In the Media, May 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

The best of the rest:

On or about books/writers/language:

• Bethanne Patrick, ‘I Am Jessa Crispin’s Problem with Publishing‘ on Literary Hub
• Kate Morton, ‘I wrote The House at Riverton during my baby’s nap times‘ in The Telegraph
• Micah Perks, ‘How My Best Friend Willa Cather Helped Me Beat Stage Fright‘ on Literary Hub
• Alison Flood, ‘Kate Mosse speaks up for European literature in face of Brexit‘ in The Guardian
• Anne Boyd Rioux, ‘The Diminution of Women Writers: An American Tradition‘ on Literary Hub
• Flora Willis, ‘Let Me Be Frank: I Love Dick, So Sad Today, The Argonauts and ‘confessional’ literature‘ on Serpent’s Tail
• Brooke Hauser, ‘Take It or Leave It: Guidebooks for Single Girls‘ on The Millions
• Louisa Treger, ‘From Violinist to Writer‘ on The Literary Sofa
• Andrew Dickson, ‘‘The strange thing is we howled with laughter’: Sarah Kane’s enigmatic last play‘ in The Guardian
• Jami Attenberg, ‘Appreciating the View‘ on Lenny
• Sian Cain, ‘Lionel Shriver: Donald Trump’s too far-fetched for fiction‘ in The Guardian
• Dana Schwartz, ‘Why Hasn’t ‘The Late Show’ Invited Any Female Novelists?‘ on Observer
• Eileen Pollack, ‘Why Fiction Needs More Women Scientists‘ on Literary Hub
• Ali Smith, ‘History of violence: on Alan Garner‘ in the New Statesman
• Alexandra Alter, ‘Masters of Prose Warm Up to Children’s Picture Books‘ in The New York Times
• Charlotte Geater, ‘When Romance Comics Hated Women‘ on Women Write About Comics
• Marni Graff, ‘Using Crime Fiction to Present Fully Formed Muslim Characters‘ on Literary Hub
• Edna O’Brien, ‘Is literature a dying animal?‘ in The Guardian
• Anne Enright, ‘On Writing‘ on the Baileys Women’s Prize for Fiction
• Martin Chilton, ‘Valley of the Dolls: from reject to 30-million best-seller‘ in The Telegraph
• Hannah Gersen, ‘No More Dead Mothers: Reading, Writing and Grieving‘ on Literary Hub
• Elina Penner, ‘‘Disney For Adults’: How Trashy Romance Novels Conquered the World‘ on Broadly
• Jennifer R. Bernstein, ‘Why Literature Needs Psychology‘ on Literary Hub
• Katherine Cowdry, ‘Sharlene Wen-Ning Teo wins inaugural Deborah Rogers Writers’ Award‘ in The Bookseller
• Linda Grey Sexton, ‘Diving Deep to Explore the Wreck: Linda Gray Sexton on the Path to Inspiration‘ on Read Her Like an Open Book
• Emma Donoghue, ‘“I’ve ended up having a family as well as being a lesbian. I thought it would be one or the other”’ in The Guardian
• Dorothy Koomson, ‘It breaks my heart to see library closures‘ in The Telegraph
• Jia Tolentino, ‘Sheesh, There’s a Reason Women Are ‘Totally Crushing It’ At the Confessional Essay‘ on Jezebel
• Joan Didion, ‘California Notes‘ in The New York Review of Books
• Katherine Cowdry, ‘McInerney, McCrea, Rochester shortlisted for Desmond Elliott Prize‘ in The Bookseller
• Lorraine Berry, ‘‘They’: the singular pronoun that could solve sexism in English‘ in The Guardian
• Anne Boyd Rioux, ‘Women Writers You Should Know: Alice Dunbar-Nelson‘ in The Toast
• Lionel Shriver’s guide to dystopia in The Telegraph
• Maaza Mengiste, ‘What Is the Writer’s Place in a Violent World?‘ on Literary Hub
• Lydia Millet, ‘Love Is Boring and Hard to Write About, And Yet…‘ on Literary Hub
• Hope Jahren, ‘Lab Girl‘ on Powell’s Books
• Casey N. Cep, ‘What Two Forgotten Pieces Tell Us About Harper Lee‘ in The New Yorker
• Michele Filgate, ‘Writers, The Loneliest Artists of All‘ on Literary Hub
• Elisa Gabbert, ‘The Point of Tangency‘ on The Smart Set
• Holly Smale, ‘Why children and teens need funny books‘ in The Guardian
• Elizabeth Hogg, ‘“Cool Girls” don’t like Hillary: What “Gone Girl” and “30 Rock” taught me about politics, feminism and smashing the dude-bro patriarchy‘ on Slate
• Pamela Erens, ‘Labored Prose‘ on Slate
• Lucy Delap, ‘Bookselling and the Feminist Past‘ on OUP
• Nicole Lee, ‘Roxane Gay on Lemonade: ‘by the power of Beyoncé, I’ll overcome my fear’‘ in The Guardian
• Yvette Edwards, ‘The Anti-Canon: Douglas Hall’s In Miserable Slavery: Thomas Thistlewood in Jamaica, 1750-86‘ on Influx Press

Personal essays/memoir:

• Melissa Broder, ‘Taking off the mask of OK-ness, and tweeting about my anxiety‘ on The Pool
• Ana Castillo, ‘When Two Feminists of Color Fall in Love‘ on Literary Hub
• Alana Massey, ‘What Happened When I Finally Made Money‘ in Elle
• Rachel Monroe, ‘The Cat Psychic‘ on Hazlitt
• M.K. Hall, ‘Go Boldly, Dear Dreamer‘ on The Rumpus
• Rebecca Schiff, ‘Why I Quit Online Dating‘ on The Cut
• Elizabeth Day, ‘What a year of living out of a suitcase taught me‘ on The Pool
• Natashia Deón, ‘My Son’s Lifelong Silence Has Taught Me To Listen‘ on Buzzfeed
• Rivka Galchen, ‘My Friends’ Moms‘ in The New Yorker
• Rebecca Worby, ‘The Desert Half‘ on Catapult
• Bernadette Murphy, ‘Evolve or Die‘ on The Rumpus
• Sara Pascoe, ‘I’ve started getting “hangover shame” – only for my entire adolescence‘ in the New Statesman
• Nina Stibbe, ‘A love letter to Leicester‘ in The Telegraph
• Juleyka Lantigua-Williams, ‘Optimus Prime and Me‘ in The Atlantic
• Kat Chow, ‘In My Mom’s Shoes‘ on Lenny
• Alyson Foster, ‘The View from the Fourth Floor‘ on Guernica
• Anna March, ‘You’re Just a Sinner I Am Told: Prince & the Sexual Revolution‘ on The Rumpus
• Sara Elizabeth Grossman, ‘Pastures‘ on Blunderbuss

Feminism:

• Dayna Evans, ‘Why Does the Media Keep Giving Abusive Men Platforms for Redemption?‘ in The Cut
• Laura June, ‘How Do I Avoid Giving My Daughter Body Issues?‘ in The Cut
• Jendella Benson, ‘Why are black girls killing each other – or trying to?‘ on Media Diversified
• Gaby Hinsliff, ‘The key to being a successful woman? Knowing what not to do‘ in The Guardian
• Anna Sillman, ‘Kelly Ripa, Sharon Osbourne, and the Power of the Personal Day‘ in The Cut
• Jamilah Lemieux, ‘bell hooks and the Sour ‘Lemonade’ Review‘ on Ebony
• Florina Rodov, ‘The Homemade Abortion: a Caged Bird, a Quinceaneara, and the American Dream‘ on Electric Literature
• Varaidzo, ‘Conversations About Consent: Why ‘No Means No’ Is Not Enough‘ on Gal-Dem
• Mona Eltahawy, ‘Sex Talk for Muslim Women‘ in The New York Times
• Dolly Alderton, ‘What women actually want‘ on The Pool
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt

Society and Politics:

• Erika Adams, ‘Remote Year Promised to Combine Work and Travel. Was It Too Good to Be True?‘ on Atlas Obscura
• Melanie Thernstrom, ‘When Do You Give Up On Treating a Child With Cancer?‘ in The New York Times Magazine
• Jenn Abelson, Bella English, Jonathan Saltzman, and Todd Wallack, ‘Private Schools, Painful Secrets‘ in The Boston Globe
• Ruby Tandoh, ‘The Unhealthy Truth Behind ‘Wellness’ and ‘Clean Eating’‘ in Vice
• Anna Merlan, ‘Inside Superstar Machine, Which Ex-Members Say Is a Cult Preying on New York’s Creative Women‘ on Jezebel
• Andrea Maurer, ‘Dear Sun, Please Shine On Us‘ in Guernica
• Nadia Shireen, ‘Waking up in Sadiq’s London‘ on The Pool
• Eleanor Margolis, ‘The revenge revival: how public displays of vengeance became an industry‘ in the New Statesman
• Patricia Engel, ‘Cuba Crónica‘ on Catapult
• Chimene Suleyman, ‘Sadiq Khan may not represent a win for all Muslims, nor should he‘ on Media Diversified
• Eva Holland, ‘Cruising Through the End of the World‘ on Pacific Standard
• Harriet Ryan, Lisa Girion and Scott Glover, ‘‘You Want a Description of Hell?’ Oxycontin’s 12-Hour Problem‘ in The LA Times
• Rebecca J. Rosen, ‘The Circles of American Financial Hell‘ in The Atlantic
• Rebecca Asher, ‘Boys face just as much social pressure as girls‘ on The Pool
• Syreeta McFadden, ‘We’re in an amazing black cultural moment. Cue predictable white backlash‘ in The Observer

Film, Television, Music, Art, Fashion and Sport:

• Olivia Laing, ‘David Wojnarowicz: still fighting prejudice 24 years after his death‘ in The Guardian
• Keah Brown, ‘Love, Disability, and Movies‘ on Catapult
• Anna Leszkiewicz, ‘“I’m done taking pictures”: Justin Bieber, fandom and mental health‘ in the New Statesman
• Carrie Brownstein, ‘Call Me Crazy‘ in The New Yorker
• Jamie Moore, ‘Beyoncé’s Lemonade Is Made for Readers‘ on BookRiot
• Chloe Cadwalladr, ‘Why working-class actors are a disappearing breed’ in The Observer
• Hannah Ewens, ‘How ‘The Craft’ Realized the Power of Teen Girls and Made Witchcraft Cool‘ on Vice
• Alexandra Molotkow, ‘Teen Music Is Wasted on the Teens‘ on The Cut
• Ira Boudway and Kate Smith, ‘The Braves Play Taxpayers Better Than They Play Baseball‘ on Bloomberg
• Brogan Driscoll, ‘Put It Away, Madonna: We Like Our Older Women Invisible And Devoid Of Sexuality‘ on the Huffington Post

The interviews/profiles:

• Veronica Roth in The Guardian
• Louise Erdrich in The New York Times and Publishers Weekly
• Paula Whyman on Bloom
• Sara Pascoe on Standard Issue
• Lionel Shriver in The Bookseller and The Guardian
• Sophie Kinsella in The Guardian
• Ally Hilfiger in The Cut
• Yi Shun Lai on Write by Night
• Andi Zeisler in The Guardian
• Jesse Crispin in The Guardian and on Vulture
• Leslie Jamison on Literary Hub
• Hayley Webster on All the Words
• Sarah Perry on All the Words
• Shelley Harris on All the Words
• Fiona Melrose on All the Words
• Keris Stainton on All the Words
• Helen McClory on All the Words
• Melissa Broder in The Guardian
• Abbey Clancy in The Telegraph
• Janine di Giovanni in The Paris Review
• Zadie Smith on Refinery 29
• Harriet Reuter Hapgood on Buzzed
• Lydia Millet on Electric Literature
• Brenda Miller on The Rumpus
• Sarah Mlynowski and Shannon Hale on Publishers Weekly
• Fiona Sampson on Literateur
• Robin Black on Electric Literature
• Lisa McInerney on The Desmond Elliott Prize
• Esmé Weijun Wang on Bookslut
• Pamela Erens on The Millions
• Geling Yan on China in WW2
• Margo Jefferson in Vogue
• Lydia Davis in The Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, February 2016, part two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

On Friday, the death of Harper Lee, author of To Kill a Mockingbird was announced. Obituaries followed from Ed Pilkington and Matthew Teague in The Guardian; Eric Hamburger also in The Guardian; Casey N. Cep in The New Yorker, and The Irish Times, and appraisals of her work from Michiko Kakutani, ‘In Harper Lee’s Novels, a Loss of Innocence as Children and Again as Adults‘ in the New York Times; Sarah Churchwell, ‘Harper Lee: author battled to reconcile racial justice with a racially unjust society‘ and Elaine Showalter, ‘Harper Lee: an American novelist deserving of serious attention‘ both in The Guardian; Michelle Dean, ‘Did Go Set a Watchman spoil Harper Lee’s literary legacy?‘ in The Guardian; Katy Waldman, ‘What Is Harper Lee’s Legacy After Go Set a Watchman?‘ on Slate, and Alex Clark, ‘Why Harper Lee’s To Kill a Mockingbird endures to tell its tale of radical change‘ in The Observer

You might have heard that a fortnight ago Beyoncé released a new song ‘Formation’ which she went on to perform at the SuperBowl. Lots of people had lots to say about it. LaSha wrote, ‘Kendrick Lamar won’t face backlash like Beyoncé: Socially conscious art, sexual expression and the policing of black women’s politics‘, Priscilla Ward wrote, ‘White Beyoncé haters don’t get it: “Formation” isn’t “race-baiting” — but it is unapologetically about race‘ both on Salon; Banseka Kayembe wrote, ‘Beyonce Gets Political: Here’s Why it Matters‘ on the Huffington Post; Shantrelle Lewis wrote, ‘“Formation” Exploits New Orleans’ Trauma‘ on Slate; Nikita Richardson did ‘A Deep Dive into the Important, Unapologetic Blackness of Beyoncé’s ‘Formation’‘ on Hello Giggles; Suzanne Moore said, ‘Black Pride at the Super Bowl? Beyoncé embodies a new political moment‘ in The Guardian; The Pool asked, ‘Four women on what Beyoncé’s Formation means to them‘, and Anna Leszkiewicz said, ‘Beyoncé and #BlackLivesMatter: why “Formation” is her most radical release to date‘ in the New Statesman.

Last weekend was Valentine’s Day; there was plenty of writing around that too. Emma Dowling wrote, ‘Love’s Labour’s Cost: The Political Economy of Intimacy‘ on Verso Books; Eleanor Franzén wrote ‘V Daze‘ on Elle Thinks; Eileen Myles, ‘on the Excruciating Pain of Waiting for Love‘ and Heather Haverilesky, ‘What Romance Really Means After 10 Years of Marriage‘ on The Cut; Marie Phillips wrote, ‘What I learnt from a year of being in love‘ and Emer O’Toole shared, ‘The Rules, and how I fell in love‘ both on The Pool; Lauren Duca asked, ‘Is There Such a Thing As a Feminist Marriage Proposal?‘, Laura June revealed, ‘What I Thought Romance Meant, Age 12–Present‘ and Meaghan O’Connell told us, ‘Getting Married in One Week Was the Most Romantic Thing I Ever Did‘ all in The Cut; Emma Flowers wrote, ‘Finding, Nearly Losing and Finally Building Love Across Two Genders‘ on the Huffington Post; Heidi Julavits on ‘My High-School Boyfriend, the Con Artist‘ in The Cut; Tiffany Yannetta wrote, ‘Lights, Camera, Love‘ on the history of dating shows on Racked, and Alana Massey said, ‘Tinder Is the New Meet-Cute‘ in The Cut.

Congratulations to Ríona Judge McCormack who won the inaugural Galley Beggar Press short story competition with ‘Blackburn‘. And The Stella Prize announced its 12 book longlist for 2016.

The best of the rest:

On or about books/writers/language:

• Janet Ellis,‘I submitted my book under a pseudonym’ in The Telegraph
• Sarah Pinborough, ‘“The first outline was way more weird than the final novel” – on writing 13 Minutes‘ on One Book Lane
• Katherine Clements, ‘The Real Wicked Lady‘ on The History Girls
• Elen Caldecott, ‘Children’s books: a middle class ghetto?‘ in The Guardian
• Grady Hendrix, ‘Beloved: The Best Horror Novel the Horror Genre Has Never Claimed‘ on Tor.Com
• Laura Malonee, ‘The Subversive Women Who Self-Publish Novels Amid Jihadist War‘ on Wired
• Cathy Retzenbrink, ‘Lucy Kalanithi, a mourning wife on her husband’s brilliant legacy‘ on The Pool
• Susan Burton, ‘The Quietly Subversive Fictions of Dana Spiotta‘ in The New York Times
• Lisa Levy, ‘The Fine Grim Line Between Love and Stalking: On the Crime Fiction of Caroline Kepnes‘ on Literary Hub
• AFP, ‘Love, Rage, Silence: Secret Lives of Afghanistan’s Female Poets‘ in The Express Tribune
• Belinda McKeon, ‘The Night that Sylvia Plath Met Ted Hughes‘ on Literary Hub
• Edan Lepucki, ‘The Anxiety of Influence: Children’s Books and Their Grown-Up Counterparts‘ on The Millions
• Emily Harnett, ‘When Art Cannot Console Us In Death‘ on Literary Hub
• Anna Hope, ‘The inspiration for an asylum set on the Yorkshire Moors‘ on the Penguin blog
• Rosalind Harvey, ‘A Response to “Beyond Bolaño and Beyond”‘ on Full Stop
• Lisa McInerney, ‘Writers on Location: on Cork City‘ on The Literary Sofa
• Melissa Keil, ‘When is YA going to shape up to body diversity?‘ in The Guardian
• Maddie Crum ‘Some Books Just Aren’t Made To Be Adapted For The Screen, And That’s OK‘ on Huffington Post
• Gila Lyons ‘Female Friendships and Online Literary Sexism‘ on The Rumpus
• Polly Vernon, ‘All the attention came from women telling me how stupid my book was‘ in The Guardian
• Kathryn Evans, ‘How writing YA helped me make sense of my childhood‘ on Scottish Book Trust
• Robert McCrum, ‘The 100 best nonfiction books: No 3 – No Logo by Naomi Klein (1999)‘ in The Guardian
• Tracy McVeigh, ‘Ferrante fever sees ‘dangerous’ Naples turn into a tourist hotspot‘ in The Observer
• Valerie Grove, ‘My hero: Margaret Forster‘ in The Guardian
• Sarah Crompton. ‘Girl, uninterrupted: staging Eimear McBride’s chaotic masterpiece‘ in The Guardian
• William Deresiewicz, ‘Where Have You Gone, Annie Dillard?‘ on The Atlantic
• Kavita Das, ‘On Parsing‘ on VIDA
• Emily Sipiora, ‘Françoise Sagan and Luxury Existentialism‘ in The Northwest Review of Books
• Katie Cotton, ‘Women in picture books: are we there yet?‘ on Scottish Book Trust
• Martin Chilton, ‘How Valley of the Dolls went from a reject to a 30-million best-seller‘ in The Telegraph
• Candy Gourlay and Laura Dockrill, ‘Why we love enchantment in children’s books‘ in The Guardian
• Daniel Peña, ‘Octavia Butler’s Notebook Represents All The Anxieties Of Writers Of Color‘ on Ploughshares
• Niina Pollari, ‘The Marvelous Bonfire‘ on Catapult
• Nandini Balial, ‘On Finding Yourself in the Work of Jhumpa Lahiri‘ on Literary Hub
• Siyanda Mohutsiwa, ‘I’m Done With African Immigrant Literature‘ on Okay Africa
• Andrew Harrison, ‘Framed! Meet the creators shaking up modern comics‘ in The Guardian
• Claire Armitstead, ‘Margaret Forster, award-winning author, dies at 77‘ in The Guardian
• Hannah Tennant-Moore, ‘The Best Literary Writing About Sex‘ on Literary Hub
• Catherine Nichols, ‘One Weird Trick That Makes a Novel Addictive‘ on Jezebel
• Eleanor Franzén, ‘On Culture: The Dark Side of Beatrix Potter‘ on Litro
• Máire T Robinson, ‘Sheela-na-gigs and writing what you don’t know‘ in The Irish Times
• Chibundu Onuzo, ‘Yes, I’m black. But an ethnic minority? Forget it‘ in The Guardian
• Anne Boyd Rioux, ‘Eight Classic Female Bildungsromane You Should Know About If You Don’t Already‘ in The Toast
• Esther Kuforiji, ‘Stories of Blackness — Chapter 4: Literary Festivals‘ on Medium
• Julia Eccleshare, ‘Gillian Avery obituary‘ in The Guardian

Personal essays/memoir:

• Liz Dashwood, ‘Grown-ups are allowed to have meltdowns, too‘ on The Pool
• Joyce Maynard, ‘What Luck Means Now‘ in The New York Times
• Erin Lee Carr, ‘Still Rendering‘ on Medium
• Danielle Bacher, ‘My Autistic Brother’s Quest for Love‘ in Esquire
• Bruna Dantas Labato, ‘Notes on Record-Keeping‘ on Ploughshares
• Joanna Horton, ‘Hard Luck: On Motherlessness‘ in The Toast
• Edan Lepuki, ‘The Secret, Magical Underwear That Only Moms Know About‘ in The Cut
• Kim Pittaway, ‘After‘ on Hazlitt
• Jennifer Hanks, ‘Somewhere Across The Sea‘ in Lumen
• Nicolette Loizou, ‘Travelling in Fiji‘ on Litro
• Esther Schor, ‘My Last JDate‘ in Tablet
• Antonia Honeywell, ‘I was driven out of my beloved church by homophobia‘ in The Telegraph
• Marian Keyes , ‘on the Agony of Small Goodbyes‘ on The Pool
• Susan Shapiro, ‘Both Sides Now‘ on Tablet
• Carmen Maria Machado, ‘The Moon Over the River Lethe‘ on Catapult
• Sarai Walker, ‘Yes, I’m Fat. It’s O.K. I Said It.‘ in The New York Times
• Miriam Foley, ‘Remembering Román‘ on Litro
• Susan Daitch, ‘Treasure Hunters‘ on Guernica
• Farah Róisín, ‘Why Them?‘ on Hazlitt

Feminism:

• Anna James, ‘What’s behind the lack of female pilots?‘ on The Pool
• Jia Tolentino, ‘What Should We Say About David Bowie and Lori Maddox?‘ on Jezebel
• Laura Munoz, ‘To Men I Love, About Men Who Scare Me‘ on Medium
• Dolly Alderton, ‘Hey, spurious polls. This is the *perfect* woman‘ on The Pool
• Emma Lindsay, ‘What I Learned From Dating Women Who Have Been Raped‘ on Medium
• Caroline O’Donoghue, ‘On the sad inevitability of the grown man and the teenage girl‘ on The Pool
• Caroline Criado-Perez, ‘Companies are to publish their gender pay gaps – but will this lead to financial equality?‘ on the New Statesman
• Louise O’Neill, ‘I wonder if my ex-boyfriends thought female sexuality was something to be laughed at‘ in the Irish Examiner
• Sandra Newman, ‘Woman Facts‘ on McSweeney’s
• Robyn Wilder, ‘Why is the P-word so cringingly awful?‘ on The Pool
• Rebecca Solnit, ‘The Case of the Missing Perpetrator‘ on Literary Hub
• Sophie Mayer, ‘The Legend of Greenham Common Women’s Peace Camp‘ on Berfrois
• Sady Doyle, ‘Progressive‘ on her Tumblr
• Aricka Foreman and Mimi Wong, ‘Except, All Of Us: Women & the Myth of Safety‘ on The Offing
• Laura June ‘When You’re Pregnant, Nothing Seems in Your Control‘ on The Cut

Society and Politics:

• Kyla Marshell, ‘The Other World Where Everyone Lives‘ in The Blueshift Journal
• Elspeth Reeve, ‘The Secret Lives of Tumblr Teens‘ on New Republic
• Michelle Goldberg, ‘Is a Surrogate a Mother?‘ on Slate
• Alana Massey, ‘Checking Your Date’s Instagram Isn’t ‘Stalking,’ It’s Research‘ on The Cut
• Meena Kandasamy, ‘“I Am An Anti-National…Count Me Out”‘ on Outlook
• Aaminah Khan, ‘I Don’t Need White Progressives Telling Me, A Queer Muslim, About Homophobia In Islam‘ on Harlott
• Lisa Rab, ‘Poverty in Charlotte: ‘It Was Never Okay’‘ in Charlotte Magazine
• Beulah Maud Devaney, ‘Which Cities Would Be Most Likely to Survive a Zombie Apocalypse?‘ on City Metric
• Jihan Crowther ‘What Dating Abroad Taught Me About Stateside Racism‘ on Jezebel
• Jaya Saxena, ‘Some Unorganized Mixed Race Thoughts‘ in The Toast
• Lineal Ajello, ‘More and More War Stories‘ on Guernica
• Susan Gillman, ‘Remembering Slavery, Again‘ in The Los Angeles Review of Books
• Eleanor Margolis, ‘The new young fogeys‘ in The New Statesman
• Emiko Jozuka, ‘The Woman Who Makes Prosthetic Pinkies for Ex-Yakuza Members‘ on Motherboard

Film, Television, Music, Art, Fashion and Sport:

• Joy Resmovits, ‘The UCLA gymnast who became a viral sensation by just being herself on the floor‘ in the LA Times
• Elizabeth Day, ‘Happy Valley’s women: flawed, funny and completely brilliant‘ on The Pool
• Elizabeth Sankey, ‘In praise of Ab Fab, female friendship and not caring what other people think‘ on The Pool
• Lorrie Moore, ‘The Shame of Wisconsin‘ in The New York Review of Books
• Caroline O’Donoghue, ‘Superheroes have to deal with the same problems the rest of us do‘ on The Pool
• Alexandra Molotkow, ‘The Uncomfortable Power of Pop-Music Cruelty‘ on The Cut
• Hannah Giorgia, ‘Why Do Black Women In Movies Have To Choose Between A Weave And A Relationship?‘ on Buzzfeed
• Cali Hughes, ‘Red is so much more than a colour. It’s a state of mind.’ on the 4th Estate blog
• Lisa Owens, ‘Does Don’t Tell The Bride actually contain the secrets to a happy life?‘ on The Pool
• Lisa Hix, ‘Out of the Shadow of Aunt Jemima: The Real Black Chefs Who Taught Americans to Cook‘ on Collectors Weekly
• Jamie Lauren Keiles, ‘I’m a Hat Person Now‘ on The Cut

The interviews:

• Elizabeth Strout in The Guardian
• Kelly Link on The Millions
• Elena Ferrante in The Gentlewoman
• Idra Novey on Hazlitt, Electric Literature, Weird Sister and Literary Hub
• Janet Ellis in The Bookseller
• Hilary Spiers on Greenacre Writers
• Ann Neuman and Sheri Fink in Guernica
• Marie Annhearte Baker in Room
• Marjorie Liu in Guernica
• Jhumpa Lahiri on Slate, the Wall Street Journal and  Literary Hub, Parts One and Two
• Belinda McKeon on Electric Literature
• Lucy Kalanithi in The Guardian
• Sara Majka on Electric Literature
• Salena Godden on The Woven Tale Press
• Marina Warner on The Literateur
• Ann Goldstein on NPR
• Antonia Honeywell on Greenacre Writers
• Angela Flournoy on The Rumpus
• Sarah Perry on Radio Praha
• Meg Rosoff in The Guardian
• Han Kang on Literary Hub
• Joanna Walsh in Tank
• Alida Nugent on The Rumpus
• Natasha Wimmey on Broadly
• Caroline Bergvall on Asymptote
• Jo Bloom in Psychologies
• Elizabeth McKenzie on Literary Hub
• Sharon Guskin in The Bookseller
• Cate Kennedy on Paul McVeigh’s website
• Sara Gruen and Sarah McCoy on Salon
• Gillian Slovo in The Observer
• Melissa Green in the Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour