In the Media: May 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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In prize news, the Granta Best of Young American Novelists list was announced:

Fiona McFarlane took The Dylan Thomas Prize for her short story collection The High Places, Maylis de Kerangal won The Wellcome Book Prize, and Sarah Perry and Kiran Millwood-Hargrave were winners at The British Book Awards. While Kit de Waal and Rowan Hisayo Buchanan were shortlisted for The Desmond Elliott Prize.

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Chris Kraus and I Love Dick are having a moment:

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And The Handmaid’s Tale has generated even more pieces:

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

Flying Under the Radar…but well worth your time

2016 is shaping up to be such a corking year in books (thank goodness, eh, considering the state of everything else…) that I was going to do a books of the mid-year point list. However, when I drew up my longlist I noticed that it split neatly into two categories: those books you already know about because everyone is talking about them and those that I wish everyone was talking about because they’re brilliant and haven’t had the recognition they deserve. So here’s twelve books I’ve read so far this year that I think are worthy of your time and attention. Clicking on the covers will take you to my full review.

Let Me Tell You About a Man I Knew – Susan Fletcher

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A new patient arrives at Saint-Paul-De-Mausole, an artist called Vincent van Gogh. The story of the novel, however, belongs to Jeanne Trabuc, the warder’s wife. van Gogh serves as a catalyst for a change in her steady, claustrophobic life. A fantastic portrait of a marriage and the power of art to change how you see the world.

Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika

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Doctor Morayo Da Silva is approaching her 75th birthday. Former academic, ex-wife of an ambassador, she’s seen the world and lived it all. Now settled in San Francisco living a steady, reliable life…or so she tells us. The multiple narrators of this fascinating tale might not agree. (This also gives me an opportunity to point you in the direction of this excellent piece recommending more women novelists you might enjoy by Sarah Ladipo Manyika on Vela: Seven Bold and New International Voices.)

Martin John – Anakana Schofield

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You know that reviewers’ cliche about books staying with you long after you’ve turned the final page? Well I read this in December and I still shudder every time I think about it. Martin John is an ‘inadequate molester’. Exiled to London from Ireland, by his mother, following an incident in a dentist’s waiting room, Martin John follows his rituals and circuits to ensure he stays on the right side of the law. But he’s already made a mistake and now Baldy Conscience has stayed too long in Martin’s house they’ll be consequences. John’s mother’s story is also very interesting, equal parts heartbreaking and disturbing.

Under the Udala Trees – Chinelo Okparanta

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A coming-of-age novel in 1970’s Nigeria. Ijeoma discovers her sexuality when she meets Amina. Her mother attempts to ‘correct’ her homosexuality through schooling her in The Bible and manoeuvring her into marriage. Gripping, heartbreaking but ultimately hopeful.

Sitting Ducks – Lisa Blower

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The perfect post-Brexit novel if you’re one of those people wondering who was ‘stupid’ enough to vote Leave in those run-down post-industrial towns destroyed by Thatcher and neglected by subsequent administrations. ‘Totty’ Minton’s fed up of being skint, unemployed and living in a house marked for demolition by his former school mate and private property entrepreneur, Malcolm Gandy. Corruption and despair are rife in the lead-up to the 2010 general election and there seems to be no end in sight.

The Living – Anjali Joseph

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Joseph also looks at working class lives. 35-year-old, single mother, Claire, works in one of the UK’s remaining shoe factories and struggles with her teenage son, Jason, while her feud with her mother rumbles on. Arun, a shoe maker and grandfather in Kolhapur, struggles with his health and looks back on his life and marriage. An excellent character study.

Under the Visible Life – Kim Echlin

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The story of two women, Mahsa Weaver and Katherine Goodnow, who have two things in common: 1) jazz 2) their mixed heritage and the issues which have come with it. Two women who want independence but are prevented from having it in different ways although all under the banner of the patriarchy. Piercingly astute on women’s lives.

If You Look for Me, I Am Not Here – Sarayu Srivatsa

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Mallika, Siva’s Amma, becomes pregnant with twins: a boy and a girl. The girl, Tara, arrives with the umbilical cord still around her neck and dies moments later. The boy, Siva, survives. But Mallika wanted a girl and her grief for Tara leads her to reject Siva and accuse her husband of killing Tara. Brought up as a boy by his father and grandmother and a girl by his mother, Siva spends his childhood and adolescence questioning whether he is a boy or a girl. His story is interwoven with that of George Gibbs, an Englishman who used to live in their house. You can read my interview with Sarayu Srivatsa here.

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

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Simon Limbeau is fatally wounded in a road traffic accident. Pulled from the wreckage and transported to an Intensive Care Unit, the novel charts the progress to the point when Simon’s heart becomes that of Claire Méjan. As the heart’s journey progresses, we meet all of the people involved in transporting it from one body to another. Gripping and fascinating.

Masked Dolls – Shih Chiung-Yu (translated by Wang Xinlin and Poppy Toland)

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Twenty-three chapters, each one titled ‘Conflict’ and the number of the chapter. Initially these conflicts seem to be individual tales: Judy and her Chinese lover; Jiaying and Lawrence, her Western boyfriend; Jiaying’s father’s stories of World War Two; the person who steals underwear from the flat Jiaying and her friends live in when they’re students; Jiaying’s friend Fat Luo’s increasing hatred of her. But as the book progresses, it becomes increasingly clear that these ideas are thematically linked. Greater than the sum of its parts.

Ghostbird – Carol Lovekin

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In a Welsh village where it rains every day in August, fourteen-year-old Cadi Hopkins begins to ask questions about her dead father and sister and why she’s not allowed to go to the lake. Cadi lives with her mother, Violet, with whom she’s locked in an intensified teenage daughter/mother battle. Cadi’s aunt/Violet’s sister-in-law, Lili, lives next door and acts as a surrogate mother to Cadi. Lili also has a contentious relationship with Violet. Nature, magic realism, secrets and family relationships. Atmospheric.

Eileen – Ottessa Moshfegh

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Eileen tells the story of ‘back then’ when she lived with her alcoholic, ex-cop, father, was a secretary in a boys’ juvenile correction facility and met Rebecca Saint John, the beautiful, intelligent, fashionable director of education who befriends Eileen and leads her down a very dark, twisty path.

In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

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The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

Mend the Living begins with a 302-word sentence on what Simon Limbeau’s heart is. Through it, de Kerangal contemplates the metaphorical – the heart which is affected by emotion – as well as ‘the life – life of ebbs and flows, life of valves and flapgates, life of pulsations’. The sentence ends as his mobile phone alarm goes off at 5.50am and 20-year-old Limbeau leaves his girlfriend in bed and meets his friends to go surfing.

On their return to Le Havre from the beach, their van crashes.

They could easily determine that the little van was going fast, they estimated its speed at ninety-two kilometres an hour, which was twenty-two kilometres an hour over the speed limit for this section of the road, and they also determined that, for unknown reasons, it had drifted over to the left without ever coming back into its lane, hadn’t braked – no tyre marks on the asphalt – and that it had crashed into this pole at full force; they noted the absence of airbags, the van model was too old, and they could see that of the three passengers seated in the front, only two were wearing seat belts – one on each side, the driver’s and the passenger’s; finally, they determined that the third individual, sitting in the middle, had been propelled forward by the violence of the impact, head hitting the windshield; it had taken twenty minutes to pull him from the metal, unconscious when the ambulances arrived, heart still beating, and, having found his cafeteria card in the pocket of his jacket, they determined that his name was Simon Limbeau.

The novel then charts the progress from Simon being taken to the I.C.U. to the point his heart becomes that of Claire Méjan. As the heart’s journey progresses, we meet all of the people involved in transporting it from one body to another.

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Two things are really impressive about this novel: the first is that de Kerangal is able to take the reader into the lives of so many people along the course of the book, catching a snapshot of them as they proceed with their part in the process of a heart transplant. However, in doing so, she manages to capture the essence of each of them and you come away from each encounter feeling as though you know the character. For example, there’s a wonderful moment when the reader meets Virgilio Breva, the heart surgeon who’s just received a ’phone call to tell him he’ll be travelling to Le Havre to harvest Simon’s heart:

The margherita splats against the apartment wall and falls to the carpet, leaving the trace of a Neopolitan sunset above the television. The young woman appraises her throw with a satisfied eye and turns back to the pile of white boxes on the counter of the open kitchen, lifts the lid of a second perfectly quadrangular box, slides the burning disc of the Supreme on to her palm, turns to face the wall, elbow bent, hand held as a tray, and with a quick extension of her arm, projects it between the room’s two windows, a new action painting, slices of curious constellation on the wall. As she’s preparing to break open the third box…a man steps out of the bathroom, glistening, and then – sensing a threat – stops short in the doorway; seeing the young woman wind up for a gesture of propulsion in his direction, he drops to the floor, pure reflex, then rolls from his belly on to his back to observe her from a low angle.

The second, as I hope you can see from the quotations, is de Kerangal’s sentences and the control she exerts over such lengthy constructions. Credit here must also go to translator Jessica Moore who’s done a superb job ensuring that these extended complex sentences retain their clarity whilst containing an impressive amount of detail.

Mend the Living is gripping. Not because it’s fast-paced and plot-driven but because the writing is perfectly measured and the construction – of sentences and plot – is balanced. Through her characters, de Kerangal considers the impact of surgery on individuals and society; death; life-changing decisions, again both societal and individual; privilege; love, and the heart. It’s not difficult to see why this novel has won ten literary awards in France.

As far as I can tell, de Kerangal only has one other novel which has been translated into English – Birth of a Bridge – which Susan at A Life in Books reviewed last year (click the title to read Susan’s review). I’ll be getting myself a copy and looking out for anything that’s available in English in the future too. Mend the Living is a triumph.

 

Thanks to MacLehose Press for the review copy.

Ones to Read in 2016

2016 is already being talked about as a ‘vintage year’ in terms of forthcoming books. In the second half of the year there’s a spate of second novels from writers who published fantastic debuts two or three years ago. There’s also lots of promising looking books from more established writers. I’m looking forward to all of those but there’s the first half of the year to talk about first.

Initially, I was going to limit this list to ten books; I could’ve populated that list three times over with the wealth of good stuff coming in the next six months. So, the list’s a little longer and the books I’ve chosen to recommend are those that, for me, had the ‘wow factor’ (often for different reasons). Listed in order of publication, all publication dates are UK and subject to change; full reviews will appear on the week of publication.

Human Parts – Han Kang (translated by Deborah Smith)

Human Acts centres around the student uprising in Gwangju, South Korea in 1980. Beginning with Dong-Ho working in the gymnasium where the bodies are being brought and looking for the friend he abandoned, the story moves through a variety of characters as the repercussions of the army’s suppression is felt throughout the city. Brave, brutal, brilliant.

Wow Factor: the variety of voices/perspectives (credit to Deborah Smith’s translation); the sudden switches to violent imagery

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Portobello Books 7th January 2016

American Housewife – Helen Ellis

A short story collection giving voice to a variety of American housewives. From the emails of two neighbours who move from passive aggressive to downright aggressive moves regarding the décor of their shared hallway to the struggling writer taking part in an antiques reality TV show to the woman allowing junior pageant participants to escape, this is a sharp, darkly funny look at women’s lives.

Wow Factor: the dark humour; the insight into people’s (often appalling) behaviour

#ReadWomen

Published by Scribner 14th January 2016

Paulina & Fran – Rachel B. Glaser

Art students, Paulina and Fran, meet at a party. Self-conscious and desperate to be liked, they (Paulina in particular) behave appallingly, feigning an air of indifference. But when they leave art school, they have to negotiate their own ways in the world and decide how much their friendship’s really worth.

Wow Factor: the dark humour; the insights into a type of female friendship and behaviour

#ReadWomen

Published by Granta 14th January 2016

If You Look For Me, I Am Not Here – Sarayu Srivatsa

Mallika gives birth to twins but only one survives: a boy, Siva. But she wanted a girl and refuses to believe her daughter’s dead. She calls Siva, Tara and flies into a rage if anyone attempts to do otherwise. Narrated by Siva, who believes his sister lives within him still, this is a beautifully written novel about trying to find your own identity.

Wow Factor: the language; the storytelling

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Bluemoose Books 21st January 2016

The Trouble with Goats and Sheep – Joanna Cannon

If you’re on social media, you’ve no doubt heard lots about this novel already. If hype puts you off, ignore it and get stuck into this regardless. The story of a ‘normal’ street in England in the heatwave of 1976. Margaret Creasy’s disappeared and she knows everyone’s secrets. Ten-year-olds Grace and Tilly set out to find her and uncover a whole lot more in the process.

Wow Factor: the psychological insight

#ReadWomen

Published by Borough Press 28th January 2016

Rush Oh! – Shirley Barrett

Eden, New South Wales, 1908. The story of a whaling season told from the point-of-view of Mary Davidson, the 19-year-old daughter of a whaling family. There’s whales, running a family after the death of their mother and a romance with former Methodist minister, John Beck. Often funny, feminist and fascinating.

Wow Factor: the voice; the descriptions of the whales and whaling

#ReadWomen

Published by Virago 4th February 2016

Under the Visible Life – Kim Echlin

The 1960s. Two girls. Mahsa, born to an Afghan mother and an American father, is orphaned after her parents are killed. When the relative she’s sent to live with discovers her relationship with a boy they send her to study in Montreal. There her love of jazz music grows and brings her a lifetime’s friendship with Katherine. Born to an American mother and a Chinese father who she never meets, Katherine sneaks out and begins playing the jazz clubs as a teenager. They lead her to a lifelong romance with an unreliable man. A gripping story of women who want more than society wants to allow them. Already a firm contender for book of the year.

Wow Factor: the language; the protagonists; the insight into relationships, marriage and family

#ReadWomen

Published by Serpent’s Tale 4th February 2016

Martin John – Anakana Schofield

Martin John is an ‘inadequate molester’. Sent to London by his Irish mother, he works, goes to visit Aunty Noanie, phones his mum regularly and circuits Euston Station looking for women he can rub up against. As his mental health deteriorates so does Martin John’s behaviour, revealed in vignettes and repetitive language. But it’s his mother’s story that will really get to you.

Wow Factor: the language; the mother’s story

#ReadWomen

Published by And Other Stories 4th February 2016

The Ballroom – Anna Hope

1911. An asylum on the edge of the Yorkshire moors. Ella Fay’s incarcerated for breaking a window in the textile factory in which she worked. John Mulligan was brought there emaciated and destitute. When John and Ella meet at the dance inmates are allowed to attend on Friday evenings if they’ve been ‘good’, a romance begins. The third wheel in the story is the doctor, Charles Fuller, who’s been at the asylum for five years. A disappointment to his parents, he decides he’s going to make his name with some research on eugenics. Gripping.

Wow Factor: the language; the treatment of the main theme

#ReadWomen

Published by Doubleday 11th February 2016

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

Told over a 24-hour period from the moment Simon Limbeau’s alarm goes off and he leaves to go surfing with his friends to the point when his heart is transplanted into someone else’s body. de Kerangal tells a gripping tale of the procedure that occurs when an emergency transplant can take place. As the timeline progresses, she dips into the lives of all those involved in the procedure.

Wow Factor: the language; the dipping into the life of each character involved in the transplant

#womenintranslation #translationthurs #ReadWomen

Published by MacLehose Press 11th February 2016

Eileen – Ottessa Moshfegh

1964. 24-year-old Eileen is thin, jagged, angry and unhappy. She lives with her retired, ex-cop, alcoholic father and works as a secretary at a private juvenile correctional facility for teenage boys. Desperate to leave her grim homelife, Eileen dreams of moving to New York. The novel tells the story of the week before Christmas 1964, the week Rebecca Saint John comes to work at the facility. Dark and disturbing, the less you know about this book before diving in the better.

Wow Factor: the perspective; the plotting

#ReadDiverse2016 #ReadWomen

Published by Jonathan Cape 3rd March 2016

Not Working – Lisa Owens

After the day she felt an impulse to start swallowing office supplies, Claire Flannery quit her job to work out what she really wanted to do. Told in vignettes about her long-term relationship with Luke, trips on the tube, increasingly drunk nights out with friends and fall-outs with family members, Claire could be any one of us.

Wow Factor: the protagonist; the insight into a 21st Century female psyche

#ReadWomen

Published by Picador 21st March 2016

The Cauliflower® – Nicola Barker

A fictionalised biography of guru, Sri Ramakrishna. Told in fragments partly by his nephew, Hriday, but also by an anachronistic film director and another narrator. Using haiku and script as well as prose, Barker tells the story of a man elevated by faith and raises questions about the nature of worship.

Wow Factor: Barker’s unique style

#ReadWomen

Published by William Heinemann 21st April 2016

My Name Is Leon – Kit de Waal

1980. Tina gives birth to baby Jake when Leon’s nine, but she struggles to cope and when the upstairs neighbour rings social services Jake and Leon are taken into care. Initially they both go to live with Maureen, an experienced foster parent, but soon baby Jake – who’s white-skinned – has people who want to adopt him. Older, black-skinned, Leon is left with Maureen and his anger at the unfairness of the world. Searing and heartbreaking.

Wow Factor: the voice; the insight into a life of poverty, mental illness and foster care

#ReadDiverse2016 #ReadWomen

Published by Viking 2nd June 2016
Thanks to all the publishers for review copies.