NPR
• Lynn Steger Strong on The Rumpus
• Eleanor Wasserberg on Waterstones
• Sylvia Patterson in The Guardian
• Laura Lippman on The Los Angeles Review of Books
• Patricia Engel on Electric Literature
• Hanya Yanagihara on Waterstones and The Bookseller
• Leila Aboulala (and Elnathan John) on Literary Hub
• Emma Jane Unsworth and Rachel B. Glaser on Granta
• Emma Straub on BookRiot and Electric Literature
• Kathleen Alcott in The Guardian
• Julie Myerson on Bookanista
• Emma Cline on The Bookseller
• Weina Dai Randel on History from a Woman’s Perspective
• Joanna Walsh in The Honest Ulsterman
• Helen MacKinven on Christina Banach’s website
• Charlotte Hobson in the Financial Times
• Rebecca Perry in The Honest Ulsterman
• Kimberle Crenshaw in The Guardian
• Alice Walker on Salon

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

The Baileys Women’s Prize for Fiction Winner 2016

Enormous congratulations to Lisa McInerney whose debut novel The Glorious Heresies is this year’s Baileys Women’s Prize for Fiction winner. I loved this novel and can’t wait to read more from this talented, exciting new writer.

Book Lists for All Humans #2

I didn’t expect it to be so soon but here we are, courtesy of this list of Top 10 Books to Make You a Better Person in The Guardian. Four white men (sounding good so far, right?), three men of colour, three white women. Verdict = could do better (the pun wasn’t intended but I’ll take it).

There’s a problem with this list because I don’t know what making someone a ‘better’ person means. Who decides the criteria?

I’ve gone for books that made me think about the world differently (and avoided any I included in list #1 although they’re all relevant too); feel free to interpret it in your own way and leave your suggestions in the comments.

An Untamed State – Roxane Gay
Haiti, kidnapping, rape, privilege, poverty

The Country of Ice Cream Star – Sandra Newman
Dystopia, AAVE, disease, love, war, religion

Under the Udala Trees – Chinelo Okparanta
Love, religion, ‘cures’ for homosexuality, Nigeria, women

Just Call Me Superhero – Alina Bronsky (translated by Tim Mohr)
Disability, friendship, love, sexuality

Blonde Roots – Bernadine Evaristo
Counterfactual slave narrative, race reversal

The Repercussions – Catherine Hall
War photography, Afghanistan, love, women, history

Sofia Khan Is Not Obliged – Ayisha Malik
Hijab, dating, religion, family, writing

Tell No Tales – Eva Dolan
Far right, immigration, politics, crime, corruption

The Book of Memory – Petina Gappah
Race, class, albino, women in prison, perspective

The Glorious Heresies – Lisa McInerney
Working class, feminism, religion, crime, coming of age

(Links to my reviews.)

 

In the Media, May 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

The best of the rest:

On or about books/writers/language:

