White Feathers – Susan Lanigan

White Feathers tells the story of Eva Downey and her role as a suffragette prior to and during the First World War. When we meet her, she’s being escorted by Mrs Stewart, a friend of her stepmother’s, to Eastbourne and The Links School for Young Ladies. She’s collected from the rail station by Miss Caroline Hedges, the headmistress:

Then she dragged the hat down on top of the scarf and dashed around to the read to crank up the engine while Eva sat watching her, enthralled at the sight of a woman working a car, driving on the road.

‘Oh, that’s nothing,’ Miss Hedges laughed, when Eva commented on her driving. ‘We can do anything we want! I do encourage my pupils to bear that in mind. There is more than one way of finishing one’s education these days…It’s hard,’ Miss Hedges continued, shouting over the wind, ‘to reconcile this sort of education with proper feminist principles. We do try to arrange alternatives for our less fortunate girls, who might not have the opportunity to marry.’

Eva’s at the school because she’s been bequeathed money in Lady Elizabeth Jenkins will after writing for her New Feminist suffragist magazine. Eva’s stepmother, Catherine, is far from happy with this arrangement. She attempts to promote her own daughter, Grace, at every opportunity and both Catherine and Grace are spiteful towards Eva and her sister Imelda at every opportunity. Imelda’s been ‘left to languish at home’ due to her ‘weak constitution’.

It’s not long before Eva has a favourite class, her English Literature lessons with Mr Shandlin. When he mocks the girls about thinking they’re the Faerie Queen rather than reading the poem, Eva borrows it from the library. Finding herself disappointed by Spencer’s attitude towards Ireland, she challenges Shandlin:

‘Sir, I want to know why we are reading the work of a man who advocates the eradication of an entire race. I’m talking about Ireland,’ she continued, as Mr Shandlin looked ever more incredulous. Irish monks kept Europe alive through the Dark Ages when Mr Spencer’s race were still living in huts and fighting with clubs!’

 Chaos breaks out. When she apologies to him for ruining his class, he:

…broke into an unexpected grin. ‘Oh, don’t be. You’re the first person in the school who has expressed the slightest interest in anything other than being fattened for the altar. Try to get out of here, if you can manage it at all.

During her time at the school, Eva and Shandlin begin to develop a fondness for each other but then war breaks out, Imelda takes a turn for the worse and Eva has to return home. There, her father encourages her to court David Hopkins but when he won’t support her desire to further her education, she rejects his proposal. This combined with her comment that Grace loves her army captain fiancé’s rank more than she does him leads Grace to take her to a meeting of The Order of the White Feather. There Eva finds many suffragettes in attendance having switched their fight from suffrage to apparently cowardly men.

‘Our aim is to be watchful of our men and to make sure that none shirk that most sacred of duties. As mothers, sisters, daughters, we must offer their blood as Christ offered His to save mankind!…I would ask each woman here to seek out every man of fighting age who is not in uniform and to present him with a feather. If the men of our empire will not save women from the Hun’s depredations of their own free will, then they shall be shamed into it! They shall be shamed!’

Eva’s forced into taking a feather and then forced to present it to someone dear to her. Her actions will haunt her for years.

I often complain about the number of novels set during either of the world wars, there’s so many of them and how many different versions of events can be told? Every time I do complain however, I’m reminded that there are still excellent novels set during these periods being produced and White Feathers is one of them.

One of the reasons I think the novel’s successful is Lanigan’s decision to have an educated female protagonist forced into decisions she doesn’t want to take. The incorporation of the suffragettes and a feminist leaning finishing school makes Eva an interesting character and although she’s forced into particular behaviour her reasons are complex and so are the outcomes. Her behaviour is juxtaposed with that of her stepsister, Grace and stepmother, Catherine, who fight continuously to feel as though they are legitimate and will act as underhand as they think they need to in order to reach their desired aims.

White Feathers is an impressive addition to the canon of world war novels and a cracking good read.

Thanks to Susan Lanigan for the review copy.

In the Media: 18th January 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s been another grim week for news. There’s been some insightful commentary from a number of female writers on the big stories though:

Charlie Hebdo and terrorism was written about by Caitlin Moran in The Times; while in The Guardian, Natasha Lehrer wrote ‘The Threat to France’s Jews‘; Hadley Freeman covered the same issue alongside the UK’s antisemitism survey, and Suzanne Moore declared ‘Add faithophobia to my crimes: I have no respect for religions that have little respect for me‘. On Reimagining My Reality, Steph wrote ‘Charlie Hebdo, freedom of speech, and male privilege‘ whilst on Media Diversified, Cristine Edusi wrote, ‘Ongoing terrorism in Nigeria is not a novel, the use of children as human bombs is #WeAreAllNigeria‘.

The Stuart Kerner case was commented on by Janice Turner in The Times; Gaby Hinsliff in The Guardian, and Antonia Honeywell on her blog.

The lack of diversity in the Oscar nominees was written about by Roxane Gay in The Butter

And if that’s all made you thoroughly miserable/angry, here’s Sophie Heawood on Clooney’s Golden Globes speech and her daughter’s first day at nursery and Hadley Freeman on ‘How Amy Poehler and Tina Fey made the Golden Globes the first feminist awards ceremony‘ both in The Guardian.

Speaking of award winners, Hilary Mantel’s having another moment with the BBC television adaptation of Wolf Hall beginning this week. She’s in The Guardian, writing about the TV version; while John Mullan, also in The Guardian, profiles her ‘strange and brilliant fiction‘, while Kirstie McCrum tells us ‘What TV series like Wolf Hall can teach us about history‘ on Wales Online.

Joan Didion’s stint as a model for Celine has also been big news again this week. Adrienne LaFrance writes about fashion and loss in Didion’s work for The Atlantic; Molly Fischer tells us ‘Why Loving Joan Didion Is a Trap‘ on The Cut; Lynne Segal talks about ‘Invisible Women‘ in the LRB; Haley Mlotek declared ‘Free Joan Didion‘ in The Awl and Rachel Cooke says ‘That’s so smart‘ in The Observer, while Brainpickings revealed ‘Joan Didion’s Favorite Books of All Time, in a Handwritten Reading List‘.

 

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

The lists:

And the best things I’ve read this week:

In the Media: 23rd November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s been Ursula K. Le Guin’s week. Awarded the Medal for Distinguished Contribution to American Letters at the National Book Awards, she gave a widely praised speech about the need for freedom. You can watch it here, or read the transcript here. She’s interviewed on Salon, in The Guardian by Hari Kunzru and there’s a piece on where she gets her ideas from on Brain Pickings

Arundhati Roy and Megham Daum are the women with the second most coverage this week. Roy’s in Prospect, talking about ‘India’s Shame‘ and the caste system and interviewed in The Observer, where there are plenty of unnecessary comments about her looks. While Daum is interviewed on FSG’s website, in The Guardian and on The Cut.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

The lists:

And the best things I’ve read this week: