In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

The best of the rest:

On or about books/writers/language:

• Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
• Hilary Mantel, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
• Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
• Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
• Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
• Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
• Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
• Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
• Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
• Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
• Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
• Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘  on Literary Hub
• Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
• Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
• Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
• Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
• Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
• Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
• Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
• Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
• Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
• Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
• Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
• Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
• Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
• Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
• Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
• Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
• Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
• Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
• Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
• Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
• Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
• John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
• Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian

Personal essays/memoir:

• Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
• Marina Lucic, ‘Lessons on Hate‘ in Litro
• Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
• Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
• Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
• Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
• Faith Adiele, ‘All of the Above‘ on The Rumpus
• Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
• Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
• Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
• Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
• Clare Archibald, ‘Congealed‘ on The Real Story
• Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
• Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
• Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
• Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
• Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
• Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
• Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut

Feminism:

• Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
• Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
• Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
• Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
• Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
• Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
• Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
• Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
• Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
• Melissa Gira Grant, ‘Heather‘ on Buzzed
• Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool

Society and Politics:

• Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
• Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
• Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
• Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
• Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
• Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
• Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
• Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
• Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
• Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
• Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph

Film, Television, Music, Art, Fashion and Sport:

• Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
• Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
• Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
• Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool

The interviews/profiles:

• Lisa Owens in The Bookseller
• Robin Black & Natalie Serber on Bloom
• Maggie Nelson in The Guardian
• Michelle de Kretser in Vol. 1 Brooklyn
• Brit Bennett on Jezebel
• Danielle Dutton in Brooklyn Magazine
• Idra Novey on The Rumpus
• Helen Garner in the Sydney Morning Herald
• Yvette Edwards on the Waterstones’ Blog
• Lynsey Hanley in The Guardian
• Elif Batuman on Literary Hub
• Rachel Traister on The Pool
• Sara Sheridan on From First Page to Last
• Janet Todd in Shiny New Books
• Sharon Guskin in Shiny New Books
• Karen Kovacik on Guernica
• Caitlin and Caz Moran on The Pool
• Maylis de Kerangal in BOMB
• Sophia Bennett in The Guardian
• Cynthia D’Aprix Sweeney on Literary Hub
• Danielle McLaughlin on Short Fiction
• Jenny Downham on The Bookseller

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, April 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

There’s been a strong narrative about the abuse of women over the last fortnight. Jessica Knoll wrote a personal and powerful essay about the gang rape which informed the writing of her novel Luckiest Girl Alive. ‘What I Know‘ was published on Lena Dunham’s site Lenny. Daisy Buchanan interviewed Knoll for The Pool. Jia Tolentino looked at the reporting of abuse in ‘Is this the End of the Era of the Important, Inappropriate Literary Man‘ on Jezebel. Helen Walmsley-Johnson wrote ‘The shame of abuse has held me hostage for years‘ on The Pool; Kathryn Joyce wrote ‘Out Here, No One Can Hear You Scream‘ on The Huffington Post; Jade Blair wrote, ‘Women Do What They Need To Do To Survive‘ on Hazlitt, and Louise O’Neill wrote ‘Nothing could prepare me for what happened when I published my book‘ on The Pool and ‘What a privilege it is to think that I might have touched other peoples lives in some small way‘ in The Irish Examiner. (The later is O’Neill’s weekly column which I’ve now added to the regulars section at the bottom of the post.)

The 2015 VIDA count for the number of bylines and reviews for female writers in literary magazines was announced. There’s some good news in some areas but, overall, there’s still a long way to go. Rachel McCarthy James followed this with, ‘Women in Publishing 100 Years Ago: A Historical VIDA Count: Representation and Gender (Im)Balance in 1916‘ on Literary Hub

The longlist for the Desmond Elliott Prize was announced with seven books by female writers in the running.

The best of the rest:

On or about books/writers/language:

• Sara Barrett, ‘I have autism and the lack of authentic autistic voices in books angers me‘ in The Guardian
• Narwali Serpell, ‘Africa Has Always Been Sci-Fi‘ on Literary Hub
• Boris Kachka, ‘Claudia Rankine Challenges White Teachers, Pities White Racists in AWP Keynote‘ on Vulture
• Jane Mendlesohn, ‘Why I Wrote a Novel About Sex Trafficking‘ on Literary Hub
• Kate Tempest, ‘It’s difficult to look at words as pegs to hang a plot from’ in The Guardian
• Joanna Walsh, ‘On Self-Writing‘ in the Irish Times
• Harriet Reuter-Hapgood, ‘“I wake up panicked at 2am every night”: an author reveals what it’s (really) like to write a debut novel‘ in Stylist
• Mallory Ortberg, ‘Every Meal In Wuthering Heights Ranked In Order Of Sadness‘ in The Toast
• Ros Barber, ‘For me, traditional publishing means poverty. But self-publish? No way‘ in The Guardian
• Rachel Abbott, ‘14 hour days, marketing and dealing with snobbery: my life as a self-published bestseller‘ on The Guardian
• Brigid Delaney, ‘What we write about when we write about running‘ in The Guardian
• Kelly Kerney, ‘The Impossible Task of Writing Historical Fiction‘ on Publishers Weekly
• Sofia Samatar, ‘On the 13 Words that Made Me a Writer‘ on Literary Hub
• Gaby Wood, ‘Harper Lee’s letters: priceless literary artifacts or tasteless celebrity memorabilia?‘ in The Telegraph
• Viv Groskop, ‘Celebrating Eat, Pray, Love 10 years on‘ on The Pool
• Mairi Kidd, ‘Access to books and reading should be a right‘ on The Bookseller
• Rachel Kondo, ‘Write How You Like Write: Representing Hawai’i Creole English as a Literary Participant‘ on Electric Literature
• Katie Roiphe, ‘Remembering Susan Sontag’s Final Days‘ on Literary Hub
• Rowan Whiteside, ‘Why I ❤️ Georgette Heyer‘ in Standard Issue
• Leigh Stein, ‘Millennial Days‘ in The New York Times
• David Featherstone, ‘Doreen Massey obituary‘ in The Guardian
• Sarah Hughes, ‘Why those subversive Brontë sisters still hypnotise us‘ in The Guardian
• Hanya Yanagihara, ‘Writing can be lonely‘ in The Telegraph
• Kate Elliott, ‘Writing Women Characters into Epic Fantasy Without Quotas‘ on Tor.Com
• Sara Nović, ‘on how she wrote Girl at War‘ in The Guardian
• Sarah Bakewell, ‘At the Existentialist Café‘ on Literary Hub
• Mira Ptacin, ‘Hard Truth and Deep Trauma Behind Bars‘ on Literary Hub
• Shirley Barrett, ‘How to Be a Whaler’s Wife in 1908: Boil Everything, Wash the Clothes in Gin‘ on Literary Hub
• Lucy Mangan, ‘The forgotten genius: why Anne wins the battle of the Brontës‘ in The Guardian
• Danielle Dutton, ‘On Dressing Margaret Cavendish‘ in The Believer
• Vespa Goldsworthy, ‘I started from Gatsby as a Greek dramatist starts from Antigone‘ in The Guardian
• Rachel Cooke, ‘Anita Brookner’s wry, elegant world of disappointed women‘ in The Guardian

Personal essays/memoir:

• Madison Griffiths, ‘An Open Letter to My Vagina: Sex, Pain, and Vaginismus‘ on Vice
• Lynn Steger Strong, ‘Running Still‘ in Guernica
• Lynn Steger Strong, ‘To Be a Mother, To Be a Writer‘ on Literary Hub
• Sara Black-McCulloch, ‘Catching the Light‘ on Maisonneuve
• Liz Jackson, ‘Four Years Ago Today, I Fell Out of Bed.‘ on Medium
• Susan Ito, ‘Names‘ on Catapult
• Molly Prentiss, ‘From a California Commune to New York City or, How to Be an Adult Woman in NYC‘ on Literary Hub
• Nandini Balial, ‘Agemus‘ on Midnight Breakfast
• Vivian Huyun, ‘I thought assimilation was the key to happiness, but I ended up trapped in a cultural prison‘ in The Guardian
• Abby Higgs, ‘A Conversation with Brandon‘ on Catapult
• Clare Vaye Watkins, ‘How to Escape Your Hometown‘ on Literary Hub
• Patricia Smith, ‘Bazooka Smackdown‘ in Guernica
• Marissa Korbel, ‘No, Lolita‘ on The Rumpus

Feminism:

• Katie Daubs, ‘The woman who was trans before her time‘ in The Toronto Star
• Glosswitch, ‘Cristiano Ronaldo’s approach to fatherhood is a victory for male supremacy‘ in the New Statesman
• Chimene Suleyman, ‘There is an epidemic of missing women and girls of colour in the UK‘ on Media Diversified
• Elisa Albert, ‘Confessions of a Radical Doula‘ in The Cut
• Tabitha Blankenbiller, ‘The Slow Fall of the Hot Heroine‘ on The Rumpus
• Jendella Benson, ‘Is It Worth it?: Black Women’s Voices and the Permission to Speak‘ on the Huffington Post
• Laura Bates, ‘Why is travelling alone still considered a risky, frivolous pursuit for women?‘ in The Guardian
• Rosie Fletcher, ‘It’s great that Emma Watson is standing up for feminism – but #HeforShe is the wrong approach‘ in The New Statesman

Society and Politics:

• Bettina Judd, ‘On or about July 10, 2015‘ on The Offing
• Jo Scott-Coe, ‘Listening to Kathy‘ on Catapult
• Ellen Cantarow and Alison Rose Levy, ‘A Fukushima on the Hudson?‘ in Guernica
• Christina Cauterucci, ‘We Expect Women to Have Impostor Syndrome. That’s Why We Can’t Handle Hillary Clinton.‘ on Slate
• Erica Schweigershausen, ‘How Biased Policies Push Black Girls Out of School‘ on The Cut
• Angie Maxwell, ‘Donald Trump and the Lost Cause‘ in VQR
• Miranda Trimmier, ‘Dark Pools‘ on The New Inquiry
• Patricia Lockwood, ‘Lost in Trumplandia‘ in the New Republic
• Zoe Williams, ‘These Tory messages show us why faith has no place in politics‘ in The Guardian
• Elaine Brown, ‘‘A Taste of Power’: The Woman who Led the Black Panther Party‘ on Longreads
• Rebecca Solnit, ‘Death by gentrification: the killing that shamed San Francisco‘ in The Guardian
• Amanda Chicago Lewis, ‘How Black People Are Being Shut Out of America’s Weed Boom‘ on Buzzfeed
• Emma Green, ‘Black Activism, Unchurched‘ in The Atlantic
• Eleanor Margolis, ‘“Faithful amanuensis”: how the guise of friendship is used to erase lesbian relationships‘ in The New Statesman

Film, Television, Music, Art, Fashion and Sport:

• Taffy Brodesser-Akner, ‘Water’s Edge‘ on ESPN
• Bronwen Dickey, ‘Dogs of Character: Pride, Prejudice, and the American Pit Bull Terrier‘ in VQR
• Hanna Yusuf, ‘Why the fashion elite needs to stop undermining Muslim women’s choice of clothing‘ in The Pool
• Helen Garner, ‘‘A certain sort of maleness’: on a week spent watching Russell Crowe films‘ in The Guardian
• Ali Smith, ‘The enigma of Giorgione‘ on The Royal Academy of Arts blog
• Anne Helen Peterson, ‘The Unbearable Sadness Of Ben Affleck‘ on Buzzfeed
• Anne Helen Petersen, ‘How Jennifer Garner Went Full “Minivan Majority”‘ on Buzzfeed
• Megha Majumdar, ‘Privileged Nostalgia: On Hollywood, Perception, and the Quest for Authenticity‘ on Electric Literature
• Jean Hannah Edelstein, ‘Unpicking the fascination with the Queen of Goop, Gwyneth Paltrow‘ on The Pool
• Zadie Smith, ‘Windows on the Will‘ in The New York Review of Books
• Ella Risbridger, ‘You walk differently in boots – and that’s their power‘ on The Pool

The interviews:

• Maggie Nelson in The Observer
• Ursula Le Guin on Literary Hub
• Mona Awad on Electric Literature and Tin House
• Jennifer Barber on The Rumpus
• Anne-Marie Slaughter in The Cut
• Attica Locke on the Bailey’s Women’s Prize for Fiction blog
• Phoebe Fox on Women Writers, Women’s Books
• Cynthia D’Aprix Sweeney on Electric Literature
• Danielle Dutton on Literary Hub
• Marilynne Robinson in The Washington Post
• Donna Leon on the Waterstones blog
• Idra Novey in 3:AM Magazine
• Jackie Copleton on the Bailey’s Women’s Prize for Fiction blog
• Shelley Harris on Rebecca Mascull’s blog
• Dawn Tripp on Salon
• Lynn Steger Strong on Electric Literature
• Clio Gray on the Bailey’s Women’s Prize for Fiction Blog
• Edna O’Brien in The New York Times
• Helen Oyeyemi on Vice
• Camille Rankine in Interview Magazine
• Tracy Chevalier in The Independent
• Angela Flournoy and Kaitlyn Greenidge on Literary Hub
• Antonia Honeywell on Jo Hogan Writes
• Susan Orlean on Broadly
• Sinéad Gleeson on Minnie Melange

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

Baileys’ Prize for Fiction Longlist Three Book Round-Up

The House at the Edge of the World – Julia Rochester

The book begins with the death of the narrator’s father: when she was eighteen, he fell off a cliff. He was pissing into the chine at Brock Tor on his way home from the pub and fell headlong drunk into the spring tide with his flies open. The novel then moves to discuss the narrator’s grandfather, Matthew (who, inexplicably, everyone refers to by his first name), how he came to own the land their house is built on and what he spends his days doing: mostly painting an enormous map. The book meanders through the family’s story – the mother, who is vile and the narrator, Morwenna, and her twin brother, Corwen, who are also vile. Eventually they start to wonder whether their father’s death might not have been an accident and begin to investigate.

Every year the Bailey’s Prize longlist throws up a couple of absolute gems and one book I really don’t get on with at all. Unfortunately, this falls into the latter category. It seemed to me that the characters were all horrible without real reason. They had conversations with each other that I didn’t find believable, they were so barefacedly nasty and self-absorbed. So self-absorbed that no one much seemed to care that the father had died and it took half of the book for anyone to decide they might want to investigate further. It did pick up pace here but the reveal as to what happened and why didn’t seem plausible to me either. Disappointing.

Gorsky – Vesna Goldsworthy

The story of the year in which the narrator, Nikola Kimović, a Serbian living in London and working in an independent bookshop on a backstreet between Kensington and Chelsea, has his life changed by Roman Borisovich Gorsky. Gorsky commissions Nick, as he’s known, to furnish the house he’s building with the best private library in Europe […] a library tailor-made for a Russian gentleman-scholar with an interest in art, literature and travel, and a flair for European languages; a library that would look as though Gorsky had acquired the books himself and read them over many years. Nick’s job also brings him into contact with Natalia and Tom Summerscale. Natalia, it’s revealed, is a former sweetheart of Gorsky’s and his flame still burns bright for her.

Gorsky, if you haven’t realised yet, is a re-working of The Great Gatsby, transported to a 21^st Century London peopled with Russian oligarchs ripping out the interiors of Kensington town houses in order to put swimming pools and home cinemas in the basement. It’s a brave writer who takes on an iconic novel and, while Goldsworthy’s attempt is often a lot of fun, it falls short of the novel it takes as its inspiration. Where Fitzgerald’s novel is subtle, Goldsworthy’s is brash and vulgar. While this is clearly her point about the nature of the new money in London, I couldn’t help wishing for Fitzgerald’s more restrained portrayal.

Thanks to Chatto and Windus for the review copy.

The Improbability of Love – Hannah Rothschild

Annie McDee buys a painting in a junk shop as a birthday present for a man she’s been dating. When he fails to show up for dinner, she attempts to return the painting but discovers the shop’s burnt down with the proprietor in it. Her mother, Evie, who Annie has to collect from Paddington Police Station following one of her regular arrests for drunk and disorderly conduct, suggests it might be something special and that Annie should look into it. Whilst Annie does so, between working for the Winkleman’s (an art dealing family) as a chef and attending singles’ nights at art galleries, the reader is introduced to a huge cast of characters from the art world. Old money, new money, no money, wheeling, dealing, ducking and diving ensues. And then there’s the painting itself which Rothschild gives voice to, allowing it to relate its history – that of its conception and of its many notorious owners: One has rarely been owned by a person of no class or standing. I am not a snob; my master was hardly well-born, but a title suggests reassuring things like wealth, breeding and security. I have yet to meet a queen named Annie.

The Improbability of Love is a satirical look at the art world: who owns art, how they present themselves, if beauty can actually be bought. However, for me, satire has to be very sharply written for it to achieve its aims and this is where the novel falls short. Some of it’s good fun but the dialogue is often clunky; there’s a lot of exposition – the chapters told from the painting’s point-of-view are heavy on this; an overreliance on adverbs rather than describing how a character is feeling, and there’s a lot of repetition of key plot and character points. Entertaining but not the work of art it could’ve been.

Thanks to Bloomsbury for the review copy.

In the Media: 24th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Cannes Film Festival’s been in the spotlight (haha) this week for turning women away from a screening because they were wearing flat shoes. Heels as compulsory footwear for women may or may not (depending which day it is someone asks) be part of their dress policy. Helen O’Hara writes ‘How the 2015 Cannes Film Festival became all about women‘  while Laura Craik asks, ‘Is the tyranny of high heels finally over?‘ both in The Pool. Hadley Freeman wrote, ‘Can’t do heels? Don’t do Cannes‘ in The Guardian, while Elizabeth Semmelhack wrote, ‘Shoes That Put Women in Their Place‘ in The New York Times

The other big feminist story was about ‘wife bonuses’ after Wednesday Martin wrote a piece for the New York Times called, ‘Poor Little Rich Women‘. Amanda Marcotte asked, ‘What’s Wrong With “Wife Bonuses”?‘ in Slate

Awards this week went to the five 2015 Best Young Australian Novelists, three of whom are women, all of whom are women of colour – hurrah for progress. Also in Australia, the shortlist for the Miles Franklin Award was revealed, four of the five shortlisted writers are women. The O. Henry Prize Stories for 2015 were announced. Of the twenty selected, fifteen were by women. You can read those by Dina Nayeri, Molly Antopol and Lynne Sharon Schwartz by clicking on their names.

The best of the rest:

On or about books/writers/language:

• Bryony Gordon, ‘How to survive Hay Festival‘ in The Telegraph
• Sinclair McKay, ‘Leading Ladies: meet the Queens of Romance‘ in The Telegraph
• Cate Dicharry, ‘Diary of a First-Time Book Tour‘ on Literary Hub
• Kelly Link, ‘Subversive Pleasure‘ (on Angela Carter) in the New York Times
• Katy Waldman, ‘It’s Time to Stop Praising Authors for Being “Good at the Internet”‘ on Slate
• Laurie Uttich, ‘In Defense of ‘Depressing’ Books‘ on the Huffington Post
• Emily M. Keeler, ‘Friends don’t let friends review their friend’s books… do they?‘ in the National Post
• Susanna Rustin, ‘Literary festivals are getting too big for their books‘ in The Guardian
• Various, ‘Take a book holiday with some of our favourite authors!‘ on One Book Lane
• Abie Longstaff, ‘A history of human rights abuses in fairytales‘ in The Guardian
• Jonathan Clarke, ‘Six Possibly True Observations About Renata Adler‘ on The Millions
• Eleanor Morgan, ‘What the Hell Is a Hot Feminist?’ on Vice
• Samantha Langsdale, ‘Simon Pegg is wrong – comics aren’t an escape from reality, they help us deal with it‘ in The Guardian
• Claire Landsbaum, ‘How the Success of Marvel’s Female Superheroes Heralds a More Inclusive Age of Comics‘ on Vulture
• Felix Kent, ‘How To Tell If You Are In An ’80s Biography Of A Famous Woman‘ in The Toast
• Meytal Radzinski , ‘WITMonth 2015 Intro Post: FAQs and helpful references‘ on Biblibio
• Lizi Gilad Silver, ‘Please Come with Me on the Yellow Bus for a Field Trip to the Library Where We Will Find Bean Spasms and Other Rare Treasures‘ on Real Pants
• Sarah Seltzer, ‘Why Do We Re-Read Our Favorite Books as Kids, and Why Do We Stop When We Get Older?‘ on Flavorwire
• Caitriona Lally, ‘on writing Eggshells: from the dole to a debut novel‘ in The Irish Times
• Karen Gordon, ‘Against Type: Unapologetically Sexual‘ on Rewriting Mary Sue
• Jessica Valenti, ‘Feminists don’t care if you like hot pink, eat salads or shave your crotch‘ in The Guardian
• Polly Vernon, ‘The Hot Feminist Manifesto‘ in The Times

• Rebecca Falkoff, ‘To Translate Is to Betray: On the Elena Ferrante Phenomenon in Italy and the US‘ on Public Books
• Alison Flood, ‘Agatha Christie’s ‘forgotten’ Syrian memoir gets new lease of life‘ in The Guardian
• Natalie Haynes, ‘March of the megabooks: it’s all Donna Tartt’s fault‘ in The Guardian
• Alice Jones, ‘If this is the year of the mega-novel, it’s going to be a very long 12 months‘ in The Independent
• Philip Graham, ‘Trouble Using Light: The Complications of Art in the Fiction of Christine Sneed‘ on The Millions
• Joanna Cannon, ‘The Story Behind Goats and Sheep‘ on her blog
• Sara Nović, ‘What it’s like to be a deaf novelist‘ in The Guardian
• Whitney Phillips, ‘Laugh It Off?‘ on Slate
• Rebecca Mascull, ‘The difficult second novel‘ on Just Write
• Diane Hurlburt, ‘“Bee Theres”: The Mormon YA of My Youth‘ in The Toast
• Lauren Alwan, ‘A Brief History of the Colloquial Title‘ on The Millions
• Iona Grey, ‘The things we should’ve asked‘ on Gransnet
• Kelly Jensen, ‘Depression Has No Straight Lines, Only Lies‘ on Disability in Kidlit
• Ruth Ware, ‘“When I was about thirteen or fourteen, I fell in love”‘ (on Josephine Tay) on the Penguin Blog
• Julia Donaldson, ‘Why hearing children should find out about signing‘ in The Guardian
• Madeline Thein, ‘Why Hong Kong is clamping down on creative writing‘ in The Guardian
• Jami Attenberg, ‘How 15 Minutes Of Internet Fame Did Nothing For My Books‘ on Buzzfeed
• Jessica Anya Blau, ‘My Favorite Women Writers of the 1950s‘ on Read Her Like an Open Book
• Leesa Cross-Smith, ‘Writing Some Stuff & Keeping On Keeping On‘ on Real Pants
• Helen Grant, ‘My inspiration: The Lost World‘ in The Guardian
• Kirsty Logan, ‘Jonathan Strange and Mr Norrell: A Fairytale Education‘ on Vintage Books
• Jessica Valenti, ‘You might not think you’re sexist – until you take a look at your bookshelf‘ in The Guardian
• Susan Lannigan, ‘We need to talk about…Day jobs and money‘ on her blog
• Christine Sneed, ‘on The Pleasure of Influence‘ on Read Her Like an Open Book

Personal essays/memoir:

• Rebecca Wait, ‘One woman’s experience of cults‘ in The Pool
• Sali Hughes, ‘What do brilliant, extravagant presents actually mean?‘ in The Pool
• Lauren Laverne, ‘Why everyone needs a list of Cheering-Up Things‘ in The Pool
• Suzanne Moore, ‘In a far corner of the school field, we would defy gravity‘ in the New Statesman
• Clare Archibald, ‘Sweet Sixteen Saturdays‘ on TYCI
• Clare Archibald, ‘Meandering Route of the Muscle Memories‘ on Scottish Book Trust
• Eva Holland, ‘Unclimbable‘ in SB Nation
• Susie Cage, ‘What Is A Woman’s Wardrobe Worth?‘ on Buzzfeed
• Eryn Loeb, ‘Return Trip, OBX‘ in Vela
• Martha Stortz, ‘How I Gave Myself Permission To Be Gluten-Free‘ on Buzzfeed
• Upasna, ‘A Girl Without a Country‘ on Rookie
• Maureen O’Connor, ‘De-Cluttering Is the New Juice Cleanse (and Equally Annoying)‘ in The Cut
• Stephanie Butzer, ‘Heat‘ on The Fem
• Alysia Abbott, ‘Fairyland: Memories of a Singular San Francisco Girlhood‘ on Longreads
• Trisha Low, ‘On Being-Hated: Conceptualism, the Mongrel Coalition, the House That Built Me‘ on San Fransisco MOMA
• Storm Persephone Tara-Meiying Liu, ‘How Losing My Sight Helped Me Express My Gender Identity‘ on Vice
• Catherine Santino, ‘Dear college graduates: it’s OK not to know‘ on Hello Giggles
• Rebecca Riley, ‘How I Learned the Meaning of Ableism‘ on The Fem
• Sadie Stein, ‘Bus Pass‘ on The Paris Review Blog
• Ella Wilson, ‘The Therapist Who Saved My Life‘ on Literary Hub
• Sarah Maria Medina, ‘Iced Cake Frosting‘ in Midnight Breakfast
• Sousan Hammad, ‘A Map of Jerusalem‘ in Words Without Borders
• DeLaynna Corley, ‘Motel 6‘ in New Mexico Review
• Alexis Paige, ‘Not a Place on Any Map‘ in New Mexico Review
• Melissa Grunow, ‘Out of Ash‘ in New Mexico Review
• Erika Anderson, ‘Never Write From a Place of Despair‘ in Midnight Breakfast
• Elena Dunkle, ‘The Cost of My Teenage Years as an Unrecovered Anorexic‘ on the Huffington Post
• Wendy C. Ortiz, ‘What is Sacred‘ in Midnight Breakfast
• Amanda Parrish Morgan, ‘O Martyr My Martyr!‘ on The Rumpus
• Seyward Darby, ‘I was on Amtrak train 188. Afterward, I saw the crash through my fiance’s eyes‘ in The Washington Post
• Jochebed Smith, ‘Swearing Off the Modern Man‘ in The New York Times
• Suzanne Clores, ‘When You Dream Your Husband Is Trying to Kill You‘ on The Rumpus

Feminism:

• Eve Barlow, ‘The horrible proof that sexism in the workplace still exists‘ in The Pool
• Isabelle O’Carroll, ‘A comprehensive guide to the sexist world of beer adverts‘ in The Pool
• Caroline Criado-Perez, ‘Five Fearless Women Who Have Inspired Me To Be A Proud Feminist‘ in Marie Claire
• Mac McClelland, ‘We Learned Together: A Nice Afternoon With The Women Of New Orleans’ Trans Veterans Support Group‘ on Buzzfeed
• Jill Lepore, ‘To Have and To Hold‘ in The New Yorker
• Sharon H. Chang, ‘This Mocha-Caramel-Honey Post-Racial Fantasy Is Making Me Sick‘ on Buzzfeed
• Syreeta McFadden, ‘Revelations About Being Brown In A World Of White Beauty‘ on Buzzfeed
• Paula Cocozza, ‘Actors: go ahead, lie about your age – look how Maggie Gyllenhaal was treated‘ in The Guardian
• Glosswitch, ‘The feminist history of surrogacy: should pregnancy give a woman rights over a baby?‘ in the New Statesman
• Mika Brzezinski, ‘Working Your Value‘ on Medium
• Jessica Roake, ‘I Am a Good Mother‘ on Slate
• Sammy Nickalls, ‘I don’t know if I want to have kids, and that’s OK‘ on Hello Giggles
• Rhiannon Lucy Cosslett, ‘Bring back self-defence classes for women – it’s the feminist thing to do‘ in The Guardian
• Meredith Talusan, ‘Women’s colleges should reinvent themselves as havens for trans women‘ in The Guardian
• Tracy King, ‘No, Mad Max: Fury Road is not a feminist masterpiece (but that’s OK)‘ in the New Statesman
• Eva Wiseman, ‘Which body should I try on next?‘ in The Observer
• Heather Havrilesky, ‘With Amal Clooney, We Finally Have the Consummate Feminist Superhero. Let’s Not Ruin It‘ in The Cut
• Nicole Nolan, ‘Boobs, Money, and Plastic Surgery‘ in The Toast
• Talat Yaqoob, ‘29% is Equality‘ on the Huffington Post

Society and Politics:

• Suzanne Moore, ‘Why is it so hard to say sorry?‘ in The Pool
• Sophie Heawood, ‘Call me naive, politicians, but how about saying what you really think?‘ in The Guardian
• Sarah Hagi, ‘Those Who Leave Somalia Need Remittance Too‘ on Buzzfeed
• Hon Lai Chui, ‘I Just Want To See The Sea‘ (tr. Henry Wei Leung with Louise Law) in The Offing
• Jaimie Lauren Keiles, ‘How To Be Spiritual (If You’re Not)‘ on The Awl
• Amy Maxmen, ‘Frontline health workers were sidelined in $3.3bn fight against Ebola‘ in Newsweek
• Diana Kapp, ‘Why Are Palo Alto’s Kids Killing Themselves?‘ in San Francisco Magazine
• Lisa Miller, ‘Can Racism Be Stopped in the Third Grade?‘ in New York Magazine
• Rajeswari Sunder Rajan, ‘A Woman’s Worth‘ in Granta
• Alexis Coe, ‘By Reason of Insanity‘ in Lapham’s Quarterly
• Anonymous, ‘Confucius say what? Whitewashed by the colorblind‘ on Empathize This
• Lindsey Newhall, ‘Fighting for Identity: The Life of a Transgender Kickboxer in Rural Thailand‘ on Vice
• Katie Roiphe, ‘Why Professors Should Never Have Affairs With Their Students‘ on Slate
• Eleanor Margolis, ‘The Breakfast in Bed Café is a desperate cry for help – Ikea should stick to meatballs and sofas‘ in the New Statesman
• Elyssa Goodman, ‘Riding with the Oldest All-Gay, All-Male, All-Riding Motorcycle Club‘ on Vice
• Neda Tehrani, ‘It’s Time To Talk About ‘British Values’‘ on Media Diversified

Film, Television, Music and Fashion:

• Hadley Freeman, ‘My Dirty confession‘ in The Jewish Chronicle
• Karen Krizanovich, ‘Mad Max: Fury Road is a brilliant celebration of women’s power‘ in The Pool
• Bim Adewunmi, ‘The Curious Conformity Of YouTube’s Beauty Tutorials‘ on Buzzfeed
• Emily Yahr, ‘From guilty pleasure to Emmy Awards: The delightfully weird history of Lifetime movies‘ in The Washington Post
• Deborah Cohen, ‘How Indie Rock Changed the World‘ in The Atlantic
• Kathleen E. Kennedy, ‘What Sansa Stark’s Rape Tells Us About Our Culture‘ on Vice
• Anna Leszkiewicz, ‘Amy Schumer’s coarse, playful comedy explores how women are complicit in their oppression (And forgives them for it.)‘ in the New Statesman
• Kate Aurthur, ‘All 90 Episodes Of “Mad Men” Ranked, From Good To Perfect‘ on Buzzfeed

The interviews:

• Marian Keyes in The Pool (or the 40 minute Director’s Cut)
• Rachel Trezise on London Short Story Festival
• Judy Blume in The Guardian and The New York Times
• Mary Costello on Bloom
• Jodi Picoult on Bustle
• Melissa Harrison on Tania Hershman’s Blog
• Taiye Selasi on Essence
• Hanya Yanagihara on Electric Literature
• Sophia Jansson on Bookanista
• Edna O’Brien in The New York Times
• Anne Enright on The Millions
• S.D. Sykes on Rebecca Mascull’s blog
• Rainbow Rowell on Buzzfeed
• Honorée Jeffers on The Rumpus
• Kate Atkinson on Our Book Reviews Online
• Sunetra Gupta on Medium
• Kirsty Logan, Vesna Goldsworthy and Anne Enright on Vintage Books Podcast
• Randa Abdel-Fattah on Words Without Borders
• Elenor Kopka on Okey-Panky
• Naomi Novik on Publishers Weekly Podcast
• Keller Easterling in Guernica
• Vivian Gornick on Longreads and in The Observer
• Maggie Nelson on Jezebel
• Alison Layland on Thriller Books Journal
• Dasha Kelly on The Rumpus
• Lynda Barry in The Guardian
• Meera Syal in The Times
• Ashley Ford on IndyStar
• Elaine Feeney in the Honest Ulsterman

If you want some fiction to read:

• The first five chapters of The Woman Who Stole My Life by Marion Keyes in The Pool
• ‘The Edge‘ by Barbara Mhangami-Ruwende in Guernica
• ‘The Biscuit‘ by Jette Harris on The Fem
• ‘Come Make Love With Us‘ by Cari Luna in Midnight Breakfast
• An extract from Uprooted by Naomi Novik on Pan Macmillan
• An extract from Coming Up Roses by Rachel Lucas on Pan Macmillan
• An extract from The Gracekeepers by Kirsty Logan on The Awl
• ‘Star Bellies‘ by Evelyn Alfred in Literary Orphans
• ‘Survival of the High-Riding Bitch‘ by June Frances Coleman in Literary Orphans
• ‘Fade‘ by Morgan Jerkins in Literary Orphans
• ‘Passive-Aggressive‘ by Naadeyah Haseeb in Literary Orphans
• ‘A Warm Winter‘ by Molly McArdle in Midnight Breakfast
• ‘The Necklace‘ by Claire Fuller on her blog
• ‘Your Baby‘ by Asmaa Alghoul (tr. Kareem James Abu-Zeid) on Words Without Borders
• ‘What Wolves Dream‘ by Olya Stoyanova (tr. Angela Rodel) in Words Without Borders
• ‘Scumbag‘ by Gabrielle Moss in Midnight Breakfast
• ‘The Freezer Chest‘ by Dorthe Nors in The New Yorker and she discusses the story here
• ‘The Murder Stone‘ by Jo Mazelis on Litro

Photograph by Kwesi Abbensetts

If you want some poetry to read:

• ‘My Tits Are More Feminist Than Your Tits‘ by Salena Godden on This Is My Jam (or watch it on Youtube (images of tits, obviously))
• ‘A Numbered Graph That Shows How Each Part of the Body Would Fit Into A Chair‘ by Mary Jo Bang in Granta
• ‘No Soft Pink Hands‘ by Helena Chung in Pank
• ‘All They Want Is My Money My Pussy My Blood‘ by Morgan Parker on Literary Hub
• ‘Travel Anatomy‘ by Corinne Gaston in Literary Orphans
• ‘Art | is | Sometimes They Call Me “T”‘ by Teré Fowler-Chapman in Literary Orphans
• ‘The Body on the Interstate‘ by Paige Sullivan in New Mexico Review
• ‘Sharks in Albuquerque‘ by Janna Layton in New Mexico Review
• ‘The haunting of the Oatman Hotel‘ by Leah Angstman in New Mexico Review
• ‘Ways to Divide‘ by Meghan McClure in New Mexico Review
• ‘The Answers That Were Sewn‘ by Jacqueline Markowski in Up the Staircase Quarterly
• ‘After Marvin Bell’s Dead Man poems‘ by Tamra Hays in Up the Staircase Quarterly
• ‘Lovesick Woman Spends Week in KFC‘ by Laryssa Wirstuk in Up the Staircase Quarterly
• ‘Tree‘ by Jennifer Martelli in Up the Staircase Quarterly
• ‘interstellar‘ by Orooj-e-Zafar in Up the Staircase Quarterly
• ‘Final Purification‘ by Kelly Andrews in Up the Staircase Quarterly
• Two Poems by Lauren Gordon in Up the Staircase Quarterly
• ‘Shipwreck Survivor Refuses to Speak to CNN‘ by Janeen Pergrin Rastall in Up the Staircase Quarterly
• ‘As It Is‘ by Lauren Camp in Up the Staircase Quarterly
• ‘This is the Healing Part, it Looks Like Setting a Broken Bone‘ by Bri Lopez Donovan in Burn Something
• ‘Force‘ by Irna Landrum
• ‘Women’s Poetry‘ by Daisy Fried in Berfrois
• Three Miley Cyrus Poems by Talin Tahajian in Blunderbuss
• ‘I’m a Young Cowboy and Know I’ve Done Wrong‘ by Catherine Pond in the Boston Review
• ‘For the Officer Who Put the 8-Year-Old Boy in Handcuffs‘ by Katy Richey in The Offing
• ‘No System for Grief‘ by Kimberly Grey on Linebreak
• ‘You Probably Think This Poem Is About You‘ by Tovah Leah Green on Cahoodaloodaling
• ‘How Mike Weston Died‘ by Janet Hagelgans in Thrush

If you want some non-fiction to read:

• An extract from Ballad of the Black and Blue Mind by Anne Roiphe on Literary Hub

The lists:

• Female Literarti Pick Summer’s Best Books in Harper’s Bazaar
• 22 Thrilling, Imaginative, and Twisted Genre Books By Women on Flavorwire
• 8 Books To Read Over A Long Holiday Weekend on The Huffington Post
• Kirsty Logan’s Born This Way: 10 great LGBT books for teens on Scottish Book Trust
• SD Sykes’ Five Favourite Historical Crime Novels on the Curtis Brown Book Group Blog
• 6 African novels to fuel your wanderlust on Voices of Africa
• Best Books: May Part One on Quadrapheme