Tag Archives: Anna North

In the Media, March 2016, part one

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In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Jackie Kay

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Louise Rennison

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

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The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

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The best of the rest:

On or about books/writers/language:

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Rosalind Jana

 

Personal essays/memoir:

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Feminism:

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Society and Politics:

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Film, Television, Music, Art, Fashion and Sport:

Author Petina Gappah 'brilliantly exposes the gap between rich and poor.'

The interviews:

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The regular columnists:

The Life and Death of Sophie Stark – Anna North

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The Life and Death of Sophie Stark begins with an anecdote from Allison, actress and Sophie’s on/off girlfriend. It’s an anecdote about the evening she meets Sophie at a storytelling series. There she tells a story about her only high school friend who was murdered. Sophie approaches Allison and challenges her as to the truthfulness of her tale.

Sophie’s right but when she tells Allison she wants her to be in one of her movies, Allison thinks she’s fucking with her.

‘What’s the movie about?’ I asked.
‘It’s about your story,’ she said.
I was flattered, but I was worried again – I figured no real director makes a movie after hearing a ten-minute lie from someone she’s never met. And practically speaking, that meant she probably didn’t even have a script yet. Maybe this was all a joke, a way to fuck with me by making me think I was important.
‘That doesn’t make any sense,’ I said. ‘That’s not how people make movies.’
She shrugged. ‘It’s how I do,’ she said. ‘Movies are how I get to know people.’

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In The Life and Death of Sophie Stark the reader gets to know people through the stories they tell about Sophie and their relationship with her. We hear from her brother Robbie; Jacob, a guy in a band whose music video she directed; Daniel, the subject of her first film, and George whose production company owns the rights to Isabella, Sophie’s only big budget Hollywood production. At the end of each chapter there’s a review of whichever of Sophie’s films has been discussed in that section. They’re all written by the same critic, R.Benjamin Martin, charting his own journey from college newspaper to film critic for the New York Star.

The novel’s a smart piece of metafiction, constantly self-referential, in which North questions the reality or truth of people’s stories, both that of how they see themselves and how they see Sophie. The former is brought into question most significantly in Daniel’s story by the disparity between his sense of self and behaviour and the Daniel Sophie captures on film. As to the later, each different version of Sophie highlights how multi-faceted people are and how you can’t know someone in their entirety, indeed it’s much more likely that you’ll only know a small part of who they are.

It’s also an examination of fame and how a particular type and level of fame generates its own myths. It suggests that these are damaging for the individual at the centre of them, struggling to manage other people’s sense of them.

The Life and Death of Sophie Stark was published in the US last year and as an ebook in the UK. My copy arrived garlanded with encomiums (sorry, whoever was at the helm of the William Heinemann Twitter account yesterday afternoon taught me that word and I was determined to get it in here) from writers, websites, bloggers and US reviewers. It’s easy to see why: this is a multi-layered novel, capable of being read and understood on several levels.

 

Thanks to Weidenfeld & Nicholson for the review copy.

In the Media: 17th May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Two excellent UK prizes – the Jerwood Fiction Uncovered Prize and the Desmond Elliot Prize announced their longlist and shortlist, respectively this week. The former has eleven women on a longlist of fifteen. Yes, that does say ELEVEN, that’s 75% of the shortlist (well, 73.3 if you’re being pedantic). And the latter is an ALL WOMEN shortlist of three, from a longlist of ten that had gender parity. Excellent news.

You can read interviews with two of the Desmond Elliot shortlisted writers, Cary Bray and Emma Healey, in The Bookseller

Two important pieces about sexual abuse and victim blaming were published this week: Hayley Webster ‘31 years have passed with me thinking I asked for it…but what if I didn’t‘ on her blog and Lizzie Jones, ‘Sexual Assault: Society, Stop With the Slut Shaming‘ on The Huffington Post.

 

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

The interviews:

 

If you want some fiction to read:

If you want some poetry to read:

The lists:

In the Media: 3rd May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There’s an election in the UK this week. As you’d expect, there’s been a number of articles about it, policies and where the previous coalition has left us. Huffington Post have been running a ‘Beyond the Ballot’ series. Contributions include: Vivienne Westwood, ‘The Housing Crisis – Politicians Are Criminals‘ and Denise Robertson, ‘Today, There Are No Housing Lifelines for People Who Fall on Hard Times‘. Media Diversified also have a series called ‘Other Voices’. Contributions include, Maya Goodfellow ‘Why aren’t politicians talking about racial discrimination in the job market?‘ and ‘Letting migrants drown in the Mediterranean, is this what the Tories mean by ‘British values’?‘ and ‘The pro-Tory business letter: a reminder that politics shouldn’t be dominated by a privileged few‘

Elsewhere, Zoe Williams wrote ‘10 big misconceptions politicians have about women‘ in The Pool; Deborah Orr, ‘Scotland is sending a curveball down Westminster way – and it’s not just Labour that will get hit‘ in The Guardian; Gaby Hinsliff, ‘We floating voters may be unenthused but we’re definitely not unprincipled‘ in The Guardian; Rhiannon Lucy Cosslett wrote, ‘Why I’m thinking about spoiling my ballot‘ in the New Statesman; Laura Waddell, ‘Pink Vacuum Politics‘ on Libertine’ Suzanne Moore, ‘Parliament? Over the years I’ve met several powerful men there who have no idea of boundaries‘ in the New Statesman; Hannah Pool asks, ‘Why aren’t black women voting?‘ in The Pool; Suzanne Moore, ‘I’m sick of this estate agent election‘ in The Guardian

Saturday saw the death of crime writer, Ruth Rendell. The Guardian reported her death and ran a series of articles: Val McDermid wrote, ‘No one can equal Ruth Rendell’s range or accomplishment‘; Mark Lawson, ‘Ruth Rendell and PD James: giants of detective fiction‘; Stanley Reynolds wrote her obituary; here she is ‘In Quotes‘ and if you haven’t read anything by her, The Guardian also recommend ‘Five Key Works’ while The Telegraph have, ‘The best of Ruth Rendell: 10 to read, watch and listen to‘.

And then there was that beach body ready advertisement. Responses to which ranged from Gemma Correll, ‘Hilarious Illustrations Show You How to Get “Beach Body Ready”‘ in Stylist; Hadley Freeman, ‘What is a beach body anyway?‘ in The Guardian, and Tara Costello explained, ‘Why I Stripped to Make a Statement‘ on the Huffington Post.

Congratulations to Marion Coutts on winning the Wellcome Prize. Jenny Turner writes in The Guardian as to why Coutts is her hero. The shortlist for the Encore Award was announced and includes Harriet Lane, Amanda Coe, Rebecca Hunt and Deborah Kay Davies. And Gaby Wood was ‘…made Booker’s literary director‘ reports The Bookseller.

And the woman with the most publicity this week is Leesa Cross-Smith who’s the featured writer on Atticus Review. She’s interviewed and has two stories up, ‘My Lolita Experiment‘ and ‘Dandelion Light‘; another in Synaesthesia Magazine, ‘The Darl Inn‘, and her column on Real Pants this week is ‘Who Will Run the Frog Hospital? & Girlfriendships‘.

 

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Music, Film and Television, Personalities:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

If you want some non-fiction to read:

The lists: