In the Media, June 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s impossible to begin with anything other than the Stanford rape case. The victim’s court statement was published on Buzzfeed and went viral. The piece, along with responses from Brock Turner’s father and friends, including a female friend who defended him, have prompted some impassioned and powerful pieces: Louise O’Neill wrote, ‘20 minutes is an awfully long time when you’re the one being raped‘ in the Irish Examiner; Estelle B. Freedman, ‘When Feminists Take On Judges Over Rape‘ in The New York Times; Sarah Lunnie, ‘Maybe the word “rapist” is a problem: The utility of nouns and verbs, or accepting who we are and what we do‘ on Salon; Adrienne LaFrance, ‘What Happens When People Stop Talking About the Stanford Rape Case?‘ on The Atlantic; Kim Saumell, ‘I was never raped but…‘ on Medium; Rebecca Makkai, ‘The Power and Limitations of Victim-Impact Statements‘ in The New Yorker; Roe McDermott, ‘He Said Nothing‘ on The Coven; Glosswitch, ‘Does the outrage over the Stanford rape case do anything to help victims?‘ in the New Statesman

The other big news this fortnight was Lisa McInerney’s debut novel, The Glorious Heresies, taking The Baileys Women’s Prize for Fiction 2016. Justine Jordan wrote, ‘Sweary Lady’s riot of invention is a well-deserved winner of the Baileys prize‘ in The Guardian. While McInerney wrote about her working day for The Guardian and shared a secret in ‘Bad Behaviourism‘ on Scottish Book Trust

There’s a new series on Literary Hub about women writers in translation. Written by a group of translators, each fortnight they’re looking at a country and the women writers from there yet to be translated into English. So far they’ve covered Germany, China and Italy. I’ve added it to the regulars at the bottom of the page.

And finally, the excellent Jendella Benson has a new column on Media Diversified. This week’s is ‘How to Raise a Champion‘ and I’ve also added her to the list of regulars at the bottom of the page.

The best of the rest:

On or about books/writers/language:

• Natasha Walter, ‘We’ve been expecting you, Ms Bond: why fiction needs more female spies‘ in The Guardian
• Barbara Donsky, ‘The Power of Nancy Drew‘ on Women Writers Women’s Books
• Kaulie Lewis, ‘Books I Wish I Wrote: On Writerly Jealousy‘ on The Millions
• Daisy Buchanan, ‘Sex, drugs and radical feminism. At 50, Valley Of The Dolls is as relevant as ever‘ on The Pool
• Tessa Hadley, ‘At Home in the Past‘ in The New Yorker
• Peggy Frew, ‘The closest Mum ever came to saying ‘I love you’ – Dad never even came close‘ in The Irish Times
• Joanna Walsh, ‘The N Word – Against the Novel‘ in The Irish Times
• M.J. Carter, ‘Who Were the Infidels‘ on For Winter Nights
• Lisa Dempster, ‘If you doubted there was gender bias in literature, this study proves you wrong‘ in The Guardian
• Rachael Acks, ‘An Open Letter to a Novel I Was Certain I’d Love (And Didn’t)‘ on BookRiot
• Teresa Preston, ‘Where Are All the Single Ladies in Fiction‘ on BookRiot
• Sarah Hepola, ‘What My Parents Really Think About My Memoir of Alcoholism‘ on Literary Hub
• Alix Hawley, ‘Angels of the North: On ‘Happy Valley’ and Anne Brontë‘ on The Millions
• Ainehi Edoro, ‘Beyoncé is not shining a light on African literature – it’s the other way round‘ in The Guardian
• Lionel Shriver’s ‘teenage diary: bad spelling and unreturned affections‘ in The Guardian
• Mo Moulton, ‘Dorothy L. Sayers, Marjorie Barber, and the Story of a Wartime Lemon‘ in The Toast
• Christina Patterson, ‘Memorising Poetry Is an Art of the Heart‘ in The Guardian
• Sarah Madison, ‘Dear Broke Reader: Your Sense of Entitlement is Killing Me‘ on her website
• Kelly Kanayama, ‘Even with “inclusive” Shakespeare, whiteness takes priority‘ on Media Diversified
• Rivka Galchen, ‘Where Is Luckily?‘ in The New Yorker
• Mylo Freeman, ‘Black girls can be princesses too, that’s why I wrote my books‘ in The Guardian
• Annie Liontas, ‘Inherit the Word‘ in The New York Times
• JoAnna Novak, ‘The Long Dash‘ on Catapult
• Lucie Whitehouse, ‘Why Strong Female Friendships Are So Important In Literature Today‘ in Bustle
• Kate Angus, ‘How to Tell the Future with Books‘ on Literary Hub
• Ellah Wakatama Allfrey, ‘Writers need new ways of talking about Africa’s past and present‘ in The Guardian
• Amber Sparks, ‘Let Us Now Praise Famous Short Story Writers (And Demand They Write a Novel)‘ on Electric Literature
• James Wallace Harris, ‘The Resurrection of Lady Dorothy Mills‘ on BookRiot
• Alison Flood, ‘Yale English students call for end of focus on white male writers‘ in The Guardian
• Anne Tyler, ‘Let’s face it, Shakespeare’s plots are terrible’ in The Guardian
• C.J. Flood, ‘Teen girls have a right to roam too‘ in The Guardian
• Michelle Dean, ‘In Between Daze‘ in The Awl
• Charlotte Eyre, ‘Crossan wins YA Book Prize 2016‘ in The Bookseller
• Tabitha Blankenbiller, ‘Girly Book Covers and Man Book Clubs‘ on Electric Literature
• Saengeeta Bandyopadhyay, ‘My God, so Much Sex?‘ on English Pen (translated by Arunava Sinha)
• Michelle Dean, ‘Read it and keep: is it time to reassess the ‘beach read’?‘ in The Guardian
• Sarra Manning, ‘I Love Books, Let Me Count The Ways…‘ in Red
• Katherine Wilson, ‘How Elena Ferrante made the neglected Naples a must-visit destination‘ on The Pool
• Jonathan Coe, ‘Enid Blyton? She gave me my sense of social justice‘ in The Guardian
• Sarah Hilary, ‘A Gift for Killing: Patricia Highsmith’s legacy for today’s crime writers‘ on Virago
• Esther Allen, ‘From the Translator: The Song Remains the Same?‘ on Words Without Borders
• Monica Tan, ‘Women and Melbourne writers dominate Miles Franklin 2016 shortlist‘ in The Guardian
• Amelia Gentleman, ‘The mystifying disappearance of children’s author Helen Bailey‘ in The Guardian
• Rachel Buchanan, ‘How Shakespeare shaped Greer’s feminist masterpiece‘ on ABC
• Ursula K. LeGuin, ‘Up the Amazon with the BS Machine‘ on Book View Cafe
• Emily Carr, ‘Finding Poems in My Own Labyrinth‘ on Literary Hub
• Gretchen Gerzina, ‘“True Love”: The Victorian (re)discovery that transformed our understanding of black women’s literature‘ on Salon

Personal essays/memoir:

• Melynda Fuller, ‘Rapture of the Deep‘ on The Rumpus
• Claire Hoffman, ‘Growing Up in Meditationland‘ in The Cut
• Tanwi Nandini Islam, ‘How Failure Became My New Beginning‘ in Elle
• Maya Binyam, ‘That Place Becomes a Wound‘ on The Hairpin
• Stephanie Danler, ‘On Losing Something Precious‘ on Literary Hub
• Marina Benjamin, ‘My Daughter, Myself‘ on Aeon
• Rebecca Worby, ‘Expanding the Story‘ in Guernica
• Cathy Day, ‘They Found a Meth Lab in Cole Porter’s Childhood Home‘ on Literary Hub
• Bryony Gordon, ‘How my relationships with men were affected by my mental illness‘ on The Pool
• Allison Moorer, ‘Below The Belt‘ on Guernica
• Rina Caballar, ‘How to Make Polvoron: Growing Up With a Mother Overseas‘ in The Toast
• Soniah Kamal, ‘The Reluctant Writer‘ on Catapult
• Stephanie Wittels Wachs, ‘How to Reinvent Yourself‘ on Medium
• Elisa Gabbert, ‘Time, Money, Happiness‘ on The Smart Set
• Gillian B. White, ‘Muhammad Ali and the Importance of Identity‘ on The Atlantic
• Erin Williams, ‘Before I Was A Mother, I Was A Drunk‘ on Buzzfeed
• Sarah Sweeney, ‘Some Girls‘ on Catapult
• Nicole Walker, ‘DNA‘ on The Rumpus
• Rufi Thorpe, ‘The Plus Side to Marrying a Total Stranger‘ on Female First
• Ulrika Campbell, ‘My Mother Told Me I Should Get Breast Implants When I Was 14‘ on XOJane
• Bridget Minamore, ‘The simple joy shared by two women on the road‘ on The Pool
• Marie Phillips, ‘Can you ever truly feel at home in a country you weren’t born in?‘ on The Pool
• Francine Prose, ‘Enthralled by Sicily, Again‘ in The New York Times
• Jane Demuth, ‘This Is to Mother You: On Caring for a Toxic Parent in Her Greatest Time of Need‘ on Longreads

Feminism:

• Marina Benjamin, ‘The ‘middlepause’: what no one tells you about turning 50‘ in The Telegraph
• Alexandra Heminsley, ‘Why BodyForm’s new ad is a game changer‘ on The Pool
• Megan Garber, ‘When Newsweek ‘Struck Terror in the Hearts of Single Women’‘ on The Atlantic
• Robyn Wilder, ‘Finding your place in the mummy-cliques‘ on The Pool
• Helen Phillips, ‘Escaping the Self-Critical Eye for the Sake of My Daughter‘ on Literary Hub
• Holly Brockwell, ‘“There’s not a shadow of regret”: one woman’s diary of her struggle to become voluntarily infertile aged 30‘ in Stylist
• Jessica Valenti, ‘My life as a ‘sex object’‘ in The Guardian
• Orbala, ‘On Conditional Love in Patriarchies and Death to Patriarchy‘ on Freedom from the Forbidden
• Claire Heuchan, ‘Your Silence Will Not Protect You: Racism in the Feminist Movement‘ on Sister Outrider
• Ann Friedman, ‘Pop Feminism Doesn’t Mean the End of the Movement‘ in The Cut
• Caroline Criado-Perez, ‘When it comes to online abuse, we need to see a fuller picture‘ on The Pool
• Dawn Foster, ‘If I ever see you in the street, I hope you get shot’ on The London Review of Books
• Una Mullally, ‘Shifting Ground‘ in Granta
• Hadley Hall Meares, ‘The invention of the paper bag was a triumph of feminism‘ on Aeon

Society and Politics:

• Alana Massey, ‘Your Parents’ Romantic Lives Don’t Have to Determine Your Own‘ in The Cut
• Sonia Smith, ‘Unfriendly Climate‘ in Texas Monthly
• Nikole Hannah-Jones, ‘Choosing a School for My Daughter in a Segregated City‘ in The New York Times Magazine
• Ijeoma Oluo, ‘The Brown, Queer, And Poor Are Not The Ones Holding The Left Back‘ in The Establishment
• Mary Milz, ‘Blindsided: A Dream Engagement Turned Nightmare‘ in Indianapolis Monthly
• Alex Mar, ‘What Ever Happened to “The Most Liberated Woman in America”?‘ on Longreads
• Andrea Nguyen, ‘The History of Pho‘ on Lucky Peach
• Ella Risbridger, ‘If I am your “carer”, can I also be your girlfriend, mother or daughter?‘on The Pool
• Kathleen McAuliffe, ‘Disgust Made Us Human‘ on Aeon
• Sarah Hughes, ‘Sexuality today: how we embarked on a new age of freedom and tolerance‘ in The Guardian
• Kathryn Schultz, ‘Citizen Khan‘ in The New Yorker
• Ashley Powers, ‘The Man in the Woods‘ in the California Sunday Magazine
• Lynn Enright, ‘Negotiating the etiquette of love in the airport‘ on The Pool
• Rhiannon Lucy Cosslett, ‘The disastrous message sexism in the Labour party is giving young women voters‘ on The Pool
• Jacinda Townsend, ‘Heteronormativity and the Single Mother‘ in The White Review
• Glosswitch, ‘To ignore someone’s educational background isn’t “fair play” – it perpetuates inequality‘ in the New Statesman
• Olga Khazan, ‘Not White, Not Rich, and Seeking Therapy‘ in The Atlantic
• Rebecca Traister, ‘Hillary Clinton vs. Herself‘ in New York Magazine

Film, Television, Music, Art, Fashion and Sport:

• Eleanor Margolis, ‘Why, after years of gay-free cartoons, I can’t get excited about Finding Dory’s lesbian couple‘ on the New Statesman
• Chitra Ramaswamy, ‘Why we need more gay characters on screen‘ on The Pool
• Kristen Lopez, ‘How the Weepy Fantasy ‘Me Before You’ Infantilizes the Disabled‘ on Flavorwire
• Harriet Hall, ‘Watch author Jojo Moyes respond to controversy over the portrayal of disability in Me Before You‘ in Stylist
• Clover Hope, ‘How White Are the Women’s Magazine Covers of 2016 so Far?‘ on Jezebel
• Kat George, ‘Why Missy Elliott’s feminist legacy is criminally underrated‘ on Dazed
• Désirée Wariaro, ‘Beyoncé and Resistance‘ on Media Diversified

The interviews/profiles:

• Cynthia D’Aprix Sweeney in The New York Times
• Annie Proulx in The Telegraph, The Guardian and The Wall Street Journal
• Marilynne Robinson on BookRiot
• Nina Stibbe in Red
• Mary Roach in The New York Times
• Christina MacSweeney on Words Without Borders
• Sarah Hepola on Salon
• Rebecca Schiff on The Rumpus
• Stephanie Danler on Literary Hub
• Jessica Valenti on BookRiot and The Pool
• Lynne Kutsukake on Bloom
• Sarah Gerard on The Huffington Post
• Rita Mae Brown on Broadly
• Lydia Millet and Jenny Offill on Slate
• Nell Dunn on The F Word
• Sarah Perry on The History Girls and Five Books
• Yaa Gyasi on NPR
• Lynn Steger Strong on The Rumpus
• Eleanor Wasserberg on Waterstones
• Sylvia Patterson in The Guardian
• Laura Lippman on The Los Angeles Review of Books
• Patricia Engel on Electric Literature
• Hanya Yanagihara on Waterstones and The Bookseller
• Leila Aboulala (and Elnathan John) on Literary Hub
• Emma Jane Unsworth and Rachel B. Glaser on Granta
• Emma Straub on BookRiot and Electric Literature
• Kathleen Alcott in The Guardian
• Julie Myerson on Bookanista
• Emma Cline on The Bookseller
• Weina Dai Randel on History from a Woman’s Perspective
• Joanna Walsh in The Honest Ulsterman
• Helen MacKinven on Christina Banach’s website
• Charlotte Hobson in the Financial Times
• Rebecca Perry in The Honest Ulsterman
• Kimberle Crenshaw in The Guardian
• Alice Walker on Salon

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

‘Why aren’t we talking about universality?’ Bare Lit Festival 2016

This past weekend saw the inaugural Bare Lit Festival take place in the east end of London. ‘Bare Lit Festival is a new literature festival for writers of colour, giving them the platform and visibility they deserve.’

On Saturday I went to two panels, ‘What Does Liberation in Literature Look Like?’ followed by ‘(Re)Writing Pasts and Futures’, before going to listen to JJ Bola perform some of his poetry and then discuss his work with Bwesigye Bwa Mwesigire.

L-R: Radhika Swarup (chair), Robin Yasmin-Kassab, Leila Aboulela, Joan Anim-Addo, Sareeta Domingo

The first thing that was immediately noticeable was the make-up of the audience. I’ve been to a number of literary events and they’re dominated by white people, on and off stage. For the first time, I was in the minority – and hurrah for that. If publishers are wondering where their audience is for books by people of colour, they were there in the Free Word Centre and the Betsy Trotwood on Saturday and Sunday. They were on Twitter following people who were live tweeting from the events.

The other thing that became apparent as the weekend went on was how many women were on stage. Not just as speakers, but charing panels and events too. I mean, imagine, everyone treated as equals.

The first panel discussed liberation in literature: what that meant for them, how they were oppressed or pigeonholed as writers and readers. (Note: I’m only going to share the comments from women as that’s what this blog’s all about. If you want to read more, check out #BareLit16.) Joan Anim-Addo commented on the statistic that African Caribbean children perform far below average at reading. I don’t think anyone’s considered the literature these children are given, she said. She went on to talk about black people being represented in the literary world. They’re told their writing won’t sell – so was Toni Morrison.

Sareeta Domingo writes romantic fiction and pointed out that you don’t see many characters of colour in that genre, nor many writers of colour writing it. She went on to say  that readers might be surprised to empathise with a character from another background but how would they know if they don’t exist?

Radhika Swarup, whose novel Where the River Parts is about a romance between a Hindu and a Muslim set against the partition of India, said she’s had reviews commenting on the smell of turmeric. ‘There’s no turmeric in the book.’

Leila Aboulela talked about fiction being more liberating for non-fiction. The latter attracts hateful comments online. She briefly discussed her work-in-progress about a Russian woman. She says she worked her way into the character through motherhood, which is something they have in common.

The panel ended with Swarup saying, ‘The ultimate liberation is in writing for yourself’.

L-R: Haris Dirrani, Tosin Coker, Patrick Vernon (chair), Zen Cho, Tendai Huchu

The (Re)Writing Pasts & Futures panel focused on Historical Fantasy, Speculative Fiction, Sci-Fi and Afrofuturism. Zen Cho talked about growing up reading books and thinking only white people had adventures. She processed the world through writing and felt she was lacking because she didn’t see herself in the texts she was reading. She said she felt a responsibility ‘to be the right kind of person’ because she’s one of very few published Malaysian writers.

Tosin Coker felt similarly. She said that reading so many Western novels triggered an identity crisis for her. Writing sci-fi gave her a different perspective on herself as an African, as a black person, as a woman. ‘Sci-Fi’s not as fictional as we think.’ Coker said that she thinks it’s easier for writers of colour to understand each other’s cultures as they use more analogies and descriptions than white writers. She commented on other differences in perspectives too, giving the example of insults. People of colour use comparisons, white people swear.

I’ve spent years saying I don’t read/like Sci-Fi but I’ve come to realise that this is a bare-faced lie. I encourage you all to look up the work of these writers. They began the panel with each of them reading to us from their work and it was fantastic.

I’m going to mention JJ Bola briefly here as much of what he discussed about his work on Saturday was to do with masculinity and feminism. Again, I recommend you take a look at #BareLit16.

I was disappointed to miss two events on Sunday morning: Catherine Johnson/Peter Kalu and Sunny Singh/Malika Booker. Foolishly I managed to leave my notebook – with some notes for my PhD work inside – at Waterstones Piccadilly at The Word Factory event on Saturday night so spent Sunday morning retrieving that. (Huge thanks to the Waterstones staff who were brilliant, particularly Rob Chilver and the security guard at the shop.)

L-R: Sherif Dhaimith (Darf Publishing), Esther Kuforji (The Jeli)(chair), Crystal Mahey-Morgan (Own It), Valerie Brandes (Jacaranda Books)

The first event I saw on Sunday then was ‘What lies ahead for publishing?’ Each of the panelists had slightly different perspectives on this due to their own current ventures.

Valerie Brandes, publisher at Jacaranda Books, talked about how they’re looking for new voices, previously unpublished writers, and that she works with them on the raw manuscripts that are submitted to her. She also collaborates with authors to work out who their audience is. She said authors often have a strong sense of who they are and their social media profiles support this.

Esther Kuforji commented that The Jeli include poems, flash and writing prompts below the picture on their Instagram feed, using social media to share and promote stories. She also commented that if you submit to The Jeli and they decide not to publish you at that point, she’s still keen to work with people again later on.

Crystal Mahey-Morgan talked about how it was liberating not to have to dilute things for the corporate world. (She worked for PRH for five years.) Editors don’t always know best when it comes to certain voices and stories. That’s the difference between the mainstream and independent publishers who specialise. She works on multi-media projects and quoted the statistics that the UK’s 16-24 year olds are the most illiterate in the developed world but also the most tech-savvy. She sees smartphones as a way to bring multimedia projects to new audiences, seeing a link between technology and oral culture.

She talked about her London accent, telling us she was criticised for it when she first began working in publishing, ‘Don’t let anyone make you feel it’s not for you’. She also called for ‘diversity with diversity: we’re not all the same’ and that she was ‘fed up of talking about diversity; why aren’t we talking about universality?’.

L-R: Kelly Kanayama (chair), RAMZEE, Asia Alfasi

My final event, bar Courttia Newland’s closing speech, was ‘Comics in Context’. Like Sci-Fi, a couple of years ago I would have told you that I didn’t read/like comics/graphic novels but then came Persepolis and Alison Bechdel and a change of mind on my part.

Asia Alfasi came from Libya to Scotland – the east end of Glasgow, to be precise – as a young girl. In Libya she read Western classics in graphic novel form. When she moved to Scotland, she found a barrier between her and her peers that wasn’t just to do with her moving from another country, but was also because she was the first girl in her area to wear the hijab. She lived in the library and learnt about UK culture through literature. She began to create her own comics because she couldn’t see herself represented. She said she can’t think of a better medium for someone who wants to tell a story and have complete control.

‘The odds aren’t always stacked against you,’ she said. She talked about travelling to China and Russia, amongst others, and how people at comic conventions there were interested in her work. She said Alice in Wonderland, Cinderella and so on have been done so many times in so many different ways that there’s a thirst for new tales that aren’t the Western staples.

The whole weekend was absolutely fantastic. I was introduced to writers I’d never heard of, and might never have heard of, before. I heard some interesting discussions. I met lots of brilliant people. What’s stuck with me though is a comment from my friend (of colour) who I used to work with when I taught in London and who was there on the Sunday. She said it was the first time she’d been to a literary event and left feeling positive and inspired. And that, surely, is what it was all about. Bring on Bare Lit 2017!

The festival are in the process of uploading footage of all the events to the Media Diversified YouTube channel.

My Plans for #ReadDiverse2016

I don’t do New Year resolutions. I learnt some years ago that those vague statements – I’m going to do more exercise/eat less/learn a language – don’t last beyond mid-January. But goals do, at least specific ones you can work towards and extend, if necessary, or not beat yourself up about if you don’t quite fulfil them do.

Last year, I set a goal to read more books by women of colour. I joined Eva Stalker’s #TBR20 project with the caveat that I’d continue to read review copies I was sent as well. I still haven’t completed all the reviews of those books yet but the main effect it had was I paid attention to what I was reading, specifically who the writer was. In 2014 10% of my reading was by writers of colour, in 2015, it was 32%. The unintended consequence of this, however, is that the number of books I read by writers from LGBTQIA communities plummeted from 6% to 0.5% and books in translation from 11% to 0.6%. (The latter was partly a consequence of me not really taking part in #WITMonth due to personal circumstances but still, it’s poor.)

The plan for this year then: more reviews of books by women of colour; more reviews of books by women who identify as LGBT; a proper focus on women in translation in August.

I’m aiming for 50% of my reviews to be of books by women of colour. I’ve changed the focus from the percentage I’m reading with the intention of even coverage on here. What I noticed last year was that although I was reading books from my #TBR20 stack, when I got back to reading and reviewing after my break in the summer, I was focusing on books by white women, the ‘big titles’. As a consequence, I have a stack of review copies by women of colour. These are now at the top of the pile.

I’ve also created a new #TBR20 pile focusing on writers from the LGBT communities. And here they are…

Half of the books (those on the left, except Anaïs Nin who appears to be in the wrong pile) are by women of colour. I used several sources to help me compile the list: More than 50 books by Queer People of Color by zarahwithaz; 10 Novels & Memoirs By and About Black Lesbian, Bisexual and Queer Women on Autostraddle;100+ LGBTQ Black Women You Should Know: The Epic Black History Month Megapost also on Autostraddle, and the Wikipedia list of LGBT Writers.

Elsewhere, you might have seen on social media that Media Diversified have created Bare Lit Festival (@BareLit). ‘A literary festival focused entirely on writers of colour’, which will run from the 26^th – 28^th February 2016.

We want to counteract the trend of equating literary merit with whiteness by highlighting the amazing variety of work currently being produced by BAME writers. That’s why we’ve put together an exciting programme of performances, panels and conversations — such as ‘Second-Generation Poets in Exile’, ‘What Does Liberation in Literature Look Like?, Sci Fi vs. Afrofuturism’ and much more.

I’ve already bought my weekend pass and you can support the festival by buying passes or single event tickets now and helping them to raise the cost of running the event. Find out more on their Indiegogo page.

Mention of Media Diversified brings me to this interesting piece, posted a couple of days ago: Decolonise, not Diversify by Kavita Bhanot. I agree with everything she says.

Speaking only for myself, I didn’t get involved with #diversedecember because I thought it would change the world but I did hope it might lead some people to question their world view or the view the white-dominated world imposes upon us.

During December, Salena Godden (@salenagodden) posted a video of her performing her new poem ‘I Count’. ‘I have become a woman that counts…’ she begins. Yep. I became a woman that counts when I started this blog. I don’t think it’s a solution and it’s certainly not going to bring about one on its own, but while ever white/male/hetero/cis domination exists, I’ll count. For me, #ReadDiverse2016 (@ReadDiverse2016) is about hoping you’ll join in that count too.

In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

• Edwidge Danticat, ‘Best Untranslated Writers: Kettly Mars‘ on Granta
• Avril Horner and Anne Rowe, ‘Iris Murdoch is ‘promiscuous’ while Ted Hughes is ‘nomadic’. Why the double standards?‘ in The Guardian
• Kathleen Alcott’s ‘Ghosts of Thanksgiving‘ on Literary Hub
• Mallory Ortberg, ‘A Day In the Life of an Empowered Female Heroine‘ in The Toast
• Danika Ellis, ‘Every Book Should Have Queer Characters‘ on Bookriot
• Leila Roy, ‘2016: All Women, All the Time (An FAQ)‘ on Bookriot
• Huma Quershi, ‘How do I love thee? Let me Instagram it‘ in The Guardian
• Constance Augusta Zaber, ‘Dear Cisgender People Who Write, Publish, And Read “Trans” Books‘ on Bookriot
• Nick Ripatrazone, ‘Born from Books: Six Authors on Their Childhood Reading‘ on The Millions
• Cathy Rentzenbrink, ‘Can reading fiction prepare us for tragedy?‘ in The Guardian
• Kate Dempsey,  ‘on The Space Between: poetry beyond words‘ in The Irish Times
• Jennifer Maloney, ‘Betting Big on Literary Newcomers‘ in The Wall Street Journal
• Vanessa Thorpe, ‘Meet Britain’s new generation of fearless young female playwrights‘ in The Guardian
• Leila Aboulela. ‘How Anita Desai inspired me to write‘ in The Scotsman
• Elizabeth Minkel. ‘Alone Together: At Book Riot Live‘ on The Millions
• Katy Simpson Smith, ‘Motherhood, Writerhood, and Calling a Job a Job‘ on Literary Hub
• Catherine Simpson, ‘Writing a woman in crisis‘ on Isabel Costello’s Literary Sofa
• Nicola Skinner, ‘Why women’s diaries are the ultimate act of defiance‘ on The Pool
• Doreen Carvajal, ‘Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move‘ in The New York Times
• Rachel Charlene Lewis, ‘Yes, Your Writing Is Shaped By Your Identity – But What You Publish Is Too‘ on Paper Darts
• Vendela Vida, ‘Highly Unlikely‘ in The New York Times

Personal essays/memoir:

• Fanny Blake, ‘I went on holiday to India with my best friend and left my husband at home‘ on High 50 Travel
• Guadalupe Nettel, ‘Bezoar‘ in Granta
• Roxane Gay, ‘Breaking Uniform‘ on Good
• Heather Seggel, ‘A Life in Boxes: What it’s Like Being Homeless for Ten Years‘ on Broadly
• Alana Massey, ‘Theological Scars‘ on Hazlitt
• Michele Leavitt, ‘Hidden in a Suitcase‘ in Guernica
• Rebecca Giggs, ‘Whale Fail‘ in Granta
• Nicole S. Chung, ‘Language Lessons: On Adoption, Identity and Loss‘ in The Toast
• Neda Semnani, ‘Memoirs of a Revolutionary’s Daughter‘ on The Baffler
• Nicole Miller, ‘The River Rises to Meet You‘ in Guernica
• Molly Crabapple, ‘Drawn and Cornered‘ on New Republic

Feminism:

• Kui Kihoro Mackay, ‘Every Day a Feminist‘ on Mama’s Junkyard
• Johanna Thomas Corr, ‘Are you an unpaid emotional labourer at home, and at work?‘ on The Pool
• Mira Ptacin, ‘What Happens When You’re Pregnant in Prison‘ in Elle
• Holly Brockwell, ‘Desperate not to have children‘ on the BBC
• Alison Gee, ‘The trouble with saying you don’t want children‘ on the BBC
• Gaby Hinsliff, ‘When authorities show no respect for women, there are dire consequences‘ on The Pool
• April Woolf, ‘The Feminist Asylum That Redefined Women’s Mental-Health Treatment‘ in The Cut
• Rowan Forster, ‘Does Mixed-Gender Wrestling Promote Equality or Violence Against Women?‘ in Vice
• Azadeh Moaveni, ‘ISIS Women and Enforcers in Syria Recount Collaboration, Anguish and Escape‘ in The New York Times
• Rachel Syme, ‘Selfie: The revolutionary potential of your own face, in seven chapters‘ on Medium
• Yuan Ren, ‘“There’s a huge social stigma to being overweight”: one woman’s account of fat shaming in China‘ in Stylist
• AN Devers, ‘Good-bye, Uterus, Good Riddance‘ on Lenny Letter
• Isabel Rogers, ‘“Messy or Dressy?” Meet Glossy Bossy‘ on her blog
• Samira Ahmed, ‘Marriage, Margaret Thatcher & the closet of female expectations‘ on her blog
• Dayna Evans, ‘On Gawker’s Problem with Women‘ on Medium

Society and Politics:

• Lois Beckett, ‘How the Gun Control Debate Ignores Black Lives‘ on Pro Publica
• Meghan Murphy, ‘Why don’t we talk about the pain of friendship break ups?‘ in The New Statesman
• Molly Crabapple, ‘The Paris Attacks, Refugees, and the Brutal Fiction of Borders‘ on Vice
• Marina Weiss, ‘#Trigger Warning: Fear and Loathing on Campus‘ on Weird Sister
• Viv Groskop, ‘What (and what not) to say to someone who has lost weight‘ on The Pool
• Rebecca Omonira-Oyekanmi, ‘Spending Review 2015: The economy should be the next big feminist issue‘ in the New Statesman
• Eve Fairbanks, ‘Why South African students have turned on their parents’ generation‘ in The Guardian
• Raad Rahman, ‘Will I Die a Muslim?‘ on Guernica
• Laila Lalami, ‘To Defeat ISIS, We Must Call Both Western and Muslim Leaders to Account‘ in The Nation
• Fay Wells, ‘My white neighbor thought I was breaking into my own apartment. Nineteen cops showed up.‘ in The Washington Post
• Larissa Pham, ‘The Architecture of Racism at Yale University‘ on Guernica
• Lisa Hix, ‘How America Bought and Sold Racism, and Why It Still Matters‘ on Collectors Weekly
• Hanna Rosin, ‘The Silicon Valley Suicides‘ in The Atlantic
• Carol Spindel, ‘A Line Through the Heart of Paris, the French Prime Meridian‘ on Guernica
• Alexandra Schwartz, ‘Sunday in Paris’ in The New Yorker
• Rebecca Mead, ‘Our Bodies, Ourselves‘ in The New Yorker

Film, Television, Music, Art and Fashion:

• Helen O’Hara, ‘Finally, a superhero to call our own‘ on The Pool
• Gaby Hinsliff, ‘Cheer up Adele, life gets better as you grow older‘ in The Guardian
• Sara Pascoe, ‘Zoolander 2 isn’t just bad for trans people – it’s a step backwards for us all‘ in The Guardian
• Sarah Seltzer, ‘“The Hunger Games” Strange, Simultaneously Progressive and Regressive Take on Gender‘ on Flavorwire
• Lili Loofbourow, ‘The 17th-Century Breastoration: A Time Before Bras‘ on The Hairpin
• Limara Salt, ‘What’s to be done about the lack of diversity in TV and film?‘ on The Pool
• Maureen Dowd, ‘The Women of Hollywood Speak Out‘ in The New York Times
• Anna March, ‘Suffragette and Feminist Inaction‘ on The Rumpus
• Lilian Min, ‘A decade after the fact, I’m re-exploring my love of Enya‘ on Hello Giggles

The interviews:

• Josie Pickens on The Rumpus
• Margaret Atwood in The New York Times
• Jeanette Winterson (and Marlon James) in The Guardian
• JK Rowling and Laurene Laverne in The Guardian
• Anne-Marie Slaughter on Salon
• Mary-Louise Parker on Electric Literature
• Claire Messud in the Boston Globe
• Ottessa Moshfegh on Vice and inThe LA Times
• Melinda Salisbury on helloiammariam
• Sarah Jasmon on Rebecca Mascull’s blog
• Brené Brown in The Guardian
• Melissa Green on Stylus
• Diana Athill in The Guardian
• Yeonmi Park on the Huffington Post
• Edwidge Danticat on Literary Hub
• Annie Liontas on The Rumpus
• Mary Gaitskill in The New York Times
• Lauren Groff on Literary Hub
• Cathy Rentzenbrink on Northern Soul
• Angela Flournoy in The Paris Review
• Jenny Johnson on The Rumpus
• Sophie Collins on The Institute of Contemporary Art blog
• Rainbow Rowell in The Guardian
• Jennifer Egan (and George Saunders) in The New York Times
• Salena Godden on Opus Independents

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans