In the Media: May 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

In prize news, the Granta Best of Young American Novelists list was announced:

• Laura Miller, ‘Granta Made Us Obsessed With “Best Young Novelist” Lists‘ on Slate
• Michelle Dean, ‘The age of anxiety: what does Granta’s best young authors list say about America?‘ in The Guardian

Fiona McFarlane took The Dylan Thomas Prize for her short story collection The High Places, Maylis de Kerangal won The Wellcome Book Prize, and Sarah Perry and Kiran Millwood-Hargrave were winners at The British Book Awards. While Kit de Waal and Rowan Hisayo Buchanan were shortlisted for The Desmond Elliott Prize.

Chris Kraus and I Love Dick are having a moment:

• Kraus is interviewed in The Guardian and on Hazlitt with Sarah Gubbins
• Rachel Syme, ‘The Liberating Obsessiveness of I Love Dick‘ in New Republic
• I don’t usually link to book reviews but ‘Reviewing this book put me off marriage. And book reviewing‘ by Anakana Schofield is a brilliant piece of writing in its own right and is about Kraus’ novel Torpor.

And The Handmaid’s Tale has generated even more pieces:

• haettinger, ‘I Grew Up In A Fundamentalist Cult — ‘The Handmaid’s Tale’ Was My Reality‘ on The Establishment
• Megan Garber, ‘The Handmaid’s Tale Treats Guilt as an Epidemic‘ on The Atlantic
• Priya Nair, ‘Get out of Gilead: Anti-Blackness in The Handmaid’s Tale‘ on Bitch Media
• Kayla Chadwick, ‘The Biggest Lesson Of The Handmaid’s Tale? Silence Is Complicity.‘ on the Huffington Post
• Nora Caplan-Bricker, ‘One Sly Lesson of The Handmaid’s Tale:Appreciate the Messy Feminism We Have Now‘ on Slate
• Elizabeth Day, ‘What the Handmaid’s Tale taught me about being a woman‘ on The Pool
• Laura Hudson, ‘The Handmaid’s Tale: The Biggest Changes From the Book‘ on Slate
• Alexandra Schwartz, ‘Yes, “The Handmaid’s Tale” Is Femininst‘ in The New Yorker
• Soraya Nadia McDonald, ‘In “Handmaid’s Tale” a postracial, patriarchal hellscape‘ on The Undefeated
• Various, ‘“Margaret Atwood Made a Feminist Out of Me”: 12 Authors on The Handmaid’s Tale‘ in Elle
• Stacey D’Erasmo, ‘On Power Between Women: The Handmaid’s Tale Revisited‘ on Catapult
• Jamie Lincoln, ‘The Handmaid’s Tale: The Hidden Meaning in Those Eerie Costumes‘ on Vanity Fair

The best of the rest:

On or about books/writers/language:

• Emily Gould, ‘My Bad Parenting Advice Addiction‘ on Longreads
• Jenny Landreth, ‘Water Women: Jenny Landreth’s Swell and the Female Swimmers Who Changed the World‘ on the Waterstones’ blog
• Heather Corcoran, ‘One thing Amazon got wrong about “I Love Dick” (and women)‘ on Slate
• Judith Newman, ‘Dear Book Club: It’s You, Not Me‘ in The New York Times
• Susanna Basso (translated by Matilda Colarossi) ‘Lessons in Slowness‘ on Asymptote
• Rafia Zakaria, ‘The Lizzie Borden murder industry won’t die – but its feminism has‘ in The Guardian
• Elizabeth Alsop, ‘What Ferrante learned from Woolf‘ in The TLS
• Caren Lissner, ‘That Time a Guy Asked Me to Channel My Novel’s Protagonist On Our Creepy First Date‘ on Narratively
• Barbara Browning, ‘The Lie in My Novel‘ on Catapult
• Sarah Menkedick, ‘The Blue Jay’s Dance‘ in The Paris Review
• Sarah Menkedick, ‘The Book and the Baby‘ on Vela
• Meghan Daum, ‘What Makes a House a Home‘ on Literary Hub
• Alexandra Schwartz, ‘The Art and Activism of Grace Paley‘ in The New Yorker
• Kathryn Hughes, ‘George Eliot: is this a new portrait of the author as a young woman?‘ in The Guardian
• Lisa McInerney, ‘Don’t tell me that working-class people can’t be articulate‘ in The Guardian
• Emily Ballaine, ‘Bookselling in the 21st Century “Please Don’t Touch Me”‘ on Literary Hub
• Lisa Ko, ‘Not Finishing My Novel Would’ve Ruined My Life‘ on Literary Hub
• Hope Nicholson, ‘The fury and the fashion: comic-book heroines down the years‘ in The Guardian
• Helena Kelly, ‘The Many Ways in Which We’re Wrong About Jane Austen‘ on Literary Hub
• Jenni Fagan, on her path to publication on Dewar Art Awards
• Lorraine Berry, ‘on Didion, the South, and Race‘ on Essay Daily
• Rachel Rhys, ‘on writing a community of strangers‘ on The Literary Sofa
• Sarah Hughes, ‘‘She gave her mother 40 whacks’: the lasting fascination with Lizzie Borden‘ in The Guardian
• Nicola Streeten, ‘Drawn from history‘ in The TLS
• Sydney Moore, ‘Were women accused of witchcraft the first Essex Girls?‘ on The Pool
• Ever Dundas, ‘The Problems with Gender and Language‘ on The Skinny
• Danuta Kean, ‘Crossing the Line of Duty: why novels would never get away with TV’s crimes‘ in The Guardian
• Claire Cameron, ‘Why You Shouldn’t Get into a Fight with Jane Smiley‘ on Literary Hub
• Sunny Singh, ‘MP accuses BAME book prize of discrimination‘ on Media Diversified
• Kristen Arnett, ‘The Queer Erotics of Handholding in Literature‘ on Electric Literature
• Danuta Kean, ‘Why Brit crime fiction is paying international dividends‘ in The Guardian
• Nell Stevens, ‘Elizabeth Gaskell: Charlotte Brontë’s unlikely defender against prurient gossip‘ in The Guardian
• Sisonke Msimang, ‘All your faves are problematic: A brief history of Chimamanda Ngozi Adichie, stanning and the trap of #blackgirlmagic‘ on Africa Is a Country
• Rafia Zakaria, ‘A publisher of one’s own: Virginia and Leonard Woolf and the Hogarth Press‘ in The Guardian
• Laura Lam, ‘Gender-fluid Fiction: False Hearts Author on Breaking Stereotypes‘ on Waterstones’ Blog
• Dani Shapiro, ‘Writing About Marriage When You Want to Stay Married‘ on Catapult

Personal essays/memoir:

• Linda Mannheim, ‘Searching for the Internment Camp Where My Father Was Held‘ on Catapult
• Sarah Maria Griffin, ‘This Is What It’s Like To Have Sleep Paralysis‘ on Buzzfeed
• Caity Weaver, ‘My 14-Hour Search for the End of TGI Friday’s Endless Appetizers‘ on Gawker
• Ashley C. Ford, ‘My Father Spent 30 Years In Prison. Now He’s Out.‘ on Refinery29
• Eva Dillon, ‘My Father’s Secret Life as a Cold War Spy‘ on Literary Hub
• Stacy Torres, ‘The Admission‘ on Longreads
• Lisa Ko, ‘How I Learned To Live With A Chronic Skin Condition‘ on Buzzfeed
• Laura Turner, ‘On Miscarriage, Anxiety, and the Burden of Hope‘ on Catapult
• Julia Kingsford, ‘Aspergers and Asparagus‘ on Medium
• Sari Botton, ‘Hit Eject‘ on Longreads
• Kat Lister, ‘It’s essential that I tell you about my miscarriage‘ on The Pool
• Marie Myung-Ok Lee, ‘J. Stands Up‘ in The Paris Review
• Erin Chack, ‘My Boyfriend Isn’t My Soulmate, He’s My Carrot‘ on Buzzfeed
• Jennifer Hope Choi, ‘I Filmed The End Of My Parents’ Marriage‘ on Buzzfeed
• Zing Tsjeng, ‘My 14-Year-Old Cousin Taught Me How to Be a Cool Teen‘ on Broadly
• Betty Ann Adam, ‘How I lost my mother, found my family, recovered my identity‘ in Saskatoon Star Phoenix
• Clarissa Wei, ‘The Struggles of Writing About Chinese Food as a Chinese Person‘ on Munchies
• Lyz Lenz, ‘Lead Me On‘ on Hazlitt
• Eloghosa Osunde, ‘Don’t Let It Bury You‘ on Catapult
• Erin Kelly, ‘Learning to be a red lipstick kind of person‘ on The Pool
• Elisabeth Geier, ‘The Nostalgia of the Neighborhood Hardware Store‘ on Okey-Panky

