In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.
It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.
The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.
Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.
The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.
And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.
The best of the rest:
On or about books/writers/language:
- Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
- Hilary Mantel, ‘My Writing Day‘ in The Guardian
- Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
- Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
- Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
- Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
- Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
- Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
- Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
- Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
- Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
- Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
- Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘ on Literary Hub
- Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
- Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
- Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
- Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
- Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
- Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
- Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
- Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
- Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
- Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
- Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
- Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
- Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
- Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
- Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
- Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
- Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
- Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
- Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
- Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
- Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
- Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
- Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
- John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
- Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian
Personal essays/memoir:
- Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
- Marina Lucic, ‘Lessons on Hate‘ in Litro
- Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
- Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
- Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
- Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
- Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
- Faith Adiele, ‘All of the Above‘ on The Rumpus
- Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
- Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
- Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
- Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
- Clare Archibald, ‘Congealed‘ on The Real Story
- Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
- Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
- Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
- Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
- Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
- Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
- Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut
Feminism:
- Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
- Fariah Roísín, ‘In My Image‘ on Maisonneuve
- Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
- Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
- Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
- Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
- Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
- Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
- Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
- Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
- Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
- Melissa Gira Grant, ‘Heather‘ on Buzzed
- Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool
Society and Politics:
- Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
- Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
- Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
- Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
- Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
- Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
- Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
- Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
- Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
- Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
- Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph
Film, Television, Music, Art, Fashion and Sport:
- Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
- Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
- Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
- Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool
The interviews/profiles:
- Lisa Owens in The Bookseller
- Robin Black & Natalie Serber on Bloom
- Maggie Nelson in The Guardian
- Michelle de Kretser in Vol. 1 Brooklyn
- Brit Bennett on Jezebel
- Danielle Dutton in Brooklyn Magazine
- Idra Novey on The Rumpus
- Helen Garner in the Sydney Morning Herald
- Yvette Edwards on the Waterstones’ Blog
- Lynsey Hanley in The Guardian
- Elif Batuman on Literary Hub
- Rachel Traister on The Pool
- Sara Sheridan on From First Page to Last
- Janet Todd in Shiny New Books
- Sharon Guskin in Shiny New Books
- Karen Kovacik on Guernica
- Caitlin and Caz Moran on The Pool
- Maylis de Kerangal in BOMB
- Sophia Bennett in The Guardian
- Cynthia D’Aprix Sweeney on Literary Hub
- Danielle McLaughlin on Short Fiction
- Jenny Downham on The Bookseller
The regular columnists:
- Laurie Penny in The New Statesman
- Lucy Mangan in Stylist
- Roxane Gay in The Guardian US
- Yasmin Alibhai-Brown in The Independent
- Caitlin Moran in The Times
- Lauren Laverne in The Pool
- Ella Risbridger in The Pool
- Sali Hughes in The Pool
- Bim Adewunmi in The Guardian
- Sophie Heawood in The Guardian
- Eva Wiseman in The Observer
- Tracey Thorn in The New Statesman
- Chimene Suleyman and Maya Goodfellow on Media Diversified
- Josie Pickens on Ebony
- Bridget Christie in The Guardian
- Lizzy Kremer on Publishing for Humans
- Juno Dawson in Glamour
- Kashana Cauley on Catapult
- Louise O’Neill in the Irish Examiner
I’ve just bought the Anne Boyd Rioux book about Constance Fenimore Woolson and the Constance Fenimore Woolson short stories she has edited too. Really looking forward to both books.
LikeLiked by 1 person
Oh, exciting. I look forward to hearing your verdict.
LikeLiked by 1 person
Great post as always. Thanks also for including Sara’s Q&A
LikeLiked by 1 person
Hello Naomi! I’m a huge fan of The Writes of Woman and I’d love to send you a book which I’m sure you’ll love by a bestselling French female novelist. Could you let me know your email or drop me a line to discuss further? All best, Jen
LikeLike
Hi, Jen, beemerbride [at] hotmail [dot] com
LikeLike