Books of the Year, Part Two: 2015 Publications

Here we are then, the books from this year I’ve read and rated most highly. I’m basing my choices on the very unscientific, I thought it was brilliant at the time and I’m still thinking about it. I was concerned this would skew the list towards the end of the year but it hasn’t at all – two thirds of the books are from the first half of 2015. Publication dates are UK (where applicable) and if you click on the cover it will take you to my review.

Citizen – Claudia Rankine 

A superb book. An examination of race and the treatment of black people in present day America. Rankine uses flash fiction, essays and poetry to explore the way people of colour ‘…feel most colored when I am thrown against a sharp white background’ and, by implication, how often, as a white person, you are complicit in creating and maintaining that background. Short, sharp and powerful, I’d like to see a copy of Citizen distributed to every household, taught in schools and university, and added to the canon. If you believe art can change the world, this is a book that should be able to do so.

A Little Life – Hanya Yanagihara

It’s divided readers and critics but I make no apologies for including this book for several reasons: it’s utterly absorbing, I felt as though I’d been entombed in Yanagihara’s world; it focuses on male friendship which I think is unusual; the friendship group consists of four men of different ethnicities and different sexualities, one of whom is disabled and Yanagihara has written about their lives as though they are, well, people. They are not defined by their ethnicity or sexuality and this feels like a break through. It’s huge and harrowing and clearly not for everyone but I’m still thinking about it six months on.

 

The House in Smyrna – Tatiana Salem Levy (translated by Alison Entrekin)

A short, sharp tale told in fragments. At the centre of the book is the story of the key given to the unnamed narrator by her grandfather: the key to his old house in Turkey, in Smyrna. There are four threads to the book: the narrator’s journey to her grandfather’s house; the grandfather’s journey from the house to the woman who became the narrator’s grandmother; the narrator’s relationship with her dead mother, and the narrator’s passionate affair with an unnamed man. A shocking and beautiful novella about exile in many different forms.

The Private Life of Mrs Sharma – Ratika
Kapur 

Mrs Sharma’s thirty-seven-years-old and married with a fifteen-year-old son, Bobby. They live in a flat in Dehli with her parents-in-law. Her husband, Dheeraj, a physiotherapist, has been working in Dubai for over a year in a bid to raise enough money to cover his parents’ medical bills and send his son to college to do an MBA in business. She works as a receptionist in a gynaecological clinic and dreams of starting her own business. Mrs Sharma’s veneer begins to crack when she meets Vineet Seghal on a station platform. Tightly plotted with precise, often repetitive, language, this is a brilliant book about an unfulfilled woman.

Vigilante – Shelley Harris

Jenny Pepper, 42, manager of a charity bookshop, married to Elliot, graphic designer, with a 14-year-old daughter, Martha, is fed-up of her life. She’s particularly annoyed and frustrated by the way men objectify women and the consequences of this behaviour. Donning a superhero costume for a fancy dress party, she stops a mugging and gets a taste for the vigilante lifestyle. Before long, she’s on the tale of someone who’s attacking teenage girls. A gripping and believable look at the concerns of a middle-aged woman and her life.

 

The Last Act of Love – Cathy Rentzenbrink

When Cathy Rentzenbrink was seventeen, her sixteen-year-old brother, Matty, was hit by a car and left in a persistent vegetative state for eight years. The book is Rentzenbrink’s story of the effect of Matty’s accident on her and her family. Told in an unflinching first person account with a huge amount of love and dollops of humour, Rentzenbrink brings the Matty she loved back to life and pays tribute to her parents without descending into mawkishness. Heartbreaking and heartwarming. Buy tissues before reading, I’m welling up just thinking about it.

 

A God in Ruins – Kate Atkinson

A companion piece to Life After Life, A God in Ruins focuses on Ursula’s younger brother, Teddy and those who’ve shared his life – his wife, Nancy; daughter, Viola; grandchildren, Bertie and Sunny, and the men he served alongside in the RAF. The structure’s non-chronological, creating a jigsaw puzzle of Teddy’s life and the lives of his family members for the reader to reconstruct; every chapter capable of standing alone as a story in its own right. The chapters set in the war are some of Atkinson’s best writing but this is more than a character study, it’s a book that explores what fiction is. Superb.

 

The Vegetarian – Han Kang (Translated by Deborah Smith)

Mr Cheong chose his wife, Yeong-Ho, because she’s passive. But then, due to a set of reoccurring dreams, she turns vegetarian; a highly unorthodox act in South Korea. The reactions of Mr Cheong and Yeong-Ho’s family turn dark and sometimes violent quite quickly. But Yeong-Ho’s brother-in-law is fascinated with her and her mongolian mark which leads to him creating a physical work of art with her. A disconcerting story that explores society’s treatment of a woman who defies expectations and how her internalisation of those expectations affects her psyche.

 

The Ship – Antonia Honeywell 

In the not so distant future where banks have collapsed, the homeless population is out of control, food is scarce and the military rule, Lalage is protected by her father, Michael Paul, and his creation, the ship. The ship is a version of paradise, stocked with everything you might need and more. As it sets sail with Michael Paul’s chosen people on it, Lalage begins to question her father’s motives and what she really wants from life. The Ship raises questions of wealth and poverty; of governments who fail to protect all their citizens; of the value of art and artefacts. It’s futuristic setting is misleading, this is really a novel about what’s happening to society now.

The First Bad Man – Miranda July 

Cheryl Glickman, early forties, lives alone and works for a company who make self-defence, fitness DVDs. She has two fascinations: Phillip Bettelheim and babies who might be Kubelko Bondy, the son of her parents’ friends. Cheryl’s bosses ask if their daughter, Clee, can move in with her until she finds a job. First Clee trashes Cheryl’s system for keeping the house clean and tidy, then she’s physically fighting Cheryl for extended periods before Cheryl begins imagining herself as Phillip having sex with Clee. It sounds absurd but it’s a sharp exploration of loneliness which transforms into something emotionally fulfilling.

The Wolf Border – Sarah Hall

Rachel has spent almost a decade in Idaho, monitoring wolves on a reservation but an unplanned pregnancy, the death of her mother and the offer of a job supporting the reintroduction of the Grey Wolf to Great Britain sees her returning to the Lake District. The Wolf Border considers a variety of different intersections that humans come up against – birth, death, addiction, love, political change and, of course, nature. The precision of the language, particularly in the descriptions of the Lake District and the wolves, is superb as is the characterisation of Rachel. One of our best novelists, probably her best book.

Grow a Pair: 9 1/2 Fairytales About Sex 
 – Joanna Walsh

From the very opening sentences of the first story to the end of the afterword of Grow a Pair transformations occur: characters adopt and change their genitalia; a man becomes a woman; a queen becomes a witch; a woman fragments into multiple vaginas. Walsh mixes retellings of traditional fairytales like ‘The Princess and the Penis’ with new pieces. Filled with as many moments of humour as it is ones of magical realism, the collection allows its women to take control of their own sexuality and fulfilment. Entertaining, smart and thoughtful.

The Gracekeepers – Kirsty Logan

A dual narrative following two young women – North, who lives with Circus Excalibur, travelling the sea but performing most nights on land with her bear, and Callanish, the gracekeeper, living on a tiny island by the graveyard and performing Restings for the dead. North has a number of issues to deal with – she’s engaged to Ainsel and his father wants them to live on land, but she doesn’t want either of these things; Ainsel’s mother is jealous, and North is pregnant to someone else. She’s also tied to Callanish in ways that only begin to reveal themselves when the two meet. A beautifully rendered world.

 

An Untamed State – Roxane Gay 

Mirelle is kidnapped in front of her husband, Michael, and their baby, Christophe, directly outside the heavy steel gates at the bottom of the drive to her parents’ house in Haiti. She’s been taken because her father’s rich and the kidnappers believe he will pay a lot of money for her, his youngest and favourite daughter in U.S. dollars. He refuses, assuming they will return her unharmed. She’s repeatedly raped and tortured. The majority of the book deals with the aftermath, looking at whether it’s possible to rebuild a life, a marriage, a familial relationship after such horror. An interesting examination of power and privilege.

Talk of the Toun – Helen MacKinven

Angela’s short-term ambition is for her and her best friend, Lorraine, to lose their virginity over the summer holidays. Long-term, she wants to move away from the council scheme she’s grown up on and attend Glasgow School of Art. Her parents are determined she’s getting a job. Over one summer in the 1980s, Angela and Lorraine’s friendship will deteriorate thanks to Pamela aka Little Miss Brown Nose and Stevie Duffy, just out of borstal and ‘a total ride’. Class, religion, family and friendships are all explored but it’s the perceptive look at women’s sexuality and the use of Scots dialect that really make this a stand out read.

 

Honourable mentions also go to The Hourglass Factory by Lucy Ribchester; The Table of Less Valued Knights by Marie Phillips; Dear Thief by Samantha Harvey; Hausfrau by Jill Alexander Essbaum, The Chimes by Anna Smaill and Our Endless Numbered Days by Claire Fuller.

In the Media: 19th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Bailey’s Women’s Prize for Fiction shortlist was revealed this week. Sarah Shaffi of The Bookseller reports, ‘Experience tells on Baileys Women’s Prize shortlist‘ while Anna James of We Love This Book introduces us to each of the books and invites us to read along in this video.

Other big news was London Book Fair. For readers, this means announcements about new acquisitions from significant writers. Alison Flood in the Guardian reports, ‘Age shall not weary them: Diana Athill, 97, and Edna O’Brien, 84, are stars of London book fair‘ and ‘London book fair excited by Erica Jong’s new novel‘. The Quietus reports on Viv Albertine’s new book and the cover for Patti Smith’s sequel to Just Kids was released this week, see it in The Pool. If you want a glimpse into what goes on at the fair, Antonia Honeywell wrote on her blog about the panel she was part of, ‘Promoting Debut Authors – London Book Fair 14th April 2015‘.

The woman with the most publicity this week is Evangeline Jennings who’s interviewed on The Indie View, Col’s Criminal Library, Quirky Fiction, Omnimystery News and in character as one of the narrators of her short stories, Helen Wheels on Reflections of Reality.

In this week’s Harper Lee news, ‘PRH reveals Harper Lee title page‘ reports Publishers Weekly.

And in this week’s Elena Ferrante news, if you haven’t read anything by her, she’s this week’s Bedtime Bookclub in The Pool where you can read the first five chapters of My Brilliant Friend. Also in The Pool, Viv Groskop asks, ‘Is being a bestseller all in a name?‘ and Cristina Marconi writes, ‘Elena Ferrante versus Italy‘ on Little Atoms.

The best of the rest:

On or about books/writers/language:

• Elif Batuman, ‘Reading Racist Literature‘ in The New Yorker
• Alice Jolly, ‘My little girl has three mothers‘ in the Daily Mail
• Sophie Gilbert, ‘Why Women Aren’t Having Children‘ in The Atlantic
• Sarah Laskow, ‘The Nun’s Story‘ in Lapham’s Quarterly
• Allison Pearson, ‘Sandwich Woman‘ in The Telegraph
• ‘Stella prize 2015: the shortlisted authors on the stories behind their books‘ in The Guardian
• Amy McDaniel, ‘Frenzied, Zesty, Voracious: A Writing Exchange Between Caracas and Sarajevo‘ on Real Pants
• Jennifer Moses, ‘Literary Louisiana‘ in The New York Times
• Meg Wolitzer, ‘Literary Idol: on Mary McCarthy‘ in The LA Times
• Tracy K. Smith, ‘What Memoir Can Do That Poetry Can’t‘ on Lit Hub
• 2015 Pen Literary Awards Shortlists
• Nick Laird, ‘A New Way of Writing About Race’ (on Claudia Rankine’s Citizen) in the New York Review of Books
• Gina Fattore, ‘How Will I Live? Fame, Money, Day Jobs, and Fiction Writing‘ on The Millions
• Radhika Jones, ‘Chimamanda Ngozi Adichie‘ in Time’s 100 Most Influential People
• Mallory Ortberg, ‘Things I’ve Learned About Heterosexual Female Desire From Decades Of Reading‘ in The Toast
• Lily Meyer, ‘Literary Enemies: Ann Patchett v. Zadie Smith‘ on Ploughshares
• Anna Wiener, ‘Millennials, Meet Renata Adler‘ in New Republic
• Mallory Ortberg, ‘A Day In The Life Of A Fictional Female Reporter‘ in The Toast
• Christina Lauren, ‘Romance Novels Are Primed To Make An Impact On Society, So Stop Calling Them “Trashy,” OK?‘ on Bustle
• Mia You, ‘Recreate That Thing!‘ (on Gertrude Stein) on Jacket2
• Sally O’Reilly, ‘The Mindful Writer‘ on Bookanista
• Victoria Patterson, ‘Minding Other People’s Business: On Dawn Powell‘ in The Los Angeles Review of Books
• Sarah Hughes, ‘Feeding the Hunger – female writers are storming the male citadels of sci-fi‘ in The Guardian
• Eleanor Arnason, ‘Me and Science Fiction: What Are We, Chopped Liver?‘ on Strange Horizons
• Julie Enszer, ‘“Who You Are”: On Anne Carson’s Short Talks and Reprint Editions‘ on The Rumpus
• Anita Singh, ‘Agatha Christie and the book cover most foul‘ in the Telegraph
• Rachel McIntyre, ‘Why it’s OK to discuss teacher-pupil relationships in teen books‘ in The Guardian
• Nicky Richmond, ‘Whose Small, Unpeopled Life Is It Anyway?‘ (on India Knight’s In Your Prime) on Not Entirely Legal
• Alena Graedon, ‘Print is dead. Long live print!‘ on W&N
• Elisa Gabbert, ‘Inside the Mind of Poetry‘ on The Smart Set
• Marisa Wikramanayake, ‘Focus on Australian Women Writers of Ethnic Heritage‘ on Australian Women Writers Challenge
• Rahimeh Andalibian, ‘In My Own Words: Up in the Rose Hotel‘ on Publishers Weekly
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Battle Royale‘ in The Butter
• Amanda Hess, ‘My Haters, Myself: Mastering the art of the haterbrag‘ (on Jennifer Weiner) on Slate
• Sibéal Pounder, ‘My inspiration: on Jill Murphy’s The Worst Witch‘ in The Guardian
• Hermione Eyre, ‘on Viper Wine‘ on Waterstones’ blog
• N.K. Jemisin, ‘Not the affirmative action you meant, not the history you’re making‘ (on the Hugo Awards) on Epiphany 2.0
• Leesa Cross-Smith, ‘Outlander & Aye‘ on Real Pants
• Lucy Hounsom, ‘Becoming part of the pattern‘ on Waterstones’ Blog
• I.W. Gregorio, ‘One Asian Book is Quite Enough‘ on Diversity in YA
• Rachel Billington, ‘Why I followed my grandfather’s final footsteps at Gallipoli‘ in The Telegraph
• Jess Meacham, ‘An Appreciation of David Foster Wallace’s Conjunctions and Prepositions‘ on her blog
• Lucas Klein, ‘Sinophone Women Write Better‘ on Paper Republic
• Nabina Das, ‘Why don’t we have more women on literary award shortlists?‘ on Scroll.in
• Rachel Cooke, ‘Caught in the parent trap: the fierce social politics of not having children‘ in the New Statesman
• B, ‘A letter to … JK Rowling, whose words gave me a sense of home‘ in The Guardian
• Sarah Seltzer, ‘Why We Should All Be Spinsters: Writers Take on a New Feminine Mystique‘ on Slate
• Lynn Kanter, ‘30 Women Novelists You Should Know – #24 Emily Gray Tedrowe‘ on Start with a Story

Personal essays/memoir:

• Samantha Simmonds, ‘Gone in 60 Seconds: That’s All It Takes for My Children to Turn Me From Sane Mild-Mannered Woman to Screaming Harridan‘ on the Huffington Post
• Kaitlyn Wylde, ‘The Corpse of Wall Street‘ on The Rumpus
• Leah Reich, ‘Will You Know It When You Get There?‘ on Medium
• Sali Hughes, ‘Have you got Summer Affective Disorder?‘ in The Pool
• Lucy Mangan, ‘“Why Isn’t This Holiday Making Me Miss Home?”‘ in Stylist
• Sarah C. Baldwin, ‘Build-a-Bear‘ on The Rumpus
• Lauren Laverne, ‘In defence of not wanting to swim with dolphins‘ in The Pool
• Sali Hughes, ‘Madonna has been my life’s guiding light‘ in The Pool
• Tracy Wan, ‘The Best Time I Had Alopecia‘ on The Hairpin
• Annalise Mabe, ‘The Spies‘ in Proximity Magazine
• D.L. Mayfield, ‘When God and Your Mom Think You’re Awesome‘ in The Toast
• Bec Susan Gill, ‘The Diminishing Probability of Kanye West Falling in Love With Me‘ on Medium
• Wayétu Moore, ‘Love/Woman/Thirty‘ on The Rumpus
• Laura Bogart, ‘I can’t forgive my mother‘ on Salon
• Awitin Mo, ‘Out of Fracture‘ on her blog
• Tracy Thorn, ‘Back in front of the cameras this week – and posing doesn’t get any easier‘ in the New Statesman
• Terri Schweitzer, ‘Silent Confrontations in Klamath Basin‘ on Medium

Feminism:

• Rhiannon Lucy Cosslett, ‘Am I beach body ready? Advertisers, that’s none of your business‘ in The Guardian
• Roxane Gay, ‘How to Handle Street Harassment: Don’t “Hey, Baby” Me‘ in Glamour
• Bridie Jabour, ‘Hate selfie sticks, or just young women having fun?‘ in The Guardian
• Suzanne Virdee, ‘Why Girls Are in Danger of Becoming Second Class Citizens and Why We Need to Act Now‘ on the Huffington Post
• Rachel McGrath, ‘We Need to Talk About Sexual Harassment That Happens at Concerts and Music Festivals‘ on the Huffington Post
• Heather Havrilesky, ‘Ask Polly: Should I Have a Baby or Establish My Career First?‘ in The Cut
• Jessica Testa, ‘What Happens When We Treat Anonymous Stories Of Sexual Assault Like Gossip Items‘ on Buzzfeed
• Sarah Ditum, ‘Nice try, Maajid Nawaz, but you didn’t go to a lapdancing club because you’re a feminist‘ on Medium
• Rebecca Schiller, ‘Sheila Kitzinger was unafraid to confront female sexuality on a daily basis‘ in The Guardian
• Monica Mark, ‘Chibok kidnapping: stoicism as girls taken by Boko Haram are remembered‘ in The Guardian
• Malala Yousafzai, ‘Malala Letter to Chibok Girls‘ on Scribd
• Maggie Stiefvater, ‘The Anatomy of Rage‘ on her blog
• Samira Ahmed, ‘The girlification of TV characters’ hair‘ in The Pool
• Various, ‘Why Can’t We Accept That Some Women Don’t Want Kids?‘ Zócalo on KCRW
• Amy Gastelum, ‘Miscarriage or Murder?‘ in Guernica
• Chantelle Fiddy, ‘We Need To Talk About Sexual Harassment In Nightclubs‘ in Mixmag
• Lyndsay Kirkham, ‘…I’m No Angel…On Why We Can’t Let Fat People Be Happy‘ on Queen Mob’s Teahouse
• Syreeta McFadden, ‘The lack of female genitals on statues seems thoughtless until you see it repeated‘ in The Guardian
• Bidisha, ‘The exhibition and sale of Frida Kahlo’s love letters is a grubby violation‘ in The Guardian
• Huma Munshi, ‘George Galloway’s comments on forced marriage are a dangerous abuse of power‘ in The Guardian
• Sarah Ditum, ‘Why are we so desperate to find a genetic explanation for sex offenders?‘ in the New Statesman
• Ann Friedman, ‘Women Can’t End the Wage Gap on Their Own‘ in The Cut
• Jessica Valenti, ‘Male politicians always play up gender in their races. Hillary Clinton can, too‘ in The Guardian
• Hayley Webster, ‘I want to be a stay at home mum…but it feels impossible‘ on her website
• Sharline Chiang, ‘Could I Have Been Jailed For My Miscarriage?‘ on Buzzfeed
• Alison Taylor, ‘We are irretrievably married to ourselves, for richer or poorer‘ in The Independent
• Eva Wiseman, ‘The smiling face of “seaside sexism”‘ in The Observer
• Donna Ladd, ‘A female president would be cool, but I’m not sold on Hillary Clinton yet‘ in The Guardian

Society and Politics:

• Vanessa Mártir, ‘Color in AW(hite) Place‘ in Side B Magazine
• Nicole Pyler Fisk, ‘Walter Scott, A Black Man, Was Shot To Death — But My White Husband, Also Walter Scott, Is Safe And Sound‘ on Bustle
• Dhanya Nair, ‘An Open Letter to UK Politicians From an Immigrant Woman‘ on the Huffington Post
• Rebecca Atkinson, ‘How David Cameron has betrayed people with disabilities‘ in The Guardian
• Suzanne Moore, ‘Our art schools have become finishing schools for a wealthy few‘ in The Guardian
• Parisa Tabriz, ‘Pwnd: How a Google hacker would hack you‘ on Medium
• Nissa Rhee, ‘Back to War‘ in Guernica
• Jessica Probus, ‘Planning For A Future We Can Actually Imagine‘ on Buzzfeed
• Carolyn Asome, ‘The Style Uniform‘ in The Pool
• Rebecca Mead, ‘Hilary For President: No Joke‘ in The New Yorker
• Jade E. Davis, ‘Black Men Being Killed Is The New Girls Gone Wild‘ on Medium
• Luba Ostashevsky, ‘Sacrificial States‘ in Aeon
• Julie Chinitz, ‘Shiftiness: The Border In Eight Cases‘ on Lit Hub
• Dawn Foster, ‘“Every low-paid interviewee knows their hourly rate to the penny”‘ in The Guardian
• Suzanne Moore, ‘Extending right to buy is the Tories’ zombie Thatcherism at its worst‘ in The Guardian
• Sultanah Parvin, ‘The Straw Man Cometh‘ on Media Diversified
• Palwesha Yusaf ‘The Aid Industry: Can we really get by on doing good with good intentions only?‘ on Media Diversified
• Maya Goodfellow, ‘Letting migrants drown in the Mediterranean, is this what the Tories mean by ‘British values’?‘ on Media Diversified
• Deepa Bhasthi, ‘That Mallu Joke: Racism in India, and the Fear of the Outsider‘ in Kindle Magazine
• Caitlin Doughty, ‘The sacred task of caring for the dead should be a normal part of life‘ in The Guardian
• Theresa Brown, ‘Love, Death and Spaghetti‘ in The New York Times
• Sophie Heawood, ‘Why is David Cameron so afraid of single parents?‘ in The Guardian
• Susan Ferriss, ‘Virginia tops nation in sending students to cops, courts: Where does your state rank?‘ on Center for Public Integrity
• Brooke Lee Foster, ‘What is it like to be poor at an Ivy League school?‘ in the Boston Globe

Music, Film and Television:

• Chantal Braganza, ‘Happy Birthday, Selena Quintanilla-Pérez‘ on The Hairpin
• Angela Clarke, ‘How shouting spoilers at Wolf Hall shows the world has imploded‘ on The Wharf
• Caroline C, ‘Why Della in Raised By Wolves is the best female character on TV right now‘ on Beamly
• Lisa Peet, ‘Punk Rock Indeed: The Two Sides of Viv Albertine‘ on The Millions
• Anna March, ‘Dead girls, killer ratings: “Game of Thrones,” “True Detective” and TV’s epidemic of violence against women‘ on Salon
• Jaya Saxena, ‘The Bride Paradox Of “Four Weddings”‘ on Buzzfeed
• Julie Beck, ‘Dashboard Confessional, or When It Was Cool to Have Feelings‘ in The Atlantic
• Angela Watercutter, ‘Ex Machina Has a Serious Fembot Problem‘ on Wired
• Lili Loofbourow, ‘The Many Faces of Tatiana Maslany‘ in The New York Times
• Laura Goode, ‘The New Ladder: Anatomy of Indie Women’s Picture “Farah Goes Bang”‘ on Indiewire

The interviews:

• Bidisha on Asian Culture Vulture
• Gurkeyrith on The Fem
• Mona Eltahawy in The New York Times
• Attica Locke on Serpent’s Tail and in The Independent
• Lily King on Lit Hub
• Tishani Doshi & Karthika Naïr in Granta
• Monica McClure on the Huffington Post
• Jane Rawson on Australian Writers’ Centre
• Ladan Osman on Black Girl in Om
• K.A. Holt on the Huffington Post
• Alice Stevenson on Bookanista
• Sharma Shields on Okey-Panky
• Sarah Vaughan on Rebecca Mascull’s blog
• Poetry As Practice Contributors on The Quietus
• Rachel Billington in The Guardian
• Sofi Oksanen in The Guardian
• Kim Moore on Seren Books’ Blog
• Monica Byrne in The Guardian
• Valeria Luiselli on The Guardian Books’ Podcast
• Jenny Offill and Ali Smith on the RTÉ Book Show
• Sam Baker and Lauren Laverne in The Independent
• Toni Morrison in The Independent
• Sarah Helm on Slate
• Rachel Held Evans in The Atlantic
• Roxane Gay on ABC
• Jill Alexander Essbaum on The Rumpus
• Liza Klaussman in The Independent

If you want some fiction to read:

• ‘Morning, Noon & Night‘ by Claire-Louise Bennett in The White Review
• ‘Words Escape Me‘ by Claire-Louise Bennett in 3:AM Magazine
• An extract from Preface, or We As Two Separate Planets by Shushan Avagyan (translated by Deanna Cachoian-Schanz) in Words Without Borders
• ‘Wide Shot‘ by Anna Davtyan (translated by Nazareth Seferian) in Words Without Borders
• ‘I’m Not Going to Die‘ by Ani Asatryan (translated by Adrineh Der-Bogossian) in Words Without Borders
• ‘Before Sunrise‘ by Lilit Karapetyan (translated by Nairi Hakhverdi) in Words Without Borders
• ‘A Mansion with Many Rooms‘ by Kutti Revathi (translated by Lakshmi Holmström) in Words Without Borders
• ‘Revolution Nathan‘ by Dhamayanthi (translated by Lakshmi Holmström) in Words Without Borders
• ‘For Your Safety and Enjoyment‘ by Emily Schultz in The Butter
• An extract from Summertime by Vanessa Lafaye on Orion Books
• ‘The Reality Game‘ by Rachael Dunlop
• An excerpt of Viper Wine by Hermione Eyre on The Awl
• ‘The First Six Meters‘ by Vidya Panicker on The Fem
• ‘Theresa Enters‘ by Amy Silverberg in The Offing
• ‘Where Things Are Made‘ by Tera Joy Cole in Blunderbuss
• ‘Right Eye‘ by Isabel Costello on FlashFlood
• An extract from The Versions of Us by Laura Barnett on One Book Lane
• An extract from The Folded Clock: A Diary by Heidi Julavits on Lit Hub
• ‘Major Maybe‘ by Ann Beattie in The New Yorker. She talks about it here.
• ‘Making Babies‘ by Laurie Penny on Motherboard
• ‘House Heart‘ by Amelia Gray on Longreads
• An extract from Eve Out of Her Ruins by Ananda Devi (translated by Jeffrey Zuckerman) in The Offing
• An excerpt from A Portable Shelter by Kirsty Logan in The Butter
• ‘The Other Woman‘ by Cath Bore on FlashFlood
• ‘Clowns/Clown‘ by Mati Colarossi (translated by Arabella Bertola)
• ‘Killing Stones‘ by Ananda Devi on PEN American

If you want some poetry to read:

• ‘What Did Sriraman Say?‘ by Perundevi (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
• ‘Highway‘ by Malathi Maithri (translated by Lakshmi Holmström) in Words Without Borders
• ‘Three Dreams‘ by Sharmila Seyyid (translated by Lakshmi Holmström) in Words Without Borders
• ‘Fear‘ by Krishangini (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
• ‘Shunaka: Blood Count‘ by Karthika Nair in Granta
• ‘Gone to Pasture/To Speak‘ by Natalie Eilbert in The Offing
• ‘Compromised Field‘ by Shareen Mansfield on The Honeyed Quill
• ‘Humbles‘ by Frances Leviston on Poem Today
• ‘The Handshake‘ by Isabel Rogers on her blog
• ‘A Psalm for the Scaffolders‘ by Kim Moore on Seren Books’ Blog

If you want some non-fiction to read:

• An extract from Smoke Gets in Your Eyes & Other Lessons from the Crematorium by Caitlin Doherty on Canongate
• ‘Small Stories #10‘ by Madeline Witt on The Rumpus
• Extracts from From The Racial Imaginary: Writers on Race in the Life of The Mind in The Offing
• ‘Meet the Stanley Cup‘ by Molly Brooks on The Nib
• An extract from Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution by Mona Eltahawy on Macmillan Audio
• An extract from Between You & Me: Confessions of a Comma Queen by Mary Norris on Lit Hub
• An extract from I’m Very Into You: Correspondence 1995–1996 by Kathy Acker and McKenzie Wark on Lit Hub

The lists:

• Books of the Week on Publishers Weekly
• Anna Freeman’s Stereotype-Busting Women In Historical Fiction on the Huffington Post
• 20 Fascinating Facts About J.K. Rowling You Probably Never Knew in Stylist
• 11 new British crime series on PanMacmillan
• 6 J.K. Rowling Quotes On Failure, Because Failing Well Is A Life Skill That Even The Most Successful Need on Bustle
• Women to Watch: 2015 Edition on BookPage
• Lorraine M. López’s Six Writers On Social Class on Vela
• Five Great Pieces of Advice from J.K. Rowling’s New Book Very Good Lives in Paste
• 5 Books Written by Queer and Trans Women That Set Me Free on Everyday Feminism
• 10 Women’s Books in Translation You Should Be Reading in Litro

In the Media: 12th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The results of the VIDA count was announced on Monday. VIDA: Women in Literary Arts have counted the number of female and male reviewers in the major literary publications. There are some improvements this year, but overall the picture remains grim. For the first time this year, VIDA published a separate count for Women of Colour, it’s as depressing as you might expect. Reaction came from Hannah Ellis Peterson in The Guardian, ‘Male writers continue to dominate literary criticism, Vida study finds‘; Radhika Sanghani in The Telegraph, ‘Men aren’t better writers than women. Literary mags need to close the book on gender bias‘ and on Bustle, Caroline Goldstein declared, ‘The Results of the 2014 Women of Color VIDA Count Are Problematic‘.

VIDA also produced a handout: Things You Can Do Right Now to Advance Women’s Writing. Immediately after the results of the announcement, good things began to happen in Twitterland; Marisa Wikramamanayake created a ‘Women Who Review‘ database. If you’re a reviewer, you can add yourself to it; if you’re an editor at a literary magazine with a gender balance problem, you can have a look at all the women you could approach with review commissions. Judi Sutherland is getting a group of women reviewers together to send reviews to the TLS, contact her on Twitter if you want to get involved, and Amy Mason created Sister Act Theatre (@SisterTheatre): Support + recommendations of/for women working in UK theatre/performance. Worked with a great woman? Need work? Promoting your show? Tell us.

While all that’s been going on, Katy Derbyshire has been collating ‘Some more statistics on translated fiction‘ on Love German Books.

The other big news this week came from an American report that found the number of women choosing to be child-free has increased. The report coincided with the publication of the Meghan Daum edited essay collection Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids and the launch of the film While We’re Young. It’s triggered a number of articles: Emma Gray at the Huffington Post says, ‘A Record Percentage Of Women Don’t Have Kids. Here’s Why That Makes Sense‘; Jane Marie wrote, ‘Why I Stopped Trying to Be a Supermom and Started Being Myself Again‘ on Jezebel’; Hayley Webster wrote, ‘I had an abortion and didn’t talk about it…and I no longer want to live in shame‘ on her website; Hadley Freeman wrote, ‘Why do we still have to justify the choice to be child-free?‘ in The Guardian; Jessica Valenti asked, ‘Why do we never worry about men’s childlessness and infertility?‘ also in The Guardian

The best of the rest:

On or about books/writers/language:

• Juliet Greenwood, ‘Women and Myths in Storytelling‘ on Women Writers, Women’s Books
• Laura Miller, ‘Our enduring Tudor obsession: Sex, ambition, wealth and power never go out of style‘ on Salon
• Robert McCrum, ‘The 100 best novels: No 81 – The Golden Notebook by Doris Lessing (1962)‘ in The Guardian
• Lauren St John, ‘My American West adventure – in pictures‘ in The Guardian
• Jen Calleja, ‘Verfreundungseffekt: Waiting For Something To Happen —Tsou Yung-shan’s The Waiting Room‘ on The Quietus (Includes an extract from the book translated by Michelle Wu
• Rachel Cooke, ‘Stevie Smith, steel soul of the suburbs‘ in The Observer
• Linda Besner, ‘Changing face: The emergence of a new genre of memoir addressing the consequences of a changing planet‘ in The National Post
• Fran Lebowitz, ‘Why Childhood Was a Good Fit‘ in The Wall Street Journal
• Kathryn Schulz, ‘What Part of “No, Totally” Don’t You Understand?‘ in The New Yorker
• Alison Flood, ‘Allison Pearson revisits bestselling heroine in middle age‘ in The Guardian
• Krutika Mallikarjuna & Krystie Lee Yandoli, ‘If Carrie Bradshaw Wrote Her Column In 2015‘ on Buzzfeed
• Jill Alexander Essbaum’s Hausfrau Playlist on The Pool
• Elizabeth Day, ‘Can writing a male character make you think like a man?‘ on The Pool
• Jean Morris, ‘Reading in Translation‘ in Shiny New Books
• Anna Thomasson, ‘Researching A Curious Friendship‘ in Shiny New Books
• Laura Kalpakian, ‘On Writing Three Strange Angels‘ in Shiny New Books
• Rebecca Mascull, ‘Song of the Sea Maid, Science and Setting‘ in Shiny New Books
• Claire Fuller, ‘The Writing of Our Endless Numbered Days‘ in Shiny New Books
• Adèle Geras, ‘A Strange Phenomenon‘ (on Dorothy Whipple) on The History Girls
• Rene Denfeld, ‘Why I Talk to Death Row Criminals‘ on BBC World Service
• Jacob Victorine, ‘How to Translate a Map: Clare Cavanagh: Poetry 2015‘ on Publishers Weekly
• 2015 Best Translated Book Award Fiction Longlist on Three Percent
• Amy Bloom, ‘Literary Tastes‘ on VQR
• Francesca Mari, ‘The Assistant Economy‘ in Dissent
• Michelle Dean, ‘Passing Through‘ (on Nella Larsen) in Lapham’s Quarterly
• Sady Doyle, ‘Before Lena Dunham, there was Anaïs Nin – now patron saint of social media‘ in The Guardian
• Anuradha Roy, ‘The making of books, and of friendships‘ on Scroll In
• 2015 Authur C. Clarke Award Shortlist
• Amanda Holpuch, ‘US postal service delivers misquote on Maya Angelou stamp‘ in The Guardian
• Shane Breslin, ‘So are we really in the middle of an Irish literary renaissance?‘ on Irish Writing Blog
• Parisa Ebrahimi, ‘Why I Fell For Frances & Bernard‘ on Vintage Books
• Rachel Kaadzi Ghansah, ‘The Radical Vision of Toni Morrison‘ in The New York Times
• Ane Farsethas, ‘Lydia Davis at the End of the World‘ on Lit Hub
• Mallika Rao, ‘The Kids Are ALL-CAPS‘ on the Huffington Post
• A.M.F. Winn, ‘Not Just an Ugly Face‘ on the Huffington Post
• Niki Browes, ‘The Girl On The Train: Who’s Reading It And Why You Need To‘ in Instyle
• Siobhan Curham, ‘on Empowering Books for Women and Girls‘ on Adventures With Words
• Emily Wolfteich, ‘Saudade and the Untranslatable‘ in Asymptote
• Tessa McWatt, ‘Why read a book (let alone write one)?‘ on Bookanista
• Laura Kipnis, ‘Marry by 30‘ (on Kate Bolick’s Spinster) on Slate
• Kat Brown, ‘Children’s book written by the young Queen Victoria to be published‘ in the Telegraph
• Dinika Amaral, ‘Finding Language in the Code‘ in Guernica
• Claudia Rankine & Beth Loffreda, ‘On Whiteness and the Racial Imaginary‘ on Lit Hub
• Leslie Jamison, ‘This Female Consciousness: On Chris Kraus‘ in The New Yorker
• Jemma Wayne, ‘10 Things You Didn’t Know About After Before‘ on Legend Press
• Candy Gourlay, ‘Growing up I thought Filipinos weren’t allowed to be in books‘ in The Guardian
• Elisa Gabbert, ‘Who Gets to Review? Tranströmer, Ishiguro, and Critical Expertise‘ on Electric Literature
• Anne Lamott shares all that she knows: “Everyone is screwed up, broken, clingy, and scared” on Salon
• Megan Garber, ‘How to Say ‘Yes’ (by Not Saying ‘Yes’)‘ on The Atlantic
• Jo Hogan, ‘Don’t Talk to Strangers: How Twitter and Book Bloggers Changed My Life‘ on her blog
• Afrikult, ‘Tsitsi Dangarembga‘ on For Books’ Sake
• Colm Tóibín, ‘A tale of two poets, Thom Gunn and Elizabeth Bishop‘ in The Guardian
• Marina Warner, ‘Learning My Lesson‘ on the LRB YouTube
• Jennifer Rankin, ‘Traditional books on paper open a new chapter of success‘ in The Guardian
• Lee Brackstone, ‘How I came to publish Sarah Hall‘ on Faber & Faber
• Kathleen Coyle, ‘Lost in Translation: Norwegian Novelist Regine Normann‘ on For Books’ Sake
• Judith Thurman, ‘Good, Clean Fun: A Revival of “Gigi”‘ in The New Yorker
• J.C. Gabel, ‘Anatomy of a Cover: The Complete Works of Flannery O’Connor‘ in The Paris Review
• The Encore Award Longlist
• Liza Klaussmann, ‘‘A talent for living’: how the Murphys inspired Villa America‘ on the Picador blog
• Matthew Sweet, ‘Memoirs of the Spacewomen‘ on BBC Radio 3

Personal essays/memoir:

• Mary Anne Mohanraj, ‘“Don’t you want to be normal?”‘ on Salon
• Samantha Irby, ‘i’m taking my dead dad on vacation.‘ on bitches gotta eat
• Sarah Miller, ‘Ramblin’ Gamblin’ Woman: My March Madness‘ in The Toast
• Erin Wisti, ‘Showing My Scars: On Self-Harm‘ in The Butter
• Grace Moltini, ‘Beer and Loathing in Deutschland‘ in The Riverter
• Nichole LeFebvre, ‘Love in Lilac Velcro‘ in The Butter
• Sali Hughes, ‘Confessions of an email hoarder‘ on The Pool
• Anna Wiener, ‘Ecstatic Dance: To Fly, To Heal, To Love‘ in The Toast
• Kelly Davio, ‘The Waiting Room: I’ll Take a Side of Empathy with Those Cheerios, Please‘ in The Butter
• Huda Hassan, ‘My Mother’s Child‘ on The Hairpin
• Rushaa Louise Hamid, ‘How I Found Myself When My Skin Changed Its Identity‘ on Buzzfeed
• Sali Hughes, ‘When did it become compulsory to enjoy exercise?‘ on The Pool
• Leah Reich, ‘You’d Be So Nice‘ on Medium
• Dana Tommasino, ‘Learn To Cook (in 21 Easy Steps)‘ on The Rumpus
• Susie Boyt, ‘New York: It’s Show Time‘ in Harpers Bazaar
• Katie Rose Guest Pryal, ‘A Mother’s Suicide Attempt and the Guilty Burden of Statistics‘ in The Toast
• Liz Prato, ‘The Terrible Things I Learned About My Dad: On Abuse and the People We Love‘ in The Butter
• Claire Greaves, ‘I Cannot Erase My Existence and Therefore I am Going to Get Better‘ in the Huffington Post
• Charlotte Philby, ‘The darkest secret of my new motherhood‘ in The Guardian
• Alison Taylor, ‘My parents are my greatest love of all‘ in The Independent
• Emylia Hall, ‘Offspring‘ on Book Slam

Feminism:

• Jessica Valenti, ‘It wasn’t Jackie’s job to get the details of her rape correct. It was Rolling Stone’s‘ in The Guardian
• Srishti Dutta Chowdhury, ‘A Decorum of Purity‘ in Kindle Magazine
• Hanna Rosin, ‘Despite Damning Report, Rolling Stone Will Continue “To Do What We’ve Always Done.” Are They Serious?‘ on Slate
• Carolyn Wysinger, ‘First Boi In – Dressing Queer in the Corporate World‘ on Media Diversified
• Sophie Tanner, ‘“‘I’ve Decided To Marry Myself, To Celebrate My Life as a Happy, Single and Self-Fulfilled Woman”‘ in Stylist
• Olga Khazan, ‘Why Some Women Choose to Get Circumcised‘ in The Atlantic
• Lauren Laverne, ‘What is a “real” woman anyway?‘ on The Pool
• Laura Craik, ‘What does plus size even mean?‘ on The Pool
• Helen O’Hara, ‘Why you’re not going to a romcom this weekend‘ on The Pool
• Rebecca Mead, ‘Two Beds and the Burdens of Feminism‘ in The New Yorker
• Lucy Mangan, ‘Why Are Periods Still Shocking‘ in Stylist
• Julia Phillips, ‘Feminism at the End of the World‘ on Jezebel
• Tracy Kuhn, She Wears it Well‘ on Volvo Diaries
• Rebekah Lowin, ‘Photographer teaches daughters: “Strong is the New Pretty”‘ on Today
• Heidi Mirza, ‘Black British feminism then and now‘ on Media Diversified
• Glosswitch, ‘Sussex police’s victim-blaming anti-rape campaign: why is it victims, not rapists, that must change their behaviour?‘ in the New Statesman
• Lottie O’Conor, ‘Is Reddit’s feminist ‘hero’ merely feeding the stereotypes that hold women back?‘ in The Guardian
• Arwa Mahdawi, ‘Sorry Dove, empowerment isn’t a personal care product‘ in The Guardian
• Hayley Krischer, ‘How a New Wave of Feminist Cooking Publications Is Redefining Women’s Relationship to Food‘ on Flavorwire
• Key Ballah, ‘My body is not an invitation‘ on Patheos
• Jessie Thompson, ‘Am I a Joke Feminist?‘ on the Huffington Post
• Barbara Ellen, ‘Men know nothing at all about being sex objects‘ in The Observer
• Anna March, ‘Dead Girls Sold Here‘ on The Rumpus
• Bridget Christie, ‘We’re a nation of armchair activists – and that’s OK‘ in The Guardian
• Matilda Kahl, ‘Why I Wear the Exact Same Thing to Work Every Day‘ in Harpers Bazaar

Society and Politics:

• Emilie Friedlander, ‘How Everlane Turned Hipsters Basic‘ on The Fader
• Ann Friedman, ‘Idle Threads‘ on The Baffler
• Fanny Malinen, ‘We need a new media to tell the real news‘ on New Internationalist
• Shailja Patel, ‘The Road to Garissa‘ in The New Inquiry
• Zoe Williams, ‘The Nicola Sturgeon memo: Westminster’s nasty machinations have been exposed‘ in The Guardian
• Catherine Matusow, ‘The Complicated Truth About Children and Drowning‘ on Houstonia Magazine
• Naomi Wolf, ‘The fastest way to spread extremism is with the censor’s boot‘ in The Guardian
• Kari Mugo, ‘Misfits: Reflections on Identity, Race, and Prejudice‘ in The Toast
• Brinda Bose, ‘The Outsider Within‘ in Kindle Magazine
• Mary Elizabeth Williams, ‘My social media asylum: What I learned during my time away from the trolls (and the brunch pics)‘ on Salon
• Bethany Rutter, ‘Fat can be healthy, so don’t tell me you’re dieting for health reasons‘ in The Guardian
• Emma Sky, ‘Iraq Is Finished‘ on The Atlantic
• Roxane Gay, ‘What the Hell Do We Say Now?‘ in The Butter
  
• Barbara Ntumy, ‘Why I Challenged Farage on Racism‘ on the Huffington Post
• Nancy Jooyoun Kim, ‘Open Houses: On Race, Identity, and Looking for a Place to Live‘ in The Butter
• Sara Sheridan, ‘Scottish politics offers hope to British voters – and a break from the nastiness‘ in The Guardian
• Samantha Rea, ‘Let Children Be Children – Without Jamming Them Into Gender Roles‘ on the Huffington Post
• Alexis Okeowo, ‘Lagos Must Prosper‘ in Granta
• Alana Semuels, ‘Where the White People Live‘ on The Atlantic
• Bella Mackie, ‘Lady Hale is right – blame should be taken out of divorce‘ in The Guardian
• Bethany Lamont, ‘Outsider Inside‘ on The Hairpin
• Yuliya Komska, ‘My grandparents rejected the Holocaust survivor label. They weren’t alone‘ in The Guardian
• Lionel Shriver, ‘Don’t be so hysterical about sex crimes‘ in The Guardian
• Marina Hyde, ‘The great unvetted public locked out as party leaders tour sanitised Britain‘ in The Guardian
• Caitlin Moran, ‘Why posh boys make me boggle‘ in The Times
• Chimamanda Ngozi Adichie, ‘On The Oba Of Lagos‘ on Olisa

Music and Television:

• Abby Higgs, ‘Getting Awkward with Annie Lennox: Part 1‘ on Queen Mob’s Teahouse
• Hannah Giorgis, ‘Rihanna And The Radical Power Of “Carefree Black Girl” Celebrity‘ on Buzzfeed
• Amanda Ann Klein, ‘The Wonder Years, Memory, and Mourning‘ on Medium
• Suzanne Moore, ‘Girls keep it together in front of their rock’n’roll idols. It’s men who turn into gibbering wrecks‘ in the New Statesman
• Daisy Buchanan, ‘I love Nirvana, but I get why Kurt Cobain’s daughter doesn’t‘ in The Guardian

 

The interviews:

• Robin Rinaldi in The Independent
• Hilary Mantel on Vulture
• Ursula P. Archer on ACF Digital Salon
• Amelia Gray in Berfrois
• Keren David on Delightful Book Reviews
• Valeria Luiselli on British Council Literature
• Helena Coggan in The Guardian
• Becky Albertalli on Buzzfeed
• Gillian Rose in Times Higher Education
• Caitlin Moran (the Director’s Cut) on The Pool
• Bethany Chase on Women Writers, Women’s Books
• Jane Thynne in Shiny New Books
• Cecilia EkBäck in Shiny New Books
• Sarah Bannan in Shiny New Books
• Lindsay Hawdon on Rebecca Mascull’s blog
• Caitlin Moran (Part Two) on Vice
• Lizzie Skurnick on Longreads
• Heather Cocks & Jessica Morgan on the Huffington Post
• Viv Albertine on Weird Sister
• Elizabeth McCracken on Paul McVeigh’s blog
• Joyelle McSweeney in The Believer
• Jill Alexander Essbaum in The Los Angeles Times
• Jenn Ashworth (and Richard Hirst) on The Workshy Fop
• Amanda Jennings on From First Page to Last Page
• Diane Williams on Numéro Cinq
• Sarah Hall on Foyles
• Laura Watkinson on Intralingo
• Nancy Tucker in The Independent
• Jennifer Weiner on CBS News
• Jennifer Michael Hecht on The Rumpus
• Dorothy Koomson on We Love This Book
• Ursula Le Guin on BBC Radio 4
• Attica Locke in the Los Angeles Times
• Heidi Julavits on Vulture
• Kirsty Logan on The List
• Lauren Berry on Deep South Magazine
• Andrea Cohen on Queen Mob’s Teahouse
• Tracey Thorn in The Observer
• Caitlin Moran in The Guardian
• Renée Knight on The Pool
• Jemma Wayne & Lara Pawson on Guardian Books’ Podcast
• Janina Matthewson on Read Her Like an Open Book

If you want some fiction to read:

• An extract from Never Isn’t Long Enough by Diane F. Pickett (YouTube)
• ‘The Good Wife‘ by Devjani Bodepudi in Kindle Magazine
• ‘Apollo‘ by Chimamanda Ngozi Adichie in The New Yorker, which she discusses here
• ‘Our Christophers‘ by Sharma Shields on Electric Literature
• ‘Bearish‘ by Leesa Cross-Smith
• An extract from Glory by Rachel Billington on Orion Books
• An extract from The Shut Eye by Belinda Bauer on Dead Good Books
• An extract from Disclaimer by Renée Knight on The Pool
• ‘A Story Between Me and Thee on the Occasion of Our Shipwrecking’ and ‘Little Peg Tudor‘ by Rachael Dunlop on Flash! Friday
• ‘Children’s Stories Made Horrific: Thousandfurs, Or The King Who Wanted To Marry His Daughter‘ by Mallory Ortberg in The Toast
• ‘Other People’s Butter‘ by Tayler Heuston
• ‘The Toddler on the Bus‘ by Helen Croney on Scottish Book Trust
• ‘The Sanded Shard’ by Sara Baume on The Book Show RTÉ Radio 1
• The Ladies of the House by Molly McGrann on Radio 4’s Book at Bedtime
• ‘Not Searching‘ by Claire Fuller on her blog
• ‘Item Girls‘ by Kuzhali Manickavel in Granta
• ‘Box 30‘ by Rom Tearne on her blog
• An extract from Unravelling Oliver by Liz Nugent on Liz Loves Books (if you follow the link at the top of the post, you can follow the trail of extracts posted throughout the week)
• ‘Runaway‘ by Laura Kay on Litro
• ‘The New Boyfriend‘ by Kelly Link on A Public Space
• ‘A Fun Home Coda‘ by Alison Bechdel on Vulture
• Short Stories by Laura Barnett on her website
• ‘Paradise Lost‘ by Devjani Bodepudi
• ‘Every Woman to the Rope‘ by Joanna Quinn in The White Review
• ‘Smote, or When I Find I Cannot Kiss You in Front of a Print by Bridget Riley‘ by Eley Williams in The White Review

If you want some poetry to read:

• ‘frances farmer’ & other poems by Afshan Shafi in 3:AM Magazine
• ‘working title‘ by Mahogany L. Browne in Winter Tangerine Review
• ‘Billie‘ (for Billie Holiday) by Salena Godden on The Pool
• Five Poems by Elizabeth Clark Wessel
• ‘Future Biometrics‘ by Jillian Weise in Poetry Magazine
• ‘My Prayer‘ by Agnimita Chatterjee in Kindle Magazine
• Three Poems by Geraldine Clarkson on And Other Poems
• ‘Fuck The Life Abundant‘ Marnie Bullock Dresser in The Fem

If you want some non-fiction to read:

• An Excerpt from Between You & Me: Confessions of a Comma Queen by Mary Norris on The Millions
• An extract from Naked at the Albert Hall by Tracey Thorn in The Observer
• An extract from Get It Together: Why We Deserve Better Politics by Zoe Williams in The Guardian

The lists:

• Books for Spring in Shiny New Books
• 5 New Books to Read for Your Grown-Up Spring Break in Glamour
• 32 Perfect Books To Kick Off Your Book Club on Buzzfeed
• Books of the Week on Publishers Weekly
• 29 Important Lessons Jane Austen Taught You About Love on Buzzfeed
• 100 Best Books of the Decade so Far in The Oyster Review
• Spring Fiction Preview: 15 Books You Won’t Want to Miss on Read Her Like an Open Book

In the Media: 5th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

As In the Media seems to be growing by the week, I’ve divided it into more categories. Comments welcome on what you think of the change and whether you’d prefer different/more section headings.

The big news this week is the launch of The Pool, a free, online resource written by women, for women. Writer and broadcaster, Lauren Laverne and writer and former Red magazine editor, Sam Baker are the women behind it, The Guardian ran a piece about the site earlier in the week. ‘Drops’ of content are released during the day; each piece tells you approximately how long it will take you to read/listen to/watch, and you can search by content or by time if you’ve only got a few minutes.  You can also sign up for an account which allows you to save articles to your ‘scrapbook’ either to read later or refer back to.

I’ve dipped in a few times this week and I love it; it’s clearly organised with some great contributors. My picks so far would be the book section (of course), where you can read the opening of Caitlin Moran’s How to Be a Girl and the opening of Hausfrau by Jill Alexander Essbaum. There’s also an interview with Essbaum and 10 Things You Need to Know About Anne Tyler as well as an article by Baker about why good books often end up making bad films.

Elsewhere on the site, I’ve enjoyed Sam Baker’s ‘Does this mean I’m not allowed to be a LEGO any more?‘; Lauren Laverne’s blog, ‘Is being a teenager harder than ever before?‘; Sali Hughes’ ‘Why every woman needs a solo playdate‘ and ‘Is it ever OK to commit liticide?‘ (although I winced through the whole of that one); Holly Smale’s ‘Why can’t we just get over Cinderella?‘; Gaby Hinsliff’s ‘What would happen if men didn’t have the vote?‘; Stacey Duguid’s ‘Flares if you care‘ where Duguid goes around high street shops trying flares on like you do when you’re shopping (as opposed to raiding the magazine’s fashion cupboard); an extract from Lynsey Addario’s It’s What I Do: A Photographer’s Life of Love and War, and Laurene Laverne’s interviews with Caitlin Moran and Kim Gordon.

In Harper Lee news, ‘Harper Lee elder abuse allegations declared ‘unfounded’ by Alabama‘ says The Guardian.

The best of the rest:

On or about books/writers:

• Hannah Rosefield, ‘Barbara Pym and the New Spinster‘ in The New Yorker
• Amy Jenkins, ‘Waving or drowning? On her debt to Stevie Smith‘ in The Guardian
• Kimberley Francisco, ‘On (Not) Reading Science Fiction as a Teenage Girl‘ on Stacked Books
• Jenny McAuley, ‘Jane Austen invented #RealisticYA fiction‘ in The Guardian
• Joanna Walsh, ‘Man Booker International Prize draws together variety of best from literature world‘ in The National
• Lucy K. Shaw, ‘April Mixtape‘ on Electric Literature
• Jill Alexander Essbaum, ‘Writers on Location: on Zürich‘ on Isabel Costello’s Literary Sofa
• Laxmi Hariharan, ‘Why the hero of my YA dystopian novel had to be an angry young Indian girl‘ in The Guardian
• Hannah Cuthbertson, ‘How Assumedly White Characters are a Disservice to, well, Everyone‘ in The Missouri Review
• Alison Flood, ‘The Girl on the Train racks up express sales of 2m in three months‘ in The Guardian
• Bim Adewunmi, ‘How “The Girls’ Guide To Hunting And Fishing” Shaped My Twenties‘ on Buzzfeed
• Sarah Gilmartin, ‘The rise of the short Irish Story‘ in The Irish Times
• Molly McGrann, ‘Prostitution in post-war London: a different kind of independence‘ on Picador Blog
• Sarah Hilary, Shelley Harris and Sinéad Moriarty, ‘Richard & Judy Book Club Authors: What Are They Up To Now?‘ on WHSmith Blog
• Christine Dwyer Hickey, ‘My Life in Books‘ on Atlantic Books’ Pinterest
• Sonya Vatomsky and Kia Groom, ‘Saving “Saving Anne Sexton”: In Which Dead Women are Used as Props (Again)‘ in Quaint Magazine
• Sarah Seltzer, ‘Does Magic Stand for Privilege in Harry Potter?‘ on Flavorwire
• Eve Johnson, ‘Sonnets And Unrealities: Björk And ee cummings‘ on Queen Mob’s Teahouse
• Val McDermid, ‘Why crime fiction is leftwing and thrillers are rightwing‘ in The Guardian
• Alexander McCall Smith, ‘The Secret of the Jane Austen Industry‘ in the Wall Street Journal
• Roopa Farooki, ‘Monsters in Caves‘ on Royal Literary Fund
• Suzannah Gillman, ‘Will the Real Cheryl Strayed Please Stand Up?‘ on The Gloria Sirens
• Edan Lepucki, ‘Beyond Binaries: On ‘Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids’‘ on The Millions
• Sarah Pinborough, ‘6 Fairy Tales That Need A Shakeup‘ on the Huffington Post
• Chris Ayers, ‘Extinctathon‘ ‘a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia’
• Lindy West, ‘Herland: the forgotten feminist classic about a civilisation without men‘ in The Guardian
• Madhvi Pankhania, ‘Miles Franklin award longlist 2015: eight out of 10 nominees are women‘ in The Guardian
• Ron Charles, ‘Marilynne Robinson confident about a fourth Gilead novel‘ in The Washington Post
• Joshua Farrington, ‘Three debut novels on Bollinger Everyman Wodehouse Prize shortlist‘ (all by women) in The Bookseller
• Keija Parssinen, ‘Writing Out of Rage (How Sexual Politics Inspired “The Unraveling of Mercy Louis”)‘ on Read Her Like an Open Book
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Coming to America‘ in The Butter
• Kristi York Wooten, ‘How 1980s Atlanta Became the Backdrop for the Future‘ in The Atlantic
• Byddi Lee, ‘How to get ahead in self-publishing: No 1 – you need a lot of hats‘ in The Irish Times
• Leslie Jamison And Catherine Lacey’s E-mail Conversation About Narcissism, Emotional Writing And Memoir-Novels on the Huffington Post
• Victoria Finan, ‘Independent Bookshop Week book awards 2015 shortlist announced‘ in The Guardian
• Rachel Cooke, ‘The pleasure and pain of being a Folio prize judge‘ in The Guardian
• Dorthe Nors, ‘A form close to home‘ on English PEN
• Emily Midorikawa & Emma Claire Sweeney, ‘Agatha Christie and Dorothy L. Sayers‘ on Something Rhymed

Personal essays/memoir:

• Eva Wiseman, ‘Living with your parents when you are a parent yourself‘ in The Guardian
• Sophie Heawood, ‘It’s midnight. Dare I open the sealed trapdoor in my house?‘ in The Guardian
• Dani True, ‘True Romantic #5: The Hope Chest‘ on The Rumpus
• Mary H.K. Choi, ‘Eat Pray Roll‘ on Matter *Flashing images throughout
• Sierra-Crane Murdoch, ‘Sugar Days‘ in VQR Online
• Marika Seigel, ‘On Being the Mom of “the Foreign Kid”‘ in The Butter
• Shan Wang, ‘“Happy Birthday” and Other Things My Mom and I Don’t Say‘ in The Toast
• Ashley C. Ford, ‘A Queer Hoosier on Still Loving Indiana‘ on Talking Points Memo
• Rebecca Riley, ‘How I Learned The Meaning Of Ableism‘ in The Fem
• Saudamini Deo, ‘My Name Is Red‘ in Kindle
• Lauren Apfel, ‘I called him pathetic, he accused me of ruining his life: What children did to our marriage‘ in Salon
• Roxane Gay, ‘Having a Heart, Being Alive‘ in The Butter
• Ashley Ford, ‘Disrupting Domesticity: Open Heart, Open Sky‘ in The Butter
• Alexis Paige, ‘The Right to Remain‘ on The Rumpus
• Lindsay Tapscott, ‘Letter from Montreal: The City Undressed‘ on Maisonneuve
• Shannon Fandler, ‘Unprepared In Appalachia‘ on Vela
• Elisa Gabbert, ‘Variations on Crying‘ in The Butter
• Ruth Dawkins, ‘Now You Are Six‘ on Dorkymum
• Deepti Kapoor, ‘Driving in Greater Noida‘ in Granta
• Jennifer Weiner, ‘All Grown Up and In Charge of the Seder‘ in The New York Times
• Kristen Hanley Cardozo, ‘Three Months Without Breathing‘ on Archipelago
• Lavinia Greenlaw, ‘On Not Totally Seeing a Total Solar Eclipse‘ in The New Yorker
• Chelsea Biondolillo, ‘Not Travel Writing‘ on Vela

Feminism:

• Stephanie St. John, ‘“Mad Men” eulogies: Peggy Olson, feminist hero‘ on Salon
• Lili Loofbourow, ‘The Many Faces of Tatiana Maslany‘ in The New York Times
• Sybil Baker, ‘The DrunkenBoat Fiction Count for 2013‘ in DrunkenBoat
• Sarah Ditum, ‘Why I changed my mind about porn‘ in the New Statesman
• Sabine Heinlein, ‘The Answer Is Never‘ on Longreads
• Anna Cafolla, ‘I’m a girl and I have periods, whether Instagram likes it or not‘ in The Independent
• Cate Burlington, ‘Things My Male Tech Colleagues Have Actually Said to Me, Annotated‘ in The Toast
• Doreen St Felix, ‘The Prosperity Gospel of Rihanna‘ in Pitchfork
• Lucy-Anne Holmes, ‘If you want to write about feminism online, be ready to take on the haters‘ in The Guardian
• Jessica Valenti, ‘Don’t stress out. Our kids are just fine when their mothers work late‘ in The Guardian
• Shannon Reed, ‘The Historical Feminist Roundtable, Bucket List Edition‘ on Buzzfeed
• Susan Cox, ‘Of course men want children more than women do‘ on Feminist Current
• Snigdha Poonam, ‘Kidnap, rape and ‘honour’ killings: on the road with a female reporter in rural India‘ in The Guardian
• Julie Bindel, ‘What Andrea Dworkin, the feminist I knew, can teach young women‘ in The Guardian
• Jessica Valenti, ‘Social media is protecting men from periods, breast milk and body hair‘ in The Guardian
• Sarah Ditum, ‘Why rape suspects should not remain anonymous‘ in the New Statesman
• Ann Friedman, ‘Can a New Law Really Change the Way College Students Hook Up?‘ in Cosmopolitan

Society:

• Katy Reckdahl, ‘The Lost Children of Katrina‘ in The Atlantic
• Linda Vaccariello, ‘This Is How We Lose Them‘ in Cincinnati Magazine
• Helen Lewis, ‘Life is full of people with bad ideas and awful opinions. Try to meet as many at university as you can‘ in the New Statesman
• Sophie McBain, ‘Why are so many people using food banks?‘ in the New Statesman
• Gaby Hinsliff, ‘Dear Nigel Farage – children will play if we close roads, not borders‘ in The Guardian
• Germaine Greer, ‘At the centenary of Gallipoli; an interrogation of the myth of Australian nationhood‘ in the New Statesman
• Samantha Ellis, ‘Theatre should reflect society – and boldly imagine ways for it to change‘ in The Guardian
• Grace Dent, ‘In case you were wondering what it’s like to not always look down at your phone, I can tell you‘ in The Independent
• L.V. Anderson, ‘We Should Have a Better Condom by Now. Here’s Why We Don’t.‘ on Slate
• Meredith Talusan, ‘Being transgender in a transphobic society leads to moments of sheer desperation‘ in The Guardian
• Elif Batuman, ‘Electrified‘ in The New Yorker
• Olivia Laing, ‘The future of loneliness‘ in The Guardian
• Brittney Cooper, ‘The right’s made-up God: How bigots invented a white supremacist Jesus‘ on Salon
• Lily Lynch, ‘Forgetting Resistance In The Balkans‘ on Balkanist
• Laura Trethewey, ‘Collective Independents‘ on Maisonneuve
• Eleanor Margolis, ‘Films about queer women rarely stray from “lesbian drama” clichés – but things are improving‘ in the New Statesman
• ER Truitt, ‘Preternatural Machines‘ on Aeon
• Glosswitch, ‘How can a memoir convey the damage done by eating disorders, without passing it on?‘ in the New Statesman
• Rebecca Harris, ‘The loneliness epidemic: We’re more connected than ever – but are we feeling more alone?‘ in The Independent
• Momtazza Mehri, ‘Black, British & Muslim; We’re not just a “Complication”‘ on Media Diversified
• Jennifer Hensley, ‘Pills, Pills, Pills – There Is No Medicine‘ on Queen Mobs Teahouse
• Vanessa Hua, ‘The Dim Sum Revolution‘ in San Francisco Magazine
• Bella Qvist, ‘So Ruby Tandoh came out? It won’t be the last time‘ in The Guardian
• Jetta Rae, ‘What ‘Passing’ Says About Our Expectations of Women – And Why This Trans Woman’s Getting It Wrong on Purpose‘ on Everyday Feminism

Music:

• Cath Bore, ‘In Defence of the Smash Hits Centerfold‘ on her blog
• Linda Grant, ‘It’s not always easy to be a Joni Mitchell fan, but her illness devastates me‘ in The Guardian
• Lisa Peet, ‘Viv Albertine, Side One and Side Two‘ on Bloom
• Elizabeth Minkel, ‘Why do we mock teenage girls who love One Direction when Top Gear fans are just the same?‘ in the New Statesman
• Leesa Cross-Smith, ‘A Love Song & Some Stubbornness‘ on Real Pants

The interviews:

• Lynsey Addario in The Guardian
• Kim Gordon in The Irish Times
• Barbara Klein Moss on Bloom
• Jessica Valenti in The Cut
• Trish Hopkinson in The Fem
• Amy Butcher in The Fem
• Meghan Daum on the Los Angeles Review of Books Radio Hour and the Huffington Post and Jezebel
• Lydia Davis in The New York Times
• Fatima Bhutto on NPR
• Johanna Basford on NPR
• Alexandra Sokoloff on Grab This Book
• Teri Terry in The Guardian
• Amber Tamblyn on the Huffington Post
• Margret Aldrich on Publishers Weekly
• Caitlin Moran on Vice
• Alice Stevenson on Bookanista
• Renée Knight in The Telegraph
• Lauren Van Den Berg on Paul McVeigh’s Blog
• Paula Hawkins on Booktopia
• Xiaolu Guo on Penguin Blog
• Teresa K. Miller on Queen Mobs Teahouse
• Cush Jumbo in The Guardian
• Hollie Poetry in The Guardian
• Hanya Yanagihara in Vogue

If you want some fiction to read:

• ‘The First Meeting of the People of Unintentional Color Support Group‘ by Gayle Brandeis
• An extract from The Long Weekend by Veronica Henry
• ‘Fall From Oysters‘ by Susan Sanford Blades on Little Fiction
• ‘Small Stories #8‘ by Madeline Witt on The Rumpus
• An extract from Under a Painted Sky by Stacey Lee
• Mallory Ortberg, ‘Children’s Stories Made Horrific: The Little Red Hen‘ in The Toast
• An extract from The Country of Ice Cream Star by Sandra Newman
• ‘Escape, Release, and Return‘ by Leslie Baum on Guernica
• ‘Voyage of the Coral Princess‘ by Kasia Juno in Guts Magazine
• ‘Me and the Devil‘ by Eimear McBride on BBC Radio 4
• An extract from Sphinx by Anne Garréta in 3:AM Magazine
• An extract from The Language of Paradise by Barbara Klein Moss
• ‘The Slanted Life of Emily Dickinson‘ by Rosanna Bruno
• ‘Dirty Thirties’ and ‘Rugby‘ by Terese Svoboda in Numéro Cinq

Photograph by Jane Feng

 

If you want some poetry to read:

• from The Devastation by Melissa Buzzeo in Trickhouse
• ‘It Must Have Got Lost In The Mail‘ by Susannah Betts on Vagabond City Journal
• Two Poems by Khadijah Queen in The Offing
• ‘Beat Poem‘ by Leslie Maxwell in Blunderbuss Magazine
• ‘—moLt shEd‘ by Rebecca Y. Lee in Vagabond City Journal
• ‘What Breaks First‘ by Jynne Dilling Martin in The New York Review of Books
• ‘To Proceed You Must First Understand‘ by Barbara Jane Reyes on The Rumpus
• ‘Carousel‘ by Gabrielle Bates
• ‘The Medium‘ by Elaine Feinstein in the TLS
• ‘April Fools’ Day‘ by Elaine Feinstein in The Guardian

If you want some non-fiction to read:

• An extract from This Changes Everything by Naomi Klein on Penguin Books Blog
• An extract from Girls Will Be Girls: Dressing Up, Playing Parts and Daring to Act Differently by Emer O’Toole on the Irish Post
• An extract from A Day’s Work by Joanna Biggs in the London Review of Books (£)

The lists:

• 5 Great Books To Read In April on Buzzfeed
• 10 Must-Read Books for April on Flavorwire
• Diane Pickett’s The 10 Commandments of Southern Writers on Women Writers, Women’s Books
• 7 Books About Friendship That Prove This Relationship Is The Most Important One You’ll Have in Your Lifetime on Bustle
• Here are the the most magical things JK Rowling has ever done in The Independent
• 12 Writers On The Women Authors Who Inspired Them on Buzzfeed
• The Very Best LGBT Books You Need to Read Right Now on The Debrief
• JK Rowling’s life advice: ten quotes on the lessons of failure in The Guardian
• Molly McGrann’s Top 10 things I learned while writing The Ladies of the House on Female First
• 24 books for a year of reading only work by women in The Washington Post
• 14 Illuminating Quotes From “The Girls’ Guide To Hunting And Fishing” on Buzzfeed

Hausfrau – Jill Alexander Essbaum

Anna was a good wife, mostly.

Anna Benz, an American, lives with her Swiss husband Bruno and their young children in Dietlikon, Switzerland – ‘the tiny town in which Anna’s own tiny life was led’. Anna feels isolated for a number of reasons – she doesn’t drive, she doesn’t speak much German and barely any Schwiizerdütch, she doesn’t have a bank account. When Anna’s psychotherapist asks asks if she’s ‘ever considered or attempted suicide’, she asks her to ‘Define “attempt”’.

She’d met this stranger in her German class. But Anna – his cock’s been in your mouth, she reminded herself. He’s not really a stranger anymore. And he wasn’t. He was Archie Sutherland, Scotsman, expatriate, and, like Anna, language student. Anna Benz, Language Student. It was Doktor Messerli who had encouraged her to take the German course (and, by a backspin of redoubtable irony, it was Bruno who’d insisted she see a psychotherapist: I’ve had enough of your fucking misery, Anna. Go fix yourself, is what he’d said to her).

Anna and Bruno spend most evenings in solitude – him in his office; her reading, watching television or walking up the hill behind their house. While they begrudgingly seem to love each other, they are not in love. It was Bruno who wanted children and wanted to move to Dietlikon, his home town, to provide a safe, stable upbringing for them. Anna is terrified of becoming a mother:

Still, Anna got pregnant. And then again and then again. It seemed to just happen. She never said Let’s do this and she never said Let’s not. Anna didn’t say anything at all…Allowing Bruno to make decisions on her behalf absolved her of responsibility. She didn’t need to think. She followed along. She rode a bus that someone else drove. And Bruno liked driving it. Order upon order. Rule upon rule. Where the wind blew, she went. This was Anna’s natural inclination.

It’s no surprise then that within minutes of Anna’s first language class, Archie has flirted with her across the table, she’s decided she likes the bus he’s driving and at the end of the class, she’s telephoned Ursula, her mother-in-law, to tell her she’ll be late back for the children and followed Archie to flat for ‘an hour and a half of uninhibited sex’.

On Tuesday and again on Wednesday Anna followed Archie home after class. On Thursday and Friday, they skipped school altogether.

Hausfrau weaves together Anna’s life with Bruno, the children and Ursula; her visits to Doktor Messerli; the language class, and her affairs. There is also a friendship with a woman expatriate, Mary (whom she meets at the language class) which is fairly one-sided.

No doubt a significant proportion of the discussion around this book will be about Anna being unlikeable: she’s passive; she leaves her children with her mother-in-law while she has sex with her lovers, she spurns female friendship (or indeed, any friendship). But it’s hard not to believe that if the sex of the protagonist were reversed, it would barely raise an eyebrow, never mind pages of discussion.

There are many impressive things about Hausfrau: the quality of the writing; the philosophical thoughts and the musings on language. Anna often poses questions to Doktor Messerli such as ‘“What’s the difference between passivity and neutrality?”’ and ‘”What’s the purpose of pain”’ while the thoughts on language take a variety of forms – the language class itself, the way one of Anna’s lovers speaks English, and comments that form part of the narrative which may be the narrator’s comments or might be free indirect speech. This one early in the novel pretty much sums up Anna’s character and hints at what’s to come:

Only in the present tense is the subject married to its verb. The action – all action, past and future – comes at the end. At the very end, when there is nothing left to do but act.

Hausfrau is one of the best books I’ve read so far this year, it’s an outstanding debut and I can’t wait to see what Jill Alexander Essbaum writes next.

 

 

Thanks to Mantle for the review copy.

In the Media: 15th March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s been a great week for women writers and prizes. The Wellcome Prize shortlist was announced on Monday, including four books (of six) by women. Congratulations Miriam Towes, Alice Roberts, Sarah Moss and Marion Coutts. On Tuesday, the twenty-strong Bailey’s Prize longlist was announced. Chair of this year’s judges, Shami Chakrabarti discussed the need for the prize in The Guardian and Buzzfeed created a guide to the longlisted books. The OCM Bocas Prize for Caribbean Literature has five women (of nine) on the longlist. Congratulations Tanya Shirley, Monique Roffey, Tiphanie Yanique, Elizabeth Nunez and Olive Senior. The PEN/Faulkner award has three women on a shortlist of five. Congratulations Emily St. John Mandel, Jennifer Clement and Jenny Offill. The Stella Prize, the Australian prize for female writers announced its shortlist this week too. Congratulations to Maxine Beneba Clarke, Emily Bitton, Ellen Van Neervan, Sophie Lagune, Jean London and Christine Keneally. Marina Warner won the Holberg Prize 2015. And women won four of the six categories at the National Book Critics Circle Award. Congratulations Marilynne Robinson, Roz Chast, Ellen Willis and Claudia Rankine.

It’s Mother’s Day in the UK today. Jo Hogan writes ‘Surprised by a Jumper: On Being Motherless on Mother’s Day‘ on her blog; Scottish Book Trust list ten books that celebrate pioneering women; Emma Healey wrote, ‘From Offshore to Oranges: a literary tribute to Mother’s Day‘ in the Guardian; Emylia Hall wrote, ‘The Mother of All Years‘ on her blog; Windmill Books published an extract of Charlotte Gordon’s forthcoming book, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley on their website, and Kate Hamer wrote, ‘Literary matriarchs and their daughters, from Little Women to Carrie‘ in the Independent

Two in-depth Chimamanda Ngozi Adichie interviews have been published this week, one in Vogue and the other on Olisa.tv: part one and part two.

The woman with the most publicity this week is Caitlin Moran. She’s interviewed on Buzzfeed and on the British Comedy Guide with her sister Caroline Moran; Pilot Viruet wrote, ‘Caitlin Moran’s UK Series ‘Raised by Wolves’ Is the Teen Sitcom America Needs‘ on Flavorwire; she’s profiled by Vanessa Thorpe in the Observer and her own Times Magazine column this week was ‘What it really means to be a mum‘ which you can listen to for free here.

And the latest on the Harper Lee story: on Wednesday, The Bookseller reported, ‘State investigators interview Harper Lee‘ and on Friday, Lee’s agent issued a statement, The Bookseller reported, ‘Nurnberg blasts ‘shameful’ Lee claims‘.

The best of the rest articles/essays:

• Rene Denfeld, ‘Writing the Truth About Criminals‘ on Read Her Like an Open Book
• Hannah Furness, ‘Joanna Trollope: “You cannot be great novelist until after 35”‘ in the Telegraph
• Lizzy Kremer, ‘On the Way to Where You are Going: A Writer’s Patience‘ on Publishing for Humans
• Anuradha Roy, ‘No Longer a Joke‘ in The Telegraph, India
• Kate Williams, ‘introduces you to The Storms of War‘ on One Book Lane
• Elinor Abbott, ‘Rooms I Have Lived In‘ on The Bohemyth
• Louise Walters, ‘One year on from publication and the things I’ve learned‘ on her blog
• Kimberly Chrisman-Campbell, ‘Cinderella: The Ultimate (Postwar) Makeover Story‘ in The Atlantic
• Alison Flood, ‘New Star Wars novel to feature first lesbian character‘ in The Guardian
• Pandora Blake, ‘Don’t ask if porn “empowers” women – instead, ask if your feminism does‘ in the New Statesman
• Felix Kent, ‘Our Hearts Were Young and Gay: On Weakness, Strength, and Friendship‘ in The Toast
• Lindsey Gates-Markel, ‘He Doesn’t Wanna Be Here‘ on The Rumpus
• Kelly Davio, ‘The Waiting Room: Sick Girl Walking‘ in The Butter
• Sara Bivigou, ‘The Bad Blood: My Life With Sickle Cell Anaemia‘ on Buzzfeed
• Mallory Ortberg, ‘Arthur Rimbaud, Dirtbag Laureate‘ in The Toast
• Sarah Seltzer, ‘Female Friendship Is Life’s Great, Thwarted Romance in Elena Ferrante’s Neapolitan Novels‘ on Flavorwire
• Claire Fuller, ‘Big Loves: on Barbara Comyns’s Who Was Changed and Who Was Dead‘ on Memorious Mag
• Melissa Febos, ‘The Book of Hours‘ in StoryQuarterly
• Katharine Quarmby, ‘The taboo of sex and disability: How can we shift the negative images that still dominate society’s attitudes?‘ in the Independent
• Susie Day, ‘Short is sweet: why I love short stories‘ in The Guardian
• Lois Leveen, ‘Appropriating (F)Acts in Feminist Fiction II: Juliet’s Nurse‘ on For Books’ Sake
• Elisa Gabbert, ‘The Bravery of “Basic“‘ on Real Pants
• Anna Cabe, ‘Milking the Bull: On Heroines‘ in The Toast
• Rachel Basch, ‘At The Blue Dolphin: On Mothers and Sons‘ on The Millions
• Kate Graham, ‘The Life and Legacy of Anne Frank‘ in Stylist
• Mallory Ortberg, ‘Texts from Blanche DuBois‘ in The Toast
• Kaye Toal, ‘How Finding A Fat YA Heroine Changed My Life‘ on Buzzfeed
• Mallory Ortberg, ‘It’s 2050 And Feminism Has Finally Won‘ in The Toast
• Rebecca Altman, ‘American petro-topia‘ in Aeon
• Frida Berrigan, ‘Uncle Pentagon‘ in Guernica

• Helen Lewis, ‘The Digital Ducking Stool‘ in the New Statesman
• Jill Lepore, ‘Richer and Poorer‘ in The New Yorker
• Lori Day, ‘Aging while female is not your worst nightmare‘ on Feminist Current
• Patricia Scanlan, ‘Should you call time on a toxic friendship?‘ on Gransnet
• Kate Gale, ‘Reading American cities: Los Angeles in books‘ in The Guardian
• Julieanne Smolinski, ‘I Am Not My Internet Personality, and You Probably Aren’t Yours, Either.‘ in The Cut
• Melanie Finn, ‘Writers on Location: Tanzania‘ on Isabel Costello’s Literary Sofa
• Rose George, ‘A Very Naughty Little Girl‘ on Longreads
• Marcie Bianco, ‘This Feminist Children’s Book Is the Best Way Ever to Teach the ABCs‘ on MiC
• Liska Jacobs, ‘Our Best Work: On Man Ray’s Hollywood Album and Me‘ on The Millions
• Melanie Finn, ‘A Stitch in Time‘ on the Weidenfeld and Nicholson blog
• Olivia Marks, ‘When Did Not Wanting to “Lean In” Become So Taboo?‘ in Vice
• Molly Lambert, ‘Porntopia‘ on Grantland
• Francesca Wade, ‘Happily Ever After‘ in the Times Literary Supplement
• Anne Boyer, ‘Data’s Work is Never Done‘ in Guernica
• Sarah Butler, ‘“A wild blip in the country’s consciousness”: writing the 2011 riots‘ on the Picador Blog
• Alison Herman, ‘Why Tina Fey’s Racial Humor Is So Controversial‘ on Flavorwire
• Allecia Vermillion, ‘The Brief, Extraordinary Life of Cody Spafford‘ on Seattle Met
• Jennifer Gonnerman, ‘The Wrong Way‘ on Mother Jones
• Anna Maxted, ‘Older women are in the spotlight, but the battle for equality is not over‘ in the Telegraph
• Polly Samson, ‘My parents only got married because no one else would have me as a bridesmaid‘ in The Telegraph
• Ashley C. Ford, ‘I’m queer no matter who I’m with. I won’t define myself differently for your comfort‘ in The Guardian
• Chris Kraus, ‘on the Ambiguous Virtues of Art School‘ on Artspace
• Elisa Albert, ‘My friend breastfed my baby‘ in The Guardian
• Sarah McCarry, ‘On Kindness‘ in The Rejectionist
• Lynn Sloan, ‘A Page a Day‘ on Bloom
• Alice Driver, ‘My Own Trap‘ on Vela
• Holly Robinson, ‘Writing Commercial Fiction and Loving It‘ on Publishers Weekly
• Chimene Suleyman, ‘We cannot be outraged by UKIP if we are to support their rhetoric everywhere else‘ on Media Diversified
• Claire Fuller, ‘Things About Canada: Claire Fuller Remembers 1982 Montreal‘ on House of Anansi

The interviews:

• Jane Costello in the Liverpool Echo
• Helen Macdonald on Salon
• Roxane Gay, Germaine Greer, Rayya Elias and Elizabeth Gilbert at the All About Women Festival in The Guardian
• Jaime Loren on Beauty and Lace
• Kim Gordon on Faber Social and on Arts and Ideas
• Iona Grey on Helen Redfern’s blog (plus cake!)
• Susie Day in The Guardian
• Kate Schatz on Buzzfeed
• Toni Morrison in NEA Arts Magazine
• Virginia Boecker on Publishers Weekly KidsCast
• Laura Van Den Berg on The Millions
• Melanie Finn on Orion Books
• Jill Alexander Essbaum in the Wall Street Journal and on Electric Literature
• Sarah Menkedick on Longreads
• Emer O’Toole on Radio Gorgeous
• Rosie Garland on Northern Soul
• Holly Smale on We Love This Book (interviewed by her friend and former housemate Anna James)
• Miranda July in the Irish Times
• Anne Tyler on BBC World Book Club
• Samantha Harvey in The Telegraph
• Clare Fuller on Annethology
• Marie Mutsuki Mockett on Electric Literature
• Sarah Chayes in The Guardian

If you want some fiction/poetry to read:

• ‘All You Have to Do‘ by Sarah Braunstein in The New Yorker which she discusses here
• ‘For Eliza (My Great Grandmother)‘ by Katrina Naomi on Proletarian Poetry
• An extract from The Day We Disappeared by Lucy Robinson
• ‘A Birthmother’s Catechism‘ by Carrie Etter on Seren Books’ blog
• Five Short Stories by Lydia Davis in Five Dials
• ‘House Proud‘ by Amelia Gray in The White Review
• ‘Pomegranate‘ by Karissa Chen on Guernica
• ‘Children’s Stories Made Horrific: The Little Mermaid‘ by Mallory Ortberg in The Toast
• ‘Frost and Fire‘ by Claire Fuller on her blog
• ‘Aunt Mirrie and the Child‘ by Kate Clanchy on BBC Radio 4
• ‘Phantoms Over Paris‘ by Ali Smith in Five Dials
• A new introduction to Living Dolls: The Return of Sexism by Natasha Walter on Virago

The lists:

• Best Books to Read this March in Red
• The Best Feminist Books For Younger Readers on Bookriot
• Nine books you must read to understand women’s issues in India on Scroll.in
• The Little Free Black Woman’s Library Book List – Volume 1 on The Free Black Woman’s Library
• 20 Wonderfully Miserable Memoirs: A Reading List for the School of Hard Knocks on Entertainment Weekly
• 9 Amazing Female Graphic Novelists, Illustrators And Cartoonists You Should Read on the Huffington Post
• Inspiring Joan Didion Quotes in The Toast
• 50 Great Books About 50 Inspiring Women on Flavorwire
• Sarah Bannan’s Coming of Age Novels on Bookanista (includes an extract from her novel Weightless)
• Sarah Alderson’s Top 10 feminist icons in children’s and teen books in The Guardian
• 25 Essential Books About Death and Grief on Flavorwire
• 13 Things By Women You Can Read In One Sitting on Buzzfeed
• Kelly Sundberg’s Eight Flash Nonfiction Writers on Vela
• Five Fascinating Facts About Sylvia Plath on Interesting Literature
• 26 Contemporary Books That Should Be Taught In High School on Buzzfeed
• 74 Essential Books for Your Personal Library: A List Curated By Female Creatives on Open Culture
• 12 Sick Burns From People Who Didn’t Get The Jane Austen Hype on the Huffington Post

My Bailey’s Prize Wishlist 2015

You know that spring is almost here when the Bailey’s Prize for Women gets underway. Next Tuesday (10th March) the longlist of 20 novels (if it remains the same as recent years) will be announced. Eligible novels have to be written in English and published by a UK adult imprint between the 1st of April 2014 and the 31st of March 2015. Translations are not eligible.

Here’s what I’d like to see on the list. If you click on the cover, it’ll take you to my review, unless the book is yet to be published, in which case the review will be posted on the week of publication.

As ever, I’ll be shadowing the whole process. Check back on Friday for more details on this.

(Published 26th March)

(Published 26th March)

(Published 5th March)

And three I haven’t read yet but are strong possibilities:

Ones to Read in 2015

There are a number of preview lists in the media at the moment. Rather than tell you what’s coming up, I’ve been reading 2015 titles since October so I can recommend books I think you should watch out for in the first half of 2015. Bar the bottom three titles – which are by three of my favourite writers and therefore, highly anticipated by me – I’ve read everything included on here; all of these books are very good and some are superb.

Full reviews will follow on the week of publication. All publication dates are UK and subject to change.

An Untamed State – Roxane Gay

On a visit to her parents in Haiti, Mireille is kidnapped in front of her husband and baby son. When her father holds out on paying the ransom, she’s subjected to brutal attacks. Her family will have to come to terms with the consequences but Gay clearly makes the personal political and An Untamed State is also about the treatment of women by men; the relationship between Haiti and America, and poverty versus wealth. This is an incredible book, if I read many better this year, I’ll be surprised.

Published 8th January by Corsair Books

Hausfrau – Jill Alexander Essbaum

Anna, an American, has lived in Dietlikon, a quiet suburb of Zurich for nine years but she’s never felt as though she belongs despite being married to a Swiss man and having had three children there. When her therapist suggests she attend a German language class, she meets Archie and begins an affair. Essbaum interweaves lessons about language and passivity with Anna’s thoughts and behaviour and adds her work to a line of women going against society’s expectations.

Published 26th March by Mantle

A Spool of Blue Thread – Anne Tyler

The Whitshank family could be any family on the surface – Abby and Red and their four children, son Denny causing problems and disappearing for long periods until someone needs him. The novel begins with Abby’s story and her descent into forgetting things before moving to how her and Red met and then to his parents and their story. A number of family secrets are revealed along the way and Tyler writes families as only she can – with a keen eye and an acute understanding of how the bonds between family members work.

Published 10th February by Chatto & Windus

The Gracekeepers – Kirsty Logan

Callanish is a gracekeeper, someone who performs the burial of the dead. North and her bear are part of the Circus Excalibur, a circus that sails around performing – there is no place on what’s left of the land for them. But North is betrothed to the son of Red Gold, the circus owner, who wants them to have a house on land and restore his family line to the earth. Not everyone likes his plan though and North and Callanish’s paths are going to cross and set them on a different course. Logan builds upon the promise she showed in her short story collection, The Rental Heart and Other Fairytales. The Gracekeepers places her somewhere between Angela Carter and Margaret Atwood.

Published 7th May by Harvill Secker

The Ship – Antonia Honeywell

London is burning. The British Museum is occupied. The Nazareth Act is in force and if you can’t produce your identity card in seconds you’re going to be shot. Lalla’s mother has tried to show her some of the reality but she’s sheltered by her wealthy father, Michael Paul, who’s been building a boat and selecting the people who will travel on it. When her mother’s shot, the boat sets sail but where are they going and what will Lalla discover along the way? A thoughtful, genre crossing, page turner.

Published 19th February by W&N

Vigilante – Shelley Harris

Jenny Pepper’s fed up of tidying up after her graphic designer husband, Elliot and teenage daughter, Martha. When she’s on her way to her friend’s fancy dress party as a superhero and prevents a mugging, she gets a buzz from acting as a vigilante protecting other women. Add to this the graphic novel designed by Elliot, containing a female victim with an unrealistic body; the graffiti picture of a girl in the uniform of the school Martha attends, and a man who’s attacking girls in Martha’s year and Jenny has a purpose in life. Hard to put down.

Published 8th January by W&N

Our Endless Numbered Days – Claire Fuller

Peggy’s father is a member of the North London Retreaters, discussing strategies for surviving the end of the world. While her mother, professional pianist, Ute, is on a tour of Germany, Peggy’s father tells her Ute is dead and takes her to live in die Hütte somewhere in Europe. The structure of the novel moves between Peggy’s present when she has returned to London and her mother and her time in die Hütte and how she and her father survived. Fascinating and terrifying.

Published 26th February by Fig Tree.

 

The Vegetarian – Han Kang (translated by Deborah Smith)

When Yeong-hye begins to have nightmares about meat and murder she decides to turn vegetarian, something highly unusual in South Korean society. It strains her relationship with her husband and her father but makes her highly attractive to her brother-in-law. Told in three linked novellas, each from a different point of view, The Vegetarian becomes odder and more unnerving as Yeong-hye deteriorates mentally and physically.

Published 1st January by Portobello Books.

The Chimes – Anna Smaill

Simon goes to London with his bag of objectmemories, and the name and tune of a woman his mother told him to find. Lives are run by The Order who tell them Onestory every day and erase their memory with Chimes every evening. There is no writing, no shared stories and communities are difficult to forge; music rules everything. But Simon has a purpose, he just needs to remember what it is. An extraordinary story told in a brave and unusual way.

Published 12th February by Sceptre.

 

Before the Fire – Sarah Butler

Stick and Mac are leaving Manchester for Spain. Stick’s had enough of the memories of his sister, dead in a fire; his father who left him and his mother after his sister’s death and now has a posh house with his new wife and kids, and his mum’s OCD which is giving them both sleepless nights. But the night before they’re due to leave, Mac’s attacked and now Stick’s going nowhere and life looks a whole lot worse, especially as the 2011 riots are about to take place. A great addition to working class literature.

Published 12th March by Picador.

 

The Shore – Sara Taylor

Some families just don’t work out. The Shore is a collection of three islands off the coast of Virginia. There live a group of people related to each other. The book begins by introducing Chloe and Renee, daughters of Ellie and Bo. There’s been a murder and people in the local store are gossiping about it. By the end of the first chapter, there will have been three. The book then goes on to tell the stories – past and future – of those related to this central family. The reader travels back to 1876 and Medora and forward to 2143 and Simian. Ambitious with plenty to say about the treatment of women.

Published 26th March by William Heinemann.

The Hourglass Factory – Lucy Ribchester

Frankie George, reporter for the London Evening Gazette, is sent to write a profile of Ebony Diamond, trapeze artist and suffragette, but that evening, Ebony disappears and a woman mistakenly identified as her is murdered. Weaving a murder investigation with the activities of the suffragettes, The Hourglass Factory is a satisfying, multi-strand story with some serious points to make about women and gender roles.

Published 15th January by Simon & Schuster

 

All This Has Nothing to Do With Me – Monica Sabolo (translated by Georgina Collins)

When MS interviews XX she hires him because he’s quirky, tall, young and a mess. MS falls into an obsessive, largely unrequited love which she fuels by keeping notes about XX and taking ‘mementos’ from their after-work drinks. These are documented in diary entries, emails and photographs. The book then moves to tell the story of MS’s childhood and her parents. Sabolo interweaves her own photographs and uses her own initials in this novel which seems to blur the boundaries of fiction and autobiography in a similar way to Sheila Heti and Leanne Shapton.

Published 9th April by Picador.

And the three I haven’t read but am very much looking forward to:

A God in Ruins – Kate Atkinson

In A God in Ruins, Atkinson turns her focus on Ursula’s beloved younger brother Teddy – would-be poet, RAF bomber pilot, husband and father – as he navigates the perils and progress of the 20th century. For all Teddy endures in battle, his greatest challenge will be to face living in a future he never expected to have.

I’ve been reading Kate Atkinson’s novels since Behind the Scenes at the Museum won the Whitbread Award (now the Costa) in 1995 and she’s never disappointed.

Published 5th May by Doubleday.

The Wolf Border – Sarah Hall

For almost a decade Rachel Caine has turned her back on home, kept distant by family disputes and her work monitoring wolves on an Idaho reservation. But now, summoned by the eccentric Earl of Annerdale and his controversial scheme to reintroduce the Grey Wolf to the English countryside, she is back in the peat and wet light of the Lake District.

The earl’s project harks back to an ancient idyll of untamed British wilderness – though Rachel must contend with modern-day concessions to health and safety, public outrage and political gain – and the return of the Grey after hundreds of years coincides with her own regeneration: impending motherhood, and reconciliation with her estranged family.

The Wolf Border investigates the fundamental nature of wilderness and wildness, both animal and human. It seeks to understand the most obsessive aspects of humanity: sex, love, and conflict; the desire to find answers to the question of our existence; those complex systems that govern the most superior creature on earth.

Hall’s been my favourite female novelist since I read The Electric Michelangelo; I think she’s one of the UK’s greatest.

Published 26th March by Faber & Faber

The Story of My Teeth – Valeria Luiselli (translated by Christina MacSweeney)

Gustavo ‘Turnpike’ Sanchez is a man with a mission: he is planning to replace every last one of his unsightly teeth. He has a few skills that might help him on his way: he can imitate Janis Joplin after two rums, he can interpret Chinese fortune cookies, he can stand an egg upright on a table, and he can float on his back. And, of course, he is the world’s best auction caller – although other people might not realise this, because he is, by nature, very discreet.Studying auctioneering under Grandmaster Oklahoma and the famous country singer Leroy Van Dyke, Highway travels the world, amassing his collection of ‘Collectibles’ and perfecting his own specialty: the allegoric auction. In his quest for a perfect set of pearly whites, he finds unusual ways to raise the funds, culminating in the sale of the jewels of his collection: the teeth of the ‘notorious infamous’ – Plato, Petrarch, Chesterton, Virginia Woolf et al.Written with elegance, wit and exhilarating boldness, Valeria Luiselli takes us on an idiosyncratic and hugely enjoyable journey that offers an insightful meditation on value, worth and creation, and the points at which they overlap.

I reviewed Luiselli’s debut novel, Faces in the Crowd, back in 2012 and it was one of my books of the year. I’m looking forward to entering her strange, clever world again.

Published 2nd April by Granta.

 

Thanks to Mantle, Chatto & Windus, Harvill Secker, W&N, Fig Tree, Portobello Books, Sceptre, Picador, William Heinemann and Simon & Schuster for the review copies.