Sarah Crompton | The Writes of Womxn

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

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On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

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