Seeing Double

Naomi on Naomi on Naomi

Photograph of Naomi Klein by Adrienne Grunwald.

Doppelganger – Naomi Klein (Allen Lane)

‘We are not, and never were, self-made. We are made, and unmade, by one another.’

For some time, people have confused the anti-capitalist, climate activist Naomi Klein with the (former?) feminist and conspiracy theorist Naomi Wolf. This wasn’t a huge issue for Klein until it was. Until Wolf’s brand of conspiracy became hurtful and harmful and Klein’s reputation was at stake. Until Klein saw herself disappearing – a sentiment most of us can appreciate – during the height of the Covid-19 pandemic when life was largely lived online and conspiracies rocketed. 

Klein explores the reasons she sees for Wolf’s transition to ‘diagonalist politics’ through which Wolf has aligned herself with people such as Steve Bannon, far-right commentator and Donald Trump’s former strategist. This becomes a doorway into wider issues: how the novelty and uncertainty of a worldwide pandemic allowed conspiracy theorists to exploit people’s fears; how everyone with an online profile has created their own doppelganger from whom Big Tech is harvesting data; the wellness industry and how it became wrapped up in the far-right, and autism as the trial-run for the anti-vaxxers.

Throughout these deep dives, Klein returns repeatedly to the idea of the doppelganger in literature and film. From Hans Christian Anderson and Charlie Chaplin to Carmen Maria Machado and Jordan Peele, landing firmly, although somewhat to her chagrin, on Philip Roth, Klein explores the portrayal of doubles, discussing their roles to illuminate our own doppelgangers and how we might handle them.

While all of this sounds like heavy going, there is humour integrated. As a fellow Naomi, I am grateful to Klein for including the correct pronunciation of our name:

In Montreal’s Jewish community, where I grew up, almost everyone pronounced it “Nye-oh-me,” with a flat “eye” on the first syllable that sounded whiny and dreary to my ears. No matter how many times I introduced myself as “Nay-oh-me,” it came back with the “Nyeeee-oh-me” drone.

“You gave me a name with a built-in whine,” I whined to my mother when I was in tenth grade.

She also discusses being confused for Naomi Campbell on multiple occasions, something that has also happened to me despite being neither a Londoner nor a supermodel. Klein initially attributed this to the name being ‘just uncommon enough that the first Naomi a person became aware of tended to imprint herself in their mind as a kind of universal Naomi’. A theory which falls flat to me as I confess to confusing Klein and Wolf myself, despite Campbell being the first and, for a long time, the only other Naomi whose existence I was aware of. 

Throughout the book, Klein questions herself, ‘other Naomi’ – as she refers to the version of Wolf she has to live with – having led her to this state. The core of this becomes an inquiry into whether or not changing the discourse changes the world. Particularly in a society where ‘monstrous clowns’ such as Trump and Boris Johnson have trivialised issues and even Greta Thunberg, who once gave rousing speeches, now replies ‘Blah blah blah’ to the deals and treaties announced by leaders who then take little to no action. 

What then is the point of reading this book? Whoever our doppelgangers, whether self-created or imposed upon us, Klein’s response is to tell us to return from the mirror world, stop building fortresses we think will keep us safe by keeping others out, and start joining collective action, discussing our differences and pushing for the changes that just might save us and the planet we live on. The point of the book is a call to arms. We can all spend hours online masquerading as our doppelgangers, reading and debating, but what action are we going to take in the physical world?

The copy of Doppelganger I read was my own purchase. 

In the Media, February 2016, part two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

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On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

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Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

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Film, Television, Music, Art, Fashion and Sport:

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The interviews:

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The regular columnists:

In the Media: 5th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

As In the Media seems to be growing by the week, I’ve divided it into more categories. Comments welcome on what you think of the change and whether you’d prefer different/more section headings.

The big news this week is the launch of The Pool, a free, online resource written by women, for women. Writer and broadcaster, Lauren Laverne and writer and former Red magazine editor, Sam Baker are the women behind it, The Guardian ran a piece about the site earlier in the week. ‘Drops’ of content are released during the day; each piece tells you approximately how long it will take you to read/listen to/watch, and you can search by content or by time if you’ve only got a few minutes.  You can also sign up for an account which allows you to save articles to your ‘scrapbook’ either to read later or refer back to.

I’ve dipped in a few times this week and I love it; it’s clearly organised with some great contributors. My picks so far would be the book section (of course), where you can read the opening of Caitlin Moran’s How to Be a Girl and the opening of Hausfrau by Jill Alexander Essbaum. There’s also an interview with Essbaum and 10 Things You Need to Know About Anne Tyler as well as an article by Baker about why good books often end up making bad films.

Elsewhere on the site, I’ve enjoyed Sam Baker’s ‘Does this mean I’m not allowed to be a LEGO any more?‘; Lauren Laverne’s blog, ‘Is being a teenager harder than ever before?‘; Sali Hughes’ ‘Why every woman needs a solo playdate‘ and ‘Is it ever OK to commit liticide?‘ (although I winced through the whole of that one); Holly Smale’s ‘Why can’t we just get over Cinderella?‘; Gaby Hinsliff’s ‘What would happen if men didn’t have the vote?‘; Stacey Duguid’s ‘Flares if you care‘ where Duguid goes around high street shops trying flares on like you do when you’re shopping (as opposed to raiding the magazine’s fashion cupboard); an extract from Lynsey Addario’s It’s What I Do: A Photographer’s Life of Love and War, and Laurene Laverne’s interviews with Caitlin Moran and Kim Gordon.

In Harper Lee news, ‘Harper Lee elder abuse allegations declared ‘unfounded’ by Alabama‘ says The Guardian.

The best of the rest:

On or about books/writers:

Personal essays/memoir:

Feminism:

Society:

Music:

The interviews:

If you want some fiction to read:

Photograph by Jane Feng

 

If you want some poetry to read:

If you want some non-fiction to read:

The lists:

In the Media: 29th March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

News this week from ABC that a Tasmanian writer, Marjorie Davey, has published her first novel at the age of 95. She might be the oldest but she’s not the only woman to be published later in life; Abby Ellin’s article, ‘Finding Success, Well Past the Age of Wunderkind‘ in the New York Times includes Lucille Gang Shulklapper, first published at 60, and Cathy writes about Leland Bardwell: The forgotten woman of Irish literature, first published at 48, on 746Books.

At the opposite end of the age spectrum (give or take) the big news this week was that Zayn Malik left pop band One Direction. Before the news broke, Leesa Cross-Smith wrote ‘One Direction & Other Boy Bands‘ on Real Pants (which had me watching more 1D videos than I’d ever seen before (which was none)) while advertisements for Granta popped up). Anna Leszkiewicz wrote ‘I’m an adult woman with a real boyfriend – and I’m absolutely heartbroken about Zayn Malik quitting One Direction‘ in The Independent, Mackenzie Kruvant wrote, ‘How One Direction Helped Me Find My Girls‘ on Buzzfeed, and Huma Munshi wrote, ‘The Courage of Zayn Malik and Why Strong Men Cry‘ on Media Diversified.

Media Diversified also published an open letter ‘To the organisers of the Baileys Women’s Prize for Fiction‘ regarding Cathy Newman and Grace Dent being members of the judging panel.

Granta, in celebration of their new website, opened up some of their archive, including these letters from Iris Murdoch to Raymond Queneau; ‘Night‘ by Alice Munroe; Sayaka Murata’s ‘A Clean Marriage‘ (tr. Ginny Tapley Takemori), and ‘Hardy Animal‘ by M.J. Hyland

It was the anniversary of Virginia Woolf’s death this week. Daniel Swift wrote ‘Virginia Woolf in the Bomb-scarred City‘ in Five Dials and Louise Brearley read Virginia Woolf’s final letter to her husband in The Telegraph.

And in commemoration of the third anniversary of Adrienne Rich’s death, The Critical Flame have devoted a whole issue to her and her work. The table of contents is here.

Angelina Jolie Pitt turned to writing this week with her ‘Diary of a Surgery‘ in The New York Times. Fay Schopen responded with ‘Angelina Jolie says the decision to deal with her cancer was simple. Mine is not‘ in The Guardian, while Caroline Corcoran wrote about her own experience, ‘I never felt like I’m less of a woman because I don’t have breasts or ovaries‘ in The Independent.

But the woman with the most publicity this week seems to be JK Rowling. ‘JK Rowling says she received ‘loads’ of rejections before Harry Potter success‘ wrote Alison Flood in The Guardian; Stylist ran ‘JK Rowling’s Brilliant Response to Fan Who ‘Can’t See’ Dumbledore as Gay, Plus 9 Times She Owned Twitter‘; Matilda Battersby wrote, ‘JK Rowling defends Dumbledore on Twitter: Seven Things You Might Not Know About the Hogwarts’ Headmaster‘ in The Independent; Chris Mandle wrote, ‘Why we need more fictional gay role models like Albus Dumbledore‘ in The Telegraph and Stylist ran a piece titled, ‘JK Rowling Describes Hitting ‘Rock Bottom’ In a New Book About The Benefits Of Failure

In Harper Lee news, the cover of Go Set a Watchman was revealed this week. The Guardian are inviting people to design their own.

Finally, if you want a good reading list of books by women, the Edge Hill Short Story Prize announced its longlist this week, including Anneliese Mackintosh, Stella Duffy, Kirsty Logan, May-Lan Tan, Hilary Mantel and A.L. Kennedy.

The best of the rest articles/essays:

 

The interviews:

If you want some fiction/poetry to read:

The lists: