In the Media: October 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

A woman didn’t win The Man Booker Prize this year but there was still some interesting coverage of the prize and the shortlisted writers:

• Deborah Levy interviewed in the New Statesman
• Marta Bausells, ‘The Rise of the Small Press on the Man Booker Shortlist‘ on Literary Hub
• Ottessa Moshfegh interviewed on the Penguin Blog and in The New Yorker
• ‘How to write a Man Booker novel: six shortlisted authors share their secrets‘ in The Guardian
• Marta Bausells, ‘Inside the World of Judging the Man Booker Prize‘ on Literary Hub

The best of the rest:

On or about books/writers/language:

• Zadie Smith, ‘Dance lessons for writers‘ in The Guardian
• Dave McKenna, ‘The Writer Who Was Too Strong To Live‘ on Deadspin
• Jane Bernstein, ‘How I Helped Tell a Soldier’s Story‘ on Literary Hub
• Emily St. John Mandel, ‘The Gone Girl With The Dragon Tattoo On The Train‘ onFiveThirtyEight
• Megan Marshall, ‘Elizabeth and Alice‘ in The New Yorker
• Rachel Vorona Cote, ‘Are You an Anne Shirley or an Emily Starr?‘ on Literary Hub
• Seo Hee Im, ‘Sex, violence and The Vegetarian: the brutality of Han Kang’s Booker winner‘ in The Guardian
• Sara Nović, ‘Who Can Speak for the Deaf Community‘ on Literary Hub
• Rachael Nevins, ‘Fall to Pieces: On Elena Ferrante and My Own Frantumaglia‘ on Hazlitt
• Maddie Rodriguez ‘Anne Brontë, Anger, and the Resonance of Assault in the Tenant of Wildfell Hall‘ on BookRiot
• Shelley DeWees, ‘The Publisher Who Rejected Jane Austen‘ on Literary Hub
• Eleanor Brown, ‘‘I like the way he kisses my hand’: My grandmother’s life in jazz age Paris‘ in The Guardian
• M.L. Stedman, ‘On First Seeing Your Novel on the Big Screen‘ on Literary Hub
• Chloe Caldwell, ‘What I Think of the Fact That You Keep Asking Me What My Family Thinks of My Writing‘ on Catapult
• Sarah Schulman, ‘White Writer‘ in The New Yorker
• Sarah Hughes, ‘Shirley Jackson: the US queen of gothic horror claims her literary crown‘ in The Observer
• Ali Smith, ‘Ali Smith on the prime of pop artist Pauline Boty‘ in The Guardian
• Leah Schnelbach, ‘Imaginative Anthropology: In Celebration of Ursula K. Le Guin‘ on Tor.Com
• Nneka Okona, ‘On Travel Memoirs by Black Women Writers‘ on Literary Hub
• James Lasdun, ‘How Patricia Highsmith’s Mr Ripley Rises from Genre to Myth‘ on Literary Hub
• Wendy Jones, ‘What was really going on with English women?‘ in The Guardian
• MariNaomi, ‘The Making of a Comics Memoir‘ on Catapult
• Margaret Drabble, ‘I am not afraid of death. I worry about living’ in The Guardian
• Meg Elison, ‘If Women Wrote Men the Way Men Write Women‘ on McSweeney’s Internet Tendency

Personal essays/memoir:

• Sarah Thomas, ‘Inheritance and Time Travel‘ on Catapult
• Ciara O’Rourke, ‘The Other Sister‘ in Seattle Met
• Michelle Tea, ‘A Walking Tour Of The Places Where I Hit Rock Bottom‘ on Buzzfeed
• Dianca Potts, ‘Hallowed Hell House‘ on Lenny
• Alyssa Martino, ‘Vacancies‘ on Catapult
• Eli Goldstone, ‘Bad Dreams‘ on Granta
• Jodi Ettenberg, ‘Learning to Cope With Chronic Pain (And Why I’m Establishing a Home Base)‘ on Legal Nomads
• Mila Jaroniec, ‘Imprecise Magic‘ on Lenny
• Stephanie Land, ‘The Love of a Thousand Muskoxen: Grieving a Love Lost to Time and Sickness‘ on Longreads
• Sonia Weiser, ‘Scrabble With My Mum‘ on Catapult
• Nimko Ali, ‘What does it feel like to flee war as young child?‘ on The Pool
• Kelsey McKinney, ‘The Art of the Box Score‘ on Hazlitt
• Melissa Matthewson, ‘On Coupling: An Inventory‘ in Guernica
• Nadja Spiegelman, ‘When Beauty Makes You Vulnerable‘ on The Cut
• Emily Alford, ‘How Makeup Helped Me Reclaim My Face‘ on Buzzfeed
• Elizabeth Lindsey Rogers, ‘Learning to Embrace Guanxi: On Living Communally in China‘ on Literary Hub
• Niina Pollari, ‘Minor Gains‘ on Catapult
• Amani Al-Khatahtbeh, ‘On Being the Media’s Token Muslim Girl‘ on The Cut
• Lily Dunn, ‘The Fog and the Sea‘ on Granta
• Sonya Chung, ‘How I Learned That Beauty Doesn’t Have To Hurt‘ on Buzzfeed
• JD Ho, ‘Vegetables for a Dead President‘ on Catapult
• Rushaa Louise Hamid, ‘How I Found Myself When My Skin Changed Its Identity‘ on Buzzfeed

Feminism:

• Bibi Lynch, ‘Do not brand me a failure. I’m a survivor. All unhappily childless people are’ in The Guardian
• Heather Skyler, ‘The Boy Who Groped Me and the Flute Case That Saved Me‘ on Catapult
• Liz Meriwether, ‘Laughing Until We Cry: Conversations About Getting Flashed, Grabbed, and Groped‘ on The Cut
• Rachel Klein, ‘When the Body Breaks its Silence‘ on Catapult
• Andrea Bennett, ‘Chain Reaction‘ on Masionneuve
• Lynn Enright, ‘Why does it feel awkward to admit you’re on a diet?‘ on The Pool
• Sophie Wilkinson, ‘Addressing the toxic combination of misogyny and homophobia‘ on The Pool
• Laurie Penny, ‘Fear of a Feminist Future‘ on The Baffler
• Daisy Buchanan, ‘When women are surrounded by misogyny, they are going to internalise it‘ on The Pool

Society and Politics:

• Molly Ball, ‘Trump’s Graying Army‘ on The Atlantic
• Emma Bracy, ‘We Are Always Defined From a Distance‘ on Hazlitt
• Gaby Hinsliff, ‘Are we now persecuted for speaking up for the vulnerable?‘ on The Pool
• Ijeoma Oluo, ‘I’m not ready for the Obama era to end‘ in The Guardian
• Eimear McBride, ‘Brexit has disfigured the tolerant Britain I’ve known‘ in The Guardian
• Alex Wagner, ‘Marriage After Trump‘ on The Atlantic
• Chimamanda Ngozi Adichie, Gloria Steinem and Rashida Jones, ‘To the First Lady, With Love‘ in The New York Times
• Molly Ball, ‘In Ferguson, the Seeds of Trump’s Defeat‘ in The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Gabrielle Bellot, ‘Hayao Miyazaki and the Art of Being a Woman‘ on The Atlantic

The interviews/profiles:

• Naomi Alderman on The Writes of Woman and in The Guardian
• Vanessa Hua in The Los Angeles Review of Books
• Belle Boggs and Monica Youn on Literary Hub
• Toni Morrison on Literary Hub
• Emma Donoghue on Lenny
• Emily Witt on Literary Hub
• Therese Oneill on Salon
• Larissa Pham on Electric Literature
• Jess Kidd on Jo Hogan Writes
• Irenosen Okojie in 3:am Magazine
• Hannah Hart on Hello Giggles
• Claudia Rankine in The Guardian
• Joanna Kavenna on Literary Hub
• Britt Bennett on The Rumpus
• Zadie Smith in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

In the Media, June 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s impossible to begin with anything other than the Stanford rape case. The victim’s court statement was published on Buzzfeed and went viral. The piece, along with responses from Brock Turner’s father and friends, including a female friend who defended him, have prompted some impassioned and powerful pieces: Louise O’Neill wrote, ‘20 minutes is an awfully long time when you’re the one being raped‘ in the Irish Examiner; Estelle B. Freedman, ‘When Feminists Take On Judges Over Rape‘ in The New York Times; Sarah Lunnie, ‘Maybe the word “rapist” is a problem: The utility of nouns and verbs, or accepting who we are and what we do‘ on Salon; Adrienne LaFrance, ‘What Happens When People Stop Talking About the Stanford Rape Case?‘ on The Atlantic; Kim Saumell, ‘I was never raped but…‘ on Medium; Rebecca Makkai, ‘The Power and Limitations of Victim-Impact Statements‘ in The New Yorker; Roe McDermott, ‘He Said Nothing‘ on The Coven; Glosswitch, ‘Does the outrage over the Stanford rape case do anything to help victims?‘ in the New Statesman

The other big news this fortnight was Lisa McInerney’s debut novel, The Glorious Heresies, taking The Baileys Women’s Prize for Fiction 2016. Justine Jordan wrote, ‘Sweary Lady’s riot of invention is a well-deserved winner of the Baileys prize‘ in The Guardian. While McInerney wrote about her working day for The Guardian and shared a secret in ‘Bad Behaviourism‘ on Scottish Book Trust

There’s a new series on Literary Hub about women writers in translation. Written by a group of translators, each fortnight they’re looking at a country and the women writers from there yet to be translated into English. So far they’ve covered Germany, China and Italy. I’ve added it to the regulars at the bottom of the page.

And finally, the excellent Jendella Benson has a new column on Media Diversified. This week’s is ‘How to Raise a Champion‘ and I’ve also added her to the list of regulars at the bottom of the page.

The best of the rest:

On or about books/writers/language:

• Natasha Walter, ‘We’ve been expecting you, Ms Bond: why fiction needs more female spies‘ in The Guardian
• Barbara Donsky, ‘The Power of Nancy Drew‘ on Women Writers Women’s Books
• Kaulie Lewis, ‘Books I Wish I Wrote: On Writerly Jealousy‘ on The Millions
• Daisy Buchanan, ‘Sex, drugs and radical feminism. At 50, Valley Of The Dolls is as relevant as ever‘ on The Pool
• Tessa Hadley, ‘At Home in the Past‘ in The New Yorker
• Peggy Frew, ‘The closest Mum ever came to saying ‘I love you’ – Dad never even came close‘ in The Irish Times
• Joanna Walsh, ‘The N Word – Against the Novel‘ in The Irish Times
• M.J. Carter, ‘Who Were the Infidels‘ on For Winter Nights
• Lisa Dempster, ‘If you doubted there was gender bias in literature, this study proves you wrong‘ in The Guardian
• Rachael Acks, ‘An Open Letter to a Novel I Was Certain I’d Love (And Didn’t)‘ on BookRiot
• Teresa Preston, ‘Where Are All the Single Ladies in Fiction‘ on BookRiot
• Sarah Hepola, ‘What My Parents Really Think About My Memoir of Alcoholism‘ on Literary Hub
• Alix Hawley, ‘Angels of the North: On ‘Happy Valley’ and Anne Brontë‘ on The Millions
• Ainehi Edoro, ‘Beyoncé is not shining a light on African literature – it’s the other way round‘ in The Guardian
• Lionel Shriver’s ‘teenage diary: bad spelling and unreturned affections‘ in The Guardian
• Mo Moulton, ‘Dorothy L. Sayers, Marjorie Barber, and the Story of a Wartime Lemon‘ in The Toast
• Christina Patterson, ‘Memorising Poetry Is an Art of the Heart‘ in The Guardian
• Sarah Madison, ‘Dear Broke Reader: Your Sense of Entitlement is Killing Me‘ on her website
• Kelly Kanayama, ‘Even with “inclusive” Shakespeare, whiteness takes priority‘ on Media Diversified
• Rivka Galchen, ‘Where Is Luckily?‘ in The New Yorker
• Mylo Freeman, ‘Black girls can be princesses too, that’s why I wrote my books‘ in The Guardian
• Annie Liontas, ‘Inherit the Word‘ in The New York Times
• JoAnna Novak, ‘The Long Dash‘ on Catapult
• Lucie Whitehouse, ‘Why Strong Female Friendships Are So Important In Literature Today‘ in Bustle
• Kate Angus, ‘How to Tell the Future with Books‘ on Literary Hub
• Ellah Wakatama Allfrey, ‘Writers need new ways of talking about Africa’s past and present‘ in The Guardian
• Amber Sparks, ‘Let Us Now Praise Famous Short Story Writers (And Demand They Write a Novel)‘ on Electric Literature
• James Wallace Harris, ‘The Resurrection of Lady Dorothy Mills‘ on BookRiot
• Alison Flood, ‘Yale English students call for end of focus on white male writers‘ in The Guardian
• Anne Tyler, ‘Let’s face it, Shakespeare’s plots are terrible’ in The Guardian
• C.J. Flood, ‘Teen girls have a right to roam too‘ in The Guardian
• Michelle Dean, ‘In Between Daze‘ in The Awl
• Charlotte Eyre, ‘Crossan wins YA Book Prize 2016‘ in The Bookseller
• Tabitha Blankenbiller, ‘Girly Book Covers and Man Book Clubs‘ on Electric Literature
• Saengeeta Bandyopadhyay, ‘My God, so Much Sex?‘ on English Pen (translated by Arunava Sinha)
• Michelle Dean, ‘Read it and keep: is it time to reassess the ‘beach read’?‘ in The Guardian
• Sarra Manning, ‘I Love Books, Let Me Count The Ways…‘ in Red
• Katherine Wilson, ‘How Elena Ferrante made the neglected Naples a must-visit destination‘ on The Pool
• Jonathan Coe, ‘Enid Blyton? She gave me my sense of social justice‘ in The Guardian
• Sarah Hilary, ‘A Gift for Killing: Patricia Highsmith’s legacy for today’s crime writers‘ on Virago
• Esther Allen, ‘From the Translator: The Song Remains the Same?‘ on Words Without Borders
• Monica Tan, ‘Women and Melbourne writers dominate Miles Franklin 2016 shortlist‘ in The Guardian
• Amelia Gentleman, ‘The mystifying disappearance of children’s author Helen Bailey‘ in The Guardian
• Rachel Buchanan, ‘How Shakespeare shaped Greer’s feminist masterpiece‘ on ABC
• Ursula K. LeGuin, ‘Up the Amazon with the BS Machine‘ on Book View Cafe
• Emily Carr, ‘Finding Poems in My Own Labyrinth‘ on Literary Hub
• Gretchen Gerzina, ‘“True Love”: The Victorian (re)discovery that transformed our understanding of black women’s literature‘ on Salon

Personal essays/memoir:

• Melynda Fuller, ‘Rapture of the Deep‘ on The Rumpus
• Claire Hoffman, ‘Growing Up in Meditationland‘ in The Cut
• Tanwi Nandini Islam, ‘How Failure Became My New Beginning‘ in Elle
• Maya Binyam, ‘That Place Becomes a Wound‘ on The Hairpin
• Stephanie Danler, ‘On Losing Something Precious‘ on Literary Hub
• Marina Benjamin, ‘My Daughter, Myself‘ on Aeon
• Rebecca Worby, ‘Expanding the Story‘ in Guernica
• Cathy Day, ‘They Found a Meth Lab in Cole Porter’s Childhood Home‘ on Literary Hub
• Bryony Gordon, ‘How my relationships with men were affected by my mental illness‘ on The Pool
• Allison Moorer, ‘Below The Belt‘ on Guernica
• Rina Caballar, ‘How to Make Polvoron: Growing Up With a Mother Overseas‘ in The Toast
• Soniah Kamal, ‘The Reluctant Writer‘ on Catapult
• Stephanie Wittels Wachs, ‘How to Reinvent Yourself‘ on Medium
• Elisa Gabbert, ‘Time, Money, Happiness‘ on The Smart Set
• Gillian B. White, ‘Muhammad Ali and the Importance of Identity‘ on The Atlantic
• Erin Williams, ‘Before I Was A Mother, I Was A Drunk‘ on Buzzfeed
• Sarah Sweeney, ‘Some Girls‘ on Catapult
• Nicole Walker, ‘DNA‘ on The Rumpus
• Rufi Thorpe, ‘The Plus Side to Marrying a Total Stranger‘ on Female First
• Ulrika Campbell, ‘My Mother Told Me I Should Get Breast Implants When I Was 14‘ on XOJane
• Bridget Minamore, ‘The simple joy shared by two women on the road‘ on The Pool
• Marie Phillips, ‘Can you ever truly feel at home in a country you weren’t born in?‘ on The Pool
• Francine Prose, ‘Enthralled by Sicily, Again‘ in The New York Times
• Jane Demuth, ‘This Is to Mother You: On Caring for a Toxic Parent in Her Greatest Time of Need‘ on Longreads

Feminism:

• Marina Benjamin, ‘The ‘middlepause’: what no one tells you about turning 50‘ in The Telegraph
• Alexandra Heminsley, ‘Why BodyForm’s new ad is a game changer‘ on The Pool
• Megan Garber, ‘When Newsweek ‘Struck Terror in the Hearts of Single Women’‘ on The Atlantic
• Robyn Wilder, ‘Finding your place in the mummy-cliques‘ on The Pool
• Helen Phillips, ‘Escaping the Self-Critical Eye for the Sake of My Daughter‘ on Literary Hub
• Holly Brockwell, ‘“There’s not a shadow of regret”: one woman’s diary of her struggle to become voluntarily infertile aged 30‘ in Stylist
• Jessica Valenti, ‘My life as a ‘sex object’‘ in The Guardian
• Orbala, ‘On Conditional Love in Patriarchies and Death to Patriarchy‘ on Freedom from the Forbidden
• Claire Heuchan, ‘Your Silence Will Not Protect You: Racism in the Feminist Movement‘ on Sister Outrider
• Ann Friedman, ‘Pop Feminism Doesn’t Mean the End of the Movement‘ in The Cut
• Caroline Criado-Perez, ‘When it comes to online abuse, we need to see a fuller picture‘ on The Pool
• Dawn Foster, ‘If I ever see you in the street, I hope you get shot’ on The London Review of Books
• Una Mullally, ‘Shifting Ground‘ in Granta
• Hadley Hall Meares, ‘The invention of the paper bag was a triumph of feminism‘ on Aeon

Society and Politics:

• Alana Massey, ‘Your Parents’ Romantic Lives Don’t Have to Determine Your Own‘ in The Cut
• Sonia Smith, ‘Unfriendly Climate‘ in Texas Monthly
• Nikole Hannah-Jones, ‘Choosing a School for My Daughter in a Segregated City‘ in The New York Times Magazine
• Ijeoma Oluo, ‘The Brown, Queer, And Poor Are Not The Ones Holding The Left Back‘ in The Establishment
• Mary Milz, ‘Blindsided: A Dream Engagement Turned Nightmare‘ in Indianapolis Monthly
• Alex Mar, ‘What Ever Happened to “The Most Liberated Woman in America”?‘ on Longreads
• Andrea Nguyen, ‘The History of Pho‘ on Lucky Peach
• Ella Risbridger, ‘If I am your “carer”, can I also be your girlfriend, mother or daughter?‘on The Pool
• Kathleen McAuliffe, ‘Disgust Made Us Human‘ on Aeon
• Sarah Hughes, ‘Sexuality today: how we embarked on a new age of freedom and tolerance‘ in The Guardian
• Kathryn Schultz, ‘Citizen Khan‘ in The New Yorker
• Ashley Powers, ‘The Man in the Woods‘ in the California Sunday Magazine
• Lynn Enright, ‘Negotiating the etiquette of love in the airport‘ on The Pool
• Rhiannon Lucy Cosslett, ‘The disastrous message sexism in the Labour party is giving young women voters‘ on The Pool
• Jacinda Townsend, ‘Heteronormativity and the Single Mother‘ in The White Review
• Glosswitch, ‘To ignore someone’s educational background isn’t “fair play” – it perpetuates inequality‘ in the New Statesman
• Olga Khazan, ‘Not White, Not Rich, and Seeking Therapy‘ in The Atlantic
• Rebecca Traister, ‘Hillary Clinton vs. Herself‘ in New York Magazine

Film, Television, Music, Art, Fashion and Sport:

• Eleanor Margolis, ‘Why, after years of gay-free cartoons, I can’t get excited about Finding Dory’s lesbian couple‘ on the New Statesman
• Chitra Ramaswamy, ‘Why we need more gay characters on screen‘ on The Pool
• Kristen Lopez, ‘How the Weepy Fantasy ‘Me Before You’ Infantilizes the Disabled‘ on Flavorwire
• Harriet Hall, ‘Watch author Jojo Moyes respond to controversy over the portrayal of disability in Me Before You‘ in Stylist
• Clover Hope, ‘How White Are the Women’s Magazine Covers of 2016 so Far?‘ on Jezebel
• Kat George, ‘Why Missy Elliott’s feminist legacy is criminally underrated‘ on Dazed
• Désirée Wariaro, ‘Beyoncé and Resistance‘ on Media Diversified

The interviews/profiles:

• Cynthia D’Aprix Sweeney in The New York Times
• Annie Proulx in The Telegraph, The Guardian and The Wall Street Journal
• Marilynne Robinson on BookRiot
• Nina Stibbe in Red
• Mary Roach in The New York Times
• Christina MacSweeney on Words Without Borders
• Sarah Hepola on Salon
• Rebecca Schiff on The Rumpus
• Stephanie Danler on Literary Hub
• Jessica Valenti on BookRiot and The Pool
• Lynne Kutsukake on Bloom
• Sarah Gerard on The Huffington Post
• Rita Mae Brown on Broadly
• Lydia Millet and Jenny Offill on Slate
• Nell Dunn on The F Word
• Sarah Perry on The History Girls and Five Books
• Yaa Gyasi on NPR
• Lynn Steger Strong on The Rumpus
• Eleanor Wasserberg on Waterstones
• Sylvia Patterson in The Guardian
• Laura Lippman on The Los Angeles Review of Books
• Patricia Engel on Electric Literature
• Hanya Yanagihara on Waterstones and The Bookseller
• Leila Aboulala (and Elnathan John) on Literary Hub
• Emma Jane Unsworth and Rachel B. Glaser on Granta
• Emma Straub on BookRiot and Electric Literature
• Kathleen Alcott in The Guardian
• Julie Myerson on Bookanista
• Emma Cline on The Bookseller
• Weina Dai Randel on History from a Woman’s Perspective
• Joanna Walsh in The Honest Ulsterman
• Helen MacKinven on Christina Banach’s website
• Charlotte Hobson in the Financial Times
• Rebecca Perry in The Honest Ulsterman
• Kimberle Crenshaw in The Guardian
• Alice Walker on Salon

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

In the Media, March 2016, part one

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

The best of the rest:

On or about books/writers/language:

• Eve Ainsworth, ‘Toxic love: YA’s bad boys need to stay between the covers‘ in The Guardian
• Hanya Yanagihara: ‘Don’t we read fiction exactly to be upset?’ in The Guardian
• Jessie Burton, ‘Success, Creativity and the Anxious Space‘ on her blog
• Claire Fuller, ‘Some things I’ve learned in my year of being published‘ on her blog
• Bree Crowder, ‘Four Young Adult Authors Share Why They Write Funny Books‘ on Bustle
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Deborah Moggagh, ‘Man Booker Prize has an unhealthy effect on the market, says author Deborah Moggagh‘ in The Independent
• Claire Fallon, ‘Our Favourite Children’s Books Are Super Problematic‘ on the Huffington Post
• Alison Flood, ‘Tessa Hadley among nine winners of surprise $150,000 literary awards‘ in The Guardian
• Sian Cain, ‘Toni Morrison wins PEN/Saul Bellow award for contribution to American fiction‘ in The Guardian
• Jo Hall, ‘If We Can Imagine Dragons: On Writing Non-Heterosexual Relationships in Fantasy‘ on Holdfast
• Alison Stine, ‘On Poverty‘ on Kenyon Review
• Joan Schenkar, ‘What Patricia Highsmith did for love: ‘The Price of Salt’ and the secrets behind ‘Carol’‘ in the Los Angeles Times
• Louise Walters, ‘I didn’t want to resort to self-publishing, but it’s an exhilarating change‘ in The Guardian
• Gaby Wood, ‘How Karl Ove Knausgaard and Elena Ferrante won us over‘ in The Telegraph
• Moira Redmond, ‘Leap year fear: a literary history of women proposing marriage‘ in The Guardian
• Katy Derbyshire, ‘Women in Translation: Why Does It Matter?‘ on Free Word
• Eva Jurczyk, ‘No More Books by Men‘ on The Awl
• Elizabeth Strassner, ‘How To Tell If You’re In a Flannery O’Connor Story‘ in The Toast
• Anne Boyd Rioux, ‘How to Make Sure Your Writing Is Forgotten‘ on The Rumpus
• Holly Williams, ‘From The Roaring Queen to Downton Abbey: the afterlives of Virginia Woolf‘ in the New Statesman
• Anna North, ‘What Publishing a Novel Taught Me About Life‘ on Waterstones’ Blog

• Kate Jenkins, ‘Harper Lee and the Myth of a Post-Racial America‘ on Literary Hub
• Sian Cain, ‘Fear of Flying still soars above tabloid outrage‘ in The Guardian
• Brigit Katz, ‘These forgotten female crime writers had no time for femme fatales or dowdy housewives‘ on Women in the World
• Idra Novey, ‘Writing While Translating‘ on Literary Hub
• Elizabeth Minkel, ‘Teen readers aren’t in crisis, they’re just making their own rules‘ in The Guardian
• Jaya Saxena, ‘I Know I Should Like Reading More But There Are Things About The Act Of Reading That Make It Very Difficult‘ in The Toast
• Deirdre Sullivan, ‘The seed of Needlework was anger, and I wanted it to feel raw’ in The Irish Times
• Jesmyn Ward remembers Harper Lee: ‘She saw and responded to the humanity of each and every one of us’ on Entertainment Weekly
• Vipash Bansal, ‘Remembering Octavia Butler: 1947-2006‘ on Media Diversified
• Chris Power, ‘A brief survey of the short story: Elizabeth Taylor‘ in The Guardian
• Brooke Magnanti, ‘Where are the normal women in fiction?‘ on One Book Lane
• Robin Stevens, ‘Boys could enjoy stories about girls, and vice versa – if only we’d let them‘ in The Guardian
• Chelsea G. Summers, ‘A History of Horny‘ on Hazlitt
• Brit Mandello, ‘Dear Joanna Russ: A Letter for an Inimitable Writer‘ on Tor.Com
• Sunny Singh, ‘Why set up a prize for writers of colour?‘ in The Bookseller
• Rory Samantha Green, ‘Born Lucky: my mum Jackie Collins and her wild child alter ego‘ in The Guardian
• Laura Barnett, ‘Finding ideas isn’t usually a problem‘ in The Guardian
• Joanna Cannon, ‘Mental illness is always a problem, so we will always need books about it‘ in The Guardian
• Jonathan Sturgeon, ‘The Paradoxical Legacy of Harper Lee‘ on Flavorwire
• Tricia Tongco, ‘Meet Faith, The Body-Positive Superhero Of Our Dreams‘ on the Huffington Post
• Melissa Harrison, ‘How cars ruined our love of the countryside‘ in The Guardian
• Shelley Harris, ‘The Secret Life of Mothers‘ on the WHSmith Blog
• Morgan Jerkins, ‘Black Women Writers and the Secret Space of Diaries‘ in The New Yorker

 

Personal essays/memoir:

• Esther Wang, ‘Watching And Reading About White People Having Sex Is My Escape‘ on Buzzfeed
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Georgina Kleege, ‘On Being Who I Am: My Life as a Tall Blind Woman‘ in The Toast
• Briallen Hopper, ‘Relying on Friendship in a World Made for Couples‘ in The Cut
• Sarah Resnick, ‘H‘ on n+1
• Rosalind Jana, ‘The One Piece Of Clothing That Makes Me Feel Extraordinarily Sexy‘ on Refinery 29
• Alana Massey, ‘Why I’m Buying a House Without a Family to Put in It‘ on The Cut
• Anna Holmes, ‘I Feel Destined to Be Single, and That’s Okay‘ on The Cut
• Kade Walker, ‘Veronica Dies in Jamaica‘ on The Rumpus
• Ellen Urbani, ‘There Is No Such Thing as a True Story‘ on The Rumpus

Feminism:

• Rebecca Traister, ‘The Single American Woman‘ in The Cut
• Aria Dean, ‘Closing the Loop‘ on The New Inquiry
• Eleanor Ross, ‘Why estate agent sexism could be costing you‘ on The Pool
• Gaby Hinsliff, ‘It’s the £30bn cut you’ve never heard of. And women are bearing the brunt‘ in The Guardian
• Ann Friedman, ‘So You’re a Celebrity Who Calls Yourself a Feminist. Now What?‘ in The Cut
• Linda Chavers, ‘To Black Girls Everywhere‘ on The Offing
• Caroline Paul, ‘Why Do We Teach Girls That It’s Cute to Be Scared?‘ in The New York Times

Society and Politics:

• Caitlin Moran, ‘How to start – and win – an argument online‘ in The Guardian
• Hadley Freeman, ‘So the privately educated are the new underclass? Spare me the sob story‘ in The Guardian
• Chimene Suleyman, ‘Trump has succeeded in an America that is already pre-disposed to racial suspicion‘ on Media Diversified
• Sarah Churchwell, ‘Hillary Clinton’s haters and the glass ceiling of American politics‘ in the New Statesman
• Molly Crabapple, ‘What Life Is Like Inside the Besieged, War-Torn Syrian City of Aleppo‘ on Vice
• Julia Lee, ‘When People of Color Are Discouraged From Going Into the Arts‘ in The Atlantic
• Dorothy Cummings McLean, ‘Marriage Is an Accomplishment‘ on Quadrapheme
• Kate Spicer, ‘Does where you go to school affect your ability to succeed?‘ on The Pool
• Jamilah King, ‘How Black Women Like Me Reckon With America’s Political Process‘ on Mic

Film, Television, Music, Art, Fashion and Sport:

• Rachel Syme, ‘The Return to Predictability‘ on Complex
• Anna Leszkiewicz ‘The Ghostbusters trailer shows the new film is categorically not aimed at men‘ in the New Statesman
• Emma Brockes,  ‘Whether it’s Ali G or Tina Fey, ironic racism just isn’t funny any more‘ in The Guardian
• Venus Williams, ‘Why I’m Going Back to Indiana Wells‘ on The Players’ Tribune
• Joan Smith, ‘Now we know – the BBC’s macho culture protected predatory men for decades‘ in The Guardian
• Allison P. Davis, ‘Why Are White People Trying to Ruin ‘Formation’?‘ on The Cut
• Anohni, ‘Why I Am Not Attending the Academy Awards‘ on Pitchfork
• Gwynne Watkins, ‘Before #OscarsSoWhite: The Forgotten Story of Queer Nation’s 1992 Academy Awards Protest‘ on Yahoo
• Elisabeth Donnelly, ‘Boston Rules‘ on Hazlitt
• Caroline O’Donoghue, ‘Kesha: the musical equivalent of the drunk girl in the short dress‘ on The Pool
• Kiva Reardon, ‘Mainstream Creep: Keeping Feminist Film Criticism Subversive‘ on Hazlitt

The interviews:

• Han Kang in The White Review (translated by Deborah Smith)
• Louise O’Neill in Elle
• Helen Stephenson on The Pool
• Chinelo Okparanta on For Books’ Sake
• Tracy Chevalier in The Bookseller and The Telegraph
• Rachel B. Glaser on For Books’ Sake
• Molly Crabapple on Literary Hub
• Shelley Harris on The Writes of Woman and One Book Lane
• Kathleen Spivak on The Rumpus
• Rebecca Traister on Jezebel and Elle (with Roxane Gay)
• Mona Awad on Electric Literature
• Virginia Reeves on Literary Hub
• Jennifer Clement on Pen America
• Monica Wendel on Vida
• Sara Taylor in The Big Issue
• bell hooks (with Emma Watson) in Paper
• Ottessa Moshfegh in The Observer
• Emma Donoghue on Public Books
• Meg Rosoff on Bookanista
• Sarah Ruhl in The New York Times
• Sarah Bakewell on The Bookseller
• Marian Keyes in the Bath Chronicle
• Laura van den Berg and Emily St. John Mandel on the FSG blog
• Joyce Maynard on Literary Hub
• G. Willow Wilson on Black Nerd Problems
• Sharon Horgan on Creative Review
• Elizabeth Kadetsky on The Rumpus
• Lucy Kalanithi in Stylist
• Jacky Fleming on The Pool
• Petina Gappah on NPR
• Carol Tulloch in The Observer
• Caitlin Moran on The Debrief
• Deborah Smith on The Quietus

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

Small g: A Summer Idyll – Patricia Highsmith

Peter Ritter, 20, leaves a cinema in Zurich around midnight one Wednesday. He takes a shortcut through an alley on the way back to his parents’ house. There he’s mugged and stabbed by two men. He’s dead on arrival at the hospital.

Peter is the boyfriend of Rickie Markwalder, a 46-year-old illustrator who creates images for advertising campaigns. Rickie lives with his dog, Lulu, close to his studio and a Bierstube-Restaurant called Jakob’s.

This was known as the Small g at weekends, but that name wasn’t appropriate around 9:30 A.M. on any day. One of the guidebooks on Zurich’s attractions so categorized Jakob’s – with a ‘small g’ – meaning a partially gay clientele but not entirely.

The locals frequent Jakob’s on a regular basis, including Luisa, who had a two-month crush on Peter, and Luisa’s boss, Renate. Renate’s around 50 ‘somehow a spy, hostile’ and has a club foot which she hides with long skirts and high shoes with one sole thicker than the other.

Renate’s behind rumours that Peter was murdered in Rickie’s bed by a stranger he picked up whilst Rickie was working late in his studio. Rickie suspects she’s engaged Willi Biber, a local who seems to be intellectually disabled, to spread these lies. Her motivation?

‘It’s these homos everywhere that are the problem! So many – you’d think AIDS didn’t exist!’ She forced a titter. ‘They are the silly ones. Always changing partners. They have no partners, just sex en masse, you know. At the same time they flirt. They think they are handsome.’

Despite Renate’s opinion, Luisa and Rickie become friends after Rickie presents her with Peter’s scarf, a token for her to remember him by.

The tension in the novel comes largely from Renate’s attitude towards Luisa. Luisa arrived at Renate’s after being sexually abused by her stepfather and running away from home. A job and a place to sleep seemed like ‘the luckiest thing’. But Renate tries to control Luisa, ridiculing her, expecting her to wait on her, dictating whom she can see, sending Willi to spy on her and setting a curfew which, if broken, will result in the door being bolted.

Renate enjoyed her near total control of Luisa, though at the same time realized that it had a sadistic element. Whenever these self-critical thoughts crossed her mind, she absolved herself utterly from blame or overcaution by remembering Luisa when she first presented herself – unkempt, even in need of a bath, broken fingernails, hair cut short and abominably by herself, Luisa had admitted.

The more involved Luisa becomes with Rickie and his group of friends at the Small g, the more sadistic Renate’s behaviour.

In Small g, Highsmith explores attitudes to homosexuality. She tackles prejudice by associating homophobia with the characters who are vicious and susceptible to manipulation whilst showing a group of friends – gay, lesbian, bisexual and heterosexual – having fun but ultimately being supportive, caring and understanding towards each other.

Small g was Highsmith’s final book. Having previously only read The Talented Mr Ripley, it wasn’t what I was expecting at all. I’d hesitate to call it a crime novel: if Peter’s murder’s ever solved we aren’t told about it and the other crime that’s committed midway through the book has a fairly obvious culprit and functions as a plot device to bring Freddie, a police office, back into Rickie’s life as well as further expose Renate’s shocking behaviour towards Luisa and her friends.

What this novel does do, however, is highlight friendship and its role in life; expose some unfounded attitudes towards LGBT communities, including a shocking scene regarding the HIV virus, and include two bisexual characters. The later isn’t without issues – one is a young woman whom it seems to suggest might be in an ‘experimental phase’ and the other is a married man – but it’s notable these characters exist when bisexuality’s often erased from culture.

Small g is an interesting read but probably not an essential one unless you’re a Highsmith completest.

Small g is reissued by Virago this week along with A Game for the Living, A Dog’s Ransom and Found in the Street.

 

Thanks to Virago for the review copy.

My Plans for #ReadDiverse2016

I don’t do New Year resolutions. I learnt some years ago that those vague statements – I’m going to do more exercise/eat less/learn a language – don’t last beyond mid-January. But goals do, at least specific ones you can work towards and extend, if necessary, or not beat yourself up about if you don’t quite fulfil them do.

Last year, I set a goal to read more books by women of colour. I joined Eva Stalker’s #TBR20 project with the caveat that I’d continue to read review copies I was sent as well. I still haven’t completed all the reviews of those books yet but the main effect it had was I paid attention to what I was reading, specifically who the writer was. In 2014 10% of my reading was by writers of colour, in 2015, it was 32%. The unintended consequence of this, however, is that the number of books I read by writers from LGBTQIA communities plummeted from 6% to 0.5% and books in translation from 11% to 0.6%. (The latter was partly a consequence of me not really taking part in #WITMonth due to personal circumstances but still, it’s poor.)

The plan for this year then: more reviews of books by women of colour; more reviews of books by women who identify as LGBT; a proper focus on women in translation in August.

I’m aiming for 50% of my reviews to be of books by women of colour. I’ve changed the focus from the percentage I’m reading with the intention of even coverage on here. What I noticed last year was that although I was reading books from my #TBR20 stack, when I got back to reading and reviewing after my break in the summer, I was focusing on books by white women, the ‘big titles’. As a consequence, I have a stack of review copies by women of colour. These are now at the top of the pile.

I’ve also created a new #TBR20 pile focusing on writers from the LGBT communities. And here they are…

Half of the books (those on the left, except Anaïs Nin who appears to be in the wrong pile) are by women of colour. I used several sources to help me compile the list: More than 50 books by Queer People of Color by zarahwithaz; 10 Novels & Memoirs By and About Black Lesbian, Bisexual and Queer Women on Autostraddle;100+ LGBTQ Black Women You Should Know: The Epic Black History Month Megapost also on Autostraddle, and the Wikipedia list of LGBT Writers.

Elsewhere, you might have seen on social media that Media Diversified have created Bare Lit Festival (@BareLit). ‘A literary festival focused entirely on writers of colour’, which will run from the 26^th – 28^th February 2016.

We want to counteract the trend of equating literary merit with whiteness by highlighting the amazing variety of work currently being produced by BAME writers. That’s why we’ve put together an exciting programme of performances, panels and conversations — such as ‘Second-Generation Poets in Exile’, ‘What Does Liberation in Literature Look Like?, Sci Fi vs. Afrofuturism’ and much more.

I’ve already bought my weekend pass and you can support the festival by buying passes or single event tickets now and helping them to raise the cost of running the event. Find out more on their Indiegogo page.

Mention of Media Diversified brings me to this interesting piece, posted a couple of days ago: Decolonise, not Diversify by Kavita Bhanot. I agree with everything she says.

Speaking only for myself, I didn’t get involved with #diversedecember because I thought it would change the world but I did hope it might lead some people to question their world view or the view the white-dominated world imposes upon us.

During December, Salena Godden (@salenagodden) posted a video of her performing her new poem ‘I Count’. ‘I have become a woman that counts…’ she begins. Yep. I became a woman that counts when I started this blog. I don’t think it’s a solution and it’s certainly not going to bring about one on its own, but while ever white/male/hetero/cis domination exists, I’ll count. For me, #ReadDiverse2016 (@ReadDiverse2016) is about hoping you’ll join in that count too.

In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

• Edwidge Danticat, ‘Best Untranslated Writers: Kettly Mars‘ on Granta
• Avril Horner and Anne Rowe, ‘Iris Murdoch is ‘promiscuous’ while Ted Hughes is ‘nomadic’. Why the double standards?‘ in The Guardian
• Kathleen Alcott’s ‘Ghosts of Thanksgiving‘ on Literary Hub
• Mallory Ortberg, ‘A Day In the Life of an Empowered Female Heroine‘ in The Toast
• Danika Ellis, ‘Every Book Should Have Queer Characters‘ on Bookriot
• Leila Roy, ‘2016: All Women, All the Time (An FAQ)‘ on Bookriot
• Huma Quershi, ‘How do I love thee? Let me Instagram it‘ in The Guardian
• Constance Augusta Zaber, ‘Dear Cisgender People Who Write, Publish, And Read “Trans” Books‘ on Bookriot
• Nick Ripatrazone, ‘Born from Books: Six Authors on Their Childhood Reading‘ on The Millions
• Cathy Rentzenbrink, ‘Can reading fiction prepare us for tragedy?‘ in The Guardian
• Kate Dempsey,  ‘on The Space Between: poetry beyond words‘ in The Irish Times
• Jennifer Maloney, ‘Betting Big on Literary Newcomers‘ in The Wall Street Journal
• Vanessa Thorpe, ‘Meet Britain’s new generation of fearless young female playwrights‘ in The Guardian
• Leila Aboulela. ‘How Anita Desai inspired me to write‘ in The Scotsman
• Elizabeth Minkel. ‘Alone Together: At Book Riot Live‘ on The Millions
• Katy Simpson Smith, ‘Motherhood, Writerhood, and Calling a Job a Job‘ on Literary Hub
• Catherine Simpson, ‘Writing a woman in crisis‘ on Isabel Costello’s Literary Sofa
• Nicola Skinner, ‘Why women’s diaries are the ultimate act of defiance‘ on The Pool
• Doreen Carvajal, ‘Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move‘ in The New York Times
• Rachel Charlene Lewis, ‘Yes, Your Writing Is Shaped By Your Identity – But What You Publish Is Too‘ on Paper Darts
• Vendela Vida, ‘Highly Unlikely‘ in The New York Times

Personal essays/memoir:

• Fanny Blake, ‘I went on holiday to India with my best friend and left my husband at home‘ on High 50 Travel
• Guadalupe Nettel, ‘Bezoar‘ in Granta
• Roxane Gay, ‘Breaking Uniform‘ on Good
• Heather Seggel, ‘A Life in Boxes: What it’s Like Being Homeless for Ten Years‘ on Broadly
• Alana Massey, ‘Theological Scars‘ on Hazlitt
• Michele Leavitt, ‘Hidden in a Suitcase‘ in Guernica
• Rebecca Giggs, ‘Whale Fail‘ in Granta
• Nicole S. Chung, ‘Language Lessons: On Adoption, Identity and Loss‘ in The Toast
• Neda Semnani, ‘Memoirs of a Revolutionary’s Daughter‘ on The Baffler
• Nicole Miller, ‘The River Rises to Meet You‘ in Guernica
• Molly Crabapple, ‘Drawn and Cornered‘ on New Republic

Feminism:

• Kui Kihoro Mackay, ‘Every Day a Feminist‘ on Mama’s Junkyard
• Johanna Thomas Corr, ‘Are you an unpaid emotional labourer at home, and at work?‘ on The Pool
• Mira Ptacin, ‘What Happens When You’re Pregnant in Prison‘ in Elle
• Holly Brockwell, ‘Desperate not to have children‘ on the BBC
• Alison Gee, ‘The trouble with saying you don’t want children‘ on the BBC
• Gaby Hinsliff, ‘When authorities show no respect for women, there are dire consequences‘ on The Pool
• April Woolf, ‘The Feminist Asylum That Redefined Women’s Mental-Health Treatment‘ in The Cut
• Rowan Forster, ‘Does Mixed-Gender Wrestling Promote Equality or Violence Against Women?‘ in Vice
• Azadeh Moaveni, ‘ISIS Women and Enforcers in Syria Recount Collaboration, Anguish and Escape‘ in The New York Times
• Rachel Syme, ‘Selfie: The revolutionary potential of your own face, in seven chapters‘ on Medium
• Yuan Ren, ‘“There’s a huge social stigma to being overweight”: one woman’s account of fat shaming in China‘ in Stylist
• AN Devers, ‘Good-bye, Uterus, Good Riddance‘ on Lenny Letter
• Isabel Rogers, ‘“Messy or Dressy?” Meet Glossy Bossy‘ on her blog
• Samira Ahmed, ‘Marriage, Margaret Thatcher & the closet of female expectations‘ on her blog
• Dayna Evans, ‘On Gawker’s Problem with Women‘ on Medium

Society and Politics:

• Lois Beckett, ‘How the Gun Control Debate Ignores Black Lives‘ on Pro Publica
• Meghan Murphy, ‘Why don’t we talk about the pain of friendship break ups?‘ in The New Statesman
• Molly Crabapple, ‘The Paris Attacks, Refugees, and the Brutal Fiction of Borders‘ on Vice
• Marina Weiss, ‘#Trigger Warning: Fear and Loathing on Campus‘ on Weird Sister
• Viv Groskop, ‘What (and what not) to say to someone who has lost weight‘ on The Pool
• Rebecca Omonira-Oyekanmi, ‘Spending Review 2015: The economy should be the next big feminist issue‘ in the New Statesman
• Eve Fairbanks, ‘Why South African students have turned on their parents’ generation‘ in The Guardian
• Raad Rahman, ‘Will I Die a Muslim?‘ on Guernica
• Laila Lalami, ‘To Defeat ISIS, We Must Call Both Western and Muslim Leaders to Account‘ in The Nation
• Fay Wells, ‘My white neighbor thought I was breaking into my own apartment. Nineteen cops showed up.‘ in The Washington Post
• Larissa Pham, ‘The Architecture of Racism at Yale University‘ on Guernica
• Lisa Hix, ‘How America Bought and Sold Racism, and Why It Still Matters‘ on Collectors Weekly
• Hanna Rosin, ‘The Silicon Valley Suicides‘ in The Atlantic
• Carol Spindel, ‘A Line Through the Heart of Paris, the French Prime Meridian‘ on Guernica
• Alexandra Schwartz, ‘Sunday in Paris’ in The New Yorker
• Rebecca Mead, ‘Our Bodies, Ourselves‘ in The New Yorker

Film, Television, Music, Art and Fashion:

• Helen O’Hara, ‘Finally, a superhero to call our own‘ on The Pool
• Gaby Hinsliff, ‘Cheer up Adele, life gets better as you grow older‘ in The Guardian
• Sara Pascoe, ‘Zoolander 2 isn’t just bad for trans people – it’s a step backwards for us all‘ in The Guardian
• Sarah Seltzer, ‘“The Hunger Games” Strange, Simultaneously Progressive and Regressive Take on Gender‘ on Flavorwire
• Lili Loofbourow, ‘The 17th-Century Breastoration: A Time Before Bras‘ on The Hairpin
• Limara Salt, ‘What’s to be done about the lack of diversity in TV and film?‘ on The Pool
• Maureen Dowd, ‘The Women of Hollywood Speak Out‘ in The New York Times
• Anna March, ‘Suffragette and Feminist Inaction‘ on The Rumpus
• Lilian Min, ‘A decade after the fact, I’m re-exploring my love of Enya‘ on Hello Giggles

The interviews:

• Josie Pickens on The Rumpus
• Margaret Atwood in The New York Times
• Jeanette Winterson (and Marlon James) in The Guardian
• JK Rowling and Laurene Laverne in The Guardian
• Anne-Marie Slaughter on Salon
• Mary-Louise Parker on Electric Literature
• Claire Messud in the Boston Globe
• Ottessa Moshfegh on Vice and inThe LA Times
• Melinda Salisbury on helloiammariam
• Sarah Jasmon on Rebecca Mascull’s blog
• Brené Brown in The Guardian
• Melissa Green on Stylus
• Diana Athill in The Guardian
• Yeonmi Park on the Huffington Post
• Edwidge Danticat on Literary Hub
• Annie Liontas on The Rumpus
• Mary Gaitskill in The New York Times
• Lauren Groff on Literary Hub
• Cathy Rentzenbrink on Northern Soul
• Angela Flournoy in The Paris Review
• Jenny Johnson on The Rumpus
• Sophie Collins on The Institute of Contemporary Art blog
• Rainbow Rowell in The Guardian
• Jennifer Egan (and George Saunders) in The New York Times
• Salena Godden on Opus Independents

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

• Sinéad Gleeson, ‘The books that understand female friendship‘ on The Pool
• Tara Sparling, ‘I Hate Women’s Fiction And I’ll Tell You Why‘ on Tara Sparling Writes
• Samantha Gualito, ‘My Recent Experiences at Literary Events as a PoC‘ on Bookriot
• Natalka Sniadanko (trans. Jennifer Croft) ‘Literature as last bastion: on suppression, solidarity and language in Ukraine‘ in The Guardian
• Alissa Quart, ‘Why Doesn’t America Have An Elena Ferrante?‘ on Buzzfeed
• Sarah Perry, ‘East Anglia has “never quite stopped thinking of itself as a Kingdom”‘ on Writers Centre, Norwich
• Eleanor Fitzsimmons, ‘Maeve Brennan‘ on Thresholds
• Huma Qureshi, ‘Writers on the pain of hindsight in publishing: ‘It’s like a bad breakup – you have to move on’‘ in The Guardian
• Sarah Galo, ‘Margaret Atwood: ‘In Tolkien, there are hardly any women at all’‘ in The Guardian
• Helen MacKinven, ‘Writing Black Comedy‘ on Women Writers Women’s Books
• Alice Kelly, ‘An unknown First World War story by Edith Wharton‘ on The TLS
• Katherine Lampe, ‘The Greatest Author You’ve Never Read‘ on Rewriting Mary Sue
• Rachel Cooke, ‘There’s more to Patricia Highsmith than Ripley‘ in The Guardian
• Sunny Singh, ‘On Teaching Creative Writing as a Woman of Colour‘ on Sunny Singh Online
• Dawn Foster, ‘I Love Dick is one of the most important books about being a woman – no wonder it’s being dismissed‘ in The Independent
• Lucy Scholes, ‘The Hidden Life of Hotels‘ on the BBC
• Linda Rodriguez McRobbie, ‘The Badass Lady Pilot Who Revolutionized the Art of Food Writing‘ on Mental Floss
• Helen O’Hara, ‘JLaw and Katniss Everdeen, and what they mean for young women‘ on The Pool
• Dodie Bellamy, ‘Digging Through Kathy Acker’s Stuff‘ on Literary Hub
• Jill Dawson, ‘Death and Texas: A journey into Patricia Highsmith‘ on the Royal Literary Fund
• Lisa Hayden, ‘On Translating an “Untranslatable” Book‘ on Literary Hub
• Ellen Banda-Aaku, ‘Please don’t air brush African teen fiction‘ in The Guardian
• Lorrie Moore, ‘Why We Read and Write Short Stories‘ on Literary Hub
• Meredith Jaffe, ‘Middlebrow? What’s so shameful about writing a book and hoping it sells?‘ in The Guardian
• Herta Muller (trans. Jennifer Stern), ‘On the Poetry (and Prisoner’s Life) of Liu Xia‘ on Literary Hub
• Casey N. Cep, ‘Called Back‘ (on Emily Dickinson) on The Paris Review
• Chibundu Onuzo, ‘What I read growing up in Lagos‘ in The Guardian
• Emily Gould, ‘I Love Dick: the book about relationships everyone should read‘ in The Guardian
• Audrey Niffenegger, ‘The night is dark and full of terror…‘ on The Pool
• Marie-Helen Bertino, ‘When Andre Agassi Made Me a Woman (and a Writer)‘ on Literary Hub
• Gloria Steinem, ‘By the Book‘ in The New York Times
• Christine L. Corton, ‘Beyond the pall … how London fog seeped into fiction‘ in The Guardian
• Linda Grant, ‘Obama is right: reading is what connects us to others – even a French puffin‘ in The Guardian
• Kate Tuttle, ‘What Do Writers Owe Readers?‘ on Literary Hub
• Chris Power, ‘A brief survey of the short story: Silvina Ocampo‘ in The Guardian
• Jennifer Croft, ‘When an Author You Translate Gets Death Threats‘ on Literary Hub
• Margaret Atwood, ‘Canada: Time in the North‘ in Harper’s Bazaar

