Book Lists for All Humans #1

This morning, the Independent ran a book list, ‘13 books everyone should read‘. It popped up on my Twitter feed when someone I follow (a white male) tweeted it with the words, ’13/13 men, 13/13 white. Seriously?’ Clicking the link led to the discovery that the list was voted for by reddit users. My only surprise on discovering this was that House of Leaves wasn’t one of the books on the list.

What isn’t a surprise though is that yet another book list is all-male and all-white. It happens a lot in the media. Last year I got into a debate on Twitter as to whether those writers who selected 10 books related to whichever subject their latest work is on for The Guardian should be given guidelines stating/advising/suggesting they consider a diverse list. Someone (a white male) argued that because they were personal choices they should be allowed to reflect that person’s taste. A point that would be perfectly valid if structural inequality didn’t exist and the majority of people writing these lists weren’t white. At that time, Sarah Jasmon, author of The Summer of Secrets, counteracted the largely male, all-white, list of Top Ten Summers in Fiction.

I’ve long been riled by this situation: when I used to include lists in In the Media, I spent a disproportionate amount of time checking whether the lists were gender balanced. Most were not. Include the balance of white to brown writers and there would’ve been barely any lists left. Every time one appears, I think I should counteract it with an all-female list of writers of a variety of skin tones and today I’m riled enough that I’m doing just that.

Welcome to the first in a series! Here’s my take on 13 Books Everyone Should Read. I’m aware there’s many more I could’ve chosen so please, leave your suggestions in the comments. I’m hoping this will become an series of excellent crowdsourced book recommendations. Then, maybe, the media might just have a word with itself and compile lists reflective of the actual world rather than its own narrow one.

Citizen – Claudia Rankine

To the Lighthouse – Virginia Woolf

The Bluest Eye – Toni Morrison

Wuthering Heights – Emily Bronté

Americanah – Chimimanda Ngozi Adichie

The Handmaid’s Tale – Margaret Atwood

Human Acts – Han Kang (translated by Deborah Smith)

The Bloody Chamber – Angela Carter

Quicksand and Passing – Nella Larsen

Geek Love – Katherine Dunn

Push – Sapphire

I Love Dick – Chris Kraus

Trumpet – Jackie Kay

(Links are to my reviews.)

This Must Be the Place – Maggie O’Farrell

This Must Be the Place is Maggie O’Farrell’s most ambitious novel to date, moving around the world and through a cast of characters. At its centre though is the marriage of Claudette and Daniel.

The novel begins in 2010 with a man standing at the perimeter of the garden. As Daniel spots him and considers how quickly he can get to Claudette and their children, if necessary, Claudette comes around the side of the house, baby on her back, brandishing a shotgun. She fires two shots and the man leaves. It’s revealed in the first section of the novel that this isn’t as crazy as it seems: Claudette was a famous film star who faked her death and the death of her son and bought a house in rural Donegal which isn’t on the map, can’t be seen from the road and requires you to pass through twelve gates to get to it. In the circumstances, the idea that someone might have found her when she doesn’t want them to seems fairly plausible.

To apply the word ‘famous’ to her wouldn’t be entirely accurate. Fame is what she’d had before she’d done what she did; what came afterwards went beyond into a kind of gilded, deified sphere of notoriety. These days, she was known less for her films than for having vanished right at the height of her career. Poof. Ta-da. Just like that. Thereby making herself into one of the most speculated-about enigmas of our time.

Daniel is a linguist, currently teaching at the university in Belfast. He’s about to go to work to deliver a lecture and then travel on a flight to New York City, to his father’s 90^th birthday party in Brooklyn. In the car on the way through the gates from the house to the road, Daniel hears a section of a BBC radio programme on gender and the workplace. An interview plays and he recognises the voice: Nicola Janks, a woman he knew back in the 1980s. When the clip ends, the presenter ‘intones’ that Janks died not long after the interview, a piece of news that is new to Daniel. The significance of this and the impact it will have on his marriage to Claudette is slowly revealed throughout the novel. It also leads Daniel to this revelation before he leaves Belfast:

…my life has been a series of elisions, cover-ups, dropped stitches in knitting. To all appearances, I am a husband, a father, a teacher, a citizen, but when tilted towards the light I become a deserter, a sham, a killer, a thief. On the surface I am one thing but underneath I am riddled with holes and caverns, like a limestone landscape.

The novel contains themes that will be familiar to O’Farrell’s regular readers – loss; the big secret that returns to haunt; relationships, both romantic and familial – but what is different is the way the novel is structured.

This Must Be the Place moves through time, place and character in a non-liner structure. This means we get a chapter told from Daniel’s first person point-of-view in Donegal in 2010, followed by one from Claudette’s point-of-view told in first person plural and second person in London in 1989, followed by third person subjective with Niall, Daniel’s son from his first marriage, in San Francisco in 1999 and so on. Most of the characters get a chapter, only a few have their perspective returned to. This type of structure can be done well, Trumpet by Jackie Kay or Like a Mule Bringing Ice Cream to the Sun by Sarah Ladipo Manyika, for instance. However, the problem with structuring a novel in this way is that you risk alienating the reader. There was a point when I grew weary of being jolted to yet another alien point-of-view, disorientated and trying to grasp on to something that would tell me who this person was (I read it in under 24 hours and I still couldn’t keep the cast of characters in my head). Having said that, some unexpectedly beautiful pieces come out of this structure: the chapter from Teresa, Daniel’s mother’s perspective is heart-breaking but done with subtlety and quiet restraint; Rosalind, a stranger Daniel meets on safari, has an interesting story with parallels to Daniel’s own, and there’s a sharp and funny encounter between Claudette’s son, Ari, and a school counsellor.

What makes the novel work is the various aspects of Claudette and Daniel we become privy to, whether through their own actions or the perspectives of others. Both have fascinating back-stories which offer a complex picture of who they are and who they might be together.

This Must Be the Place is an interesting novel. There are moments where it sings and moments of disorientation. I admire O’Farrell’s ambition and her characterisation is superb. I suspect whether you love the book or not will depend on your reaction to its structure.

 

Thanks to Tinder Press for the review copy.

In the Media: March 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

The Bailey’s Women’s Prize for Fiction longlist was announced this fortnight. While former winner, Lionel Shriver declared ‘Women’s literary prizes are ‘problematic’‘.

And the Wellcome Book Prize announced their shortlist with four (out of six) female writers on it, as did the YA Book Prize with eight women writers on its ten book shortlist.

Elena Ferrante is hot news in the literary world once again after Corriere della Sera published an article in which Marco Santagata claimed to know her identity. Rachel Donadio wrote, ‘Who Is Elena Ferrante? An Educated Guess Causes a Stir‘ in The New York Times; Jonathan Sturgeon said, ‘We Already Know the Identity of Elena Ferrante‘ on Flavorwire; Lincoln Michel asked, ‘Why Do We Care Who the “Real” Elena Ferrante Is?‘ on Electric Literature; Stassa Edwards asked, ‘What’s Really Behind Our Obsession Over Unmasking Elena Ferrante?‘ on Jezebel; John Dugdale wrote, ‘Will Elena Ferrante outlast Louisa May Alcott’s secret alter ego?‘ in The Guardian, and Jessica Roy declared, ‘Leave Elena Ferrante Alone‘ in The Cut.

Anita Brookner died. Rebecca Hawkes wrote her obituary while Linda Grant wrote, ‘Why Anita Brookner’s funny, sharp novels got under your skin‘ both in The Telegraph.

The best of the rest:

On or about books/writers/language:

• Kevin McKenna, ‘Jackie Kay: Scotland’s poet of the people‘ in The Observer
• Elissa Washuta, ‘They Just Dig: On Writing, Coal Mining and Fear‘ on Literary Hub
• Louise Beech, ‘On Life Writing‘ on Women Writers, Women’s Books
• Rachel Kessler, ‘When the Apocalypse Is Your Religion‘ on Literary Hub
• Michelle Dean, ‘Why You Should Watch the New Nora Ephron Documentary‘ on Literary Hub
• Laura June, ‘Charlotte Brontë and her Best Friend’s Broken Promise‘ on Jezebel
• Meaghan O’Connell, ‘The Patronizing Questions We Ask Women Who Write‘ in The Cut
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• M Lynx Qualey, ‘In the Race for Literary Prizes, Is Gender Parity Possible?‘ in The National
• Fiona Noble, ‘YA and children’s books deserve to be judged separately‘ in The Bookseller
• Mimi Wong, ‘Slut Lit & Dismantling “The Fallen Woman”‘ on The Offing
• Boris Kachka, ‘A First-Time Novelist’s 7-Figure Midlife Breakthrough‘ on Vulture
• Claire Armistead, ‘Happiness to mindfulness, via wellbeing: how publishing trends grow‘ in The Guardian
• Jerome Charyn, ‘A Loaded Gun: The Real Emily Dickinson‘ on Longreads
• Belinda McKeon, ‘Dipping the Pen Nib Into Tragedy‘ on Catapult
• Emily Foster, ‘The Monster in the Mirror: On Horror, Disability, and Loving Both at Once‘ on Tor.Com
• Ilana Masad, ‘The First Unappreciated Woman Writer‘ on Broadly
• Sarah Blake, ‘Men Explain Submissions to Me‘ on The Rumpus

• Rosalie Knecht, ‘This Writer: On Social Work and Fiction‘ on Literary Hub
• Doris Grumbach, ‘A Life in Letters: From the New Republic to Iowa to Knopf‘ on Literary Hub
• Elizabeth Zaleski, ‘Other Writers’ Mothers: Some Reflections on Representing Family‘ on Vida
• Tracy Chevalier, ‘Past President of the Laura Ingalls Wilder Club‘ on Literary Hub
• Sara Nović ‘Sign of the Times‘ in Guernica
• Maddie Crum ‘Unhappily Ever After: How Women Became Seen Not Heard in Our Favourite Fairy Tales‘ on the Huffington Post
• Corrine Duyvis, ‘Fiction, like life, tells disabled people their lives have less value‘ in The Guardian
• Lisa McInerney, ‘Write what you know? Know what you write? I’d rather wing it, thanks‘ in The Irish Times
• Julia Pierpoint, ‘Topography of a novel: on how she wrote Among the Ten Thousand Things‘ in The Guardian
• Valerie Grove, ‘Margaret Forster: A northern lass in NW5‘ in The New Statesman
• Margaret Drabble, ‘My Hero: Elena Ferrante‘ in The Guardian
• Deborah Smith, ‘Only wilful disregard can hide the need to publish more women‘ in The Guardian
• Elisa Gabbert, ‘Can Ideas Withstand Shifts in Language?‘ in Guernica
• Pico Iyer, ‘On Annie Dillard‘ on Literary Hub
• Katy Derbyshire, ‘Translated fiction by women must stop being a minority in a minority‘ in The Guardian
• Summer Brennan, ‘The Things We Do to Promote the Books We Write‘ on Literary Hub
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Caroline Criado Perez, ‘“Publishing is a women’s world”: Gender inequality in the writing industry‘ on Scottish Pen
• Christina Wodtke, ‘It’s Not Easy Being She‘ on Medium
• Anne Boyd Rioux, ‘Constance Fenimore Woolson: The Forgotten Author Who Inspired Henry James‘ on The Daily Beast

Personal essays/memoir:

• Julienne Grey, ‘What We Remember: One Small Act Replaces the Rest‘ on Electric Literature
• Jess E. Jellsma, ‘Frigid‘ on The Rumpus
• Alison Motluk, ‘A Journey to the Medical Netherworld‘ On Hazlitt
• Kathleen Hale, ‘Surviving the Love Bomb‘ on Hazlitt
• Janice Lee, ‘I Can’t Go On / I’ll Go On‘ on Berfrois
• Kaitlyn Greenidge, ‘I Found My Father’s Eulogy In Junk Food‘ on Buzzfeed
• Alana Massey, ‘First the Breakup. Then the Screenshots.‘ in The Cut
• Anakana Schofield, ‘Bold, Open-Minded and Entrepreneurial‘ on the LRB Blog
• Chelsea G. Summers, ‘The Half Dad‘ on Catapult
• Sarah Menkedick, ‘One Afternoon in Texas‘ on Vela
• Arial Gore, ‘Blood-Red Bougainvillea‘ on The Rumpus
• Ann Patchett, ‘That Family Party Everyone Hated? It Was Mine.‘ in The New York Times
• Jessica Silvester, ‘On an Italian Island, How He Met My Mother‘ in The New York Times
• Jasmine Sanders, ‘Mama‘ on Catapult
• Michelle Levitt, ‘Buckle and Sway‘ on Catapult
• Sarah Menkedick, ‘Everyday Geography‘ on Vela
• Naomi Gordon-Loeb, ‘Even Lumberjacks Deserve Lotion: Gender in the Locker Room‘ on The Toast

Feminism:

• Helen Walmsley-Johnson, ‘How we think about women and shame‘ in The New Statesman
• Sarah Ditum, ‘A Woman’s Body Is Not a Disgrace‘ in The New Statesman
• Marie Phillips, ‘What would the world look like if men took the pill?‘ in The Pool
• Caitlin Moran,“You were not born scared and self-loathing” in Stylist
• Em LaFave Olson, ‘Why I’m Returning to My Maiden Name‘ on Medium
• Caitlin Moran, ‘I’m sticking my neck out‘ on Adelaide Now
• Rachel Pashley, ‘We’ve placed motherhood on such a high pedestal we’ve forgotten the huge pros of being a child-free woman‘ in The Independent
• Fiammata Rocco, ‘Fiction at its Finest‘ in The Bookseller
• Emer O’Toole, ‘Three ways for feminists to cope with the abuse we face‘ in The Irish Times

Society and Politics:

• Eternity Martis, ‘What It Was Like to Grow Up Fat‘ on Vice
• Olga Khazan, ‘Lean In to Crying at Work‘ in The Cut
• Katy Derbyshire, ‘Berlin, It’s Not Sex All the Time‘ on Literary Hub
• Alena Gradon, ‘Distant Brains‘ in Guernica
• Rukmini Callimachi, ‘To Maintain Supply of Sex Slaves, ISIS Pushes Birth Control‘ in The New York Times
• Chimamanda Adichie. ‘Why can’t he just be like everyone else?‘ on The Scoop
• Erin Allday, ‘Last Men Standing‘ in the San Francisco Chronicle
• Suki Kim, ‘Mr. Rubio’s Neighbourhood‘ in New Republic
• Amena Ziard, ‘There’s More to Saudi Arabia than the Ban on Women Driving‘ on Media Diversified

Film, Television, Music, Art, Fashion and Sport:

• Elizabeth Day, ‘Happy Valley: female solidarity is stronger than male exploitation‘ on The Pool
• Sara Baume, ‘How to Understand America, One Pattern at a Time‘ on Literary Hub
• Sonia Saraiya, ‘“The Bachelor” is still for white people: A sour fairy tale, fed to millions, that keeps prizing whiteness above all‘ on Salon
• Rosalind Jana, ‘Mark My Words: The Subversive History of Women Using Thread as Ink‘ on Broadly
• Emma Dabiri, ‘Why Zoe Saldana was the wrong black woman to play Nina Simone‘ in The Telegraph

The interviews:

• L.S. Hilton on The Debrief and The Pool
• Deborah Levy in The Guardian
• Cynthia Cruz in Maenad Magazine
• Gillian Slovo in The Independent
• Helen Macdonald in The Washington Post
• Lauren Groff on Longreads
• Rachel Kushner, Rivka Galchen (& Hari Kunzru) on Electric Literature
• Dana Spiotta on Electric Literature
• Morgan Jerkins on BlacQurl
• Joanna Walsh in The Gloss
• Sunny Singh in The TES
• Carol Lovekin on The Writes of Woman
• Sarayu Srivatsa on The Writes of Woman
• Antonia Honeywell on The Writes of Woman
• Sarah Howe in Neue Journal
• Danielle Dutton in The LA Times, in Bomb Magazine and 3am Magazine
• Melissa Broder in Elle
• Anna Moschovakis on Flavorwire
• Jessa Crispin on The Rumpus
• Samantha Hunt on Literary Hub
• Annie Proulx in The New Yorker
• Malorie Blackman in The Bookseller
• Victoria Aveyard in The Guardian
• Mary Oliver on Oprah
• Brooke Magnanti in The Guardian
• Meghan Daum on The Rumpus
• Cressida Cowell, Laura Dockrill (and Philip Ardagh) in The Guardian
• Melissa Harrison in The Herald
• Anne Boyd Rioux on History in the Margins
• Ottessa Moshfegh on Penguin
• Helen Oyeyemi on Broadly
• Annie Dillard on Literary Hub
• Joanna Cannon in Standard Issue
• L.A. Weatherly in The Guardian
• Anjali Joseph on The Asian Writer
• Cassandra Clare in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media, March 2016, part one

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

The best of the rest:

On or about books/writers/language:

• Eve Ainsworth, ‘Toxic love: YA’s bad boys need to stay between the covers‘ in The Guardian
• Hanya Yanagihara: ‘Don’t we read fiction exactly to be upset?’ in The Guardian
• Jessie Burton, ‘Success, Creativity and the Anxious Space‘ on her blog
• Claire Fuller, ‘Some things I’ve learned in my year of being published‘ on her blog
• Bree Crowder, ‘Four Young Adult Authors Share Why They Write Funny Books‘ on Bustle
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Deborah Moggagh, ‘Man Booker Prize has an unhealthy effect on the market, says author Deborah Moggagh‘ in The Independent
• Claire Fallon, ‘Our Favourite Children’s Books Are Super Problematic‘ on the Huffington Post
• Alison Flood, ‘Tessa Hadley among nine winners of surprise $150,000 literary awards‘ in The Guardian
• Sian Cain, ‘Toni Morrison wins PEN/Saul Bellow award for contribution to American fiction‘ in The Guardian
• Jo Hall, ‘If We Can Imagine Dragons: On Writing Non-Heterosexual Relationships in Fantasy‘ on Holdfast
• Alison Stine, ‘On Poverty‘ on Kenyon Review
• Joan Schenkar, ‘What Patricia Highsmith did for love: ‘The Price of Salt’ and the secrets behind ‘Carol’‘ in the Los Angeles Times
• Louise Walters, ‘I didn’t want to resort to self-publishing, but it’s an exhilarating change‘ in The Guardian
• Gaby Wood, ‘How Karl Ove Knausgaard and Elena Ferrante won us over‘ in The Telegraph
• Moira Redmond, ‘Leap year fear: a literary history of women proposing marriage‘ in The Guardian
• Katy Derbyshire, ‘Women in Translation: Why Does It Matter?‘ on Free Word
• Eva Jurczyk, ‘No More Books by Men‘ on The Awl
• Elizabeth Strassner, ‘How To Tell If You’re In a Flannery O’Connor Story‘ in The Toast
• Anne Boyd Rioux, ‘How to Make Sure Your Writing Is Forgotten‘ on The Rumpus
• Holly Williams, ‘From The Roaring Queen to Downton Abbey: the afterlives of Virginia Woolf‘ in the New Statesman
• Anna North, ‘What Publishing a Novel Taught Me About Life‘ on Waterstones’ Blog

• Kate Jenkins, ‘Harper Lee and the Myth of a Post-Racial America‘ on Literary Hub
• Sian Cain, ‘Fear of Flying still soars above tabloid outrage‘ in The Guardian
• Brigit Katz, ‘These forgotten female crime writers had no time for femme fatales or dowdy housewives‘ on Women in the World
• Idra Novey, ‘Writing While Translating‘ on Literary Hub
• Elizabeth Minkel, ‘Teen readers aren’t in crisis, they’re just making their own rules‘ in The Guardian
• Jaya Saxena, ‘I Know I Should Like Reading More But There Are Things About The Act Of Reading That Make It Very Difficult‘ in The Toast
• Deirdre Sullivan, ‘The seed of Needlework was anger, and I wanted it to feel raw’ in The Irish Times
• Jesmyn Ward remembers Harper Lee: ‘She saw and responded to the humanity of each and every one of us’ on Entertainment Weekly
• Vipash Bansal, ‘Remembering Octavia Butler: 1947-2006‘ on Media Diversified
• Chris Power, ‘A brief survey of the short story: Elizabeth Taylor‘ in The Guardian
• Brooke Magnanti, ‘Where are the normal women in fiction?‘ on One Book Lane
• Robin Stevens, ‘Boys could enjoy stories about girls, and vice versa – if only we’d let them‘ in The Guardian
• Chelsea G. Summers, ‘A History of Horny‘ on Hazlitt
• Brit Mandello, ‘Dear Joanna Russ: A Letter for an Inimitable Writer‘ on Tor.Com
• Sunny Singh, ‘Why set up a prize for writers of colour?‘ in The Bookseller
• Rory Samantha Green, ‘Born Lucky: my mum Jackie Collins and her wild child alter ego‘ in The Guardian
• Laura Barnett, ‘Finding ideas isn’t usually a problem‘ in The Guardian
• Joanna Cannon, ‘Mental illness is always a problem, so we will always need books about it‘ in The Guardian
• Jonathan Sturgeon, ‘The Paradoxical Legacy of Harper Lee‘ on Flavorwire
• Tricia Tongco, ‘Meet Faith, The Body-Positive Superhero Of Our Dreams‘ on the Huffington Post
• Melissa Harrison, ‘How cars ruined our love of the countryside‘ in The Guardian
• Shelley Harris, ‘The Secret Life of Mothers‘ on the WHSmith Blog
• Morgan Jerkins, ‘Black Women Writers and the Secret Space of Diaries‘ in The New Yorker

 

Personal essays/memoir:

• Esther Wang, ‘Watching And Reading About White People Having Sex Is My Escape‘ on Buzzfeed
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Georgina Kleege, ‘On Being Who I Am: My Life as a Tall Blind Woman‘ in The Toast
• Briallen Hopper, ‘Relying on Friendship in a World Made for Couples‘ in The Cut
• Sarah Resnick, ‘H‘ on n+1
• Rosalind Jana, ‘The One Piece Of Clothing That Makes Me Feel Extraordinarily Sexy‘ on Refinery 29
• Alana Massey, ‘Why I’m Buying a House Without a Family to Put in It‘ on The Cut
• Anna Holmes, ‘I Feel Destined to Be Single, and That’s Okay‘ on The Cut
• Kade Walker, ‘Veronica Dies in Jamaica‘ on The Rumpus
• Ellen Urbani, ‘There Is No Such Thing as a True Story‘ on The Rumpus

Feminism:

• Rebecca Traister, ‘The Single American Woman‘ in The Cut
• Aria Dean, ‘Closing the Loop‘ on The New Inquiry
• Eleanor Ross, ‘Why estate agent sexism could be costing you‘ on The Pool
• Gaby Hinsliff, ‘It’s the £30bn cut you’ve never heard of. And women are bearing the brunt‘ in The Guardian
• Ann Friedman, ‘So You’re a Celebrity Who Calls Yourself a Feminist. Now What?‘ in The Cut
• Linda Chavers, ‘To Black Girls Everywhere‘ on The Offing
• Caroline Paul, ‘Why Do We Teach Girls That It’s Cute to Be Scared?‘ in The New York Times

Society and Politics:

• Caitlin Moran, ‘How to start – and win – an argument online‘ in The Guardian
• Hadley Freeman, ‘So the privately educated are the new underclass? Spare me the sob story‘ in The Guardian
• Chimene Suleyman, ‘Trump has succeeded in an America that is already pre-disposed to racial suspicion‘ on Media Diversified
• Sarah Churchwell, ‘Hillary Clinton’s haters and the glass ceiling of American politics‘ in the New Statesman
• Molly Crabapple, ‘What Life Is Like Inside the Besieged, War-Torn Syrian City of Aleppo‘ on Vice
• Julia Lee, ‘When People of Color Are Discouraged From Going Into the Arts‘ in The Atlantic
• Dorothy Cummings McLean, ‘Marriage Is an Accomplishment‘ on Quadrapheme
• Kate Spicer, ‘Does where you go to school affect your ability to succeed?‘ on The Pool
• Jamilah King, ‘How Black Women Like Me Reckon With America’s Political Process‘ on Mic

Film, Television, Music, Art, Fashion and Sport:

• Rachel Syme, ‘The Return to Predictability‘ on Complex
• Anna Leszkiewicz ‘The Ghostbusters trailer shows the new film is categorically not aimed at men‘ in the New Statesman
• Emma Brockes,  ‘Whether it’s Ali G or Tina Fey, ironic racism just isn’t funny any more‘ in The Guardian
• Venus Williams, ‘Why I’m Going Back to Indiana Wells‘ on The Players’ Tribune
• Joan Smith, ‘Now we know – the BBC’s macho culture protected predatory men for decades‘ in The Guardian
• Allison P. Davis, ‘Why Are White People Trying to Ruin ‘Formation’?‘ on The Cut
• Anohni, ‘Why I Am Not Attending the Academy Awards‘ on Pitchfork
• Gwynne Watkins, ‘Before #OscarsSoWhite: The Forgotten Story of Queer Nation’s 1992 Academy Awards Protest‘ on Yahoo
• Elisabeth Donnelly, ‘Boston Rules‘ on Hazlitt
• Caroline O’Donoghue, ‘Kesha: the musical equivalent of the drunk girl in the short dress‘ on The Pool
• Kiva Reardon, ‘Mainstream Creep: Keeping Feminist Film Criticism Subversive‘ on Hazlitt

The interviews:

• Han Kang in The White Review (translated by Deborah Smith)
• Louise O’Neill in Elle
• Helen Stephenson on The Pool
• Chinelo Okparanta on For Books’ Sake
• Tracy Chevalier in The Bookseller and The Telegraph
• Rachel B. Glaser on For Books’ Sake
• Molly Crabapple on Literary Hub
• Shelley Harris on The Writes of Woman and One Book Lane
• Kathleen Spivak on The Rumpus
• Rebecca Traister on Jezebel and Elle (with Roxane Gay)
• Mona Awad on Electric Literature
• Virginia Reeves on Literary Hub
• Jennifer Clement on Pen America
• Monica Wendel on Vida
• Sara Taylor in The Big Issue
• bell hooks (with Emma Watson) in Paper
• Ottessa Moshfegh in The Observer
• Emma Donoghue on Public Books
• Meg Rosoff on Bookanista
• Sarah Ruhl in The New York Times
• Sarah Bakewell on The Bookseller
• Marian Keyes in the Bath Chronicle
• Laura van den Berg and Emily St. John Mandel on the FSG blog
• Joyce Maynard on Literary Hub
• G. Willow Wilson on Black Nerd Problems
• Sharon Horgan on Creative Review
• Elizabeth Kadetsky on The Rumpus
• Lucy Kalanithi in Stylist
• Jacky Fleming on The Pool
• Petina Gappah on NPR
• Carol Tulloch in The Observer
• Caitlin Moran on The Debrief
• Deborah Smith on The Quietus

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media: January 2016

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

January’s been living up to it’s reputation as the most miserable month in the calendar. There’s been the misogynistic and racist response to Sarah Howe’s Young Writer of the Year Award and TS Eliot Award wins. Poet, Katy Evans-Bush responded with ‘TS Eliot prize row: is winner too young, beautiful – and Chinese?‘ in The Guardian.

The deaths of David Bowie and Alan Rickman at least inspired some great writing: Stacey May Fowles, ‘Reconciling David Bowie‘ on Hazlitt and Sali Hughes, ‘I’ve had it up to here with the grief police‘ on The Pool. Gwendolyn Smith, ‘Forget Snape – in concentrating on him, we leave out one of the greatest roles Alan Rickman ever performed‘ in The Independent and Daisy Buchanan, ‘Alan Rickman’s Colonel Brandon taught me an important lesson about love‘ on The Pool

In happier news, there were a number of other prize wins for female writers: Kate Atkinson won the Costa Novel Prize; Anuradha Roy won the 2016 DSC prize for south Asian literature; A.S. Byatt won the Erasmus Prize, and the writers shortlisted for the Costa Short Story Award were revealed, including Annalisa Crawford, Peggy Riley and Erin Soros.

Glamour welcomed a transgender columnist: Juno Dawson will chart her journey in the magazine. I’ll add Juno’s column to the regular columnists list once it has a permanent URL.

The Observer revealed their New Faces of Fiction for 2016 and Joanna Cannon wrote this great piece – The Monster Under the Bed – about her inclusion.

And the woman with the most publicity of late is Amy Liptrot with ‘I swam in the cold ocean and dyed my hair a furious blue… I was moving upwards slowly‘ in The Guardian; interviews in The Independent and The Pool.

The best of the rest:

On or about books/writers/language:

• Morgan Jerkins, ‘Writing While Black: On Cliche, Stereotype and the Struggle to Describe Blackness‘ on Literary Hub
• E.V. de Cleyre, ‘On “the Terrible Efficiency of Gaslighting”‘ on Brevity
• Sarah Weinmann, ‘True-crime stories: a centuries-old craze from Ben Franklin to Making a Murderer‘ in The Guardian
• Zetta Elliott, ‘Nobody’s Cheerleader‘ on her blog
• Lauren Groff, ‘on Writing with Lightness‘ on The Atlantic
• Sian Cain, ‘Why a non-white Nancy Drew could be amazing‘ in The Guardian
• Lenika Cruz, ‘The Promising Case of a Non-White Nancy Drew‘ on The Atlantic
• Catherine Lacey ‘on the Inspiration Behind Nobody is Ever Missing‘ on the WHSMITH blog
• Brigid Delaney, ‘A Little Life: why everyone should read this modern-day classic‘ in The Guardian
• Zoe Heller and Francine Prose, ‘Is the Writer’s Only Responsibility to His Art?‘ in The New York Times
• Gideon Lewis-Kraus, ‘The Trials of Alice Goffman‘ in The New York Times Magazine
• Claire Fuller, ‘The Huge, Unwieldy Beast versus Flash Fiction‘ on Women Writers, Women’s Books
• Adelle Waldman, ‘The Ideal Marriage, According to Novels‘ in The New Yorker
• Ali Smith ‘on Trumpet by Jackie Kay‘ in The Guardian
• Sarah Crompton, ‘Sexism on the stage – meet the women tearing up the script‘ in The Guardian
• Maria Turtschaninoff, ‘Why is feminist fantasy important?‘ in The Bookseller
• Catherine Hokin, ‘The Challenges of Writing Historical Fiction‘ on Helen MacKinven’s blog
• Deborah Smith, ‘On Translating Human Acts by Han Kang‘ on Asymptote
• Alison Glock Cooper and T Cooper, ‘Transgender: identity is never one single thing so tick the box that says ‘other’‘ in The Guardian
• Ann Mah, ‘Elena Ferrante’s Naples, Then and Now‘ in The New York Times
• Chloe Angyal, ‘I Decided Not To Read Books By White Authors For A Year. Conservatives Lost Their Damn Minds‘ on The Huffington Post
• Carmiel Banasky, ‘Topography of a Novel: The Suicide of Claire Bishop‘ on Blunderbuss
• Laura Miller, ‘Ladies of Leisure: The resurgence of the housewife novel‘ on Slate
• Martha Tennent and Maruxa Relaño, ‘How a Mother-Daughter Translation Team Makes it Work‘ on Literary Hub
• Peter Bebegal, ‘Cracking the Codes of Leena Krohn‘ in The New Yorker
• Sarah Lyall, ‘The Author Elizabeth Strout on ‘Lucy Barton’ and How Her Characters Come Into Being‘ in The New York Times
• Isabel Rogers, ‘on What a Poet can teach a Novelist‘ on Isabel Costello’s Literary Sofa
• Vidhu Aggarwal, ‘“I’m nothing, if not”: An Anecdote of a Jar‘ on VIDA
• Dawn Finch, ‘Why are we still talking about diversity and inclusion?‘ on An Awfully Big Blog Adventure
• Samantha Hunt’s Literary Mixtape: how to be a deranged cult leader in The Guardian
• Emma Claire Sweeney, ‘on the power of poetry and fiction‘ on Legend Press
• Joanna Biggs, ‘Work is where we make friends, exert power, fall in love‘ in The Guardian
• Non Pratt, ‘No taboo should be off limits when writing for teenagers‘ in The Guardian
• Brittany K. Allen, ‘I Wrote the Accent: A Black Writer Considers “Urban Romance”‘ in The Toast
• Laura Miller, ‘Why Fates and Furies was this year’s most talked-about novel‘ in The Guardian
• Cynthia Ozick, ‘The Novel’s Evil Tongue‘ in The New York Times

Personal essays/memoir:

• Alana Massey, ‘Marriage and Two Kids: A Most Scandalous Fantasy‘ in The Cut
• Lydia Kiesling, ‘Death and Heirs: A View from the San Francisco Housing Market‘ on The Millions
• Saigowri Kuruvada, ‘How I Learned To Accept My Self-Harm Scars‘ on Buzzfeed
• Isabel Murray, ‘I’m a Disgusting Sleeper‘ on The Awl
• Rowan Whiteside, ‘Uninvited‘ in Standard Issue
• Jane Campbell, ‘The Long Run‘ on Hazlitt
• Yurina Ko, ‘Little Big Eater Girl‘ on The New Inquiry
• Fleur Smithwick, ‘A response from my mother to the weird kid blog‘ on her blog
• Jen Gann, ‘Why Am I So Sad About Having a Boy?‘ in The Cut
• Monica Sok, ‘On Fear, Fearlessness, and Intergenerational Trauma‘ on VIDA
• Jenny Diski, ‘The Island of lost words‘ on her blog
• Lyz Lenz, ‘Growing Up With White Paranoia: Persecution vs. Privilege‘ on Pacific Standard
• Ellabel Risbridger, ‘#BREAKFREE From Likes: ‘I’ve Grown Up On The Internet’‘ in Marie Claire
• Cris Mazza, ‘A Finished Brain‘ on The Rumpus
• Julianne Smolinski, ‘The Funny Thing About Abusive Relationships‘ on The Cut
• Jean Hannah Edelstein, ‘I’m a Previvor‘ on Catapult
• Nicole Chung, ‘What Goes Through Your Mind: On Nice Parties and Casual Racism‘ in The Toast
• Lauren McKeon, ‘As Women Scorned‘ on Hazlitt
• Kim Brooks, ‘I’m Having a Friendship Affair‘ in The Cut
• Claire Jimenez, ‘Spanish Lessons: On Language Loss and Recovery‘ in The Toast

Feminism:

• Amy Swales, ‘A Story of a Fuck Off Fund‘ on Medium
• Cade Lebron, ‘Liar, Liar: On Writing About Rape Online‘ on Electric Literature
• Jane Marie, ‘On Going Off My Depression Medication During Pregnancy‘ in Cosmopolitan
• Rosamund Urwin, ‘Why do crimes against women always have the same, sad ending?‘ on The Pool
• Kathy Dobie, ‘To Catch a Rapist‘ in The New York Times
• Ann Friedman, ‘The 2015 renaissance of the agony aunt‘ on The Pool
• Nadia Atia, ‘Your fascination with Muslim women’s bodies has a long misogynistic history‘ on Media Diversified

Society and Politics:

• Chimene Suleyman, ‘‘Integration’ or ‘Assimilation’ is a Two-sided Negotiation‘ on Media Diversified
• Afroze Zaidi-Jivraj, ‘What It’s Like Being Muslim In 2016‘ on Media Diversified
• Leena Habiballa, ‘Too Black to be Arab, too Arab to be Black‘ on Media Diversified
• Alicia Eler and Eve Peyser, ‘Tinderization of Feeling‘ on The New Inquiry
• Harriet Alida Lye, ‘The Myth of the Myth of the City of Love‘ on Hazlitt
• Emer O’Toole, ‘How to be a moderately successful person‘ in The Guardian
• Kavita Bhanot, ‘Decolonise, not Diversify‘ on Media Diversified
• Stacia L. Brown, ‘The ugly history of comparing black athletes and animals‘ in The Washington Post

Film, Television, Music, Art and Fashion:

• Lynn Enright, ‘The brilliant feminism of Transparent and Jill Soloway‘ on The Pool
• Jude Rogers, ‘Why we’re wired to love pop music‘ on The Pool
• Hannah McGill, ‘Nora Ephron: queen of hearts‘ on the BFI website
• Michelle Smith, ‘Suffragette reminds us why it’s a lie that feminists need men’s approval‘ in The Guardian
• Sarah Maria Griffin, ‘Girls Explain Star Wars to You‘ on Scannain
• Robin James, ‘Hello From the Same Side‘ in The New Inquiry

The interviews:

• Joyce Carol Oates on Electric Literature and in The Guardian
• Lisa Williamson in The Guardian and on Scottish Book Trust
• Amy Gustine on Electric Literature
• Helen Ellis in The New York Times
• Mira Ptacin on Flavorwire
• Chelsea Hodson in Hobart
• Tara Guha on Chouett
• Elizabeth Evans on Guernica
• Diane Williams in The Los Angeles Review of Books
• Ann Goldstein (Elena Ferrante’s translator) on Guernica
• Chaitali Sen on The Rumpus
• Valerie Martin in The Guardian
• Eileen Myles in The New York Times
• Liz Lochhead in The Guardian
• Margaret Atwood on Electric Literature
• Emma Donoghue on The Pool
• Sandra Cisneros on The Rumpus
• Lidia Yuknavitch and Anakana Schofield on Electric Literature
• Marlene Van Niekerk in The White Review
• Helen McClory on The Skinny
• Caitlin Moran in Stylist
• Roxane Gay on Sky Blue Window
• Tessa Hadley in the Wall Street Journal and The New York Times
• Ayisha Malik in The New Statesman
• Samantha Hunt on The Millions
• Claire Fuller on Sarah Jasmon’s blog
• Claudia Rankine in The Guardian
• Amy Poehler in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

My Plans for #ReadDiverse2016

I don’t do New Year resolutions. I learnt some years ago that those vague statements – I’m going to do more exercise/eat less/learn a language – don’t last beyond mid-January. But goals do, at least specific ones you can work towards and extend, if necessary, or not beat yourself up about if you don’t quite fulfil them do.

Last year, I set a goal to read more books by women of colour. I joined Eva Stalker’s #TBR20 project with the caveat that I’d continue to read review copies I was sent as well. I still haven’t completed all the reviews of those books yet but the main effect it had was I paid attention to what I was reading, specifically who the writer was. In 2014 10% of my reading was by writers of colour, in 2015, it was 32%. The unintended consequence of this, however, is that the number of books I read by writers from LGBTQIA communities plummeted from 6% to 0.5% and books in translation from 11% to 0.6%. (The latter was partly a consequence of me not really taking part in #WITMonth due to personal circumstances but still, it’s poor.)

The plan for this year then: more reviews of books by women of colour; more reviews of books by women who identify as LGBT; a proper focus on women in translation in August.

I’m aiming for 50% of my reviews to be of books by women of colour. I’ve changed the focus from the percentage I’m reading with the intention of even coverage on here. What I noticed last year was that although I was reading books from my #TBR20 stack, when I got back to reading and reviewing after my break in the summer, I was focusing on books by white women, the ‘big titles’. As a consequence, I have a stack of review copies by women of colour. These are now at the top of the pile.

I’ve also created a new #TBR20 pile focusing on writers from the LGBT communities. And here they are…

Half of the books (those on the left, except Anaïs Nin who appears to be in the wrong pile) are by women of colour. I used several sources to help me compile the list: More than 50 books by Queer People of Color by zarahwithaz; 10 Novels & Memoirs By and About Black Lesbian, Bisexual and Queer Women on Autostraddle;100+ LGBTQ Black Women You Should Know: The Epic Black History Month Megapost also on Autostraddle, and the Wikipedia list of LGBT Writers.

Elsewhere, you might have seen on social media that Media Diversified have created Bare Lit Festival (@BareLit). ‘A literary festival focused entirely on writers of colour’, which will run from the 26^th – 28^th February 2016.

We want to counteract the trend of equating literary merit with whiteness by highlighting the amazing variety of work currently being produced by BAME writers. That’s why we’ve put together an exciting programme of performances, panels and conversations — such as ‘Second-Generation Poets in Exile’, ‘What Does Liberation in Literature Look Like?, Sci Fi vs. Afrofuturism’ and much more.

I’ve already bought my weekend pass and you can support the festival by buying passes or single event tickets now and helping them to raise the cost of running the event. Find out more on their Indiegogo page.

Mention of Media Diversified brings me to this interesting piece, posted a couple of days ago: Decolonise, not Diversify by Kavita Bhanot. I agree with everything she says.

Speaking only for myself, I didn’t get involved with #diversedecember because I thought it would change the world but I did hope it might lead some people to question their world view or the view the white-dominated world imposes upon us.

During December, Salena Godden (@salenagodden) posted a video of her performing her new poem ‘I Count’. ‘I have become a woman that counts…’ she begins. Yep. I became a woman that counts when I started this blog. I don’t think it’s a solution and it’s certainly not going to bring about one on its own, but while ever white/male/hetero/cis domination exists, I’ll count. For me, #ReadDiverse2016 (@ReadDiverse2016) is about hoping you’ll join in that count too.

In the Media: 17th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Two excellent UK prizes – the Jerwood Fiction Uncovered Prize and the Desmond Elliot Prize announced their longlist and shortlist, respectively this week. The former has eleven women on a longlist of fifteen. Yes, that does say ELEVEN, that’s 75% of the shortlist (well, 73.3 if you’re being pedantic). And the latter is an ALL WOMEN shortlist of three, from a longlist of ten that had gender parity. Excellent news.

You can read interviews with two of the Desmond Elliot shortlisted writers, Cary Bray and Emma Healey, in The Bookseller

Two important pieces about sexual abuse and victim blaming were published this week: Hayley Webster ‘31 years have passed with me thinking I asked for it…but what if I didn’t‘ on her blog and Lizzie Jones, ‘Sexual Assault: Society, Stop With the Slut Shaming‘ on The Huffington Post.

