Day three of the festival begins with me chairing two events. The first is Cathy Rentzenbrink who I interview at Jersey Hospice. It’s an amazing setting, a £5 million facility on a hill overlooking the sea. The event goes well; if you haven’t seen Cathy speak about her books and her experiences, I highly recommend it. She speaks so eloquently, full of heart and compassion and makes time for everyone who comes to share their experiences with her too. She’s also very funny and that feels important considering the subject matter.
The second event is a panel on fake news and social media curation with Felicia Yap, author of the dystopian thriller Yesterday; Miranda Doyle, author of the memoir A Book of Untruths, and Peter Mourant, Picture Editor of the Jersey Evening Post. We discuss their work’s relation to the truth, Twitter and Donald Trump. I recommend both books, very different but both very interesting.
The last four events I watch, over the remainder of Saturday and into Sunday, all have something in common: they’re about books that are beginning to change the conversation. Whether that conversation is about women and sexuality, trans women, Muslim women or the stigma around mental health, each contributes to the shift that’s beginning to take place around these topics (colour me an optimist).
First up is Rhyannon Styles, author of the The New Girl, a memoir about her transition. The interview gets off to a poor start when the interviewer uses Rhyannon’s dead name twice in the introduction. She corrects him from off-stage.
Rhyannon has lots of interesting things to say about her experiences and there’s plenty for us to hear about the way trans gender people are treated. She talks about recognising something of herself in Madonna in the Beautiful Stranger video. Art college was ‘the breath of fresh air I needed’ and where she first met people with similar interests – music, film, artists. At the time she identified as a gay male, ‘I let the role of a gay male dictate my sexuality’. She describes the nightclub Heaven as ‘monumental’ for her. It was a safe place to express herself and she began dressing and performing as female. In 2011, she saw the TV programme My Transsexual Summer which she describes as ‘the key to the door’.
‘You don’t transition on a whim,’ says Rhyannon, describing it as a long, hard, arduous process. The psychologist she saw was sexist, asking her whether she wore dresses and heels when she attended her appointment in jeans and a sweater. There was an 18-month waiting list at the gender clinic so Rhyannon bought hormones online and began taking them.
She discusses the other elements of her transition: the changes to her body; the laser hair removal treatment she describes as ‘eighteen session of torture’; the speech therapy, and the clothing experiments. ‘Some of my outfits are still mental…I was like the kid in the sweetshop.’
Early in the interview, Rhyannon’s asked what’s acceptable in terms of language. She explains that trans is an umbrella term. The best way to approach the issue would be to say, ‘Hi, Rhyannon, how would you like me to describe you? What’s your preferred pronoun?’
This desire to learn seems at odds with other parts of the interview, however. The story about the parents who removed their son from a school because of a transgender child in his class is raised. The interviewer mentions The Daily Mail to which Rhyannon replies, ‘The Daily Mail is hysterical’. On the subject of uniform rules and clothes for school she says, ‘Clothes are all made from the same fabric, they’re just cut in different ways’. The interviewer pushes her asking if she can understand the parents’ perspective. I don’t see why Rhyannon, or any other trans person, should be expected to understand the point of view of someone who’s transphobic.
Towards the end of the interview, the conversation turns back to Rhyannon’s body. At the end of the book, she discusses gender reassignment surgery. She says she thinks it’s an acceptable topic of discussion for the interview as she’s included in her book, however, some trans people think it’s unacceptable and it reduces them to their genitalia. Unfortunately, the interviewer states that it was the one thing he wanted to know and bemoans the fact he had to wait until the end of the book to discover the answer. Rhyannon turns the discussion back to her experience and thoughts. She says the NHS offered her surgery but it made her wonder whether the decision was about her or whether it was about what society expects her to look like. ‘My womanhood was for me to define; I don’t think having a vaginoplasty makes me a woman.’ She says she fell for an idea of completeness and that it’s not about the physical, it’s about the mental. Something for many of us to think about.
Daisy Buchanan talks to Cathy Rentzenbrink about her latest book, How to Be a Grown Up. It’s aimed at 20-somethings, although I’m pretty certain I could still do with some help at 39.
Daisy describes her 20s as ‘difficult’ consisting of crap boyfriends, dreadful jobs and hangovers. At 27, she went freelance and met someone lovely and now at 29, she feels that some things have fallen into place. She’s still poor at managing money though, she reveals. She’s fantasised about there being an adult auditor and says she wanted to write a book you could pull off the shelf at 3am and feel that you could find some help and support.
She talks about the jobs she had before she went freelance. At 22, she was a Mortgage PR, ‘It wasn’t for me’. She says there are parallels between jobs and relationships in the sense that you decided you’d quite like to be a particular type of person so you force yourself into things. She says ‘Be yourself’ is crap advice; ‘You don’t know, when you’re 22, who you are.’
The discussion turns to social media, of which Daisy says she’s a big fan. It’s where she met her husband and is an easy way of continuing friendships. However, she says it used to be a mix between a house party, a bar and a coffee morning and you could wander away. You can’t do that as much anymore. She comments that it’s difficult to have boundaries on social media, it creates a false sense of intimacy.
Cathy asks about sex and masturbation as it’s a topic Daisy’s written on regularly as well as there being a section in the book on it. Daisy says she has a fear and fascination of it. She was raised as a Catholic which meant that going to hell was a greater fear than getting pregnant but getting pregnant meant there’d be evidence of your sins. ‘We demonise women wanting to have agency over their own bodies.’
Daisy’s mother wrote to her school so she wasn’t allowed to take part in sex ed. Her writing about sex openly is Daisy’s way of covering what she wishes she’d know. She says we’re so quick to demonise porn that we’re not learning from it and how it can lead to expectations and male entitlement. They’ve grown up in a world that says this is okay. She says there needs to be a sexual revolution around pleasure, comfort and desire and there needs to be a language for women to express this.
Sunday begins with Ayisha Malik, author of Sofia Khan Is Not Obliged and The Other Half of Happiness. She talks about conceiving Sofia Khan as a Muslim version of Bridget Jones. She was Muslim dating at the time and had stories which her friends convinced her to write. ‘I never read about Muslim characters who aren’t oppressed,’ she says, ‘I just wanted her to be a normal human being’.
She uses humour because, she says, any situation that arises to do with racism, if you meet it with humour, it reduces it and the person doing it. It’s also an antidote to identity politics. On the reaction to the books, she comments, ‘I’ve not had a fatwa out against me, which is great.’
Khan talks about not wanting to be confined to writing one kind of book. She states her inspirations as Jane Austen, Nora Ephron, Anne Enright and Ruth Ozeki. The novel she’s working on at the moment is about a man trying to fulfil his mum’s dying wish by building a mosque in a West Dorset village. She links the idea to recent bombings saying, ‘When the perpetrator claims to share your faith that has a profound effect on you. Why should I always have to defend my beliefs?’ She says being a Muslim woman has made her ‘grittier’ and describes Muslim women as ‘Unashamed of our multiple identities. We’re multifaceted’.
She says she was honoured to be asked to ghost write Nadia Hussein’s novels (the second has recently been completed), although it ‘might be because I’m the only hijabi Muslim in publishing right now’. She describes the process as ‘a very different kind of writing. It’s quite prescriptive; the ideas are very much hers. I take myself completely out of it. I think that’s part and parcel of the process’. She agreed to do it because the publishers were transparent that it was Malik doing the writing.
The final event of the festival is one designed to help our mental health. Rachel Kelly is a former reporter for The Times and the author of Walking on Sunshine. She begins the event by asking us to stand if we or a member of our family has ever experienced a form of mental illness. If there’s anyone left seated, I can’t see them. She then asks us to remain standing if we’ve felt we could speak openly about it. Around 50% of the audience sits down. Kelly says she hopes she can contribute to changing that stigma.
Kelly tells her story: in 1997, she was working at The Times and had two small children. One night she couldn’t sleep. Her heartrate speeded up, she felt sick. She gripped the bed because she felt as though she was falling. She started to think that if she couldn’t get to sleep, she wouldn’t be able to go to work. If she couldn’t go to work, she wouldn’t be able to pay the mortgage which would result in her losing the house and then her children. She was ruminating and catastrophising. She didn’t sleep for a further two nights. On the third night, she assumed she was having a heart attack and went to A&E. At the hospital she saw a psychiatrist who told Kelly her fight or flight response had become chronic.
She tells us that mental illness happens in a context and you can alter that context. (I think that’s too simplistic a response which doesn’t take structural factors into account.) However, Kelly didn’t change anything in her life except for taking the medication she was prescribed for a period of time.
In 2007, she became ill for a second time. This lasted for two years. This time around she became aware there was a pattern emerging and that if a form of mental illness occurs once it’s more likely to occur again. She changed her lifestyle.
The rest of the event consists of Kelly giving us some ideas as to how we can help ourselves. She begins with a breathing exercise during which we close our eyes and she talks to us about focusing on our breathing and our bodies. The reason for this is that we can only breathe in the present; it helps slow the sensation of time down. If you’re physically relaxed, your mentally relaxed, she says.
Kelly goes on to tell us some jokes about cheese – for example, Which kind of cheese do you use to disguise a small horse? Mascarpone – because laughter is good for us. She also recommends exercise and happy foods, which she says are oily fish, dark green leafy vegetables and dark chocolate. She tells us she’s providing us with a toolkit and knows that not all of her suggestions will work for everyone.
The final two things she mentions are the ones that appeal to me the most: first, we have to do an active listening exercise in which we tell someone we’ve never met before three things we’re grateful for and then they do the same. The idea is that we focus on the good things in our lives but, to be honest, I’m more interested in the other person’s story and we have a good chat about our lives. It’s a nice reminder that I like meeting new people and finding out about them. The second is about the idea of Flow as documented by the psychologist Mihaly Csikszentmihalyi. I haven’t thought about this in years (there was a point when it was trendy to discuss it in relation to teaching and learning) even though I know I love it when I’m in a state of flow reading a book or playing music. Kelly says that she learns poems off by heart and proves it by performing Love by George Herbert for us. I think about how much time I spend on social media and vow to book myself some long promised piano lessons when I get home.
Then it’s all over bar the long journey home for me. Jersey Festival of Words 2017 was bigger and more interesting than ever. I’m already looking forward to 2018.