Tag Archives: Vanessa LaFaye

In the Media: 10th May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mother’s Day in 80 countries around the world today. Not surprisingly, there has been a whole range of articles, from a whole range of view points, about mothers and motherhood this week. The Hairpin ran a series including  ‘Mommy Queerest‘ by Sarah Liss; ‘Thoroughly Modern Murdering Mothers; or, Women Who Kill for Their Children‘ by Meredith Haggerty; ‘A Joke, A Story‘ by Naomi Skwarna; ‘Going for the Burn: Revisiting Jane Fonda’s Workouts‘ by Alison Hamm’ ‘Mothers and Moms‘ by Haley Mlotek, and Randi Bergman, ‘The Weirdest Beauty Tips I Learned From My Mom‘.

Tameka Cage-Conley wrote, ‘Motherhood, Art, And Police Brutality‘ on VSB; Amy Shouse wrote ‘My mom never wanted kids‘ on Salon; Anne Enright wrote, ‘When Mother Leaves the Room‘ in The New York Times; Cheryl Strayed wrote, ‘The ‘Painful Personal Toll Lung Cancer Has Taken on My Life’‘ on The Huffington Post; Monica Hessler, ‘The long drive to end a pregnancy‘ in The Washington Post; Mary HK Choi, ‘The Dicks Of Our Lives‘ on Buzzfeed; Mary Elizabeth Williams, ‘Sorry about Mother’s Day, my childfree girlfriends: Moms aren’t any more special (or unselfish) than you‘ on Salon; Edwidge Danticat, ‘A Prayer Before Dying‘ on Literary Hub; Brogan Driscoll, ‘I Refuse to Celebrate ‘Dad Bod’, Until We Appreciate the ‘Mum Bod’ Too‘ on the Huffington Post

Catherine Bennett wrote in The Guardian, ‘It’s dehumanising to be ‘an oven’ for someone else’s baby‘; Jessica Roake wrote, ‘An Ode to the “Mom’s Night Out”‘ on Slate; Rebecca Mead wrote, ‘A Woman’s Place Is on the Internet‘ in The New Yorker; Sophie Heawood wrote, ‘I’ve read all the advice, but I still don’t know – am I raising a serial killer?‘ in The Guardian; Laila K wrote, ‘Up with the kids‘ in The Pool; Dahlia Lithwick, ‘“Bye-Bye, Normal Mommy”‘ on Slate; Christie Watson, ‘The Joy and Pain of Trans-Racial Adoption‘ on Literary Hub; Meagan O’Connell, ‘It’s My First Mother’s Day As a Mom. Now What?‘ in The Cut; Kate Spencer, ‘How I Finally Let Go Of Grief For My Dead Mom‘ on Buzzfeed; Domenica Ruta, ‘Can Having a Child Help Me Get Over My Abusive Mom?‘ in The Cut.

Danah Boyd, ‘I Miss Not Being Scared‘ on Medium; Melissa Duclos, ‘To the Doctor Who Reported Me to Child Protective Services‘ on The Offing; Christopher Frizzelle, ‘The Day Virginia Woolf Brought Her Mom Back to Life‘ on Literary Hub; Lauren Laverne, ‘“Mum” as a diss‘ in The Pool.

And if you’d rather read a book instead, Literary Hub suggests, ‘Five Intense Books for Mother’s Day‘ and the Huffington Post recommends, ‘Mother’s Day Reads: Eight Great Mother Characters in Literature‘.

Photograph by Idil Sukan

In the UK, there was a general election. 3AM Magazine ran a whole series of reactions including, Lauren Elkin, ‘an open letter to mark-francis vandelli‘; Juliet Jacques, ‘london – 2015‘; Eley Williams, ‘rosette manufacture: a catalogue and spotters’ guide‘, and Rachel Genn, ‘you wouldn’t like me when i’m disappointed‘. Other reactions included: Laurie Penny, ‘Don’t give in: an angry population is hard to govern; a depressed population is easy‘ in the New Statesman; Joan Smith, ‘Almost a third of all MPs are now women – a milestone has been reached‘ in The Guardian; Janice Turner, ‘Why the north is in revolt against Labour‘ in The Times; Beluah Maud Devaney, ‘Unfriending Tories on Facebook Is Not the Answer‘ on the Huffington Post

And there were a few pieces written prior to the result that I still think are worth reading: Sam Baker, ‘When voting doesn’t make you feel good‘ in The Pool; Suzanne Moore, ‘By Friday we’ll be reduced to bystanders at a revoltingly macho political stare-off‘ in The Guardian; Concepta Cassar, ‘Food For Thought: Hazlitt, Malthus and the Tragedy of Food Banks‘ in Litro; Katy Guest, ‘Sandi Toksvig’s Women’s Equality Party is a movement for which time has come‘ in The Independent; Salena Godden, ‘Colour-blind: What colour are you?‘ on her blog, and Isabel Rogers’ poem ‘The truth about political correctness‘ on her blog.

I promised myself I wouldn’t mention it but there have been a few good pieces written about the birth of THAT baby: Sian Norris, ‘She’s not like other girls…‘ on Sian and Crooked Rib; Heather Havrilesky, ‘Royal Baby Girl Fated to Lead International Mob of Fake Princesses?‘ in The Cut, and Viv Groskop, ‘She’s a tiny baby, not a Kardashian‘ in The Pool.

Congratulations to Gill Lewis who won the Little Rebels children’s book award with Scarlet Ibis this week; to Emily St. John Mandel who won the Authur C Clarke award, and to Alice Notley who won the Ruth Lilly Poetry Foundation Prize. A gender balanced shortlist was announced for the RSL Ondaatje Prize 2015 and a female dominated one for the Branford Boase Award 2015. The ALS Longlist and NSW Premier’s Literary Awards Shortlists were also announced.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

If you want some non-fiction to read:

Photograph by Cybele Knowles

The lists:

In the Media: 25th January & 1st February 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Thanks to everyone who said such lovely things last week after I lost the In the Media post and to everyone who offered suggestions to stop it happening again. I think I have a solution and it seems to have worked well this week.

The morning after last week’s last minute loss, I realised that all was not entirely lost; all the articles I’d linked to that hadn’t saved were in my laptop history, so I recovered the remainder of last week’s post (apologies if you received an email with a half-done post in it, it posted when I retrieved it) and relinked all the articles, then added this weeks. The result of that is this bumper issue. Enjoy!

This week saw the death of Colleen McCullough, author of The Thorn Birds, as well as 23 other books, and a neuroscientist. Steve Dow remembers her in The Guardian; Alison Flood gave her tribute with ‘Colleen McCullough’s The Thorn Birds helped me get over heartbreak‘ also in The Guardian, and in response to that obituary (I’m not linking to it) Rebecca Shaw wrote ‘We’ll celebrate a woman for anything, as long as it’s not her talent‘ in The Guardian while Liz Kearney responded with ‘You may be a best-selling writer, but never forget that you’re still fat and ugly‘ in The Irish Independent.

It’s been a fortnight filled with awards. Last week, Claudia Rankine became the first person ever to be nominated for two National Critics Circle Awards in the poetry and criticism categories; her editor tells The Washington post why she’s a ‘genius’ and Jonathon Sturgeon tells us why the double nomination is ‘the correct decision’ on Flavorwire;  While Jhumpa Lahiri won the DSC Prize. Here’s ‘Six things you should know about Jhumpa Lahiri’s The Lowland’ on Scroll.in

This week, it’s been the turn of the Costa Awards. Helen Macdonald won the overall award for the fantastic H is for Hawk. Here’s an interview she gave to The Times last week; you can watch her talking about the book here; you can listen to an audio excerpt and read her piece ‘On Ringing Wild Goshawks’ on Vintage Books, and discover the six books that made her in The Guardian. You can also watch the short films made of the other finalists: Emma Healey; Kate Saunders; Ali Smith. Zoe Gilbert won the Short Story Award with Fishskin, Hareskin. With Joanne Meek, Lucy Ribchester, Jane Healey and Paula Cunningham also shortlisted. You can read all the shortlisted stories here (scroll to the bottom of the page).

Other exciting news for female writers is the launch of #ReviewWomen2015, following the success of the #ReadWomen2014 campaign. Hannah Beckerman explains why she wants more books by female writers, especially commercial fiction, to be reviewed in the broadsheets in the Huffington Post. Anne Enright became the first Laureate for Irish Fiction in a unanimous decision and in China came the discovery of a new poet, ‘dubbed China’s Emily Dickinson‘, Want China Times reports on Yu Xihua.

There’s been a wave of feminist articles this fortnight, partly thanks to The Sun newspaper appearing to stop publishing pictures of topless women on p3 and then declaring it a joke by the middle of the week. Sarah Ditum wrote, ‘The “return” of Page 3: the Sun revels in the chance to make women with opinions look stupid‘ in the New Statesman; Marina Hyde responded with, ‘No more t*ts in the Sun – a campaign we can all get behind‘ in The Guardian. Elsewhere, Sophie Heawood wrote, ‘If Björk can’t stop a man stealing the limelight, what hope is there for the rest of us?‘ in The Guardian; Eleanor Catton wrote a statement on her website following a media furore in New Zealand about comments she made about the government; Louise O’Neill related, ‘My journey to feminism‘ in The Guardian; Elisabeth Camp asked ‘Should I let my daughter wear pink?‘ in Aeon; Jami Attenberg recounted her time passing as a man, ‘Track Changes‘ in The New York Times; Bayan Perazzo wrote ‘The Burden of Being Female in Saudi Arabia‘ on Muftah; Rose George declared, ‘My period may hurt: but not talking about menstruation hurts more‘ in The Guardian; Arabelle Sicadi wrote, ‘A Bridge Between Love And Lipstick: Queering the beauty industry‘ on Buzzfeed; Jeanne de Montbaston responded to an Alison Wolf article (link in the piece) with ‘What the Hell kinds of Feminists are you Reading, Alison Wolf‘ on Reading Medieval Books; Lucy Magan says, ‘Let’s Silence the Voice That Tells Us We Can’t‘ in Stylist; Marina Sofia looked at the new Barbie Princess Power on her blog; Rebecca Carroll wrote, ‘I was six when a man first touched me. I didn’t speak up until I was an adult‘ in The Guardian; Jia Tolentino wrote, ‘Rush After ‘A Rape On Campus’: A UVA Alum Goes Back to Rugby Road‘ on Jezebel; Homa Mojtabai listed ‘Reasons You Were Not Promoted That Are Totally Unrelated to Gender‘ on McSweeney’s; C M Meadows-Haworth, ‘Reading Audre Lorde Is Changing My Life‘ on A Room of Our Own; Chika Unigwe wrote, ‘Why Nigeria is failing its citizens over Boko Haram attacks‘ in Litro; Maddie Crum told us ‘Why Virginia Woolf Should Be Your Feminist Role Model‘ on Huffington Post; Brandi Bailey selected ‘The Best Feminist Picture Books‘ on Book Riot, Monique Wilson said, ‘Critics of the Vagina Monologues must acknowledge its transformative powers‘ in The Guardian, Alison Flood told us ‘Why I hate the Little Miss books‘ in The Guardian, Sarah Ditum also told us, ‘I ain’t afraid of no girls: why the all-female Ghostbusters will be good for Hollywood‘ in the New Statesman; Max Cairnduff wrote, ‘Looking back on #readwomen2014 and my favourite reads of the year‘ on his blog; Hannah Renowden shares, ‘2015 – When I got angered by a reading list so read it. Also, crochet.‘ on her blog, and Isabel Rogers read and took down Mike Buchanan’s Justice for Men and Boys (and the women who love them) Party Election Manifesto on her blog.

And a number about class following James Blunt’s open letter to Chris Bryant. Sarah Perry responded with, ‘James Blunt has misunderstood the relationship between privilege and success‘ in The Independent and Suzanne Moore with, ‘What James Blunt doesn’t understand about the politics of envy‘ in The Guardian. Other issues surrounding class were covered by Lisa McKenzie, ‘The estate we’re in: how working class people became the ‘problem’‘ in The Guardian; Lucy Mangan, ‘If you don’t understand how people fall into poverty, you’re probably a sociopath‘ also in The Guardian; Nicola Morgan asked, ‘Why fund libraries when it’s all online?‘ on An Awfully Big Blog Adventure; Harriet Williamson said, ‘Every time I visit the job centre, the staff treat me like a subhuman‘ in the New Statesman; Grace Dent said, ‘When rents are so high that you have to share a bed with a stranger, surely the revolution can’t be far off‘ in The Independent, and Kathryn Hughes wrote, ‘Yes, Kirstie Allsopp, littering’s bad. But then so is self-righteousness‘ in The Guardian

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

The lists:

and Diane Watt is spending February recommending LGBT reads on her Twitter account using the hashtag #mylgbtbooks

Summertime – Vanessa Lafaye

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(Published in the US as Under a Dark Summer Sky.)

‘Nathan,’ she groaned, racing to the porch. At first she could not comprehend what her eyes reported. The Moses basket was moving slowly down the lawn towards the mangroves, with Sam bouncing hysterically from one side of it to the other. She could hear faint cries from the basket as Nathan woke. She stumbled down the porch steps in her hurry, and raced towards the retreating basket.

Then she saw him.

He was camouflaged by the mangrove’s shade at the water’s edge, almost the same green as the grass. He was big, bigger than any she had seen before. From his snout, clamped on to a corner of the basket, to the end of his dinosaur tail, the gator was probably fourteen feet long. Slowly he planted each of his giant clawed feet and determinedly dragged the basket towards the water.

If you’re not already gripped, you should probably check your pulse. This is how Summertime opens, with the Kincaid’s baby being taken by an alligator in the minute, Missy, his nanny, nips inside to grab some ice and cool herself down.

It’s 1935 and tensions are high in Heron Key, Florida. Preparations are underway for the high point in the social calendar, ‘the only one at which coloureds were allowed – on their own side of the beach, of course’, the Fourth of July barbecue. Missy will be going for the first time in several years and there’ll be a group of veterans present, including the one that Missy loves, Henry Roberts.

The veterans are a problem as far as the people of the town are concerned. Screwed out of a bonus by the government, they’ve been sent to build a bridge. They’re dirty, hungry, frustrated and angry.

Both Doc Williams, also a veteran disturbed by his time in the war and Dwayne Campbell, Deputy Sheriff, who rumour has it beats his wife after she gave birth to a mixed-race baby (they’re both white), have both advised against the veterans attendance. Doc ‘convinced they were a danger to others, and themselves’; Dwayne referring to them as ‘Drunks and psychos’.

At the barbeque there is trouble, the worst of which is that Hilda Kincaid is attacked and left for dead. Add this to the setting of the American south in a time when Florida had the highest number of lynchings of any southern state; throw in the group of veterans, some of whom have brown skin, in the area and there’s not going to be any let up in the novel’s tension. Oh, and there’s a hurricane on the way, in case you aren’t close enough to the edge of your seat yet.

Summertime considers themes of race, love, domestic violence and the psychological consequences of war. Lafaye’s writing conjures vivid pictures of characters and events; it’s particularly strong in the depictions of the hurricane when I felt as though I was living through it with the characters.

My only criticism is that there were so many characters with interesting stories they felt condensed and I wanted more of them all and more chance for their tales to be told. I would quite happily have read another fifty pages.

As it is, however, I enjoyed Summertime and the way Lafaye brought a number of tense situations together to create an engrossing narrative. I’ll certainly be looking out for her next novel.

 

Thanks to Orion for the review copy.

In the Media: 11th January 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

K Barbican PK

(Photograph by Pedro Koechlin)

As it’s the first In the Media of the year, I’m going to begin by looking back at 2014 for a moment with pieces that appeared between Christmas and New Year. Katherine Angel’s brilliant piece, ‘Gender, blah, blah, blah‘ in The Los Angeles Review of Books; Jessie Burton, ‘Eggshells, Luck, Hope and Thanks‘ on her blog reflects on what a year it’s been for The Miniaturist; Emma Claire Sweeney and Emily Midorikawa ‘A Year of Hidden Friendships‘ on Something Rhymed; Rebecca Solnit, ‘Listen up, women are telling their story now‘ in The Guardian; Jia Tolentino, ‘The Promise in Elena Ferrante‘ on Jezebel; Charles Finch, also on Elena Ferrante for ‘A Year in Reading‘ for The Millions;  Ali Colluccio covers ‘The Best of Women in Comics 2014‘ on Panels, and  Elena Adler on ‘Why #ReadWomen 2014 has changed things, and why #ReadWomen matters‘ on her blog.

Looking forwards, there’s been a spotlight on diversity again this week with Celeste Ng writing about a male professor telling her there were few Asian-American women writers. There’s a fantastic list of writers at the bottom of the article. Nalo Hopkinson wrote ‘To anthology editors‘ on how to go about creating anthologies with a diversity of voices on her website; Alexis Teyie wrote this great piece, ‘Invoking the women in early African writing‘ on This Is Africa, while Lyn Gardner declared ‘Diversity is key to Creativity – and British Theatre’s Challenge for 2015‘ in The Guardian and Stella Duffy wrote, ‘Making Arts for All for ALL‘ on her blog.

While The White Review has kicked off the year with an all translation issue. You can read online pieces by Herta Müller (tr. Philip Boehm); poetry by Alejandra Pizarnik (tr. Yvette Seigert) and Angélica Freitas (tr. Hilary Kaplan); a short story by Tove Jansson (tr.  Thomas Teal); extracts from novels by Minae Mizumuru (tr. Juliet Winters Carpenter) and Han Kang (tr. Deborah Smith), and an interview with Magdalena Tulli (tr. Bill Johnston).

(Photograph by Kuba Kolinski)

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

And the lists:

In the Media: 16th November 2014

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Photo by Wayne Thomas

This week, there’s been lots of discussion on my Twitter timeline about an article by Joanna Walsh, writer and creator of #ReadWomen2014 on ‘Why must the “best new writers” always be under 40?‘ prompted by Buzzfeed’s ‘20 Under 40 Debut Writers You Need to Be Reading‘. Traditionally, these lists have disadvantaged women who, for a number of reasons, often publish their first novel later than many men. So, although it’s arbitrary/silly, this week’s top slot is going to pieces by or about those who published their first book at 40 or over.

We have Linda Grant (first novel published at 44) on why she’s hooked on the Serial podcast in The Guardian; Joan Chase (47) in her own words and Amy Weldon on her both on Bloom, a site dedicated to writers whose first major work was published at 40 or over; Ruth Graham tells the true story of Laura Ingalls Wilder (65) on Slate; Alexander Chee looks at Penelope Fitzgerald (59) via Hermione Lee’s biography of her on Slate; there are interviews with Lissa Evans (42) on the One More Page blog, Helen DeWitt (43) in BOMB magazine, Meg Rosoff (48) on Rebecca Mascull’s blog, Katherine Boo (48) on the theatre production of Behind the Beautiful Forevers in the Independent and Donna Douglas (40) on Female First; while Bobbie Ann Mason (42) has a new short story ‘Ready‘ on TNB Fiction and the first chapter of Summertime by Vanessa Lafaye (51) is up to read on One Book Lane; finally, you can find out why middle-aged women are dominated self-publishing according to The Guardian.

At the other end of the spectrum, writer Nikesh Shukla supports young writers in Bristol. They publish online magazine Rife. Here’s Sammy Jones’ ‘The Five Stages of Street Harassment‘ and Jess Connett on ‘Hidden WWI: Teenagers at War‘.

There’s also been more gender discussion. Time magazine added the word ‘feminism’ to a list their readers could vote on to ‘ban’. Roxane Gay responded in The Washington Post; Hannah McGill discussed gender depiction in Sci-Fi in The List; Jess Meacham critiqued Suzanne Moore’s column on selfie’s being anti-feminist and her use of Sylvia Plath’s poetry in ‘The Eyeing of my Scars‘ on her blog, while Non Pratt looked at gender representation in Young Adult books in We Love This Book.

And the woman with the most publicity this week is Amanda Palmer, whose book The Art of Asking was published on Tuesday. She’s in The Guardian following a live web chat; interviewed by Maria Popova of Brainpickings on YouTube; has written an article for The Independent and been interviewed in Billboard.

The best of the rest articles/essays:

The interviews:

This week’s ‘Who is Elena Ferrante?’ piece is by Jane Shilling in the New Statesman

If you want some fiction to read:

Or some non-fiction:

This week’s lists