The Women’s Prize for Fiction Longlist 2018

Here it is, the Women’s Prize for Fiction 2018 longlist. Initial thoughts are that I’m very excited. This is a great list. Two of my favourite books of last year are there – When I Hit You by Meena Kandasamy and Elmet by Fiona Mozley – and one of my favourites so far this year – Sight by Jessie Greengrass. One of my all-time favourite writers, Nicola Barker, makes the longlist for the first time with her twelfth novel H(A)PPY. I haven’t read it yet because I’ve been wanting time to sit and savour it, which never happens, so I’m delighted to have to make that time now. The book and writer I hadn’t heard of is Miss Burma by Charmaine Craig. I love that this list always produces at least one new to me writer. The other thing that’s really pleasing is that seven of the sixteen writers are women of colour, by far the highest number we’ve ever seen from this prize and about time too.

Here’s the list in full. I’ve linked to my reviews of the four I’ve already covered and will return to this page to link the rest as I work my way through the rest of the list.

H(A)PPY – Nicola Barker

The Idiot – Elif Batuman

Three Things About Elsie – Joanna Cannon

Miss Burma – Charmaine Craig

Manhattan Beach – Jennifer Egan

The Mermaid and Mrs Hancock – Imogen Hermes Gower

Sight – Jessie Greengrass

Eleanor Oliphant Is Completely Fine – Gail Honeyman

When I Hit You: Or, A Portrait of the Writer as a Young Wife – Meena Kandasamy

Elmet – Fiona Mozley

The Ministry of Utmost Happiness – Arundhati Roy

See What I Have Done – Sarah Schmidt

A Boy in Winter – Rachel Seiffert

Home Fire – Kamila Shamsie

The Trick to Time – Kit de Waal

Sing, Unburied, Sing – Jesmyn Ward

Three Things About Elsie – Joanna Cannon

84-year-old Florence is lying on the floor of her sheltered housing flat. Her alarm hangs on the bathroom door, unreachable. As she waits to be found, she thinks about the thing she needs to tell someone, the secret she’s been keeping.

A month prior to Florence’s fall, a new resident arrives at Cherry Tree. He calls himself Gabriel Price but Florence knows he’s Ronnie Butler, a man who drowned 60 years earlier.

I have felt fear many times in my life. I feel it each time I sit alone in darkness, and dare to peel away a corner of the past. I’ve felt it over the years in an unexpected mention of his name, or a casual remark. It was strange, because until that day, it had been the absence of him which frightened me, but now he was here, standing not ten feet in front of me, I finally knew what real terror was, and there was nothing quite like it. It felt as though it could pull my heart right out of my chest.

And then things in Florence’s flat begin to move.

But no one believes Florence; she’s 84, she’s forgetful, of course. She’s also a troublemaker. She’s not interested in spending time in the day room, socialising with the others. She thinks the cleaners aren’t doing a very good job and dusts again after they’ve finished. She’s angry that the people in charge of the accommodation don’t listen to her. Miss Ambrose, the manager, places Florence on a month’s probation; if Florence doesn’t begin to participate in life at Cherry Tree, she’ll be sent to Greenbank. People don’t come back from Greenbank.

Florence enlists her friends, Elsie and Jack, to help her prove that Gabriel Price is actually Ronnie Butler. She also wants to piece together exactly what happened before he drowned; it’s time to tell her secret.

The structure of the novel moves between Florence lying on the floor – a time stated at the head of the chapter indicates how long it’s been since Florence fell – and the month leading up to this date, as Florence’s past is revealed. Other characters also have chapters from their points of view – Miss Ambrose, who has ambitions beyond working at Cherry Tree that have never been fulfilled and Handy Simon, the handyman, who relies on facts that few others are interested in. The shifts in perspective allow Cannon to create a picture of those who look after the elderly as well as the elderly themselves. It’s a stance that might make the reader question their own behaviour.

There are some beautiful and heart-breaking insights into humanity and the way we treat each other. When a resident dies and their flat is cleared out, Florence watches the collection of the skip from her window: They loaded someone’s whole life into a lorry and drove it away. There wasn’t even a mark on the pavement to say where it had been. Later, when one of the residents, Mrs Honeyman, disappears on a trip to Whitby, the police interview Florence and Elsie. They tell him that Mrs Honeyman was quiet and slept a lot.

‘I wonder if she was depressed as well,’ I said. ‘She never seems to have anyone to talk to.’

‘Really?’ The policeman looked at his notes. ‘No one else has mentioned that. Has she recently lost someone?’

‘Just the person she used to be,’ I said, but the policeman chose not to reply.

Cannon’s strength lies in her portrayals of those on the fringes of society; how many novels have an old woman telling their story in first person? Not only does the book allow Florence a voice, it looks at domestic violence and the way men use their power to intimidate women. Don’t speak out because, even if someone does seem to be listening to you, they probably won’t believe you anyway.

Three Things About Elsie is an engaging novel with an interesting protagonist and a social conscience. It will delight the many fans of Cannon’s debut The Trouble with Goats and Sheep and – deservedly – win her many more.

In the Media, April 2017, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Photograph by Pari Dukovic

The Handmaid’s Tale is having a moment due to the television serial airing this coming week and the current political situation in America (and beyond).

• Madeleine Davies, ‘The Misogynist Future of Hulu’s The Handmaid’s Tale Feels Terrifyingly Within Reach‘ on Jezebel
• Rebecca Mead, ‘Margaret Atwood, the Prophet of Dystopia‘ in The New Yorker
• Rebecca Mead, ‘Margaret Atwood’s Grimly Relevant Additions to “The Handmaid’s Tale” Audiobook‘ in The New Yorker
• Katrina Onstad, ‘The Handmaid’s Tale: A Newly Resonant Dystopia Comes to TV‘ in The New York Times
• Willa Paskin reviews the show on Slate
• Anne Helen Peterson, ‘The Radical Feminist Aesthetic Of “The Handmaid’s Tale”‘ on Buzzfeed
• Emily Temple, ‘The Handmaid’s Tale Adapts More than the Novel: Here Is America‘ on Literary Hub

As one series begins, another ended this week:

• Emma Gannon, ‘It’s time to move on from ‘Girls’…but I’ll always love Lena‘ in Glamour
• Sophie Gilbert, ‘What Was Missing From the Girls Finale‘ on The Atlantic
• Erica Jong, ‘Why Do Female Characters Have to Be “Likeable”‘ on the BBC
• Anna Leszkiewicz, ‘The final episode of Girls revealed Hannah Horvath’s two most important relationships‘ in the New Statesman
• Halima Marcus, ‘The Very Best Episodes of Girls Are Perfect Short Stories‘ on Electric Literature
• Jia Tolentino, ‘On Finally Watching “Girls”, A Different and Better Show than I’d Been Led to Imagine‘ in The New Yorker
• Elizabeth Wurtzel, ‘Of course ‘Girls’ spoke to my life. Its brilliance is that it could speak to everyone’s‘ in The Washington Post

And in women win prizes, ‘Heather Rose wins the Stella Prize for a novel that wouldn’t ‘let her go’‘ as reported by The Sydney Morning Herald.

The best of the rest:

On or about books/writers/language:

• Negar Azimi, ‘The Extravagant Jane Bowles: Always on the Edge of Something‘ in The New York Times
• Megan Mayhew Bergman, ‘The Feminine Heroic‘ on The Paris Review
• Joanna Cannon, ‘Breaking and Mending‘ on her blog
• Sarah Churchwell, ‘Sylvia Plath, a voice that can’t be silenced‘ in The Guardian
• Paula Cocozza, ‘21st-century fox: how nature’s favourite outsider seduced the suburbs‘ in The Guardian
• Deidre Coyle, ‘Men Recommend David Foster Wallace to Me‘ on Electric literature
• Meghan Daum, ‘The Quality of Life Report, 2017‘ on VQR
• Adyita Desi, ‘Woman with Power Is Woman Unchecked: Reading Narratives of Indian Women‘ on The Millions
• Lissa Evans, ‘How my novel about film-making was turned into a film‘ in The Guardian
• Merve Fejzula, ‘Zadie Smith and Multiculturalism after Brexit‘ on Black Perspectives
• Elizabeth Fremantle, ‘“Cringing” Historical Novelists: on Mantel at the Oxford Lit Fest‘ on The History Girls
• Sarah Gerard, ‘Mourning My Grandfather Through The Velveteen Rabbit‘ on Literary Hub
• Louise Glück, ‘On Realism and Fantasy‘ on Literary Hub
• Sophie Hopesmith, ‘Women Who Shock‘ on Dead Ink Books
• Terry Huang, ‘Gender Gap in Non-Professional Writer Submissions‘ on The Black List
• Danielle Jackson, ‘Life in North Memphis, and the Women Who Taught Me to Read‘ on Literary Hub
• Lucy Mangan, ‘This way to the ginger pop shop! The day I stepped into the pages of the Famous Five‘ in The Guardian
• Edie Meidav, ‘Discovering the Power of Storytelling in a Tattered Old Pulp Paperback‘ on Literary Hub
• Jennifer Mills, ‘The beauty regimen of a woman writer‘ on Overland
• Eilis O’Hanlon, ‘“She’s a thief who steals others’ hard-won words” – on the plagiarist who stole her novel‘ in The Irish Independent
• Sarah Paretsky, ‘From Joan of Arc to Little Women, A History of Heroes‘ on Literary Hub
• Pamela Paul, ‘Why You Should Read Books You Hate‘ in The New York Times
• Grace Payley, ‘Of Poetry and Women and the World‘ on FSG Work in Progress
• Ella Risbridger, ‘The letters Sylvia Plath wrote to her therapist are not ours to see‘ on The Pool
• Michèle Roberts, ‘The fallen woman: prostitution in literature‘ in The Guardian
• Lucy Scholes, ‘The Sisters Who Are Secretly Evil‘ on the BBC
• Doree Shafrir, ‘Not Everyone Is Meant To Have A Book Club‘ on Buzzfeed
• Kathryn Schultz, ‘Literature’s Arctic Obsession‘ in The New Yorker
• Rebecca Solnit, ‘Get That Life: How I Became a Writer, Historian, and Activist‘ in Cosmopolitan
• Sarah K. Stephens, ‘What Edith Wharton Taught Me about Marriage‘ on The Millions
• Beth Underdown, ‘Not From Around There: finding a place in historical fiction‘ on Northern Soul
• Saskia Vogel, ‘The Swedish Gangster’s Wife’s Bag‘ on The Paris Review
• Kyle Winkler, ‘Gertrude Stein: Unlikely Comp Teacher‘ on The Millions

Personal essays/memoir:

• Pearl Abraham, ‘Dreams of My Mother for One Last Passover‘ on Literary Hub
• Kerri Arsenault, ‘Growing Up in Maine’s “Cancer Valley”‘ on Literary Hub
• Jami Attenberg, ‘How Sicily Cemented an Unlikely Friendship‘ in The New York Times
• DeMisty D. Bellinger, ‘Tell Me Something Good‘ on The Rumpus
• Katie Booth, ‘The Bathrobe: On Quilting and Memory‘ on Catapult
• Rebecca Buckwalter-Poza, ‘The Law of Historical Memory​’ on Catapult
• Elizabeth Crain, ‘On Girls, Trump, and Everyone I Ever Dated Before My Husband‘ on Literary Hub
• Elizabeth Ellen, ‘Messages for a Balloon: On Relocation and Families‘ on Catapult
• Jennifer Epperson, ‘When Good Hair Is Natural Hair‘ on Lenny
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Deepti Kapoor, ‘I Come from a Place on Your Bucket List‘ in Granta
• Maris Kreizman, ‘My “Sick” Body‘ on Medium
• Andrea Lauren, ‘Don’t Think Twice and the Power of Improvising Through the Unknown‘ on The Rumpus
• Vivien Lee, ‘The Loneliness Recipe‘ on Hazlitt
• Kimberly Melton, ‘Good Hair‘ on Oregon Humanities
• Grace Prassad, ‘Feathers from Home, and Other Family Heirlooms‘ on Catapult
• Elisabeth Sherman, ‘Am I Asian Enough?‘ on Catapult
• Tasha Kerry Smith, ‘Not Everything Legal is Clean‘ on Catapult
• Madeleine Thien, ‘The Land in Winter‘ on Granta
• Lidia Yuknavitch, ‘Civic Memory, Feminist Future‘ on Electric Literature
• Lidia Yuknavitch, ‘I Will Always Inhabit the Waters‘ on Literary Hub
• Iza Wojciechowska, ‘Family Trees‘ on Vela
• Laura Zera, ‘Waiting to Go Home: On Being a Traveler in Trinidad‘ on Catapult

Feminism:

• Laura Bates, ‘What I have learned from five years of Everyday Sexism‘ in The Guardian
• Sady Doyle, ‘Women Don’t Need to Apologize Less—Men Need to Learn How to Apologize‘ in Elle
• Petula Dvorak, ‘On Easter, Mary Magdalene will be maligned as a prostitute. Except she wasn’t‘ in The Washington Post
• Jean Hannah Edelstein, ‘It feels almost impossible to escape the desire to make my body smaller‘ on The Pool
• Ashley C. Ford, ‘Millennial Women Are Conflicted About Being Breadwinners‘ on Refinery29
• Hadley Freeman, ‘Successful, lairy, scary – what does a vulnerable woman look like?‘ in The Guardian
• Ann Friedman, ‘When Women Pursue Sex, Even Men Don’t Get It‘ on The Cut
• Maya Harris, ‘Equal Pay Day Isn’t a Holiday. It’s a Call to Fight.‘ on Lenny
• Maddie Holden, ‘Why the Sentiment Behind Cosmopolitan’s Appalling Diet Tweet Is Not Unusual‘ on HighSnobiety
• Rachel Holmes, ‘A new feminist statue is a great idea. Shame they picked the wrong feminist‘ in The Guardian
• Brionne Janae, ‘No One Looks for Black Girls‘ on Bitch Media
• Jennifer McShane, ‘Why We’re Done With The Idea Of “Likeable” Women‘ on Image
• Vonny Moyes, ‘Why sex for rent is not a deal like any other‘ in The National
• Leslie Nguyen-Okwu, ‘The Forgotten Language that Only Women Once Knew‘ on Ozy
• Emer O’Toole, ‘The Sisters of Charity presided over abuse. They must not run a maternity hospital‘ in The Guardian
• Kate Ristow, ‘Why Didn’t I Get Help for Postpartum Depression Sooner?‘ on The Cut
• Sophie Walker, ‘Brexit will be disastrous for women unless we fight the rollback of our rights‘ in The Guardian

Photograph by Adrienne Mathiowetz

Society and Politics:

• Eula Biss, ‘Murder Mystery‘ in The TLS
• Caren Chesler, ‘The Blood of the Crab‘ on Popular Mechanics
• Rhiannon Lucy Cosslett, ‘My generation has to choose between a child or a career. We can’t afford both‘ in The Guardian
• Caitlin Flanagan, ‘How Late-Night Comedy Fueled the Rise of Trump‘ on The Atlantic
• Elisa Gabbert, ‘Earth Is Not Vengeful—It’s Just Indifferent‘ on Pacific Standard
• Erika Hayasaki, ‘How a Single Gene Could Become a Volume Knob for Human Suffering‘ on Wired
• Gaby Hinsliff, ‘The viral image of Saffiyah Khan is an antidote to an era of escalating male rage‘ on The Pool
• Kate Imbach, ‘Fairytale Prisoner by Choice: The Photographic Eye of Melania Trump‘ on Medium
• Sarah Kendzior, ‘Trump craves praise. We praise him for bombings. What possibly could go wrong?‘ in The Globe and the Mail
• Sarah Lyall, ‘Will London Fall?‘ in The New York Times
• Eimear McBride, ‘in the West Bank: “All that is human in me recoils from this”‘ in The Irish Times
• Rachel Monroe, ‘#Vanlife, the Bohemian Social-Media Movement‘ in The New Yorker
• Suzanne Moore, ‘In dark times, this image has a glorious message – resistance is not futile‘ in The Guardian
• Sarah Nicole Prickett, ‘Free the Roses‘ on Hazlitt
• Jana G. Pruden, ‘A Radical Grief‘ in The Globe and the Mail
• Sarah Scholes, ‘Brain-Altering Science and the Search for a New Normal‘ on Pacific Standard
• Elif Shafak, ‘Turkey could be about to leap from division to despotism‘ in The Guardian
• Sonia Weiser, ‘Do Women Actually Wear Men’s Dress Shirts After Sex?‘ on Racked

Film, Television, Music, Art, Fashion and Sport:

• Sarah Barker, ‘The Brutality of the Barkley Marathons‘ on Deadspin
• Angelica Jade Bastíen, ‘What the Debate Around Black American and British Actors Gets Wrong‘ on Vulture
• Francine Prose, ‘“Sex and the City” in Hell‘ in The New York Review of Books
• Fariha Róisín, ‘Kids Like Us‘ on Hazlitt
• Donna Seaman, ‘Surrealist Gertrude Abercrombie, Queen of the Bohemian Artists‘ on Literary Hub

The interviews/profiles:

• Sara Ahmed on Literary Hub
• Diana Athill on Lenny Letter
• Jennifer Finney Boylan on Vice
• Durga Chew-Bose in The Guardian and on Literary Hub
• Patty Yumi Cottrell in The Paris Review and on Electric Literature
• Jessa Crispin in The Observer and on Vox
• Rachel Dolezal (interviewed by Ijeoma Oluo) on The Stranger
• Sarah Gerard on Electric Literature
• Zoe Gilbert on The Word Factory
• Camilla Grudova on Minor Literature[s]
• Paula Hawkins on Northern Soul
• L.S. Hilton on The Pool
• Donna Leon in The Guardian
• Deborah Levy in The TLS
• Alia Malek in Gurenica
• Helen McClory on The Skinny
• Lisa McInerney in The Guardian and on TSS Publishing
• Dorthe Nors on The Man Booker Prize and Words Without Borders
• Hanna Nowinski on Teen Vogue
• Sarah Perry in The Radio Times
• Claudia Rankine in The Paris Review
• Emma Ramadan on Conversational Reading
• Samantha Schweblin on Words Without Borders
• Shanthi Sekaran on The Rumpus
• Olivia Sudjic on Flavorwire
• Cheryl Lu-Lien Tan on The Rumpus
• Angie Thomas on The Rumpus
• Mónica de la Torre on Literary Hub
• Laura Waddell on Nothing in the Rule Book
• Joanna Walsh on Review 31
• Lidia Yuknavitch on Electric Literature

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, March 2017, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

This fortnight’s seen a number of prize lists announced. The big ones for women writers are the Baileys Women’s Prize for Fiction longlist and the Stella Prize shortlist.

Chimamanda Ngozi Adichie’s comments on trans women have prompted a number of responses.

• Thembani Mduli, ‘When Callouts Become Anti-Black: On Chimamanda Ngozi Adichie’s Transphobia, Disposability Culture & British Colonialism‘ on Rest for Resistance
• Rhyannon Styles, ‘The New Girl: A Trans Woman’s View Of White Male Privilege‘ in Elle
• Kuchenga Shenjé, ‘Chimamanda Ngozi Adichie’s Transgender Comments Invalidated My Womanhood‘ on gal-dem
• Halle Kiefer, ‘Laverne Cox Responds to Chimamanda Adichie’s Comments About Trans Women and Male Privilege‘ on Vulture
• Jarune Uwujaren, ‘Why Chimamanda Ngozi Adichie’s Comments on Trans Women are Wrong and Dangerous‘ on Unapologetic Feminism
• Racquel Willis, ‘A trans woman’s thoughts on Chimamanda Adichie‘ on Twitter
• Morgan Jerkins, ‘Chimamanda Ngozi Adichie Is Getting Criticized for Her Comments About Transgender Women‘ on Teen Vogue
• Hadley Freeman, ‘Identity is the issue of our age: so why can’t we talk more honestly about trans women?‘ in The Guardian
• Glosswitch, ‘The debate over Jenni Murray suggests we don’t see older women as “real women”‘ in the New Statesman

The best of the rest:

On or about books/writers/language:

• Emine Saner, ‘Books for girls, about girls: the publishers trying to balance the bookshelves‘ in The Guardian
• Lynn Steger Strong, ‘When Femininity Is Code for Feelings‘ on Literary Hub
• Caitlin Moran, ‘Were I not a writer, I’d have the peachy, zingy buttocks of Gigi Hadid’ in The Guardian
• Andreá Stella, ‘Clarice Lispector’s Children’s Story Taught Me to Read Her Like An Adult‘ on Literary Hub
• Becky Chambers, ‘My Alien Family: Writing Across Cultures in Science Fiction‘ on Tor.com
• Lorraine Berry, ‘The Man Who Doesn’t Read Women‘ on Signature
• Shaj Mathew, ‘Poetry as Life, Life as Poetry‘ on Guernica
• Jami Attenberg, ‘How Working at a Bookstore Changed My Writing Career‘ on Literary Hub
• Roxane Gay, Aimee Bender, and more ‘On Assault and Harassment in the Literary World‘ on Literary Hub
• Sophie Brown, ‘How to Escape from Prison‘ in The TLS
• Jhumpa Lahiri, ‘on the Compulsion to Translate Domenico Starnone‘ on Literary Hub
• Madeleine Wattenbarger, ‘Finding a Room of One’s Own in the Mexico City Metro‘ on Literary Hub
• Rebecca Solnit, ‘On Silence, Pornography, and Feminist Literature‘ on Literary Hub
• Alex Clark, ‘Writers unite! The return of the protest novel‘ in The Guardian
• Margaret Atwood, ‘on What ‘The Handmaid’s Tale’ Means in the Age of Trump‘ in The New York Times
• Casey Stepaniuk, ‘Meet Your New Favourite Darkly Comic, Magical Realist Writer: Eden Robinson‘ on BookRiot
• Margaret Atwood, ‘on What it’s Like to Watch Her Own Dystopia Come True‘ on Literary Hub
• Larissa Pham, ‘Your Own Private Party: How reading Eve Babitz got me through the depths of winter‘ on The Paris Review
• Alexandra Schwartz, ‘Rereading Paula Fox’s “Desperate Characters”‘ in The New Yorker
• Lauren Oyler, ‘How the Push to ‘Break the Silence’ Fails the Feminist Movement‘ on Broadly
• Candy Royale, ‘Ali Cobby Eckermann’s poetry: inspiring those of us who feel like outsiders‘ in The Guardian

Personal essays/memoir:

• Carolyn Desalu, ‘The Kitchen Drawer: On Black Families and Suicide‘ on Catapult
• Katherine Laidlaw, ‘A Place of Absorption‘ on Hazlitt
• Anna Graham Hunter, ‘Lying Down With Older Men‘ on Medium
• Valeria Luiselli, ‘On the Choices People Make in Coming to America‘ on Literary Hub
• Nicole Cox, ‘Proper Young Ladies: Writing My Mother’s Shakespeare Essay‘ on Medium
• Funmi Iyanda, ‘Theory of Death” In Conversation with My Mother‘ on Medium
• Elisabeth Fairfield Stokes, ‘Life and Breath: On Pregnancy and the Spirit World‘ on Catapult
• Keph Senett, ‘A Bed of Fists: On Playing Soccer in Moscow‘ on Catapult
• Ashley P. Taylor, ‘Für Bess: On Neighbors, Music Parties, and Growing Up‘ on Catapult
• Jessica Furseth, ‘I Don’t Have Cancer (Yet)‘ on Buzzfeed
• Darcy Steinke, ‘How I Came to the Church of Rock and Roll‘ on Literary Hub
• Jessie Male, ‘Mirror Pain‘ on Guernica
• Nicole Chung, ‘The Worry I No Longer Remember Living Without‘ on Hazlitt
• Nneka Onwuzurike, ‘My Mother’s Name‘ on The Offing

Feminism:

• Rachel Vorona Cote, ‘The Misogynistic History of Trying to Understand Women Who Self-Harm‘ on Broadly
• Liza Munday, ‘Why Is Silicon Valley So Awful to Women?‘ on The Atlantic
• Zoe Williams, ‘Cuts are a feminist issue. So what would a suffragette do?‘ in The Guardian
• Erin Vanderhoof, ‘How the Combative Beginning of Women’s Studies Shaped Feminist In-Fighting Today‘ on Broadly
• Arianna Rebolini, ‘Heads Up, ‘Slimming’ Is Not a Compliment‘ on Racked
• Jendella Benson, ‘Patriarchy and The Idealisation Of Motherhood‘ on Media Diversified
• Han Yujoo, ‘Misogyny blooming and the universal feminine‘ on The TLS
• Rebecca Solnit, ‘Silence and powerlessness go hand in hand – women’s voices must be heard‘ in The Guardian
• Jia Tolentino, ‘The Women’s Strike and the Messy Space of Change‘ in The New Yorker
• Joanna Cannon, ‘How to embody the “Be Bold For Change” ethos‘ on The Pool
• Maxine Beneba Clarke, ‘My Feminism‘ on Victoria Women’s Trust

Society and Politics:

• Jess Phillips, ‘I feel sorry for the people of Tatton – I hear their MP is just too busy to care‘ in The Guardian
• Amelia Tait, ‘Joining Generation Rent isn’t a quirky choice – it’s our unavoidable state of economic insecurity‘ in the New Statesman
• Ijeoma Oluo, ‘Welcome To The Anti-Racism Movement — Here’s What You’ve Missed‘ on The Establishment
• Molly Ball, ‘Kellyanne’s Alternative Universe‘ on The Atlantic
• Vera Chok, ‘If you saw a nanny in this BBC interview, what does that say about you?‘ in The Guardian
• Molly Ball, ‘Washington’s Spy Paranoia‘ on The Atlantic
• Julie Beck, ‘This Article Won’t Change Your Mind‘ on The Atlantic
• Sara Noviç, ‘The Right to Remain Silent‘ in The New Enquiry
• Rebecca Omonira-Oyekanmi, ‘“I want to try. Live or die”: how refugees decide whether to make the dangerous trip to Europe‘ in the New Statesman
• Sarah Menkedick, ‘The Making of a Mexican-American Dream‘ on Pacific Standard
• Renata Adler, ‘Brontosaurs Whistling in the Dark‘ in Lapham’s Quarterly
• Alana Semuels, ‘The Racist History of Portland, the Whitest City in America‘ on The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Kate Robertson, ‘Why Female Cannibals Frighten and Fascinate‘ in The Atlantic
• Sophie Gilbert, ‘Is Girls Heading Toward a Conventional Happy Ending?‘ on The Atlantic

The interviews/profiles:

• Katie Kitamura in The Guardian
• Rachel Cusk in The Cut
• Jami Attenberg on The Millions, Vogue and Electric Literature
• Rebecca Solnit in Elle
• Ann Goldstein on Hazlitt
• Delia Bell Robinson on Bloom
• Can Xue on Words Without Borders
• Ariel Levy on Longreads and Jezebel
• Ahd Niazy on The Establishment
• Elif Batuman on Vulture and Publishers Weekly
• Megan Bradbury in The Skinny
• Allison Benis White on Electric Literature
• Gwendoline Riley on The Skinny
• Sawako Nakayasu on Asymptote
• Chris Kraus on Ssense
• Angie Thomas in The Bookseller
• Danielle Dutton on Catapult
• Claudia Roden on Food52
• Susan Hill on Waterstones
• Dorthe Nors on The Writes of Woman
• Sharon Olds on Literary Hub
• Chimamanda Ngozi Adichie in The Guardian
• Ursula K. Le Guin in The TLS
• Judith Kerr in The Guardian

The regular columnists:

• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media: March 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

The Bailey’s Women’s Prize for Fiction longlist was announced this fortnight. While former winner, Lionel Shriver declared ‘Women’s literary prizes are ‘problematic’‘.

And the Wellcome Book Prize announced their shortlist with four (out of six) female writers on it, as did the YA Book Prize with eight women writers on its ten book shortlist.

Elena Ferrante is hot news in the literary world once again after Corriere della Sera published an article in which Marco Santagata claimed to know her identity. Rachel Donadio wrote, ‘Who Is Elena Ferrante? An Educated Guess Causes a Stir‘ in The New York Times; Jonathan Sturgeon said, ‘We Already Know the Identity of Elena Ferrante‘ on Flavorwire; Lincoln Michel asked, ‘Why Do We Care Who the “Real” Elena Ferrante Is?‘ on Electric Literature; Stassa Edwards asked, ‘What’s Really Behind Our Obsession Over Unmasking Elena Ferrante?‘ on Jezebel; John Dugdale wrote, ‘Will Elena Ferrante outlast Louisa May Alcott’s secret alter ego?‘ in The Guardian, and Jessica Roy declared, ‘Leave Elena Ferrante Alone‘ in The Cut.

Anita Brookner died. Rebecca Hawkes wrote her obituary while Linda Grant wrote, ‘Why Anita Brookner’s funny, sharp novels got under your skin‘ both in The Telegraph.

The best of the rest:

On or about books/writers/language:

• Kevin McKenna, ‘Jackie Kay: Scotland’s poet of the people‘ in The Observer
• Elissa Washuta, ‘They Just Dig: On Writing, Coal Mining and Fear‘ on Literary Hub
• Louise Beech, ‘On Life Writing‘ on Women Writers, Women’s Books
• Rachel Kessler, ‘When the Apocalypse Is Your Religion‘ on Literary Hub
• Michelle Dean, ‘Why You Should Watch the New Nora Ephron Documentary‘ on Literary Hub
• Laura June, ‘Charlotte Brontë and her Best Friend’s Broken Promise‘ on Jezebel
• Meaghan O’Connell, ‘The Patronizing Questions We Ask Women Who Write‘ in The Cut
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• M Lynx Qualey, ‘In the Race for Literary Prizes, Is Gender Parity Possible?‘ in The National
• Fiona Noble, ‘YA and children’s books deserve to be judged separately‘ in The Bookseller
• Mimi Wong, ‘Slut Lit & Dismantling “The Fallen Woman”‘ on The Offing
• Boris Kachka, ‘A First-Time Novelist’s 7-Figure Midlife Breakthrough‘ on Vulture
• Claire Armistead, ‘Happiness to mindfulness, via wellbeing: how publishing trends grow‘ in The Guardian
• Jerome Charyn, ‘A Loaded Gun: The Real Emily Dickinson‘ on Longreads
• Belinda McKeon, ‘Dipping the Pen Nib Into Tragedy‘ on Catapult
• Emily Foster, ‘The Monster in the Mirror: On Horror, Disability, and Loving Both at Once‘ on Tor.Com
• Ilana Masad, ‘The First Unappreciated Woman Writer‘ on Broadly
• Sarah Blake, ‘Men Explain Submissions to Me‘ on The Rumpus

• Rosalie Knecht, ‘This Writer: On Social Work and Fiction‘ on Literary Hub
• Doris Grumbach, ‘A Life in Letters: From the New Republic to Iowa to Knopf‘ on Literary Hub
• Elizabeth Zaleski, ‘Other Writers’ Mothers: Some Reflections on Representing Family‘ on Vida
• Tracy Chevalier, ‘Past President of the Laura Ingalls Wilder Club‘ on Literary Hub
• Sara Nović ‘Sign of the Times‘ in Guernica
• Maddie Crum ‘Unhappily Ever After: How Women Became Seen Not Heard in Our Favourite Fairy Tales‘ on the Huffington Post
• Corrine Duyvis, ‘Fiction, like life, tells disabled people their lives have less value‘ in The Guardian
• Lisa McInerney, ‘Write what you know? Know what you write? I’d rather wing it, thanks‘ in The Irish Times
• Julia Pierpoint, ‘Topography of a novel: on how she wrote Among the Ten Thousand Things‘ in The Guardian
• Valerie Grove, ‘Margaret Forster: A northern lass in NW5‘ in The New Statesman
• Margaret Drabble, ‘My Hero: Elena Ferrante‘ in The Guardian
• Deborah Smith, ‘Only wilful disregard can hide the need to publish more women‘ in The Guardian
• Elisa Gabbert, ‘Can Ideas Withstand Shifts in Language?‘ in Guernica
• Pico Iyer, ‘On Annie Dillard‘ on Literary Hub
• Katy Derbyshire, ‘Translated fiction by women must stop being a minority in a minority‘ in The Guardian
• Summer Brennan, ‘The Things We Do to Promote the Books We Write‘ on Literary Hub
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Caroline Criado Perez, ‘“Publishing is a women’s world”: Gender inequality in the writing industry‘ on Scottish Pen
• Christina Wodtke, ‘It’s Not Easy Being She‘ on Medium
• Anne Boyd Rioux, ‘Constance Fenimore Woolson: The Forgotten Author Who Inspired Henry James‘ on The Daily Beast

Personal essays/memoir:

• Julienne Grey, ‘What We Remember: One Small Act Replaces the Rest‘ on Electric Literature
• Jess E. Jellsma, ‘Frigid‘ on The Rumpus
• Alison Motluk, ‘A Journey to the Medical Netherworld‘ On Hazlitt
• Kathleen Hale, ‘Surviving the Love Bomb‘ on Hazlitt
• Janice Lee, ‘I Can’t Go On / I’ll Go On‘ on Berfrois
• Kaitlyn Greenidge, ‘I Found My Father’s Eulogy In Junk Food‘ on Buzzfeed
• Alana Massey, ‘First the Breakup. Then the Screenshots.‘ in The Cut
• Anakana Schofield, ‘Bold, Open-Minded and Entrepreneurial‘ on the LRB Blog
• Chelsea G. Summers, ‘The Half Dad‘ on Catapult
• Sarah Menkedick, ‘One Afternoon in Texas‘ on Vela
• Arial Gore, ‘Blood-Red Bougainvillea‘ on The Rumpus
• Ann Patchett, ‘That Family Party Everyone Hated? It Was Mine.‘ in The New York Times
• Jessica Silvester, ‘On an Italian Island, How He Met My Mother‘ in The New York Times
• Jasmine Sanders, ‘Mama‘ on Catapult
• Michelle Levitt, ‘Buckle and Sway‘ on Catapult
• Sarah Menkedick, ‘Everyday Geography‘ on Vela
• Naomi Gordon-Loeb, ‘Even Lumberjacks Deserve Lotion: Gender in the Locker Room‘ on The Toast

Feminism:

• Helen Walmsley-Johnson, ‘How we think about women and shame‘ in The New Statesman
• Sarah Ditum, ‘A Woman’s Body Is Not a Disgrace‘ in The New Statesman
• Marie Phillips, ‘What would the world look like if men took the pill?‘ in The Pool
• Caitlin Moran,“You were not born scared and self-loathing” in Stylist
• Em LaFave Olson, ‘Why I’m Returning to My Maiden Name‘ on Medium
• Caitlin Moran, ‘I’m sticking my neck out‘ on Adelaide Now
• Rachel Pashley, ‘We’ve placed motherhood on such a high pedestal we’ve forgotten the huge pros of being a child-free woman‘ in The Independent
• Fiammata Rocco, ‘Fiction at its Finest‘ in The Bookseller
• Emer O’Toole, ‘Three ways for feminists to cope with the abuse we face‘ in The Irish Times

Society and Politics:

• Eternity Martis, ‘What It Was Like to Grow Up Fat‘ on Vice
• Olga Khazan, ‘Lean In to Crying at Work‘ in The Cut
• Katy Derbyshire, ‘Berlin, It’s Not Sex All the Time‘ on Literary Hub
• Alena Gradon, ‘Distant Brains‘ in Guernica
• Rukmini Callimachi, ‘To Maintain Supply of Sex Slaves, ISIS Pushes Birth Control‘ in The New York Times
• Chimamanda Adichie. ‘Why can’t he just be like everyone else?‘ on The Scoop
• Erin Allday, ‘Last Men Standing‘ in the San Francisco Chronicle
• Suki Kim, ‘Mr. Rubio’s Neighbourhood‘ in New Republic
• Amena Ziard, ‘There’s More to Saudi Arabia than the Ban on Women Driving‘ on Media Diversified

Film, Television, Music, Art, Fashion and Sport:

• Elizabeth Day, ‘Happy Valley: female solidarity is stronger than male exploitation‘ on The Pool
• Sara Baume, ‘How to Understand America, One Pattern at a Time‘ on Literary Hub
• Sonia Saraiya, ‘“The Bachelor” is still for white people: A sour fairy tale, fed to millions, that keeps prizing whiteness above all‘ on Salon
• Rosalind Jana, ‘Mark My Words: The Subversive History of Women Using Thread as Ink‘ on Broadly
• Emma Dabiri, ‘Why Zoe Saldana was the wrong black woman to play Nina Simone‘ in The Telegraph

The interviews:

• L.S. Hilton on The Debrief and The Pool
• Deborah Levy in The Guardian
• Cynthia Cruz in Maenad Magazine
• Gillian Slovo in The Independent
• Helen Macdonald in The Washington Post
• Lauren Groff on Longreads
• Rachel Kushner, Rivka Galchen (& Hari Kunzru) on Electric Literature
• Dana Spiotta on Electric Literature
• Morgan Jerkins on BlacQurl
• Joanna Walsh in The Gloss
• Sunny Singh in The TES
• Carol Lovekin on The Writes of Woman
• Sarayu Srivatsa on The Writes of Woman
• Antonia Honeywell on The Writes of Woman
• Sarah Howe in Neue Journal
• Danielle Dutton in The LA Times, in Bomb Magazine and 3am Magazine
• Melissa Broder in Elle
• Anna Moschovakis on Flavorwire
• Jessa Crispin on The Rumpus
• Samantha Hunt on Literary Hub
• Annie Proulx in The New Yorker
• Malorie Blackman in The Bookseller
• Victoria Aveyard in The Guardian
• Mary Oliver on Oprah
• Brooke Magnanti in The Guardian
• Meghan Daum on The Rumpus
• Cressida Cowell, Laura Dockrill (and Philip Ardagh) in The Guardian
• Melissa Harrison in The Herald
• Anne Boyd Rioux on History in the Margins
• Ottessa Moshfegh on Penguin
• Helen Oyeyemi on Broadly
• Annie Dillard on Literary Hub
• Joanna Cannon in Standard Issue
• L.A. Weatherly in The Guardian
• Anjali Joseph on The Asian Writer
• Cassandra Clare in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media, March 2016, part one

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

The best of the rest:

On or about books/writers/language:

• Eve Ainsworth, ‘Toxic love: YA’s bad boys need to stay between the covers‘ in The Guardian
• Hanya Yanagihara: ‘Don’t we read fiction exactly to be upset?’ in The Guardian
• Jessie Burton, ‘Success, Creativity and the Anxious Space‘ on her blog
• Claire Fuller, ‘Some things I’ve learned in my year of being published‘ on her blog
• Bree Crowder, ‘Four Young Adult Authors Share Why They Write Funny Books‘ on Bustle
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Deborah Moggagh, ‘Man Booker Prize has an unhealthy effect on the market, says author Deborah Moggagh‘ in The Independent
• Claire Fallon, ‘Our Favourite Children’s Books Are Super Problematic‘ on the Huffington Post
• Alison Flood, ‘Tessa Hadley among nine winners of surprise $150,000 literary awards‘ in The Guardian
• Sian Cain, ‘Toni Morrison wins PEN/Saul Bellow award for contribution to American fiction‘ in The Guardian
• Jo Hall, ‘If We Can Imagine Dragons: On Writing Non-Heterosexual Relationships in Fantasy‘ on Holdfast
• Alison Stine, ‘On Poverty‘ on Kenyon Review
• Joan Schenkar, ‘What Patricia Highsmith did for love: ‘The Price of Salt’ and the secrets behind ‘Carol’‘ in the Los Angeles Times
• Louise Walters, ‘I didn’t want to resort to self-publishing, but it’s an exhilarating change‘ in The Guardian
• Gaby Wood, ‘How Karl Ove Knausgaard and Elena Ferrante won us over‘ in The Telegraph
• Moira Redmond, ‘Leap year fear: a literary history of women proposing marriage‘ in The Guardian
• Katy Derbyshire, ‘Women in Translation: Why Does It Matter?‘ on Free Word
• Eva Jurczyk, ‘No More Books by Men‘ on The Awl
• Elizabeth Strassner, ‘How To Tell If You’re In a Flannery O’Connor Story‘ in The Toast
• Anne Boyd Rioux, ‘How to Make Sure Your Writing Is Forgotten‘ on The Rumpus
• Holly Williams, ‘From The Roaring Queen to Downton Abbey: the afterlives of Virginia Woolf‘ in the New Statesman
• Anna North, ‘What Publishing a Novel Taught Me About Life‘ on Waterstones’ Blog

• Kate Jenkins, ‘Harper Lee and the Myth of a Post-Racial America‘ on Literary Hub
• Sian Cain, ‘Fear of Flying still soars above tabloid outrage‘ in The Guardian
• Brigit Katz, ‘These forgotten female crime writers had no time for femme fatales or dowdy housewives‘ on Women in the World
• Idra Novey, ‘Writing While Translating‘ on Literary Hub
• Elizabeth Minkel, ‘Teen readers aren’t in crisis, they’re just making their own rules‘ in The Guardian
• Jaya Saxena, ‘I Know I Should Like Reading More But There Are Things About The Act Of Reading That Make It Very Difficult‘ in The Toast
• Deirdre Sullivan, ‘The seed of Needlework was anger, and I wanted it to feel raw’ in The Irish Times
• Jesmyn Ward remembers Harper Lee: ‘She saw and responded to the humanity of each and every one of us’ on Entertainment Weekly
• Vipash Bansal, ‘Remembering Octavia Butler: 1947-2006‘ on Media Diversified
• Chris Power, ‘A brief survey of the short story: Elizabeth Taylor‘ in The Guardian
• Brooke Magnanti, ‘Where are the normal women in fiction?‘ on One Book Lane
• Robin Stevens, ‘Boys could enjoy stories about girls, and vice versa – if only we’d let them‘ in The Guardian
• Chelsea G. Summers, ‘A History of Horny‘ on Hazlitt
• Brit Mandello, ‘Dear Joanna Russ: A Letter for an Inimitable Writer‘ on Tor.Com
• Sunny Singh, ‘Why set up a prize for writers of colour?‘ in The Bookseller
• Rory Samantha Green, ‘Born Lucky: my mum Jackie Collins and her wild child alter ego‘ in The Guardian
• Laura Barnett, ‘Finding ideas isn’t usually a problem‘ in The Guardian
• Joanna Cannon, ‘Mental illness is always a problem, so we will always need books about it‘ in The Guardian
• Jonathan Sturgeon, ‘The Paradoxical Legacy of Harper Lee‘ on Flavorwire
• Tricia Tongco, ‘Meet Faith, The Body-Positive Superhero Of Our Dreams‘ on the Huffington Post
• Melissa Harrison, ‘How cars ruined our love of the countryside‘ in The Guardian
• Shelley Harris, ‘The Secret Life of Mothers‘ on the WHSmith Blog
• Morgan Jerkins, ‘Black Women Writers and the Secret Space of Diaries‘ in The New Yorker

 

Personal essays/memoir:

• Esther Wang, ‘Watching And Reading About White People Having Sex Is My Escape‘ on Buzzfeed
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Georgina Kleege, ‘On Being Who I Am: My Life as a Tall Blind Woman‘ in The Toast
• Briallen Hopper, ‘Relying on Friendship in a World Made for Couples‘ in The Cut
• Sarah Resnick, ‘H‘ on n+1
• Rosalind Jana, ‘The One Piece Of Clothing That Makes Me Feel Extraordinarily Sexy‘ on Refinery 29
• Alana Massey, ‘Why I’m Buying a House Without a Family to Put in It‘ on The Cut
• Anna Holmes, ‘I Feel Destined to Be Single, and That’s Okay‘ on The Cut
• Kade Walker, ‘Veronica Dies in Jamaica‘ on The Rumpus
• Ellen Urbani, ‘There Is No Such Thing as a True Story‘ on The Rumpus

Feminism:

• Rebecca Traister, ‘The Single American Woman‘ in The Cut
• Aria Dean, ‘Closing the Loop‘ on The New Inquiry
• Eleanor Ross, ‘Why estate agent sexism could be costing you‘ on The Pool
• Gaby Hinsliff, ‘It’s the £30bn cut you’ve never heard of. And women are bearing the brunt‘ in The Guardian
• Ann Friedman, ‘So You’re a Celebrity Who Calls Yourself a Feminist. Now What?‘ in The Cut
• Linda Chavers, ‘To Black Girls Everywhere‘ on The Offing
• Caroline Paul, ‘Why Do We Teach Girls That It’s Cute to Be Scared?‘ in The New York Times

Society and Politics:

• Caitlin Moran, ‘How to start – and win – an argument online‘ in The Guardian
• Hadley Freeman, ‘So the privately educated are the new underclass? Spare me the sob story‘ in The Guardian
• Chimene Suleyman, ‘Trump has succeeded in an America that is already pre-disposed to racial suspicion‘ on Media Diversified
• Sarah Churchwell, ‘Hillary Clinton’s haters and the glass ceiling of American politics‘ in the New Statesman
• Molly Crabapple, ‘What Life Is Like Inside the Besieged, War-Torn Syrian City of Aleppo‘ on Vice
• Julia Lee, ‘When People of Color Are Discouraged From Going Into the Arts‘ in The Atlantic
• Dorothy Cummings McLean, ‘Marriage Is an Accomplishment‘ on Quadrapheme
• Kate Spicer, ‘Does where you go to school affect your ability to succeed?‘ on The Pool
• Jamilah King, ‘How Black Women Like Me Reckon With America’s Political Process‘ on Mic

Film, Television, Music, Art, Fashion and Sport:

• Rachel Syme, ‘The Return to Predictability‘ on Complex
• Anna Leszkiewicz ‘The Ghostbusters trailer shows the new film is categorically not aimed at men‘ in the New Statesman
• Emma Brockes,  ‘Whether it’s Ali G or Tina Fey, ironic racism just isn’t funny any more‘ in The Guardian
• Venus Williams, ‘Why I’m Going Back to Indiana Wells‘ on The Players’ Tribune
• Joan Smith, ‘Now we know – the BBC’s macho culture protected predatory men for decades‘ in The Guardian
• Allison P. Davis, ‘Why Are White People Trying to Ruin ‘Formation’?‘ on The Cut
• Anohni, ‘Why I Am Not Attending the Academy Awards‘ on Pitchfork
• Gwynne Watkins, ‘Before #OscarsSoWhite: The Forgotten Story of Queer Nation’s 1992 Academy Awards Protest‘ on Yahoo
• Elisabeth Donnelly, ‘Boston Rules‘ on Hazlitt
• Caroline O’Donoghue, ‘Kesha: the musical equivalent of the drunk girl in the short dress‘ on The Pool
• Kiva Reardon, ‘Mainstream Creep: Keeping Feminist Film Criticism Subversive‘ on Hazlitt

The interviews:

• Han Kang in The White Review (translated by Deborah Smith)
• Louise O’Neill in Elle
• Helen Stephenson on The Pool
• Chinelo Okparanta on For Books’ Sake
• Tracy Chevalier in The Bookseller and The Telegraph
• Rachel B. Glaser on For Books’ Sake
• Molly Crabapple on Literary Hub
• Shelley Harris on The Writes of Woman and One Book Lane
• Kathleen Spivak on The Rumpus
• Rebecca Traister on Jezebel and Elle (with Roxane Gay)
• Mona Awad on Electric Literature
• Virginia Reeves on Literary Hub
• Jennifer Clement on Pen America
• Monica Wendel on Vida
• Sara Taylor in The Big Issue
• bell hooks (with Emma Watson) in Paper
• Ottessa Moshfegh in The Observer
• Emma Donoghue on Public Books
• Meg Rosoff on Bookanista
• Sarah Ruhl in The New York Times
• Sarah Bakewell on The Bookseller
• Marian Keyes in the Bath Chronicle
• Laura van den Berg and Emily St. John Mandel on the FSG blog
• Joyce Maynard on Literary Hub
• G. Willow Wilson on Black Nerd Problems
• Sharon Horgan on Creative Review
• Elizabeth Kadetsky on The Rumpus
• Lucy Kalanithi in Stylist
• Jacky Fleming on The Pool
• Petina Gappah on NPR
• Carol Tulloch in The Observer
• Caitlin Moran on The Debrief
• Deborah Smith on The Quietus

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

The Trouble with Goats and Sheep – Joanna Cannon

‘There are decent people,’ said Mrs Roper, ‘and then there are the weird ones, the ones who don’t belong. The ones who cause the rest of us problems.’

‘Goats and sheep,’ said Tilly from across the room.

Mrs Roper frowned. ‘Well, I suppose so, if that’s the way you want to look at it.’

‘It’s the way God looks at it,’ said Tilly, and folded her arms beneath her poncho.

‘The point is, these people don’t think like the rest of us. They’re misfits, oddballs. They’re the ones the police should be talking to, not people like us. Normal people.’

June, 1976. The Avenue. Mrs Creasy has disappeared. No one knows where to or why. They suspect Mr Creasy. Ten-year-old best friends Grace and Tilly decide to investigate. After questioning the local vicar as to how to stop people disappearing and receiving the answer, ‘If God exists in a community, no one will be lost’, they decide the key to finding Margaret Creasy is to find God. They set about this task by visiting the people who live on their estate.

Early in their investigation, Grace and Tilly overhear a conversation between Mr Creasy, Mr Forbes and Eric Lamb in which it’s clear Mr Creasy suspects the others of revealing a secret to his wife and this is why he believes she’s left. This is the beginning of Cannon opening up the secrets which are hidden behind every door on the Avenue. It quickly becomes clear that everyone has a secret and everyone’s told their secret to Mrs Creasy and they’re terrified it’ll be revealed in her absence.

Grace narrates about half of the novel (it’s not quite alternate chapters), Cannon using the limited viewpoint and understanding of a ten-year-old to good effect, introducing questions for the reader. It also allows for Grace’s behaviour towards Tilly to be shown and to echo the main theme of people being different. Tilly is vulnerable to illness. When Grace asks her why she’s wearing a jumper in a heat wave, she replies:

‘My mother says I can’t afford to catch anything.’

‘When is she going to stop worrying?’ It made me angry, and I didn’t know why, which made me even angrier, and my sandals became very loud.’

‘I doubt she ever will,’ said Tilly.

This is the first of a number of occasions where Grace fails to see that Tilly’s differences don’t make her less of a person.

What’s particularly impressive about the novel, however, is the chapters narrated from the third person subjective point of view. These chapters travel around The Avenue, often following in Grace and Tilly’s footsteps, and provide an insight into the thoughts, behaviour and preoccupations of those who live on the street. Cannon excels at revealing how frightened people are of exposing their own vulnerabilities and tacitly agreeing to make one person a scapegoat to avoid anyone noticing they might be different too.

‘Bloody pervert,’ she said. ‘I don’t care what the police said. It’s a normal avenue, full of normal people. He doesn’t belong there.’

The Trouble with Goats and Sheep is an entertaining whodunnit, a glimpse behind the curtains of a ‘normal’ street and a psychological insight into people’s behaviour. It’s a thoroughly enjoyable and very smart novel.

If you want a taste of Joanna Cannon’s writing, I hosted a section of her short story, ‘The Greatest of These’. The post includes links to all the other sections of the story which you’ll find on various websites. Also The Trouble with Goats and Sheep is this week’s Bedtime Book on The Pool.

 

Thanks to Borough Press for the review copy.

In the Media: January 2016

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

January’s been living up to it’s reputation as the most miserable month in the calendar. There’s been the misogynistic and racist response to Sarah Howe’s Young Writer of the Year Award and TS Eliot Award wins. Poet, Katy Evans-Bush responded with ‘TS Eliot prize row: is winner too young, beautiful – and Chinese?‘ in The Guardian.

The deaths of David Bowie and Alan Rickman at least inspired some great writing: Stacey May Fowles, ‘Reconciling David Bowie‘ on Hazlitt and Sali Hughes, ‘I’ve had it up to here with the grief police‘ on The Pool. Gwendolyn Smith, ‘Forget Snape – in concentrating on him, we leave out one of the greatest roles Alan Rickman ever performed‘ in The Independent and Daisy Buchanan, ‘Alan Rickman’s Colonel Brandon taught me an important lesson about love‘ on The Pool

In happier news, there were a number of other prize wins for female writers: Kate Atkinson won the Costa Novel Prize; Anuradha Roy won the 2016 DSC prize for south Asian literature; A.S. Byatt won the Erasmus Prize, and the writers shortlisted for the Costa Short Story Award were revealed, including Annalisa Crawford, Peggy Riley and Erin Soros.

Glamour welcomed a transgender columnist: Juno Dawson will chart her journey in the magazine. I’ll add Juno’s column to the regular columnists list once it has a permanent URL.

The Observer revealed their New Faces of Fiction for 2016 and Joanna Cannon wrote this great piece – The Monster Under the Bed – about her inclusion.

And the woman with the most publicity of late is Amy Liptrot with ‘I swam in the cold ocean and dyed my hair a furious blue… I was moving upwards slowly‘ in The Guardian; interviews in The Independent and The Pool.

The best of the rest:

On or about books/writers/language:

• Morgan Jerkins, ‘Writing While Black: On Cliche, Stereotype and the Struggle to Describe Blackness‘ on Literary Hub
• E.V. de Cleyre, ‘On “the Terrible Efficiency of Gaslighting”‘ on Brevity
• Sarah Weinmann, ‘True-crime stories: a centuries-old craze from Ben Franklin to Making a Murderer‘ in The Guardian
• Zetta Elliott, ‘Nobody’s Cheerleader‘ on her blog
• Lauren Groff, ‘on Writing with Lightness‘ on The Atlantic
• Sian Cain, ‘Why a non-white Nancy Drew could be amazing‘ in The Guardian
• Lenika Cruz, ‘The Promising Case of a Non-White Nancy Drew‘ on The Atlantic
• Catherine Lacey ‘on the Inspiration Behind Nobody is Ever Missing‘ on the WHSMITH blog
• Brigid Delaney, ‘A Little Life: why everyone should read this modern-day classic‘ in The Guardian
• Zoe Heller and Francine Prose, ‘Is the Writer’s Only Responsibility to His Art?‘ in The New York Times
• Gideon Lewis-Kraus, ‘The Trials of Alice Goffman‘ in The New York Times Magazine
• Claire Fuller, ‘The Huge, Unwieldy Beast versus Flash Fiction‘ on Women Writers, Women’s Books
• Adelle Waldman, ‘The Ideal Marriage, According to Novels‘ in The New Yorker
• Ali Smith ‘on Trumpet by Jackie Kay‘ in The Guardian
• Sarah Crompton, ‘Sexism on the stage – meet the women tearing up the script‘ in The Guardian
• Maria Turtschaninoff, ‘Why is feminist fantasy important?‘ in The Bookseller
• Catherine Hokin, ‘The Challenges of Writing Historical Fiction‘ on Helen MacKinven’s blog
• Deborah Smith, ‘On Translating Human Acts by Han Kang‘ on Asymptote
• Alison Glock Cooper and T Cooper, ‘Transgender: identity is never one single thing so tick the box that says ‘other’‘ in The Guardian
• Ann Mah, ‘Elena Ferrante’s Naples, Then and Now‘ in The New York Times
• Chloe Angyal, ‘I Decided Not To Read Books By White Authors For A Year. Conservatives Lost Their Damn Minds‘ on The Huffington Post
• Carmiel Banasky, ‘Topography of a Novel: The Suicide of Claire Bishop‘ on Blunderbuss
• Laura Miller, ‘Ladies of Leisure: The resurgence of the housewife novel‘ on Slate
• Martha Tennent and Maruxa Relaño, ‘How a Mother-Daughter Translation Team Makes it Work‘ on Literary Hub
• Peter Bebegal, ‘Cracking the Codes of Leena Krohn‘ in The New Yorker
• Sarah Lyall, ‘The Author Elizabeth Strout on ‘Lucy Barton’ and How Her Characters Come Into Being‘ in The New York Times
• Isabel Rogers, ‘on What a Poet can teach a Novelist‘ on Isabel Costello’s Literary Sofa
• Vidhu Aggarwal, ‘“I’m nothing, if not”: An Anecdote of a Jar‘ on VIDA
• Dawn Finch, ‘Why are we still talking about diversity and inclusion?‘ on An Awfully Big Blog Adventure
• Samantha Hunt’s Literary Mixtape: how to be a deranged cult leader in The Guardian
• Emma Claire Sweeney, ‘on the power of poetry and fiction‘ on Legend Press
• Joanna Biggs, ‘Work is where we make friends, exert power, fall in love‘ in The Guardian
• Non Pratt, ‘No taboo should be off limits when writing for teenagers‘ in The Guardian
• Brittany K. Allen, ‘I Wrote the Accent: A Black Writer Considers “Urban Romance”‘ in The Toast
• Laura Miller, ‘Why Fates and Furies was this year’s most talked-about novel‘ in The Guardian
• Cynthia Ozick, ‘The Novel’s Evil Tongue‘ in The New York Times

Personal essays/memoir:

• Alana Massey, ‘Marriage and Two Kids: A Most Scandalous Fantasy‘ in The Cut
• Lydia Kiesling, ‘Death and Heirs: A View from the San Francisco Housing Market‘ on The Millions
• Saigowri Kuruvada, ‘How I Learned To Accept My Self-Harm Scars‘ on Buzzfeed
• Isabel Murray, ‘I’m a Disgusting Sleeper‘ on The Awl
• Rowan Whiteside, ‘Uninvited‘ in Standard Issue
• Jane Campbell, ‘The Long Run‘ on Hazlitt
• Yurina Ko, ‘Little Big Eater Girl‘ on The New Inquiry
• Fleur Smithwick, ‘A response from my mother to the weird kid blog‘ on her blog
• Jen Gann, ‘Why Am I So Sad About Having a Boy?‘ in The Cut
• Monica Sok, ‘On Fear, Fearlessness, and Intergenerational Trauma‘ on VIDA
• Jenny Diski, ‘The Island of lost words‘ on her blog
• Lyz Lenz, ‘Growing Up With White Paranoia: Persecution vs. Privilege‘ on Pacific Standard
• Ellabel Risbridger, ‘#BREAKFREE From Likes: ‘I’ve Grown Up On The Internet’‘ in Marie Claire
• Cris Mazza, ‘A Finished Brain‘ on The Rumpus
• Julianne Smolinski, ‘The Funny Thing About Abusive Relationships‘ on The Cut
• Jean Hannah Edelstein, ‘I’m a Previvor‘ on Catapult
• Nicole Chung, ‘What Goes Through Your Mind: On Nice Parties and Casual Racism‘ in The Toast
• Lauren McKeon, ‘As Women Scorned‘ on Hazlitt
• Kim Brooks, ‘I’m Having a Friendship Affair‘ in The Cut
• Claire Jimenez, ‘Spanish Lessons: On Language Loss and Recovery‘ in The Toast

Feminism:

• Amy Swales, ‘A Story of a Fuck Off Fund‘ on Medium
• Cade Lebron, ‘Liar, Liar: On Writing About Rape Online‘ on Electric Literature
• Jane Marie, ‘On Going Off My Depression Medication During Pregnancy‘ in Cosmopolitan
• Rosamund Urwin, ‘Why do crimes against women always have the same, sad ending?‘ on The Pool
• Kathy Dobie, ‘To Catch a Rapist‘ in The New York Times
• Ann Friedman, ‘The 2015 renaissance of the agony aunt‘ on The Pool
• Nadia Atia, ‘Your fascination with Muslim women’s bodies has a long misogynistic history‘ on Media Diversified

Society and Politics:

• Chimene Suleyman, ‘‘Integration’ or ‘Assimilation’ is a Two-sided Negotiation‘ on Media Diversified
• Afroze Zaidi-Jivraj, ‘What It’s Like Being Muslim In 2016‘ on Media Diversified
• Leena Habiballa, ‘Too Black to be Arab, too Arab to be Black‘ on Media Diversified
• Alicia Eler and Eve Peyser, ‘Tinderization of Feeling‘ on The New Inquiry
• Harriet Alida Lye, ‘The Myth of the Myth of the City of Love‘ on Hazlitt
• Emer O’Toole, ‘How to be a moderately successful person‘ in The Guardian
• Kavita Bhanot, ‘Decolonise, not Diversify‘ on Media Diversified
• Stacia L. Brown, ‘The ugly history of comparing black athletes and animals‘ in The Washington Post

Film, Television, Music, Art and Fashion:

• Lynn Enright, ‘The brilliant feminism of Transparent and Jill Soloway‘ on The Pool
• Jude Rogers, ‘Why we’re wired to love pop music‘ on The Pool
• Hannah McGill, ‘Nora Ephron: queen of hearts‘ on the BFI website
• Michelle Smith, ‘Suffragette reminds us why it’s a lie that feminists need men’s approval‘ in The Guardian
• Sarah Maria Griffin, ‘Girls Explain Star Wars to You‘ on Scannain
• Robin James, ‘Hello From the Same Side‘ in The New Inquiry

The interviews:

• Joyce Carol Oates on Electric Literature and in The Guardian
• Lisa Williamson in The Guardian and on Scottish Book Trust
• Amy Gustine on Electric Literature
• Helen Ellis in The New York Times
• Mira Ptacin on Flavorwire
• Chelsea Hodson in Hobart
• Tara Guha on Chouett
• Elizabeth Evans on Guernica
• Diane Williams in The Los Angeles Review of Books
• Ann Goldstein (Elena Ferrante’s translator) on Guernica
• Chaitali Sen on The Rumpus
• Valerie Martin in The Guardian
• Eileen Myles in The New York Times
• Liz Lochhead in The Guardian
• Margaret Atwood on Electric Literature
• Emma Donoghue on The Pool
• Sandra Cisneros on The Rumpus
• Lidia Yuknavitch and Anakana Schofield on Electric Literature
• Marlene Van Niekerk in The White Review
• Helen McClory on The Skinny
• Caitlin Moran in Stylist
• Roxane Gay on Sky Blue Window
• Tessa Hadley in the Wall Street Journal and The New York Times
• Ayisha Malik in The New Statesman
• Samantha Hunt on The Millions
• Claire Fuller on Sarah Jasmon’s blog
• Claudia Rankine in The Guardian
• Amy Poehler in The Guardian

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

The Greatest of These – Part Four of an exclusive short story by Joanna Cannon

An absolute treat today: part four of an exclusive short story by Joanna Cannon, author of the hotly anticipated The Trouble with Goats and Sheep. I loved the novel, which I included in my Ones to Read in 2016, and will review it in full next week. The story – ‘The Greatest of These’ gives a real flavour of the novel in terms of introducing some of the main characters, the tone and the themes. If you haven’t seen parts one to three, a list of all the places the story is appearing is below.

Mr Forbes swung his arms about and stamped his feet. ‘I think we should spend a little less time worrying about butterflies, and a little more time clearing this snow. We’ll run out of food.’

‘And television,’ said Mrs Roper.

‘We need more man power.’ Eric Lamb stared at Mr Forbes’ shovel, where it rested in a bank of snow, and then he stared at Thin Brian, and Thin Brian stared at the sky, as though it was the most interesting thing he’d ever seen in his entire life.

‘Don’t look at me,’ said Mr Forbes. ‘My knee’s given me a lot of gyp since I did that sponsored walk for orphaned children.’

‘That was in 1967, Harold,’ said Mrs Roper.

‘Exactly.’ Mr Forbes sniffed the air, and his knees did an awkward bounce, to prove their point. ‘I need to restrict myself to giving directions.’

Mr Forbes gave a lot of directions. Eric Lamb needed to dig a little more to the left, and then a little more to the right. He needed to stack the snow a little higher, then a little lower, and he was too diagonal and then not diagonal enough. Mrs Forbes appeared half way through the directions, with a mug of tea and a selection of Fondant Fancies on a doily, because Mr Forbes said he found giving directions quite taxing. We all stared as the last cake disappeared into Mr Forbes’ mouth, and Eric Lamb grew very red in the face.

We were all so busy, we didn’t see the man straight away.

Eric Lamb’s digging had become very loud and interesting, so Mr Forbes was having to shout, May Roper was explaining religious symbols to no one in particular, and Mrs Forbes was having a conversation with the butterfly, which had landed on the doily and stared up at her from a handful of crumbs.

It was Tilly who noticed him first.

‘Look,’ she said. ‘Someone’s waving to us.’

We all stared at the bottom of The Avenue, where the man stood in snow up to his knees. He wore a brightly coloured scarf and a brightly coloured jacket, and a hat which seemed to wind itself around his head. As we watched, the man lifted his legs out of the drift and started to walk towards us.

Tilly put up her hand to wave back.

‘He’s not from around here.’ Mrs Roper grabbed an edge of the duffel coat and pulled Tilly’s arm back down again. ‘What could he possibly want from us?’

‘We’ll never know if we don’t wave back,’ said Tilly, but the man kept walking anyway, and I watched everyone tighten their lips and their eyes, and Mr Forbes fold his arms around his waist.

And the butterfly left Mrs Forbes’ plate, and it danced around in the air, and we all waited for the man to tell us.

His name was Mr Dhillon and the hat he wore was called a turban. You couldn’t tell where it started from, and Tilly and I walked around him several times to get a proper look, although we were very subtle about it, so I doubt anyone even noticed.

He said he was stuck.

‘It’s my car.’ He pointed across the estate, beyond the snow-packaged roof tops. Except you couldn’t tell where the roof tops ended and the sky began. It was as if they’d been welded together by the weather. ‘It’s on Rowan Tree Croft. In a drift,’ he said. ‘I wondered if you’d help me push it free?’

Mr Forbes did a knee bounce and Thin Brian stared at the sky, and Mrs Forbes made a big fuss of rearranging her doily.

‘Can’t you ask the people on your own street?’ said Mrs Roper, from behind her blanket.

Mr Dhillon said the people on his own street were all elderly. He said there was no one from his own street who could help.

‘We’re all in the same boat,’ he said, and he smiled.

Mr Forbes’ hands found their way around his back, where they linked together and made him look even more stout than before, and even less interested in what anyone else had to say. ‘The thing is,’ he bounced, ‘we have enough on our plate here, without digging other people out of their problems as well.’

‘Then perhaps I could help you in return?’ said Mr Dhillon, and he picked up Mr Forbes’ spade (which was still asleep in the snow), and he started to dig.

Ones to Read in 2016

2016 is already being talked about as a ‘vintage year’ in terms of forthcoming books. In the second half of the year there’s a spate of second novels from writers who published fantastic debuts two or three years ago. There’s also lots of promising looking books from more established writers. I’m looking forward to all of those but there’s the first half of the year to talk about first.

Initially, I was going to limit this list to ten books; I could’ve populated that list three times over with the wealth of good stuff coming in the next six months. So, the list’s a little longer and the books I’ve chosen to recommend are those that, for me, had the ‘wow factor’ (often for different reasons). Listed in order of publication, all publication dates are UK and subject to change; full reviews will appear on the week of publication.

Human Parts – Han Kang (translated by Deborah Smith)

Human Acts centres around the student uprising in Gwangju, South Korea in 1980. Beginning with Dong-Ho working in the gymnasium where the bodies are being brought and looking for the friend he abandoned, the story moves through a variety of characters as the repercussions of the army’s suppression is felt throughout the city. Brave, brutal, brilliant.

Wow Factor: the variety of voices/perspectives (credit to Deborah Smith’s translation); the sudden switches to violent imagery

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Portobello Books 7^th January 2016

American Housewife – Helen Ellis

A short story collection giving voice to a variety of American housewives. From the emails of two neighbours who move from passive aggressive to downright aggressive moves regarding the décor of their shared hallway to the struggling writer taking part in an antiques reality TV show to the woman allowing junior pageant participants to escape, this is a sharp, darkly funny look at women’s lives.

Wow Factor: the dark humour; the insight into people’s (often appalling) behaviour

#ReadWomen

Published by Scribner 14^th January 2016

Paulina & Fran – Rachel B. Glaser

Art students, Paulina and Fran, meet at a party. Self-conscious and desperate to be liked, they (Paulina in particular) behave appallingly, feigning an air of indifference. But when they leave art school, they have to negotiate their own ways in the world and decide how much their friendship’s really worth.

Wow Factor: the dark humour; the insights into a type of female friendship and behaviour

#ReadWomen

Published by Granta 14^th January 2016

If You Look For Me, I Am Not Here – Sarayu Srivatsa

Mallika gives birth to twins but only one survives: a boy, Siva. But she wanted a girl and refuses to believe her daughter’s dead. She calls Siva, Tara and flies into a rage if anyone attempts to do otherwise. Narrated by Siva, who believes his sister lives within him still, this is a beautifully written novel about trying to find your own identity.

Wow Factor: the language; the storytelling

#ReadDiverse2016 #womenintranslation #translationthurs #ReadWomen

Published by Bluemoose Books 21^st January 2016

The Trouble with Goats and Sheep – Joanna Cannon

If you’re on social media, you’ve no doubt heard lots about this novel already. If hype puts you off, ignore it and get stuck into this regardless. The story of a ‘normal’ street in England in the heatwave of 1976. Margaret Creasy’s disappeared and she knows everyone’s secrets. Ten-year-olds Grace and Tilly set out to find her and uncover a whole lot more in the process.

Wow Factor: the psychological insight

#ReadWomen

Published by Borough Press 28^th January 2016

Rush Oh! – Shirley Barrett

Eden, New South Wales, 1908. The story of a whaling season told from the point-of-view of Mary Davidson, the 19-year-old daughter of a whaling family. There’s whales, running a family after the death of their mother and a romance with former Methodist minister, John Beck. Often funny, feminist and fascinating.

Wow Factor: the voice; the descriptions of the whales and whaling

#ReadWomen

Published by Virago 4^th February 2016

Under the Visible Life – Kim Echlin

The 1960s. Two girls. Mahsa, born to an Afghan mother and an American father, is orphaned after her parents are killed. When the relative she’s sent to live with discovers her relationship with a boy they send her to study in Montreal. There her love of jazz music grows and brings her a lifetime’s friendship with Katherine. Born to an American mother and a Chinese father who she never meets, Katherine sneaks out and begins playing the jazz clubs as a teenager. They lead her to a lifelong romance with an unreliable man. A gripping story of women who want more than society wants to allow them. Already a firm contender for book of the year.

Wow Factor: the language; the protagonists; the insight into relationships, marriage and family

#ReadWomen

Published by Serpent’s Tale 4^th February 2016

Martin John – Anakana Schofield

Martin John is an ‘inadequate molester’. Sent to London by his Irish mother, he works, goes to visit Aunty Noanie, phones his mum regularly and circuits Euston Station looking for women he can rub up against. As his mental health deteriorates so does Martin John’s behaviour, revealed in vignettes and repetitive language. But it’s his mother’s story that will really get to you.

Wow Factor: the language; the mother’s story

#ReadWomen

Published by And Other Stories 4^th February 2016

The Ballroom – Anna Hope

1911. An asylum on the edge of the Yorkshire moors. Ella Fay’s incarcerated for breaking a window in the textile factory in which she worked. John Mulligan was brought there emaciated and destitute. When John and Ella meet at the dance inmates are allowed to attend on Friday evenings if they’ve been ‘good’, a romance begins. The third wheel in the story is the doctor, Charles Fuller, who’s been at the asylum for five years. A disappointment to his parents, he decides he’s going to make his name with some research on eugenics. Gripping.

Wow Factor: the language; the treatment of the main theme

#ReadWomen

Published by Doubleday 11^th February 2016

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

Told over a 24-hour period from the moment Simon Limbeau’s alarm goes off and he leaves to go surfing with his friends to the point when his heart is transplanted into someone else’s body. de Kerangal tells a gripping tale of the procedure that occurs when an emergency transplant can take place. As the timeline progresses, she dips into the lives of all those involved in the procedure.

Wow Factor: the language; the dipping into the life of each character involved in the transplant

#womenintranslation #translationthurs #ReadWomen

Published by MacLehose Press 11^th February 2016

Eileen – Ottessa Moshfegh

1964. 24-year-old Eileen is thin, jagged, angry and unhappy. She lives with her retired, ex-cop, alcoholic father and works as a secretary at a private juvenile correctional facility for teenage boys. Desperate to leave her grim homelife, Eileen dreams of moving to New York. The novel tells the story of the week before Christmas 1964, the week Rebecca Saint John comes to work at the facility. Dark and disturbing, the less you know about this book before diving in the better.

Wow Factor: the perspective; the plotting

#ReadDiverse2016 #ReadWomen

Published by Jonathan Cape 3rd March 2016

Not Working – Lisa Owens

After the day she felt an impulse to start swallowing office supplies, Claire Flannery quit her job to work out what she really wanted to do. Told in vignettes about her long-term relationship with Luke, trips on the tube, increasingly drunk nights out with friends and fall-outs with family members, Claire could be any one of us.

Wow Factor: the protagonist; the insight into a 21^st Century female psyche

#ReadWomen

Published by Picador 21^st March 2016

The Cauliflower® – Nicola Barker

A fictionalised biography of guru, Sri Ramakrishna. Told in fragments partly by his nephew, Hriday, but also by an anachronistic film director and another narrator. Using haiku and script as well as prose, Barker tells the story of a man elevated by faith and raises questions about the nature of worship.

Wow Factor: Barker’s unique style

#ReadWomen

Published by William Heinemann 21^st April 2016

My Name Is Leon – Kit de Waal

1980. Tina gives birth to baby Jake when Leon’s nine, but she struggles to cope and when the upstairs neighbour rings social services Jake and Leon are taken into care. Initially they both go to live with Maureen, an experienced foster parent, but soon baby Jake – who’s white-skinned – has people who want to adopt him. Older, black-skinned, Leon is left with Maureen and his anger at the unfairness of the world. Searing and heartbreaking.

Wow Factor: the voice; the insight into a life of poverty, mental illness and foster care

#ReadDiverse2016 #ReadWomen

Published by Viking 2^nd June 2016
Thanks to all the publishers for review copies.