 

The best of the rest:

On or about books/writers/language:

• Meytal Radzinski, ‘Women in Translation: The grim improvement of 2014‘ on Bibliblio
• Eve Ainsworth, ‘Why I wanted to tell the bully’s story‘ in The Guardian
• S.D. Sykes, ‘Memento Mori… Remember that you have to die‘ in Shots
• Laura Miller, ‘You Belong to Me: The fanfiction boom is reshaping the power dynamic between creators and consumers.’ on Vulture
• Kathryn Schulz, ‘Outside In‘ (on Nell Zink) in The New Yorker
• Lizzy Kremer, ‘Crime and Violence: Those who do not flinch‘ on Publishing for Humans
• Sophie Hannah, ‘No one should condescend to Agatha Christie – she’s a genius‘ in The Guardian
• Kate Spicer, ‘Why is the term dadbod so brilliantly perfect?‘ in The Pool (more about neologisms than the concept of dadbod itself)
• Mona Eltahawy, ‘Why I stopped wearing the hijab‘ in The Pool
• Rebecca Bowler, ‘Dorothy M Richardson deserves the recognition she is finally receiving‘ in The Guardian
• Cheryl Strayed and Pankaj Mishra, ‘Is There a Double Standard for Judging Domestic Themes in Fiction?‘ in The New York Times
• Beluah Maud Devaney, ‘Signs That Agatha Christie Is About To Murder You‘ in The Toast
• Laura Miller, ‘Fairy tales, fantasy and dangerous female desire: Celebrating Angela Carter, the literary link between Bros. Grimm and “50 Shades”‘ on Salon
• Joanna Cabot, ‘On Reading a Book You Don’t Like‘ on TeleRead
• Susan Price, ‘Reviving the Female Canon‘ in The Atlantic
• Susan Harlan, ‘Great House Therapy: Elizabeth & Darcy’s Neither Formal Nor Falsely Adorned Pad of Privilege‘ in The Toast
• Sarah Hughes, ‘Killer Women festival: The female crime novelists transforming how the publishing industry works‘ in The Independent
• Maria Farrer, ‘Why teenagers have to take terrible risks in YA literature – and in real life too‘ in The Guardian
• Hannah Lavery, ‘Why Libraries Are Important To Me‘ on her blog
• Suzi Henderson, ‘The Great Literature Gender Gap‘ on The Inflectionist

• Hannah Depp, ‘Meghan Daum, Live in the Capital‘ on Literary Hub
• Melissa Moorer, ‘This Writer’s On Fire: Sofia Samatar‘ in The Butter
• Ali Hope, ‘Mary Hocking reading week 1st-7th June‘ on her blog
• Sara Nović, ‘Topography of a Novel: Girl at War‘ on Blunderbuss
• B.E. Andre, ‘How to Make the Truth Palatable‘ on Women Writers, Women’s Books
• SD Sykes, ‘on writing crime during the time of a great plague‘ on Crime Files
• Sarah Bannan, ‘Can we do it? Yes, we can: on daring to use the first person plural‘ in the Irish Times
• M. Lynx Qualey, ‘Is There a Renaissance in Arabic Children’s Literature?‘ on Arabic Literature (in English)
• Sadie Stein, ‘Booksellers Week‘ on The Paris Review Blog
• Marian Palaia, ‘The Real World vs The MFA‘ on Literary Hub
• Jami Attenberg, ‘This week’s con.‘ on Tiny Letter
• Nicole Lee, ‘Chimamanda Ngozi Adichie: ‘Fear of causing offence becomes a fetish’‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Baby-Sitters Club vs. Sweet Valley High‘ in The Butter
• Mona Eltahawy, ‘World in 2050: Women in Power‘ on Literary Hub
• Frances Wilson, ‘The nourishing blood of the novelist‘ in the New Statesman
• Lauren Laverne, ‘My own personal Wonderland‘ in The Pool
• Mallory Ortberg, ‘The Forgotten Brontë Sister‘ in The Toast
• Leesa Cross-Smith, ‘Books Are My Love Language & How to Treat Yourself‘ on Real Pants
• Sarah Pinborough, ‘Fantasy and Reality – Where Do You Draw the Line?‘ on the Huffington Post
• Cerrie Burnell, ‘Every child deserves to have their life represented in books‘ in The Guardian
• Lizzy Kremer, ‘Are you talking to me? Writing under a new identity‘ on Publishing for Humans
• Jill Lepore, ‘Women in Science Fiction‘ on The New Yorker Podcast
• Bridget Penny, ‘an ostentation of solitariness: looking for the wilderness in abney park cemetery‘ in 3AM:Magazine
• Alice Bolin, ‘Miss Marple vs. the Mansplainers: Agatha Christie’s Feminist Detective Hero‘ on Electric Literature
• Naomi Frisby, ‘Reading Ourselves‘ on Fiction Uncovered

Personal essays/memoir:

• Jesmyn Ward, ‘Cracking the Code‘ in The New Yorker
• Julie Brister, ‘Large as Life‘ on Slate
• Sali Hughes, ‘There’s no such thing as TMI‘ in The Pool
• Laura June, ‘The Little Things‘ in The Awl
• Meridith De Avila Khan, ‘A Girl and Her Books: On the Loss of Sweet Briar College‘ on The Millions
• Sophie Heawood, ‘I’ve fallen out of love with music‘ in The Guardian
• Leah Reich, ‘The Birth of Uncool‘ on Medium
• Deborah Landau. ‘When I Got Pregnant At 40, Time Slowed Down‘ on Buzzfeed
• Myfanwy Collins, ‘Bruise: On Living with the Fear of Dying‘ in The Butter
• Monica Heisey, ‘Walt‘ on Maisonneuve
• Sadie Stein, ‘Like Rain on Your Wedding Day‘ on The Paris Review Blog
• Ashley Ford, ‘Disrupting Domesticity: Bored to Broken‘ in The Butter
• Shirley Muir, ‘Out of the Blackness‘ on Scottish Book Trust
• Ailidh Lennon, ‘“I wanted a house with a garden and chickens”‘ in The Pool
• Cyn Vargas, ‘I Don’t Know What You’re Talking About‘ on Midnight Breakfast
• Sofia Soter Henriques, ‘Nossa Família‘ on Midnight Breakfast
• Samantha Hunt, ‘There Is Only One Direction‘ in The Cut
• Bryony Gordon, ‘‘I’m coming out of the mental health closet for my daughter’‘ in The Telegraph
• Leslie Nipkow, ‘How I became fat: “It’s tough to be a bad-ass girl in a dainty world”‘ on Salon
• Sarah Royal, ‘The Best Time I Was The Only Passenger Aboard A Cargo Freighter Container Ship Across the Pacific Ocean‘ on The Hairpin
• Jessica Valenti, ‘It’s great to have a vacation. And even better when you leave kids at home‘ in The Guardian

Feminism:

• Dawna I. Ballard and Sunshine Webster, ‘Why Women ‘Having It All’ Is an Empty Concept‘ on Medium
• Erika Hall, ‘Across the River and Into the Woods‘ on Medium
• Lauren Dozier, ‘The Inconsistent Acceptance of Black Beauty‘ on The Huffington Post
• Emily Mitchell, ‘A Boy My Sister Dated in High School‘ in Guernica
• Tracy Moore, ‘Single Mom By Choice: A Great Option for ‘Strong-Ass Bitches’‘ in Jezebel
• Anna Merlan, ‘‘Suck Dick, Fight or Quit Doing Gay Shit’: The Texas Prison Rape Problem‘ on Jezebel
• Caroline Criado-Perez, ‘What Makes a Good or Bad Female Role Model?‘ in Stylist
• Danielle Brooks, ‘How I Learned to Love My Body‘ in Glamour
• Minda Honey, ‘Empty Beds, Empty Wombs: Life Beyond the Blueprint‘ in The Los Angeles Review of Books
• Olga Kazan, ‘Into the Body of Another‘ in The Atlantic
• Ann Friedman, ‘What Getting Your Nails Done Really Means‘ in The Cut
• Sarah Tomlinson, ‘My conflicted relationship with female beauty‘ on Salon
• Christina Tesoro, ‘I’m a Bitch and Proud of It‘ in Cosmopolitan
• Louise Foxcroft, ‘The diet industry has exploited our health fears for centuries – here’s how‘ in The Guardian
• Elissa Strauss, ‘The Rise of “Mama”‘ on Longreads
• Louise Raw, ‘Why Are We So Afraid of the Idea of Women in Power‘ on Morning Star

Society and Politics:

• Zoe Williams, ‘What does the new government mean for women?‘ in The Pool
• Lyndsey Gilpin, ‘Women Making Whiskey: An 800-Year History‘ in The Atlantic
• Susan Berfield, ‘Chinese Maternity Tourists and the Business of Being Born American‘ on Bloomberg
• Aude Konan, ‘Why Black people in France are still invisible‘ on Media Diversified
• Sarah Ladipo Manyika, ‘Coming of Age in the Time of the Hoodie‘ on AGNI
• Anna Holmes, ‘The Underground Art of the Insult‘ in The New York Times
• Eleanor Margolis, ‘Is it just me, or did you receive loads more online dating attention on post-election Sunday?‘ in the New Statesman
• Ann Jones, ‘“Farkhunda is Our Sister”‘ in Guernica
• Jean Friedman Rudovsky, ‘The Ecotourism Industry Is Saving Tanzania’s Animals and Threatening Its Indigenous People‘ in Vice
• Emma Green, ‘American Religion: Complicated, Not Dead‘ in The Atlantic
• Helen Macdonald, ‘Spies in the Sky: On How Birds Reflect Our National Anxieties‘ in The Guardian
• Roisin Kiberd, ‘Will love win in Ireland?‘ in The Pool
• Alexis Gumbs, ‘an element of radical waywardness‘ in The Offing
• Sarah Maslin, ‘Perfect Nails, Poisoned Workers‘ in The New York Times
• Abby Tomlinson, ‘I’ll always be a Milifan. Ed was the best prime minister we never had‘ in The Guardian
• Caroline O’Donoghue, ‘Teenage girls are far smarter than we give them credit for‘ in The Pool

Film, Television, Music and Fashion:

• Anne Helen Petersen, ‘In Praise Of Betty Draper, Difficult Woman‘ on Buzzfeed
• Caroline Framke, ‘The Ascendancy of the ‘Awkward Older Sister’‘ in The Atlantic
• Jiayang Fan, ‘Chinese Whisperers‘ in The Awl
• Samira Sawlani, ‘What fresh hell is this? ‘The Princess of North Sudan; more scary tale than fairy tale’‘ on Media Diversified
• Jenn Lyons, ‘Women of the Wasteland – Mad Max: Fury Road‘ on her blog
• Alice Coote, ‘My life as a man‘ in The Guardian
• Eliana Dockterman, ‘How TV Sex Got Real‘ in Time
• Marissa Bate, ‘So, Hollywood thinks women aren’t superheroes?‘ in The Pool
• Jessica Winter, ‘David Letterman Raised Me‘ on Slate
• Sady Doyle, ‘Age of Robots: How Marvel Is Killing the Popcorn Movie‘ on Medium
• Hadley Freeman, ‘Why I owe it all to 1980s movies‘ in The Guardian

The interviews:

• Anne Enright in Vol. 1 Brooklyn
• Victoria Dahl in Jezebel
• Helen Macdonald on Electric Literature
• Sara Nović on Electric Literature
• Suzanne Scanlon in BOMB Magazine
• Aine Greaney on The Fem
• Margaret Jull Costa on Foyles’ Blog
• Jessica Hopper in The Hairpin and on Salon
• Lisa Kleypas on Jezebel
• Nell Zink on Literary Hub and on the Huffington Post
• Sora Kim-Russell on London Korean Links
• Kate Atkinson in The Globe and The Mail
• Amanda Palmer in Standard Issue
• Joanne Harris on Rebecca Mascull’s blog
• Sarah Govett on Teen Librarian
• Toni Morrison on Goodreads
• Cal Moriarty on Orenda Books
• Elisa Gabbert on Okey-Panky

 

If you want some fiction to read:

• ‘A Millennial Revenge Fantasy‘ by Jamie Lauren Keiles on The Hairpin
• The first five chapters of The Life and Death of Sophie Stark by Anna North in The Pool
• ‘Ghosts & Cyborgs‘ by Lyndsey Ellis in The Offing
• ‘Film Previews on a Plane: The Helpful Summaries‘ by Margaret Atwood in The National Post
• ‘Thanksgiving in Connecticut‘ by Katherine Bell on The Fem
• An extract from A Tale of Two Besties by Sophia Rossi on HelloGiggles
• An extract from My Salinger Year by Joanna Rakoff on Literary Hub
• ‘The Kind of Water I Like‘ by Lillian Akampurira Aujo on Sooo Many Stories
• ‘McCarthy and Woolf‘ by Chella Courington in Cacti Fur
• ‘Juke Joint Banshee‘ by Patty Templeton on Urban Fantasist
• ‘The Wretched Pet‘ by Betty McIntyre on Urban Fantasist
• ‘The Ice-Cream Van‘ by Jessica Patient on Urban Fantasist

If you want some poetry to read:

• ‘Extinction‘ by Jackie Kay in The Guardian
• ‘A Reading in New York‘ by Claire Potter in the New Statesman
• ‘[I can’t bear anymore what happens to the body]‘ by Victoria Lynne McCoy in The Offing
• ‘Words Like Applesauce‘ by Bethany Mary in The Fem
• ‘Thing is an Amen‘ by Rachael Katz in The Offing
• ‘Black Words Matter‘ Four poems by Baltimore Students on Real Pants
• ‘in this story…‘ by Lisa Marie Basile in Berfrois
• Six by Elisa Gabbert on Okey-Panky

The lists:

• 47 Books Every College Grad Should Read on Buzzfeed
• 10 Books to Read This Summer in the Wall Street Journal
• 8 reasons you absolutely have to watch Jonathan Strange & Mr Norrell in The Pool
• Judith Claire Mitchell’s Top 10 (unconventional) ghosts in literature in The Guardian
• Books of the Week, May 18, 2015 on Publishers Weekly
• Amelia Gray’s 10 Best Dark Books on Publishers Weekly
• 13 Best Quotes from Adichie’s Pen Festival Lecture on Brittle Paper
• 4 Small Press Books to Read in May (All-Women Edition) on BookRiot
• Kirsty Logan’s Seven New(ish) Island Books on The Island Review
• 11 Teen Books About Growing Up in Scotland on Scottish Book Trust
• Sarah Menkedick’s Four Books on Early Motherhood on Vela
• 12 Feminist Books ‘Mad Men’s Joan And Peggy Could Have Used To “Burn This Place Down” on Bustle

In the Media: 23rd November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s been Ursula K. Le Guin’s week. Awarded the Medal for Distinguished Contribution to American Letters at the National Book Awards, she gave a widely praised speech about the need for freedom. You can watch it here, or read the transcript here. She’s interviewed on Salon, in The Guardian by Hari Kunzru and there’s a piece on where she gets her ideas from on Brain Pickings

Arundhati Roy and Megham Daum are the women with the second most coverage this week. Roy’s in Prospect, talking about ‘India’s Shame‘ and the caste system and interviewed in The Observer, where there are plenty of unnecessary comments about her looks. While Daum is interviewed on FSG’s website, in The Guardian and on The Cut.

The best of the rest articles/essays:

• Lavinia Greenlaw on her hero, Chaucer in The Guardian
• Lionel Shriver, Deborah Moggach and Lisa Jewell on their parents’ marriages in The Telegraph
• How to Survive a Zombie Apocalypse According to Margaret Atwood on Buzzfeed
• Mary O’Donnell, ‘How I Write Poetry‘ on her blog
• Clare O’Dea, ‘Husbands in Books, from Bad to Worse‘ on her blog
• Susanna Hislop and Hannah Waldron, ‘Look to the Stars…‘ on the Waterstones blog
• Christine Murray, ‘There will always be singing; an appreciation of Doris Lessing‘ on her blog
• Jennifer O’Connell, ‘The World has serious mammy issues‘ in The Irish Times
• Susan Lanigan, ‘On Restrained, Elegant Prose‘ on her blog
• Lucy Allen, ‘The Myth of the “Empowered Woman” in History‘ on her blog
• Linda Tirado, On poverty in the US and the UK in The Guardian
• Alan Hollinghurst, ‘The Victory of Penelope Fitzgerald‘ in The New York Review of Books
• James Wood, ‘The Trials of Penelope Fitzgerald‘ in The New Yorker
• Meytal ‘If Roxane Gay is a Bad Feminist what am I?‘ on her blog
• ‘Re-membering Audre Lorde and Celebrating Toni Cade Bambara‘ on The Feminist Wire
• Bryony Gordon, ‘Why Adele was right to ignore Bob Geldof and Band Aid‘ in The Telegraph
• Amy Mason, ‘Female alcoholics need help, not vilification‘ in The Guardian
• Anne Donovan, ‘Beautiful Scots Words You May Not Know‘ on Scottish Book Trust
• Valerie Mendes on Oxfordshire on One Book Lane
• Matthew Rosza, ‘The meme-ification of Ayn Rand‘ on Salon
• Anna Stothard, ‘Objects of Berlin‘ on her blog
• Valeria Luiselli’s introduction to ‘Ayotzinapa’ on Asymptote
• Sarah Larson, ‘Amy Poehler’s Confidence Lessons‘ in The New Yorker
• Mary Costello, ‘Where I Write‘ on Scottish Book Trust
• Cynthia Haven, ‘Poet Melissa Green: Virgil would still be proud‘ on The Book Haven
• Cassandra Neace, ‘Discovering the Women of SciFi: Nnedi Okorafor‘ on Book Riot
• Cecily Kane, ‘I Want to be the Time-Traveler, Not His Wife‘ on her blog
• Emily Gould, ‘Leave Jonathan Franzen Alone‘ in Vice
• Suzanne Moore on The Hunger Games and the familiarity of the dystopian scenes in The Guardian
• Lydia Millet, ‘Gather Your Acolytes About You‘ on The Millions
• Anna Nordberg, ‘Dressing Like My Mother‘ in The New York Times
• Elisabeth Cohen, ‘Sex and the Single Librarian‘ on The Millions
• Miriam Toews, ‘The Day I Stopped Believing in God‘ on Buzzfeed
• Anne Margaret Daniel, ‘The Art of Zelda Fitzgerald‘ on Huffington Post
• Megan Amran, ‘How John Stewart and Stephen Colbert shaped my Comedy‘ on Salon
• Claire Fallon, ‘The Shocking, Twisted Stories Behind Your Favorite Nursery Rhymes‘ on Huffington Post
• Roxane Gay, ‘Bill Cosby and the rape accusers‘ in The Guardian
• Sonya Chung, ‘Reflections on Julia Child‘ on Bloom
• Jennifer S. Deayton, ‘Ladies Night in Hong Kong‘ in the Stockholm Review of Literature
• Jonathan Gibbs, Friday Book Design Blog on May-Lan Tan’s Things to Make and Break in The Independent
• Melissa Febos, ‘Against Our Own Best Time: Competition Among Writers in the Margins‘ on VIDA
• ‘Notes to Self‘, Authors look back at their work on The Guardian
• Antonia Honeywell, ‘The View from Over the Hill‘ on the Faber Academy site
• Lionel Shriver on Lammily in The Guardian
• Frances Leviston reflects on Elizabeth Bishop in the Edinburgh Review

The interviews:

• Celeste Ng in The Guardian
• Amanda Coe in The Guardian
• Margaret Drabble in The Believer
• Emma Jane Unsworth in Flux
• Michelle Magorian in We Love This Book
• Jo Mazelis on Novel Kicks
• Megan Amran on the AV Club
• Elly Danica on The Butter
• Helle Helle on English Pen
• Claudia Rankine on Guernica
• Margaret Atwood, Twitter Q&A on Harper Voyager
• Andrea Levy in The Independent
• Emily St. John Mandel on the National Book Foundation
• Rachel Joyce in the Irish Times
• Cheryl Strayed and Gillian Flynn in The New York Times
• Alina Gregorian in BOMB Magazine
• Marilynne Robinson on Open Book (BBC Radio 4) and on the National Book Foundation
• Sarah Davis-Goff, co-founder of Tramp Press on Totally Dublin
• Non Pratt on Bookends and Pages Blog
• Louise Glück on Poets and Writers
• Toni Morrison on The Colbert Report

If you want some fiction/poetry to read:

• ‘Kitty and Pussy‘ by Anne Neumann on Liars’ League
• ‘Alight at the Next‘ by Eley Williams in 3:AM Magazine
• An excerpt from Significance by Jo Mazelis on Writers’ Hub
• ‘The Imaginary Road‘ by Jackie Kay on Manchester Literature Festival (click on the box on the right of the screen to download)
• An extract from The Night Falling by Katherine Webb
• ‘Where We Must Be‘ by Laura Van den Berg on Electric Literature
• Three Poems by E.C. Belli on Blunderbuss
• ‘Exes‘ by Joanna Walsh on Queen Mob’s Tea House

The lists:

• Eliza Mariah’s Sci-Fi Round-Up on her blog
• The 50 Best Independent Fiction and Poetry Books 2014 on Flavorwire
• The Best Young Adult Books of 2014 in The Telegraph
• Christmas Gift Books People Will Love to Find Under the Tree in Marie Claire
• 17 of the Most-Highlighted Quotes from the Best Fiction by Women of the Past Two Years on Bustle
• Books of the Week in Publishers Weekly
• Latinas for Latino Lit: ‘Remarkable’ Children’s Books of 2014 on NBC
• 10 More Books Set in Edinburgh on Scottish Book Trust
• Winter Reading List on Stylist
• 10 Women Writers of LGBT YA on For Books’ Sake
• 75 Reasons Why Margaret Atwood Is Awesome on Book Riot
• Top 5 Women Writers of the Beat Generation on For Books’ Sake (Waterstones adjust your display tables accordingly.)
• The Top 10 Crime Debuts of 2014 on Crime Fiction Lover
• The 25 Books Every Woman Should Read by Lisa Simpson in Stylist
• If you like this book by a man, you’ll love this book by a woman on Buzzfeed
• 50 Writers You Need to See Read Live on Flavorwire
• 11 Memoirs Every Woman Should Read in Her 20s on Bustle

And the best things I’ve read this week:

• Ali Hope, ‘Slamming the bedroom door‘ on The Tenant of Wildfell Hall on her blog
• Isabel Rogers, ‘Truth and Fiction‘ on her blog
• Claire Fuller, ‘Crab Wood‘ on Tin House
• ‘From Literary Protégée to Competition Rival‘, Ann Patchett and Madeline Miller’s friendship on Something Rhymed
• Emma Jane Unsworth, ‘Readers love a good anti-hero so why do they shun anti-heroines‘ in The Guardian
• Shauna Miller, ‘Why We Still Need Leslie Feinberg‘ on The Atlantic
• Valeria Luiselli, ‘Building a New World‘ on Worlds Without Borders
• Nicola Griffith, ‘Branding: It Burns‘ on The Weeklings

In the Media: 16th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Photo by Wayne Thomas

This week, there’s been lots of discussion on my Twitter timeline about an article by Joanna Walsh, writer and creator of #ReadWomen2014 on ‘Why must the “best new writers” always be under 40?‘ prompted by Buzzfeed’s ‘20 Under 40 Debut Writers You Need to Be Reading‘. Traditionally, these lists have disadvantaged women who, for a number of reasons, often publish their first novel later than many men. So, although it’s arbitrary/silly, this week’s top slot is going to pieces by or about those who published their first book at 40 or over.

We have Linda Grant (first novel published at 44) on why she’s hooked on the Serial podcast in The Guardian; Joan Chase (47) in her own words and Amy Weldon on her both on Bloom, a site dedicated to writers whose first major work was published at 40 or over; Ruth Graham tells the true story of Laura Ingalls Wilder (65) on Slate; Alexander Chee looks at Penelope Fitzgerald (59) via Hermione Lee’s biography of her on Slate; there are interviews with Lissa Evans (42) on the One More Page blog, Helen DeWitt (43) in BOMB magazine, Meg Rosoff (48) on Rebecca Mascull’s blog, Katherine Boo (48) on the theatre production of Behind the Beautiful Forevers in the Independent and Donna Douglas (40) on Female First; while Bobbie Ann Mason (42) has a new short story ‘Ready‘ on TNB Fiction and the first chapter of Summertime by Vanessa Lafaye (51) is up to read on One Book Lane; finally, you can find out why middle-aged women are dominated self-publishing according to The Guardian.

At the other end of the spectrum, writer Nikesh Shukla supports young writers in Bristol. They publish online magazine Rife. Here’s Sammy Jones’ ‘The Five Stages of Street Harassment‘ and Jess Connett on ‘Hidden WWI: Teenagers at War‘.

There’s also been more gender discussion. Time magazine added the word ‘feminism’ to a list their readers could vote on to ‘ban’. Roxane Gay responded in The Washington Post; Hannah McGill discussed gender depiction in Sci-Fi in The List; Jess Meacham critiqued Suzanne Moore’s column on selfie’s being anti-feminist and her use of Sylvia Plath’s poetry in ‘The Eyeing of my Scars‘ on her blog, while Non Pratt looked at gender representation in Young Adult books in We Love This Book.

And the woman with the most publicity this week is Amanda Palmer, whose book The Art of Asking was published on Tuesday. She’s in The Guardian following a live web chat; interviewed by Maria Popova of Brainpickings on YouTube; has written an article for The Independent and been interviewed in Billboard.

The best of the rest articles/essays:

• Gillian Bowditch on Muriel Spark’s sealed archive of papers in The Sunday Times (paywall)
• Shirley Clarke and Elaine Dundy profile in The New Yorker
• Sarah Churchwell, ‘Why the Humanities Matter‘ in the Times Higher Education supplement
• Emily Gould on literary liars and forgiveness in Salon
• Rose Tremain on ‘The short story and its difficulties‘ on the Waterstones blog
• Tobin Dalrymple on Carol Dunlop and Julio Cortázar’s love affair in Maisonneuve
• Nicholas Rombes on Joan Didion’s Play it as it Lays on Electric Literature
• Laura Miller in defence of true crime on Salon
• Dan Gunn on Marguerite Duras at 100 in the Times Literary Supplement
• Nadine Bachan ‘Ol’ Talk‘ on reawakening her Trinidad accent in Maisonneuve
• Zoe Heller, ‘The Hard Work of Marriage‘ on Gone Girl in The New York Review of Books
• Aja Romana on celebrated Sci-Fi novelist Benjanun Sriduangkaew being exposed as a notorious internet troll on the Daily Dot
• Jess Row, ‘The Genius of the Woman Warrier at 30‘ on Slate
• Laura Thompson on the rise and rise of women detectives in The Telegraph
• Margaret C. Sullivan on Pride and Prejudice book covers over time in The Huffington Post
• Nathan Heller, ‘Why Joan Didion Matters More Than Ever‘ in Vogue
• Catherine Bruton on violence in teen fiction in The Guardian
• Tom Gatti on judging the Goldsmith’s Prize (won by Ali Smith) in the New Statesman
• Katie Law, ‘Why the words “gone” and “girl” are the latest trend in publishing‘ in the Evening Standard
• Alison Flood on Ali Smith winning the Goldsmiths Prize in The Guardian
• Ali Smith’s lecture on Virginia Woolf for the National Portrait Gallery
• Sarah Jane Abbott, ‘How I Capture the Castle Captured Me’ on Huffington Post
• Tasha Golden on the lone genus myth in Ploughshares
• Sarah Kerr, ‘Wonder Woman: The Weird, True Story‘ in The New York Review of Books
• Clarissa Sebag-Montefiore on Male escorts and female sexuality in Aeon
• Rose Bretécher on sexism in publishing on For Books’ Sake
• Anne Lamott on how a day with a sick friend bought her back to her senses on Salon
• Stella Duffy, ‘reconstruction revelation‘ on how she feels about her breast reconstruction following cancer surgery on her blog
• Maureen O’Conner, ‘Ayn Rand, Gril-Power Icon‘ in The Cut
• Mary Mann, ‘Weiter‘ in Guernica
• Edan Lepucki, ‘Notes on Likeability in Fiction‘ on The Millions
• Miranda Kiek on Elizabeth Von Arnim in The Independent
• Madeline Watts on A Girl Is a Half-Formed Thing and the necessity of a ‘girl canon’ for The Believer
• Roxane Gay on Lena Dunham on her blog
• Miriam Darlington’s ‘Nature Notebook‘ in the Times (paywalled)
• Erin Keane ‘Jane Austen Slept with all the Book Bloggers‘ on Salon
• ‘Was Jane Austen a Feminist Writer?‘ on Scottish Book Trust
• Liz Kessler on why her novel about a girl coming out has been in a drawer for 15 years in The Guardian
• Helen Lewis ‘who are women dressing for, anyway‘ in the New Statesman
• Brain Pickings on Anne Lamott and the true gift of friendship
• Helen McClory on monsters for the Queen’s Ferry Press blog
• Elisabeth Geier on male bodies and women trying to navigate them on The Catapult
• Essie Fox on the allure of the gothic on One Book Lane
• Judith Levine, ‘Lena Dunham Wasn’t a Paedophile, and Neither Were You‘ in the Boston Review
• Hisham Matar, ‘The Unsaid: The Silence of Virginia Woolf‘ in The New Yorker
• Max Cairnduff, ‘Girls get murdered all the fucking time‘ on Lauren Beukes’ The Shining Girls on his blog
• Amy Uyematsu, ‘Old Asian American Poets Never Die‘ on Huffington Post
• Hannah Richell ‘And then…‘ on her blog
• Sabah Haider ‘Reflections on Northern Spirit‘ on Minor Literature[s]
• Beluah Devaney ‘Where Have All the Red-Headed Heroines Gone?‘ on For Books’ Sake
• Kathleen Anderson, ‘Why Cornel West Loves Jane Austen‘ on Huffington Post
• Helen MacKiven on her preference for female writers on her blog
• Blue Telusma, ‘Kim Kardashian doesn’t realise she’s the butt of an old racial joke‘ on The Grio

The interviews:

• Meera Syal on staring in Behind the Beautiful Forevers at the National Theatre, London
• Megan Amran in The Guardian
• Fiona McCrae, Graywolf Press Director, interviews Barbara Epler, President of New Directions on the Graywolf Press blog
• Brecken Hancock in Maisonneuve
• Emma Hannigan in Stylist
• Hilary Mantel reported in The Independent
• Helen Macdonald on The Guardian Books’ podcast
• Emily St. John Mandel on The Millions
• Jenny Offill interviews Lydia Millet on Salon
• Suzannah Dunn on Word Wenches
• Lindsay Hunter in The Believer
• Lore Segal on the Meville House website
• Margaret Atwood on the Huffington Post, responding ‘to some common tweets about Canadians‘ on Buzzfeed and in The West Australian
• Darcey Steinke on Bustle
• Jennifer Holland, Workman Publishing’s #ReadWomen2014’s author of the month on their blog
• Jo Mazelis on For Books’ Sake
• Jenny Erpenbeck on NRP Books
• Cheryl Strayed in Vanity Fair
• Tania Hershman on her flash fiction ‘Think of Icebergs‘ in Litro
• Andrea Levy in the Independent
• 5 Minutes with Marian Keyes on Eason Edition

This week’s ‘Who is Elena Ferrante?’ piece is by Jane Shilling in the New Statesman

If you want some fiction to read:

• ‘The Golden Room (Lucy’s Lips)‘ by Elizabeth Crawford in BOMB magazine
• Dorothea Lasky, ‘Never Did Amount to Anything‘ in Granta
• Olivia Laing, ‘The Other Hotel‘ on Manchester Literature Festival’s blog (click the title to download)
• Jackie Kay’s ‘Afternoon Tea‘ on Manchester Literature Festival’s blog (click the title to download)
• An extract from Jenny Erpenbeck’s The Ends of Days (tr. Susan Bernofsky) on NRP Books
• Marie-Helene Bertino on The Catapult ‘It’s about exes who fall from the sky.’

Or some non-fiction:

• ‘Thea‘ on I Will Pay £1.00 For Your Story blog
• Joanna Bourke’s introduction to Wounding the World on Virago’s website

This week’s lists

• 8 Moving First World War Books in Good Housekeeping
• Best Books to Read this November in Red magazine
• Arched Eyebrow’s 7 Favourite Books published this year on her blog
• Lydia Millet’s 5 Writing Tips in Publishers Weekly
• NetGalley’s UK Books of the Year
• Books that have taught me about ignorance on Of Books
• The top 10 books about reading in The Guardian
• 50 Novels Featuring Famous Authors as Characters on Flavorwire
• Best Reads for Christmas 2014 on Gransnet
• If You Liked Not That Kind of Girl by Lena Dunham, You will Love… on Huffington Post
• 6 Witty Quotes from Margaret Atwood on Buzzfeed
• When Polly Vernon met Lena Dunham: 6 Things We Learned on Grazia
• Favourite Books of 2014 on Read Her Like an Open Book
• The Bookbag’s Top Ten Women’s Fiction Books 2014
• Quotations from Dan by Joanna Ruocco on the baumer
• 10 New Thought-Provoking Non-Fiction Books in Time Out New York
• 9 Books That Got Me Through My Awkward Teen Years on Bustle
• 5 Festive Novellas from Novelicious
• Some fantastic books about friendship in Rookie
• The 40 Books Every Woman Should Read on Hello Giggles

In the Media: 19th October 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought-provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Two things seem to have dominated this week: essays and people not being very nice to each other. Let’s start with the former:

Essays have been a talking point although most of the pieces I link to aren’t new. The resurgence of interest seems to have come from Is This a Golden Age for Women Essayists? which ran in the The New York Times a couple of weeks ago. The difference in opinions between Cheryl Strayed and Benjamin Moser is fascinating. Meghan Daum’s about to publish her second essay collection. There’s a great interview with her on her website (and how much do I want to read Selfish, Shallow and Self-Absorbed?). One of this year’s most talked about essay collections is Leslie Jamison’s The Empathy Exams, the final essay of which ‘Grand Unified Theory of Female Pain‘ is available to read on VRQ Online. Amongst others, the essay discusses Lucy Grearly. If you’re new to her (as I am), there’s an essay on her in New York Magazine by Ann Patchett. I can’t mention essays without mentioning Roxane Gay, here’s a piece in The New Inquiry by Patricia A. Matthew on why Gay’s a new feminist icon.

Not being very nice to each other then. Well, this very odd piece by Katherine Hale ran in The Guardian yesterday, in which she admits to ‘stalking’ a book blogger who gave her a bad review on Goodreads. Bibliodaze posted this response to the article. Kate McDonough on Salon was the latest person to defend Lena Dunham, this time against Kevin D. Williamson of the National Review who questioned whether Dunham is telling the truth about a sexual assault which she writes about in her book. Emily Gould wrote on Buzzfeed about her experience of online trolls and why we should fight them, while Helen Lewis in the New Statesman talked about more experiences high profile women have had of trolls and what can be done to try and stop them. Caitlin Moran in The Times (paywalled) asked ‘Should We All Quit Twitter?‘ and how it’s easy to think it’s not real, thoughts prompted by her viewing the leaked Jennifer Lawrence photographs.

Other overtly feminist piece this week are Chris Kraus’ essay ‘The New Universal‘ – on feminism and publishing in The Sydney Review of Books; ‘Women as Supporting Characters Is a Problem‘, Alison Herman reports from Comic Con for Flavorwire; Johann Thorsson tells us ‘2 Things I Learned Reading Only Books by Women for a Month‘; Jacqueline Rose, ‘We Need a Bold Scandalous Feminism‘ in The Guardian; Lorraine Berry and Martha Nichols, ‘ “Women and Power”: How Much Clout do Female Writers Have‘ in the New York Times, and philly.com asks ‘Where are the women?‘ on the National Book Awards list (which all sounds very familiar).

And Sali Hughes, writer of ‘Pretty Honest’, is the woman with the most press this week, she’s interviewed in Standard Issue and on the Boden blog and there’s an new extract (audio, this time) from the book on the 4th Estate website.

Other noteworthy essays/articles:

• Roxane Gay on being hospitalised following an accident, written in the hospital
• Colin Dickey on Time in Virginia Woolf’s Orlando in Lapham’s Quarterly
• Neil Gaiman on ‘My Hero: Mary Shelley‘
• Bim Adewunmi’s Crush of the Week is on Claudia Winkleman’s Fringe
• Sarah Churchill on ‘The Joys of Judging the Man Booker Prize‘ (I should probably point out, lest anyone’s new to the blog, that I was one of the people to openly criticise the lack of gender parity on the longlist.)
• Elizabeth Minkel in the New Statesman on ‘Why It Doesn’t Matter what Benedict Cumberbatch thinks of Sherlock Fan Fiction‘
• Elizabeth Minkel again in the New Statesman on whether adults should read Young Adult novels
• Corrine Duyvis ‘on the decline of “issue” books‘ in The Guardian and this response to it from Caroline Clark on Queer YA.
• Members of the 4th Estate team on their favourite female characters from 4th Estate publications – Aunty Ifeoma from Purple Hibiscus; Flora 717 from The Bees
• ‘We Should All Be Feminists’, behind the cover of Adichie’s latest publication on the 4th Estate blog
• Kate Mosse on trying taxidermy in The Guardian
• Laura van den Berg ‘Natasha: On a Storyteller Raised by a Wolf‘ in The Millions
• Laura June in praise of the Amazon Reviews Anne Rice writes (yes, you read that correctly) on Vulture
• Alice Furse on ‘How to Make 48 Scotch Eggs‘ or what to do when your life changes dramatically
• Rowan Williams on Marilynne Robinson’s moral world in the New Statesman
• James Wood in the New Yorker on Rediscovering Elizabeth Harrower (late to this)
• Alison Kinney on Frankenstein as a metaphor for revision in Avidly (late to this too)
• A variety of writers on Alice Munroe in the New Yorker
• Rupert Pirie-Hunter on Agnes Owens in Overland
• Louisa Treger on Dorothy Richardson: The Forgotten Virginia Woolf on Women Writers, Women’s Books
• Kate Christensen on her favourite bar in Electric Literature
• Natalie Ferris on Christine Brooke-Rose in Frieze (published in 2012 but I’ve only just discovered her)
• Helen Pidd on Emma Jane Unsworth at Manchester Literature Festival in The Guardian
• Darcey Steinke on Barry Hannah and I on The Millions
• Elif Batuman ‘Marriage Is an Abduction‘ on Gone Girl in the New Yorker
• Antonia Honeywell, ‘Four Months till Publication‘ and tragedy strikes
• Kristiana Willsey ‘Hunger Is the Beginning of Every Folk Tale‘ on The Toast
• Catherine Lacey ‘The Question of Fate‘ in Granta
• Jessie Burton on the difficult of writing a second novel after such huge success with the first on her blog
• Emma Warren continues her series ‘A Year in Oxleas Woods‘ on Caught By the River

And the interviews:

• Margaret Atwood on why Ursula K. Le Guin’s A Wizard of Earthsea is a masterpiece on ion
• Diane Cook on Electric Literature and in conversation with Sam Lipsyte in Granta
• Shelley Harris, Abigail Tarttelin and Essie Fox on One Book Lane
• Rebecca Mascull on jaffareadstoo
• Women In Clothes aka Heti, Shapton and Julavits on The Rumpus
• Qaisra Shahraz on Woman Writers, Women’s Books
• S.E. Hinton in the New Yorker
• Emily St. John Mandel on the Adventures with Words podcast
• Meike Ziervogel on Female First

On translation:

• ‘Concept and Form‘ – Poet and translator Sophie Collins interviewed in Review 31
• And in case you’re not fed up of it yet, Zeljka Marosevic, MD of Melville House UK, wrote about Elena Ferrante and whether writers should reveal their real identities following this article by Lizzy Davies in The Guardian.

If you’d like some fiction to read/listen to:

• Tender, quarterly journal made by women
• An all-female edition of Right Hand Pointing – Short Poetry, Short Fiction and Short Art
• ‘Exquisite Corpse‘, fifteen writers including Zadie Smith and Jenny Offill co-write a story for the New York Times
• Kirstin Valdez Quade ‘Ordinary Sins‘ in The New Yorker (Quade talks about the writing of the story here)
• Kirsty Logan ‘The Elephant Dance‘ in Ambit
• Tanya Ray ‘Zoriada‘ in Granta
• Paul Theroux reading Elizabeth Taylor’s ‘The Letter Writers‘ on The New Yorker podcast
• Anne Carson ‘Krapp Hour‘ in Granta
• Jackie Kay’s ‘Dear Library‘ poems on Scottish Book Trust
• Katherine Stansfield, ‘There’s No Such Thing as Pandas‘ and three other poems on the Seren Books blog
• Kate Tempest reads her poem ‘The woman the boy became‘ on the Picador Blog
• Sylvia Plath reading ‘Daddy’

Or some non-fiction:

• An extract from India Knight’s In Your Prime: Older, Wiser, Happier in The Times (paywalled)
• Extract from The Iceberg by Marion Coutts, shortlisted for the Samuel Johnson Prize (Warning: this made me sob)

This week’s lists:

• Louise Treger’s Top Five Feminist Characters in We Love This Book
• Val McDermid’s Top Five Crime Novels Everyone Should Read Before They Die in the Big Issue
• Lynn Kanter’s 30 Women Novelists You Should Know is up to number 13: Caroline Leavitt
• The 10 Best Short Story Collections according to Elizabeth Day in The Guardian
• Six Life Lessons from Amy Poehler in Good Housekeeping
• Judith Kinghorn’s Ten Favourite Novels by Women Writers
• Five books Jojo Moyes recommends on her blog
• Lena Dunham’s bookshelf for Strand Bookshop
• 28 Feminist Writers Recommend Books Every Man Should Read on Flavorwire
• The 50 Best Culturally Diverse Children’s Books in The Guardian

And my favourite pieces this week:

• Ursula K. Le Guin on Being a Man on Brain Pickings
• Monica Heisey’s ‘A Cool Book Review By a Hip Writer Who Has Definitely Had Sex‘ on The Hairpin
• Moira Redmond on ‘How Nylons Changed Literature‘, in The Guardian
• Mallory Ortberg, ‘Fictional Characters whose Lives Would Have Been Vastly Improved By An Abortion‘ on The Toast
• Alison Bechdel’s one panel graphic review of The Paying Guests
• Antonia Honeywell’s spoof interview of Richard Flanagan as if he was a female writer