Personal essays/memoir:

• Jenny Diski, ‘Who’ll Be Last‘ in The LRB
• Misti Traya, ‘How does an American make friends in England?‘ on The Pool
• Simone Gorrindo, ‘Tiny Little Messes‘ on Vela
• Diana Athill, ‘Lessons‘ in Granta
• Jean Hannah Edelstein, ‘The joy of making a brilliant friend online‘ on The Pool
• Lisa Kolb, ‘The condolences end. Being a widow doesn’t.‘ in The Washington Post
• Christina Tesoro, ‘Firsts— On Lusty Wrong Feelings and Falling in Love‘ on Medium
• Jamilah Lemieux, ‘I Forgot To Find My Husband At A Black University‘ on Buzzfeed
• Shamala Gallagher, ‘On Shining and Staring / On Ruin‘ in The Offing
• Rosie Leonetti, ‘For a Single Mother, an Alternate Reality‘ in The New York Times
• Marisa Bate, ‘Why no-frills walking is the best kind of walking‘ on The Pool
• Meaghan O’Connell, ‘Being a Parent Makes Chores Seem Like Fun‘ in The Cut
• Vanessa Vitiello Urquhart, ‘“Why Won’t Vanessa Get Pregnant?”‘ on Slate
• Hermione Hoby, ‘My Haunted Honeymoon: on Getting Punched by the Ghost of Frieda Kahlo‘ on Literary Hub

Feminism:

• Rose Hackman, ‘‘Women are just better at this stuff’: is emotional labor feminism’s next frontier?‘ in The Guardian
• Ann Friedman, ‘The Pope and Netflix Like Maternity Leave for the Wrong Reasons‘ in The Cut
• Sofie Hagen, ‘I hate women. You know the ones: skinny, blonde, who know nothing about football‘ in The New Statesman
• Maya Goodfellow, ‘Exploiting Feminism for Profit‘ on Media Diversified
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Lynn Enright, ‘Unravelling the damaging, unhelpful myth of “having it all” ‘ in The Pool
• Rose Eveleth, ‘Why Are Sports Bras So Terrible?‘ on Racked
• Geraldine Bedell, ‘Germaine Greer: still fiery, still outspoken: the feminist lioness‘ in The Guardian
• Amelia Gentleman, ‘‘It was the scariest thing I’ve ever done’: the Irish women forced to travel for abortions‘ in The Guardian

Society and Politics:

• Nilita Vachani, ‘The Strange, True Story of How a Chairman at McKinsey Made Millions of Dollars off His Maid‘ in The Nation
• Julia Carrie Wong, ‘The Bay Area Roots of Black Lives Matter‘ in the San Francisco Weekly
• Anna Pulley, ‘Why I’m Not Buying This Study That Claims All Women Are a Little Gay‘ in The Cut
• Michelle Goldberg, ‘Men Explain Hillary to Me‘ on Slate
• Elif Shafak, ‘‘Nationalist and religious extremists are the beneficiaries of cultural boycotts’‘ in The Guardian
• Radhika Sanghani, ‘‘White girls only’: The racist reality of student night life in Britain‘ in The Telegraph
• Beluah Maud Devaney, ‘So many Brits now live abroad that they’re causing immigration debates. Oh, the irony‘ in The Independent
• Lynsey Addario, ‘The Displaced: Hana‘ in The New Yorker
• Valeria Luiselli, ‘Trespassers on the rooftops: a secret history of Mexico City’s cultural revolutionaries‘ in The Guardian
• Kathryn Schulz,’What We Think About When We Run‘ in The New York Times

Film, Television, Music, Art and Fashion:

• Katie Anderson Howell, ‘Taking Comfort in Futurama‘ on The Rumpus
• Deborah Orr, ‘Forget the V&A – shouldn’t Thatcher’s acolytes be trying to monetise her power suits?‘ in The Guardian
• Phoebe Robinson, ‘How Daria Shaped a Generation of Women (Especially This Black Lady)‘ on Vulture
• Gia Milinovich, ‘Would you ditch a handbag for proper pockets?‘ on The Pool

The interviews:

• Marilynne Robinson in The Observer
• Fiona Barton in The Bookseller
• Spike Trotman in The Guardian
• Laura Kipnis in The Cut
• Audrey Niffenegger in The Independent
• Karen E. Bender on Literary Hub
• Gillian Flynn in Stylist and The Sunday Times (£)
• Phyllis Nagy (on Patricia Highsmith and the film of Carol) in The Guardian
• Peggy Riley on Rebecca Mascull’s Blog
• Katy Wix in The Guardian
• Attica Locke in Litro
• Hannah Rothschild in The New York Times
• Francesca Lia Block in Luna Luna
• Edna O’Brien in The Irish Times and The New Statesman
• Miranda July in The Guardian
• Tara Ison on Electric Literature
• Elizabeth Gilbert on Literary Hub
• Jenny Diski in The Guardian
• Elissa Washuta on Literary Hub
• Bee Rowlatt in The Guardian
• Kristin Hersh on Electric Literature
• Nuala O’Connor in The Irish Times
• Margo Jefferson in The Guardian
• Joanna Walsh in Numéro Cinq
• Jill Bialosky onBookslut
• Frieda Hughes in The Telegraph
• Patricia Cornwell in The Guardian
• Sarah Einstein on The Rumpus
• Kate Beaton in The Independent
• Robin Talley in The Guardian
• Carrie Brownstein on Flavorwire
• Franca Simpson (founder of Calisa Press who only publish work by female Italian writers) in The London Magazine
• Doireann Ní Ghríofa on Emerging Writer
• Mary Gaitskill in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified

In the Media: October 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Photograph by Nadya Lev

This fortnight has been dominated by trans issues and feminism. This is largely due (in the UK at least) to the no-platforming of Germaine Greer due to her unpalatable comments about trans women. Sarah Seltzer looks at ‘The Disturbing Trend of Second-Wave Feminist Transphobia‘ on Flavorwire. This coincided with YA author, James Dawson, coming out as a transgender woman in this great piece by Patrick Strudwick on Buzzfeed. I look forward to featuring James and his books on the blog under his yet to be revealed new name and pronoun. Elsewhere, Francesca Mari writes, ‘They Found Love, Then They Found Gender‘ on Matter, Corinne Manning writes about ‘In Defence of the New Censorship‘, discussing the use of singular they on Literary Hub while Laurie Penny explores, ‘How To Be A Genderqueer Feminist‘ on Buzzfeed.

Photograph by Chad Batka

The woman with the most publicity this fortnight is Carrie Brownstein. She’s interviewed in Rolling Stone, Slate, Noisey, The New York Times and The Guardian.

The best of the rest:

On or about books/writers/language:

• Francesca Rendle-Short, ‘Focus on Lesbian/Queer Australian Women Writers‘ on Australian Women Writers
• Emily Gould, ‘Our Spoons Came from Woolworths‘ on The Paris Review
• Can Xue, ‘A special kind of performance: on the course of a Chinese writer‘ in The Guardian
• Kate Mosse, ‘Women’s Prize for Fiction: 20 years on – why we need it more than ever‘ in The Telegraph
• Anne Thériault, ‘What I Wish Everyone Knew About Sylvia Plath‘ on The Belle Jar
• Antonia Honeywell, ‘YA or not YA? On writing and reading labels‘ on Live Otherwise
• Leesa Cross-Smith, ‘US Open & Revisions‘ on Real Pants
• Sarah Hughes, ‘Out with vampires, in with haunted houses: the ghost story is back‘ in The Guardian
• Daisy Buchanan, ‘The enduring appeal of Bridget Jones‘ on The Pool
• Virginia Pasley, ‘The Dueling Universes of Bridget Jones‘ on Medium
• Kate Zambreno and Adrian Nathan West ‘The Pleasure of Following Coincidences: on Marianne Fritz‘ in The Believer
• Claire Harman, ‘“I pine away”… Charlotte Brontë’s romantic obsession‘ in The Guardian
• Leslie Jamison, ‘The Possibilities of the Personal‘ on Nieman Storyboard
• Lily Tuck, ‘True Confessions of an Auto-Fictionist‘ on Literary Hub
• David Mitchell, ‘On Earthsea: A Rival to Tolkien and George RR Martin‘ in The Guardian
• Adam Fitzgerald, ”That’s not poetry; it’s sociology!’ – in defence of Claudia Rankine’s Citizen‘ in The Guardian
• Jennifer Croft, ‘Understanding Difference: On Translating Olga Tokarczuk‘ on Pen American Centre
• Naomi J. Williams, ‘on late starts and lost calls‘ in The Irish Times
• Elizabeth Minkel, ‘What Is Fanfiction, Anyway?‘ in the New Statesman
• John Plotz, ‘Le Guin’s Anarchist Aesthetics‘ on Public Books
• Susan Bernofsky, ‘Who’s Getting Translated? Mostly Men‘ on Translationista
• Helen MacKinven, ‘on Setting Her Novel in a Small Town‘ on Isabel Costello’s Literary Sofa
• Kate Mosse, ‘The wild bunch: on why we love out-of-control women‘ in The Guardian
• Margaret Eby, ‘The Brutal Murder of Mary Grace: Peacock
  Love and Death on Flannery’s Farm‘ on Literary Hub
• Jane Smiley, ‘At the end of this trilogy I wept‘ on Literary Hub
• Tanya Landman, ‘Is To Kill a Mockingbird a racist book?‘ in The Guardian
• Susanna Rustin, ‘Joan Brady: “Alger Hiss Was Framed by Nixon”‘ in The Guardian
• Sarah Laskow, ‘We Have a Copy of Patricia Highsmith’s Unpublished Essay on Green Wood Cemetery‘ on Atlas Obscura
• Isabel Rogers, ‘How do you get into Fight Club if you pronounce it ‘figghut’?‘ on her blog
• Scott Esposito, ‘Pillars: #4. River of Shadows by Rebecca Solnit‘ on Conversational Reading
• Olivia Laing, ‘Separating art from life always needs the most delicate touch‘ in The Guardian

Personal essays/memoir:

• Emma Jane Unsworth, ‘Suffering the strangeness of sleep paralysis‘ on The Pool
• Elena Ayala-Hurtado, ‘“Adrift between two dialects”: Teaching English in Madrid‘ in The Toast
• Kristen Martin, ‘Investigation, from the Latin investigationem‘ in Guernica
• Daisy Hernández, ‘Colares‘ on The Rumpus
• Svetlana Alexievich (translated by Arch Tait), ‘Boys in Zinc‘ in Granta
• Ella Sackville Adjei, ‘The Terrible Tale Of My Racist One-Night Stand‘ on Buzzfeed
• Susana Morerira Marques (translated by Julia Sanches) from ‘Now and at the Hour of Our Death’ in The Offing
• Jane Smiley, ‘Horse Country‘ in The New York Times
• Molly Langmuir, ‘A Road Trip With My Friend Led to a Nude Photo Shoot‘ on The Cut
• Sarah Menkedick, ‘Caught in the Middle‘ in Guernica
• Masha Gessen, ‘The Memory Keeper‘ on Svetlana Alexievich in The New Yorker
• Joanne Harris, ‘A Writer’s Manifesto‘ on Writers’ Centre Norwich
• Corinne Manning, ‘Myself in Translation: On the Genius of Alison Bechdel‘ on Literary Hub
• Sofi Stambo, ‘Lists‘ on AGNI
• Michele Filgate, ‘Dressing Myself for the First Time‘ on Refinery 29
• Ka Bradley, ‘A Letter of Enquiry Regarding a Possible Purchase‘ in The Offing
• Scherezade Siobhan, ‘Llamada‘ on Real Pants

Feminism:

• Sophia Benoit, ‘A list of things I wish women’s magazines would publish‘ in The Guardian
• Sabeena Akhtar, ‘Education, not Liberation!‘ on The Poco Book Reader
• Stephanie Merritt, ‘The damage done by demonising single mothers‘ on The Pool
• Frances Ryan, ‘A disabled woman’s struggle is any woman’s struggle‘ in The Guardian
• Akwugo Emejulu, ‘From #BlackLivesMatter to Anti-Austerity: Women of Colour and the Politics of Solidarity‘ on Verso Books Blog
• Emer O’Toole, ‘Suggestions for stock photos in abortion articles‘ in The Irish Times
• Jina Moore, ‘Women Refugees Fleeing Through Europe Are Told Rape Is Not A Real Issue‘ on Buzzfeed
• Sarah Dohrmann, ‘Lost Girls: Women, sex, and the Arab Spring‘ in Harper’s
• Brittney Cooper, ‘The gun crisis we aren’t talking about: Black women are under attack — and America doesn’t care‘ on Salon
• Rebecca Traistor, ‘The Game Is Rigged‘ in The Cut
• Rosalind Jana, ‘Taking Up Space‘ on Girl Lost in the City
• Stephanie Merritt, ‘Women’s pain: do we need to scream to be heard?‘ on The Pool

Society and Politics:

• Rachel Nuwer, ‘The Tragic Tale of Mt. Everest’s Most Famous Dead Body‘ on the BBC
• Kate Taylor, ‘At a Success Academy Charter School, Singling Out Pupils Who Have ‘Got to Go’ in The New York Times
• Brittney Cooper, ‘She was guilty of being a black girl: The mundane terror of police violence in American schools‘ on Salon
• Anna Holmes, ‘Has ‘Diversity’ Lost Its Meaning?‘ in The New York Times
• Ellen Berrey, ‘Diversity is for white people: The big lie behind a well-intended word‘ on Salon
• Saima, ‘What’s In a Name?‘ on Medium
• Ijeoma Oluo, ‘My atheism does not make me superior to believers. It’s a leap of faith too‘ in The Guardian
• Claire Martin, ‘The Deputy Who Disappeared‘ in Los Angeles Magazine
• Gaby Hinsliff, ‘The Women’s Equality party has a problem – no one hates it‘ in The Guardian
• Julie Beck, ‘How Friendships Change in Adulthood‘ in The Atlantic
• Apoorva Mandavilli, ‘The Invisible Women With Autism‘ in The Atlantic
• Maya Oppenheim, ‘Not just sourdough: the feminist artisan bakery run by women who are ex-offenders‘ in the New Statesman
• Sarah Graham, ‘Only two sexes? The barefaced lie that makes intersex people like me invisible‘ in The Independent

Film, Television, Music, Art and Fashion:

• Megan Garber, ‘Suffragette and the Perils of Inspiration Porn‘ in The Atlantic
• Leah Finnegan, ‘The Fragile Ears of Men‘ on Joanna Newsom in The Awl
• Hannah Jane Parkinson, ‘The name’s Bond, Jane Bond: what would lesbian 007 look like?‘ in The Guardian
• Jada F. Smith, ‘With ‘Being Mary Jane,’ Mara Brock Akil Specializes in Portraits of Black Women‘ in The New York Times
• Rachel Shabi, ‘Homeland *is* racist. And it has a problem with women‘ on The Pool

The interviews:

• Cristina Henríquez in Guernica
• Melinda Salisbury on helloiammariam
• Gloria Steinem in The New York Times
• Selma Dabbagh in Guernica
• Sloane Crosley in The New York Times and The Bookseller
• Azar Nafisi on The Millions
• Suzanne Scanlon on Electric Literature
• Garance Doré in The Cut
• Terry Stiastny on Rebecca Mascull’s blog
• Meera Syal in The Guardian
• Lauren Holmes on Electric Literature
• Jane Smiley on Northern Soul
• Erica Jong in The Observer
• Stacy Schiff in The New York Times
• Helen Simpson in The Guardian
• Edna O’Brien in The Telegraph and The Bookseller
• Carmen Maria Machado on Electric Literature
• Helen MacKinven on Poppy Peacock Pens
• Eileen Myles in the LA Times
• Laura Watkinson on translating Tonke Dragt in The Guardian
• Alex Mar on The Millions and Nerdist
• Liz Fenton and Lisa Steinke on Women Writers Women’s Books
• Kelly Sue De Connick on The Pool
• Valeria Luiselli in The White Review
• Marilynne Robinson on The Daily Beast
• Emma Jane Unsworth in The Cut
• Margaret Atwood on Literary Hub, Salon and The Millions
• Sarah Weinman on The Paris Review
• Mary Ruefle on Divedapper
• Yeonmi Park in The Irish Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified

In the Media: 25th January & 1st February 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Thanks to everyone who said such lovely things last week after I lost the In the Media post and to everyone who offered suggestions to stop it happening again. I think I have a solution and it seems to have worked well this week.

The morning after last week’s last minute loss, I realised that all was not entirely lost; all the articles I’d linked to that hadn’t saved were in my laptop history, so I recovered the remainder of last week’s post (apologies if you received an email with a half-done post in it, it posted when I retrieved it) and relinked all the articles, then added this weeks. The result of that is this bumper issue. Enjoy!

This week saw the death of Colleen McCullough, author of The Thorn Birds, as well as 23 other books, and a neuroscientist. Steve Dow remembers her in The Guardian; Alison Flood gave her tribute with ‘Colleen McCullough’s The Thorn Birds helped me get over heartbreak‘ also in The Guardian, and in response to that obituary (I’m not linking to it) Rebecca Shaw wrote ‘We’ll celebrate a woman for anything, as long as it’s not her talent‘ in The Guardian while Liz Kearney responded with ‘You may be a best-selling writer, but never forget that you’re still fat and ugly‘ in The Irish Independent.

It’s been a fortnight filled with awards. Last week, Claudia Rankine became the first person ever to be nominated for two National Critics Circle Awards in the poetry and criticism categories; her editor tells The Washington post why she’s a ‘genius’ and Jonathon Sturgeon tells us why the double nomination is ‘the correct decision’ on Flavorwire;  While Jhumpa Lahiri won the DSC Prize. Here’s ‘Six things you should know about Jhumpa Lahiri’s The Lowland’ on Scroll.in

This week, it’s been the turn of the Costa Awards. Helen Macdonald won the overall award for the fantastic H is for Hawk. Here’s an interview she gave to The Times last week; you can watch her talking about the book here; you can listen to an audio excerpt and read her piece ‘On Ringing Wild Goshawks’ on Vintage Books, and discover the six books that made her in The Guardian. You can also watch the short films made of the other finalists: Emma Healey; Kate Saunders; Ali Smith. Zoe Gilbert won the Short Story Award with Fishskin, Hareskin. With Joanne Meek, Lucy Ribchester, Jane Healey and Paula Cunningham also shortlisted. You can read all the shortlisted stories here (scroll to the bottom of the page).

Other exciting news for female writers is the launch of #ReviewWomen2015, following the success of the #ReadWomen2014 campaign. Hannah Beckerman explains why she wants more books by female writers, especially commercial fiction, to be reviewed in the broadsheets in the Huffington Post. Anne Enright became the first Laureate for Irish Fiction in a unanimous decision and in China came the discovery of a new poet, ‘dubbed China’s Emily Dickinson‘, Want China Times reports on Yu Xihua.

There’s been a wave of feminist articles this fortnight, partly thanks to The Sun newspaper appearing to stop publishing pictures of topless women on p3 and then declaring it a joke by the middle of the week. Sarah Ditum wrote, ‘The “return” of Page 3: the Sun revels in the chance to make women with opinions look stupid‘ in the New Statesman; Marina Hyde responded with, ‘No more t*ts in the Sun – a campaign we can all get behind‘ in The Guardian. Elsewhere, Sophie Heawood wrote, ‘If Björk can’t stop a man stealing the limelight, what hope is there for the rest of us?‘ in The Guardian; Eleanor Catton wrote a statement on her website following a media furore in New Zealand about comments she made about the government; Louise O’Neill related, ‘My journey to feminism‘ in The Guardian; Elisabeth Camp asked ‘Should I let my daughter wear pink?‘ in Aeon; Jami Attenberg recounted her time passing as a man, ‘Track Changes‘ in The New York Times; Bayan Perazzo wrote ‘The Burden of Being Female in Saudi Arabia‘ on Muftah; Rose George declared, ‘My period may hurt: but not talking about menstruation hurts more‘ in The Guardian; Arabelle Sicadi wrote, ‘A Bridge Between Love And Lipstick: Queering the beauty industry‘ on Buzzfeed; Jeanne de Montbaston responded to an Alison Wolf article (link in the piece) with ‘What the Hell kinds of Feminists are you Reading, Alison Wolf‘ on Reading Medieval Books; Lucy Magan says, ‘Let’s Silence the Voice That Tells Us We Can’t‘ in Stylist; Marina Sofia looked at the new Barbie Princess Power on her blog; Rebecca Carroll wrote, ‘I was six when a man first touched me. I didn’t speak up until I was an adult‘ in The Guardian; Jia Tolentino wrote, ‘Rush After ‘A Rape On Campus’: A UVA Alum Goes Back to Rugby Road‘ on Jezebel; Homa Mojtabai listed ‘Reasons You Were Not Promoted That Are Totally Unrelated to Gender‘ on McSweeney’s; C M Meadows-Haworth, ‘Reading Audre Lorde Is Changing My Life‘ on A Room of Our Own; Chika Unigwe wrote, ‘Why Nigeria is failing its citizens over Boko Haram attacks‘ in Litro; Maddie Crum told us ‘Why Virginia Woolf Should Be Your Feminist Role Model‘ on Huffington Post; Brandi Bailey selected ‘The Best Feminist Picture Books‘ on Book Riot, Monique Wilson said, ‘Critics of the Vagina Monologues must acknowledge its transformative powers‘ in The Guardian, Alison Flood told us ‘Why I hate the Little Miss books‘ in The Guardian, Sarah Ditum also told us, ‘I ain’t afraid of no girls: why the all-female Ghostbusters will be good for Hollywood‘ in the New Statesman; Max Cairnduff wrote, ‘Looking back on #readwomen2014 and my favourite reads of the year‘ on his blog; Hannah Renowden shares, ‘2015 – When I got angered by a reading list so read it. Also, crochet.‘ on her blog, and Isabel Rogers read and took down Mike Buchanan’s Justice for Men and Boys (and the women who love them) Party Election Manifesto on her blog.

And a number about class following James Blunt’s open letter to Chris Bryant. Sarah Perry responded with, ‘James Blunt has misunderstood the relationship between privilege and success‘ in The Independent and Suzanne Moore with, ‘What James Blunt doesn’t understand about the politics of envy‘ in The Guardian. Other issues surrounding class were covered by Lisa McKenzie, ‘The estate we’re in: how working class people became the ‘problem’‘ in The Guardian; Lucy Mangan, ‘If you don’t understand how people fall into poverty, you’re probably a sociopath‘ also in The Guardian; Nicola Morgan asked, ‘Why fund libraries when it’s all online?‘ on An Awfully Big Blog Adventure; Harriet Williamson said, ‘Every time I visit the job centre, the staff treat me like a subhuman‘ in the New Statesman; Grace Dent said, ‘When rents are so high that you have to share a bed with a stranger, surely the revolution can’t be far off‘ in The Independent, and Kathryn Hughes wrote, ‘Yes, Kirstie Allsopp, littering’s bad. But then so is self-righteousness‘ in The Guardian

The best of the rest articles/essays:

• Zoe Williams, ‘Wolf Hall: A Lesson in the triumph of low birth over hierarchy‘ in The Guardian
• Rachel Cooke, ‘Oscars 2015: All about Eve? In today’s films, it’s more like All About Adam‘ in The Guardian
• Kim Kankiewicz, ‘The Watcher and the Watched‘ in the Los Angeles Review of Books
• Beluah Maud Devaney, ‘Three thousand reasons to choose your reading carefully‘ in The Guardian
• Tiffany Midge, ‘Part One: Redeeming the English Language (Acquisition) Series‘ in The Butter
• Rene Steinke celebrates the profound influence of independent bookstores on Read Her Like an Open Book
• Mary Wollstonecraft, ‘On Poetry, and Our Relish for the Beauties of Nature‘ on Berfrois
• Judith Lennox, ‘Loneliness and the Long-Distant Granparent‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Clash of the Titans‘ in The Butter
• Sasha Dugdale, ‘The Necessity of Translation‘ on Commonwealth Writers
• Priscilla Ward, ‘I’m tired of suppressing myself to get along with white people‘ on Salon
• Susanna Basso (tr. Mati Colarossi), ‘On translation‘ on Parallel Texts
• Elizabeth Haynes, ‘Closer Than You Think‘ on her blog
• Diane Mehta, “And She Went On Her Way Rejoicing” (On Muriel Spark) on The Rumpus
• Leesa Cross-Smith, ‘Anxiety & Comfort‘ on Real Pants
• Brittany Wilmes, ‘Growing Up‘ in The Butter
• Rosie Gray, ‘France’s Far-Right Party Seizes the Moment – And the Youth‘ on Buzzfeed
• Dan Piepenbring, ‘A Dissatisfaction with Life‘ (on Patricia Highsmith) in The Paris Review
• Trisha Ready, ‘How Listening to Music and Fighting with Susan Sontag Helped Me Cope with Chemo‘ on The Stranger
• Dinah Jeffries, ‘The Hidden Psychology of a Writer‘ on her blog
• Eva Wiseman, ‘Questions to Make You Fall in Love‘ in The Guardian
• Nina Martyris, ‘Auden, Rabelais, and “Charlie Hebdo” in The Los Angeles Review of Books
• Zoe Heller, ‘Rape on the Campus‘ in The New York Review of Books
• Amanda Foreman, ‘Why Footbinding Persisted in China for a Millennium‘ in Smithsonian
• Sophie Heawood, ‘A little bit of hatred can take you a long way‘ in The Guardian
• Kat Brown, ‘Depression made me feel ‘appalling — I couldn’t bear my own company’ in The Times
• Catherine Taylor on Elena Ferrante on Open Book
• Suzanne Moore, ‘Eventually, I took a driving test. But Mister Much didn’t think much of my motoring skills‘ in the New Statesman
• Paula McLain, ‘I Was Always, Always Looking for More‘ in Good Housekeeping
• Virginia Woolf on E.M. Forster in Berfrois
• Ijeoma Oluo, ‘I understand why people believe sexual predators before victims. I did‘ in The Guardian
• Sybil Baker, ‘The History of the Wanderer‘ in The Critical Flame
• Lauren Westerfeld, ‘Mother Maps‘ on The Butter
• Ruth Graham, ‘Chandler Bing Is the Worst Thing About Watching Friends in 2015‘ on Slate
• Anne Helen Peterson, ‘The Trouble with “It Girls”‘ on Buzzfeed

• Shelley Harris, ‘Writing a hero from the inside‘ on Isobel Costello’s Literary Sofa
• Shruti Ravindran, ‘A circus of the senses‘ in Aeon
• Sadie Stein, ‘More things in heaven and earth‘ in The Paris Review
• Tracy Borman, ‘Big bad Wolf: Why have we fallen for Thomas Cromwell?‘ on BBC Arts
• Rene Denfeld, ‘The Other Side of Loss‘ on The Manifest-Station
• Soo Na Pak, ‘Woman‘ in The Butter
• Jonathan Gibbs, ‘The Art of the Novella challenge 11: The Awakening‘ on Melville House
• E.B. Bartels, ‘Freedom, My Dear‘ in The Butter
• Evan McMurry, ‘The stunning weirdness of Ayn Rand: Why her newfound popularity makes no sense‘ on Salon
• Susanna Daniel, ‘What took you so long? The quiet hell of 10 years of novel writing‘ on Slate
• Randon Billings Noble, ‘The Heart as a Torn Muscle‘ in Brevity
• Heather Sellers, ‘Fun for Everyone Involved‘ in Brevity
• Jennifer Sinor, ‘One Hundred Days in India‘ in Brevity
• Fleda Brown, ‘Home Bodily Repair Kit‘ in Brevity
• Jenny Boully, ‘I Remain Very Sorry For What I Did to the Little Black Kitten‘ in Brevity
• Sarah Freligh, ‘Lessons of the Body‘ in Brevity
• Anna Journey, ‘For Great-Aunt Jeannette, Who Donated Her Body to Science‘ in Brevity
• Anna B. Sutton, ‘Carolina/Tennessee‘ in Brevity
• Ginny MacDonald, ‘Go, Jim Dandy‘ in Brevity
• Jen Palmares Meadows, ‘Imprint‘ in Brevity
• Lisa Nikolidakis, ‘Landlines‘ in Brevity
• Margo Barnes, ‘Falling‘ in Brevity
• Lessa Cross-Smith, ‘Other Boys & High School Hearts‘ on Real Pants
• Elisa Gabbert, ‘Some Notes on Packing‘ on Real Pants
• Stassa Edwards, ‘From Aesop to doge‘ in Aeon
• Sadie Stein, ‘Common Colds‘ in The Paris Review
• Samantha Lyon, ‘Gender Inequality in the World of Children’s Books‘ on The Inflectionist
• Alex Clark, ‘TV books programmes: if nobody watches them, make better ones‘ in The Guardian
• Jonathan Diaz, ‘Hello, Cruel World: Silvina Ocampo Is Argentina’s Literary Middle Child‘ on Flavorwire
• S.L. Huang, ‘On the Subject of Unlikeable Woman Protagonists‘ on Chuck Wendig’s blog
• Gemma Todd, ‘The Life of a Mobile Librarian‘ on the Picador Blog
• Wiam El-Tamami, ‘Cairo: September 2014‘ in Granta
• Elizabeth Kolbert, ‘Such a Stoic‘ in The New Yorker
• Dan Piepenbring, ‘Speaking Bluntly‘ (A letter from Colette) in The Paris Review
• Jill Dawson ‘The Life You Save May be Your Very Own‘ on Fat Is a Feminist Issue on Platform 505
• Jessica Levine, ‘On Writing About Sex: Is It Necessary‘ on Read Her Like an Open Book

• Lizzy Kremer, ‘The Stories Writers Tell‘ on her blog
• Suzanne Moore, ‘Single parents don’t need anonymous generosity but public respect‘ in The Guardian
• Corrine Duyvis, ‘Why Strong Characters Aren’t All That‘ on For Books’ Sake
• Ann Bauer, ‘“Sponsored” by my husband: Why it’s a problem that writers never talk about where their money comes from‘ on Salon
• Becca Rose, ‘The Third Generation‘ in The Butter
• Lydia Kiesling, ‘I Would Do This for You: The Narrative Possibilities of Leaked Emails‘ on The Millions
• Sarah Hollowell, ‘This is an Essay About a Fat Woman Being Loved and Getting Laid‘ in The Butter
• Margo Rabb, ‘In My Cat’s Death, a Human Comfort‘ in The New York Times
• Antonia Honeywell, ‘The Book That Changed My Life‘ on Novelicious
• Christopher Fowler, ‘Invisible ink no 259: Female short story writers‘ in The Independent
• Nicole Wolverton, ‘Mourning New York: Cari Luna and The Revolution of Every Day‘ on Bloom
• Rachel Aviv, ‘Your Son Is Deceased‘ in The New Yorker
• Vanessa Curtis, ‘On the 30,000 lost Jews of Riga‘ in The Guardian
• Nicolette Jones, ‘The renaissance of Beatrix Potter’s great rival‘ in The Telegraph
• Hermione Lee, ‘Alice Munroe’s Magic‘ in The New York Review of Books
• Helen Oyeyemi, ‘Born Out of Rapt Distraction: On Silvina Ocampo’s “Thus Were Their Faces”‘ on The Millions
• Roxane Gay, ‘Living with my parents in Florida, it’s difficult to feel like an adult‘ in The Guardian
• Samantha Tucker, ‘Kitchen Remodel‘ in Guernica
• Lucy Mangan, ‘There Are No Life Hacks for Love‘ in Stylist
• Claudia Smith, ‘Basic. Bitch‘ in The Butter
• Pallavi Aiyar, ‘The Foreign Correspondent‘ in Granta
• Sara Majka, ‘Cities I’ve Never Lived In‘ in Guernica
• Sara Gerard, ‘On Helen Keller Really Lived and The Wallcreeper:
  How Should a Woman Behave?‘ in the Los Angeles Review of Books
• Dana Stevens, ‘Tumbling into the Screen‘ on Slate
• Emily Gould, ‘How Being Pregnant Ruined Shopping For Me‘ on Fast Company
• Vanessa M. Gezari, ‘Why it pays to work the fringes‘ on Lynsey Addario in the Columbia Journalism Review
• Roger Tagholm, ‘Why “Gone Girl?” Why Not “Gone Woman?”‘ on Publishing Perspectives
• Charlotte Higgins, ‘Leonora Carrington: wild at heart‘ in The Guardian
• Beth Miller, ‘There’s a difference in living and living well‘ on her blog
• Joan Didion, ‘on Writing and Revising‘ on The New York Public Library Podcast
• Helen Brocklebank, ‘The Books that Built Samantha Ellis‘ on Mrs Trefusis Takes a Taxi
• Kavita Bhanot, ‘Too Asian, Not Asian Enough‘ on Media Diversified
• Angela Köckritz, ‘They Have Miao‘ on Zeit Online
• Sarah B. Boyle, ‘Reports from the Field: A Textbook Case of Diversity: How Educational Publishing Skims the Surface‘ on VIDA
• Anna Maxymiw, ‘Making Gains‘ in Masionneuve
• Megan Mayhew Bergman, ‘Bring In the Old: The Writer as Collector‘ on Ploughshare
• Maya Jaggi, ‘Literature has Liberated Africa’s Authors‘ in The Financial Times

The interviews:

• Katie Coyle on Flavorwire
• Eula Bliss on Salon
• Mary Gaitskill in BOMB Magazine
• Vanessa Lafaye on Bookaholic Confessions
• Gurinder Chadha in The Guardian
• Kate Bernheimer on The Brooklyn Rail
• Mary Kay Zuravleff on Fiction Writers Review
• Paula Hawkins on Writer’s Bone and in The New York Times
• Sarah Gerard in Interview Magazine and in Vice
• Danielle Steele in T Magazine
• Chelsea Hodson and Juliet Escoria on Emily Books
• Tiphanie Yanique on Publishers Weekly
• Emma Hooper on Open Book
• Samantha Harvey on Salon
• Janet Mock on Queer of Gender and Bitch Media
• Peyton Marshall on Annethology
• Molly Peacock on Maisonneuve
• Miranda July on Longreads and The Millions and in The Cut
• Polly Coles and Liz Jensen on Something Rhymed
• Cari Luna on Bloom
• Shelley Harris on Novelicious
• Muriel Spark on Toby Litt’s blog twice
• Joyce Carol Oates in The Independent
• Kelly Link in The New York Times
• Jenny Ashcroft on Rebecca Mascull’s blog
• Jennifer Niven in The Guardian
• Wendy Ortiz in Mutha Magazine
• Dylan Landis on Electric Literature
• Mindy Kaling in Stylist
• Lena Dunham in the Los Angeles Review of Books
• Celeste Ng on Radio Gorgeous and Novelicious
• Lucy Ribchester, Elisabeth Gifford and Lucy Hughes-Hallett on Book Talk
• Frances Vick in Shiny New Books
• Sophia Tobin in Shiny New Books
• Adèle Geras in Shiny New Books
• Lynn Sloan on Bloom
• Lynne Segal in The Observer

If you want some fiction/poetry to read:

• ‘Olikoye‘ by Chimamanda Ngozi Adichie in Matter
• ‘Idaho‘ by Isabel Rogers on her blog
• ‘Hummers‘ by Amy Gottfried in Blunderbuss
• ‘The Garden Party‘ by Katherine Mansfield on The Centre for Fiction
• ‘Body as Device‘ by Brandi Wells in The Butter
• ‘Ellen Says No‘ by Vanessa Vitiello Urquhart in The Butter
• An extract from The Serpent Papers by Jessica Cornwell
• Five stories from Carys Bray’s Sweet Home on BBC Radio 4 Extra
• ‘Blood and Water‘ by Elizabeth Muchemwa on Brittle Paper
• ‘Alt Vices‘ by Michelle Dove in Guernica
• ‘Alice‘ by Elizabeth Harrower in The New Yorker and she discusses the story here
• ‘steph n deaf‘ by Jay Merrill in 3:am magazine
• An extract from The Undertaking by Audrey Magee in the Irish Times
• ‘Performance Art‘ by Manjula Padmanabhan in Granta
• An excerpt from Principles of Navigation by Lynn Sloan on Bloom
• ‘Miss Havisham’s Disability Application Is Denied‘ by Olga Oksman on McSweeney’s
• Three Poems by Yvonne Green on And Other Poems
• ‘The Moth Mother‘ by Joanne Harris on her blog
• An extract from Campari for Breakfast by Sara Crowe on Novel Kicks
• ‘For the Love of Squirrels‘ by Claire Fuller on her blog
• ‘Tell Us a Story, Grandma‘ by Natalie Wise in The New Yorker
• ‘The Secret Lives of Shoes‘ by Atoke on Brittle Paper
• ‘t.w. gore‘ by Helen McClory on Litro
• ‘My Son Is a Good Man‘ by Rosanna Boscawen on Litro
• ‘And So It Begins‘ by Lara Williams on Litro
• ‘An Unsolved Mystery Of Quantum Mechanics‘ by Beatrice Garland on Visual Verse
• ‘Heel Drags‘ by Susan Gray on Visual Verse
• ‘Please Come‘ by Jennifer Falkner on Visual Verse
• ‘The Last Leg‘ by Hazel Mason on Visual Verse
• ‘Crossing the Line‘ by Avalina Kreska on Visual Verse
• ‘Stuck‘ by Samantha Newbury on Visual Verse
• ‘In a Rush‘ by Catherine Lødøen on Visual Verse
• ‘Sketch of an Abandoned Journey‘ by Linda Ashok on Visual Verse
• ‘Parallels of Time‘ by Pauline Suett Barbieri on Visual Verse
• ‘Poem for Isaac‘ by Freya Dean on Visual Verse
• ‘Towards the Penal Colony‘ by Corrine Lawrence on Visual Verse
• ‘Limbs Anonymous‘ by Judith A. Daniel on Visual Verse
• ‘The Rainforest‘ by Olive Lowena on Visual Verse
• ‘Coney Island Cap‘ by Jennifer Albon Burns on Visual Verse
• ‘What Happened in the Hold‘ by Lindsey Grundnicki on Visual Verse
• ‘Over the Limit‘ by Sue Ellis on Visual Verse
• ‘Moonlit Road‘ by Sarah Doughty on Visual Verse
• ‘Colgate‘ by Isadora Vibes on Visual Verse
• ‘Circles and Lines‘ by Sarah Salway on Visual Verse
• ‘Crossing the Line‘ by Birgita Orel on Visual Verse
• ‘Yarn‘ by Shirley Anne Cook on Visual Verse
• ‘Bad Habit‘ by Wendy Choi on Visual Verse
• ‘Arrival‘ by Georgina Joss on Visual Verse
• ‘No Overtaking‘ by Sally Hepplewhite on Visual Verse
• ‘Blinders‘ by Grace Black on Visual Verse
• ‘Found‘ by Luciana Francis on Visual Verse
• ‘Gateway‘ by Olivia Sprinkled on Visual Verse
• ‘Return‘ by Elizabeth Rogers on Visual Verse
• ‘Love‘ by Jennifer Harvey on Visual Verse
• ‘Shadows of the Showgirl‘ by Clare Archibald on Visual Verse
• Three Stories by Chiara Barzini in BOMB Magazine

Or some non-fiction:

• Feminist Radical Thinkers: A Sampler from Verso Books
• An extract from Girl in a Band: A Memoir by Kim Gordon in Vogue
• An extract from The Fish Ladder by Katharine Norbury in The Observer

The lists:

• The Seven Ages of Women in Virago Modern Classics and Persephone titles on heavenali’s blog
• Novelicious Picks…Books that Are Creating a Buzz (Part 1) on Novelicious
• 10 Great Psychological Thrillers That Are As Good As Gone Girl on Buzzfeed
• Miranda July’s Bookshelf on Strand Books
• 25 Books By Women To Help Diversify Your Bookshelves And Expand Your Horizons, Because #WeNeedDiverseBooks on Bustle
• A sonnet of Canadian women writers on Lynn Kanter’s blog
• 11 Books on Inspiring Women to Read This Year That’ll Completely Energize You to Hit Your Goals on Bustle
• 50 Essential Literary Biographies on Flavorwire
• Bleak Books to Read in January in Vanity Fair
• Diverse voices: the 50 best culturally diverse children’s books in The Guardian
• These Female Contemporaries Weren’t Afraid of Virginia Woolf on The Daily Beast
• 21 Scottish Novels to Look Forward to in 2015 on Scottish Book Trust
• 15 YA Writers on Their Favorite Book for Adults on Flavorwire
• 30 Legendary Literary Mean Girls We Love to Hate on Flavorwire
• Ten Classic ‘Chick-Lit’ Novels All Romantic Fiction Fans Should Read in Stylist
• Girl Canon: 50 Essential Books About the Female Experience
• 14 Novels About Muslim Life That Shouldn’t Be Missed on Buzzfeed
• 10 beautiful quotes from The Diary of a Young Girl in The Guardian
• Female Writers Who Won Nobel Prizes on Galley Cat
• Best Snow Day Reads: 19 Page-Turners To Enjoy While Snowed In in the Huffington Post
• Vivian French’s Top Ten Evil Characters on My Book Corner
• 50 Books Guaranteed to Make You More Interesting on Flavorwire
• 10 Must Read Female Writers From the Middle East on The Culture Trip
• 30 Women Novelists You Should Know – #21 Wendy Lee on Lynn Kanter’s blog
• 12 Books To Read If You Loved ‘The Girl On The Train’ (That Aren’t ‘Gone Girl’) in Bustle

and Diane Watt is spending February recommending LGBT reads on her Twitter account using the hashtag #mylgbtbooks

In the Media: 2nd November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The week kicked off (almost literally) with Julia Stephenson writing a piece in the Telegraph with the headline ‘Can a Woman Be Happy Without Having Kids?’ to which Bryony Gordon responded also in the Telegraph. They weren’t the only woman writing about children this week; The New Yorker ran an extract ‘No Babies, Please‘ from Megan Amran’s book; Kate Long wrote about ‘The Five Stages of Motherhood‘ for Mslexia, and Shappi Khorsandi wrote on ‘Raising Girls‘ on Huffington Post.

This was followed on Tuesday by Hollaback’s film of a woman being catcalled for ten hours in New York which raised issues about race as well as the way some men behave towards women in the street. Emily Gould wrote about it for Salon and Hanna Rosin for Slate.

On lighter issues, it seems I was pre-emptive putting Amy Poehler top of the list last week as this week she’s EVERYWHERE. (Which is a good thing as far as I’m concerned.) If you don’t know who she is, I’ll direct you towards her 10 Funniest Clips on the Telegraph first, then you can feast on the rest: Amy Poehler reading from the Prologue of Yes, Please on Pan Macmillan’s Soundcloud; an extract on taping SNL while pregnant on Vulture; talking about writing being ‘hellish’ on Huffington Post; interviewing George R.R. Martin on Vulture; 11 Amy Poehler Stories You’ve Never Heard Before, But Will Totally Relate to Your Life in The Huffington Post; 30 Hilarious Truth Bombs Amy Poehler Dropped During Her Reddit AMA on Buzzfeed; doing #AskAmy at Twitter HQ;

The other high profile funny feminist woman who’s had plenty written about her this week is Lena Dunham, who was in the UK promoting her book. Alex Clark interviewed her in the Observer; Emma Gannon interviewed her for The Debrief and wrote about meeting Lena and her event at the Southbank Centre with Caitlin Moran on Friday night on her blog. She’s on video on The New Yorker talking about Girls and Sex at The New Yorker Festival and there are facts about her on Oprah. While Rebecca Carroll wrote about Lena Dunham’s Race Problem on Gawker and Sonia Saraiya responded in Salon.

The best of the rest articles/essays:

• Darcey Steinke ‘Growing Apart on Facebook‘ on Salon
• Darcey Steinke ‘Frankenstein’s Mother‘ in Granta
• Rivka Galchen on her diet as a medical student in The New Yorker
• Jesmyn Ward The Financial Times’ Life and Arts’ Diary
• A profile of Roz Chast on Salon
• Jeanette Winterson, ‘How pretty do you have to be to work on a building site‘ in The Guardian
• Mary Costello on the inspiration behind her debut novel Academy Street on the Waterstones blog
• Why Ayn Rand is still relevant and dangerous in the New Statesman
• Lynn Shepherd on ‘The Shock and Horror Picture Show‘ on Gothic Imagination, The University of Stirling
• Radhika Sanghani on the revolution happening at Mills & Boon in the Telegraph, which is deconstructed on the Melville House blog by Zeljka Marosevic
• Samantha Ellis ‘How to be a heroine…in pop‘ on her blog
• Lily King on her writing process on Read Her Like an Open Book
• Elisa Albert ‘Where Do I Write?‘ on Guernica
• Roopa Farooki on how Beowulf inspired The Good Children in We Love This Book
• Literary blogger Anthony on discovering Jenny Diski’s work on Time’s Flow Stemmed
• Alice Furse on how it feels to be a published author
• Alison Flood on Sofia Tolstoy’s stories being published for the first time in The Guardian
• Jennifer Mendelsohn ‘Seasons of Love‘ on Baltimore Style
• ‘The Return of Elizabeth Harrower’s In Certain Circles‘ on The Monthly
• Maggie Gee and Salena Godden on their friendship on Something Rhymed
• Jane Austen’s Most Famous Trolls, Critics and Doubters on Flavorwire
• Jenny Uglow on the impact of the Napolionic Wars on literature in The Guardian
• Maisey Yates on the importance of diversity in romance novels on The Pink Heart Society
• Discussion on Patricia A. McKillip’s Ombria in Shadow on Strange Horizons
• Julia Elliott on ‘The New Southern Gothic‘ on Huffington Post
• ‘Have You Ever Had a Relationship End Because of a Book?‘ Zoë Heller and Anna Holmes in Bookends in The New York Times
• ‘Ghosts of my Youth‘ by Jenny Wortham in The Hairpin
• Katherine Heiny Our Inspirational Women: Scarlett O’Hara for the 4th Estate blog
• Judith Claire Mitchell Our Inspirational Women: Madame Manec on the 4th Estate blog
• Jenny McAuley on women writers and their relationship with spirituality and divination on For Books’ Sake
• Helen Macdonald on her encounter with a wild hawk on The Samuel Johnson Prize website
• Jane Harris on her ‘Trading Tales’ Residency in Grenada on the British Council website
• Claire Fuller on the auction for her forthcoming novel Our Endless Numbered Days on her blog
• Roxane Gay ‘I Know What Is True‘ on her blog
• Brenna Ehrlich on the cover of Sarah McCarry’s About a Girl on MTV

The interviews:

• Toni Morrison and Angela Davis on The University of California: Santa Cruz website
• Rose Tremain on her new short story collection in The Independent
• Katha Pollitt discussing her book Pro: Reclaiming Abortion Rights on Slate and interviewed on Vice
• Sarah Waters in Daily Xtra
• Margaret Atwood interviewed by Erica Wagner in the New Statesman
• Laline Paull on the 4th Estate blog
• Amy Mason, Winner of the Dundee Book Prize on Ideas Tap and on Jane Davis’ blog
• Deborah Levy in the Independent
• Eimear McBride in Time Out, New York
• Darcey Steinke on Electric Literature
• Kate Tempest interviewed by Jon Snow on Channel 4 News
• Sali Hughes on the Topshop blog
• Judy Chicurel on Bloom
• Martina Cole and Janet Street Porter discuss Curtis Sittenfeld’s The American Wife on Radio 4’s A Good Read
• Mallory Ortberg on Flavorwire, in The Washington Post and on The Cut discussing ‘The Great Jerks of Literature‘
• Marion Coutts on Radio 4
• Ottessa Moshfegh in BOMB magazine
• Lauren Beukes interviewed by Jeff Vandermeer in Vulture and Helen Moffett on editing her on Books Live
• Sheila Heti on Gothamist
• Harriet Evans on Female First
• Jane Smiley in the Observer
• Emily St. John Mandel on Omnivoracious
• Claudia Rankine in Bomb Magazine
• Azar Nafisi in the Observer
• Daisy Hernández on Huffington Post

In translation:

• In case you were having withdrawals at the lack of articles about Elena Ferrante last week, there’s one in The Guardian this week
• An article on Sparrow: a new anthology of works by Indian woman on Mid-day
• A profile of Constance Garnett on Asymptote

If you’d like some fiction to read:

• A.J. Ashworth’s ‘Species‘ for Visual Verse
• J.K. Rowling’s new Harry Potter story ‘The Story of Dolores Jane Umbridge‘ on Today
• ‘November Diary‘ by Rebekah Remington on AGNI
• Shelly Oria ‘Documentation‘ on Hazlitt and ‘Phonetic Masterpieces of Absurdity‘ on Electric Literature, both from her forthcoming collection New York 1, Tel Aviv 0
• Patricia Highsmith, ‘The Snail-Watcher‘ on Virago Books
• ‘Countess Markievicz‘ by Fionnuala Doran in The Guardian
• ‘After Life‘ by Beth Dawson in The Guardian
• ‘I Hope Not to See‘ by Rana Mortaja (translated by Elisabeth Jaquette) on The Comma Press blog
• An extract from Dear A by Inga Machel (translated by Donal McLaughlin) in 3:am
• ‘Sin Eater‘ and other poems by Jessica Traynor on Poethead
• ‘The Kiss‘ by Kim Curran on Pornokitsch
• ‘The Husband Stitch‘ by Carmen Maria Machado in Granta
• An excerpt from If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go by Judy Chicurel on Bloom
• The first three chapters of the forthcoming Disclaimer by Renee Knight
• An excerpt from Sarah McCarry’s About a Girl on her blog

Photo by T. Kira Madden

And the lists:

• Best Books of 2014 on Publishers Weekly
• Upcoming Non-Fiction by Women on River City Reading
• 11 Witches from Fiction who Embody What Feminism Really Means in The Huffington Post
• The 20 Most Terrifying Non-Horror Books on The New Republic
• 5 Scary Stories by Women Writers on Bookriot
• 8 Female Writers that You Should Know in Pink Sky magazine
• My Top 5 Literary Twenty-Somethings by Alice Saggers on the 4th Estate Blog
• 16 Books That Will Do the Flirting For You on Buzzfeed
• 5 Great Books to Read in November on Buzzfeed
• 17 Jane Austen Characters if they were on Tinder on Buzzfeed
• Top 10 Scary Stories on For Books’ Sake
• 7 Fairy Tales Adults Will Love on Huffington Post
• 11 Funny Books by Women that Prove We’re Freakin’ Hilarious on Bustle
• Our Favourite Feminist Reads in Ms Magazine
• Lauren Owen’s Top 10 Vampire Books for The Guardian
• Erica Mena ‘What I’m Reading Now‘ on Drunken Boat
• 9 Novels so Scary You’ll Be Tricked and Treated on Kirkus Reviews
• Books for the Christmas List on The Women’s Room
• 10 Reasons to Stop Worrying About Being in Your 30s by India Knight in Grazia
• 5 Scary Films paired with 5 Scary Books, all by women, on Electric Literature
• 27 Patently Untrue Facts About Famous Writers on Bookriot
• One Book Lane’s Halloween Reads
• Writers’ Favourite Scariest Books of All Time on Oprah
• 5 Page Turners that Will Surprise You More than Once on Oprah
• Booktober: 30 Books Everyone Will Be Talking About This Fall on Oprah
• Top Five Heroines of Children’s Fiction in We Love This Book