In the Media, April 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It’s the bicentenary of Charlotte Brontë’s birth. Contributors including Sarah Waters, Margaret Drabble and Jeanette Winterson reflect on Jane Eyre in The Guardian; Samantha Ellis wrote about ‘The Greatest Heroines of All Time‘ on the BBC, and Sam Jordison asked, ‘Reading Jane Eyre: can we truly understand Charlotte Brontë or her heroine today?‘ in The Guardian. The Brontë Blog is doing an excellent job of curating everything and well worth having a look at.

The Guardian commissioned some research into the 70 million comments which have been left on its website since 2006. The results revealed that while the highest commenters are white men, the most abuse was left on articles by eight women writers and two male writers of colour. The only people who seemed surprised were white men. It’s great to have statistical evidence in support of this but listening to female writers and male writers of colour and acting on it might be a good idea too. Jessica Valenti, the most targeted writer wrote, ‘Insults and rape threats. Writers shouldn’t have to deal with this‘.

Andrew Piper and Richard Jean So decided to carry out some analysis regarding the words used in book reviews of books by male and female writers, ‘Women Write About Family, Men Write About War‘ in the New Republic details their findings.

The Baileys’ Women’s Prize for Fiction shortlist was announced this week. Hanya Yanagihara has ‘A Little Life – A Photo Story‘ on the Picador Blog; Anne Enright, Elizabeth McKenzie, Hanya Yanagihara and Lisa McInerney are interviewed on the Baileys’ Prize blog, along with longlistees Shirley Barrett, Vesna Goldsworthy, Becky Chambers, Julia Rochester and Kate Atkinson. Some of us (myself included) were shocked that Kate Atkinson’s A God in Ruins failed to make the shortlist, Eleanor Franzen considers why on Litro.

And in Australia, the Miles Franklin literary award longlist was announced with books by women taking five of the nine slots.

The best of the rest:

On or about books/writers/language:

• Gillian Flynn, ‘The book that inspired Gone Girl‘ in The Guardian
• Hilary Mantel, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘Most romances are badly written‘ in The Telegraph
• Alison Flood, ‘Miss Peregrine author returns with illustrated collection of fairytales‘ in The Guardian
• Jonathon Sturgeon, ‘On a Strong 2016 Man Booker International Shortlist, Ferrante Still Looks Like a Sure Thing‘ on Flavorwire
• Harriet Brown, ‘Leave Peter Rabbit Alone‘ in The Guardian
• Robert Gottlieb, ‘Brilliant, Troubled Dorothy Parker‘ in The New York Review of Books
• Samantha Powell, ‘Fifteen Years Later, Bridget Jones Is Still Teaching Me to Embrace Imperfection‘ on The Cut
• Lynn Steger-Strong, ‘Reader-Based‘ on Catapult
• Tanya Gold, ‘Working as a diarist meant not caring about the people you hurt‘ in The New Statesman
• Alana Massey, ‘Climbing Mount Sontag‘ in Hazlitt
• Alexandra Alter, ‘Curtis Sittenfeld Is No Jane Austen, But She’s O.K. with That‘ in The New York Times
• Louisa Thomas, ‘The Conflicted Early Feminism of Louisa Catherine Adams‘  on Literary Hub
• Hilton Als, ‘Immediate Family: Maggie Nelson’s Life in Words‘ in The New Yorker
• Michelle Dean, ‘The Wreck: Adrienne Rich’s feminist awakening, glimpsed through her never-before-published letters.‘ in New Republic
• Kim Brooks, ‘A Portrait of the Artist As a Young Mom‘ in The Cut
• Anya Groner, ‘Space Tourism in Modern Storytelling‘ on Electric Literature
• Natasha Carthew, ‘I didn’t see working class identity in books when I was growing up, and I don’t see enough now‘ in The Guardian
• Rumaan Alam, ‘Why Wasn’t Great American Novelist Jane Smiley on the Cover of a Magazine?‘ in Literary Hub
• Elena Sheppard, ‘Why I’ve been reading and re-reading “Bridget Jones’s Diary” for 20 years‘ on Hello Giggles
• Daisy Buchanan, ‘How to buy the perfect book for someone else‘ on The Pool
• Esme Weijun Wang, ‘Why My Novel Uses Untranslated Chinese‘ on Literary Hub
• Diane McWhorter, ‘Harper Lee, the National Antidote‘ on Slate
• Bridget Read, ‘On Maggie Nelson’s The Red Parts, Ten Years Later’ on Literary Hub
• Anne K. Yoder, ‘Fiction Must Be Fed: On Margaret Cavendish, Frida Kahlo, and Marie Curie‘ on The Millions
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Laura Miller, ‘I’ll Be There for You: The difficult, dangerous task of writing about a friend‘ on Slate
• Melissa Chadburn, ‘The Girl in the Cabinet (I Read What You Wrote and I Hate You)‘ on Electric Literature
• Hannah Gersen, ‘Gluten-Free Proust‘ on The Millions
• Fatima Bhutto, ‘My Grandfather’s Library, Relic of a Freer Pakistan‘ on Literary Hub
• Ann Patchett, ‘The Bookstore Fights Back‘ on Literary Hub
• Anne Boyd Rioux, ‘Women Writers You Should Know: Constance Fenimore Woolson‘ in The Toast
• Ainehi Edoro, ‘How not to talk about African fiction‘ in The Guardian
• Jesse Crispin, ‘The Self-Hating Book Critic‘ on Copper Nickel
• Clare Warner, ‘‘Her nose was straight with a soft tip at the end’ — Writing Race at School‘ on Media Diversified
• Caroline Criado-Perez, ‘I realised I’d been sold a lie about women’ in The Guardian
• John William Walker Zeiser, ‘The Unsettling Gaze of Han Kang: Examining Han Kang’s The Vegetarian and Human Acts‘ on Electric Literature
• Lynnette Lounsbury, ‘I loved the beat generation. Then I realised it has no place for women‘ in The Guardian

Personal essays/memoir:

• Kat Lister, ‘Saying “No” doesn’t have to be negative‘ on The Pool
• Marina Lucic, ‘Lessons on Hate‘ in Litro
• Lauren Libbert, ‘Losing my mother, then losing the music that could soothe after she’d gone‘ on The Pool
• Maggie Thach Morshed, ‘Shooting in the Dark‘ on Catapult
• Meagan O’Connell, ‘How Did I Wind Up a Housewife in Paradise?‘ on The Cut
• Lydia Kiesling, ‘Throwing Away the Most Beautiful Dress I Ever Owned‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ in Midnight Breakfast
• Faith Adiele, ‘All of the Above‘ on The Rumpus
• Mega Majumdar, ‘Laughter as Criticism‘ in Guernica
• Lily Gutierrez, ‘Peaches and Melisande‘ on Motherland
• Lynsey Hanley, ‘How I became middle-class‘ in The Guardian
• Kate Gavino, ‘A Band Named HotdogA Band Named HotdogA Band Named Hotdog‘ on Catapult
• Clare Archibald, ‘Congealed‘ on The Real Story
• Kate Bolick, ‘Afterlives: My Mother’s Breast Cancer, and My Own‘ in The New Yorker
• Kathryn Harrison, ‘On the Impossibility of Seeing Yourself‘ on Literary Hub
• Penny Anderson, ‘What it feels like to do your make-up when you’re blind‘ on The Pool
• Soraya Chemaly, ‘Listening to Old Women‘ in The Toast
• Melissa Broder, ‘How I Discovered the Power of a Hot-Pink Fake Penis‘ in The Cut
• Anissa Helou, ‘Before the War: The Lost Delicacies of Aleppo‘ on Literary Hub
• Heather Havrilesky, ‘My Wedding Was a Disaster, and Yours Will Be, Too‘ on The Cut

Feminism:

• Revati Upadhya, ‘I’m A Woman Who Doesn’t Have Or Want Kids, And I’m Happy‘ on Buzzfeed
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Gaby Hinsliff, ‘Who would think any good could come from an MP calling a woman ‘totty’?‘ in The Guardian
• Marisa Bate, ‘The everyday bravery of being a woman‘ on The Pool
• Sara Pascoe, ‘Boob jobs are viewed as a decorative tweak, but these women are self-harming’ in The Guardian
• Jill Lepore, ‘The Sovereignty of Women‘ in The New Yorker
• Rachel Aviv, ‘The Cost of Caring‘ in The New Yorker
• Shohana Khan, ‘If Muslim women’s clothing makes them consenting slaves, who are their slave masters?‘ on Media Diversified
• Siobhan Fenton, ‘Today in the UK, a woman was sentenced for the crime of an abortion – yet we act outraged at Donald Trump‘ in The Independent
• Stephanie Boland, ‘Think Donald Trump’s comments are shocking? They’re the law for some UK women‘ in The New Statesman
• Jesse Singal, ‘Is Attachment Parenting a Plot to Force Women Back Into the Home?‘ in The Cut
• Melissa Gira Grant, ‘Heather‘ on Buzzed
• Bridget Minamore, ‘Being a dark-skinned woman and the prejudices we face ‘ on The Pool

Society and Politics:

• Erika Hayasaki, ‘In a Perpetual Present‘ on Wired
• Catherine Buni & Soraya Chemaly, ‘The Secret Rules of the Internet‘ on The Verge
• Laura Elizabeth Woollet, ‘In Search of the Darkest Cult in American History‘ on Literary Hub
• Ijeoma Oluo, ‘How Teju Cole Helped Me Make Peace with the Nigerian Scam Artist‘ on Literary Hub
• Elizabeth Kolbert, ‘Unnatural Selection‘ in The New Yorker
• Lynn Casteel Harper, ‘On Vanishing‘ in Catapult
• Elizabeth Senja Spackman, ‘Proximal Grief‘ in Guernica
• Pamela Rolloff, ‘The Reckoning‘ in Texas Monthly
• Rachel Vorona Cote, ‘The Agony and the Ecstasy of the Ugly Cry‘ in New Republic
• Suzanne Moore, ‘Making money is not a vice, but refusing to contribute tax is‘ in The Guardian
• Paris Lees, ‘Dear Ian McEwan, your ideas about penises are outdated‘ in The Telegraph

Film, Television, Music, Art, Fashion and Sport:

• Kate Aurthur, ‘How “Nina” Became A Disaster Movie‘ on Buzzfeed
• Sarah Lyall, ‘Swim. Bike. Cheat?‘ on Longreads
• Anna Leszkiewicz, ‘Lost and found: why are we obsessed with stories of young women escaping their kidnappers?‘ in The New Statesman
• Marie Phillips, ‘Kimmy Schmidt, and the unmitigated joy she will bring to your life‘ on The Pool

The interviews/profiles:

• Lisa Owens in The Bookseller
• Robin Black & Natalie Serber on Bloom
• Maggie Nelson in The Guardian
• Michelle de Kretser in Vol. 1 Brooklyn
• Brit Bennett on Jezebel
• Danielle Dutton in Brooklyn Magazine
• Idra Novey on The Rumpus
• Helen Garner in the Sydney Morning Herald
• Yvette Edwards on the Waterstones’ Blog
• Lynsey Hanley in The Guardian
• Elif Batuman on Literary Hub
• Rachel Traister on The Pool
• Sara Sheridan on From First Page to Last
• Janet Todd in Shiny New Books
• Sharon Guskin in Shiny New Books
• Karen Kovacik on Guernica
• Caitlin and Caz Moran on The Pool
• Maylis de Kerangal in BOMB
• Sophia Bennett in The Guardian
• Cynthia D’Aprix Sweeney on Literary Hub
• Danielle McLaughlin on Short Fiction
• Jenny Downham on The Bookseller

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

The Baileys’ Women’s Prize for Fiction Shortlist 2016

The judges have made their decision! The absence of Kate Atkinson’s A God in Ruins is a complete shock. Many of us on the shadow panel thought it was by far one of the best books on the list. The shadow panel shortlist shares three titles with the official shortlist. I’m also pleased to see The Portable Veblen and A Little Life on the list, both of which I rated highly.

Here’s the six shortlisted books. If you click on the cover, it will take you to my review.

 

The Bailey’s Women’s Prize for Fiction Longlist 2016

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

Here they are, the 20 books longlisted for this year’s Bailey’s Women’s Prize for Fiction. In alphabetical order (of author’s surname):

A God In Ruins – Kate Atkinson

Rush Oh! – Shirley Barrett

Ruby – Cynthia Bond

The Secret Chord – Geraldine Brooks

The Long Way to a Small, Angry Planet – Becky Chambers

A Dictionary of Mutual Understanding – Jackie Copleton

Whispers Through a Megaphone – Rachel Elliott

The Green Road – Anne Enright

The Book of Memory – Petina Gappah

Gorsky – Vesna Goldsworthy

The Anatomist’s Dream – Clio Gray

At Hawthorn Time – Melissa Harrison

Pleasantville – Attica Locke

The Glorious Heresies – Lisa McInerney

The Portable Veblen – Elizabeth McKenzie

Girl at War – Sara Nović

The House at the Edge of the World – Julia Rochester

The Improbability of Love – Hannah Rothschild

My Name Is Lucy Barton – Elizabeth Strout

A Little Life – Hanya Yanagihara

My initial reaction is that the three books I thought were certs are all on there – A God in Ruins, My Name Is Lucy Barton and A Little Life. Very pleased to see all three.

I predicted six of the titles, which is my highest success rate ever! Very pleased to see Girl at War on the list as well as The Portable Veblen. I’ve enjoyed all those I’ve already read, which includes The Green Road which I haven’t posted my review for yet.

As for the rest of the list, I’m delighted to see Pleasantville – I loved Black Water Rising and have had the latest on my TBR pile for ages. I’ve also heard good things from people I trust about The Book of Memory, At Hawthorn Time and The Glorious Heresies.

As always with The Bailey’s Prize there are some books I hadn’t heard of before I saw the list. My absolute favourite part of this is reading those titles, there’s always one in there that surprises me with its brilliance. On looking through the blurbs, I can’t believe I hadn’t come across Ruby, it’s had so many fantastic reviews, and The Anatomist’s Dream is perfect for my PhD thesis so I’m very pleased it’s come to my attention.

I’m looking forward to getting stuck into the reading and debating the books with the rest of the shadow panel. I’m hoping you’ll join in the discussion on our blogs and Twitter too. Can’t wait to hear what everyone thinks of the chosen titles.

 

 

My Bailey’s Women’s Prize for Fiction 2016 Wishlist

It’s almost time! The Bailey’s Women’s Prize for Fiction longlist will be announced next Tuesday, 8th March. Once again, I’ll be shadowing the prize and for the second year running, I’ll be doing so with a panel. I’ll introduce you to the members of that panel on Friday.

For now though, here are the books I’d like to see appear on Tuesday’s list. They’re a combination of books I’ve loved and those I’m keen to read based on what I’ve heard about them so far. I’ve had to cull this list significantly to keep it to 20 books so, as usual, anything’s possible with the real one!

To be eligible, books have to be written in English and first published in the UK between 1st April 2015 and 31st March 2016. Publishers can enter three full length novels per imprint plus anything eligible by writers who have previously won the prize.

I’ve reviewed the first eleven titles – click on the covers to go to my reviews – and read the next three as well (reviews coming soon).

 

In the Media, February 2016, part two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

The best of the rest:

On or about books/writers/language:

• Janet Ellis,‘I submitted my book under a pseudonym’ in The Telegraph
• Sarah Pinborough, ‘“The first outline was way more weird than the final novel” – on writing 13 Minutes‘ on One Book Lane
• Katherine Clements, ‘The Real Wicked Lady‘ on The History Girls
• Elen Caldecott, ‘Children’s books: a middle class ghetto?‘ in The Guardian
• Grady Hendrix, ‘Beloved: The Best Horror Novel the Horror Genre Has Never Claimed‘ on Tor.Com
• Laura Malonee, ‘The Subversive Women Who Self-Publish Novels Amid Jihadist War‘ on Wired
• Cathy Retzenbrink, ‘Lucy Kalanithi, a mourning wife on her husband’s brilliant legacy‘ on The Pool
• Susan Burton, ‘The Quietly Subversive Fictions of Dana Spiotta‘ in The New York Times
• Lisa Levy, ‘The Fine Grim Line Between Love and Stalking: On the Crime Fiction of Caroline Kepnes‘ on Literary Hub
• AFP, ‘Love, Rage, Silence: Secret Lives of Afghanistan’s Female Poets‘ in The Express Tribune
• Belinda McKeon, ‘The Night that Sylvia Plath Met Ted Hughes‘ on Literary Hub
• Edan Lepucki, ‘The Anxiety of Influence: Children’s Books and Their Grown-Up Counterparts‘ on The Millions
• Emily Harnett, ‘When Art Cannot Console Us In Death‘ on Literary Hub
• Anna Hope, ‘The inspiration for an asylum set on the Yorkshire Moors‘ on the Penguin blog
• Rosalind Harvey, ‘A Response to “Beyond Bolaño and Beyond”‘ on Full Stop
• Lisa McInerney, ‘Writers on Location: on Cork City‘ on The Literary Sofa
• Melissa Keil, ‘When is YA going to shape up to body diversity?‘ in The Guardian
• Maddie Crum ‘Some Books Just Aren’t Made To Be Adapted For The Screen, And That’s OK‘ on Huffington Post
• Gila Lyons ‘Female Friendships and Online Literary Sexism‘ on The Rumpus
• Polly Vernon, ‘All the attention came from women telling me how stupid my book was‘ in The Guardian
• Kathryn Evans, ‘How writing YA helped me make sense of my childhood‘ on Scottish Book Trust
• Robert McCrum, ‘The 100 best nonfiction books: No 3 – No Logo by Naomi Klein (1999)‘ in The Guardian
• Tracy McVeigh, ‘Ferrante fever sees ‘dangerous’ Naples turn into a tourist hotspot‘ in The Observer
• Valerie Grove, ‘My hero: Margaret Forster‘ in The Guardian
• Sarah Crompton. ‘Girl, uninterrupted: staging Eimear McBride’s chaotic masterpiece‘ in The Guardian
• William Deresiewicz, ‘Where Have You Gone, Annie Dillard?‘ on The Atlantic
• Kavita Das, ‘On Parsing‘ on VIDA
• Emily Sipiora, ‘Françoise Sagan and Luxury Existentialism‘ in The Northwest Review of Books
• Katie Cotton, ‘Women in picture books: are we there yet?‘ on Scottish Book Trust
• Martin Chilton, ‘How Valley of the Dolls went from a reject to a 30-million best-seller‘ in The Telegraph
• Candy Gourlay and Laura Dockrill, ‘Why we love enchantment in children’s books‘ in The Guardian
• Daniel Peña, ‘Octavia Butler’s Notebook Represents All The Anxieties Of Writers Of Color‘ on Ploughshares
• Niina Pollari, ‘The Marvelous Bonfire‘ on Catapult
• Nandini Balial, ‘On Finding Yourself in the Work of Jhumpa Lahiri‘ on Literary Hub
• Siyanda Mohutsiwa, ‘I’m Done With African Immigrant Literature‘ on Okay Africa
• Andrew Harrison, ‘Framed! Meet the creators shaking up modern comics‘ in The Guardian
• Claire Armitstead, ‘Margaret Forster, award-winning author, dies at 77‘ in The Guardian
• Hannah Tennant-Moore, ‘The Best Literary Writing About Sex‘ on Literary Hub
• Catherine Nichols, ‘One Weird Trick That Makes a Novel Addictive‘ on Jezebel
• Eleanor Franzén, ‘On Culture: The Dark Side of Beatrix Potter‘ on Litro
• Máire T Robinson, ‘Sheela-na-gigs and writing what you don’t know‘ in The Irish Times
• Chibundu Onuzo, ‘Yes, I’m black. But an ethnic minority? Forget it‘ in The Guardian
• Anne Boyd Rioux, ‘Eight Classic Female Bildungsromane You Should Know About If You Don’t Already‘ in The Toast
• Esther Kuforiji, ‘Stories of Blackness — Chapter 4: Literary Festivals‘ on Medium
• Julia Eccleshare, ‘Gillian Avery obituary‘ in The Guardian

