Books of the Year 2016, Part One

As usual I’m dividing my Books of the Year into two parts. Part Two, coming tomorrow will be fiction published in 2016. Part One is fiction published pre-2016 and 2016 non-fiction. If you click on the pictures of the books they will take you to my full review.

Waking Lions – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Doctor Etian Green finishes a nineteen hour shift at Soroka Hospital, six of which he spent helping to stabilise road traffic accident victims. In the time it takes for him to walk from the hospital ward to his car, he goes from exhausted to adrenaline-fueled. He decides to drive to ‘a particularly challenging SUV track’ he’s read about. Sprinting along, he hits a man and leaves him for dead. The next morning, Sirkit, the man’s wife, appears at his door along with Etian’s wallet which he dropped at the scene. Sirkit offers him a deal but it’s one that will have serious consequences for his home life and his job. Everything in Waking Lions is grey area. Sharp, thoughtful and challenging.

Push – Sapphire

Claireece Precious Jones – Precious to her friends, Claireece to ‘mutherfuckers I hate’ – 16-years-old, five feet nine or ten, two hundred pounds, is pregnant for the second time to her father. Suspended from school, she goes to Each One Teach One, located on the nineteenth floor of a local hotel. Precious tells the story of her time attending the group, in which she learns to read and write, intertwined with that of her family situation. Push could be an unbearable read: every time you think it couldn’t get any darker, it does, but it’s balanced by Precious’ determination and Sapphire’s rendering of Precious’ voice which is pitch perfect and authentic.

One Night, Markovitch – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Yaacov Markovitch and Zeev Feinberg go on the run after Feinberg is caught having sex with the wife of Avraham Mandelbaum, the slaughterer. The deputy commander of the Irgun, a friend of Feinberg’s, sends the pair to Europe where they will marry ‘a Jewish girl’ and bring them back to Palestine, thus circumventing the closed gates of Europe. Once the men return, they will divorce and the women will be free to remain. But Markovitch refuses to divorce his wife, the stunning but cold, Bella Zeigerman. The backbone of the story is that of three women: Bella; Feinberg’s wife, Sonya, and Mandelbaum’s wife, Rachel. Gundar-Goshen uses them to explore the ups-and-downs of marriage, parenthood, war, death …basically all of life is here.

The Glorious Heresies – Lisa McInerney

Maureen kills Robbie O’Donovan when she finds him in her house. As the mother of Cork’s biggest gangster, Jimmy Phelan, she doesn’t need to worry about clearing up her mess. But the mess is bigger than a body and some blood: Robbie’s girlfriend, Georgie, is looking for him and she has problems of her own; Tara Duane, Georgie’s confidant is keen to know everyone’s business and she lives next door to Jimmy’s alcoholic clearer-upper, Tony Cusak. And then there’s Cusak’s son, fifteen-year-old Ryan, who loses his virginity, starts his first long term relationship and begins to step out from the shadow of his alcoholic, violent, widowed father. A bloody entertaining read.

Ruby – Cynthia Bond

Ruby’s returned to Liberty Township, Texas from New York City. Everyone knows she’s mad: she pees in the street and has sex with many of the men in Liberty, but Ruby’s caught the attention of one man who wants to treat her differently; Ephram Jennings is planning to bring Ruby one of his sister’s white lay angel cakes. Ruby’s tortured by the ghosts which have attached themselves to her. As she gives herself to them, we learn about her childhood and the long-standing relationship she has with Jennings’ family. Bleak but threaded with hope and beautiful writing.

 

The Devil in the Marshalsea – Antonia Hodgson

Tom Hawkins, eldest son of a Suffolk gentleman, Oxford graduate, set to join the clergy and inherit his father’s position, finds himself in the Marshalsea for unpaid rent and other debts. He arrives after the widow of Captain Roberts has taken up residence in the debtor’s  prison after Robert’s murder made to look like suicide. Hawkins gets drawn into solving the murder as he deals with his roommate, the despised Samuel Fleet, and the prison’s regime, divided by rich and poor. Intelligent, packed with period detail and plot, bawdy, has a social conscience and some hilarious lines. Entertaining.

 
Pleasantville – Attica Locke

Pleasantville is a neighbourhood in Houston, Texas, built in 1949 “specifically for Negro families of means and class”. As a middle class, politically aware area, it also holds political power, a power which has become legendary over four decades. The story takes place in 1996 in the run-up to Houston’s mayoral election, the results of which might bring Alex Hathorne to office as the city’s first black mayor. As the novel begins the situation is quickly complicated by two events: the first is the abduction of a teenage girl, following a stint distributing campaign leaflets door-to-door in Pleasantville; the second is a break-in at Jay Porter’s office.As the story unravels, all the threads become entwined with the mayoral race at the centre. Locke considers who really runs an election campaign: a matter of business and money – who pays for the campaigns, who dictates strategy – but ultimately, how low people are prepared to go in their desperation for power.

Negroland – Margo Jefferson

Margo Jefferson grew up in Chicago in the 1950s and ’60s. Born to a paediatrician father and a socialite mother, she experienced a particular type of privilege: that of the well-off, educated, black family. Personal experience is interwoven with the history of those Jefferson identifies as belonging to Negroland: Frances Jackson Coppin and Joseph Willson, for example; and cultural commentary on film, television and the media, discussing those black men and women who did appear on and in those mediums and what they came to represent for black communities. Negroland is a superb book which consider the intersections of race, class and gender. It’s a fascinating read and an insight into an underexplored area of society.

The Argonauts – Maggie Nelson

The Argonauts charts Nelson’s relationship with the artist Harry Dodge, including the conception and birth of their son, Iggy, and Dodge’s decision to begin taking testosterone and have top surgery. The Argonauts is not straightforward memoir, it is intellectual argument illuminated by personal experience and supported by academic rigour. It explores love – constructing and maintaining a relationship outside of heteronormativity and maternal love as stepmother and mother (the latter from the point of view of adult child and parent as well as the expectant mother/mother of a young child) – and the body – sex, gender fluidity, pregnancy and birth. Rigorous and fascinating.

The Lonely City – Olivia Laing

Laing examines the idea of being lonely in the busiest place on earth – the city, specifically in her case New York City. Part memoir, part mediation on art, Laing looks at a number of artists who’ve dealt with the theme of loneliness – in their work and often in their private lives too – focusing in on Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The Lonely City is a fascinating exploration of what loneliness is; how we attempt to stave it off; why some people are consumed by it, and what its relationship to artistic creation might be.

 

Non-Fiction Round-Up

There are some books that, for a range of reasons, I read but just didn’t get around to reviewing in full this year. Because I’d like to start the new year without a pile of books I haven’t reviewed yet glaring at me I thought I’d do a couple of round-ups instead. Today it’s non-fiction, earlier in the week it was fiction.

The Lonely City – Olivia Laing

Laing examines the idea of being lonely in the busiest place on earth – the city, specifically in her case New York City. Part memoir, part mediation on art, Laing looks at a number of artists who’ve dealt with the theme of loneliness – in their work and often in their private lives too – focusing in on Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The Lonely City is a fascinating exploration of what loneliness is; how we attempt to stave it off; why some people are consumed by it, and what its relationship to artistic creation might be.

The Pursuit of Happiness – Ruth Whippman

When her husband’s job takes her and their toddler to California, Ruth Whippman decided to take a look at the USA’s happiness industry. What does it consist of? Does it work? On a personal journey that takes in mindfulness, happiness gurus, a cultural project in Las Vegas, parenting, Mormons, Facebook and positive psychology, Whippman discovers what’s simply big business and what might actually be the key to feeling happy. Told from a cynical Brit’s point of view, this cynical Brit found it an interesting and engaging read.

Rain: Four Walks in English Weather – Melissa Harrison

Harrison explores the English countryside in the most British of weathers: the rain. Beginning in the waterlogged Fens before taking the reader through Shropshire and The Darent Valley to Dartmoor, Harrison combines historical fact with a glimpse of memoir and notes on the countryside, making you feel as though you’ve visited each place with her. Interesting enough from your armchair if you’re not a fan of walking in the rain; you can also amuse yourself with the 100 Words Concerning Rain contained in the back of the book and impress your friends with a range of dialectal terms.

 

Thanks to Canongate, Windmill Books and Faber and Faber for the review copies.

In the Media, May 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

The best of the rest:

On or about books/writers/language:

• Bethanne Patrick, ‘I Am Jessa Crispin’s Problem with Publishing‘ on Literary Hub
• Kate Morton, ‘I wrote The House at Riverton during my baby’s nap times‘ in The Telegraph
• Micah Perks, ‘How My Best Friend Willa Cather Helped Me Beat Stage Fright‘ on Literary Hub
• Alison Flood, ‘Kate Mosse speaks up for European literature in face of Brexit‘ in The Guardian
• Anne Boyd Rioux, ‘The Diminution of Women Writers: An American Tradition‘ on Literary Hub
• Flora Willis, ‘Let Me Be Frank: I Love Dick, So Sad Today, The Argonauts and ‘confessional’ literature‘ on Serpent’s Tail
• Brooke Hauser, ‘Take It or Leave It: Guidebooks for Single Girls‘ on The Millions
• Louisa Treger, ‘From Violinist to Writer‘ on The Literary Sofa
• Andrew Dickson, ‘‘The strange thing is we howled with laughter’: Sarah Kane’s enigmatic last play‘ in The Guardian
• Jami Attenberg, ‘Appreciating the View‘ on Lenny
• Sian Cain, ‘Lionel Shriver: Donald Trump’s too far-fetched for fiction‘ in The Guardian
• Dana Schwartz, ‘Why Hasn’t ‘The Late Show’ Invited Any Female Novelists?‘ on Observer
• Eileen Pollack, ‘Why Fiction Needs More Women Scientists‘ on Literary Hub
• Ali Smith, ‘History of violence: on Alan Garner‘ in the New Statesman
• Alexandra Alter, ‘Masters of Prose Warm Up to Children’s Picture Books‘ in The New York Times
• Charlotte Geater, ‘When Romance Comics Hated Women‘ on Women Write About Comics
• Marni Graff, ‘Using Crime Fiction to Present Fully Formed Muslim Characters‘ on Literary Hub
• Edna O’Brien, ‘Is literature a dying animal?‘ in The Guardian
• Anne Enright, ‘On Writing‘ on the Baileys Women’s Prize for Fiction
• Martin Chilton, ‘Valley of the Dolls: from reject to 30-million best-seller‘ in The Telegraph
• Hannah Gersen, ‘No More Dead Mothers: Reading, Writing and Grieving‘ on Literary Hub
• Elina Penner, ‘‘Disney For Adults’: How Trashy Romance Novels Conquered the World‘ on Broadly
• Jennifer R. Bernstein, ‘Why Literature Needs Psychology‘ on Literary Hub
• Katherine Cowdry, ‘Sharlene Wen-Ning Teo wins inaugural Deborah Rogers Writers’ Award‘ in The Bookseller
• Linda Grey Sexton, ‘Diving Deep to Explore the Wreck: Linda Gray Sexton on the Path to Inspiration‘ on Read Her Like an Open Book
• Emma Donoghue, ‘“I’ve ended up having a family as well as being a lesbian. I thought it would be one or the other”’ in The Guardian
• Dorothy Koomson, ‘It breaks my heart to see library closures‘ in The Telegraph
• Jia Tolentino, ‘Sheesh, There’s a Reason Women Are ‘Totally Crushing It’ At the Confessional Essay‘ on Jezebel
• Joan Didion, ‘California Notes‘ in The New York Review of Books
• Katherine Cowdry, ‘McInerney, McCrea, Rochester shortlisted for Desmond Elliott Prize‘ in The Bookseller
• Lorraine Berry, ‘‘They’: the singular pronoun that could solve sexism in English‘ in The Guardian
• Anne Boyd Rioux, ‘Women Writers You Should Know: Alice Dunbar-Nelson‘ in The Toast
• Lionel Shriver’s guide to dystopia in The Telegraph
• Maaza Mengiste, ‘What Is the Writer’s Place in a Violent World?‘ on Literary Hub
• Lydia Millet, ‘Love Is Boring and Hard to Write About, And Yet…‘ on Literary Hub
• Hope Jahren, ‘Lab Girl‘ on Powell’s Books
• Casey N. Cep, ‘What Two Forgotten Pieces Tell Us About Harper Lee‘ in The New Yorker
• Michele Filgate, ‘Writers, The Loneliest Artists of All‘ on Literary Hub
• Elisa Gabbert, ‘The Point of Tangency‘ on The Smart Set
• Holly Smale, ‘Why children and teens need funny books‘ in The Guardian
• Elizabeth Hogg, ‘“Cool Girls” don’t like Hillary: What “Gone Girl” and “30 Rock” taught me about politics, feminism and smashing the dude-bro patriarchy‘ on Slate
• Pamela Erens, ‘Labored Prose‘ on Slate
• Lucy Delap, ‘Bookselling and the Feminist Past‘ on OUP
• Nicole Lee, ‘Roxane Gay on Lemonade: ‘by the power of Beyoncé, I’ll overcome my fear’‘ in The Guardian
• Yvette Edwards, ‘The Anti-Canon: Douglas Hall’s In Miserable Slavery: Thomas Thistlewood in Jamaica, 1750-86‘ on Influx Press

Personal essays/memoir:

• Melissa Broder, ‘Taking off the mask of OK-ness, and tweeting about my anxiety‘ on The Pool
• Ana Castillo, ‘When Two Feminists of Color Fall in Love‘ on Literary Hub
• Alana Massey, ‘What Happened When I Finally Made Money‘ in Elle
• Rachel Monroe, ‘The Cat Psychic‘ on Hazlitt
• M.K. Hall, ‘Go Boldly, Dear Dreamer‘ on The Rumpus
• Rebecca Schiff, ‘Why I Quit Online Dating‘ on The Cut
• Elizabeth Day, ‘What a year of living out of a suitcase taught me‘ on The Pool
• Natashia Deón, ‘My Son’s Lifelong Silence Has Taught Me To Listen‘ on Buzzfeed
• Rivka Galchen, ‘My Friends’ Moms‘ in The New Yorker
• Rebecca Worby, ‘The Desert Half‘ on Catapult
• Bernadette Murphy, ‘Evolve or Die‘ on The Rumpus
• Sara Pascoe, ‘I’ve started getting “hangover shame” – only for my entire adolescence‘ in the New Statesman
• Nina Stibbe, ‘A love letter to Leicester‘ in The Telegraph
• Juleyka Lantigua-Williams, ‘Optimus Prime and Me‘ in The Atlantic
• Kat Chow, ‘In My Mom’s Shoes‘ on Lenny
• Alyson Foster, ‘The View from the Fourth Floor‘ on Guernica
• Anna March, ‘You’re Just a Sinner I Am Told: Prince & the Sexual Revolution‘ on The Rumpus
• Sara Elizabeth Grossman, ‘Pastures‘ on Blunderbuss

Feminism:

• Dayna Evans, ‘Why Does the Media Keep Giving Abusive Men Platforms for Redemption?‘ in The Cut
• Laura June, ‘How Do I Avoid Giving My Daughter Body Issues?‘ in The Cut
• Jendella Benson, ‘Why are black girls killing each other – or trying to?‘ on Media Diversified
• Gaby Hinsliff, ‘The key to being a successful woman? Knowing what not to do‘ in The Guardian
• Anna Sillman, ‘Kelly Ripa, Sharon Osbourne, and the Power of the Personal Day‘ in The Cut
• Jamilah Lemieux, ‘bell hooks and the Sour ‘Lemonade’ Review‘ on Ebony
• Florina Rodov, ‘The Homemade Abortion: a Caged Bird, a Quinceaneara, and the American Dream‘ on Electric Literature
• Varaidzo, ‘Conversations About Consent: Why ‘No Means No’ Is Not Enough‘ on Gal-Dem
• Mona Eltahawy, ‘Sex Talk for Muslim Women‘ in The New York Times
• Dolly Alderton, ‘What women actually want‘ on The Pool
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt

Society and Politics:

• Erika Adams, ‘Remote Year Promised to Combine Work and Travel. Was It Too Good to Be True?‘ on Atlas Obscura
• Melanie Thernstrom, ‘When Do You Give Up On Treating a Child With Cancer?‘ in The New York Times Magazine
• Jenn Abelson, Bella English, Jonathan Saltzman, and Todd Wallack, ‘Private Schools, Painful Secrets‘ in The Boston Globe
• Ruby Tandoh, ‘The Unhealthy Truth Behind ‘Wellness’ and ‘Clean Eating’‘ in Vice
• Anna Merlan, ‘Inside Superstar Machine, Which Ex-Members Say Is a Cult Preying on New York’s Creative Women‘ on Jezebel
• Andrea Maurer, ‘Dear Sun, Please Shine On Us‘ in Guernica
• Nadia Shireen, ‘Waking up in Sadiq’s London‘ on The Pool
• Eleanor Margolis, ‘The revenge revival: how public displays of vengeance became an industry‘ in the New Statesman
• Patricia Engel, ‘Cuba Crónica‘ on Catapult
• Chimene Suleyman, ‘Sadiq Khan may not represent a win for all Muslims, nor should he‘ on Media Diversified
• Eva Holland, ‘Cruising Through the End of the World‘ on Pacific Standard
• Harriet Ryan, Lisa Girion and Scott Glover, ‘‘You Want a Description of Hell?’ Oxycontin’s 12-Hour Problem‘ in The LA Times
• Rebecca J. Rosen, ‘The Circles of American Financial Hell‘ in The Atlantic
• Rebecca Asher, ‘Boys face just as much social pressure as girls‘ on The Pool
• Syreeta McFadden, ‘We’re in an amazing black cultural moment. Cue predictable white backlash‘ in The Observer

Film, Television, Music, Art, Fashion and Sport:

• Olivia Laing, ‘David Wojnarowicz: still fighting prejudice 24 years after his death‘ in The Guardian
• Keah Brown, ‘Love, Disability, and Movies‘ on Catapult
• Anna Leszkiewicz, ‘“I’m done taking pictures”: Justin Bieber, fandom and mental health‘ in the New Statesman
• Carrie Brownstein, ‘Call Me Crazy‘ in The New Yorker
• Jamie Moore, ‘Beyoncé’s Lemonade Is Made for Readers‘ on BookRiot
• Chloe Cadwalladr, ‘Why working-class actors are a disappearing breed’ in The Observer
• Hannah Ewens, ‘How ‘The Craft’ Realized the Power of Teen Girls and Made Witchcraft Cool‘ on Vice
• Alexandra Molotkow, ‘Teen Music Is Wasted on the Teens‘ on The Cut
• Ira Boudway and Kate Smith, ‘The Braves Play Taxpayers Better Than They Play Baseball‘ on Bloomberg
• Brogan Driscoll, ‘Put It Away, Madonna: We Like Our Older Women Invisible And Devoid Of Sexuality‘ on the Huffington Post

The interviews/profiles:

• Veronica Roth in The Guardian
• Louise Erdrich in The New York Times and Publishers Weekly
• Paula Whyman on Bloom
• Sara Pascoe on Standard Issue
• Lionel Shriver in The Bookseller and The Guardian
• Sophie Kinsella in The Guardian
• Ally Hilfiger in The Cut
• Yi Shun Lai on Write by Night
• Andi Zeisler in The Guardian
• Jesse Crispin in The Guardian and on Vulture
• Leslie Jamison on Literary Hub
• Hayley Webster on All the Words
• Sarah Perry on All the Words
• Shelley Harris on All the Words
• Fiona Melrose on All the Words
• Keris Stainton on All the Words
• Helen McClory on All the Words
• Melissa Broder in The Guardian
• Abbey Clancy in The Telegraph
• Janine di Giovanni in The Paris Review
• Zadie Smith on Refinery 29
• Harriet Reuter Hapgood on Buzzed
• Lydia Millet on Electric Literature
• Brenda Miller on The Rumpus
• Sarah Mlynowski and Shannon Hale on Publishers Weekly
• Fiona Sampson on Literateur
• Robin Black on Electric Literature
• Lisa McInerney on The Desmond Elliott Prize
• Esmé Weijun Wang on Bookslut
• Pamela Erens on The Millions
• Geling Yan on China in WW2
• Margo Jefferson in Vogue
• Lydia Davis in The Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media: October 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Photograph by Nadya Lev

This fortnight has been dominated by trans issues and feminism. This is largely due (in the UK at least) to the no-platforming of Germaine Greer due to her unpalatable comments about trans women. Sarah Seltzer looks at ‘The Disturbing Trend of Second-Wave Feminist Transphobia‘ on Flavorwire. This coincided with YA author, James Dawson, coming out as a transgender woman in this great piece by Patrick Strudwick on Buzzfeed. I look forward to featuring James and his books on the blog under his yet to be revealed new name and pronoun. Elsewhere, Francesca Mari writes, ‘They Found Love, Then They Found Gender‘ on Matter, Corinne Manning writes about ‘In Defence of the New Censorship‘, discussing the use of singular they on Literary Hub while Laurie Penny explores, ‘How To Be A Genderqueer Feminist‘ on Buzzfeed.

Photograph by Chad Batka

The woman with the most publicity this fortnight is Carrie Brownstein. She’s interviewed in Rolling Stone, Slate, Noisey, The New York Times and The Guardian.

The best of the rest:

On or about books/writers/language:

• Francesca Rendle-Short, ‘Focus on Lesbian/Queer Australian Women Writers‘ on Australian Women Writers
• Emily Gould, ‘Our Spoons Came from Woolworths‘ on The Paris Review
• Can Xue, ‘A special kind of performance: on the course of a Chinese writer‘ in The Guardian
• Kate Mosse, ‘Women’s Prize for Fiction: 20 years on – why we need it more than ever‘ in The Telegraph
• Anne Thériault, ‘What I Wish Everyone Knew About Sylvia Plath‘ on The Belle Jar
• Antonia Honeywell, ‘YA or not YA? On writing and reading labels‘ on Live Otherwise
• Leesa Cross-Smith, ‘US Open & Revisions‘ on Real Pants
• Sarah Hughes, ‘Out with vampires, in with haunted houses: the ghost story is back‘ in The Guardian
• Daisy Buchanan, ‘The enduring appeal of Bridget Jones‘ on The Pool
• Virginia Pasley, ‘The Dueling Universes of Bridget Jones‘ on Medium
• Kate Zambreno and Adrian Nathan West ‘The Pleasure of Following Coincidences: on Marianne Fritz‘ in The Believer
• Claire Harman, ‘“I pine away”… Charlotte Brontë’s romantic obsession‘ in The Guardian
• Leslie Jamison, ‘The Possibilities of the Personal‘ on Nieman Storyboard
• Lily Tuck, ‘True Confessions of an Auto-Fictionist‘ on Literary Hub
• David Mitchell, ‘On Earthsea: A Rival to Tolkien and George RR Martin‘ in The Guardian
• Adam Fitzgerald, ”That’s not poetry; it’s sociology!’ – in defence of Claudia Rankine’s Citizen‘ in The Guardian
• Jennifer Croft, ‘Understanding Difference: On Translating Olga Tokarczuk‘ on Pen American Centre
• Naomi J. Williams, ‘on late starts and lost calls‘ in The Irish Times
• Elizabeth Minkel, ‘What Is Fanfiction, Anyway?‘ in the New Statesman
• John Plotz, ‘Le Guin’s Anarchist Aesthetics‘ on Public Books
• Susan Bernofsky, ‘Who’s Getting Translated? Mostly Men‘ on Translationista
• Helen MacKinven, ‘on Setting Her Novel in a Small Town‘ on Isabel Costello’s Literary Sofa
• Kate Mosse, ‘The wild bunch: on why we love out-of-control women‘ in The Guardian
• Margaret Eby, ‘The Brutal Murder of Mary Grace: Peacock
  Love and Death on Flannery’s Farm‘ on Literary Hub
• Jane Smiley, ‘At the end of this trilogy I wept‘ on Literary Hub
• Tanya Landman, ‘Is To Kill a Mockingbird a racist book?‘ in The Guardian
• Susanna Rustin, ‘Joan Brady: “Alger Hiss Was Framed by Nixon”‘ in The Guardian
• Sarah Laskow, ‘We Have a Copy of Patricia Highsmith’s Unpublished Essay on Green Wood Cemetery‘ on Atlas Obscura
• Isabel Rogers, ‘How do you get into Fight Club if you pronounce it ‘figghut’?‘ on her blog
• Scott Esposito, ‘Pillars: #4. River of Shadows by Rebecca Solnit‘ on Conversational Reading
• Olivia Laing, ‘Separating art from life always needs the most delicate touch‘ in The Guardian

Personal essays/memoir:

• Emma Jane Unsworth, ‘Suffering the strangeness of sleep paralysis‘ on The Pool
• Elena Ayala-Hurtado, ‘“Adrift between two dialects”: Teaching English in Madrid‘ in The Toast
• Kristen Martin, ‘Investigation, from the Latin investigationem‘ in Guernica
• Daisy Hernández, ‘Colares‘ on The Rumpus
• Svetlana Alexievich (translated by Arch Tait), ‘Boys in Zinc‘ in Granta
• Ella Sackville Adjei, ‘The Terrible Tale Of My Racist One-Night Stand‘ on Buzzfeed
• Susana Morerira Marques (translated by Julia Sanches) from ‘Now and at the Hour of Our Death’ in The Offing
• Jane Smiley, ‘Horse Country‘ in The New York Times
• Molly Langmuir, ‘A Road Trip With My Friend Led to a Nude Photo Shoot‘ on The Cut
• Sarah Menkedick, ‘Caught in the Middle‘ in Guernica
• Masha Gessen, ‘The Memory Keeper‘ on Svetlana Alexievich in The New Yorker
• Joanne Harris, ‘A Writer’s Manifesto‘ on Writers’ Centre Norwich
• Corinne Manning, ‘Myself in Translation: On the Genius of Alison Bechdel‘ on Literary Hub
• Sofi Stambo, ‘Lists‘ on AGNI
• Michele Filgate, ‘Dressing Myself for the First Time‘ on Refinery 29
• Ka Bradley, ‘A Letter of Enquiry Regarding a Possible Purchase‘ in The Offing
• Scherezade Siobhan, ‘Llamada‘ on Real Pants

Feminism:

• Sophia Benoit, ‘A list of things I wish women’s magazines would publish‘ in The Guardian
• Sabeena Akhtar, ‘Education, not Liberation!‘ on The Poco Book Reader
• Stephanie Merritt, ‘The damage done by demonising single mothers‘ on The Pool
• Frances Ryan, ‘A disabled woman’s struggle is any woman’s struggle‘ in The Guardian
• Akwugo Emejulu, ‘From #BlackLivesMatter to Anti-Austerity: Women of Colour and the Politics of Solidarity‘ on Verso Books Blog
• Emer O’Toole, ‘Suggestions for stock photos in abortion articles‘ in The Irish Times
• Jina Moore, ‘Women Refugees Fleeing Through Europe Are Told Rape Is Not A Real Issue‘ on Buzzfeed
• Sarah Dohrmann, ‘Lost Girls: Women, sex, and the Arab Spring‘ in Harper’s
• Brittney Cooper, ‘The gun crisis we aren’t talking about: Black women are under attack — and America doesn’t care‘ on Salon
• Rebecca Traistor, ‘The Game Is Rigged‘ in The Cut
• Rosalind Jana, ‘Taking Up Space‘ on Girl Lost in the City
• Stephanie Merritt, ‘Women’s pain: do we need to scream to be heard?‘ on The Pool

Society and Politics:

• Rachel Nuwer, ‘The Tragic Tale of Mt. Everest’s Most Famous Dead Body‘ on the BBC
• Kate Taylor, ‘At a Success Academy Charter School, Singling Out Pupils Who Have ‘Got to Go’ in The New York Times
• Brittney Cooper, ‘She was guilty of being a black girl: The mundane terror of police violence in American schools‘ on Salon
• Anna Holmes, ‘Has ‘Diversity’ Lost Its Meaning?‘ in The New York Times
• Ellen Berrey, ‘Diversity is for white people: The big lie behind a well-intended word‘ on Salon
• Saima, ‘What’s In a Name?‘ on Medium
• Ijeoma Oluo, ‘My atheism does not make me superior to believers. It’s a leap of faith too‘ in The Guardian
• Claire Martin, ‘The Deputy Who Disappeared‘ in Los Angeles Magazine
• Gaby Hinsliff, ‘The Women’s Equality party has a problem – no one hates it‘ in The Guardian
• Julie Beck, ‘How Friendships Change in Adulthood‘ in The Atlantic
• Apoorva Mandavilli, ‘The Invisible Women With Autism‘ in The Atlantic
• Maya Oppenheim, ‘Not just sourdough: the feminist artisan bakery run by women who are ex-offenders‘ in the New Statesman
• Sarah Graham, ‘Only two sexes? The barefaced lie that makes intersex people like me invisible‘ in The Independent

Film, Television, Music, Art and Fashion:

• Megan Garber, ‘Suffragette and the Perils of Inspiration Porn‘ in The Atlantic
• Leah Finnegan, ‘The Fragile Ears of Men‘ on Joanna Newsom in The Awl
• Hannah Jane Parkinson, ‘The name’s Bond, Jane Bond: what would lesbian 007 look like?‘ in The Guardian
• Jada F. Smith, ‘With ‘Being Mary Jane,’ Mara Brock Akil Specializes in Portraits of Black Women‘ in The New York Times
• Rachel Shabi, ‘Homeland *is* racist. And it has a problem with women‘ on The Pool

The interviews:

• Cristina Henríquez in Guernica
• Melinda Salisbury on helloiammariam
• Gloria Steinem in The New York Times
• Selma Dabbagh in Guernica
• Sloane Crosley in The New York Times and The Bookseller
• Azar Nafisi on The Millions
• Suzanne Scanlon on Electric Literature
• Garance Doré in The Cut
• Terry Stiastny on Rebecca Mascull’s blog
• Meera Syal in The Guardian
• Lauren Holmes on Electric Literature
• Jane Smiley on Northern Soul
• Erica Jong in The Observer
• Stacy Schiff in The New York Times
• Helen Simpson in The Guardian
• Edna O’Brien in The Telegraph and The Bookseller
• Carmen Maria Machado on Electric Literature
• Helen MacKinven on Poppy Peacock Pens
• Eileen Myles in the LA Times
• Laura Watkinson on translating Tonke Dragt in The Guardian
• Alex Mar on The Millions and Nerdist
• Liz Fenton and Lisa Steinke on Women Writers Women’s Books
• Kelly Sue De Connick on The Pool
• Valeria Luiselli in The White Review
• Marilynne Robinson on The Daily Beast
• Emma Jane Unsworth in The Cut
• Margaret Atwood on Literary Hub, Salon and The Millions
• Sarah Weinman on The Paris Review
• Mary Ruefle on Divedapper
• Yeonmi Park in The Irish Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified

In the Media: 16th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Photo by Wayne Thomas

This week, there’s been lots of discussion on my Twitter timeline about an article by Joanna Walsh, writer and creator of #ReadWomen2014 on ‘Why must the “best new writers” always be under 40?‘ prompted by Buzzfeed’s ‘20 Under 40 Debut Writers You Need to Be Reading‘. Traditionally, these lists have disadvantaged women who, for a number of reasons, often publish their first novel later than many men. So, although it’s arbitrary/silly, this week’s top slot is going to pieces by or about those who published their first book at 40 or over.

We have Linda Grant (first novel published at 44) on why she’s hooked on the Serial podcast in The Guardian; Joan Chase (47) in her own words and Amy Weldon on her both on Bloom, a site dedicated to writers whose first major work was published at 40 or over; Ruth Graham tells the true story of Laura Ingalls Wilder (65) on Slate; Alexander Chee looks at Penelope Fitzgerald (59) via Hermione Lee’s biography of her on Slate; there are interviews with Lissa Evans (42) on the One More Page blog, Helen DeWitt (43) in BOMB magazine, Meg Rosoff (48) on Rebecca Mascull’s blog, Katherine Boo (48) on the theatre production of Behind the Beautiful Forevers in the Independent and Donna Douglas (40) on Female First; while Bobbie Ann Mason (42) has a new short story ‘Ready‘ on TNB Fiction and the first chapter of Summertime by Vanessa Lafaye (51) is up to read on One Book Lane; finally, you can find out why middle-aged women are dominated self-publishing according to The Guardian.

At the other end of the spectrum, writer Nikesh Shukla supports young writers in Bristol. They publish online magazine Rife. Here’s Sammy Jones’ ‘The Five Stages of Street Harassment‘ and Jess Connett on ‘Hidden WWI: Teenagers at War‘.

There’s also been more gender discussion. Time magazine added the word ‘feminism’ to a list their readers could vote on to ‘ban’. Roxane Gay responded in The Washington Post; Hannah McGill discussed gender depiction in Sci-Fi in The List; Jess Meacham critiqued Suzanne Moore’s column on selfie’s being anti-feminist and her use of Sylvia Plath’s poetry in ‘The Eyeing of my Scars‘ on her blog, while Non Pratt looked at gender representation in Young Adult books in We Love This Book.

And the woman with the most publicity this week is Amanda Palmer, whose book The Art of Asking was published on Tuesday. She’s in The Guardian following a live web chat; interviewed by Maria Popova of Brainpickings on YouTube; has written an article for The Independent and been interviewed in Billboard.

The best of the rest articles/essays:

• Gillian Bowditch on Muriel Spark’s sealed archive of papers in The Sunday Times (paywall)
• Shirley Clarke and Elaine Dundy profile in The New Yorker
• Sarah Churchwell, ‘Why the Humanities Matter‘ in the Times Higher Education supplement
• Emily Gould on literary liars and forgiveness in Salon
• Rose Tremain on ‘The short story and its difficulties‘ on the Waterstones blog
• Tobin Dalrymple on Carol Dunlop and Julio Cortázar’s love affair in Maisonneuve
• Nicholas Rombes on Joan Didion’s Play it as it Lays on Electric Literature
• Laura Miller in defence of true crime on Salon
• Dan Gunn on Marguerite Duras at 100 in the Times Literary Supplement
• Nadine Bachan ‘Ol’ Talk‘ on reawakening her Trinidad accent in Maisonneuve
• Zoe Heller, ‘The Hard Work of Marriage‘ on Gone Girl in The New York Review of Books
• Aja Romana on celebrated Sci-Fi novelist Benjanun Sriduangkaew being exposed as a notorious internet troll on the Daily Dot
• Jess Row, ‘The Genius of the Woman Warrier at 30‘ on Slate
• Laura Thompson on the rise and rise of women detectives in The Telegraph
• Margaret C. Sullivan on Pride and Prejudice book covers over time in The Huffington Post
• Nathan Heller, ‘Why Joan Didion Matters More Than Ever‘ in Vogue
• Catherine Bruton on violence in teen fiction in The Guardian
• Tom Gatti on judging the Goldsmith’s Prize (won by Ali Smith) in the New Statesman
• Katie Law, ‘Why the words “gone” and “girl” are the latest trend in publishing‘ in the Evening Standard
• Alison Flood on Ali Smith winning the Goldsmiths Prize in The Guardian
• Ali Smith’s lecture on Virginia Woolf for the National Portrait Gallery
• Sarah Jane Abbott, ‘How I Capture the Castle Captured Me’ on Huffington Post
• Tasha Golden on the lone genus myth in Ploughshares
• Sarah Kerr, ‘Wonder Woman: The Weird, True Story‘ in The New York Review of Books
• Clarissa Sebag-Montefiore on Male escorts and female sexuality in Aeon
• Rose Bretécher on sexism in publishing on For Books’ Sake
• Anne Lamott on how a day with a sick friend bought her back to her senses on Salon
• Stella Duffy, ‘reconstruction revelation‘ on how she feels about her breast reconstruction following cancer surgery on her blog
• Maureen O’Conner, ‘Ayn Rand, Gril-Power Icon‘ in The Cut
• Mary Mann, ‘Weiter‘ in Guernica
• Edan Lepucki, ‘Notes on Likeability in Fiction‘ on The Millions
• Miranda Kiek on Elizabeth Von Arnim in The Independent
• Madeline Watts on A Girl Is a Half-Formed Thing and the necessity of a ‘girl canon’ for The Believer
• Roxane Gay on Lena Dunham on her blog
• Miriam Darlington’s ‘Nature Notebook‘ in the Times (paywalled)
• Erin Keane ‘Jane Austen Slept with all the Book Bloggers‘ on Salon
• ‘Was Jane Austen a Feminist Writer?‘ on Scottish Book Trust
• Liz Kessler on why her novel about a girl coming out has been in a drawer for 15 years in The Guardian
• Helen Lewis ‘who are women dressing for, anyway‘ in the New Statesman
• Brain Pickings on Anne Lamott and the true gift of friendship
• Helen McClory on monsters for the Queen’s Ferry Press blog
• Elisabeth Geier on male bodies and women trying to navigate them on The Catapult
• Essie Fox on the allure of the gothic on One Book Lane
• Judith Levine, ‘Lena Dunham Wasn’t a Paedophile, and Neither Were You‘ in the Boston Review
• Hisham Matar, ‘The Unsaid: The Silence of Virginia Woolf‘ in The New Yorker
• Max Cairnduff, ‘Girls get murdered all the fucking time‘ on Lauren Beukes’ The Shining Girls on his blog
• Amy Uyematsu, ‘Old Asian American Poets Never Die‘ on Huffington Post
• Hannah Richell ‘And then…‘ on her blog
• Sabah Haider ‘Reflections on Northern Spirit‘ on Minor Literature[s]
• Beluah Devaney ‘Where Have All the Red-Headed Heroines Gone?‘ on For Books’ Sake
• Kathleen Anderson, ‘Why Cornel West Loves Jane Austen‘ on Huffington Post
• Helen MacKiven on her preference for female writers on her blog
• Blue Telusma, ‘Kim Kardashian doesn’t realise she’s the butt of an old racial joke‘ on The Grio

The interviews:

• Meera Syal on staring in Behind the Beautiful Forevers at the National Theatre, London
• Megan Amran in The Guardian
• Fiona McCrae, Graywolf Press Director, interviews Barbara Epler, President of New Directions on the Graywolf Press blog
• Brecken Hancock in Maisonneuve
• Emma Hannigan in Stylist
• Hilary Mantel reported in The Independent
• Helen Macdonald on The Guardian Books’ podcast
• Emily St. John Mandel on The Millions
• Jenny Offill interviews Lydia Millet on Salon
• Suzannah Dunn on Word Wenches
• Lindsay Hunter in The Believer
• Lore Segal on the Meville House website
• Margaret Atwood on the Huffington Post, responding ‘to some common tweets about Canadians‘ on Buzzfeed and in The West Australian
• Darcey Steinke on Bustle
• Jennifer Holland, Workman Publishing’s #ReadWomen2014’s author of the month on their blog
• Jo Mazelis on For Books’ Sake
• Jenny Erpenbeck on NRP Books
• Cheryl Strayed in Vanity Fair
• Tania Hershman on her flash fiction ‘Think of Icebergs‘ in Litro
• Andrea Levy in the Independent
• 5 Minutes with Marian Keyes on Eason Edition

This week’s ‘Who is Elena Ferrante?’ piece is by Jane Shilling in the New Statesman

If you want some fiction to read:

• ‘The Golden Room (Lucy’s Lips)‘ by Elizabeth Crawford in BOMB magazine
• Dorothea Lasky, ‘Never Did Amount to Anything‘ in Granta
• Olivia Laing, ‘The Other Hotel‘ on Manchester Literature Festival’s blog (click the title to download)
• Jackie Kay’s ‘Afternoon Tea‘ on Manchester Literature Festival’s blog (click the title to download)
• An extract from Jenny Erpenbeck’s The Ends of Days (tr. Susan Bernofsky) on NRP Books
• Marie-Helene Bertino on The Catapult ‘It’s about exes who fall from the sky.’

Or some non-fiction:

• ‘Thea‘ on I Will Pay £1.00 For Your Story blog
• Joanna Bourke’s introduction to Wounding the World on Virago’s website

This week’s lists

• 8 Moving First World War Books in Good Housekeeping
• Best Books to Read this November in Red magazine
• Arched Eyebrow’s 7 Favourite Books published this year on her blog
• Lydia Millet’s 5 Writing Tips in Publishers Weekly
• NetGalley’s UK Books of the Year
• Books that have taught me about ignorance on Of Books
• The top 10 books about reading in The Guardian
• 50 Novels Featuring Famous Authors as Characters on Flavorwire
• Best Reads for Christmas 2014 on Gransnet
• If You Liked Not That Kind of Girl by Lena Dunham, You will Love… on Huffington Post
• 6 Witty Quotes from Margaret Atwood on Buzzfeed
• When Polly Vernon met Lena Dunham: 6 Things We Learned on Grazia
• Favourite Books of 2014 on Read Her Like an Open Book
• The Bookbag’s Top Ten Women’s Fiction Books 2014
• Quotations from Dan by Joanna Ruocco on the baumer
• 10 New Thought-Provoking Non-Fiction Books in Time Out New York
• 9 Books That Got Me Through My Awkward Teen Years on Bustle
• 5 Festive Novellas from Novelicious
• Some fantastic books about friendship in Rookie
• The 40 Books Every Woman Should Read on Hello Giggles

In the Media: 9th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s awards time again this week. Congratulations to Helen Macdonald who won the Samuel Johnson Prize with her stunning memoir H is for Hawk. There’s an article about it and an interview, both in The Guardian. You can also listen to interviews with all the shortlisted writers on BBC Radio 4.

While in France, Lydie Salvayre won the Prix Goncourt with Pas Pleurer.

The Green Carnation shortlist was announced this week and there are four women on the shortlist of six – congratulations to Kerry Hudson, Kirsty Logan, Anneliese Mackintosh and Laurie Penny. Prior to the announcement, Antonia Honeywell wrote her thoughts on the longlist.

The National Book Awards (UK) shortlists were also announced this week. Lots of books by women worth a read on there too.

And the Saltaire Society shortlisted a self-published book for their First Book Award, The Last Pair of Ears by Mary F. McDonough. The first self-published book to be shortlisted for a Scottish Prize.

That might make you think about Paul Kingsnorth’s novel The Wake which was the first crowd funded novel to be longlisted for The Man Booker Prize earlier this year. Well, Unbound, Kingsnorth’s publishers have announced a Women in Print campaign to try to increase the number of female authors published.

This week has also seen The Bookseller’s report on diversity in publishing – still not good enough, is the overriding conclusion.

It wouldn’t be an average week these days without a Lena Dunham story. Accused by a right-wing journalist of sexually molesting her younger sister following a confessional passage in her book, discussion ensued from Emily Gould, Katie McDonough, Mary Elizabeth Williams and Carolyn Edgar on Salon; Sarah Seltzer on Flavorwire; Emma Gannon on The Debrief; Grace Dent in The Independent. To cheer you up after that, here are 37 Funny and Inspired Thoughts from her book tour on Buzzfeed.

In more cheering news about prominent females, Mallory Ortberg, founder of The Toast, had her book Texts for Jane Eyre published in America this week. In the Los Angeles Review of Books, Sarah Mesle wrote a stunning essay/review about the book’s feminist credentials. She’s interviewed on Entertainment Weekly, The Huffington Post and The Guardian. And you can read an extract, 7 Brutal Literary Breakup Texts on Buzzfeed.

And the Amy Poehler stories are still going. The woman herself answers the Proust Questionnaire in Vanity Fair. Here’s 5 Unexpected Things Marie Claire learned from Poehler’s book. Jessica Valenti has (mis?) read the book and declared ‘bitchiness’ the secret to Poehler’s success in The Guardian. Also in The Guardian, Hadley Freeman told us ‘Why Amy Poehler is the Ultimate Role Model for British Women‘.

The best of the rest articles/essays:

• Jeanette Winterson on the books that changed her life in The Telegraph
• Meg Wolitzer, ‘Why are teenage girls drawn to books about mental instability?‘ in The Guardian
• ‘Finish that Book!‘, Juliet Lapidos in The Atlantic
• Tracey Thorn on going through phases in the New Statesman
• Dreda Say Mitchell, ‘Heroes to Die For‘ on Grab This Book
• Kate Mayfield on shrouds on her blog
• Erica Wagner on Rebecca Solnit and Chimamanda Ngozi Adichie in the Financial Times
• Sarah Galo on the Jennifer Egan edited ‘The Best American Short Stories 2014’ in The Guardian
• ‘Writers on the Titling Process‘ in The Millions
• ‘The Unfashionable Genius‘ on Marilynne Robinson in Commonweal Magazine
• Lynn Shepherd, ‘Pushing Pamela: Book Hype, 18th Century Style‘ in The Spectator
• ‘Women Rise in Sci Fi (Again)‘ by Rose Eveleth in The Atlantic
• Isabel Wolff on ‘The Forgotten Women of the War in the East‘ on Women Writers, Women’s Books
• Ruth Margalit on rereading The Giving Tree in The New Yorker
• Anakana Schofield, ‘Sorry, Mrs O’Duffy‘ on the lack of pensions for women in the Irish armed forces on the London Review of Books blog
• Louisa Treger on The Page 69 Test blog, talking about how Virginia Woolf led her to Dorothy Richardson on Blog Her and discussing how it feels to be between her fictional and real worlds on Women Writers, Women’s Books
• Jenny Diski, ‘Some things are best met with silence’ on her blog
• Frances Ambler, ‘Punk Debunked‘ on the plagiarism claims against Vivienne Westwood
• Isabel Costello, ‘My First Year as an Agented Writer‘ on her blog
• Catherine Ostler on Agatha Christie’s disappearance in The Independent
• Darcey Steinke’s tribute to a former teacher in The Roanoke Times
• Adèle Geras on ‘finding your voices‘ on The Great British Bookshop
• Sally Gardner, ‘Dyslexia and Me‘ in The Guardian
• Sonal Champsee, ‘How I Started the Margaret Atwood Revolution‘ in Hippocampus
• ‘What to Read When You’re Not Expecting‘ on The Millions
• ‘What Would Jessica Fletcher Tweet?‘ on PopMatters
• Lionel Shriver, ‘I was poor but I was happy‘ in The Guardian

The interviews:

• Sarah Waters interviewed by Rachel Cooke about the play she’s written in The Guardian
• Lindsay Hunter on Electric Literature
• Jane Rawson on Annabel Smith’s blog
• Roxane Gay on Phillips Exeter Academy website
• Anne Fine on Gender-Biased Books on BBC Radio 4
• Amy Mason on Bristol 24/7 and Scottish Book Trust
• Kate Zambreno on Catherine Mavrikakis’ A Cannibal and Melancholy Mourning in The Believer
• Rose Chast on her inspiration at The New Yorker festival
• Jenny Offill on Book Forum
• Averill Curdy in AGNI online
• Laurie Penny on Flavorwire
• Jill Meyers and Callie Collins on running A Strange Object independent press on Bustle
• Caitlin Moran on Talking Writing
• Jo Mazelis on the Seren Books blog
• Mindy Kaling on ‘Writing the Michael Scott Character as a Woman’ at The New Yorker festival
• Zoe Pilger in Flux
• Chimamanda Ngozi Adichie at the Washington Ideas Forum on The Atlantic (you might need to scroll through the videos)
• Mary Costello on The Works, RTÉ
• Margaret Atwood on Mr B’s Emporium blog
• Anne Lamott on Salon
• Christina James’ editor (who’s also her husband) on Strange Alliances
• Eliza Griswold in Guernica
• Rebecca Levene on Fantasy Faction
• Lynn Kanter on the PhD in Creative Writing Blog
• Lydia Millet interviewed by Jonathan Lethem in BOMB
• Annabel Smith on Seraglio
• Sali Hughes on Get the Gloss
• Anne Rice in The Independent

In translation:

• Jenny Erpenbeck (tr. Susan Bernofsky) ‘Homesick for Sadness’ on the fall of the Berlin Wall in The Paris Review
• Julie Winters Carpenter interviewed about translating Japanese poetry on the Asymptote Blog

If you want some fiction/poetry to read:

• Juliet Jacques, ‘Surveillance City‘ on Queen Mob’s Tea House
• Gillian Flynn, ‘Trouble at Osage Lake High‘ from Drivel: Deliciously Bad Writing By Your Favorite Authors on Buzzfeed
• An extract from Mary Costello’s Academy Street on Canongate Books
• ‘Stand Still‘ by Shelly Oria on Guernica
• Joanna Ruocco, ‘Gallup Poll’ and ‘The Face of Things’ in Threadcount
• An extract from Miranda Dickinson’s I’ll Take New York on Tishylou’s World
• Bethan Roberts’ ‘Like Rabbits‘ in The White Review
• ‘Luz‘ by Laura Bylenok
• ‘Plots from the Sopranos Re-Interpreted by Lydia Davis‘ (Not really, in case that wasn’t obvious) on Hobart
• Antonya Nelson, ‘Primum Non Noncere‘ in The New Yorker, which she discusses here.
• The first chapter of Amanda Coe’s Getting Colder on Virago’s site

The lists:

• My 5 favourite books to reread on Lonesome Reader
• 33 Books You Should Read Now, Based on Your Favourite Films on Buzzfeed
• 13 Successful First Novels by Female Writers on Popsugar
• 5 Stunning Debut Novels to Add to Your To-Read Pile in the Huffington Post
• 9 Cli-Fi Books for Teens on Scottish Book Trust
• The Best Debut Novels of 2014 according to Hannah Beckerman in the Huffington Post
• 10 Forgotten Children’s Books (8-11) on the Scottish Book Trust site
• Best Queer Characters in Fiction on For Books’ Sake
• The 8 Best Under the Radar Books to Read this Fall in Vogue
• 12 New Books all Twentysomething Women Will Be Obsessed with This Fall in Cosmopolitan
• 5 YA Books That Will Keep You on the Edge of Your Seat on Huffington Post
• 13 Best Books to Read in November in Good Housekeeping
• 6 Things We Learned from J.K. Rowling’s new Harry Potter stories on Mental Floss
• 10 Amazing Female Novelists Under 50 on Buzzfeed
• Five Challenging Memoirs by Remarkable Women Writers by Alice Jolly (who’s publishing her own memoir through Unbound – see top of the post) on For Books’ Sake

And the 13 (I tried to keep it to 10 but it’s been a very good week) best things I’ve seen this week:

• Meaghan O’Connell’s ‘A Birth Story‘ on Longreads
• The new Read Women bookmarks designed by Joanna Walsh, creator of #ReadWomen2014
• 100 Days of African Reads on Sister Killjoy’s Facebook page (runs from 10th October 2014 to 8th January 2015)
• Andrea Levy, ‘How I learned to stop hating my heritage‘ in The Guardian
• Ekphora, ‘A Liberating Rupture‘ on her blog
• ‘An Illustrated Guide to Writing People of Color‘ by MariNaomi on Buzzfeed
• ‘The War Is Over (If You Want It)‘ Rebecca Solnit on Tom Dispatch
• Olivia Lang’s profile of Hilary Mantel in Elle
• ‘Notes on the Exotic‘, Andrea Lee in The New Yorker
• Ann Patchett’s correction to the New York Times
• Lucy Ribchester’s Pinterest board for The Hourglass Factory
• Sarah Butler’s ‘Remaining Values Should Probably Be Left Alone‘ on her blog
• The book trailer (it’s more of a mini-film than a book trailer) for Tiffany Murray’s Sugar Hall

In the Media: 5th October 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought-provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Is anyone else aware there’s a film version of Gone Girl out this week? Love it or loathe it, you certainly can’t miss it. Gillian Flynn’s been interviewed by Emma Brockes in The Guardian and told Vulture about 21 Things that Influenced her books. Erin Kelly wrote in the Telegraph about Why we are all in the grip of suburban noir, while Stylist ran some Words of Wisdom from History’s Greatest Female Crime Writers and Vulture ran a list of Seven Books to Scratch Your Gone Girl Itch which are not what you might expect (I’ve reviewed four and have two of the remaining three on my TBR).

Also having a moment is Jane Eyre and her creator Charlotte Brontë partly due to The Secret Life of Books‘ episode dedicated to the book last week. Presenter of that episode, Bidisha, wrote a piece telling us Beware Your Classic Heroines as they might not be all you thought they were. Pam McIlroy wrote Is Jane Eyre passive or strong? in reaction to the programme. While Claire Hayes wrote about rereading and rethinking Jane Eyre as part of the Massive Open Online Course she’s taking. And if you can’t stand Jane Eyre (just me?), here’s Lucy Hughes-Hallet’s piece from earlier in the year about Why Villette is better.

Lots this week about gender parity or, more specifically, the lack of it. Anne Boyd Rioux wrote on her blog about the Challenge to a (Woman) Writer’s Credibility following the Washington Post’s review of Karen Abbott’s Liar Temptress Soldier Spy and on The Millions asked Is There No Gender Equity in Nonfiction? (I don’t need to remind you not to read the comments on that one, do I?) Rebecca Winson from For Books’ Sake wrote in the TES about their Balance the Books campaign, to challenge the gender divide on the new UK GCSE specifications. While Elisabeth Donnelly wrote on Flavorwire about the difference between Lena Dunham and Aziz Ansari’s Million Dollar Book Deals.

(Portrait by Jay Grabiec )

Talking of Lena Dunham (and other current high profile feminists), she’s still big news this week following the publication of her book. Roxane Gay interviewed her on Vulture and posted the outtakes. While the New York Times ran a piece on how she was turning her book tour into ‘a Literary Circus’. While the LA Times linked her with Laurie Penny to discuss how they are ‘rewriting womanhood for the 21st Century‘. Standard Issue interviewed Penny while the TLS ran a piece discussing Penny’s book alongside Laura Bates’ Everyday Sexism and The Vagenda titled ‘Modern Sexism‘. And as I’ve mentioned Gay, I’m very excited by the news that The Toast have hired her to run their new sister site ‘The Butter’.

In translated literature news, there’s a great portrait of Russian writer Lyudmila Ulitskaya in The New Yorker and a piece on Chinese Women Writers by Chialin Yu on Women Writers, Women’s Books. Still the Elena Ferrante pieces continue: there’s a podcast on The New Yorker about her mysterious power and Kat Stoeffel has a girl-crush on her on The Cut. While there’s an extract of Catherine Bessonart’s forthcoming novel And if, at Notre Dame, by night, translated by Louise LaLaurie on French Culture. All the more interesting for having the original text alongside the translation. And finally, Sal Robinson at Melville House commented on the possibility of a Women in Translation prize.

I never mention poetry. It’s not because I don’t enjoy it, more that I don’t feel even vaguely qualified to talk about it. However, I’m changing that as of this week (talking about it, that is). Poet of the moment, Kate Tempest is in The Guardian talking about how rapping changed her life. This fantastic poem, Leak by Lauren Levin in The Brooklyn Rail is well worth a read. While Patience Agbabi performs the Prologue from her reworking of Chaucer’s The Canterbury Tales.

If you prefer prose, Lionel Shriver emerged as the winner of the BBC National Short Story Award, you can read ‘Kilifi Creek‘ on The Guardian site; Hilary Mantel’s ‘The Long QT‘ from The Assassination of Margaret Thatcher; the opening of Marilynne Robinson’s new novel ‘Lila’ on the Virago Books, or Bidisha’s new novel-length fiction work Esha Ex on her blog.

The best of the rest articles:

• Jenny Diski’s second entry in her cancer diary in the LRB.
• Olivia Laing on Loneliness on Aeon (very late to this but it’s excellent).
• Alissa Nutting’s favourite bar on The Millions.
• Ruth Ozeki on buddhism and her writing on The Dish.
• Kate Mayfield on death on gransnet.
• Emma Claire Sweeney on the friendship between Zora Neale Hurston and Marjorie Kinnan Rawlings on Something Rhymed.
• Kate Mosse on taxidermy in the Daily Express.
• Stella Duffy on the Tories ‘Aspiration Suffocation’ (older but very worth it, as is anything Duffy writes) on her blog.
• Rob Hardy on Nicola Griffith’s Hild and female identity on The Critical Flame.
• Rebecca Makkai on Literary Mansplaining on Read Her Like an Open Book.
• Elisabeth Donnelly on Jesmyn Ward’s Men We Reaped and Ferguson on Flavorwire.

And the interviews:

• Marilynne Robinson in the New York Times.
• Kathleen Founds on Electric Literature.
• Caitlin Moran in US Cosmopolitan where she discusses THAT tweet.
• Jesmyn Ward (again) discussing Salvage the Bones on Writers & Company.
• S.D. Sykes on Rebecca Mascull’s blog (which made me even more desperate to read Sykes’ novel).
• Edna O’Brien in The Independent.
• Rivka Galchen on Poets & Writers.
• R.J. Palaccio on The Guardian Children’s Books’ Podcast.

This week’s lists:

• The Best Sentences from Debo Mitford’s Wait for Me! on The Toast.
• Flavorwire’s 10 Must Read Books for October.
• Bustle’s October’s Best Books.
• Seven Japanese Authors to Read (who aren’t Haruki Murakami) on BookRiot.

And my favourite pieces this week:

• Anne Booth on burning books and why tackling the darkest corners of society in books is important.
• Zadie Smith ‘Find Your Beach‘ on the limitless mind and Manhattan.
• The new edition of Five Dials magazine, the second part of the #ReadWomen2014 edited edition. A smorgasbord of fiction and non-fiction pieces.
• Marina Benjamin on her changing relationship with her daughter in Aeon.
• Susan Minot on the Brown sisters’ Forty Portraits in Forty Years.

The Trip to Echo Spring – Olivia Laing

Laing’s book begins with an epigraph from the Handbook of Medical Psychiatry:

When alcoholics do drink, most eventually become intoxicated, and it is this recurrent intoxication that eventually brings their lives down in ruins…Yet despite these consequences the alcoholic continues to drink…Previously upstanding individuals may find themselves lying, cheating, stealing, and engaging in all manner of deceit to protect or cover up their drinking…Many alcoholics appear quite grandiose, yet on closer inspection one sees that their self-esteem has slipped away from them.

In The Trip to Echo Spring (a title taken from a line Brick says in the Tennessee Williams’ play Cat on a Hot Tin Roof), Laing examines the lives of six American male writers and alcoholics – John Cheever, Raymond Carver, Tennessee Williams, F. Scott Fitzgerald, Ernest Hemingway and John Berryman. What drove them to drink and how did it affect their writing?

Laing decides to do this while travelling through America herself, visiting places important to these writers – …through New York, New Orleans and Key West, and then north-west, via St. Paul…and on to the rivers and creeks of Port Angeles…. She uses the connections between the places and the people to provide a loose structure to her work. I say loose because the book meanders from the writers and their relationships to key pieces of their work to what it means to be an alcoholic to Laing’s journey to Laing’s own family background and the affect alcoholism had on them. Some readers will dislike this structure, I’m sure, but  (particularly as a fan of Sebald) it worked wonderfully for me. Rather than investigate an area or a writer wholly in one section, you get pieces of information like this:

In 1980, The Diagnostic and Statistical Manual of Mental Disorders dropped the term ‘alcoholism’ entirely, replacing it with two interrelated disorders: alcohol abuse (defined as ‘repeated use despite recurrent adverse consequences’) and alcohol dependence (defined as ‘alcohol abuse combined with tolerance, withdrawl and an uncontrollable drive to drink’).

alongside descriptions like this:

The city impressed itself on me by way of a repeating currency of images, a coinage of yellow cabs and fire escapes, brownstones hung with wreaths of conifer and ornamental cabbage tied up with tartan ribbon. Delis stocked with smoked pigs’ legs and wheels of giant cheese. Plums and mangoes stacked in crates. Fish on ice, heaped in delicate, slippery piles of coral, silver, flint and grey.

which makes The Trip to Echo Spring a thoroughly absorbing read. But, be warned, this book comes with two adverse side effects: one, the descriptions of the effect that even the smallest amount of alcohol has on your body will put you off drinking (temporarily, at least) and two, Laing’s critiques of the six writers’ work will have you rushing to buy all the ones you don’t already own.

Thanks to Canongate for the review copy.