• Bethanne Patrick, ‘I Am Jessa Crispin’s Problem with Publishing‘ on Literary Hub
• Kate Morton, ‘I wrote The House at Riverton during my baby’s nap times‘ in The Telegraph
• Micah Perks, ‘How My Best Friend Willa Cather Helped Me Beat Stage Fright‘ on Literary Hub
• Alison Flood, ‘Kate Mosse speaks up for European literature in face of Brexit‘ in The Guardian
• Anne Boyd Rioux, ‘The Diminution of Women Writers: An American Tradition‘ on Literary Hub
• Flora Willis, ‘Let Me Be Frank: I Love Dick, So Sad Today, The Argonauts and ‘confessional’ literature‘ on Serpent’s Tail
• Brooke Hauser, ‘Take It or Leave It: Guidebooks for Single Girls‘ on The Millions
• Louisa Treger, ‘From Violinist to Writer‘ on The Literary Sofa
• Andrew Dickson, ‘‘The strange thing is we howled with laughter’: Sarah Kane’s enigmatic last play‘ in The Guardian
• Jami Attenberg, ‘Appreciating the View‘ on Lenny
• Sian Cain, ‘Lionel Shriver: Donald Trump’s too far-fetched for fiction‘ in The Guardian
• Dana Schwartz, ‘Why Hasn’t ‘The Late Show’ Invited Any Female Novelists?‘ on Observer
• Eileen Pollack, ‘Why Fiction Needs More Women Scientists‘ on Literary Hub
• Ali Smith, ‘History of violence: on Alan Garner‘ in the New Statesman
• Alexandra Alter, ‘Masters of Prose Warm Up to Children’s Picture Books‘ in The New York Times
• Charlotte Geater, ‘When Romance Comics Hated Women‘ on Women Write About Comics
• Marni Graff, ‘Using Crime Fiction to Present Fully Formed Muslim Characters‘ on Literary Hub
• Edna O’Brien, ‘Is literature a dying animal?‘ in The Guardian
• Anne Enright, ‘On Writing‘ on the Baileys Women’s Prize for Fiction
• Martin Chilton, ‘Valley of the Dolls: from reject to 30-million best-seller‘ in The Telegraph
• Hannah Gersen, ‘No More Dead Mothers: Reading, Writing and Grieving‘ on Literary Hub
• Elina Penner, ‘‘Disney For Adults’: How Trashy Romance Novels Conquered the World‘ on Broadly
• Jennifer R. Bernstein, ‘Why Literature Needs Psychology‘ on Literary Hub
• Katherine Cowdry, ‘Sharlene Wen-Ning Teo wins inaugural Deborah Rogers Writers’ Award‘ in The Bookseller
• Linda Grey Sexton, ‘Diving Deep to Explore the Wreck: Linda Gray Sexton on the Path to Inspiration‘ on Read Her Like an Open Book
• Emma Donoghue, ‘“I’ve ended up having a family as well as being a lesbian. I thought it would be one or the other”’ in The Guardian
• Dorothy Koomson, ‘It breaks my heart to see library closures‘ in The Telegraph
• Jia Tolentino, ‘Sheesh, There’s a Reason Women Are ‘Totally Crushing It’ At the Confessional Essay‘ on Jezebel
• Joan Didion, ‘California Notes‘ in The New York Review of Books
• Katherine Cowdry, ‘McInerney, McCrea, Rochester shortlisted for Desmond Elliott Prize‘ in The Bookseller
• Lorraine Berry, ‘‘They’: the singular pronoun that could solve sexism in English‘ in The Guardian
• Anne Boyd Rioux, ‘Women Writers You Should Know: Alice Dunbar-Nelson‘ in The Toast
• Lionel Shriver’s guide to dystopia in The Telegraph
• Maaza Mengiste, ‘What Is the Writer’s Place in a Violent World?‘ on Literary Hub
• Lydia Millet, ‘Love Is Boring and Hard to Write About, And Yet…‘ on Literary Hub
• Hope Jahren, ‘Lab Girl‘ on Powell’s Books
• Casey N. Cep, ‘What Two Forgotten Pieces Tell Us About Harper Lee‘ in The New Yorker
• Michele Filgate, ‘Writers, The Loneliest Artists of All‘ on Literary Hub
• Elisa Gabbert, ‘The Point of Tangency‘ on The Smart Set
• Holly Smale, ‘Why children and teens need funny books‘ in The Guardian
• Elizabeth Hogg, ‘“Cool Girls” don’t like Hillary: What “Gone Girl” and “30 Rock” taught me about politics, feminism and smashing the dude-bro patriarchy‘ on Slate
• Pamela Erens, ‘Labored Prose‘ on Slate
• Lucy Delap, ‘Bookselling and the Feminist Past‘ on OUP
• Nicole Lee, ‘Roxane Gay on Lemonade: ‘by the power of Beyoncé, I’ll overcome my fear’‘ in The Guardian
• Yvette Edwards, ‘The Anti-Canon: Douglas Hall’s In Miserable Slavery: Thomas Thistlewood in Jamaica, 1750-86‘ on Influx Press

Personal essays/memoir:

• Melissa Broder, ‘Taking off the mask of OK-ness, and tweeting about my anxiety‘ on The Pool
• Ana Castillo, ‘When Two Feminists of Color Fall in Love‘ on Literary Hub
• Alana Massey, ‘What Happened When I Finally Made Money‘ in Elle
• Rachel Monroe, ‘The Cat Psychic‘ on Hazlitt
• M.K. Hall, ‘Go Boldly, Dear Dreamer‘ on The Rumpus
• Rebecca Schiff, ‘Why I Quit Online Dating‘ on The Cut
• Elizabeth Day, ‘What a year of living out of a suitcase taught me‘ on The Pool
• Natashia Deón, ‘My Son’s Lifelong Silence Has Taught Me To Listen‘ on Buzzfeed
• Rivka Galchen, ‘My Friends’ Moms‘ in The New Yorker
• Rebecca Worby, ‘The Desert Half‘ on Catapult
• Bernadette Murphy, ‘Evolve or Die‘ on The Rumpus
• Sara Pascoe, ‘I’ve started getting “hangover shame” – only for my entire adolescence‘ in the New Statesman
• Nina Stibbe, ‘A love letter to Leicester‘ in The Telegraph
• Juleyka Lantigua-Williams, ‘Optimus Prime and Me‘ in The Atlantic
• Kat Chow, ‘In My Mom’s Shoes‘ on Lenny
• Alyson Foster, ‘The View from the Fourth Floor‘ on Guernica
• Anna March, ‘You’re Just a Sinner I Am Told: Prince & the Sexual Revolution‘ on The Rumpus
• Sara Elizabeth Grossman, ‘Pastures‘ on Blunderbuss

Feminism:

• Dayna Evans, ‘Why Does the Media Keep Giving Abusive Men Platforms for Redemption?‘ in The Cut
• Laura June, ‘How Do I Avoid Giving My Daughter Body Issues?‘ in The Cut
• Jendella Benson, ‘Why are black girls killing each other – or trying to?‘ on Media Diversified
• Gaby Hinsliff, ‘The key to being a successful woman? Knowing what not to do‘ in The Guardian
• Anna Sillman, ‘Kelly Ripa, Sharon Osbourne, and the Power of the Personal Day‘ in The Cut
• Jamilah Lemieux, ‘bell hooks and the Sour ‘Lemonade’ Review‘ on Ebony
• Florina Rodov, ‘The Homemade Abortion: a Caged Bird, a Quinceaneara, and the American Dream‘ on Electric Literature
• Varaidzo, ‘Conversations About Consent: Why ‘No Means No’ Is Not Enough‘ on Gal-Dem
• Mona Eltahawy, ‘Sex Talk for Muslim Women‘ in The New York Times
• Dolly Alderton, ‘What women actually want‘ on The Pool
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt

Society and Politics:

• Erika Adams, ‘Remote Year Promised to Combine Work and Travel. Was It Too Good to Be True?‘ on Atlas Obscura
• Melanie Thernstrom, ‘When Do You Give Up On Treating a Child With Cancer?‘ in The New York Times Magazine
• Jenn Abelson, Bella English, Jonathan Saltzman, and Todd Wallack, ‘Private Schools, Painful Secrets‘ in The Boston Globe
• Ruby Tandoh, ‘The Unhealthy Truth Behind ‘Wellness’ and ‘Clean Eating’‘ in Vice
• Anna Merlan, ‘Inside Superstar Machine, Which Ex-Members Say Is a Cult Preying on New York’s Creative Women‘ on Jezebel
• Andrea Maurer, ‘Dear Sun, Please Shine On Us‘ in Guernica
• Nadia Shireen, ‘Waking up in Sadiq’s London‘ on The Pool
• Eleanor Margolis, ‘The revenge revival: how public displays of vengeance became an industry‘ in the New Statesman
• Patricia Engel, ‘Cuba Crónica‘ on Catapult
• Chimene Suleyman, ‘Sadiq Khan may not represent a win for all Muslims, nor should he‘ on Media Diversified
• Eva Holland, ‘Cruising Through the End of the World‘ on Pacific Standard
• Harriet Ryan, Lisa Girion and Scott Glover, ‘‘You Want a Description of Hell?’ Oxycontin’s 12-Hour Problem‘ in The LA Times
• Rebecca J. Rosen, ‘The Circles of American Financial Hell‘ in The Atlantic
• Rebecca Asher, ‘Boys face just as much social pressure as girls‘ on The Pool
• Syreeta McFadden, ‘We’re in an amazing black cultural moment. Cue predictable white backlash‘ in The Observer

Film, Television, Music, Art, Fashion and Sport:

• Olivia Laing, ‘David Wojnarowicz: still fighting prejudice 24 years after his death‘ in The Guardian
• Keah Brown, ‘Love, Disability, and Movies‘ on Catapult
• Anna Leszkiewicz, ‘“I’m done taking pictures”: Justin Bieber, fandom and mental health‘ in the New Statesman
• Carrie Brownstein, ‘Call Me Crazy‘ in The New Yorker
• Jamie Moore, ‘Beyoncé’s Lemonade Is Made for Readers‘ on BookRiot
• Chloe Cadwalladr, ‘Why working-class actors are a disappearing breed’ in The Observer
• Hannah Ewens, ‘How ‘The Craft’ Realized the Power of Teen Girls and Made Witchcraft Cool‘ on Vice
• Alexandra Molotkow, ‘Teen Music Is Wasted on the Teens‘ on The Cut
• Ira Boudway and Kate Smith, ‘The Braves Play Taxpayers Better Than They Play Baseball‘ on Bloomberg
• Brogan Driscoll, ‘Put It Away, Madonna: We Like Our Older Women Invisible And Devoid Of Sexuality‘ on the Huffington Post

The interviews/profiles:

• Veronica Roth in The Guardian
• Louise Erdrich in The New York Times and Publishers Weekly
• Paula Whyman on Bloom
• Sara Pascoe on Standard Issue
• Lionel Shriver in The Bookseller and The Guardian
• Sophie Kinsella in The Guardian
• Ally Hilfiger in The Cut
• Yi Shun Lai on Write by Night
• Andi Zeisler in The Guardian
• Jesse Crispin in The Guardian and on Vulture
• Leslie Jamison on Literary Hub
• Hayley Webster on All the Words
• Sarah Perry on All the Words
• Shelley Harris on All the Words
• Fiona Melrose on All the Words
• Keris Stainton on All the Words
• Helen McClory on All the Words
• Melissa Broder in The Guardian
• Abbey Clancy in The Telegraph
• Janine di Giovanni in The Paris Review
• Zadie Smith on Refinery 29
• Harriet Reuter Hapgood on Buzzed
• Lydia Millet on Electric Literature
• Brenda Miller on The Rumpus
• Sarah Mlynowski and Shannon Hale on Publishers Weekly
• Fiona Sampson on Literateur
• Robin Black on Electric Literature
• Lisa McInerney on The Desmond Elliott Prize
• Esmé Weijun Wang on Bookslut
• Pamela Erens on The Millions
• Geling Yan on China in WW2
• Margo Jefferson in Vogue
• Lydia Davis in The Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

The best of the rest:

On or about books/writers/language:

• Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
• Hilary Mantel, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
• Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
• Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
• Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
• Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
• Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
• Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
• Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
• Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
• Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
• Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘  on Literary Hub
• Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
• Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
• Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
• Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
• Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
• Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
• Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
• Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
• Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
• Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
• Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
• Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
• Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
• Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
• Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
• Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
• Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
• Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
• Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
• Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
• Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
• John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
• Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian

Personal essays/memoir:

• Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
• Marina Lucic, ‘Lessons on Hate‘ in Litro
• Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
• Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
• Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
• Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
• Faith Adiele, ‘All of the Above‘ on The Rumpus
• Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
• Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
• Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
• Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
• Clare Archibald, ‘Congealed‘ on The Real Story
• Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
• Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
• Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
• Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
• Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
• Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
• Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut

Feminism:

• Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
• Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
• Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
• Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
• Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
• Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
• Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
• Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
• Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
• Melissa Gira Grant, ‘Heather‘ on Buzzed
• Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool

Society and Politics:

• Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
• Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
• Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
• Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
• Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
• Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
• Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
• Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
• Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
• Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
• Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph

Film, Television, Music, Art, Fashion and Sport:

• Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
• Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
• Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
• Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool

The interviews/profiles:

• Lisa Owens in The Bookseller
• Robin Black & Natalie Serber on Bloom
• Maggie Nelson in The Guardian
• Michelle de Kretser in Vol. 1 Brooklyn
• Brit Bennett on Jezebel
• Danielle Dutton in Brooklyn Magazine
• Idra Novey on The Rumpus
• Helen Garner in the Sydney Morning Herald
• Yvette Edwards on the Waterstones’ Blog
• Lynsey Hanley in The Guardian
• Elif Batuman on Literary Hub
• Rachel Traister on The Pool
• Sara Sheridan on From First Page to Last
• Janet Todd in Shiny New Books
• Sharon Guskin in Shiny New Books
• Karen Kovacik on Guernica
• Caitlin and Caz Moran on The Pool
• Maylis de Kerangal in BOMB
• Sophia Bennett in The Guardian
• Cynthia D’Aprix Sweeney on Literary Hub
• Danielle McLaughlin on Short Fiction
• Jenny Downham on The Bookseller

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

The Baileys’ Women’s Prize for Fiction Shortlist 2016

The judges have made their decision! The absence of Kate Atkinson’s A God in Ruins is a complete shock. Many of us on the shadow panel thought it was by far one of the best books on the list. The shadow panel shortlist shares three titles with the official shortlist. I’m also pleased to see The Portable Veblen and A Little Life on the list, both of which I rated highly.

Here’s the six shortlisted books. If you click on the cover, it will take you to my review.

 

The Baileys’ Women’s Prize for Fiction Shadow Panel Shortlist

After four weeks of reading and discussion, our shadow panel have decided upon the following shortlist. Like the official judges, we will be re-reading our choices and deciding upon a winner at the beginning of June. The official shortlist is announced this evening; we’re looking forward to seeing how it compares.

If you click the covers of the novels, they will take you to my reviews.