Personal essays/memoir:

• Liz Dashwood, ‘Grown-ups are allowed to have meltdowns, too‘ on The Pool
• Joyce Maynard, ‘What Luck Means Now‘ in The New York Times
• Erin Lee Carr, ‘Still Rendering‘ on Medium
• Danielle Bacher, ‘My Autistic Brother’s Quest for Love‘ in Esquire
• Bruna Dantas Labato, ‘Notes on Record-Keeping‘ on Ploughshares
• Joanna Horton, ‘Hard Luck: On Motherlessness‘ in The Toast
• Edan Lepuki, ‘The Secret, Magical Underwear That Only Moms Know About‘ in The Cut
• Kim Pittaway, ‘After‘ on Hazlitt
• Jennifer Hanks, ‘Somewhere Across The Sea‘ in Lumen
• Nicolette Loizou, ‘Travelling in Fiji‘ on Litro
• Esther Schor, ‘My Last JDate‘ in Tablet
• Antonia Honeywell, ‘I was driven out of my beloved church by homophobia‘ in The Telegraph
• Marian Keyes , ‘on the Agony of Small Goodbyes‘ on The Pool
• Susan Shapiro, ‘Both Sides Now‘ on Tablet
• Carmen Maria Machado, ‘The Moon Over the River Lethe‘ on Catapult
• Sarai Walker, ‘Yes, I’m Fat. It’s O.K. I Said It.‘ in The New York Times
• Miriam Foley, ‘Remembering Román‘ on Litro
• Susan Daitch, ‘Treasure Hunters‘ on Guernica
• Farah Róisín, ‘Why Them?‘ on Hazlitt

Feminism:

• Anna James, ‘What’s behind the lack of female pilots?‘ on The Pool
• Jia Tolentino, ‘What Should We Say About David Bowie and Lori Maddox?‘ on Jezebel
• Laura Munoz, ‘To Men I Love, About Men Who Scare Me‘ on Medium
• Dolly Alderton, ‘Hey, spurious polls. This is the *perfect* woman‘ on The Pool
• Emma Lindsay, ‘What I Learned From Dating Women Who Have Been Raped‘ on Medium
• Caroline O’Donoghue, ‘On the sad inevitability of the grown man and the teenage girl‘ on The Pool
• Caroline Criado-Perez, ‘Companies are to publish their gender pay gaps – but will this lead to financial equality?‘ on the New Statesman
• Louise O’Neill, ‘I wonder if my ex-boyfriends thought female sexuality was something to be laughed at‘ in the Irish Examiner
• Sandra Newman, ‘Woman Facts‘ on McSweeney’s
• Robyn Wilder, ‘Why is the P-word so cringingly awful?‘ on The Pool
• Rebecca Solnit, ‘The Case of the Missing Perpetrator‘ on Literary Hub
• Sophie Mayer, ‘The Legend of Greenham Common Women’s Peace Camp‘ on Berfrois
• Sady Doyle, ‘Progressive‘ on her Tumblr
• Aricka Foreman and Mimi Wong, ‘Except, All Of Us: Women & the Myth of Safety‘ on The Offing
• Laura June ‘When You’re Pregnant, Nothing Seems in Your Control‘ on The Cut

Society and Politics:

• Kyla Marshell, ‘The Other World Where Everyone Lives‘ in The Blueshift Journal
• Elspeth Reeve, ‘The Secret Lives of Tumblr Teens‘ on New Republic
• Michelle Goldberg, ‘Is a Surrogate a Mother?‘ on Slate
• Alana Massey, ‘Checking Your Date’s Instagram Isn’t ‘Stalking,’ It’s Research‘ on The Cut
• Meena Kandasamy, ‘“I Am An Anti-National…Count Me Out”‘ on Outlook
• Aaminah Khan, ‘I Don’t Need White Progressives Telling Me, A Queer Muslim, About Homophobia In Islam‘ on Harlott
• Lisa Rab, ‘Poverty in Charlotte: ‘It Was Never Okay’‘ in Charlotte Magazine
• Beulah Maud Devaney, ‘Which Cities Would Be Most Likely to Survive a Zombie Apocalypse?‘ on City Metric
• Jihan Crowther ‘What Dating Abroad Taught Me About Stateside Racism‘ on Jezebel
• Jaya Saxena, ‘Some Unorganized Mixed Race Thoughts‘ in The Toast
• Lineal Ajello, ‘More and More War Stories‘ on Guernica
• Susan Gillman, ‘Remembering Slavery, Again‘ in The Los Angeles Review of Books
• Eleanor Margolis, ‘The new young fogeys‘ in The New Statesman
• Emiko Jozuka, ‘The Woman Who Makes Prosthetic Pinkies for Ex-Yakuza Members‘ on Motherboard

Film, Television, Music, Art, Fashion and Sport:

• Joy Resmovits, ‘The UCLA gymnast who became a viral sensation by just being herself on the floor‘ in the LA Times
• Elizabeth Day, ‘Happy Valley’s women: flawed, funny and completely brilliant‘ on The Pool
• Elizabeth Sankey, ‘In praise of Ab Fab, female friendship and not caring what other people think‘ on The Pool
• Lorrie Moore, ‘The Shame of Wisconsin‘ in The New York Review of Books
• Caroline O’Donoghue, ‘Superheroes have to deal with the same problems the rest of us do‘ on The Pool
• Alexandra Molotkow, ‘The Uncomfortable Power of Pop-Music Cruelty‘ on The Cut
• Hannah Giorgia, ‘Why Do Black Women In Movies Have To Choose Between A Weave And A Relationship?‘ on Buzzfeed
• Cali Hughes, ‘Red is so much more than a colour. It’s a state of mind.’ on the 4th Estate blog
• Lisa Owens, ‘Does Don’t Tell The Bride actually contain the secrets to a happy life?‘ on The Pool
• Lisa Hix, ‘Out of the Shadow of Aunt Jemima: The Real Black Chefs Who Taught Americans to Cook‘ on Collectors Weekly
• Jamie Lauren Keiles, ‘I’m a Hat Person Now‘ on The Cut

The interviews:

• Elizabeth Strout in The Guardian
• Kelly Link on The Millions
• Elena Ferrante in The Gentlewoman
• Idra Novey on Hazlitt, Electric Literature, Weird Sister and Literary Hub
• Janet Ellis in The Bookseller
• Hilary Spiers on Greenacre Writers
• Ann Neuman and Sheri Fink in Guernica
• Marie Annhearte Baker in Room
• Marjorie Liu in Guernica
• Jhumpa Lahiri on Slate, the Wall Street Journal and  Literary Hub, Parts One and Two
• Belinda McKeon on Electric Literature
• Lucy Kalanithi in The Guardian
• Sara Majka on Electric Literature
• Salena Godden on The Woven Tale Press
• Marina Warner on The Literateur
• Ann Goldstein on NPR
• Antonia Honeywell on Greenacre Writers
• Angela Flournoy on The Rumpus
• Sarah Perry on Radio Praha
• Meg Rosoff in The Guardian
• Han Kang on Literary Hub
• Joanna Walsh in Tank
• Alida Nugent on The Rumpus
• Natasha Wimmey on Broadly
• Caroline Bergvall on Asymptote
• Jo Bloom in Psychologies
• Elizabeth McKenzie on Literary Hub
• Sharon Guskin in The Bookseller
• Cate Kennedy on Paul McVeigh’s website
• Sara Gruen and Sarah McCoy on Salon
• Gillian Slovo in The Observer
• Melissa Green in the Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour

The Portable Veblen – Elizabeth McKenzie

Was this the stuff married life would be made of, two people making way for the confounding spectacle of the other, bewildered and slightly afraid?

The Portable Veblen begins with an engagement between Paul Vreeland, 34, and 30-year-old, Veblen Amundsen-Hovda:

…independent behaviorist, experienced cheerer-upper, and freelance self, who was having a delayed love affair with the world due to an isolated childhood and various interferences since.
 

In simple terms, the novel charts the period between Veblen and Paul’s whirlwind engagement and their wedding. But what McKenzie does in that period is examine family relationships: how they affect who we become and whether our view of our parents and siblings needs to be reassessed when we’re adults; questions whether marriage takes away something of ourselves; exposes some Big Pharma practices, and wonders whether squirrels have the power to change people’s lives.

Both Veblen and Paul have issues with their families. Veblen’s mother, Melanie C. Duffy, ‘intervenes’ constantly in Veblen’s life, particularly with regards to her physical and mental health.

From bracing them in defense since girlhood, her guts were robust, her tolerance for adversity high. By clearly emphasizing all that was lacking in others, by mapping and raising to an art form the catalog of their flaws, Veblen’s mother had inversely punched out a template for an ideal human being, and it was the unspoken assumption that Veblen would aspire to this template with all her might.

However, Melanie’s health – according to her – is poor. She’s worked through a number of doctors who’ve failed to give her an adequate diagnosis. Now Veblen’s marrying a doctor, she assumes he’ll abhor her. Prior to meeting Paul, Veblen’s avoided romantic relationships assuming no one would understand her, now she realises that in her early relationships, ‘she hadn’t been looking for a love affair, but rather a human safe house from her mother’.

Paul’s always felt sidelined by his family after growing up with a disabled brother. There’s no doubt this has contributed to his desire to become a doctor and his rapid move to a programme run by Hutmacher, one of the largest pharmaceutical companies in the world. At the Hutmacher funded veterans’ hospital he runs clinical trials on a device he’s designed which he believes will prevent permanent brain injury immediately after the damage has occurred.

And in the midst of all this, popping up repeatedly are the squirrels. Veblen’s house has a squirrel infestation in the attic, at least this is how Paul sees it. Since childhood she’s believed that squirrels are telling her something. The morning after the engagement while Paul’s out buying pastries, one appears at the bedroom window. It seems to respond to Veblen’s conversation through gestures and then places one of its hands on the glass as though it wants to touch Veblen’s face. She removes her engagement ring:

…she felt free to place the tips of her fingers on the glass where the squirrel’s hand was pressed. The squirrel studied her with warm brown eyes, as if to ask: How well do you know yourself, and all the choices you could make? As if to tell her, I was cut loose from a hellish marriage, and I want to meet muckrackers, carousers, the sweet-toothed, and the lion-hearted, and you don’t know it yet, but you are all of these.

But the squirrels come to play a bigger part in their lives than Paul, at least, might have predicted.

The Portable Veblen is a satirical take on dynamics and power in families, in relationships, in the medical profession and between humans and squirrels. It’s often laugh-out-loud funny but behind the humour and the borderline surreal incidents lie some serious questions about society. It’s Franzen at his best and most humorous – with squirrels – or A.M. Homes’ May We Be Forgiven with a much better ending – and squirrels. If I’d read it before Christmas it would most certainly have been on my Ones to Read preview. A gem.

If you want to sample the opening chapters for yourself, The Portable Veblen was The Pool’s Bedtime Book last week.

 

Thanks to Fourth Estate for the review copy.

In the Media: 14th December 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

This week there’s been a lot written about rape and the culture which surrounds it due to a piece published in Rolling Stone magazine about a gang rape at The University of Virginia. Responses came from Margaret Talbot in The New Yorker, Emily Yoffe on Slate, Maya Dusenbery on Feministing, Rhiannon Cosslett of The Vagenda in Time, Salamishah Tillet in The Nation and Sarah Ditum in The New Statesman; Deb Rox wrote about working at a rape crisis program in ‘Truth Is a Fire I Couldn’t Hold‘ on The Butter; Lena Dunham wrote about her own experience of speaking out on Buzzfeed; Katie McDonough comment on Salon in a piece titled, ‘The right’s Lena Dunham delusion: Anger, misogyny and the dangers of business as usual‘, and Caitlin Moran wrote about the Ched Evans’ case in the UK. While from a story focus, Kathleen Founds wrote about Vonnegut and rape culture on Buzzfeed and Sarah Hughes wrote about ‘Rape on TV‘ in The Guardian.

It’s also been another week where #readwomen2014 has been highlighted. Creator Joanna Walsh reflected on the year in The Guardian; Lauren Aimee Curtis wrote about her year of reading women in Meanjin; Lorraine Meads wrote about creating the first Feminist Library in Nottingham on Dawn of the Unread; Rebecca Mascull wrote about her reading year on her blog, and @hashughes began a Women’s Writing Calendar – send her forthcoming events you’re involved in/are aware of so we can share in the goodness. Meanwhile, Nicola Sheppey at The Vagenda wrote ‘Why Women Need to Read Books By Men‘.

And the other big story was Vlogger Zoella’s novel. The fasting selling debut since records began was ghostwritten, it was revealed last Sunday. You can read the story in The Telegraph. Keren David wrote her thoughts about it on An Awfully Big Blog Adventure; Matt Haig defended her in The Guardian; thirteen-year-old Zoella fan Julia Brookes commented on Girl Online, and on Thursday, Siobhan Curham, the ghost writer involved, commented on her own blog.

The best of the rest articles/essays:

• Ursula K. Le Guin, ‘Knowing a Book By its Cover‘ on Book View Cafe Blog
• Francine Prose, ‘Courts Without Reporters‘ in the New York Review of Books
• Sadie Stein, ‘Hand in Glove‘ in The Paris Review
• Michelle Dean, ‘Wild and Into the Wild‘ on Slate
• Bethany Rose on Rebecca Solnit’s Men Explain Things to Me and Other Essays on For Books’ Sake
• Karrie Fransman, ‘Why We Should Be Taking Comics More Seriously‘ at TedxYouth@Manchester (video)
• Libby Copeland, ‘Oxytots‘ on Slate
• Rowan Coleman, ‘Dear Marian Keyes‘ on Novelicious
• Val McDermid, ‘Why I Write Mysteries and Thrillers‘ on Publishers Weekly
• Glynnis MacNicol, ‘I’m 40. I Don’t Want to Be a Mom. Now What?‘ on The Cut
• Valeria Luiselli, ‘Collected Poems‘ on New York in The New Yorker
• Sanjida O’Connell, ‘Science in Fiction‘ on Women Writers, Women’s Books
• Rachel Manija Brown and Sherwood Smith, ‘How our children’s book about a gay superhero avoided the straightwash‘ in The Guardian
• Jan Bindas-Tenney, ‘The Border Crisis in Leisureville‘ in Guernica
• Ruth Graham, ‘The Disappearance of Rosemary Tonks‘ on Poetry Foundation
• Jessie Burton, ‘The Miraculous Healing Power of a Doll’s House‘ in The Independent
• Viviana Hurtado, ‘Open Letter to the New York Times: Latino Children’s Authors and Illustrators Have Earned a Place on the Year-End List‘ Latinas for Latino Lit
• Emily Schultz, ‘How Ursula Le Guin’s “Very Far Away from Anywhere Else” Made Me Feel Less Alone‘ on Bustle
• Tiffany Midge, ‘Ghoul, Interrupted‘ on The Butter
• Roxane Gay on Megham Daum and personal essays in The New York Times
• Sheila Curry Oakes, ‘A Lifetime of Losing (And Finding) Myself in Literature‘ on Huffington Post
• Salena Godden on writing Springfield Road on For Books’ Sake
• Sophie Coulombeau, ‘I’m getting married: should I change my surname‘ in The Guardian
• Grace Dent on Lorna Sage’s Bad Blood on BBC Radio 4
• Marina Warner, ‘How Fairytales Grew Up‘ in The Guardian
• Carrie Frye, ‘The Gothic Life and Times of Horace Walpole‘ on Longreads
• Lucy McKeon, ‘The Meaning of Coincidence‘ on Guernica
• Lauren Laverne, ‘The best Christmas Present? An NHS with no funding issues‘ in The Observer
• Triple Canopy honours Lynne Tillman

The interviews:

• Elena Ferrante in The New York Times
• Valeria Luiselli on Electric Literature
• Lindsay Hunter in The Los Angeles Review of Books
• Raquel Cepeda on Amy Gigi Alexander’s blog
• Nell Zink in The Paris Review
• Elizabeth McCracken on Literary Mama
• Roxane Gay on the Nerdette Podcast
• Julia Wertz in The Paris Review
• Darcey Steinke on About
• Jan Morris in The New York Times
• Rebecca Solnit on Free Thinking on BBC Radio 3 (from 17.30)
• Mary Costello on Mr. B’s Emporium of Reading Delights blog
• Claudia Rankine in The Believer
• Lisa O’Donnell on Author Link
• Wendy Cope in The Guardian
• Marian Keyes – In the Bathroom, Part One on Sali Hughes Beauty

If you want some fiction or poetry to read:

• ‘The Sentimentality of William Tavener‘ by Willa Cather on Biblioklept
• ‘Savage Breast‘ by Elizabeth McKenzie in The New Yorker. McKenzie talks about the story here.
• An extract from Ridley Road by Jo Bloom on One Book Lane and a different extract on We Love This Book
• An extract from The Chimes by Anna Smaill on her website
• There’s a whole collection of chapbooks published by Sundress Publications free to read on their website
• ‘One-Hundred Percent Risk‘ by Cheryl Klein in Blunderbuss
• ‘Mother and Daughter‘ by Elisabeth Frost
• ‘Fragmented Instructions for Half-Formed Girls‘ by Claire Lombardo on Luna Luna
• ‘Through the Woods‘ by Abigail Mitchell on The Butter
• Academy Street by Mary Costello is BBC Radio 4’s Book at Bedtime
• ‘The Visit‘ by Kate Hamer on Wales Art Review
• ‘Crepuscular‘ by Leesa Cross-Smith on Wyvern Lit

Or some non-fiction:

• An extract from The Secret History of Wonder Woman by Jill Lepore on Bookanista
• An extract from Cinderland by Amy Jo Burns on The Butter
• ‘I miss my biggest heart‘, Emily Dickinson to Susan Huntingdon Gilbert on Letters of Note

And the lists:

• 19 Times Amy Poehler Gave Absolutely Sound Advice on Buzzfeed
• Amy Poehler’s Opinion on 26 Random Things on Buzzfeed
• 15 Powerful Books by Women to Give as Gifts on The Cut
• The Best Poetry Books of 2014 on Flavorwire
• 25 books You Might Have Missed in 2014 on Flavorwire
• Electric Literature’s 25 Best Novels of 2014
• Electric Literature’s 25 Best Story Collections of 2014
• For Books’ Sake’s Bookish Feminist Gift Guide
• 2015 Books We Can’t Wait to Read on Huffington Post
• 6 Things You Didn’t Know About Emily Dickinson’s Writing Process on Flavorwire
• YA Trilogies that Ended in 2014 (That You Should Read in 2015) on Huffington Post
• 2014’s 10 Best Debut Young Adult Novels on Bustle
• And The Millions added more contributions to their ‘A Year in Reading‘ overviews.