Backlist Books of the Year

At the end of 2019, I challenged myself to read 100 books from my own shelves. What I meant by from my own shelves were the books that had been sitting there some time, often for years. I was fed up of not getting to books that I knew I wanted to read because there was always something shiny and new in front of me. The pandemic helped, of course; losing most of your work and being forced to stay at home will do that. I finished the 100 in early December. Here are the ones I really really loved.

The Particular Sadness of Lemon Cake – Aimee Bender (Windmill)

I thought this would be twee, I was so wrong. The story of a girl who realises she can taste people’s emotions; the story of her brother who begins to disappear. It’s about trauma and depression and it’s perfect.

The Western Wind – Samantha Harvey (Jonathan Cape)

A Brexit allegory disguised as a Medieval whodunnit. Utterly compelling.

Fleishman Is in Trouble – Taffy Brodesser-Akner (Wildfire)

A soon-to-be-ex-wife and mother disappears. A terrible soon-to-be-ex-husband who thinks he’s great has his story narrated by his ‘crazy’ friend. A piercing look at heterosexual marriage and a send-up of the Great American Novel. Longer review here.

Things we lost in the fire – Mariana Enriquez (translated by Megan McDowell) (Granta)

Dark, dark, dark stories. So haunting, so brilliant.

Exquisite Cadavers – Meena Kandasamy (Atlantic)

A Oulipo style novella showing how fiction can be created from life, but it isn’t the same thing. Longer review here.

Ongoingness: The End of a Diary – Sarah Manguso (Graywolf Press)

Manguso wrote a daily diary until she had her first child. This is full of ideas of letting go which are so brilliant I copied many of them on to Post-Its and stuck them above my desk. It’s published by Picador in the UK.

we are never meeting in real life – Samantha Irby (Faber)

Irby is my discovery of the year. Her essays are laugh-out-loud funny and entertaining but they are also about her life as a working class, disabled Black woman with a traumatic childhood. Revolutionary.

Heartburn – Nora Ephron (Virago)

Funny; good on cooking and marriage. Devastating final chapter.

Fingersmith – Sarah Waters (Virago)

Clever crime novel about class, the art of theft and pornography. Superb structure. A masterpiece.

The Chronology of Water – Lidia Yuknavitch (Canongate)

Yuknavitch’s non-chronological memoir about the fifteen lives she has lived. It’s about dying (metaphorically), swimming (literally and metaphorically) and living (literally). It fizzes.

Bear – Marian Engel (Pandora)

The headline is this is a book about a woman who has sex with a bear. It’s really about female autonomy. It’s being republished in the UK in 2021 by Daunt Books.

Magic for Beginners – Kelly Link (Harper Perennial)

Kelly Link is a genius. These stories are so rich in detail; she takes you from a situation that seems perfectly normal to a wild, subverted world that also seems perfectly normal. Incredible.

Parable of the Talents – Octavia E. Butler (Headline)

The novel that predicted a president who would aim to ‘Make America Great Again’. It’s as much the story of a mother / daughter relationship formed under significant trauma as it is the story of a country at war with itself. Longer review here.

Copies of The Particular Sadness of Lemon Cake, Fleishman is in Trouble, Exquisite Cadavers, we are never meeting in real life, The Chronology of Water and Parable of the Talents were courtesy of the publishers as listed. All others are my own copies.

In the Media, April 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Photograph by Murdo MacLeod

 

Women have been dominating the prize wins for the past fortnight. Hollie McNish won the Ted Hughes Prize and Kiran Millwood Hargrave won the Waterstones Children’s Book Prize with The Girl of Ink and Stars.

While The Baileys Women’s Prize for Fiction shortlist was announced. Rebecca May Johnson writes ‘Notes on . . . the Baileys Women’s Prize‘ (and reading women more generally) in the Financial Times. There are interviews with several of the longlisted writers on the prize’s site: Madeleine Thien, Naomi Alderman, Linda Grant, Yewande Omotoso, Heather O’Neill, Fiona Melrose, Eimear McBride, Emma Flint.

The best of the rest:

On or about books/writers/language:

• Claire Armistead, ‘Is Hilary Mantel’s view of historical fiction out of date?‘ in The Guardian
• Amy Bernhard, ‘Writing Behind Walls‘ on Catapult
• Catherine La Sota, ‘Reading Across America: A Scene Grows in Queens‘ on Literary Hub
• Alicia Maria Meier, ‘Marta Rojals’s “The Faithful,” and the American JASP‘ on Words Without Borders
• Megan Hunter, ‘Fiction to see the world through‘ in The TLS
• Vincent Scarpa, ‘The Uncanny Magic of Joy Williams, in a Single Paragraph‘ on Literary Hub
• Laura Waddell, ‘Is it time for a Handmaid’s Tale sequel, to reckon with the Trump era?‘ in The Guardian
• Aaron Bady, ‘Has Imbolo Mbue Written the Great American Novel?‘ on Literary Hub
• Mallory Soto, ‘Laura Kinney, Literary Fiction, and Coming-of-Age‘ on Bookriot
• Emily Temple, ‘A Brief History of Robots‘ on Literary Hub
• Terri Kapsalis, ‘Hysteria, Witches, and the Wandering Uterus: A Brief History‘ on Literary Hub
• Ayana Mathis, ‘On Impractical Urges‘ in Guernica
• Sophie Hughes, ‘Ferrante Fever and Knausgaard nuts‘ in The TLS
• Amelia Ayrelan Iuvino, ‘What Does it Mean to Set Your Novel at Harvard?‘ on Literary Hub
• Margaret Atwood, ‘on What ‘The Handmaid’s Tale’ Means in the Age of Trump‘ in The New York Times
• Edmund Gordon, ‘In Which Angela Carter Gives No Fucks‘ on Literary Hub
• Sophie Gilbert, ‘The Dark Morality of Fairy-Tale Animal Brides‘ on The Atlantic
• Fiona Taylor, ‘The Handmaid’s Tale: The Lost Pence Prequel‘ in The New Yorker
• Sarah Blackwood, ‘Parenting by the Books: ‘Little Women’‘ on The Hairpin
• Emily Temple, ‘Life Advice from Adrienne Rich‘ on Literary Hub
• Danika Ellis, ‘Let’s Talk About Star-Crossed: Why We Need Bisexual Kids Books, Backlash or Not‘ on Bookriot
• Naomi Alderman, ‘Dystopian dreams: how feminist science fiction predicted the future‘ in The Guardian
• Jami Attenberg, ‘Stop Reading My Fiction as the Story of My Life‘ in The New York Times
• Salena Godden, ‘How I Did It‘ on The Poetry School
• Scarlett Thomas, ‘Why I was wrong about children’s fiction‘ in The Guardian
• Ellen Feldman, ‘A Brief Literary History of Birth Control‘ on Literary Hub
• Laura Kaye, ‘on portraying England from a foreigner’s perspective‘ on the Literary Sofa
• Valerie Derbyshire, ‘Beauty and the Beast was originally a feminist fable disguised as marriage guidance‘ on The Conversation
• Bidisha, ‘The great contradiction‘ in The TLS
• Teri Vlassopoulos, ‘When I Think About Giving Up Writing‘ on Catapult
• Alexandra Alter, ‘New Crop of Young Adult Novels Explores Race and Police Brutality‘ in The New York Times
• Jami Attenberg, ‘Topography of a Novel: All Grown Up‘ on Blunderbuss
• Kathryn Heyman, ‘Fairytales are not just harmless, innocent fun. They need to be interrogated‘ in The Guardian
• Susan Braudy, ‘‘Sisters in Misery’: What It Was Like to Interview Joan Didion at Home in 1977‘ on Jezebel

Personal essays/memoir:

• Kim McLarin, ‘Outrunning Eshu: On Finally Seeking Treatment for Depression‘ on Literary Hub
• Marissa Bate, ‘Adventures aren’t always on the other side of the world‘ on The Pool
• Daisy Buchanan, ‘I’ve been an agony aunt since I could talk‘ in The Guardian
• Laura Turner, ‘How Do You Inherit Anxiety?‘ on Catapult
• Meg Elison, ‘El Hugé‘ on Catapult
• Melissa Febos, ‘Playing Cupid for a Gay Friend on a (Mostly) Straight Cruise‘ in The New York Times
• Ethel Rohan, ‘Bringing It Back Up‘ on The Hairpin
• Sinéad Gleeson, ‘Your Chroma‘ on RTÉ
• Melinda Salisbury, ‘Was my grandmother a witch?‘ in The Guardian
• Amy Jo Burns, ‘Writing, Risk, and Moonshine‘ on Electric Literature
• Dionne Ford, ‘Don’t Call Slaves “Immigrants”‘ on Literary Hub
• Melissa Wyse, ‘Learning to Live Alone Through the Legacy of Mary Tyler Moore‘ in The Rumpus
• Whitney Templeton, ‘The Evolution of a Trigger‘ on The Rumpus
• Elisabeth Fairfield Stokes, ‘Life and Breath: On Pregnancy and the Spirit World‘ on Catapult
• Gillian Jacobs, ‘I Can’t Have Enough Mothers‘ on Lenny
• Dina Nayeri, ‘How Love Ends: Scenes from a Refugee Hotel‘ on Electric Literature
• Maria Browning, ‘Doll in Shadow‘ on Guernica
• Xialou Guo, ‘Leaving the Village: on Traumatic Uprooting‘ on Literary Hub
• Alys Fowler, ‘There is no such thing as coming out: it’s a daily negotiation‘ in The Guardian
• Eve Peyser, ‘Trump, Trolls, and Rediscovering My Jewish Identity‘ on Vice
• Porochista Khakpour, ‘Why this Persian New Year is different‘ on CNN
• Ashley Ford, ‘Seeing My Body with Fresh Eyes‘ on Cup of Jo
• Laurie Frankel, ‘We adopted by choice not necessity‘ in The Guardian
• Ella Wilson, ‘Take Care: Mothers, Daughters, and Inheriting Self-Hatred‘ on Catapult
• Daisy Buchanan, ‘I am 32, successful and I am in therapy. This is why‘ on The Pool

Feminism:

• Helen Charman, ‘Literary Representations of Maternity‘ on Women Are Boring
• Heather Kirn Lanier, ‘Superbabies Don’t Cry‘ on Vela
• Jia Tolentino, ‘The Infantilizing Ways We Talk About Women’s Ambition‘ in The New Yorker
• Leslie Jamison, ‘In the Shadow of a Fairy Tale‘ in The New York Times
• Rebecca Traister, ‘Of Course Donald Trump Doesn’t Think Bill O’Reilly Did Anything Wrong‘ in The Cut
• Salimah Perkins, ‘Choosing Sides‘ on Queen Mob’s Tea House
• Minda Honey, ‘Women of Color in Wide Open Spaces‘ on Longreads
• Jess Zimmerman, ‘Why Is Male Anger So Threatening?‘ in Dame
• Jessica Valenti, ‘Mike Pence doesn’t eat alone with women. That speaks volumes‘ in The Guardian
• Phoebe Maltz Bovy, ‘It’s time to drop the vagina as a protest symbol‘ in The Washington Post
• Morgan Jerkins, ‘How America Fails Black Girls‘ in The New York Times
• Sandra Newman, ‘Why men rape‘ on Aeon
• Mia Violet, ‘Taking Selfies As A Form Of Self Care‘ on Femsplain
• Brittney McNamara, ‘White Women Are Less Likely to Protect Black Women From Sexual Assault, Study Finds‘ in Teen Vogue
• Roe McDermott, ‘There is no perfect victim. And there is no perfect way to respond to sexual assault‘ on The Pool
• Morgan M Page, ‘Trans Women Shouldn’t Have To Constantly Defend Their Own Womanhood‘ on Buzzfeed
• Cathy Young, ‘The Other Women’s Movement‘ on Foreign Policy
• David Smith, ‘Chimamanda Ngozi Adichie on transgender row: “I have nothing to apologise for”‘ in The Guardian

Society and Politics:

• Jeanette Winterson, ‘We need to be more imaginative about modern marriage‘ in The Guardian
• Taffy Brodesser-Akner, ‘The High Price of Leaving Ultra-Orthodox Life‘ in the New York Times
• Monica Mark, ‘Poor, Gifted and Black‘ on Buzzfeed
• Diana Darke, ‘A sarin attack and a swing in US policy‘ in The TLS
• Carla Bruce-Eddings, ‘Am I Going to Have Another Baby?‘ in The Cut
• Emily Holleman, ‘Is Hillary Clinton a Modern-Day Cleopatra?‘ on Literary Hub
• Hannah Goldfeld, ‘The Cool Brooklyn Dentist Who Wants Your Teeth to Look As Nice As Her Instagram Feed‘ in The Cut
• Suzanne Moore, ‘Labour is weak and immoral – as shown by Livingstone’s refusal to apologise‘ in The Guardian
• Alana Semuels, ‘Why It’s So Hard to Get Ahead in the South‘ in The Atlantic
• Zara Rahman, ‘Where Are You Really From‘ on Real Life
• Jeanne de Montbaston, ‘My Daughter’s Birth‘ on Reading Medieval Books
• Linda Besner, ‘Sleep Country‘ on Real Life
• Hilary Mantel, ‘The Tories will never confess to their social wrecking age‘ in The New Statesman
• Alana Massey, ‘Broken Links‘ on Aeon
• Sim Bajwa, ‘Multiculturalism hasn’t failed – but the rhetoric surrounding immigration has become poisonous‘ on The Pool
• Elena Passarello, ‘The Sense of an Endling‘ on Longreads
• Lisa Miller, ‘John Hinckley Left the Mental Hospital Seven Months Ago‘ in New York Magazine

Film, Television, Music, Art, Fashion and Sport:

• Jonatha Kottler, ‘Shopping at size 24: ‘The sales assistant shakes her head at me’‘ in The Guardian
• Caitlin McDonnell, ‘On Homeland‘s Carrie Mathison, Mental Illness, & the “Ugly Cry”‘ on Weird Sister
• Sophie Atkinson, ‘Feminism and the Pursuit of Relentless Happiness‘ on Electric Literature
• Christine Vines, ‘The Damage of ‘Crazy Ex-Girlfriend’‘ on Electric Literature
• Laura McKeon, ‘Dressing Like Ladies‘ on Hazlitt
• Rachel Klein, ‘Smurfette’s Roots‘ on Hazlitt
• Lauren Schwartzberg, ‘Why Millennial Pink Refuses to Go Away‘ in The Cut
• Amy Wallace, ‘The Hollywood Exec and the Hand Transplant That Changed His Life‘ in Los Angeles Magazine
• Catherine Love, ‘Offside: the shocking moment female footballers were banned for 50 years‘ in The Guardian

The interviews/profiles:

• Durga Chew-Bose on Hazlitt
• Edna O’Brien on Kenyan Review
• Eleni Sikelianos in Numeró Cinq
• Sarah Waters in The Guardian
• Ursula K. Le Guin on Electric Literature
• Claire Fuller on Reading Women
• Julie Buntin on Electric Literature
• Ariel Levy on Electric Literature and The Fifth Sense
• Angie Thomas in The Guardian and The Cut
• Deb Olin Unferth on Electric Literature
• Elena Favilli and Francesca Cavallo in The Bookseller
• Valeria Luiselli in Brooklyn
• Aura Xilonen on Electric Literature
• Ana Marie Cox on Literary Hub
• Wioletta Greg and Eliza Marciniak on The Man Booker Prize
• Fay Weldon in The Guardian
• Brit Bennett on The Millions
• Marina Benjamin on Slate
• Maggie Nelson in The Cut
• Katie Kitamura in The LA Times
• Megan McDowell on Literary Hub
• Emma Richler on Maisonneuve
• Eve Ainsworth on Bookriot
• Anna Journey on Electric Literature
• Eileen Myles in The Irish Times
• Eula Bliss in The Los Angeles Review of Books
• Khadijah Queen on The Rumpus
• Emily Robbins on Hazlitt
• Helen McClory on Burning House Press
• Lidia Yuknavitch on Pen America
• Patty Yumi Cottrell on Literary Hub
• Nell Stevens in Vogue

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

The best of the rest:

On or about books/writers/language:

• Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
• Hilary Mantel, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
• Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
• Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
• Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
• Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
• Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
• Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
• Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
• Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
• Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
• Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘  on Literary Hub
• Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
• Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
• Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
• Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
• Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
• Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
• Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
• Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
• Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
• Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
• Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
• Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
• Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
• Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
• Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
• Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
• Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
• Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
• Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
• Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
• Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
• John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
• Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian

Personal essays/memoir:

• Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
• Marina Lucic, ‘Lessons on Hate‘ in Litro
• Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
• Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
• Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
• Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
• Faith Adiele, ‘All of the Above‘ on The Rumpus
• Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
• Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
• Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
• Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
• Clare Archibald, ‘Congealed‘ on The Real Story
• Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
• Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
• Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
• Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
• Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
• Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
• Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut

Feminism:

• Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
• Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
• Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
• Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
• Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
• Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
• Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
• Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
• Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
• Melissa Gira Grant, ‘Heather‘ on Buzzed
• Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool

Society and Politics:

• Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
• Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
• Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
• Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
• Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
• Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
• Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
• Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
• Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
• Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
• Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph

Film, Television, Music, Art, Fashion and Sport:

• Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
• Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
• Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
• Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool

The interviews/profiles:

• Lisa Owens in The Bookseller
• Robin Black & Natalie Serber on Bloom
• Maggie Nelson in The Guardian
• Michelle de Kretser in Vol. 1 Brooklyn
• Brit Bennett on Jezebel
• Danielle Dutton in Brooklyn Magazine
• Idra Novey on The Rumpus
• Helen Garner in the Sydney Morning Herald
• Yvette Edwards on the Waterstones’ Blog
• Lynsey Hanley in The Guardian
• Elif Batuman on Literary Hub
• Rachel Traister on The Pool
• Sara Sheridan on From First Page to Last
• Janet Todd in Shiny New Books
• Sharon Guskin in Shiny New Books
• Karen Kovacik on Guernica
• Caitlin and Caz Moran on The Pool
• Maylis de Kerangal in BOMB
• Sophia Bennett in The Guardian
• Cynthia D’Aprix Sweeney on Literary Hub
• Danielle McLaughlin on Short Fiction
• Jenny Downham on The Bookseller

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner