Books of the Year 2017

Due to life interfering, I read half as many books this year as I have in previous years. What I have read though has, on the whole, been incredibly good. I’ve selected the ten I loved the most and included five others I highly recommend at the end of the piece. If I’ve reviewed the book in full, there’s a link at the bottom of the description.

When I Hit You: Or, A Portrait of the Writer as a Young Wife – Meena Kandasamy

The story of a marriage between a young, educated woman and a university lecturer. When I Hit You is both a tale of domestic violence and of a woman becoming a writer by writing her way out of her situation. Kandasamy’s experimental style frames the experience as though the narrator is witnessing the horror brought upon her. It’s brutal, it’s thoughtful, it’s shocking. It’s incredibly relevant in 2017.

You can read my full review and watch my interview with Meena Kandasamy here.

What It Means When a Man Falls from the Sky – Leslie Nnedi Arimah

Hands down the best short story collection I’ve ever read. Arimah does things with the form that shouldn’t be possible. In the first story, for example, the protagonist is held in a moment while the back story of everything that led to that point is revealed and yet the tension holds sharp. Many of the stories are concerned with the way women are shaped by/shape themselves around men, all of them carry an emotional punch.

Homegoing – Yaa Gyasi

Two sisters, Effia and Esa, born in West Africa in the 1770s are separated. One becomes the wife of a slave trader, the other is shipped to America as a slave. Gyasi follows the two lines to the present day. Each chapter focuses on the next branch of the family tree and works as a short story in its own right. Alongside this runs the story of the creation of the black race, its reasons and consequences. It’s an incredible achievement.

My full review is here.

Attrib. and Other Stories – Eley Williams

Williams’ debut short story collection is full of animals, clever word play, humour and love. While all of these elements contribute to intelligent, engaging stories, it’s the emotions at the core of the tales which elevate them to something special. The reader’s transported to the position of the narrator, feeling their anticipation at the potential lover standing next to them or their loss at the one who’s just left.

You can read my full review and watch my interview with Eley Williams here.

First Love – Gwendoline Riley

Neve is a writer in her mid-thirties, exploring her marriage to an older man, Edwyn, and the impact previous relationships, both romantic and familial, have had on who they are now. Almost everyone in Neve’s life is abusive in some form; Riley conveys this through a range of incidents told from Neve’s perspective, leading the reader to question whether or not she’s telling the truth. Searing and utterly pertinent in 2017.

My full review is here.

Vernon Subutex 1 – Virginie Despentes (translated by Frank Wynne)

Vernon Subutex once ran a legendary record shop in Paris. When his benefactor and musician friend, Alex Bleach, dies, Vernon is left homeless. Subutex moves between the houses and apartments of friends and acquaintances before ending up on the streets. Despentes gives a searing commentary on Western society’s views of a range of hot topics: social media, hijabs, the rich, sex workers and a whole lot more.

The End We Start From – Megan Hunter

An unnamed narrator gives birth to a boy as floodwaters rise in the U.K. Soon London is covered and the narrator and her new family can’t return to their flat. They move to their in-laws and then on to a refugee camp. Also works as a metaphor for the first year of motherhood. Taut and compelling.

My full review is here.

Homesick for Another World – Ottessa Moshfegh

A collection of stories about ordinary people at their worst, it’s a mirror held up to today’s society: to the misogyny, to the privilege, to the hypocrisy. Some of the characters know better but can’t be arsed to do better; some of them make an attempt but fall flat at the first hurdle. The collection’s full of characters for whom, essentially, nothing changes. Only Moshfegh could pull that off.

My full review is here.

Elmet – Fiona Mosley

“Daddy“ builds a house in a copse in the woods for himself and his teenage children, Daniel and Cathy. The land on which he builds is owned by Price, the most influential man in the area. Daddy is fully aware of the antagonism this will cause, but, as the best bare-knuckle fighter in the U.K. and Ireland, he wields his own form of power. From this moment, the two men are pitted against each other; it’s a matter of when, not if, the violent tension will explode. An exploration of gender roles and what happens if you transgress them, as well as a commentary on class and privilege.

I wrote about why Elmet is an important working class novel for OZY.

Seeing Red – Lina Meruane (translated by Megan McDowell)

At a party, Lucina feels a pain and blood begins to fill her eyes. She begins to go blind. The doctor tells her he can do nothing other than monitor the situation, leaving her to adjust to a life in which she has to rely on others to help her. She is furious and her anger increases as the story progresses. Told in flash length chapters with short, spiky, repetitive sentences. Horrifying and brilliant.

You can read my full review and watch my interview with Lina Meruane here.

And the highly recommended:

Tinman – Sarah Winman

Ellis and Michael are inseparable until Annie arrives in their lives and Ellis marries her. A story of hidden love, friendship, AIDS and art. Beautiful and heart-wrenching.

A Book of Untruths – Miranda Doyle

A memoir about Doyle’s family. Every chapter reveals a lie that’s been told while questioning the reliability of memory and the purpose of memoir writing.

A Manual for Heartache – Cathy Rentzenbrink

An indispensable guide for when the worst happens to you or someone close to you. My piece about it is here.

The Lonely Hearts Hotel – Heather O’Neill

The love story of performers Rose and Perrot and also a scathing commentary on patriarchal society’s treatment of women, particularly with regards to sex and shame.

My full review is here.

The Other Half of Happiness – Ayisha Malik

The sequel to Sofia Khan Is Not Obliged. Sofia’s married to Conall but there’s a whopping great secret he hasn’t told her. Has a punch the air, feminist ending.

My full review and interview with Ayisha Malik is here.

In the Media, February 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

I’ve been a bit lax at compiling these while I’ve focused on my own work. It means this month’s is huge and I haven’t honed in on any topic in particular as the news moves so fast at that moment it feels like an impossible task. Back to fortnightly after this which hopefully will make it slightly easier to digest.

 

On or about books/writers/language:

• Helen Dunmore, ‘Facing mortality and what we leave behind‘ in The Guardian
• Rosalind Jana, ‘Making Space: A Brief History of Literary Salons, Past and Present‘ on Constellation
• George Saunders, ‘Grace Paley, the Saint of Seeing‘ in The New Yorker
• Peternelle van Arsdale, ‘How I Learned to Stop Worrying About the Market and Just Write‘ on Literary Hub
• Lauren Elkin, ‘Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London‘ on Longreads
• Varaidzo, ‘From school books to publishing, black girls deserve better representation‘ in the New Statesman
• Ruth Gilligan, ‘Write Like a Girl‘ on Read it Forward
• Francesca Simon, ‘Why I’m writing for World Book Day’ in The Guardian
• Lily Dunn and Zoe Gilbert, ‘We’re given only a handful of these kinds of friendships‘ on Something Rhymed
• Karolina Ramqvist, ‘Writer as Public Figure Vs. The Writer Who Actually Writes‘ on Literary Hub
• Catherine Mayer, ‘on Writing Attack of the Fifty Foot Women‘ on Waterstones Blog
• Yoojin Grace Wuertz, ‘Failure and Patience: Lessons from the Garden for Writers‘ on Literary Hub
• Claudia Roth Pierpoint, ‘Elizabeth Bishop’s Art of Losing‘ in The New Yorker
• Thomas Arnow, ‘Who was Harriette Arnow?‘ on the Penguin Blog
• Anjali Enjeti, ‘The Life and Legacy of Bharati Mukherjee‘ on Literary Hub
• Wei Ming Kam, ‘On the Carnegie, Bookshops and Melinda Lo’s Ash‘ on Gal-dem
• Kerry Clare, ‘Rereading Fear of Flying: On Not Being Pregnant in Mid-Air With Isadora Wing‘ in The Toronto Review of Books
• Susan Hill, ‘Can I be a serious writer, keeping such casual hours?’ in The Guardian
• Nell Zink, ‘Writing for Rejection, And reading Doris Lessing‘ on n+1
• Craig Hubert, ‘On the Many Film Adaptations of the “Unfilmable” Wuthering Heights‘ on Literary Hub
• Ilana Masad, ‘Queer children’s books have a long history that’s only now being told‘ in The Guardian
• Heather O’Neill, ‘Leaving It All on the Page‘ on The Walrus
• Cameron Glover, ‘A Soulful Novel and Me: On Zora Neale Hurston‘ on Catapult
• Maggie Harcourt, ‘Pages in Common‘ on Waterstones Blog
• Rebecca Traister, ‘Rereading The Handmaid’s Tale, One Month Into the Trump Era‘ in The Cut
• Julie Buntin, ‘On Making Things Up: Some True Stories About Writing My Novel‘ on Catapult
• Sarah Perry, ‘In praise of readability‘ in The TLS
• Joanna Cannon, ‘The Story Behind The Trouble with Goats and Sheep‘ on WHSmith Blog
• Lionel Shriver, ‘Dystopia in the next room‘ in The TLS
• Rafia Zakaria, ‘Carson McCullers at 100: a century of American suffering‘ in The Guardian
• Jo Hogan, ‘The Carnegie Medal: Time for a Review‘ on her blog
• Salamisha Tillet, ‘Free Is and Free Ain’t‘ on Public Books
• Morgan Jerkins, ‘The Forgotten Work of Jessie Redmond Fauset‘ in The New Yorker
• Emma Garman, ‘Trilby, the Novel That Gave Us ‘Svengali’‘ on Longreads
• Emily Cooke, ‘Pay to Play: A chronicle of wealth and class in the literary world‘ on Book Forum
• Aminatta Forna, ‘We must take back our stories and reverse the gaze‘ in The Guardian
• Sam Jones, ‘Retrieving an untold story: voices of Spanish female artists finally heard‘ in The Guardian
• Ulka Anjaria, ‘The Goddess of Loss‘ on Boston Review
• Dr. Florence Hazrat, ‘From The Taming of the Shrew to 10 Things I Hate About you: Taming Wild Women in European Culture‘ on Women Are Boring
• Laura Pritchett, ‘The Middle Ages‘ on Bloom
• Fiona Cummins, ‘How I went from Ms Showbiz reporting on celebrity parties to writing a chilling crime thriller‘ in the Daily Mirror
• Katy Waldman, ‘Is My Novel Offensive?‘ on Slate
• Tracy Chevalier, ‘There’s a febrile debate in Trump’s rustbelt. I want to be part of it‘ in The Guardian
• Sarah Ladipo Manyika, ‘What Virginia Woolf Forgot To Say‘ on Thrive Global
• Georgia Hunter, ‘We Were The Lucky Ones‘ on Waterstones Blog
• Rowan Hisayo Buchanan, ‘A Dyslexic’s Guide to Infinity‘ on The Rumpus
• Maria Russo, ‘Finding America, Both Red and Blue, in the ‘Little House’ Books‘ in The New York Times
• Miranda Emmerson, ‘Mixed-up thinking‘ on Bookanista
• Marta Bausells, ‘Warsan Shire and Beyoncé: Superheroes for Our Time‘ on Literary Hub
• Lisa Williamson, ‘Writing NON-romantic Love for Teens‘ on Foyles
• Alex Clark, ‘I’m no pussy when it comes to swearing‘ in The Guardian
• Rahawa Haile, ‘How Black Books Lit My Way Along The Appalachian Trail‘ on Buzzfeed
• Kate Mosse, ‘It’s never been more important to champion women’s voices‘ on The Pool
• Eva Dolan, ‘The Hierarchy of Victims in Crime Writing‘ on Foyles
• Roxane Gay, ‘The Full Text of ‘Bad Feminist’ Author Roxane Gay’s WI12 Speech‘ on Publishers Weekly
• Claire Fuller, ‘on the Isle of Purbeck, Dorset‘ on The Literary Sofa
• Scott Eposito, ‘Understanding America Through Marilynne Robinson‘ on Literary Hub
• Edwidge Danticat, ‘Poetry in a Time of Protest‘ in The New Yorker
• Laura Pritchett, ‘The Great West Has More Than One Story to Tell‘ on Literary Hub
• Sarah Churchwell, ‘‘It will be called Americanism’: the US writers who imagined a fascist future‘ in The Guardian
• Lucinda Rosenfeld, ‘What Was Chick Lit? A Brief History from the Inside‘ on Literary Hub
• Ela Bittencourt, ‘Poetry Thieves: Translating Hanna Krall and Ewa Lipska‘ on Words Without Borders

Personal essays/memoir:

• Rowan Hisayo Buchanan, ‘How Postcards from My Mother Helped Me Survive My Childhood‘ on Literary Hub
• Leah Carroll, ‘My Mother’s Murder‘ on The Cut
• Melissa Febos, ‘When Pursuing True Love Means Breaking Up With Your Best Friend‘ on Refinery29
• Catherine LaSota, ‘Changing Body, Changing Perceptions‘ on Catapult
• Anne Kniggendorf, ‘Gracie Allen and John Denver in Boot Camp‘ on Electric Literature
• Christine Hyung-Oak Lee, ‘Saving Chickens, Saving Myself‘ on Catapult
• Arianna Rebolini, ‘Learning to Cook After Relearning to Eat‘ on Catapult
• Gwen Werner, ‘Daddy Issues‘ on The Rumpus
• Clover Stroud, ‘Travelling alone as a woman was a way of owning my trauma‘ on The Pool
• Lynn Enright, ‘I don’t always know who I am – but that’s OK ‘ on The Pool
• Karen Brown, ‘From Imbibing Spirits to Spiritualist Mediums‘ on Literary Hub
• Erin Corber, ‘Vocabulary Lessons in Bucharest‘ on The Rumpus
• Elisa Gabbert ‘My Grandmother’s Little Room and the Unreality of Memory‘ on Pacific Standard
• Kaitlyn Greenidge, ‘Sacred Space: On visiting the National Museum of African American History and Culture, and facing the present‘ on Lenny
• Claire Handscombe, ‘Dance: On Ballet and Impossible Love‘ on Catapult
• Melissa Febos, ‘Reconciliation‘ on Lenny
• Sara Yasin, ‘Muslims Shouldn’t Have To Be “Good” To Be Granted Human Rights‘ on Buzzfeed
• Jowita Bydlowska, ‘Nobody Died‘ on Lenny
• Cass Cross, ‘The Men in My Office‘ on Catapult
• Sophie Warnes, ‘On the unbearableness of existence‘ on Medium
• Megan Margulis, ‘My Daughter’s Suburban Childhood Looks Nothing Like My Urban One‘ on The Cut
• Jessica Grose, ‘The Wait‘ on Lenny
• Marie Phillips, ‘One woman’s attempt to learn the language of love‘ on The Pool
• Allison Grimaldi-Donahue, ‘Translation Beyond Metaphor‘ on Electric Literature
• Sara Noviç, ‘When Good Christian Girls Need Planned Parenthood‘ on The Cut
• Rachel Klein, ‘Losing My Voice and Finding It‘ on Catapult
• Amna Saleem, ‘This Is What I Learned From My Father’s Depression‘ on Buzzfeed
• Lara Williams, ‘Talk to Me Baby‘ on Some Such Stories
• Eleanor Margolis, ‘From unnerving normality to toilet humour: the stages of my mum’s cancer diagnosis‘ in the New Statesman
• Rebecca Varkoe, ‘Let’s Talk About The Immense Privilege (And Struggle) Of Doing What You Love‘ on Junkee
• Patricia Lockwood, ‘A Childhood in the Pro-Life Movement‘ in The New Yorker
• Lorraine Berry, ‘Walking in Memphis‘ on Catapult
• Kathryn Schultz, ‘When Things Go Missing‘ in The New Yorker
• Irina Dumitrescu, ‘Swan, Late‘ on Longreads
• So Sad Today, ‘What if I Never Live My Best Life?‘ on Vice
• Lacy M. Johnson, ‘Trigger‘ in Guernica
• Candice Norwood, ‘When ‘Good Hair’ Hurts‘ in The Atlantic
• Lisa Mecham, ‘Under the Stars: Remaking a Family‘ on Catapult
• Christine Hyung-Oak Lee, ‘What It’s Like to Lose Your Short-Term Memory‘ on Longreads
• Andie Park, ‘Lessons‘ on Medium
• Laine Bruzek, ‘What Happens When Nothing Happens‘ on West Magazine
• Elle Nash, ‘Grief Lozenge‘ on The Fanzine
• Kim Schultz, ‘I fell in love with a refugee – here’s what I learned when the world didn’t love him too‘ on the New Statesman
• Rebecca Schuman, ‘Hello, Lenin? (Berlin, 1997)‘ on Longreads
• Alana Massey, ‘The Rotten, Precious Land‘ on Hazlitt
• Jonatha Kottler, ‘Fat in Every Language‘ in The Cut
• Alexandra Burt, ‘What Remains When Your First Language Fades Away‘ on Literary Hub
• Jen Gann, ‘I Love My Ugly Old Hands‘ on The Cut
• Melissa Febos, ‘Wunderkammer‘ in Vogue
• Bonnie Nadzam, ‘Experts in the Field‘ on Tin House
• Imbolo Mbue, ‘‘With every inch, the challenge multiplies’: me and my afro‘ in The Guardian
• Yemisi Aribisala, ‘People try to squeeze Nigerian food into an all-encompassing African label‘ in The Guardian
• Eileen Myles, ‘Aging Is Feminizing Me and I Hate It‘ in The Cut
• Stacey Dugid, ‘The skirt that gave me back my mojo‘ on The Pool
• Laurie Frankel, ‘When my son became my daughter, the transition was more routine than dramatic‘ in The Sydney Morning Herald
• Jaya Saxena, ‘Explaining My Multiracial Identity (So Others Don’t Do It For Me)‘ on Catapult
• Catherine LaSota, ‘Becoming an Artist and a Parent in NYC‘ on Catapult
• Cat Marnell, ‘How to Murder Your Life‘ on The Cut
• Kayla Rae Whitaker, ‘How I Learned To Date After Drinking‘ on Buzzfeed
• Jia Tolentino, ‘The Most American Thing‘ in The New Yorker
• Kuba Shand Baptiste, ‘It took me 17 years to fall in love with my black hair. Why?‘ on The Pool
• Eva Tenuto, ‘Feeling Unsafe at Every Size‘ on Longreads
• Lori Jakiela, ‘A Portrait of the Artist as a Bingo Worker‘ on Electric Literature
• Patricia Bosworth, ‘The Men in My Life‘ on Literary Hub
• Meghan Tear Plummer, ‘Real Life: My Sister, My Brother‘ in Glamour
• Tracy O’Neill, ‘A Scar Is Not a Story‘ on Catapult
• Laila Lalami, ‘Love and Betrayal in America‘ in The New Yorker

Feminism:

• Dayna Tortorici, ‘While the Iron Is Hot‘ in n+1
• Michelle Darmody, ‘From the heart: One woman’s experience of abortion‘ in the Irish Examiner
• Riyan Fergins, ‘Follow the Oil Trail and You’ll Find the Girls‘ on Longreads
• Anita Bhagwandas, ‘The true meaning of beauty is to celebrate our imperfections‘ on The Pool
• Tobi Oredin, ‘As a black woman, I’ve had to unlearn what beauty means to me‘ on The Pool
• Jennilie Brewster, ‘Frozen Ground: On Reporting a Statutory Rape Twenty Years Later‘ on Catapult
• Zoe Samudsi, ‘Remy, Nicki, And The White Feminist Optics Of Black Women’s Beefs‘ on Equality for Her
• Katie Booth, ‘People Mountain, People Sea‘ on Vela
• Deborah Orr, ‘Helen Bailey and the lethal darkness behind this ‘middle-aged woman’ myth‘ in The Guardian
• Carmen Maria Machado, ‘The Trash Heap Has Spoken‘ on Guernica
• E.J. Dickson, ‘Why Did Everyone Act Like I Was Crazy When I Decided to Have a Baby in My 20s?‘ in The Cut
• Jendella Benson, ‘Feminist love will save men too‘ on Media Diversified
• Eve Ensler, ‘Female Fighters Series Re-examines Women’s Rage Around the World‘ on Guernica
• Abbie, ‘It’s Time to Trash Body Positivity‘ on Bullshitist
• Nimmi Gowrinathan, ‘Of Monsters & Women‘ on Guernica
• Yas Necati, ‘As a queer woman I will be marching against Donald Trump this weekend – but for my disabled friends it won’t be that easy‘ in The Independent
• Jessica Valenti, ‘Calling pregnant women ‘hosts’? We’re in an anti-choice Republican dystopia‘ in The Guardian
• Suzanne Moore, ‘Women in public life are now being openly bullied. How has this become normal?‘ in The Guardian
• Jessa Crispin, ‘The Failures of Mainstream Feminism‘ on New Republic
• Sara Ahmed, ‘Smile!‘ on Feminist Killjoys
• Shannon Keating, ‘Can Lesbian Identity Survive The Gender Revolution?‘ on Buzzfeed
• Melissa Denes, ‘‘It’s always high drama. It’s somebody’s life at stake’: inside British rape trials‘ in The Guardian
• Megan Nolan, ‘If British abortion providers turn away Irish women, it will be catastrophic‘ in The Pool
• Glosswitch, ‘What Would Happen if the World’s Women Went on Strike?‘ in the New Statesman
• Andrea Penman-Lomeli, ‘Consuming la Malinche, Destroying the Myth‘ on The New Inquiry
• Jia Tolentino, ‘The Case Against Contemporary Feminism‘ in The New Yorker
• Nadine Ajaka, ‘The Casualties of Women’s War on Body Hair‘ in The Atlantic
• Amanda Hess, ‘How a Fractious Women’s Movement Came to Lead the Left‘ in The New York Times
• Naomi Alderman, ‘Utopian thinking: how to build a truly feminist society‘ in The Guardian
• Rebecca Traister, ‘The Future of the Left Is Female‘ in The Cut
• Sadie Hassler, ‘Three abortions‘ on Standard Issue
• Caroline O’Donoghue, ‘I may never be ready to stop saying “dude”‘ on The Pool

Society and Politics:

• Dana Snitzky, ‘The Ban, The Wall, Bearing Witness‘ on Longreads
• Hannah Black, ‘New World Disorder‘ on Art Forum
• Gaby Hinsliff, ‘The government can’t pledge support for mental illness – and then backtrack‘ on The Pool
• Elizabeth Weil, ‘The Curse of the Bahia Emerald‘ on Wired
• Claire Heuchan, ‘The parallels between Scottish nationalism and racism are clear‘ in The Guardian
• Tasbeeh Herwees, ‘Resistance In The Time Of Protest Selfies‘ on Good
• Teow Lim Goh, ‘On Borders and Citizens‘ on Catapult
• Gaby Hinsliff, ‘Labour can’t keep returning to its roots empty handed‘ in The Guardian
• Mehreen Kasana, ‘The Meaning of Allahu Akbar‘ on Hazlitt
• Rumana Ahmed, ‘I Was a Muslim in Trump’s White House‘ on The Atlantic
• Gabrielle Bellot, ‘M*lo Might Be Done, But His Transphobia Lingers‘ on Literary Hub
• Sarah Larson, ‘The Librarian of Congress and the Greatness of Humility‘ in The New Yorker
• Rachel Cusk, ‘The Age of Rudeness‘ in The New York Times
• Gaby Hinsliff, ‘We are overdosing on empathy‘ in The Guardian
• Arifa Akbar, ‘The value we place on romantic love can feel tyrannical – especially if you’re a single woman‘ on The Pool
• Suzanne Moore, ‘It’s liking, not loving, that’s the true challenge in relationships‘ on The Pool
• Diane Abbott, ‘I fought racism and misogyny to become an MP. The fight is getting harder‘ in The Guardian
• Elizabeth Day, ‘What does true love really look like?‘ on The Pool
• Ruth Whippman, ‘Authentic? Try being polite instead‘ in The Guardian
• Deborah Cohen, ‘Before Straight and Gay‘ on The Atlantic
• Lizzie Presser, ‘Below Deck‘ in The California Sunday Magazine
• Tari Ngangura, ‘How Black History Month Reminds Me How Exhausting It Is To Be Black‘ on Vice
• Caitlin L. Chandler, ‘The Other World‘ on Guernica
• Helen Haft, ‘Telling Memories‘ on Aeon
• Andrea Pitzer, ‘Trump Revives a Shameful Tradition: Targeting a Minority Group with Crime Reports‘ on Longreads
• Ijeoma Oluo, ‘White People: I Don’t Want You To Understand Me Better, I Want You To Understand Yourselves‘ on The Establishment
• Lois Parshley, ‘Here Be Dragons: Finding the Blank Spaces in a Well-Mapped World‘ on VQR
• Hina Shamsi, ‘Flying Home From Abroad, a Border Agent Stopped and Questioned Me … About My Work for the ACLU‘ on ACLU
• Tina Nguyen, ‘Trump Grill Could Be the Worst Restaurant in America‘ in Vanity Fair
• Tamara Winfrey Harris, ‘The Real Work of Being an Ally‘ on The Cut
• Nesrine Malik, ‘Suddenly, Muslims are America’s pariahs‘ in The Guardian
• Margaret Simons, ‘The Karen road to Nhill‘ on SBS
• Fariah Roísín, ‘What Makes a Border Be?‘ on Hazlitt

Film, Television, Music, Art, Fashion and Sport:

• Anna Leszkiewicz, ‘From Hannah Horvath to Rory Gilmore: the problem with women writers on TV‘ in the New Statesman
• Eva Holland, ‘Bird Man‘ on Longreads
• Lynn Enright, ‘Twentysomething women often win Best Actress. Men in their twenties basically never win Best Actor‘ on The Pool
• Brittney Cooper, ‘Why It’s Important to Recognize That “Moonlight” Was Robbed Of Its Moment‘ in Cosmopolitan
• Jia Tolentino, ‘The Awkward Politics of the Oscars‘ in The New Yorker
• Megan Garber, ‘Why Are They ‘Stars’?‘ on The Atlantic
• Jess Goldschmidt, ‘Against La La Land‘ on Guernica
• Ann Powers, ‘The Problem With The Grammys Is Not A Problem We Can Fix‘ on NPR
• Helen O’Hara, ‘TV is better placed to tell love stories than cinema – and its writers have finally realised that‘ on The Pool
• Frances Ryan, ‘I, Daniel Blake is a realistic depiction of life on benefits. Isn’t it?‘ in The Guardian
• Emma Gray, ‘What White Women Can Learn From Adele’s Grammys Speech‘ on the Huffington Post
• Anindita Ghose, ‘What John Berger would say about Beyoncé‘ on Live Mint
• Hadley Freeman, ‘Oh, how I loved you, Johnny Depp. Now I see the purple-tinted truth‘ in The Guardian
• Laura Craik, ‘Why do we judge Victoria Beckham by her husband?‘ on The Pool
• Micha Frazer-Carroll, ‘Why We Should Celebrate Beyoncé’s Pregnancy in the Era of Trump‘ on Gal-Dem
• Danielle Dash, ‘Beyonce, Black Joy & White Women‘ on her website
• Jennifer Keshin Armstrong, ‘The Mary Tyler Moore Show’s Feminist Struggle‘ on Longreads
• Dayna Evans, ‘Why Would a Woman Want to Play Football?‘ on The Cut
• Véronique Hyland, ‘Why Won’t We Let Madonna Age the Way She Wants To?‘ on The Cut

The interviews/profiles:

• Susan Hill in The Guardian
• Cara Hoffman on Broadly
• Rowan Hisayo Buchanan on Literary Hub
• Kate Zambreno on The Creative Independent
• Yoojin Grace Wuertz on Electric Literature
• Melissa Febos on Guernica
• Masha Gessen on The Millions
• Zeba Talkhani and Laura Waddell on Minor Literature[s]
• Patty Yumi Cottrell in the Los Angeles Review of Books
• Ayòbámi Adébáyò in The Guardian
• Claudia Rankine in The Financial Times
• Claire Fuller in The Chicago Review of Books
• Ethel Rohan on The Millions and on Bustle
• Yiyun Li in The Guardian, on Five Books
• Jane Wong and Aditi Machado on Literary Hub
• Roxane Gay on Brooklyn
• Emily Ruskovich on Electric Literature
• Roshi Fernando on Short Story Award
• Jess Phillips on The Debrief
• Morgan Parker in The Cut
• Liane Moriarty in The Guardian
• Dreda Say Mitchell on Greenacre Writers
• Sara Baume in The Guardian
• Ola Nubi on Ankara Press
• Shappi Khorsandi in The Guardian
• Heather O’Neill on The Millions
• Rachel Cusk in BOMB
• Nina LaCour on The Booklist Reader
• Emma Donoghue on Literary Hub
• Ayelet Waldman in California
• Alice Broadway on Foyles, in The Guardian
• Amanda Owen in The Guardian
• Chimamanda Ngozi Adichie in The Guardian
• Margaret Atwood in The Guardian
• Ali Smith in The New York Times
• Lara Pawson on Rhys Tranter
• Christine Hyung-Oak Lee on NPR
• Jade Sharma in The Rumpus
• Alana Massey on Hello Giggles, Hazlitt
• Khairani Barokka on Disability Arts
• Adrian Shirk on Catapult
• Katie Kitamura on Literary Hub
• Camille Pagán in the Huffington Post
• Adania Shiboli on Literary Hub
• Naomi Jackson on The Rumpus
• Katie Khan on In the Words of
• Kyo Maclear on Mcleans
• Kim Hyesoon on Guernica
• Jessica Valenti on The Rumpus
• Elif Shafak in The Guardian, on Foyles
• Erica Ferencik on Electric Literature
• Eimear McBride on Electric Literature
• Sandra Cisneros on Literary Hub
• Shanthi Sekaran on Bookanista
• Ottessa Moshfegh on Lenny

The regular columnists:

• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media, January 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Image by Abigail Grey Swartz

Where is there to start other than with articles about the new American regime?

On the Women’s March:

• Paula Akpan, ‘Women’s March and the Selective Memory of Mainstream Feminism‘ on Galdem
• Ijeoma Oluo, ‘When You Brag That The Women’s Marches Were Nonviolent‘ on The Establishment
• Ashley Weatherford, ‘What Does It Take to Make You March?‘ on The Cut
• Kara Brown, ‘I Want to Trust the Women’s Marchers‘ on Jezebel
• Stephanie Boland, ‘What will happen to women’s rights now that Donald Trump is President?‘ in The New Statesman
• Zoë Beaty, ‘Why are we still so surprised when men stand up for women’s rights?‘ on The Pool
• Josephine Livingstone, ‘The Problem With “Pussy”‘ on New Republic
• Janet Mock’s Speech on The Cut
• Gaby Hinsliff, ‘How Susanna and Piers came to represent reason versus populism‘ on The Pool
• Sady Doyle, ‘The March Was Flawed and Messy and Glorious‘ in Elle
• Ann Friedman, ‘Was This Your First March? Don’t Stop Now.‘ on The Cut
• Rebecca Traister, ‘The Future of the Left Is Female‘ on The Cut
• Bim Adewunmi, ‘The Road Women Marched On This Weekend Was Paved By Black Resistance‘ on Buzzfeed
• Vonny Moyes, ‘Why do we still march, you ask? Because there’s still work to do‘ in The National
• Zoe Williams, ‘Memo to Piers Morgan: Why do we march? It’s not just protest, it’s about love‘ in The Guardian
• Jia Tolentino, ‘The Radical Possibility of The Women’s March‘ in The New Yorker
• Angela Davis’ Speech on Elle
• Megan Garber, ‘The Inauguration, and the Counter-Inauguration‘ on The Atlantic
• Eve Ensler, ‘The Women’s March heralds a renaissance of resistance‘ in The Guardian
• Rebecca Traister, ‘The Complicated, Controversial, Historic, Inspiring Women’s March‘ in The Cut
• Poorna Bell, ‘As A Woman Of Colour, This Is What Women’s March London Means To Me‘ on Huffington Post
• Lauren Elkin, ‘When women march, they are seen. And they are heard‘ on The Pool
• Heidi Mitchell, ‘I’m Anti-Trump, But I Refuse to March‘ in The Cut
• Ann Friedman, ‘A March Can Change Your Life‘ in The Cut
• Linda Sarsour, ‘#WhyIMarch‘ on Women’s Media Centre

On Melania:

• Megan Garber, ‘On Pitying Melania‘ on The Atlantic
• Jess Zimmerman, ‘Compassion for Melania Is Misguided — But It Isn’t Wrong‘ on The Cut
• Roxana Robinson, ‘Donald Trump: Making the Word ‘Pussy’ Great Again, Bigly‘ on Literary Hub
• Marisa Bate, ‘Should we feel sorry for Melania Trump?‘ on The Pool

On American society under Trump:

• Camille Dungy, ‘Unwelcome in My Country, Unwelcome in My Church‘ on Literary Hub
• Mehrsa Baradaran, ‘I Was a “Terrorist Country” Refugee Who’d Grown Up Shouting “Death to America.” America Trusted Me Anyway.‘ on Slate
• Andrea Pitzer, ‘What We Get Wrong About Hannah Arendt‘ on Longreads
• Lee Matalone, ‘R.I.P. #8: Inauguration Day‘ on The Rumpus
• Rebecca Traister, ‘Fake News, Fake Science and Why Doctors Lie About Abortion‘ on The Cut
• Tyrese Coleman, ‘How I Lost My Hometown‘ on Catapult
• Marilynne Robinson, ‘With President Trump, American democracy faces its greatest test‘ in The Guardian
• Yaa Gyasi, ‘Why the next four years will be a test for all of us‘ in The Guardian
• Katie MacBride, ‘Why Today Feels Like Grieving The Loss Of A Loved One‘ on The Establishment
• Lisa Ko, ‘20 Lessons on How to Be American‘ on The Offing
• June Eric-Udorie, ‘Nobody can inspire like Michelle Obama can inspire‘ on The Pool
• Ann Patchett, ‘Barack Obama, Our President of Love‘ in Time
• Alana Semuels, ‘Do Regulations Really Kill Jobs?‘ on The Atlantic
• Kathryn VanArendonk, ‘Why You Should Watch Donald Trump’s Inauguration‘ on Vulture
• Allison Robicelli, ‘I Work in the Restaurant Industry. Obamacare Saved My Family’s Life.‘ on Eater
• Sady Doyle, ‘It’s Time to Take Sexism Seriously as a Political Force‘ in Elle
• Emily Ladau, ‘I’m A Disabled Woman Who’s NOT Celebrating Meryl Streep’s Golden Globes Speech‘ on The Establishment
• Gaby Hinsliff, ‘Meryl Streep’s anti-Trump speech is brave and brilliant in the face of intimidation ‘ on The Pool
• Rebecca Traister, ‘WARNING: Abortion’s Deadly DIY Past Could Soon Become Its Future‘ in The Cut

On Trump:

• Niamh Ní Mhaoileoin, ‘Like any woman working with a misogynist, Theresa May should call out Donald Trump’s sexism‘ in The New Statesman
• Adrienne Lafrance, ‘Calling Out a Presidential Lie‘ in The Atlantic
• Laurie Penny, ‘Searching for Time-Travelers on the Eve of the Trump Inauguration‘ on Pacific Standard
• Olga Kazan, ‘How to Overcome Political Irrationality About Facts‘ on The Atlantic
• Ruby Lott-Lavigna, ‘What does it mean for a leader when their entire country’s music culture rejects them?‘ in The New Statesman
• Jill Abramson, ‘‘Alternative facts’ are just lies, whatever Kellyanne Conway claims‘ in The Guardian
• Robin Wright, ‘Trump’s Vainglorious Affront to the C.I.A.‘ in The New Yorker
• Molly Crabapple, ‘Trump’s here. We have four years to write a better story‘ in The Guardian
• Helen Lewis, ‘Stop saying identity politics caused Trump‘ in The New Statesman
• Sara Nović, ‘Rhyme & Reason: Sign Language’s Anti-Authoritarian Streak‘ in Blunderbuss
• Molly Ball, ‘Welcome to the Trump Presidency‘ on The Atlantic
• Mona Eltahawy, ‘Welcome to a new era of politically sanctioned patriarchy‘ in The Guardian
• Sabine Heinlein, ‘A Prisoner’s View of the Trump Administration‘ on Literary Hub
• Amanda Hess, ‘Trump, Twitter and the Art of His Deal‘ in The New York Times
• Rebecca Solnit, ‘From Lying to Leering‘ in The LRB
• Dani Garavelli, ‘May caught in Trump’s post-truth trap‘ in The Scotsman

The best of the rest:

On or about books/writers/language:

• Roxane Gay, ‘On Empathy, Race, and the Work of Alice Childress‘ on Literary Hub
• Sarah Perry, ‘‘I was weak, despairing, confused’: did writing a novel make me ill?‘ in The Guardian
• Sheila Kohler, ‘After losing my sister to a violent death, I turned to the solace of writing‘ on The Pool
• Lyz Lenz, ‘Taking a Stand with Roxane‘ on The Rumpus
• Julie Scelfo, ‘How Clara Hale and Audre Lorde Helped to Make New York‘ on Literary Hub
• Mariah Stovall, ‘On Falling Out of Love with Punk (and in Love with Books)‘ on Literary Hub
• Manjula Martin, ‘Against Fame: On Publishing, Popularity, and Ambition‘ on Catapult
• Melissa Febos, ‘The Heart-Work: Writing About Trauma as a Subversive Act‘ on Poets & Writers
• Adelia Saunders, ‘The Power and Politics of Language, from Oppressor to Oppressed‘ on Literary Hub
• Ottessa Moshfegh, ‘Finding Meaning in Going Nowhere‘ on The Atlantic
• Amanda Coe, ‘The Body in the Frame‘ on Huffington Post
• Sarah Hughes, ‘People, the final frontier: how sci-fi is taking on the human condition‘ in The Guardian
• ‘Meet the new faces of fiction for 2017‘ in The Guardian
• Clare Thorp, ‘Why we still need bookshops – in 2017 and always‘ on The Pool
• Diana Athill,’on Molly Keane: ‘I admired many authors. But Molly, I loved’‘ in The Guardian
• Janine Mikosza, ‘How Not to Speak Polish: On Language, Pain and (Not) Writing Memoir‘ on Electric Literature
• Christina Sharpe, ‘The Weather‘ on The New Enquiry
• Teow Lim Goh, ‘Tenacity, the Key to the Writing Life‘ on Literary Hub
• Danuta Keen, ‘The Da Vinci Code code: what’s the formula for a bestselling book?‘ in The Guardian
• Samantha Ellis, ‘How sibling rivalry made Anne the ‘neglected’ Brontë‘ on Penguin
• Anna Mazzola, ‘Bad Women: Do We Still Demonise Female Offenders?‘ on The Platform
• Emma Flint, ‘What makes the ‘perfect’ murder?‘ on PanMacmillan
• Alana Massey, ‘The Unbearable Niceness of Being‘ on Literary Hub
• Elizabeth Day, ‘Reading about nature is pure comfort when the world is full of chaos‘ on The Pool
• Emily Temple, ‘A Brief Survey of the Great American Novel(s)‘ on Literary Hub
• Lucy Worsley, ‘Jane Austen at 200: still a friend and a stranger‘ in The Guardian
• Tessa Hadley, ‘Some of my best ideas come in the bath’ in The Guardian
• Joanne Harris, ‘On Ghostwriting, Celebrity and That Guardian Review.‘ on her blog
• Susanna Rustin, ‘Winifred Holtby: author, feminist, campaigner‘ in The Guardian
• Katherine Arden, ‘on the landscape that inspired The Bear and the Nightingale‘ on Penguin
• Cathy Rentzenbrink, ‘Reading Lives‘ on International Literature Showcase
• Ruth Graham, ‘Why This Norwegian Novelist Should Be the Next Elena Ferrante‘ on Slate
• Eimear McBride, ‘The problems with erotica‘ in The New Statesman
• Samantha Ellis, ‘The Brontës’ very real and raw Irish roots‘ in The Irish Times
• Samantha Ellis, ‘The Brontës and Hester Chapone‘ on Brontë Blog
• Min Jin Lee, ‘On Selling Your First Novel After 11 Years‘ on Literary Hub
• Fiona Macdonald, ‘The Racy Side of Jane Austen‘ on The BBC
• Katherine Cowdrey, ‘Khorsandi withdrew from Jhalak Prize for fear of ‘alienating’ audience‘ in The Bookseller
• Noo Saro-Wiwa, ‘Playboy cars and pentecostal stars‘ in The TLS
• Emma Geen, ‘The Unbearable Lightness of ‘Being an Author’‘ on her blog
• Samantha Ellis, ‘Where are all the heroine mothers in fiction?‘ on The Pool
• Emily Gould, ‘Most Women In Publishing Don’t Have The Luxury Of Being Unlikable‘ on Buzzfeed

Personal essays/memoir:

• Evelyn Hampton, ‘Weightlessness‘ on Catapult
• Susan C. Ryan, ‘A Disaster Not to Be Found: On Survival (and Ultrasounds)‘ on Catapult
• Linda Chavers, ‘Fluids‘ on The Rumpus
• Porochista Khakpour, ‘Portrait of the Artist as a Debut Novelist‘ on Literary Hub
• Caroline O’Donoghue, ‘The pros and cons of growing up in a Naked House‘ in The Pool
• Jennifer Maritza McCauley, ‘But There Is Also Rosa‘ on Passages North
• Enuma Okoro, ‘This is your morning‘ on Aeon
• D.M. Moehrle, ‘Womanly Arts‘ on The Rumpus
• Leia Menlove, ‘Drowning Little Things‘ on Catapult
• Zara Rahmen, ‘Close Calls‘ on Real Life
• Anjali Enjeti, ‘Drinking Chai to Savannah: Reflections on Identity, Inclusion and Power in the South‘ on Longreads
• Hermoine Holby, ‘rediscovering 60s ye-ye icon françoise hardy in the 90s‘ in i-D
• Noël Duan, ‘Beauty Shopping With My Mother, a Former Cultural Revolution Red Guard‘ on Racked
• Jody Allard, ‘Why I’ve Given Up On Being Healthy‘ on Buzzfeed
• Monica Uszerowicz, ‘Survivor Syndrome; or, Snacking While Jewish‘ on Avidly
• Angela Chen, ‘Why I No Longer Make Predictions‘ on Catapult
• Robyn Wilder, ‘My husband is the better parent – and it rankles‘ on The Pool
• Alice Jolly, ‘Donor siblings: do the ties of blood matter?‘ in The Guardian
• Lauren Alwan, ‘Arab Past, American Present: My Family’s Invisible History‘ on Catapult
• Laura Michele Diener, ‘Late Afternoon with Shadows Lengthening‘ on Numéro Cinq
• Laurie Frankel, ‘How do grandparents respond when their grandson becomes a granddaughter?‘ on The Pool
• Kathleen Alcott, ‘‘Restaurants have taught me who I am’‘ in The Guardian
• Charlotte Shane, ‘When Desire Goes Dark‘ on Hazlitt
• Nicky Loomis, ‘Pinecone Man‘ on Catapult
• D.S. ‘On Faith and Sexuality‘ on Dardishi
• Jamila Osman, ‘A Map of Lost Things: On Family, Grief, and the Meaning of Home‘ on Catapult
• Alexandra Heminsley, ‘The emotional challenges of IVF, and how one woman found solace in the sea‘ on The Pool
• Rowan Hisayo Buchanan, ‘The Woman Scared of Her Own Kimono‘ on Catapult
• Laura Goode, ‘Against Confession: On Intersectional Feminism, Radical Catholicism, and Redefining Remorse‘ on Longreads
• Isabel Hardman, ‘When my mind stopped working, I realised just how badly we treat mental health‘ in The Telegraph
• Anne Helen Peterson, ‘Living In The Beautiful Bubble Of The Not-Quite Internet‘ on Buzzfeed
• Alexandra Heminsley, ‘My swimming odyssey: ‘It felt like a last chance to prove what I was capable of’‘ in The Guardian

Feminism:

• Jessye McGarry, ‘Why I’m Waiting for The Right Man to Tell Me I Should Read ‘Infinite Jest’‘ on Reductress
• Diane Shipley, ‘The sexist reality of being a woman with M.E.‘ on The Pool
• Moira Weigel, ‘How Ultrasound Became Political‘ on The Atlantic
• J.C. Pan, ‘Love’s Labor Earned‘ on Dissent
• Gaby Hinsliff, ‘Older motherhood offers women the ultimate in having it all‘ in The Guardian
• Rachel Monroe, ‘Sexual Assault in the Amazon‘ in The Cut
• Jen Palmares Meadows, ‘We Be Bleeding‘ on The Rumpus
• Sophie Wilkinson, ‘These Women Were all Prescribed the Pill – None of Them Needed it for Contraception‘ on The Debrief
• Clare Vaye Watkins, ‘A Trip of One’s Own‘ in New Republic
• Daisy Buchanan, ‘Media mockery of sex workers creates dangerous conditions for women‘ on The Pool
• Daisy Buchanan, ‘Casey Affleck’s Golden Globes win shows Hollywood’s double standard in action‘ on The Pool
• Meena Kandasamy, ‘Bengaluru attacks: Misogyny by night and day‘ on Aljazeera
• Lucy Rycroft-Swift, ‘I wore men’s clothes for a month – and it changed my life‘ on The F Word
• Connie Kuhns, ‘Strange Women‘ on Geist

Society and Politics:

• Kathryn Hughes, ‘Embarrassing bodies: what did the Victorians have to hide?‘ in The Guardian
• Amelia Tait, ‘The myth of Generation Snowflake: how did “sensitive” become a dirty word?‘ in The New Statesman
• Michele Kirsch, ‘My life as a cleaner in London‘ in The Independent
• Julie Beck, ‘Does Corruption Happen Slowly, or All at Once?‘ on The Atlantic
• Tahmina Begum, ‘You Talk Like a White Girl‘ on gal-dem
• Amelia Tait, ‘The best days of the internet are over – now our privacy will suffer‘ in The New Statesman
• Deafinitely Girly, ‘Deaf Girly and the Gap advert‘ on her blog
• Ruby Tandoh, ‘Bad fad – on how clean eating turned toxic‘ in The Guardian
• Vanessa Hua, ‘You might be thinking of someone else?‘ in The San Francisco Chronicle
• Ijeoma Oluo, ‘The Exploitation Of Martin Luther King Jr.’s Legacy By White Supremacy‘ on The Establishment
• L.A. Kauffman, ‘In 1971, the People Didn’t Just March on Washington — They Shut It Down‘ on Longreads
• Brooke Jarvis, ‘Who Decides Who Counts as Native American?‘ in The New York Times
• Clare Chambers, ‘Time to abandon marriage?‘ in The TLS
• Jennifer Young, ‘Peetskill Blues‘ on Hazlitt
• Toni Jensen, ‘Women in the Fracklands: On Water, Land, Bodies, and Standing Rock‘ on Catapult
• Morgan Jerkins, ‘In Search of Black Atlantis‘ on Hazlitt
• Melinda Wenner Moyer, ‘A bug for Alzheimer’s?‘ on Aeon
• Carly Silver, ‘How Ancient Cure-Alls Paved the Way for Drug Regulation‘ on The Atlantic
• Laurie Shrage, ‘We need a contract for co-parenting, not just for marriage‘ on Aeon
• Rachel Aviv, ‘How Albert Woodfox Survived Solitary‘ in The New Yorker
• Jo Marchant, ‘This 3,500-Year-Old Greek Tomb Upended What We Thought We Knew About the Roots of Western Civilization‘ on Smithsonian
• Kathleen Hale, ‘Murder on Union Hill Road‘ on Hazlitt

Film, Television, Music, Art, Fashion and Sport:

• Emily Yahr, ‘From guilty pleasure to Emmy Awards: The delightfully weird history of Lifetime movies‘ in The Washington Post
• Victoria Coren Mitchell, ‘I’m so glad to spoil this film for you‘ in The Guardian
• Frances Katz, ‘Is Your TV Turned On? True Stories from the Cable Trenches‘ on Catapult
• Limara Salt, ‘Why are interracial relationships so rare in film?‘ on The Pool
• Helena Fitzgerald, ‘Bruce Springsteen: The Ultimate Dad‘ on The Catapult

The interviews/profiles:

• Alexandra Kleeman on Bookanista in The Guardian
• Janie Chang and Shilpi Gowda on Literary Hub
• Cat Marnell in The Cut
• Roxane Gay in The New York Times and Vogue 
• Sarah Pinborough in The Bookseller
• Joyce Carol Oates in The TLS
• Elizabeth Hand on Literary Hub
• Anne Applebaum on Spiegel
• Vic James on Reader Dad
• Yaa Gyasi in The Bookseller and The Guardian
• Claudia Rankine in The New Yorker
• Fiona Melrose on The Writes of Woman
• Kathleen Rooney on Literary Hub
• Mary Miller on Electric Literature
• Ayelet Waldman in The New York Times
• Bernadine Evaristo on the British Council
• Katherine Rooney on Electric Literature
• Erica Ferencik on Electric Literature
• Tara Betts on The Rumpus
• Ottessa Moshfegh on The Fanzine
• Elif Batuman in The New Yorker
• Xiaolu Guo in The Guardian
• Lucy Jane Bledsoe on The Rumpus
• Emma Flint on Foyles and in The Bookseller
• Deborah Lipstadt in The Guardian
• Mary Karr on Lenny
• Jo Mazelis on Alephi
• Jhumpa Lahiri on Medium
• Lindsey Lee Johnson on Electric Literature

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

Homesick for Another World – Ottessa Moshfegh

And anyway, there is no comfort here on Earth. There is pretending, there are words, but there is no peace. Nothing is good here. Nothing. Every place you go on Earth, there is more nonsense.

The characters in Ottessa Moshfegh’s short story collection Homesick for Another World will come as no surprise if you’ve read her Man Booker Prize shortlisted novel Eileen. The people who populate these tales are inappropriate, slack, liars, cheaters, sleezeballs, hypocrites – they are us.

Two stories – ‘Bettering Myself’ and ‘Slumming’ – are narrated by teachers, those bastions of standards and rules and betterment. In ‘Bettering Myself’ which opens the collection, a teacher at a Catholic school keeps a sleeping bag in the back of her room to facilitate naps when she’s still drunk from the previous night; considers one of her students to be a friend, and avoids teaching calculus by talking about her sex life. While ‘Slumming’ is set in the holidays when the narrator goes to live in Alna, a poor town where she owns a summerhouse. There, she eats a footlong sandwich divided in two – one half for lunch, the other for dinner; takes ten dollars’ worth of meth or heroin, depending what’s on offer in the bus-depot restroom three times a week, and occasionally hangs out with Clark who looks after the summerhouse the rest of the year. They slept together the first year she was there, ‘me crouching under the sloped ceiling, his genitals swung in my face like a fist’.

It’s not that I lacked respect for the people of Alna. I simply didn’t want to deal with them. I was tired. During the school year, all I did was contend with stupidity and ignorance. That’s what teachers are paid to do.

Many of the stories are concerned with the behaviour of men. Mr Wu is in love with the woman who dispenses the tokens at the arcade he frequents but doesn’t know how to speak to her. While he makes a plan, he visits sex workers in the city, averting his eyes when he has sex with them because ‘He had learned somewhere that closing your eyes meant that you were in love’. In ‘A Dark and Winding Road’, the narrator escapes to his parents’ cabin in the mountains following a fight with his pregnant wife, ‘to have one last weekend to myself before the baby was born and my life as I’d known it was ruined forever’. There he discovers a dildo underneath the blankets on the bed and an unexpected visitor.

Probably the best piece, if you were to judge each story alone, comes in the middle of the collection: ‘An Honest Woman’. A young woman meets her 60-year-old neighbour, Jeb, over the chain-link fence that separates their gardens. Her partner’s recently left her, while Jeb is widowed and has a nephew about the young woman’s age.

‘I’ll meet her,’ said the nephew. ‘But I’m not saying I’ll take her out. I don’t need any drama.’

‘What drama? You should be so lucky,’ Jeb said. ‘A sweet gal. Comes with baggage, of course, as they all do.’

‘Kids?’ the nephew asked. ‘Forget it.’

‘No, no kids. Emotional issues, more like,’ Jeb said. ‘You know women. Stray cats, all of them, either purring in your lap or pissing in your shoes.’

The story takes a creepy turn when the woman visits Jeb, waiting for his nephew but a storm prevents his arrival. Moshfegh highlights the irony of Jeb’s statement about women quoted above when she has him behave as an entitled, misogynistic white man.

It’s at this point in the collection that Moshfegh’s aim starts to become clear: this is a collection of stories about ordinary people at their worst, it’s a mirror held up to today’s society: to the misogyny, to the privilege, to the hypocrisy. Some of the characters know better but can’t be arsed to do better; some of them make an attempt but fall flat at the first hurdle. The collection’s full of characters for whom, essentially, nothing changes. To pull this off and maintain the interest of the reader is quite a feat and Moshfegh does it with style. Her prose is sharp, nailing thoughts, feelings and the messiness of life, love and sex – of which there is plenty.

This an accomplished collection. Every story is worthy of inclusion but there’s something about them taken together which really is spectacular. Ottessa Moshfegh is a remarkable writer.

 

Thanks to Jonathan Cape for the review copy.

Ones to Read in 2017

One of the joys of running this blog is getting to read advance copies of books I’ve been looking forward to as well as titles from new writers being published in the first half of 2017. I’ve read a whole host of books, mostly fiction – novels, novellas, short stories, and I’ve selected ten I think are must reads.

All publication dates are correct as of 2nd January 2017 for UK publication.

Homegoing – Yaa Gyasi

Effia Otcher and Esi are sisters, unaware of each other’s existence. In 1775, Effia’s mother, who beats her and is manipulative, conspires to marry her to one of the white slave traders. Effia goes to live with him in Cape Coast Castle, unaware that Esi is in the dungeon, packed tight with other women – alive and dead – waiting to be shipped to America. Gyasi then follows the two women’s timelines through to the present day. The story alternates between West Africa and America, each chapter told by one of the offspring of the previous character in that branch of the family tree and becoming a guide to the creation of black as a race. It’s an incredible piece of work. If you only read one book in 2017, make it this one.

Published 5th January 2017 by Viking

Homesick for Another World – Ottessa Moshfegh

If you thought the title character in Eileen was despicable, wait until you meet those who populate Moshfegh’s first short story collection. From a teacher who spends her summer break slumming it with drug addicts to the old white dude who tries to hit on his young neighbour to the girl who’s convinced she needs to kill a particular person in order to go to a better place, all of Moshfegh’s characters are unlikeable in some way. But that’s also because they’re real, their lives like ours. And that’s the beauty of her work. This is a brilliant collection; Moshfegh’s rapidly establishing herself as one of the best writers of her generation.

Published 12th January 2017 by Jonathan Cape

First Love – Gwendoline Riley

Neve, a writer in her mid-thirties, is married to Edwyn, an older man. She documents their turbulent relationship alongside an earlier reacquaintance with an ex-boyfriend and the relationships she had with her mother and father. All are manipulative and abusive in different ways and to varying degrees. Riley’s writing is razor sharp. She places the reader in Neve’s position and it never feels less than real. Packs a literal and metaphorical punch, leaving space for interpretation and discussion.

Published 2nd February 2017 by Granta

 

The End We Start From – Megan Hunter

As the sea-level rises around the UK, a woman gives birth to a boy her and her husband name Z. They leave for the mountains where her husband, R, grew up. Before long, queues are forming for food and basics and the family starts to disintegrate as R mistrusts the authorities and the unnamed narrator wants to protect Z. Taut, beautifully written, this tense novella will keep you gripped. I read it in one sitting and returned to it the following day.

Published 18th May 2017 by Picador

 

Little Deaths – Emma Flint

Queens, NYC, 1965. Ruth Malone’s in a bitter custody battle with her ex-husband when her two children Frankie, five, and Cindy, four, go missing from her apartment and are later found murdered. When the police discover Malone drinks, dates and takes care of herself they’re determined to pin the murders on her. A page-turner which explores patriarchal attitudes to women who don’t play the angel. Rage-inducing but gripping.

Published 12th January 2017 by Picador. 

 

Stay With Me – Ayòbámi Adébáyò

When Yejide fails to conceive, her husband, Akin, is convinced by his mother-in-law to take a second wife who will deliver the grandson she so desperately desires. Yejide is horrified at becoming a first wife and Akin feels little better about the arrangement but it will change both of their lives and their marriage for better and for worse. Told from alternating points of view Adébáyò explores the effect of patriarchal society on women and men with thriller-like pace and twists. Gripping and thoughtful.

Published 2nd March 2017 by Canongate.

Take Courage: Anne Brontë and the Art of Life – Samantha Ellis

If you enjoyed the BBC’s To Walk Invisible over Christmas, or can only name two of the Brontë sisters and their work, or have long been a fan of Anne and are glad someone else gets it, then Samantha Ellis’ investigation into who Anne Brontë was, her work and why we know so little about her is one for you. Ellis examines Anne through those who were closest to her and her two novels Agnes Grey and The Tenant of Wildfell Hall. The Anne Brontë reassessment/revival begins here.

Published 12th January 2017 by Chatto & Windus

 

Difficult Women – Roxane Gay

Third mention for the ‘p’ word but the women in Roxane Gay’s short story collection are only difficult because they break the rules the patriarchy imposes on them. Often they’re punished for it though – from the sisters who are kidnapped to the stripper followed home by a client – and question their worth to society. Written in clear, brutal prose, Gay shows how race, class, sexuality and gender affect average women every single day.

Published 3rd January by Corsair

 

The Things We Thought We Knew – Mahsuda Snaith

Ravine Roy has chronic pain syndrome and hasn’t left her mother’s council flat since her best friend, Marianne, disappeared ten years ago. Now she’s eighteen, her mum’s determined to get her out, starting with voting in the General Election. But Ravine’s got other things to worry about such as writing to Marianne, wondering who her mother’s companion is, and the noises coming from the unoccupied flat next door. If you loved The Trouble with Goats and Sheep or My Name Is Leon, The Things We Thought We Knew is your summer 2017 read.

Published 15th June 2017 by Doubleday

See What I Have Done – Sarah Schmidt

Schmidt takes the infamous case of Lizzie Borden and explores what might have happened on the days surrounding the murder of Borden’s father and stepmother. The narrative moves between Lizzie, her sister Emma, the maid Bridget and a young man called Benjamin, unknown to all but the Borden’s Uncle John, their late-mother’s brother. Schmidt creates a claustrophobic atmosphere placing the reader in the centre of a house stifling with heat and tensions. Gripping.

Published 2nd May by Tinder Press

Books of the Year 2016, Part Two

Yesterday I revealed my pre-2016 published fiction and 2016 non-fiction books of the year. Today it’s turn the of the 2016 fiction list and what an absolute corker of a year it’s been. (It needed to be to make up for the dire straits that is real life.) I’ve read and reviewed lots of good books so I’ve been very strict for this list and only included books I thought were superb and would happily re-read again and again. Click on the book covers to take you to my full reviews.

The Essex Serpent – Sarah Perry

If you’ve read my review or follow me on Twitter, it’ll be no surprise that this is my Book of the Year. Set over the course of a year, newly widowed Cora Seabourne decamps from London to Essex with her companion, Martha, and her withdrawn, unusual son, Francis. There she encounters two things which will change her life: the legend of the Essex Serpent, apparently returned and killing man and beast, and local reverend Will Ransome, who’s more modern in his thinking than Cora expects and is quite a match for her intellectually. With themes of science and religion, love and friendship this book is as smart as it is engaging. I didn’t read this book, I lived inside it. Pure joy.

 

The Lesser Bohemians – Eimear McBride

Eily leaves Ireland for London and drama school, determined to lose her virginity. When she does, it’s with Stephen, a relatively famous actor, who she assumes she’ll never see again. Of course it’s only a matter of weeks before she does and, despite the twenty-year age gap – she’s eighteen and he thirty-eight, a relationship, of sorts, begins. Over the course of a year in the 1980s, Eily and Stephen fall in and out of love and Stephen reveals his dark past. Written in a similar staccato, interior style to her debut, McBride places the reader in Eily’s head and we live out the year with her. Superb.

 

Martin John – Anakana Schofield

Martin John is an ‘inadequate molester’. Exiled to London from Ireland by his mother, following an incident in a dentist’s waiting room, Martin John follows his rituals and circuits to ensure he stays on the right side of the law. But he’s already made a mistake and now Baldy Conscience has stayed too long in John’s house they’ll be consequences. John’s mother’s story is also very interesting, equal parts heartbreaking and disturbing. An unusual subject told in an experimental, circular style, this really does linger long after you’ve finished reading it.

Under the Visible Life – Kim Echlin

The story of two women, Mahsa Weaver and Katherine Goodnow, who have two things in common: 1) jazz 2) their mixed heritage and the issues which have come with it. Two women who want independence but are prevented from having it in different ways due to their different cultural backgrounds – although all of their issues fall under the banner of patriarchy. Piercingly astute on women’s lives, loves and friendships.

 

 

 

Human Acts – Han Kang (translated by Deborah Smith)

The story of the aftermath of the student uprising in Gwangju, South Korea in 1980. Beginning with ‘The Boy’, Dong-Ho outside the municipal gymnasium, listening to the memorial service for the bodies being brought to the gym for families to identify and moving through a number of narrative voices, including the body of Dong-Ho’s friend, Jeong-dae. Shocking, violent and eyeopening.

 

 

My Name Is Leon – Kit de Waal

Carol is struggling following the birth of her second son, Jake. Tony, Jake’s father has no intention of leaving his long-term partner and family and Byron, nine-year-old Leon’s father, did a runner when he was due to go to court. She has no financial support and is suffering from postnatal depression. When Tina, the neighbour, calls social services, Jake and Leon are taken into care, going together to a foster carer’s house. Leon spends his time looking out for Jake, thinking about the things that happened when he lived with his mum and hoping that his mum will get better and come back for them. Instead, Carol disappears and white baby Jake is adopted. Leon, nine-years-old with light brown skin, is left behind with Maureen, the foster carer, with little hope of anyone offering him a permanent home. Heart breaking and precise, de Waal nails a child’s perspective, writing convincingly about a situation not often covered in literature.

Let Me Tell You About a Man I Knew – Susan Fletcher

1889. Saint-Rémy-de-Provence. There we find Jeanne Trabuc, wife of Charles – ‘The Major’ – the warden of Saint-Paul-de-Mausole, hospital for the mentally ill. A new patient arrives, an artist by the name of Vincent Van Gogh. Jeanne strikes up a friendship with the artist which becomes a catalyst for her long hidden feelings about her life. A wonderful novel about marriage – how it changes over time, how you can never really know someone even after thirty years – and the power of art to change the way you view the world.

 

 

Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika

Doctor Morayo Da Silva is approaching her 75th birthday. Former academic, ex-wife of an ambassador, she’s seen the world and lived it all. Now settled in San Francisco living a steady, reliable life…or so she tells us. The multiple narrators of this fascinating tale might not agree. Dr Morayo Da Silva is a wonderful character: a woman in her 70s who’s lived a varied life, unafraid to dress as she pleases, contemplate tattoos, read voraciously and discuss sexuality and how she’s found life as a woman and as a person of colour. A gem.

The Power – Naomi Alderman

A male academic, living in a matriarchy, writes a book about how women gained power – personally, through an electric current which becomes live in their bodies, and politically. The story follows three women: Roxy, a gangster’s daughter; Margot, a mayor, and Allie, an abused foster daughter, as they overturn their situations and begin to run the world. All of this is documented by a male journalist, Tunde, the first to capture the power on camera. Violence, corruption, sexual and domestic abuse, this is indeed a powerful read.

 

 

Eileen – Ottessa Moshfegh

24-year-old Eileen lives at home with her cruel, ex-cop father. She works at the juvenile detention centre where she fancies one of the prison guards who never acknowledges her existence. The week before Christmas, 1964, Rebecca Saint John arrives at the institution to be the first ever director of education. She takes a shine to Eileen and Eileen’s life takes a very dark turn indeed.

 

If You Look for Me, I Am Not Here – Sarayu Srivatsa 

Mallika, Siva’s Amma, becomes pregnant with twins: a boy and a girl. The girl, Tara, arrives with the umbilical cord still around her neck and dies moments later. The boy, Siva, survives. But Mallika wanted a girl and her grief for Tara leads her to reject Siva and accuse her husband of killing Tara. Brought up as a boy by his father and grandmother and a girl by his mother, Siva spends his childhood and adolescence questioning whether he is a boy or a girl. His story is interwoven with that of George Gibbs, an Englishman who used to live in their house. Dealing with pertinent issues of gender through interwoven stories of two cultures, the tales are completely engrossing and the writing’s both inventive and precise.

Dodge and Burn – Seraphina Madsen

An exercise in imagination that takes the reader on a road trip across the west of the USA and the possibilities of experimental fiction. Framed by news reports of a missing American heiress, Eugenie Lund, the story of her childhood and subsequent trip is told mostly through her notebooks. Virtually imprisoned as part of a social experiment by Dr Vargas, Lund’s childhood was an unusual one which ended when her sister disappeared. This is the story of her search for Camille. A welcome addition to the cult fiction genre, reclaiming something from generations of male writers. Hurrah!

In the Media, November 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

This fortnight’s been dominated by post-election coverage:

• Rebecca Traister, ‘Blaming Clinton’s Base for Her Loss Is the Ultimate Insult‘ in The Cut
• Mo Moulton, ‘An American in Brexit Britain: Reflections After the Presidential Election‘ on Catapult
• Toni Morrison, ‘Making America White Again‘ in The New Yorker
• Sal Randolph, ‘A Letter to My Male Friends Who May Not Know That They Are Women‘ on The Rumpus
• Gabrielle Bellot, ‘Queer Writers in the Age of Trump‘ on The Atlantic
• Hennessy Williams, ‘As a Sex Worker, I’m Terrified for the Next Four Years‘ on Vice
• Masha Gessen, ‘Why We Must Protest‘ on Literary Hub
• Valeria Luiselli, ‘This Is How the World Ends?‘ on Literary Hub
• Shani Gilchrist, ‘When There Is No Option to Forget: How My Family Shares Our Stories of Survival‘ on Catapult
• Jenny Zhang, ‘Against Extinction‘ on The New Enquiry
• Helen Lewis and Caroline Crampton, ‘How Ivanka, the new first daughter, sold the Trump brand to women‘ in the New Statesman
• Various, ‘What It Means To Be A Writer In The Time Of Trump‘ on The Huffington Post
• Kali Holloway, ‘Stop Asking Me to Empathize with the White Working Class‘ on Alternet
• Rhiannon Lucy Cosslett, ‘Hillary Clinton lost because of her gender, and it hurts like hell‘ in the New Statesman
• Muna Mire, ‘Resisting Trump’s Islamophobic Promise for America‘ on The New Enquiry
• Liz Meriwether, ‘After the Election, the White People of Los Angeles Adopted Pets‘ on The Cut
• Megan Garber, ‘Pop Culture Resents ‘The Establishment’ Too‘ in The Atlantic
• Sarah Blackwood, ‘Parenting by the Books: Slavery’s White Women‘ on The Hairpin
• Christina Sharpe, ‘Lose Your Kin‘ on The New Enquiry
• Melissa Febos, ‘Teaching After Trump‘ on Granta
• Rebecca Solnit, ‘How to Survive a Disaster‘ on Literary Hub
• Various, ‘Aftermath‘ in The New Yorker
• Rebecca Solnit, ‘Don’t call Clinton a weak candidate: it took decades of scheming to beat her‘ in The Guardian
• Abi Wilkinson ‘We need to talk about the online radicalisation of young, white men‘ in The Guardian
• Catherine Baker, ‘Queer grief and the secret chord with Kate McKinnon: it’s a cold and it’s a broken hallelujah‘ on Little Queer Ideograms
• Rachel Klein, ‘I, For One, As a White Woman, Welcome Our New Alien Overlords‘ on McSweeney’s
• Caitlin Frazier, ‘The Iconic Hillary Clinton‘ on The Atlantic
• Clare Foran, ‘Women Aren’t Responsible for Hillary Clinton’s Defeat‘ on The Atlantic
• Summer Brennan, ‘Cohen Dies, Trump Wins, and We Will Sing About these Dark Times‘ on Literary Hub

And the woman with the most publicity this fortnight is Zadie Smith. She’s interviewed on Literary Hub, Nylon, Waterstones, Lenny, The New York Times, The Atlantic, Slate and profiled by Sarah Hughes in The Observer.

The best of the rest:

On or about books/writers/language:

• Rebecca Slater, ‘Verse goes viral: how young feminist writers are reclaiming poetry for the digital age‘ in The Guardian
• Mica Lemiski, ‘Does Genre Really Matter?‘ on Room
• Emily Reynolds, ‘The literary glamour of madness‘ in The TLS
• Amy Kurzweil, ‘How I Made This Comic About How I Make My Comics: An Interactive Essay‘ on Catapult
• Miranda Popkey, ‘Call Me Elena‘ on The New Enquiry
• Sian Cain, ‘Costa book award 2016 shortlists dominated by female writers‘ in The Guardian
• Danielle Groen, ‘How Rupi Kaur Became the Voice of Her Generation‘ on Flare
• Aamna Mohdin, ‘Women are horribly under-represented in the world’s top literary awards‘ on Quartz
• Alanna Bennett, ‘The Harry Potter Fandom Is At A Crossroads‘ on Buzzfeed
• Ruth Padel, ‘Writing needs connection to the outside world: a lot of it seems to get done when you’re simply living’ in The Guardian
• Katherine Faw, ‘Elena Ferrante and Me: An Irrational Essay‘ on Catapult
• Svetlana Alexievich (tr. Anna Gunin and Arch Tait), ‘In Chernobyl‘ in Five Dials
• Melinda Sailsbury, ‘Why I will no longer submit my books for review by the Daily Mail or the Sun‘ in The Guardian
• Elaine Blair, ‘Chris Kraus, Female Antihero‘ in The New Yorker
• Ruth Scurr, ‘Elena Ferrante: Game of clothes‘ in the TLS
• Cornelia Funke, ‘Hurrah for translators: why we need to translate more children’s books‘ on BookTrust
• Nina Renata Aron, ‘Fake Failures: Why Are Successful Young Women Writers Playing Miserable Online?‘ on The Millions
• Zana Fraillon, ‘on writing about refugee children: “Their resilience keeps hope alive”‘ in The Guardian
• Jane Martinson, ‘Only 1.8% of sport articles are written by women – so much for progress‘ in The Guardian
• Jo Scott-Coe, ‘The Communion of Saints‘ on Talking Writing
• Milena Britto, ‘Women Writing in 21st Century Brazil: Experimentation and Narratives of Self‘ on Critical Flame
• Bim Adenwunmi, ‘Why “The Walking Dead” Has Become Fanfiction’s Muse‘ on Buzzfeed

Photograph by Rachel Eliza Griffiths

Personal essays/memoir:

• Kathleen Alcott’s Ghosts of Thanksgiving on Literary Hub
• Alison Stine, ‘Graffiti Taught Me Grit‘ on Lenny
• Jen Maidenberg, ‘Misfit Doc: In Living Colour‘ on Queen Mob’s
• Marian Ryan, ‘Things I Never Told Her‘ on Granta
• Kelly Luce, ‘Truth, Lies, and Videotape‘ in NY Mag
• Jen Sookfong Lee, ‘I Was Once That Girl‘ on Room
• Morgan Parker, ‘How to Stay Sane While Black‘ in The New York Times
• Ana Maria Guay, ‘Living in the Labyrinth of My Obsessive-Compulsive Disorder‘ on Catapult
• Elisabeth Sherman, ‘Why I Never “Fixed” My Teeth‘ on Catapult
• Evelyn Hampton, ‘Weightlessness‘ on Catapult
• Leah Kaminsky, ‘Finding Love at the End of History‘ on Literary Hub
• Esmé Weijun Wang, ‘After the Psych Ward, Eggs Are Freedom‘ on Extra Crispy
• Linda H. Davis, ‘Open After My Death‘ on Granta
• Eliza Kostelanetz Schrader, ‘The F Word‘ on Guernica

Feminism:

• Lisa Whittington-Hill, ‘Gateway Spice‘ on Hazlitt
• Alex Ronan, ‘What Women Used Before They Could Use the Law‘ in n+1
• Zoë Beaty, ‘Why we should celebrate our difficult friendships‘ on The Pool
• Kiera Feldman, ‘With Child‘ in Harper’s

Photograph by Kevin Day

Society and Politics:

• Celeste Ng, ‘Giving Thanks Is a Political Act‘ on Literary Hub
• Jane Martinson, ‘Why didn’t the Daily Mail put the jailing of Jo Cox’s murderer on its front page?‘ in The Guardian
• Anne Helen Peterson, ‘One Hundred Years Of Men Taking Off Their Shirts‘ on Buzzfeed
• Tara Isabella Burton, ‘Cult of One‘ on Real Life
• Rebecca Altman, ‘The Toxic-Waste Drum Is Everywhere‘ on The Atlantic
• Morgan Babst, ‘Everything Is Not Fine If It’s Not Fine for Everyone‘ on Literary Hub
• Charlotte Higgins ‘The hygge conspiracy‘ in The Guardian
• Ariel Ramchandani, ‘When the Devil Enters‘ on The Atavist Magazine
• Lara Whyte, ‘The Campaign Recruiting Former Extremists to Stop Girls from Joining ISIS‘ on Broadly
• Sara Peterson, ‘I Hate Shopping (and Shops Are the Problem)‘ on Catapult

The interviews/profiles:

• Kate Tempest (and Phoebe Waller-Bridge) in The Guardian
• Brit Bennett on Broadly
• Lydia Davis on Literary Hub and The TLS
• Alice Mattison on The Rumpus
• Emily Witt on Jezebel
• Magda Szubanski in The Guardian
• Julie Koh on Asymptote
• Lara Pawson on 3:am
• Chimamanda Ngozie Adichie on Racked
• Chivvis Moor on Literary Hub
• Elif Shafak in The TLS
• Ottessa Moshfegh on Publishers Weekly
• Ambai in the Indian Express
• Margot Livesey on The Millions
• Robin Coste Lewis on Literary Hub
• Carolyn Parkhurst on The Rumpus
• Elena Ferrante on Hazlitt

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media: October 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

A woman didn’t win The Man Booker Prize this year but there was still some interesting coverage of the prize and the shortlisted writers:

• Deborah Levy interviewed in the New Statesman
• Marta Bausells, ‘The Rise of the Small Press on the Man Booker Shortlist‘ on Literary Hub
• Ottessa Moshfegh interviewed on the Penguin Blog and in The New Yorker
• ‘How to write a Man Booker novel: six shortlisted authors share their secrets‘ in The Guardian
• Marta Bausells, ‘Inside the World of Judging the Man Booker Prize‘ on Literary Hub

The best of the rest:

On or about books/writers/language:

• Zadie Smith, ‘Dance lessons for writers‘ in The Guardian
• Dave McKenna, ‘The Writer Who Was Too Strong To Live‘ on Deadspin
• Jane Bernstein, ‘How I Helped Tell a Soldier’s Story‘ on Literary Hub
• Emily St. John Mandel, ‘The Gone Girl With The Dragon Tattoo On The Train‘ onFiveThirtyEight
• Megan Marshall, ‘Elizabeth and Alice‘ in The New Yorker
• Rachel Vorona Cote, ‘Are You an Anne Shirley or an Emily Starr?‘ on Literary Hub
• Seo Hee Im, ‘Sex, violence and The Vegetarian: the brutality of Han Kang’s Booker winner‘ in The Guardian
• Sara Nović, ‘Who Can Speak for the Deaf Community‘ on Literary Hub
• Rachael Nevins, ‘Fall to Pieces: On Elena Ferrante and My Own Frantumaglia‘ on Hazlitt
• Maddie Rodriguez ‘Anne Brontë, Anger, and the Resonance of Assault in the Tenant of Wildfell Hall‘ on BookRiot
• Shelley DeWees, ‘The Publisher Who Rejected Jane Austen‘ on Literary Hub
• Eleanor Brown, ‘‘I like the way he kisses my hand’: My grandmother’s life in jazz age Paris‘ in The Guardian
• M.L. Stedman, ‘On First Seeing Your Novel on the Big Screen‘ on Literary Hub
• Chloe Caldwell, ‘What I Think of the Fact That You Keep Asking Me What My Family Thinks of My Writing‘ on Catapult
• Sarah Schulman, ‘White Writer‘ in The New Yorker
• Sarah Hughes, ‘Shirley Jackson: the US queen of gothic horror claims her literary crown‘ in The Observer
• Ali Smith, ‘Ali Smith on the prime of pop artist Pauline Boty‘ in The Guardian
• Leah Schnelbach, ‘Imaginative Anthropology: In Celebration of Ursula K. Le Guin‘ on Tor.Com
• Nneka Okona, ‘On Travel Memoirs by Black Women Writers‘ on Literary Hub
• James Lasdun, ‘How Patricia Highsmith’s Mr Ripley Rises from Genre to Myth‘ on Literary Hub
• Wendy Jones, ‘What was really going on with English women?‘ in The Guardian
• MariNaomi, ‘The Making of a Comics Memoir‘ on Catapult
• Margaret Drabble, ‘I am not afraid of death. I worry about living’ in The Guardian
• Meg Elison, ‘If Women Wrote Men the Way Men Write Women‘ on McSweeney’s Internet Tendency

Personal essays/memoir:

• Sarah Thomas, ‘Inheritance and Time Travel‘ on Catapult
• Ciara O’Rourke, ‘The Other Sister‘ in Seattle Met
• Michelle Tea, ‘A Walking Tour Of The Places Where I Hit Rock Bottom‘ on Buzzfeed
• Dianca Potts, ‘Hallowed Hell House‘ on Lenny
• Alyssa Martino, ‘Vacancies‘ on Catapult
• Eli Goldstone, ‘Bad Dreams‘ on Granta
• Jodi Ettenberg, ‘Learning to Cope With Chronic Pain (And Why I’m Establishing a Home Base)‘ on Legal Nomads
• Mila Jaroniec, ‘Imprecise Magic‘ on Lenny
• Stephanie Land, ‘The Love of a Thousand Muskoxen: Grieving a Love Lost to Time and Sickness‘ on Longreads
• Sonia Weiser, ‘Scrabble With My Mum‘ on Catapult
• Nimko Ali, ‘What does it feel like to flee war as young child?‘ on The Pool
• Kelsey McKinney, ‘The Art of the Box Score‘ on Hazlitt
• Melissa Matthewson, ‘On Coupling: An Inventory‘ in Guernica
• Nadja Spiegelman, ‘When Beauty Makes You Vulnerable‘ on The Cut
• Emily Alford, ‘How Makeup Helped Me Reclaim My Face‘ on Buzzfeed
• Elizabeth Lindsey Rogers, ‘Learning to Embrace Guanxi: On Living Communally in China‘ on Literary Hub
• Niina Pollari, ‘Minor Gains‘ on Catapult
• Amani Al-Khatahtbeh, ‘On Being the Media’s Token Muslim Girl‘ on The Cut
• Lily Dunn, ‘The Fog and the Sea‘ on Granta
• Sonya Chung, ‘How I Learned That Beauty Doesn’t Have To Hurt‘ on Buzzfeed
• JD Ho, ‘Vegetables for a Dead President‘ on Catapult
• Rushaa Louise Hamid, ‘How I Found Myself When My Skin Changed Its Identity‘ on Buzzfeed

Feminism:

• Bibi Lynch, ‘Do not brand me a failure. I’m a survivor. All unhappily childless people are’ in The Guardian
• Heather Skyler, ‘The Boy Who Groped Me and the Flute Case That Saved Me‘ on Catapult
• Liz Meriwether, ‘Laughing Until We Cry: Conversations About Getting Flashed, Grabbed, and Groped‘ on The Cut
• Rachel Klein, ‘When the Body Breaks its Silence‘ on Catapult
• Andrea Bennett, ‘Chain Reaction‘ on Masionneuve
• Lynn Enright, ‘Why does it feel awkward to admit you’re on a diet?‘ on The Pool
• Sophie Wilkinson, ‘Addressing the toxic combination of misogyny and homophobia‘ on The Pool
• Laurie Penny, ‘Fear of a Feminist Future‘ on The Baffler
• Daisy Buchanan, ‘When women are surrounded by misogyny, they are going to internalise it‘ on The Pool

Society and Politics:

• Molly Ball, ‘Trump’s Graying Army‘ on The Atlantic
• Emma Bracy, ‘We Are Always Defined From a Distance‘ on Hazlitt
• Gaby Hinsliff, ‘Are we now persecuted for speaking up for the vulnerable?‘ on The Pool
• Ijeoma Oluo, ‘I’m not ready for the Obama era to end‘ in The Guardian
• Eimear McBride, ‘Brexit has disfigured the tolerant Britain I’ve known‘ in The Guardian
• Alex Wagner, ‘Marriage After Trump‘ on The Atlantic
• Chimamanda Ngozi Adichie, Gloria Steinem and Rashida Jones, ‘To the First Lady, With Love‘ in The New York Times
• Molly Ball, ‘In Ferguson, the Seeds of Trump’s Defeat‘ in The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Gabrielle Bellot, ‘Hayao Miyazaki and the Art of Being a Woman‘ on The Atlantic

The interviews/profiles:

• Naomi Alderman on The Writes of Woman and in The Guardian
• Vanessa Hua in The Los Angeles Review of Books
• Belle Boggs and Monica Youn on Literary Hub
• Toni Morrison on Literary Hub
• Emma Donoghue on Lenny
• Emily Witt on Literary Hub
• Therese Oneill on Salon
• Larissa Pham on Electric Literature
• Jess Kidd on Jo Hogan Writes
• Irenosen Okojie in 3:am Magazine
• Hannah Hart on Hello Giggles
• Claudia Rankine in The Guardian
• Joanna Kavenna on Literary Hub
• Britt Bennett on The Rumpus
• Zadie Smith in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

Flying Under the Radar…but well worth your time

2016 is shaping up to be such a corking year in books (thank goodness, eh, considering the state of everything else…) that I was going to do a books of the mid-year point list. However, when I drew up my longlist I noticed that it split neatly into two categories: those books you already know about because everyone is talking about them and those that I wish everyone was talking about because they’re brilliant and haven’t had the recognition they deserve. So here’s twelve books I’ve read so far this year that I think are worthy of your time and attention. Clicking on the covers will take you to my full review.

Let Me Tell You About a Man I Knew – Susan Fletcher

A new patient arrives at Saint-Paul-De-Mausole, an artist called Vincent van Gogh. The story of the novel, however, belongs to Jeanne Trabuc, the warder’s wife. van Gogh serves as a catalyst for a change in her steady, claustrophobic life. A fantastic portrait of a marriage and the power of art to change how you see the world.

Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika

Doctor Morayo Da Silva is approaching her 75th birthday. Former academic, ex-wife of an ambassador, she’s seen the world and lived it all. Now settled in San Francisco living a steady, reliable life…or so she tells us. The multiple narrators of this fascinating tale might not agree. (This also gives me an opportunity to point you in the direction of this excellent piece recommending more women novelists you might enjoy by Sarah Ladipo Manyika on Vela: Seven Bold and New International Voices.)

Martin John – Anakana Schofield

You know that reviewers’ cliche about books staying with you long after you’ve turned the final page? Well I read this in December and I still shudder every time I think about it. Martin John is an ‘inadequate molester’. Exiled to London from Ireland, by his mother, following an incident in a dentist’s waiting room, Martin John follows his rituals and circuits to ensure he stays on the right side of the law. But he’s already made a mistake and now Baldy Conscience has stayed too long in Martin’s house they’ll be consequences. John’s mother’s story is also very interesting, equal parts heartbreaking and disturbing.

Under the Udala Trees – Chinelo Okparanta

A coming-of-age novel in 1970’s Nigeria. Ijeoma discovers her sexuality when she meets Amina. Her mother attempts to ‘correct’ her homosexuality through schooling her in The Bible and manoeuvring her into marriage. Gripping, heartbreaking but ultimately hopeful.

Sitting Ducks – Lisa Blower

The perfect post-Brexit novel if you’re one of those people wondering who was ‘stupid’ enough to vote Leave in those run-down post-industrial towns destroyed by Thatcher and neglected by subsequent administrations. ‘Totty’ Minton’s fed up of being skint, unemployed and living in a house marked for demolition by his former school mate and private property entrepreneur, Malcolm Gandy. Corruption and despair are rife in the lead-up to the 2010 general election and there seems to be no end in sight.

The Living – Anjali Joseph

Joseph also looks at working class lives. 35-year-old, single mother, Claire, works in one of the UK’s remaining shoe factories and struggles with her teenage son, Jason, while her feud with her mother rumbles on. Arun, a shoe maker and grandfather in Kolhapur, struggles with his health and looks back on his life and marriage. An excellent character study.

Under the Visible Life – Kim Echlin

The story of two women, Mahsa Weaver and Katherine Goodnow, who have two things in common: 1) jazz 2) their mixed heritage and the issues which have come with it. Two women who want independence but are prevented from having it in different ways although all under the banner of the patriarchy. Piercingly astute on women’s lives.

If You Look for Me, I Am Not Here – Sarayu Srivatsa

Mallika, Siva’s Amma, becomes pregnant with twins: a boy and a girl. The girl, Tara, arrives with the umbilical cord still around her neck and dies moments later. The boy, Siva, survives. But Mallika wanted a girl and her grief for Tara leads her to reject Siva and accuse her husband of killing Tara. Brought up as a boy by his father and grandmother and a girl by his mother, Siva spends his childhood and adolescence questioning whether he is a boy or a girl. His story is interwoven with that of George Gibbs, an Englishman who used to live in their house. You can read my interview with Sarayu Srivatsa here.

Mend the Living – Maylis de Kerangal (translated by Jessica Moore)

Simon Limbeau is fatally wounded in a road traffic accident. Pulled from the wreckage and transported to an Intensive Care Unit, the novel charts the progress to the point when Simon’s heart becomes that of Claire Méjan. As the heart’s journey progresses, we meet all of the people involved in transporting it from one body to another. Gripping and fascinating.

Masked Dolls – Shih Chiung-Yu (translated by Wang Xinlin and Poppy Toland)

Twenty-three chapters, each one titled ‘Conflict’ and the number of the chapter. Initially these conflicts seem to be individual tales: Judy and her Chinese lover; Jiaying and Lawrence, her Western boyfriend; Jiaying’s father’s stories of World War Two; the person who steals underwear from the flat Jiaying and her friends live in when they’re students; Jiaying’s friend Fat Luo’s increasing hatred of her. But as the book progresses, it becomes increasingly clear that these ideas are thematically linked. Greater than the sum of its parts.

Ghostbird – Carol Lovekin

In a Welsh village where it rains every day in August, fourteen-year-old Cadi Hopkins begins to ask questions about her dead father and sister and why she’s not allowed to go to the lake. Cadi lives with her mother, Violet, with whom she’s locked in an intensified teenage daughter/mother battle. Cadi’s aunt/Violet’s sister-in-law, Lili, lives next door and acts as a surrogate mother to Cadi. Lili also has a contentious relationship with Violet. Nature, magic realism, secrets and family relationships. Atmospheric.

Eileen – Ottessa Moshfegh

Eileen tells the story of ‘back then’ when she lived with her alcoholic, ex-cop, father, was a secretary in a boys’ juvenile correction facility and met Rebecca Saint John, the beautiful, intelligent, fashionable director of education who befriends Eileen and leads her down a very dark, twisty path.

Eileen – Ottessa Moshfegh

Eileen might ‘look like a girl you’d expect to see on a city bus, reading some clothbound book from the library about plants or geography’ but if that was all you took her for, you’d be very much mistaken.

…I deplored silence. I deplored stillness. I hated almost everything. I was very unhappy and angry all the time. I tried to control myself, and that only made me more awkward, unhappier, and angrier. I was like Joan of Arc, or Hamlet, but born into the wrong life – the life of a nobody, a waif, invisible. There’s no better way to say it: I was not myself back then. I was someone else. I was Eileen.

‘Back then’ is 50 years previously when 24-year-old, Eileen, (we do not learn her new name) still lived at home with her ex-cop, alcoholic father. After the death of her mother, the house became dirty, dusted and crowded with things. ‘I remember it like those photos of homes in the desert ravaged by nuclear testing.’ Her father is cruel and, in retrospect (ironically), reminds her of the boys in the juvenile correctional facility where she works as a secretary.

Eileen is a fascinating character. She’s obsessed with her body, or what other people are thinking about her body. She puts her paycheck in her small bosom for safekeeping; she wears lipstick to hide the natural colour of her lips which ‘were the same color as my nipples’; she struggles with smiling believing the inside of her mouth is as private as between her legs, and on the day of Dr. Frye’s retirement party, seemingly as a form of revenge against the invisibility she feels in his presence, this scenario unfolds:

At some point I got an itch in my underwear, and since there was nobody to see me, I stuck my hand up my skirt to get at it. As swaddled as they were, my nether regions were difficult to scratch. So I had to dig my hand down the front of my skirt, under the girdle, inside the underwear, and when the itch had been relieved, I pulled my fingers out and smelled them. It’s a natural curiosity, I think, to smell one’s fingers. Later, when the day was done, these were the fingers I extended, still unwashed, to Dr. Frye when I wished him a happy retirement on his way out the door.

She is also intrigued by other people but in a very dark, disturbing way. She tells us that she prefers the ‘rough’ boys at the facility – ‘…their crimes seemed far more normal’ – than the privileged boys who strangled siblings and tortured animals. 

One of Eileen’s roles is to oversee the visits from friends and family. She tells us of one where a woman comes to visit the boy who raped her.
No one had ever tried to rape me, after all. I’d always believed that my first time would be by force. Of course I hoped to be raped by only the most soulful, gentle, handsome of men, somebody who was secretly in love with me – Randy, ideally.

The aptly named prison guard, Randy, is not secretly in love with Eileen, he barely registers her, even when she sits outside his house at weekends or walks past him on the street. If ever there was a character that would benefit from a visit to Doctor Freud, Eileen is the one.

The novel’s not just a character study though, it tells the tale of the week before Christmas, 1964 when Eileen’s life changes dramatically. ‘This is the story of how I disappeared.’

Eileen has already begun fantasising about disappearing, moving to New York City, where life was guaranteed to be more exciting when Rebecca Saint John, arrives at the institution and in Eileen’s life.

Saint John is the facility’s first ever director of education. Fresh from Harvard, blonde, fashionable, beautiful. Eileen is tasked with showing Saint John to her locker. The combination – 32, 24, 34 – leads Saint John to make a joke about her measurements which makes Eileen blush. A one-sided conversation about small breasts ensues until Eileen builds up courage and tells Rebecca, “I completely agree with you”.

What is that old saying? A friend is someone who helps you hide the body – that was the gist of this new rapport. I sensed it immediately. My life was going to change. In this strange creature, I’d met my match, my kindred spirit, my ally. Already I wanted to extend my hand, slashed and ready to be shaken in a pact of blood, that was how impressionable and lonely I was. I kept my hands in my pockets, however. This marked the beginning of the dark bond which now paves the way for the rest of my story.

The rest I’ll leave for you to discover yourself, needless to say it is gripping, twisty and very dark indeed.

Eileen is a taut, tense, beautifully disturbing read from a highly talented new writer. It’s a dream of a book if you’re a fan of unlikeable characters or of literary psychological thrillers with unreliable first-person narrators. An absolute gem.

 

Thanks to Jonathan Cape for the review copy.