Feminism:

• Nimco Ali, ‘I’m a Women’s Equality Party candidate – here’s why I’m standing against a female Labour MP‘ on The New Statesman
• Jess Zimmerman, ‘Dove’s dumb body wash bottles are an answer to a question nobody asked‘ in The Washington Post
• Eleanor Margolis, ‘Thanks Dove! Now I will finally stop comparing myself to the perfect form of a soap bottle‘ in The New Statesman
• Becca Andrews, ‘As a Girl, I Went Through Abstinence Ed. As a Woman, I’m Trying to Understand the Damage Done.‘ on Mother Jones
• Jenny Landreth, ‘Heroic British women swimming figures who deserve statues‘ in The Guardian
• Sady Doyle, ‘“Stealthing” Is Not a Trend. It’s Sexual Assault‘ in Elle
• Amy Hatvany, ‘I Taught My Son How Not to Be a Rapist‘ in Harper’s Bazaar
• Jess Zimmerman, ‘The Monstrous Female Ambition of the Harpy‘ on Catapult
• Danielle Dash, ‘Serena Williams and Black Pregnancy‘ on Danielle Dash
• Hawa Allen, ‘Becoming Meta‘ on Longreads

Society and Politics:

• Zoe Samudzi, ‘Who Are You and What Do You Really Know?‘ on The New Enquiry
• Masha Gessen, ‘The Autocrat’s Language‘ in The New York Review
• Maya Binyam, ‘Spell-Check Nation‘ on The New Enquiry
• Carla Bruce-Eddings, ‘Creating a Community for My Black Daughter‘ in The Cut
• Carole Cadwalladr, ‘The great British Brexit robbery: how our democracy was hijacked‘ in The Guardian
• Jessica Wapner, ‘Austin, Indiana: the HIV capital of small-town America‘ on Mosaic
• Nesrine Malik, ‘I Am Not Your Muslim‘ on NPR
• Javaria Akbar, ‘In praise of smelly food‘ on The Pool
• Rebecca Solnit, ‘Facing the Furies‘ in Harper’s
• Katherine Fidler, ‘How it feels when your research is used to justify disability benefit cuts‘ in The New Statesman
• Chimene Suleyman, ‘Britain is still searching for Maddie – why don’t we care about missing children of colour?‘ in International Business Times
• Julia Rampen, ‘View from Paisley: How the Conservatives are wooing Labour’s Scottish heartlands‘ in The New Statesman
• Rachel Monroe, ‘How rich hippies and developers went to war over Instagram’s favourite beach‘ in The Guardian
• Emma Green, ‘How Two Mississippi College Students Fell in Love and Decided to Join a Terrorist Group‘ on The Atlantic
• Irin Carmon, ‘If abortions become illegal, here’s how the government will prosecute women who have them‘ in The Washington Post
• Nina Caplan, ‘Beware of tea: the cuppa has started wars and ruined lives’ in The New Statesman
• Jess Phillips, ‘May says this is about stability. She should meet my constituents‘ in The Guardian
• Santilla Chingaipe, ‘Hair and social inclusivity‘ on The Saturday Paper
• Megan Garber, ‘Are We Having Too Much Fun?‘ in The Atlantic
• Ruth Whippman, ‘Work/life integration? No, thanks – I’d rather have balance‘ on The Pool

Film, Television, Music, Art, Fashion and Sport:

• Caity Weaver, ‘Dwayne Johnson for President!‘ in GQ
• Anna Leszkiewicz, ‘“I’m only human”: the rise and rise of male singers who cannot take criticism‘ in The New Statesman
• Helen Lewis, ‘From wars to power ballads: the geopolitics of Eurovision‘ in The New Statesman
• Sophie Gilbert, ‘What Does a Girlboss Look Like?‘ on The Atlantic
• Jude Rogers, ‘Bananarama – the ultimate British girl band – is back‘ on The Pool

The interviews/profiles:

• Joanna Ruocco in The Paris Review
• Dorothy Allison on Lenny
• Meg Howrey on Electric Literature
• Patricia Lockwood on The Pool, Literary Hub and The Observer
• Alyssa Cole on Jezebel
• Jess Arndt in The Cut
• Claudia Rankine on Literary Hub
• Dana Schwartz on Electric Literature
• Hala Alyan on Electric Literature
• Stephanie Powell Watts on Literary Hub
• Doree Shafrir on Hazlitt
• Edan Lepucki on The Millions
• Scaachi Koul on Hazlitt
• Olivia Sudjic in Vogue
• Irenosen Okojie on Medium and Minor Literature[s]
• Fiona Melrose on Short Story Day Africa
• Naomi Alderman in The New Statesman
• G. Willow Wilson in The New Yorker
• Kate Tempest in The Guardian
• Paula Cocozza in The Hackney Gazette
• Anne Elizabeth Moore on Literary Hub
• Claire Cameron on The Millions
• Lise Gaston on All Lit Up
• Sally Rooney on Short Story Award
• Lidia Yuknavitch on The Rumpus
• Monica Youn on Dive Dapper
• Morgan Parker in The New Yorker
• Amy Liptrot on Literary Hub
• Diane Schoemperlen on Queen Mob’s Tea House
• Jessie Burton in The TLS
• Aliette De Bodard on SciFiNow
• Elizabeth Strout in The New Yorker

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, February 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

I’ve been a bit lax at compiling these while I’ve focused on my own work. It means this month’s is huge and I haven’t honed in on any topic in particular as the news moves so fast at that moment it feels like an impossible task. Back to fortnightly after this which hopefully will make it slightly easier to digest.

 

On or about books/writers/language:

• Helen Dunmore, ‘Facing mortality and what we leave behind‘ in The Guardian
• Rosalind Jana, ‘Making Space: A Brief History of Literary Salons, Past and Present‘ on Constellation
• George Saunders, ‘Grace Paley, the Saint of Seeing‘ in The New Yorker
• Peternelle van Arsdale, ‘How I Learned to Stop Worrying About the Market and Just Write‘ on Literary Hub
• Lauren Elkin, ‘Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London‘ on Longreads
• Varaidzo, ‘From school books to publishing, black girls deserve better representation‘ in the New Statesman
• Ruth Gilligan, ‘Write Like a Girl‘ on Read it Forward
• Francesca Simon, ‘Why I’m writing for World Book Day’ in The Guardian
• Lily Dunn and Zoe Gilbert, ‘We’re given only a handful of these kinds of friendships‘ on Something Rhymed
• Karolina Ramqvist, ‘Writer as Public Figure Vs. The Writer Who Actually Writes‘ on Literary Hub
• Catherine Mayer, ‘on Writing Attack of the Fifty Foot Women‘ on Waterstones Blog
• Yoojin Grace Wuertz, ‘Failure and Patience: Lessons from the Garden for Writers‘ on Literary Hub
• Claudia Roth Pierpoint, ‘Elizabeth Bishop’s Art of Losing‘ in The New Yorker
• Thomas Arnow, ‘Who was Harriette Arnow?‘ on the Penguin Blog
• Anjali Enjeti, ‘The Life and Legacy of Bharati Mukherjee‘ on Literary Hub
• Wei Ming Kam, ‘On the Carnegie, Bookshops and Melinda Lo’s Ash‘ on Gal-dem
• Kerry Clare, ‘Rereading Fear of Flying: On Not Being Pregnant in Mid-Air With Isadora Wing‘ in The Toronto Review of Books
• Susan Hill, ‘Can I be a serious writer, keeping such casual hours?’ in The Guardian
• Nell Zink, ‘Writing for Rejection, And reading Doris Lessing‘ on n+1
• Craig Hubert, ‘On the Many Film Adaptations of the “Unfilmable” Wuthering Heights‘ on Literary Hub
• Ilana Masad, ‘Queer children’s books have a long history that’s only now being told‘ in The Guardian
• Heather O’Neill, ‘Leaving It All on the Page‘ on The Walrus
• Cameron Glover, ‘A Soulful Novel and Me: On Zora Neale Hurston‘ on Catapult
• Maggie Harcourt, ‘Pages in Common‘ on Waterstones Blog
• Rebecca Traister, ‘Rereading The Handmaid’s Tale, One Month Into the Trump Era‘ in The Cut
• Julie Buntin, ‘On Making Things Up: Some True Stories About Writing My Novel‘ on Catapult
• Sarah Perry, ‘In praise of readability‘ in The TLS
• Joanna Cannon, ‘The Story Behind The Trouble with Goats and Sheep‘ on WHSmith Blog
• Lionel Shriver, ‘Dystopia in the next room‘ in The TLS
• Rafia Zakaria, ‘Carson McCullers at 100: a century of American suffering‘ in The Guardian
• Jo Hogan, ‘The Carnegie Medal: Time for a Review‘ on her blog
• Salamisha Tillet, ‘Free Is and Free Ain’t‘ on Public Books
• Morgan Jerkins, ‘The Forgotten Work of Jessie Redmond Fauset‘ in The New Yorker
• Emma Garman, ‘Trilby, the Novel That Gave Us ‘Svengali’‘ on Longreads
• Emily Cooke, ‘Pay to Play: A chronicle of wealth and class in the literary world‘ on Book Forum
• Aminatta Forna, ‘We must take back our stories and reverse the gaze‘ in The Guardian
• Sam Jones, ‘Retrieving an untold story: voices of Spanish female artists finally heard‘ in The Guardian
• Ulka Anjaria, ‘The Goddess of Loss‘ on Boston Review
• Dr. Florence Hazrat, ‘From The Taming of the Shrew to 10 Things I Hate About you: Taming Wild Women in European Culture‘ on Women Are Boring
• Laura Pritchett, ‘The Middle Ages‘ on Bloom
• Fiona Cummins, ‘How I went from Ms Showbiz reporting on celebrity parties to writing a chilling crime thriller‘ in the Daily Mirror
• Katy Waldman, ‘Is My Novel Offensive?‘ on Slate
• Tracy Chevalier, ‘There’s a febrile debate in Trump’s rustbelt. I want to be part of it‘ in The Guardian
• Sarah Ladipo Manyika, ‘What Virginia Woolf Forgot To Say‘ on Thrive Global
• Georgia Hunter, ‘We Were The Lucky Ones‘ on Waterstones Blog
• Rowan Hisayo Buchanan, ‘A Dyslexic’s Guide to Infinity‘ on The Rumpus
• Maria Russo, ‘Finding America, Both Red and Blue, in the ‘Little House’ Books‘ in The New York Times
• Miranda Emmerson, ‘Mixed-up thinking‘ on Bookanista
• Marta Bausells, ‘Warsan Shire and Beyoncé: Superheroes for Our Time‘ on Literary Hub
• Lisa Williamson, ‘Writing NON-romantic Love for Teens‘ on Foyles
• Alex Clark, ‘I’m no pussy when it comes to swearing‘ in The Guardian
• Rahawa Haile, ‘How Black Books Lit My Way Along The Appalachian Trail‘ on Buzzfeed
• Kate Mosse, ‘It’s never been more important to champion women’s voices‘ on The Pool
• Eva Dolan, ‘The Hierarchy of Victims in Crime Writing‘ on Foyles
• Roxane Gay, ‘The Full Text of ‘Bad Feminist’ Author Roxane Gay’s WI12 Speech‘ on Publishers Weekly
• Claire Fuller, ‘on the Isle of Purbeck, Dorset‘ on The Literary Sofa
• Scott Eposito, ‘Understanding America Through Marilynne Robinson‘ on Literary Hub
• Edwidge Danticat, ‘Poetry in a Time of Protest‘ in The New Yorker
• Laura Pritchett, ‘The Great West Has More Than One Story to Tell‘ on Literary Hub
• Sarah Churchwell, ‘‘It will be called Americanism’: the US writers who imagined a fascist future‘ in The Guardian
• Lucinda Rosenfeld, ‘What Was Chick Lit? A Brief History from the Inside‘ on Literary Hub
• Ela Bittencourt, ‘Poetry Thieves: Translating Hanna Krall and Ewa Lipska‘ on Words Without Borders

Personal essays/memoir:

• Rowan Hisayo Buchanan, ‘How Postcards from My Mother Helped Me Survive My Childhood‘ on Literary Hub
• Leah Carroll, ‘My Mother’s Murder‘ on The Cut
• Melissa Febos, ‘When Pursuing True Love Means Breaking Up With Your Best Friend‘ on Refinery29
• Catherine LaSota, ‘Changing Body, Changing Perceptions‘ on Catapult
• Anne Kniggendorf, ‘Gracie Allen and John Denver in Boot Camp‘ on Electric Literature
• Christine Hyung-Oak Lee, ‘Saving Chickens, Saving Myself‘ on Catapult
• Arianna Rebolini, ‘Learning to Cook After Relearning to Eat‘ on Catapult
• Gwen Werner, ‘Daddy Issues‘ on The Rumpus
• Clover Stroud, ‘Travelling alone as a woman was a way of owning my trauma‘ on The Pool
• Lynn Enright, ‘I don’t always know who I am – but that’s OK ‘ on The Pool
• Karen Brown, ‘From Imbibing Spirits to Spiritualist Mediums‘ on Literary Hub
• Erin Corber, ‘Vocabulary Lessons in Bucharest‘ on The Rumpus
• Elisa Gabbert ‘My Grandmother’s Little Room and the Unreality of Memory‘ on Pacific Standard
• Kaitlyn Greenidge, ‘Sacred Space: On visiting the National Museum of African American History and Culture, and facing the present‘ on Lenny
• Claire Handscombe, ‘Dance: On Ballet and Impossible Love‘ on Catapult
• Melissa Febos, ‘Reconciliation‘ on Lenny
• Sara Yasin, ‘Muslims Shouldn’t Have To Be “Good” To Be Granted Human Rights‘ on Buzzfeed
• Jowita Bydlowska, ‘Nobody Died‘ on Lenny
• Cass Cross, ‘The Men in My Office‘ on Catapult
• Sophie Warnes, ‘On the unbearableness of existence‘ on Medium
• Megan Margulis, ‘My Daughter’s Suburban Childhood Looks Nothing Like My Urban One‘ on The Cut
• Jessica Grose, ‘The Wait‘ on Lenny
• Marie Phillips, ‘One woman’s attempt to learn the language of love‘ on The Pool
• Allison Grimaldi-Donahue, ‘Translation Beyond Metaphor‘ on Electric Literature
• Sara Noviç, ‘When Good Christian Girls Need Planned Parenthood‘ on The Cut
• Rachel Klein, ‘Losing My Voice and Finding It‘ on Catapult
• Amna Saleem, ‘This Is What I Learned From My Father’s Depression‘ on Buzzfeed
• Lara Williams, ‘Talk to Me Baby‘ on Some Such Stories
• Eleanor Margolis, ‘From unnerving normality to toilet humour: the stages of my mum’s cancer diagnosis‘ in the New Statesman
• Rebecca Varkoe, ‘Let’s Talk About The Immense Privilege (And Struggle) Of Doing What You Love‘ on Junkee
• Patricia Lockwood, ‘A Childhood in the Pro-Life Movement‘ in The New Yorker
• Lorraine Berry, ‘Walking in Memphis‘ on Catapult
• Kathryn Schultz, ‘When Things Go Missing‘ in The New Yorker
• Irina Dumitrescu, ‘Swan, Late‘ on Longreads
• So Sad Today, ‘What if I Never Live My Best Life?‘ on Vice
• Lacy M. Johnson, ‘Trigger‘ in Guernica
• Candice Norwood, ‘When ‘Good Hair’ Hurts‘ in The Atlantic
• Lisa Mecham, ‘Under the Stars: Remaking a Family‘ on Catapult
• Christine Hyung-Oak Lee, ‘What It’s Like to Lose Your Short-Term Memory‘ on Longreads
• Andie Park, ‘Lessons‘ on Medium
• Laine Bruzek, ‘What Happens When Nothing Happens‘ on West Magazine
• Elle Nash, ‘Grief Lozenge‘ on The Fanzine
• Kim Schultz, ‘I fell in love with a refugee – here’s what I learned when the world didn’t love him too‘ on the New Statesman
• Rebecca Schuman, ‘Hello, Lenin? (Berlin, 1997)‘ on Longreads
• Alana Massey, ‘The Rotten, Precious Land‘ on Hazlitt
• Jonatha Kottler, ‘Fat in Every Language‘ in The Cut
• Alexandra Burt, ‘What Remains When Your First Language Fades Away‘ on Literary Hub
• Jen Gann, ‘I Love My Ugly Old Hands‘ on The Cut
• Melissa Febos, ‘Wunderkammer‘ in Vogue
• Bonnie Nadzam, ‘Experts in the Field‘ on Tin House
• Imbolo Mbue, ‘‘With every inch, the challenge multiplies’: me and my afro‘ in The Guardian
• Yemisi Aribisala, ‘People try to squeeze Nigerian food into an all-encompassing African label‘ in The Guardian
• Eileen Myles, ‘Aging Is Feminizing Me and I Hate It‘ in The Cut
• Stacey Dugid, ‘The skirt that gave me back my mojo‘ on The Pool
• Laurie Frankel, ‘When my son became my daughter, the transition was more routine than dramatic‘ in The Sydney Morning Herald
• Jaya Saxena, ‘Explaining My Multiracial Identity (So Others Don’t Do It For Me)‘ on Catapult
• Catherine LaSota, ‘Becoming an Artist and a Parent in NYC‘ on Catapult
• Cat Marnell, ‘How to Murder Your Life‘ on The Cut
• Kayla Rae Whitaker, ‘How I Learned To Date After Drinking‘ on Buzzfeed
• Jia Tolentino, ‘The Most American Thing‘ in The New Yorker
• Kuba Shand Baptiste, ‘It took me 17 years to fall in love with my black hair. Why?‘ on The Pool
• Eva Tenuto, ‘Feeling Unsafe at Every Size‘ on Longreads
• Lori Jakiela, ‘A Portrait of the Artist as a Bingo Worker‘ on Electric Literature
• Patricia Bosworth, ‘The Men in My Life‘ on Literary Hub
• Meghan Tear Plummer, ‘Real Life: My Sister, My Brother‘ in Glamour
• Tracy O’Neill, ‘A Scar Is Not a Story‘ on Catapult
• Laila Lalami, ‘Love and Betrayal in America‘ in The New Yorker

Feminism:

• Dayna Tortorici, ‘While the Iron Is Hot‘ in n+1
• Michelle Darmody, ‘From the heart: One woman’s experience of abortion‘ in the Irish Examiner
• Riyan Fergins, ‘Follow the Oil Trail and You’ll Find the Girls‘ on Longreads
• Anita Bhagwandas, ‘The true meaning of beauty is to celebrate our imperfections‘ on The Pool
• Tobi Oredin, ‘As a black woman, I’ve had to unlearn what beauty means to me‘ on The Pool
• Jennilie Brewster, ‘Frozen Ground: On Reporting a Statutory Rape Twenty Years Later‘ on Catapult
• Zoe Samudsi, ‘Remy, Nicki, And The White Feminist Optics Of Black Women’s Beefs‘ on Equality for Her
• Katie Booth, ‘People Mountain, People Sea‘ on Vela
• Deborah Orr, ‘Helen Bailey and the lethal darkness behind this ‘middle-aged woman’ myth‘ in The Guardian
• Carmen Maria Machado, ‘The Trash Heap Has Spoken‘ on Guernica
• E.J. Dickson, ‘Why Did Everyone Act Like I Was Crazy When I Decided to Have a Baby in My 20s?‘ in The Cut
• Jendella Benson, ‘Feminist love will save men too‘ on Media Diversified
• Eve Ensler, ‘Female Fighters Series Re-examines Women’s Rage Around the World‘ on Guernica
• Abbie, ‘It’s Time to Trash Body Positivity‘ on Bullshitist
• Nimmi Gowrinathan, ‘Of Monsters & Women‘ on Guernica
• Yas Necati, ‘As a queer woman I will be marching against Donald Trump this weekend – but for my disabled friends it won’t be that easy‘ in The Independent
• Jessica Valenti, ‘Calling pregnant women ‘hosts’? We’re in an anti-choice Republican dystopia‘ in The Guardian
• Suzanne Moore, ‘Women in public life are now being openly bullied. How has this become normal?‘ in The Guardian
• Jessa Crispin, ‘The Failures of Mainstream Feminism‘ on New Republic
• Sara Ahmed, ‘Smile!‘ on Feminist Killjoys
• Shannon Keating, ‘Can Lesbian Identity Survive The Gender Revolution?‘ on Buzzfeed
• Melissa Denes, ‘‘It’s always high drama. It’s somebody’s life at stake’: inside British rape trials‘ in The Guardian
• Megan Nolan, ‘If British abortion providers turn away Irish women, it will be catastrophic‘ in The Pool
• Glosswitch, ‘What Would Happen if the World’s Women Went on Strike?‘ in the New Statesman
• Andrea Penman-Lomeli, ‘Consuming la Malinche, Destroying the Myth‘ on The New Inquiry
• Jia Tolentino, ‘The Case Against Contemporary Feminism‘ in The New Yorker
• Nadine Ajaka, ‘The Casualties of Women’s War on Body Hair‘ in The Atlantic
• Amanda Hess, ‘How a Fractious Women’s Movement Came to Lead the Left‘ in The New York Times
• Naomi Alderman, ‘Utopian thinking: how to build a truly feminist society‘ in The Guardian
• Rebecca Traister, ‘The Future of the Left Is Female‘ in The Cut
• Sadie Hassler, ‘Three abortions‘ on Standard Issue
• Caroline O’Donoghue, ‘I may never be ready to stop saying “dude”‘ on The Pool

Society and Politics:

• Dana Snitzky, ‘The Ban, The Wall, Bearing Witness‘ on Longreads
• Hannah Black, ‘New World Disorder‘ on Art Forum
• Gaby Hinsliff, ‘The government can’t pledge support for mental illness – and then backtrack‘ on The Pool
• Elizabeth Weil, ‘The Curse of the Bahia Emerald‘ on Wired
• Claire Heuchan, ‘The parallels between Scottish nationalism and racism are clear‘ in The Guardian
• Tasbeeh Herwees, ‘Resistance In The Time Of Protest Selfies‘ on Good
• Teow Lim Goh, ‘On Borders and Citizens‘ on Catapult
• Gaby Hinsliff, ‘Labour can’t keep returning to its roots empty handed‘ in The Guardian
• Mehreen Kasana, ‘The Meaning of Allahu Akbar‘ on Hazlitt
• Rumana Ahmed, ‘I Was a Muslim in Trump’s White House‘ on The Atlantic
• Gabrielle Bellot, ‘M*lo Might Be Done, But His Transphobia Lingers‘ on Literary Hub
• Sarah Larson, ‘The Librarian of Congress and the Greatness of Humility‘ in The New Yorker
• Rachel Cusk, ‘The Age of Rudeness‘ in The New York Times
• Gaby Hinsliff, ‘We are overdosing on empathy‘ in The Guardian
• Arifa Akbar, ‘The value we place on romantic love can feel tyrannical – especially if you’re a single woman‘ on The Pool
• Suzanne Moore, ‘It’s liking, not loving, that’s the true challenge in relationships‘ on The Pool
• Diane Abbott, ‘I fought racism and misogyny to become an MP. The fight is getting harder‘ in The Guardian
• Elizabeth Day, ‘What does true love really look like?‘ on The Pool
• Ruth Whippman, ‘Authentic? Try being polite instead‘ in The Guardian
• Deborah Cohen, ‘Before Straight and Gay‘ on The Atlantic
• Lizzie Presser, ‘Below Deck‘ in The California Sunday Magazine
• Tari Ngangura, ‘How Black History Month Reminds Me How Exhausting It Is To Be Black‘ on Vice
• Caitlin L. Chandler, ‘The Other World‘ on Guernica
• Helen Haft, ‘Telling Memories‘ on Aeon
• Andrea Pitzer, ‘Trump Revives a Shameful Tradition: Targeting a Minority Group with Crime Reports‘ on Longreads
• Ijeoma Oluo, ‘White People: I Don’t Want You To Understand Me Better, I Want You To Understand Yourselves‘ on The Establishment
• Lois Parshley, ‘Here Be Dragons: Finding the Blank Spaces in a Well-Mapped World‘ on VQR
• Hina Shamsi, ‘Flying Home From Abroad, a Border Agent Stopped and Questioned Me … About My Work for the ACLU‘ on ACLU
• Tina Nguyen, ‘Trump Grill Could Be the Worst Restaurant in America‘ in Vanity Fair
• Tamara Winfrey Harris, ‘The Real Work of Being an Ally‘ on The Cut
• Nesrine Malik, ‘Suddenly, Muslims are America’s pariahs‘ in The Guardian
• Margaret Simons, ‘The Karen road to Nhill‘ on SBS
• Fariah Roísín, ‘What Makes a Border Be?‘ on Hazlitt

Film, Television, Music, Art, Fashion and Sport:

• Anna Leszkiewicz, ‘From Hannah Horvath to Rory Gilmore: the problem with women writers on TV‘ in the New Statesman
• Eva Holland, ‘Bird Man‘ on Longreads
• Lynn Enright, ‘Twentysomething women often win Best Actress. Men in their twenties basically never win Best Actor‘ on The Pool
• Brittney Cooper, ‘Why It’s Important to Recognize That “Moonlight” Was Robbed Of Its Moment‘ in Cosmopolitan
• Jia Tolentino, ‘The Awkward Politics of the Oscars‘ in The New Yorker
• Megan Garber, ‘Why Are They ‘Stars’?‘ on The Atlantic
• Jess Goldschmidt, ‘Against La La Land‘ on Guernica
• Ann Powers, ‘The Problem With The Grammys Is Not A Problem We Can Fix‘ on NPR
• Helen O’Hara, ‘TV is better placed to tell love stories than cinema – and its writers have finally realised that‘ on The Pool
• Frances Ryan, ‘I, Daniel Blake is a realistic depiction of life on benefits. Isn’t it?‘ in The Guardian
• Emma Gray, ‘What White Women Can Learn From Adele’s Grammys Speech‘ on the Huffington Post
• Anindita Ghose, ‘What John Berger would say about Beyoncé‘ on Live Mint
• Hadley Freeman, ‘Oh, how I loved you, Johnny Depp. Now I see the purple-tinted truth‘ in The Guardian
• Laura Craik, ‘Why do we judge Victoria Beckham by her husband?‘ on The Pool
• Micha Frazer-Carroll, ‘Why We Should Celebrate Beyoncé’s Pregnancy in the Era of Trump‘ on Gal-Dem
• Danielle Dash, ‘Beyonce, Black Joy & White Women‘ on her website
• Jennifer Keshin Armstrong, ‘The Mary Tyler Moore Show’s Feminist Struggle‘ on Longreads
• Dayna Evans, ‘Why Would a Woman Want to Play Football?‘ on The Cut
• Véronique Hyland, ‘Why Won’t We Let Madonna Age the Way She Wants To?‘ on The Cut

The interviews/profiles:

• Susan Hill in The Guardian
• Cara Hoffman on Broadly
• Rowan Hisayo Buchanan on Literary Hub
• Kate Zambreno on The Creative Independent
• Yoojin Grace Wuertz on Electric Literature
• Melissa Febos on Guernica
• Masha Gessen on The Millions
• Zeba Talkhani and Laura Waddell on Minor Literature[s]
• Patty Yumi Cottrell in the Los Angeles Review of Books
• Ayòbámi Adébáyò in The Guardian
• Claudia Rankine in The Financial Times
• Claire Fuller in The Chicago Review of Books
• Ethel Rohan on The Millions and on Bustle
• Yiyun Li in The Guardian, on Five Books
• Jane Wong and Aditi Machado on Literary Hub
• Roxane Gay on Brooklyn
• Emily Ruskovich on Electric Literature
• Roshi Fernando on Short Story Award
• Jess Phillips on The Debrief
• Morgan Parker in The Cut
• Liane Moriarty in The Guardian
• Dreda Say Mitchell on Greenacre Writers
• Sara Baume in The Guardian
• Ola Nubi on Ankara Press
• Shappi Khorsandi in The Guardian
• Heather O’Neill on The Millions
• Rachel Cusk in BOMB
• Nina LaCour on The Booklist Reader
• Emma Donoghue on Literary Hub
• Ayelet Waldman in California
• Alice Broadway on Foyles, in The Guardian
• Amanda Owen in The Guardian
• Chimamanda Ngozi Adichie in The Guardian
• Margaret Atwood in The Guardian
• Ali Smith in The New York Times
• Lara Pawson on Rhys Tranter
• Christine Hyung-Oak Lee on NPR
• Jade Sharma in The Rumpus
• Alana Massey on Hello Giggles, Hazlitt
• Khairani Barokka on Disability Arts
• Adrian Shirk on Catapult
• Katie Kitamura on Literary Hub
• Camille Pagán in the Huffington Post
• Adania Shiboli on Literary Hub
• Naomi Jackson on The Rumpus
• Katie Khan on In the Words of
• Kyo Maclear on Mcleans
• Kim Hyesoon on Guernica
• Jessica Valenti on The Rumpus
• Elif Shafak in The Guardian, on Foyles
• Erica Ferencik on Electric Literature
• Eimear McBride on Electric Literature
• Sandra Cisneros on Literary Hub
• Shanthi Sekaran on Bookanista
• Ottessa Moshfegh on Lenny

The regular columnists:

• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

My Baileys Women’s Prize for Fiction 2017 Wishlist

It’s almost that time of year again; The Baileys Women’s Prize for Fiction longlist is announced on International Women’s Day, Wednesday 8th March. Once again, I’ll be charing a shadow panel, the other members of which I’ll introduce on Friday. Before both of those things though, I’m going to have a stab in the dark at what might be on the longlist. My success rate is why I refer to this post as my wishlist as opposed to a prediction.

This year the longlist has been reduced from 20 to 12 titles, making it easier to read along and debate what might make the shortlist. Eligible titles are those published between the 1st April 2016 and the 31st March 2017 and written in English.

I’ve reviewed all of the titles I’ve chosen except Stay With Me by Ayòbámi Adébáyò, which I’ll review this week, and Autumn by Ali Smith (which I’ve read but not yet reviewed); click on the covers of the other books to read my reviews.

Harmless Like You – Rowan Hisayo Buchanan

‘Seriously though, I think the cowards are the one over there killing harmless little girls like you.’

Yuki Oyama is a sixteen-year-old schoolgirl in 1968. She’s living in New York City with her family, following a move due to her father’s work. She describes America as ‘an interruption’ in her parent’s ‘Tokyo life’. While it might be a transitional period for them, Yuki knows little of Japanese customs and traditions so when her family return to Tokyo, she remains in NYC.

All year Yuki had felt like wet tarmac: sticky and stinking; but she didn’t want to dry, she wanted to crack open so her molten core spilled out fire.

Yuki lives with her schoolfriend, Odile, who she meets on the fire escape outside the girls’ toilets and Odile’s mother, Lillian Greychild, a romance writer. Odile has a wild streak which is both an attraction and a concern for Yuki. With Odile she has her first drink, bought for her by a man in a bar. Odile spends more and more time with men as her modelling career begins to take off and Yuki is left behind. As well as dealing with Odile’s absences, Lillian’s love life invades the flat in the form of Lou, her reporter boyfriend.

Slam – a noise like a fly being smashed. Before Yuki could look up, another thwack. Lillian yelped, and there was the heavy noise of a body falling. Leather hissed against wood. By the time Yuki’s eyes had focused, Lillian was sitting on the floor, touching her jaw.

Despite Lou’s violent behaviour, Yuki takes a job as a receptionist at the paper he works on and eventually ends up in a relationship with Lou herself.

Amongst all of this, Yuki’s desire is to be an artist. She takes classes and attempts to organise exhibitions of her work, although Lou and his writer friends rarely take her ambition seriously.

Told parallel to Yuki’s late 1960s/early 1970s story is that of Jay, her son, in 2016. We know Yuki left Jay’s father to bring him up and that Jay hasn’t seen her since he was as a baby. It’s his job to deliver the deeds to the house he grew up in, the house his father has left to Yuki.

Jay’s story is told in a relatively short space but has an interesting trajectory. His wife’s recently given birth to a daughter but Jay’s rejected her as far as he can whilst continuing to live in the same apartment.

The baby didn’t look like me, or my wife, or anyone I knew. It looked like a bag of veins. In my arms, I held this beating, bloated heart. ‘She has your eyes.’ I had my mother’s. Was it also genetic, the twitching I felt in my hands, and the great desire to just let go?

Buchanan lays several threads for the reader to follow through the story: who’s Jay’s father? How will the meeting between Jay and Yuki go? Will Jay return home and become a good father? Has Yuki been successful as an artist?

The novel considers how difficult it is to be seen as an artist when you’re a Japanese American woman. There are several mentions of Yoko Ono but often in the context of John Lennon; we know it was years before Ono was taken even slightly seriously as an artist. The core of the story though is what a patriarchal society expects women to endure: the behaviour we tolerate, the restrictions that are placed on us.

Harmless Like You is a thoughtful novel, beautifully written. It deserves the many prize listings it’s garnered since publication.

In the Media, January 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Image by Abigail Grey Swartz

Where is there to start other than with articles about the new American regime?

On the Women’s March:

• Paula Akpan, ‘Women’s March and the Selective Memory of Mainstream Feminism‘ on Galdem
• Ijeoma Oluo, ‘When You Brag That The Women’s Marches Were Nonviolent‘ on The Establishment
• Ashley Weatherford, ‘What Does It Take to Make You March?‘ on The Cut
• Kara Brown, ‘I Want to Trust the Women’s Marchers‘ on Jezebel
• Stephanie Boland, ‘What will happen to women’s rights now that Donald Trump is President?‘ in The New Statesman
• Zoë Beaty, ‘Why are we still so surprised when men stand up for women’s rights?‘ on The Pool
• Josephine Livingstone, ‘The Problem With “Pussy”‘ on New Republic
• Janet Mock’s Speech on The Cut
• Gaby Hinsliff, ‘How Susanna and Piers came to represent reason versus populism‘ on The Pool
• Sady Doyle, ‘The March Was Flawed and Messy and Glorious‘ in Elle
• Ann Friedman, ‘Was This Your First March? Don’t Stop Now.‘ on The Cut
• Rebecca Traister, ‘The Future of the Left Is Female‘ on The Cut
• Bim Adewunmi, ‘The Road Women Marched On This Weekend Was Paved By Black Resistance‘ on Buzzfeed
• Vonny Moyes, ‘Why do we still march, you ask? Because there’s still work to do‘ in The National
• Zoe Williams, ‘Memo to Piers Morgan: Why do we march? It’s not just protest, it’s about love‘ in The Guardian
• Jia Tolentino, ‘The Radical Possibility of The Women’s March‘ in The New Yorker
• Angela Davis’ Speech on Elle
• Megan Garber, ‘The Inauguration, and the Counter-Inauguration‘ on The Atlantic
• Eve Ensler, ‘The Women’s March heralds a renaissance of resistance‘ in The Guardian
• Rebecca Traister, ‘The Complicated, Controversial, Historic, Inspiring Women’s March‘ in The Cut
• Poorna Bell, ‘As A Woman Of Colour, This Is What Women’s March London Means To Me‘ on Huffington Post
• Lauren Elkin, ‘When women march, they are seen. And they are heard‘ on The Pool
• Heidi Mitchell, ‘I’m Anti-Trump, But I Refuse to March‘ in The Cut
• Ann Friedman, ‘A March Can Change Your Life‘ in The Cut
• Linda Sarsour, ‘#WhyIMarch‘ on Women’s Media Centre

On Melania:

• Megan Garber, ‘On Pitying Melania‘ on The Atlantic
• Jess Zimmerman, ‘Compassion for Melania Is Misguided — But It Isn’t Wrong‘ on The Cut
• Roxana Robinson, ‘Donald Trump: Making the Word ‘Pussy’ Great Again, Bigly‘ on Literary Hub
• Marisa Bate, ‘Should we feel sorry for Melania Trump?‘ on The Pool

On American society under Trump:

• Camille Dungy, ‘Unwelcome in My Country, Unwelcome in My Church‘ on Literary Hub
• Mehrsa Baradaran, ‘I Was a “Terrorist Country” Refugee Who’d Grown Up Shouting “Death to America.” America Trusted Me Anyway.‘ on Slate
• Andrea Pitzer, ‘What We Get Wrong About Hannah Arendt‘ on Longreads
• Lee Matalone, ‘R.I.P. #8: Inauguration Day‘ on The Rumpus
• Rebecca Traister, ‘Fake News, Fake Science and Why Doctors Lie About Abortion‘ on The Cut
• Tyrese Coleman, ‘How I Lost My Hometown‘ on Catapult
• Marilynne Robinson, ‘With President Trump, American democracy faces its greatest test‘ in The Guardian
• Yaa Gyasi, ‘Why the next four years will be a test for all of us‘ in The Guardian
• Katie MacBride, ‘Why Today Feels Like Grieving The Loss Of A Loved One‘ on The Establishment
• Lisa Ko, ‘20 Lessons on How to Be American‘ on The Offing
• June Eric-Udorie, ‘Nobody can inspire like Michelle Obama can inspire‘ on The Pool
• Ann Patchett, ‘Barack Obama, Our President of Love‘ in Time
• Alana Semuels, ‘Do Regulations Really Kill Jobs?‘ on The Atlantic
• Kathryn VanArendonk, ‘Why You Should Watch Donald Trump’s Inauguration‘ on Vulture
• Allison Robicelli, ‘I Work in the Restaurant Industry. Obamacare Saved My Family’s Life.‘ on Eater
• Sady Doyle, ‘It’s Time to Take Sexism Seriously as a Political Force‘ in Elle
• Emily Ladau, ‘I’m A Disabled Woman Who’s NOT Celebrating Meryl Streep’s Golden Globes Speech‘ on The Establishment
• Gaby Hinsliff, ‘Meryl Streep’s anti-Trump speech is brave and brilliant in the face of intimidation ‘ on The Pool
• Rebecca Traister, ‘WARNING: Abortion’s Deadly DIY Past Could Soon Become Its Future‘ in The Cut

On Trump:

• Niamh Ní Mhaoileoin, ‘Like any woman working with a misogynist, Theresa May should call out Donald Trump’s sexism‘ in The New Statesman
• Adrienne Lafrance, ‘Calling Out a Presidential Lie‘ in The Atlantic
• Laurie Penny, ‘Searching for Time-Travelers on the Eve of the Trump Inauguration‘ on Pacific Standard
• Olga Kazan, ‘How to Overcome Political Irrationality About Facts‘ on The Atlantic
• Ruby Lott-Lavigna, ‘What does it mean for a leader when their entire country’s music culture rejects them?‘ in The New Statesman
• Jill Abramson, ‘‘Alternative facts’ are just lies, whatever Kellyanne Conway claims‘ in The Guardian
• Robin Wright, ‘Trump’s Vainglorious Affront to the C.I.A.‘ in The New Yorker
• Molly Crabapple, ‘Trump’s here. We have four years to write a better story‘ in The Guardian
• Helen Lewis, ‘Stop saying identity politics caused Trump‘ in The New Statesman
• Sara Nović, ‘Rhyme & Reason: Sign Language’s Anti-Authoritarian Streak‘ in Blunderbuss
• Molly Ball, ‘Welcome to the Trump Presidency‘ on The Atlantic
• Mona Eltahawy, ‘Welcome to a new era of politically sanctioned patriarchy‘ in The Guardian
• Sabine Heinlein, ‘A Prisoner’s View of the Trump Administration‘ on Literary Hub
• Amanda Hess, ‘Trump, Twitter and the Art of His Deal‘ in The New York Times
• Rebecca Solnit, ‘From Lying to Leering‘ in The LRB
• Dani Garavelli, ‘May caught in Trump’s post-truth trap‘ in The Scotsman

The best of the rest:

On or about books/writers/language:

• Roxane Gay, ‘On Empathy, Race, and the Work of Alice Childress‘ on Literary Hub
• Sarah Perry, ‘‘I was weak, despairing, confused’: did writing a novel make me ill?‘ in The Guardian
• Sheila Kohler, ‘After losing my sister to a violent death, I turned to the solace of writing‘ on The Pool
• Lyz Lenz, ‘Taking a Stand with Roxane‘ on The Rumpus
• Julie Scelfo, ‘How Clara Hale and Audre Lorde Helped to Make New York‘ on Literary Hub
• Mariah Stovall, ‘On Falling Out of Love with Punk (and in Love with Books)‘ on Literary Hub
• Manjula Martin, ‘Against Fame: On Publishing, Popularity, and Ambition‘ on Catapult
• Melissa Febos, ‘The Heart-Work: Writing About Trauma as a Subversive Act‘ on Poets & Writers
• Adelia Saunders, ‘The Power and Politics of Language, from Oppressor to Oppressed‘ on Literary Hub
• Ottessa Moshfegh, ‘Finding Meaning in Going Nowhere‘ on The Atlantic
• Amanda Coe, ‘The Body in the Frame‘ on Huffington Post
• Sarah Hughes, ‘People, the final frontier: how sci-fi is taking on the human condition‘ in The Guardian
• ‘Meet the new faces of fiction for 2017‘ in The Guardian
• Clare Thorp, ‘Why we still need bookshops – in 2017 and always‘ on The Pool
• Diana Athill,’on Molly Keane: ‘I admired many authors. But Molly, I loved’‘ in The Guardian
• Janine Mikosza, ‘How Not to Speak Polish: On Language, Pain and (Not) Writing Memoir‘ on Electric Literature
• Christina Sharpe, ‘The Weather‘ on The New Enquiry
• Teow Lim Goh, ‘Tenacity, the Key to the Writing Life‘ on Literary Hub
• Danuta Keen, ‘The Da Vinci Code code: what’s the formula for a bestselling book?‘ in The Guardian
• Samantha Ellis, ‘How sibling rivalry made Anne the ‘neglected’ Brontë‘ on Penguin
• Anna Mazzola, ‘Bad Women: Do We Still Demonise Female Offenders?‘ on The Platform
• Emma Flint, ‘What makes the ‘perfect’ murder?‘ on PanMacmillan
• Alana Massey, ‘The Unbearable Niceness of Being‘ on Literary Hub
• Elizabeth Day, ‘Reading about nature is pure comfort when the world is full of chaos‘ on The Pool
• Emily Temple, ‘A Brief Survey of the Great American Novel(s)‘ on Literary Hub
• Lucy Worsley, ‘Jane Austen at 200: still a friend and a stranger‘ in The Guardian
• Tessa Hadley, ‘Some of my best ideas come in the bath’ in The Guardian
• Joanne Harris, ‘On Ghostwriting, Celebrity and That Guardian Review.‘ on her blog
• Susanna Rustin, ‘Winifred Holtby: author, feminist, campaigner‘ in The Guardian
• Katherine Arden, ‘on the landscape that inspired The Bear and the Nightingale‘ on Penguin
• Cathy Rentzenbrink, ‘Reading Lives‘ on International Literature Showcase
• Ruth Graham, ‘Why This Norwegian Novelist Should Be the Next Elena Ferrante‘ on Slate
• Eimear McBride, ‘The problems with erotica‘ in The New Statesman
• Samantha Ellis, ‘The Brontës’ very real and raw Irish roots‘ in The Irish Times
• Samantha Ellis, ‘The Brontës and Hester Chapone‘ on Brontë Blog
• Min Jin Lee, ‘On Selling Your First Novel After 11 Years‘ on Literary Hub
• Fiona Macdonald, ‘The Racy Side of Jane Austen‘ on The BBC
• Katherine Cowdrey, ‘Khorsandi withdrew from Jhalak Prize for fear of ‘alienating’ audience‘ in The Bookseller
• Noo Saro-Wiwa, ‘Playboy cars and pentecostal stars‘ in The TLS
• Emma Geen, ‘The Unbearable Lightness of ‘Being an Author’‘ on her blog
• Samantha Ellis, ‘Where are all the heroine mothers in fiction?‘ on The Pool
• Emily Gould, ‘Most Women In Publishing Don’t Have The Luxury Of Being Unlikable‘ on Buzzfeed

Personal essays/memoir:

• Evelyn Hampton, ‘Weightlessness‘ on Catapult
• Susan C. Ryan, ‘A Disaster Not to Be Found: On Survival (and Ultrasounds)‘ on Catapult
• Linda Chavers, ‘Fluids‘ on The Rumpus
• Porochista Khakpour, ‘Portrait of the Artist as a Debut Novelist‘ on Literary Hub
• Caroline O’Donoghue, ‘The pros and cons of growing up in a Naked House‘ in The Pool
• Jennifer Maritza McCauley, ‘But There Is Also Rosa‘ on Passages North
• Enuma Okoro, ‘This is your morning‘ on Aeon
• D.M. Moehrle, ‘Womanly Arts‘ on The Rumpus
• Leia Menlove, ‘Drowning Little Things‘ on Catapult
• Zara Rahmen, ‘Close Calls‘ on Real Life
• Anjali Enjeti, ‘Drinking Chai to Savannah: Reflections on Identity, Inclusion and Power in the South‘ on Longreads
• Hermoine Holby, ‘rediscovering 60s ye-ye icon françoise hardy in the 90s‘ in i-D
• Noël Duan, ‘Beauty Shopping With My Mother, a Former Cultural Revolution Red Guard‘ on Racked
• Jody Allard, ‘Why I’ve Given Up On Being Healthy‘ on Buzzfeed
• Monica Uszerowicz, ‘Survivor Syndrome; or, Snacking While Jewish‘ on Avidly
• Angela Chen, ‘Why I No Longer Make Predictions‘ on Catapult
• Robyn Wilder, ‘My husband is the better parent – and it rankles‘ on The Pool
• Alice Jolly, ‘Donor siblings: do the ties of blood matter?‘ in The Guardian
• Lauren Alwan, ‘Arab Past, American Present: My Family’s Invisible History‘ on Catapult
• Laura Michele Diener, ‘Late Afternoon with Shadows Lengthening‘ on Numéro Cinq
• Laurie Frankel, ‘How do grandparents respond when their grandson becomes a granddaughter?‘ on The Pool
• Kathleen Alcott, ‘‘Restaurants have taught me who I am’‘ in The Guardian
• Charlotte Shane, ‘When Desire Goes Dark‘ on Hazlitt
• Nicky Loomis, ‘Pinecone Man‘ on Catapult
• D.S. ‘On Faith and Sexuality‘ on Dardishi
• Jamila Osman, ‘A Map of Lost Things: On Family, Grief, and the Meaning of Home‘ on Catapult
• Alexandra Heminsley, ‘The emotional challenges of IVF, and how one woman found solace in the sea‘ on The Pool
• Rowan Hisayo Buchanan, ‘The Woman Scared of Her Own Kimono‘ on Catapult
• Laura Goode, ‘Against Confession: On Intersectional Feminism, Radical Catholicism, and Redefining Remorse‘ on Longreads
• Isabel Hardman, ‘When my mind stopped working, I realised just how badly we treat mental health‘ in The Telegraph
• Anne Helen Peterson, ‘Living In The Beautiful Bubble Of The Not-Quite Internet‘ on Buzzfeed
• Alexandra Heminsley, ‘My swimming odyssey: ‘It felt like a last chance to prove what I was capable of’‘ in The Guardian

Feminism:

• Jessye McGarry, ‘Why I’m Waiting for The Right Man to Tell Me I Should Read ‘Infinite Jest’‘ on Reductress
• Diane Shipley, ‘The sexist reality of being a woman with M.E.‘ on The Pool
• Moira Weigel, ‘How Ultrasound Became Political‘ on The Atlantic
• J.C. Pan, ‘Love’s Labor Earned‘ on Dissent
• Gaby Hinsliff, ‘Older motherhood offers women the ultimate in having it all‘ in The Guardian
• Rachel Monroe, ‘Sexual Assault in the Amazon‘ in The Cut
• Jen Palmares Meadows, ‘We Be Bleeding‘ on The Rumpus
• Sophie Wilkinson, ‘These Women Were all Prescribed the Pill – None of Them Needed it for Contraception‘ on The Debrief
• Clare Vaye Watkins, ‘A Trip of One’s Own‘ in New Republic
• Daisy Buchanan, ‘Media mockery of sex workers creates dangerous conditions for women‘ on The Pool
• Daisy Buchanan, ‘Casey Affleck’s Golden Globes win shows Hollywood’s double standard in action‘ on The Pool
• Meena Kandasamy, ‘Bengaluru attacks: Misogyny by night and day‘ on Aljazeera
• Lucy Rycroft-Swift, ‘I wore men’s clothes for a month – and it changed my life‘ on The F Word
• Connie Kuhns, ‘Strange Women‘ on Geist

Society and Politics:

• Kathryn Hughes, ‘Embarrassing bodies: what did the Victorians have to hide?‘ in The Guardian
• Amelia Tait, ‘The myth of Generation Snowflake: how did “sensitive” become a dirty word?‘ in The New Statesman
• Michele Kirsch, ‘My life as a cleaner in London‘ in The Independent
• Julie Beck, ‘Does Corruption Happen Slowly, or All at Once?‘ on The Atlantic
• Tahmina Begum, ‘You Talk Like a White Girl‘ on gal-dem
• Amelia Tait, ‘The best days of the internet are over – now our privacy will suffer‘ in The New Statesman
• Deafinitely Girly, ‘Deaf Girly and the Gap advert‘ on her blog
• Ruby Tandoh, ‘Bad fad – on how clean eating turned toxic‘ in The Guardian
• Vanessa Hua, ‘You might be thinking of someone else?‘ in The San Francisco Chronicle
• Ijeoma Oluo, ‘The Exploitation Of Martin Luther King Jr.’s Legacy By White Supremacy‘ on The Establishment
• L.A. Kauffman, ‘In 1971, the People Didn’t Just March on Washington — They Shut It Down‘ on Longreads
• Brooke Jarvis, ‘Who Decides Who Counts as Native American?‘ in The New York Times
• Clare Chambers, ‘Time to abandon marriage?‘ in The TLS
• Jennifer Young, ‘Peetskill Blues‘ on Hazlitt
• Toni Jensen, ‘Women in the Fracklands: On Water, Land, Bodies, and Standing Rock‘ on Catapult
• Morgan Jerkins, ‘In Search of Black Atlantis‘ on Hazlitt
• Melinda Wenner Moyer, ‘A bug for Alzheimer’s?‘ on Aeon
• Carly Silver, ‘How Ancient Cure-Alls Paved the Way for Drug Regulation‘ on The Atlantic
• Laurie Shrage, ‘We need a contract for co-parenting, not just for marriage‘ on Aeon
• Rachel Aviv, ‘How Albert Woodfox Survived Solitary‘ in The New Yorker
• Jo Marchant, ‘This 3,500-Year-Old Greek Tomb Upended What We Thought We Knew About the Roots of Western Civilization‘ on Smithsonian
• Kathleen Hale, ‘Murder on Union Hill Road‘ on Hazlitt

Film, Television, Music, Art, Fashion and Sport:

• Emily Yahr, ‘From guilty pleasure to Emmy Awards: The delightfully weird history of Lifetime movies‘ in The Washington Post
• Victoria Coren Mitchell, ‘I’m so glad to spoil this film for you‘ in The Guardian
• Frances Katz, ‘Is Your TV Turned On? True Stories from the Cable Trenches‘ on Catapult
• Limara Salt, ‘Why are interracial relationships so rare in film?‘ on The Pool
• Helena Fitzgerald, ‘Bruce Springsteen: The Ultimate Dad‘ on The Catapult

The interviews/profiles:

• Alexandra Kleeman on Bookanista in The Guardian
• Janie Chang and Shilpi Gowda on Literary Hub
• Cat Marnell in The Cut
• Roxane Gay in The New York Times and Vogue 
• Sarah Pinborough in The Bookseller
• Joyce Carol Oates in The TLS
• Elizabeth Hand on Literary Hub
• Anne Applebaum on Spiegel
• Vic James on Reader Dad
• Yaa Gyasi in The Bookseller and The Guardian
• Claudia Rankine in The New Yorker
• Fiona Melrose on The Writes of Woman
• Kathleen Rooney on Literary Hub
• Mary Miller on Electric Literature
• Ayelet Waldman in The New York Times
• Bernadine Evaristo on the British Council
• Katherine Rooney on Electric Literature
• Erica Ferencik on Electric Literature
• Tara Betts on The Rumpus
• Ottessa Moshfegh on The Fanzine
• Elif Batuman in The New Yorker
• Xiaolu Guo in The Guardian
• Lucy Jane Bledsoe on The Rumpus
• Emma Flint on Foyles and in The Bookseller
• Deborah Lipstadt in The Guardian
• Mary Karr on Lenny
• Jo Mazelis on Alephi
• Jhumpa Lahiri on Medium
• Lindsey Lee Johnson on Electric Literature

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub