Bluebird, Bluebird – Attica Locke

It’s 2016 and in Lark, Texas two bodies have been found within a week. The first, a black male, a visitor to the town. The second, a local white woman. It’s the talk of Geneva Sweet’s cafe:

“And ain’t nobody done a damn thing about that black man got killed up the road just last week,” Huxley said.

“They ain’t thinking about that man,” Tim said, tossing a grease-stained napkin on his plate. “Not when a white girl come up dead.”

“Mark my words,” Huxley said, looking gravely at each and every black face in the cafe. “Somebody is going down for this.”

Locke introduces Texas Ranger, Darren Mathews into the equation. Mathews is suspended from duty and his marriage is on the rocks over an ultimatum issued by his wife who wants him to quit his job. His suspension is due to him being called out late at night by a friend, Rutherford McMillan, over an incident with Ronnie Malvo. Two days later, Malvo was found dead. The bullet wounds matched McMillan’s gun, a gun which he’d reported missing the previous day.

Ronnie “Redrum” Malvo was a tatted-up cracker with ties to the Aryan Brotherhood of Texas, a criminal organization that made money off meth production and the sale of illegal guns – a gang whose only initiation rite was to kill a nigger. Ronnie had been harassing Mack’s granddaughter, Breanna, a part-time student at Sam Houston State, for weeks – following her in his car as she walked to and from town, calling out words she didn’t want to repeat, driving back and forth in front of her house when he knew she was home, cussing her color, her body, the way she wore her “nappy” hair.

When Mathews gets a call from his friend Greg Heglund, an agent within the Houston field office of the FBI, telling him about the case in Lark and suggesting he go and find out why the local sheriff’s refusing outside help, Mathews can’t help himself.

In Lark, Locke creates a town dominated by the Aryan Brotherhood of Texas and the power and money of Wally Jefferson. A man who lives in a house which is a near perfect replica of Thomas Jefferson’s Monticello and sits bang opposite Geneva’s cafe. Bluebird, Bluebird is a tale of racial hatred but Locke’s created something much more complex than the initial premise appears. As Mathews uncovers the town’s secrets, Locke shows how the heritage of blacks and whites in America is deeply entwined and suggests that white hatred comes from a more complicated place than they might wish to acknowledge.

Bluebird, Bluebird is a gripping, timely novel. The first in a new series featuring Darren Mathews, I’m already looking forward to the next instalment.

I’m delighted to welcome Attica Locke to the blog to answer some questions about the book.

Bluebird, Bluebird has a contemporary setting; did it feel important to be writing about race in America now?

It’s simply my world view. I’m a person of color and so I frequently write characters who are of color and in portraying the contemporary world they live in, I end up writing about race in America. I will say that I wrote this book before Trump was elected and we’ve seen this ugly cancer of racism metastasize all over the country. So it’s been odd seeing how prescient the book is. Although…. Just the fact that Trump was running for President of the United States so successfully was hint enough as to where we were headed.

A small section of the novel is written from the point of view of a white supremacist; how did it feel to get into the mindset of that character?

Oddly freeing. It wasn’t hard to write at all. I just typed up all my worst nightmares about what white supremacist think of me and let it all out. Somewhere in there too I was trying to understand where all that rage comes from. I have a theory that so much of hate and crime has to do with people’s perceived concept of scarcity—their belief, often false belief, that there isn’t enough for them. I think Keith—that character—believes that black men have taken something from him. It’s really a wounded point of view. It actually, I hope, shows you how small these white supremacists are.

The relationships you portray, particularly the marriages, are complex and often difficult. What interests you about people’s romantic relationships?

I suppose the usual stuff—what draws people together. It’s always interesting to write two people who don’t seem like they should be drawn to each other but they are anyway. And of course romantic conflict can be so irrational and passionate. That’s always fun to write too.

Why did you choose to write crime fiction?

It goes to what I was saying before. It’s a mix of exploring what scares me and also philosophically looking at the way people respond to perceived scarcity—whether scarcity of money of love and affection. I’m so curious about why some people lash out and some people don’t.

You’re a screenwriter as well as a novelist; do you treat them as separate entities or does your work in one form inform your work in the other?

I think they can’t help but inform each other—maybe in ways I can’t even see. But I understand the two mediums very well and I treat them differently when I’m writing.

Are we going to see more of Ranger Darren Matthews?

Yes! This is the beginning of a series of novels along Highway 59 in east Texas, all featuring Darren Mathews.

And, I have to ask, will Jay Porter be back at any point?

I’m sure. But it’s nothing I’d try to force. I’d have to wait for the right story to demand that he return.

My blog focuses on women writers; who are your favourite female writers and have you read anything recently by a woman writer that you’d recommend?

Jane Smiley. Toni Morrison. Francine Prose. Jesmyn Ward. Paula Daly. Liane Moriarty. Curtis Sittenfeld. Tayari Jones. Jami Attenberg.

My favourite books of the last 18 months or so are All Grown Up by Jami Attenberg; Swing Time by Zadie Smith; Little Fires Everywhere by Celeste Ng; Made for LoveMade for Love by Alisa Nutting; Woman No. 17 by Edan Lepucki; and Eleanor Oliphant is Completely Fine by Gail Honeyman.

Thanks to Attica Locke for the Q&A and to Serpent’s Tail for the review copy.

Books of the Year 2016, Part One

As usual I’m dividing my Books of the Year into two parts. Part Two, coming tomorrow will be fiction published in 2016. Part One is fiction published pre-2016 and 2016 non-fiction. If you click on the pictures of the books they will take you to my full review.

Waking Lions – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Doctor Etian Green finishes a nineteen hour shift at Soroka Hospital, six of which he spent helping to stabilise road traffic accident victims. In the time it takes for him to walk from the hospital ward to his car, he goes from exhausted to adrenaline-fueled. He decides to drive to ‘a particularly challenging SUV track’ he’s read about. Sprinting along, he hits a man and leaves him for dead. The next morning, Sirkit, the man’s wife, appears at his door along with Etian’s wallet which he dropped at the scene. Sirkit offers him a deal but it’s one that will have serious consequences for his home life and his job. Everything in Waking Lions is grey area. Sharp, thoughtful and challenging.

Push – Sapphire

Claireece Precious Jones – Precious to her friends, Claireece to ‘mutherfuckers I hate’ – 16-years-old, five feet nine or ten, two hundred pounds, is pregnant for the second time to her father. Suspended from school, she goes to Each One Teach One, located on the nineteenth floor of a local hotel. Precious tells the story of her time attending the group, in which she learns to read and write, intertwined with that of her family situation. Push could be an unbearable read: every time you think it couldn’t get any darker, it does, but it’s balanced by Precious’ determination and Sapphire’s rendering of Precious’ voice which is pitch perfect and authentic.

One Night, Markovitch – Ayelet Gundar-Goshen (translated by Sondra Silverston)

Yaacov Markovitch and Zeev Feinberg go on the run after Feinberg is caught having sex with the wife of Avraham Mandelbaum, the slaughterer. The deputy commander of the Irgun, a friend of Feinberg’s, sends the pair to Europe where they will marry ‘a Jewish girl’ and bring them back to Palestine, thus circumventing the closed gates of Europe. Once the men return, they will divorce and the women will be free to remain. But Markovitch refuses to divorce his wife, the stunning but cold, Bella Zeigerman. The backbone of the story is that of three women: Bella; Feinberg’s wife, Sonya, and Mandelbaum’s wife, Rachel. Gundar-Goshen uses them to explore the ups-and-downs of marriage, parenthood, war, death …basically all of life is here.

The Glorious Heresies – Lisa McInerney

Maureen kills Robbie O’Donovan when she finds him in her house. As the mother of Cork’s biggest gangster, Jimmy Phelan, she doesn’t need to worry about clearing up her mess. But the mess is bigger than a body and some blood: Robbie’s girlfriend, Georgie, is looking for him and she has problems of her own; Tara Duane, Georgie’s confidant is keen to know everyone’s business and she lives next door to Jimmy’s alcoholic clearer-upper, Tony Cusak. And then there’s Cusak’s son, fifteen-year-old Ryan, who loses his virginity, starts his first long term relationship and begins to step out from the shadow of his alcoholic, violent, widowed father. A bloody entertaining read.

Ruby – Cynthia Bond

Ruby’s returned to Liberty Township, Texas from New York City. Everyone knows she’s mad: she pees in the street and has sex with many of the men in Liberty, but Ruby’s caught the attention of one man who wants to treat her differently; Ephram Jennings is planning to bring Ruby one of his sister’s white lay angel cakes. Ruby’s tortured by the ghosts which have attached themselves to her. As she gives herself to them, we learn about her childhood and the long-standing relationship she has with Jennings’ family. Bleak but threaded with hope and beautiful writing.

 

The Devil in the Marshalsea – Antonia Hodgson

Tom Hawkins, eldest son of a Suffolk gentleman, Oxford graduate, set to join the clergy and inherit his father’s position, finds himself in the Marshalsea for unpaid rent and other debts. He arrives after the widow of Captain Roberts has taken up residence in the debtor’s  prison after Robert’s murder made to look like suicide. Hawkins gets drawn into solving the murder as he deals with his roommate, the despised Samuel Fleet, and the prison’s regime, divided by rich and poor. Intelligent, packed with period detail and plot, bawdy, has a social conscience and some hilarious lines. Entertaining.

 
Pleasantville – Attica Locke

Pleasantville is a neighbourhood in Houston, Texas, built in 1949 “specifically for Negro families of means and class”. As a middle class, politically aware area, it also holds political power, a power which has become legendary over four decades. The story takes place in 1996 in the run-up to Houston’s mayoral election, the results of which might bring Alex Hathorne to office as the city’s first black mayor. As the novel begins the situation is quickly complicated by two events: the first is the abduction of a teenage girl, following a stint distributing campaign leaflets door-to-door in Pleasantville; the second is a break-in at Jay Porter’s office.As the story unravels, all the threads become entwined with the mayoral race at the centre. Locke considers who really runs an election campaign: a matter of business and money – who pays for the campaigns, who dictates strategy – but ultimately, how low people are prepared to go in their desperation for power.

Negroland – Margo Jefferson

Margo Jefferson grew up in Chicago in the 1950s and ’60s. Born to a paediatrician father and a socialite mother, she experienced a particular type of privilege: that of the well-off, educated, black family. Personal experience is interwoven with the history of those Jefferson identifies as belonging to Negroland: Frances Jackson Coppin and Joseph Willson, for example; and cultural commentary on film, television and the media, discussing those black men and women who did appear on and in those mediums and what they came to represent for black communities. Negroland is a superb book which consider the intersections of race, class and gender. It’s a fascinating read and an insight into an underexplored area of society.

The Argonauts – Maggie Nelson

The Argonauts charts Nelson’s relationship with the artist Harry Dodge, including the conception and birth of their son, Iggy, and Dodge’s decision to begin taking testosterone and have top surgery. The Argonauts is not straightforward memoir, it is intellectual argument illuminated by personal experience and supported by academic rigour. It explores love – constructing and maintaining a relationship outside of heteronormativity and maternal love as stepmother and mother (the latter from the point of view of adult child and parent as well as the expectant mother/mother of a young child) – and the body – sex, gender fluidity, pregnancy and birth. Rigorous and fascinating.

The Lonely City – Olivia Laing

Laing examines the idea of being lonely in the busiest place on earth – the city, specifically in her case New York City. Part memoir, part mediation on art, Laing looks at a number of artists who’ve dealt with the theme of loneliness – in their work and often in their private lives too – focusing in on Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The Lonely City is a fascinating exploration of what loneliness is; how we attempt to stave it off; why some people are consumed by it, and what its relationship to artistic creation might be.

 

Pleasantville – Attica Locke

Pleasantville is a neighbourhood in Houston, Texas, built in 1949 “specifically for Negro families of means and class”. But it became much more than that when the middle-class black families marched:

…they marched on city hall, the school board, even the Department of Public Works, holding out the collective votes of a brand-new bloc as a bargaining chip to politicians previously reluctant to consider the needs of a new Negro middle class, and sealing, in the process, the neighbourhood’s political power, which would become legend over the next four decades.

 

The story takes place in 1996 in the run-up to Houston’s mayoral election, the results of which might bring Alex Hathorne to office as the city’s first black mayor. As the novel begins the situation is quickly complicated by two events: the first is the abduction of a teenage girl, following a stint distributing campaign leaflets door-to-door in Pleasantville; the second is a break-in at Jay Porter’s office.

Since we last saw Jay in Black Water Rising, he’s taken on a huge civil case against Cole Oil Industries and bought a dilapidated house to use as an office. When he arrives there having been alerted to the break-in, he waits in his car for the cops to arrive. Locke uses the scene to comment upon police treatment of black men.

The officers pulled to a stop at an angle that brought the front end of their cruiser to rest nearly at Jay’s feet at the curb, its headlights hitting him square in the chest. He instinctively raised his hands.

“Porter,” he said, loud and clear. “This is my place.”

Once the police have searched the building, found it empty, filled out an incident report and left, Jay hears someone upstairs. He finds a nineteen or twenty-year-old male in his conference room. After the kid kicks the remaining pieces of glass from the frame of the window he’s broken, Jay has the opportunity – legally – to shoot him. But he couldn’t do it. He couldn’t shoot this kid in the back.

Currently, Jay’s only case is Pleasantville v. ProFerma Labs, a case which has come from two explosions at ProFerma’s chemical plant that threatened to burn Pleasantville to the ground. Jay assumed it would be over quickly but ProFerma still haven’t made a serious settlement offer. Jay’s down to the one case because of his home-life: Bernie’s dead and he has two children, fifteen-year-old Ellie and ten-year-old Ben, to raise alone. Soon though, Jay’s caught up in trying to discover the whereabouts of the missing girl, Alicia Nowell. Two other girls, Deanne Duchon and Tina Wells, also went missing from Pleasantville, one in 1994, the other in 1995. In both cases, the girls were found dead six days after their abductions. While investigating any links to the earlier cases knowing time is against the girl and the community, Jay discovers there’s someone watching him, someone driving a stolen Nissan Z. As the story unravels, all the threads become entwined with the mayoral race at the centre.

In Pleasantville, Locke considers who really runs an election campaign: a matter of business and money – who pays for the campaigns, who dictates strategy – but ultimately, how low people are prepared to go in their desperation for power. She clearly ties some of the strategies used in Pleasantville to win voters to the campaign for the Bush/Gore election in 2000 when it came down to a handful of votes across the country. It’s a scenario that could be bone dry in a less exciting writer’s hands, but Locke knows how to tie the personal with the political and does so both with the Hathorne family and Jay’s own situation.

The novel has real pace to it, twist and turns every few pages none of which are either predictable or implausible and this alone would mark Locke as an excellent political thriller writer. However, the fact that she writes about black communities; that her characters are almost all black or Hispanic; that while her stories couldn’t be transposed to a white community, her characters are every bit as rounded, human, good, bad and changeable as novels peopled with only white characters, makes her work stand out in a block of pale, stereotyped tales.

Pleasantville is an intelligent, rip-roaring insight into the political process and an astute look at the dynamics of family – blood or created – and how they change following significant life events. Attica Locke is a superb writer and fast becoming one of my personal favourites.

 

Thanks to Serpent’s Tail for the review copy.

The Bailey’s Women’s Prize for Fiction Longlist 2016

8th March 2016: The Baileys Women’s Prize for Fiction announces its 2016 longlist, comprised of 20 books that celebrate the best of fiction written by women

Here they are, the 20 books longlisted for this year’s Bailey’s Women’s Prize for Fiction. In alphabetical order (of author’s surname):

A God In Ruins – Kate Atkinson

Rush Oh! – Shirley Barrett

Ruby – Cynthia Bond

The Secret Chord – Geraldine Brooks

The Long Way to a Small, Angry Planet – Becky Chambers

A Dictionary of Mutual Understanding – Jackie Copleton

Whispers Through a Megaphone – Rachel Elliott

The Green Road – Anne Enright

The Book of Memory – Petina Gappah

Gorsky – Vesna Goldsworthy

The Anatomist’s Dream – Clio Gray

At Hawthorn Time – Melissa Harrison

Pleasantville – Attica Locke

The Glorious Heresies – Lisa McInerney

The Portable Veblen – Elizabeth McKenzie

Girl at War – Sara Nović

The House at the Edge of the World – Julia Rochester

The Improbability of Love – Hannah Rothschild

My Name Is Lucy Barton – Elizabeth Strout

A Little Life – Hanya Yanagihara

My initial reaction is that the three books I thought were certs are all on there – A God in Ruins, My Name Is Lucy Barton and A Little Life. Very pleased to see all three.

I predicted six of the titles, which is my highest success rate ever! Very pleased to see Girl at War on the list as well as The Portable Veblen. I’ve enjoyed all those I’ve already read, which includes The Green Road which I haven’t posted my review for yet.

As for the rest of the list, I’m delighted to see Pleasantville – I loved Black Water Rising and have had the latest on my TBR pile for ages. I’ve also heard good things from people I trust about The Book of Memory, At Hawthorn Time and The Glorious Heresies.

As always with The Bailey’s Prize there are some books I hadn’t heard of before I saw the list. My absolute favourite part of this is reading those titles, there’s always one in there that surprises me with its brilliance. On looking through the blurbs, I can’t believe I hadn’t come across Ruby, it’s had so many fantastic reviews, and The Anatomist’s Dream is perfect for my PhD thesis so I’m very pleased it’s come to my attention.

I’m looking forward to getting stuck into the reading and debating the books with the rest of the shadow panel. I’m hoping you’ll join in the discussion on our blogs and Twitter too. Can’t wait to hear what everyone thinks of the chosen titles.

 

 

My Plans for #ReadDiverse2016

I don’t do New Year resolutions. I learnt some years ago that those vague statements – I’m going to do more exercise/eat less/learn a language – don’t last beyond mid-January. But goals do, at least specific ones you can work towards and extend, if necessary, or not beat yourself up about if you don’t quite fulfil them do.

Last year, I set a goal to read more books by women of colour. I joined Eva Stalker’s #TBR20 project with the caveat that I’d continue to read review copies I was sent as well. I still haven’t completed all the reviews of those books yet but the main effect it had was I paid attention to what I was reading, specifically who the writer was. In 2014 10% of my reading was by writers of colour, in 2015, it was 32%. The unintended consequence of this, however, is that the number of books I read by writers from LGBTQIA communities plummeted from 6% to 0.5% and books in translation from 11% to 0.6%. (The latter was partly a consequence of me not really taking part in #WITMonth due to personal circumstances but still, it’s poor.)

The plan for this year then: more reviews of books by women of colour; more reviews of books by women who identify as LGBT; a proper focus on women in translation in August.

I’m aiming for 50% of my reviews to be of books by women of colour. I’ve changed the focus from the percentage I’m reading with the intention of even coverage on here. What I noticed last year was that although I was reading books from my #TBR20 stack, when I got back to reading and reviewing after my break in the summer, I was focusing on books by white women, the ‘big titles’. As a consequence, I have a stack of review copies by women of colour. These are now at the top of the pile.

I’ve also created a new #TBR20 pile focusing on writers from the LGBT communities. And here they are…

Half of the books (those on the left, except Anaïs Nin who appears to be in the wrong pile) are by women of colour. I used several sources to help me compile the list: More than 50 books by Queer People of Color by zarahwithaz; 10 Novels & Memoirs By and About Black Lesbian, Bisexual and Queer Women on Autostraddle;100+ LGBTQ Black Women You Should Know: The Epic Black History Month Megapost also on Autostraddle, and the Wikipedia list of LGBT Writers.

Elsewhere, you might have seen on social media that Media Diversified have created Bare Lit Festival (@BareLit). ‘A literary festival focused entirely on writers of colour’, which will run from the 26^th – 28^th February 2016.

We want to counteract the trend of equating literary merit with whiteness by highlighting the amazing variety of work currently being produced by BAME writers. That’s why we’ve put together an exciting programme of performances, panels and conversations — such as ‘Second-Generation Poets in Exile’, ‘What Does Liberation in Literature Look Like?, Sci Fi vs. Afrofuturism’ and much more.

I’ve already bought my weekend pass and you can support the festival by buying passes or single event tickets now and helping them to raise the cost of running the event. Find out more on their Indiegogo page.

Mention of Media Diversified brings me to this interesting piece, posted a couple of days ago: Decolonise, not Diversify by Kavita Bhanot. I agree with everything she says.

Speaking only for myself, I didn’t get involved with #diversedecember because I thought it would change the world but I did hope it might lead some people to question their world view or the view the white-dominated world imposes upon us.

During December, Salena Godden (@salenagodden) posted a video of her performing her new poem ‘I Count’. ‘I have become a woman that counts…’ she begins. Yep. I became a woman that counts when I started this blog. I don’t think it’s a solution and it’s certainly not going to bring about one on its own, but while ever white/male/hetero/cis domination exists, I’ll count. For me, #ReadDiverse2016 (@ReadDiverse2016) is about hoping you’ll join in that count too.

In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

• Sinéad Gleeson, ‘The books that understand female friendship‘ on The Pool
• Tara Sparling, ‘I Hate Women’s Fiction And I’ll Tell You Why‘ on Tara Sparling Writes
• Samantha Gualito, ‘My Recent Experiences at Literary Events as a PoC‘ on Bookriot
• Natalka Sniadanko (trans. Jennifer Croft) ‘Literature as last bastion: on suppression, solidarity and language in Ukraine‘ in The Guardian
• Alissa Quart, ‘Why Doesn’t America Have An Elena Ferrante?‘ on Buzzfeed
• Sarah Perry, ‘East Anglia has “never quite stopped thinking of itself as a Kingdom”‘ on Writers Centre, Norwich
• Eleanor Fitzsimmons, ‘Maeve Brennan‘ on Thresholds
• Huma Qureshi, ‘Writers on the pain of hindsight in publishing: ‘It’s like a bad breakup – you have to move on’‘ in The Guardian
• Sarah Galo, ‘Margaret Atwood: ‘In Tolkien, there are hardly any women at all’‘ in The Guardian
• Helen MacKinven, ‘Writing Black Comedy‘ on Women Writers Women’s Books
• Alice Kelly, ‘An unknown First World War story by Edith Wharton‘ on The TLS
• Katherine Lampe, ‘The Greatest Author You’ve Never Read‘ on Rewriting Mary Sue
• Rachel Cooke, ‘There’s more to Patricia Highsmith than Ripley‘ in The Guardian
• Sunny Singh, ‘On Teaching Creative Writing as a Woman of Colour‘ on Sunny Singh Online
• Dawn Foster, ‘I Love Dick is one of the most important books about being a woman – no wonder it’s being dismissed‘ in The Independent
• Lucy Scholes, ‘The Hidden Life of Hotels‘ on the BBC
• Linda Rodriguez McRobbie, ‘The Badass Lady Pilot Who Revolutionized the Art of Food Writing‘ on Mental Floss
• Helen O’Hara, ‘JLaw and Katniss Everdeen, and what they mean for young women‘ on The Pool
• Dodie Bellamy, ‘Digging Through Kathy Acker’s Stuff‘ on Literary Hub
• Jill Dawson, ‘Death and Texas: A journey into Patricia Highsmith‘ on the Royal Literary Fund
• Lisa Hayden, ‘On Translating an “Untranslatable” Book‘ on Literary Hub
• Ellen Banda-Aaku, ‘Please don’t air brush African teen fiction‘ in The Guardian
• Lorrie Moore, ‘Why We Read and Write Short Stories‘ on Literary Hub
• Meredith Jaffe, ‘Middlebrow? What’s so shameful about writing a book and hoping it sells?‘ in The Guardian
• Herta Muller (trans. Jennifer Stern), ‘On the Poetry (and Prisoner’s Life) of Liu Xia‘ on Literary Hub
• Casey N. Cep, ‘Called Back‘ (on Emily Dickinson) on The Paris Review
• Chibundu Onuzo, ‘What I read growing up in Lagos‘ in The Guardian
• Emily Gould, ‘I Love Dick: the book about relationships everyone should read‘ in The Guardian
• Audrey Niffenegger, ‘The night is dark and full of terror…‘ on The Pool
• Marie-Helen Bertino, ‘When Andre Agassi Made Me a Woman (and a Writer)‘ on Literary Hub
• Gloria Steinem, ‘By the Book‘ in The New York Times
• Christine L. Corton, ‘Beyond the pall … how London fog seeped into fiction‘ in The Guardian
• Linda Grant, ‘Obama is right: reading is what connects us to others – even a French puffin‘ in The Guardian
• Kate Tuttle, ‘What Do Writers Owe Readers?‘ on Literary Hub
• Chris Power, ‘A brief survey of the short story: Silvina Ocampo‘ in The Guardian
• Jennifer Croft, ‘When an Author You Translate Gets Death Threats‘ on Literary Hub
• Margaret Atwood, ‘Canada: Time in the North‘ in Harper’s Bazaar

Personal essays/memoir:

• Jenny Diski, ‘Who’ll Be Last‘ in The LRB
• Misti Traya, ‘How does an American make friends in England?‘ on The Pool
• Simone Gorrindo, ‘Tiny Little Messes‘ on Vela
• Diana Athill, ‘Lessons‘ in Granta
• Jean Hannah Edelstein, ‘The joy of making a brilliant friend online‘ on The Pool
• Lisa Kolb, ‘The condolences end. Being a widow doesn’t.‘ in The Washington Post
• Christina Tesoro, ‘Firsts— On Lusty Wrong Feelings and Falling in Love‘ on Medium
• Jamilah Lemieux, ‘I Forgot To Find My Husband At A Black University‘ on Buzzfeed
• Shamala Gallagher, ‘On Shining and Staring / On Ruin‘ in The Offing
• Rosie Leonetti, ‘For a Single Mother, an Alternate Reality‘ in The New York Times
• Marisa Bate, ‘Why no-frills walking is the best kind of walking‘ on The Pool
• Meaghan O’Connell, ‘Being a Parent Makes Chores Seem Like Fun‘ in The Cut
• Vanessa Vitiello Urquhart, ‘“Why Won’t Vanessa Get Pregnant?”‘ on Slate
• Hermione Hoby, ‘My Haunted Honeymoon: on Getting Punched by the Ghost of Frieda Kahlo‘ on Literary Hub

Feminism:

• Rose Hackman, ‘‘Women are just better at this stuff’: is emotional labor feminism’s next frontier?‘ in The Guardian
• Ann Friedman, ‘The Pope and Netflix Like Maternity Leave for the Wrong Reasons‘ in The Cut
• Sofie Hagen, ‘I hate women. You know the ones: skinny, blonde, who know nothing about football‘ in The New Statesman
• Maya Goodfellow, ‘Exploiting Feminism for Profit‘ on Media Diversified
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Lynn Enright, ‘Unravelling the damaging, unhelpful myth of “having it all” ‘ in The Pool
• Rose Eveleth, ‘Why Are Sports Bras So Terrible?‘ on Racked
• Geraldine Bedell, ‘Germaine Greer: still fiery, still outspoken: the feminist lioness‘ in The Guardian
• Amelia Gentleman, ‘‘It was the scariest thing I’ve ever done’: the Irish women forced to travel for abortions‘ in The Guardian

Society and Politics:

• Nilita Vachani, ‘The Strange, True Story of How a Chairman at McKinsey Made Millions of Dollars off His Maid‘ in The Nation
• Julia Carrie Wong, ‘The Bay Area Roots of Black Lives Matter‘ in the San Francisco Weekly
• Anna Pulley, ‘Why I’m Not Buying This Study That Claims All Women Are a Little Gay‘ in The Cut
• Michelle Goldberg, ‘Men Explain Hillary to Me‘ on Slate
• Elif Shafak, ‘‘Nationalist and religious extremists are the beneficiaries of cultural boycotts’‘ in The Guardian
• Radhika Sanghani, ‘‘White girls only’: The racist reality of student night life in Britain‘ in The Telegraph
• Beluah Maud Devaney, ‘So many Brits now live abroad that they’re causing immigration debates. Oh, the irony‘ in The Independent
• Lynsey Addario, ‘The Displaced: Hana‘ in The New Yorker
• Valeria Luiselli, ‘Trespassers on the rooftops: a secret history of Mexico City’s cultural revolutionaries‘ in The Guardian
• Kathryn Schulz,’What We Think About When We Run‘ in The New York Times

Film, Television, Music, Art and Fashion:

• Katie Anderson Howell, ‘Taking Comfort in Futurama‘ on The Rumpus
• Deborah Orr, ‘Forget the V&A – shouldn’t Thatcher’s acolytes be trying to monetise her power suits?‘ in The Guardian
• Phoebe Robinson, ‘How Daria Shaped a Generation of Women (Especially This Black Lady)‘ on Vulture
• Gia Milinovich, ‘Would you ditch a handbag for proper pockets?‘ on The Pool

The interviews:

• Marilynne Robinson in The Observer
• Fiona Barton in The Bookseller
• Spike Trotman in The Guardian
• Laura Kipnis in The Cut
• Audrey Niffenegger in The Independent
• Karen E. Bender on Literary Hub
• Gillian Flynn in Stylist and The Sunday Times (£)
• Phyllis Nagy (on Patricia Highsmith and the film of Carol) in The Guardian
• Peggy Riley on Rebecca Mascull’s Blog
• Katy Wix in The Guardian
• Attica Locke in Litro
• Hannah Rothschild in The New York Times
• Francesca Lia Block in Luna Luna
• Edna O’Brien in The Irish Times and The New Statesman
• Miranda July in The Guardian
• Tara Ison on Electric Literature
• Elizabeth Gilbert on Literary Hub
• Jenny Diski in The Guardian
• Elissa Washuta on Literary Hub
• Bee Rowlatt in The Guardian
• Kristin Hersh on Electric Literature
• Nuala O’Connor in The Irish Times
• Margo Jefferson in The Guardian
• Joanna Walsh in Numéro Cinq
• Jill Bialosky onBookslut
• Frieda Hughes in The Telegraph
• Patricia Cornwell in The Guardian
• Sarah Einstein on The Rumpus
• Kate Beaton in The Independent
• Robin Talley in The Guardian
• Carrie Brownstein on Flavorwire
• Franca Simpson (founder of Calisa Press who only publish work by female Italian writers) in The London Magazine
• Doireann Ní Ghríofa on Emerging Writer
• Mary Gaitskill in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified

In the Media: 26th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

This week’s been all about friendship. The Cut declared it Friends Forever Week and ran a series of articles including, ‘The Friend Who Showed Me the Life I Could Have Had‘ by Nell Freudenberger; Emily Gould wrote, ‘Envy Nearly Wrecked My Best Friendship‘; Carina Chocano, ‘9 Friends Who Made Me Who I Am‘; Heather Havrilesky, ‘The Friend I’ve Been Fighting With for 20 Years‘; ‘Clique-Stalking: Instagram’s Greatest Social Pleasure‘ by Maureen O’Connor, and ‘25 Famous Women on Female Friendship‘. While Megan O’Grady wrote ‘This Spring’s Literary Subject May Have You Calling Your Pals‘ in Vogue; Lauren Laverne says ‘It’s time to rehabilitate matchmaking‘ in The Pool, Sulagna Misra writes ‘How Captain America Helped Me Make Friends in the Real World‘ on Hello Giggles and Leesa Cross-Smith writes, ‘Broken Friendships & Knowing All Too Well‘ on Real Pants.

If you’re still to discover it, one of my favourite blogs Something Rhymed covers friendships between female writers and is run by two female writers who are also best friends, Emma Claire Sweeney and Emily Midorikawa. On the site this week, ‘Crying Tears of Laughter: Irenosen Okojie and Yvette Edwards‘.

And then there’s the Amy Schumer sketch with Julia Louis-Dreyfus, Patricia Arquette and Tina Fey celebrating Louis-Dreyfus’ ‘Last Fuckable Day’. If you haven’t seen it yet, you must watch it RIGHT NOW! And when you’ve done that you can read Eleanor Margolis, ‘This Inside Amy Schumer sketch about the media’s treatment of “older” women is perfect‘ in the New Statesman and/or Lynn Enright, ‘Hollywood actresses skewer sexism and ageism brilliantly‘ in The Pool.

Unfortunately, it’s also been about Twitter trolls: Soraya Chemaly wrote in Time, ‘Twitter’s Safety and Free Speech Tightrope‘; Fiona Martin wrote ‘Women are silenced online, just as in real life. It will take more than Twitter to change that‘ in The Guardian; Sali Hughes wrote, ‘Trolls triumph by shutting down women’s voices‘ in The Pool

Congratulations to Yiyun Li who became the first woman to win the Sunday Times short story award and to Emily Bitto who won The Stella Prize this week.

In this week’s Harper Lee news, ‘Reese Witherspoon set to record Harper Lee’s new novel‘ reports Alison Flood in The Guardian.

And the woman with the most publicity this week is Kate Bolick, author of Spinster: Making a Life of One’s Own, who writes ‘How Writers Can Grow by Pretending to Be Other People‘ in The Atlantic, and is interviewed on Slate, in Cosmopolitan and on Longreads. While Stephanie Gorton Murphy writes, ‘The Uneasy Woman: Meghan Daum, Kate Bolick, and the Legacy of Ida Tarbell‘ on The Millions.

The best of the rest:

On or about books/writers/language:

• Doireann Ní Ghríofa, ‘on writing Clasp and what became of Airt Uí Laoghaire’s horse‘ in The Irish Times
• Ali Smith, ‘on Public Libraries‘ in The Independent
• Anne Milano Appel, ‘Skirting the Juniper Brambles: A Translator Narrowly Misses Getting Trapped in the Copyright Thicket‘ on Publishing Perspectives
• Anne Boyd Rioux, ‘Creating the Literary World of the Future: A Response to VIDA’s Recommendations‘ on The Millions
• ‘“Can You Think About Rising?” A year after the firings of two top women editors, four journalism leaders discuss the challenges of editing while female‘ in Politico
• Sage Stossel, ‘Writers who are also mothers‘ in The Boston Globe
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Caitlin White, ‘J.K. Rowling’s New Robert Galbraith Novel Is Coming, and Her Announcement Proves Again Why She’s the Queen of Twitter‘ on Bustle
• Moira Redmond, ‘The Girl on the Train – and other express encounters in literature‘ in The Guardian
• Sarah Winman, ‘What it means to be a reader‘ on Waterstones’ blog
• Elizabeth Andre, ‘Now Writing Is for Extroverts Too‘ on The Rumpus
• Ann Patchett, ‘Owning a bookstore means you always get to tell people what to read‘ in The Washington Post
• Norah Vincent, ‘On the Subject of My Suicide‘ on Literary Hub
• Rosy Edwards, ‘Why You Should Never Read Your Reviews, and it’s Not the Reason You Think‘ on the Huffington Post
• James Parker, ‘Renata Adler: Troll or Treasure?‘ in The Atlantic
• Alice Stephens, ‘Behind in the Count‘ in the Washington Independent Review of Books
• Elif Shafak, ‘Books were my crazy, wise companions in a conservative world‘ in The Pool
• Leslie Wilson, ‘Writing Last Train from Kummersdorf – A Little Bit of My Soul‘ on The History Girls blog
• A Celebration of Reading, by Outside the Box: Women Writing Women on Jane Davis’ website
• Concepta Cassar, ‘Food For Thought: What Montaigne Can Teach Us About Ultraprocessed Foods‘ on Litro
• Robin Black, ‘What’s So Great About Young Writers?‘ in The New York Times
• Sulagna Misra, ‘The Everyday Matters of Superheroes, Part I: Civil War, Marvel Nine Nine, and Dwayne McDuffie‘ and ‘The Everyday Matters of Superheroes, Part II: Jane Austen, AUs, and Pacific Rim‘ in The Toast
• Amanda Holmes, ‘Reading Wuthering Heights with Juvenile Offenders‘ on Women Writers, Women’s Books
• Melissa Harrison, ‘How to get down to grips with writing a book? Take a walk on the wild side‘ in The Guardian
• Sunili, ‘Reading as Revolution: Why I’m still banging on about People of Colour and Literature‘ on Medium
• Kelly Jensen, ‘A Conversation About Girls’ Stories with Laurie Halse Anderson and Courtney Summers‘ on Bookriot

• Mallory Ortberg, ‘How To Tell If You Are In A Shirley Jackson Story‘ in The Toast
• Arifa Akbar, ‘A foreign language can make sex scenes read better‘ in The Independent
• Rene Denfeld, ‘Books Saved Me‘ on Waterstones’ blog
• Michelle Dean, ‘Race, wit and mansplaining: female authors debate at Los Angeles books festival‘ in The Guardian
• Genevieve Cogman, ‘Women in SF&F Month‘ on Fantasy Cafe
• Taylor Sperry, ‘Readers may binge, but they do not purge‘ on Melville House
• Jessamyn West, ‘Kind of a Big Deal: What it’s like to be a famous librarian‘ on Medium
• Kamila Shamsie, ‘How I Began to Read‘ on Yahoo News India
• Harriet Mallinson, ‘Is romantic fiction a dangerous passion?‘ in The Guardian
• Courtney Maum, ‘Why Being A Debut Author Isn’t Exactly A Dream Come True‘ on Buzzfeed
• Joanna Walsh, ‘Kathy Acker’s pioneering adventures in the internet’s erogenous zone‘ in The Guardian
• Danielle Lazarin, ‘Where Are the Female Lit Mag Editors? Here.‘ on The Review Review
• Caitlin Moran, ‘What Have They Done to My Library?‘ on Nosy Crow
• Emily Beber, ‘Passed over to a broken machine: on Claire Potter’s Mental Furniture‘ in 3AM: Magazine
• ‘Glamorous and Bold: The Story of the First Black Female Cartoonist‘ on Black Then
• Bronte siblings bicentenary plans announced on the BBC
• Alissa Wilkinson, ‘The Power of Confession‘ in Pacific Standard
• Jonathan Shia, ‘Alison Bechdel: The Bechdel Test “Has Been a Very Strange Turn in My Life”‘ on Vulture
• Kaitlyn Greenidge, ‘The Riotous Power of Toni Morrison‘ in VQR
• Melissa Moorer, ‘This Writer is on Fire: Cathy Linh Che‘ in The Butter
• Alyssa Cole, ‘History in Color: A Black American Romance Roundtable‘ in The Toast
• Paul Kerschen, ‘Sour, Salty, Bitter, Spicy, Sweet: On Can Xue and Five Spice Street‘ in Music & Literature
• Alexander Chee, ‘From Potter to Tartt To Ferrante: How We Came to Love the Multi-Volume Novel‘ on Literary Hub
• Rachel Joyce, ‘In my head, books are always competing with real life‘ in The Telegraph
• Anna James, ‘Slew of second novels set for this summer‘ in The Bookseller
• Alison Flood, ‘Report finds UK books world has marginalised and pigeonholed ethnic minorities‘ in The Guardian

Personal essays/memoir:

• Hayley Webster, ‘I love cemeteries and memorial gardens…I need to see the evidence someone existed‘ on her website
• Ashley C. Ford, ‘I Moved to New York on Crutches’ on Femsplain
• Jo Hogan, ‘Heartbeats and Heartbreak‘ on her blog
• Lisa Grunwald, ‘The Art of Being Apart‘ in the New York Times
• Anna Feintuck, ‘Making sense of the city‘ on Scottish Book Trust
• Edwidge Danticat, ‘Without Her‘ in The New York Times
• Cal Flyn, ‘How do you acknowledge a shameful heritage?‘ in The Pool
• Sadie Stein, ‘Shying‘ in The Paris Review
• Abby Kloppenberg, ‘Small Talk: Intimacy Doesn’t Require Two People, Does It?‘ on Medium
• Heidi Julavits, ‘Turning Clutter Into Joy‘ in The New York Times
• Robyn Wilder, ‘How motherhood messes with your identity‘ in The Pool
• Leah Reich, ‘The Princess Who Learned To Lock Her Heart Away‘ on Medium
• Madhurima Chakraborty, ‘By Any Other Name‘ on The Hairpin
• Nicole Soojung Callaghan, ‘First Steps: Searching for My Birth Family‘ in The Toast
• Anastasia Selby, ‘The Day Before Thanksgiving I Got an Abortion‘ on Weird Sister
• Bridget Foley, ‘“I am not supposed to be alone. I am one of a pair”‘ on Salon
• Kelly Davio, ‘The Waiting Room: There Was That One Time‘ in The Butter
• Alexandra Neuman, ‘Tampon‘ on The Fem
• Pia Ehrhardt, ‘Inpatient, Outpatient‘ in The Butter
• Jess Bergman, ‘Letters to Anita: On My Grandmother’s Legacy‘ in The Toast
• Dini Karasik, ‘A Country Called My Mother‘ in The Butter
• Claire Greaves, ‘How Am I? Honestly!‘ on the Huffington Post
• Laura Turner, ‘The Claustrophobia of Fear‘ on Medium

Feminism:

• Caitlin Moran, ‘on Getting Her Legs Out‘ on The Pool
• Maanvi Singh, ‘See Priya Cook: Gender Bias Pervades Textbooks Worldwide‘ on NPR
• Margaret Corvid, ‘Moving on from the “happy hooker”: why I love my job as a sex worker‘ in the New Statesman
• Adeline Ginn, ‘Why Do Fewer Women Vote?‘ on the Huffington Post
• Anonymous, ‘I had an abortion because of extreme morning sickness. Spare others that pain‘ in The Guardian
• Camille Beredjick, ‘When A Queer Woman Counts Calories‘ on Buzzfeed
• Jetta Rae, ‘The Incidental Activism Of My Going Outside‘ on Ravishly
• Nilanjana S Roy & Radhaben Garva, ‘Painting the Women’s Movement‘ in Granta
• Jane C. Hu, ‘Gal Science: What Is Female Brain?‘ in The Toast
• Jamie Lauren Keiles, ‘Acceptable Catcalls‘ on The Awl
• Suzanne Moore, ‘Wanting to be liked won’t earn you respect‘ in The Pool
• Imogen Fox, ‘Sideburns for women: get in the loop‘ in The Guardian
• June Carbone and Naomi Cahn, ‘The Marriage Calculus‘ in Aeon
• Polly Neate, ‘Domestic Abuse Can Deny Women Their Vote – Here’s How‘ on the Huffington Post
• Alexandra Heminsley, ‘Paula Radcliffe’s final marathon‘ in The Pool

Society and Politics:

• Bim Adewunmi, ‘An Article About Black Women Shouldn’t Have To Come With A Warning Label‘ on Buzzfeed
• Rachel Munroe, ‘Have You Ever Thought About Killing Someone?‘ on Medium
• Kim Brooks, ‘The Struggle To Reclaim Parenting‘ on Buzzfeed
• Sarah Stillman, ‘Where Are the Children?‘ in The New Yorker
• Amanda Ripley, ‘The Upwardly Mobile Barista‘ in The Atlantic
• Tyler Wetherall, ‘Female distillers prove women know their alcohol – and always have‘ in The Guardian
• Amy Merrick, ‘Designing for Disability‘ in The New Yorker
• Paula Cocozza, ‘Unlike Matilda Kahl, I enjoy making decisions on what to wear every morning‘ in The Guardian
• Beejoli Shah, ‘My Bindi Is Not Your Bindi‘ on The Frisky
• Zakia Uddin, ‘What It’s Like Speaking A Different Language From Your Parents‘ on Buzzfeed
• Elizabeth Minkel, ‘From Nate Silver to #Milifans: welcome to the age of political fandom‘ in the New Statesman
• Sophie Heawood, ‘How hard can it be to cancel a mobile phone or satellite TV contract?‘ in The Guardian
• Lo Kwai Mei-en, ‘Reports from the Field– Speak Test: The Silencing of the Racialized Body‘ on VIDA
• Chimene Suleyman, ‘From Boyle to May, Immigration, as it turns out, has done rather well on providing jobs‘ on Media Diversified
• Eleanor Margolis, ‘No more “gal pals”: why do we assume lesbians are confused, attention-seeking, or man-boycotting straight women?‘ in the New Statesman
• Kristina Kay Robinson, ‘What’s Old Is New Again‘ in Guernica
• Morgan Meaker, ‘How has Britain’s most deprived community fared under the coalition?‘ in the New Statesman
• Marcia Rigg, ‘I Am Tired of Reports and Recommendations – What We Need Is a Culture Change in Attitudes Towards Mental Health‘ on the Huffington Post
• Natalie Bennett, ‘It’s Time for the UK to Stand Up for Migrants‘ on the Huffington Post
• Natasha Devon, ‘I’m a size 14 to 16, and Jamelia doesn’t think I should be able to shop for clothes that fit me – is she ok?‘ in The Independent
• Caroline Criado Perez, ‘Why don’t you care who made your clothes?‘ in the New Statesman
• Rachel Shabi, ‘Britain must help stop the human tragedy in the Mediterranean‘ in the Evening Standard
• Jameela Jamil, ‘Thank God I’m Not Jamelia‘ on the Huffington Post
• Rhiannon Lucy Cosslett, ‘Hooray for the Milifans. They can change the world for the better‘ in The Guardian
• Lauren Smiley, ‘What Strippers Can Teach Uber‘ on Medium
• Angela Flournoy, ‘When Black Neighbourhoods Disappear‘ on Literary Hub
• Joanna Biggs, ‘Keep smiling if you want a job in 2015‘ in The Guardian
• Zoe Williams, ‘Demanding more: on where democracy lives in the 21st century‘ on the Penguin blog
• Deborah Orr, ‘Why the hysteria over Nicola Sturgeon?‘ in The Guardian
• Bryony Gordon, ‘Katie Hopkins is a monster of our own making‘ in The Telegraph
• Hannah Pool, ‘Jourdan Dunn draws attention to fashion’s problem with black hair‘ in The Pool
• Laurie Penny, ‘There may be nothing to vote for — but there’s plenty to vote against‘ in the New Statesman
• Zoe Williams, ‘Katie Hopkins calling migrants vermin recalls the darkest events of history‘ in The Guardian
• Jane Rawson, ‘Don’t Mention the War‘ in Overland
• Sarah Ditum, ‘What Katie Hopkins wrote was monstrous. But save your anger for the politicians who decided to let migrants drown‘ in the New Statesman

Music, Film and Television:

• Rawiya Kameir, ‘Your Fave Is Problematic, And That’s Okay For You, But They Still Need To Apologize‘ in Fader
• Tracy Ann Oberman, ‘Here’s to you, Anne Bancroft‘ in The Pool
• Jeanette Leach, ‘Say What You Can‘ on [post-rock]
• Lauren Barton, ‘Patti Smith: punk’s poet laureate heads back on the road for her sins‘ in The Guardian

The interviews:

• Toni Morrison in The Guardian and on NPR
• Nicky Beer on The Rumpus
• Kirsty Logan on the Penguin Blog
• Charlotte Gordon in the Wall Street Journal
• Sabaa Tahir on Publishers Weekly podcast
• Yumi Sakugawa on Okey Panky
• Heidi Julavits on Electric Literature and Lit Up
• Meredith Talusan in The Toast
• Emily Schultz in Vol. 1 Brooklyn
• Lora Mathis on The Fem
• Jillian Tamaki in The Guardian
• Laila Lalami on the Los Angeles Review of Books Podcast
• Monica Byrne on The Rumpus
• Jan Morris in The Guardian
• Paula Hawkins on The Daily Beast and in The Guardian
• Mary Costello on Electric Literature
• Attica Locke on Kirkus and NPR
• Renée Knight on The Gymkhana Club
• Liz Fenwick on One Book Lane
• Helen Skelton in The Guardian
• P.P. Wong in The Strait Times
• Elizabeth Alexander on Salon
• Iona Grey on Rebecca Mascull’s blog
• Claire Potter on Very Small Kitchen
• Liza Klaussman in The Pool
• Andrea Gillies on Novelicious

If you want some fiction to read:

• ‘The Penis Problem‘ by Suzanne Schafer on her website
• ‘Last Chapter on Hotel Stationery‘ by Ursula Villarreal-Moura in The Butter
• ‘The Rental Heart‘ by Kirsty Logan on Storychord
• ‘Last Night & Yesterday‘ by Joslyn Sklar in The Offing
• An extract from Adult Onset by Anne-Marie MacDonald on Literary Hub
• ‘Maps‘ by Kate Sparks on Whiskeypaper
• ‘The Beacon‘ by Claire Fuller on her blog
• ‘Bird Song‘ by Nadia Hassan on Rewriting Mary Sue
• ‘Far Beyond the Brilliant Sky: 9‘ by Rebecca Burns on The Word Runs Through It
• An extract from Amy Wild: Amazon Summer by Helen Skelton
• An extract from The Enchanted by Rene Denfeld on Orion Books
• The opening of Mental Furniture by Claire Potter on Very Small Kitchen
• ‘Letters to a Mostly Imagined Correspondent‘ by Katherine Riegal in The Offing
• The first five chapters of Villa America by Liza Klaussman
• ‘You Are a Sacred Space‘, by Yumi Sakugawa in Okey Panky
• ‘Inkubation‘ by Jacqui Pack on Litro

If you want some poetry to read:

• ‘Elegie of a Diaspora‘ by Ally Ang on Vagabond City
• Five poems by Elizabeth T. Gray Jr. in Drunken Boat
• ‘All My Creys‘ by Cynthia Arrieu-King in Drunken Boat
• ‘Pathology‘ by Kenzie Allen on Litragger
• Three Poems by MRB Chelko on Blunderbuss
• ‘Dorothy Parker Swipes Left‘ by Heather Alexander in The Toast

If you want some non-fiction to read:

• An extract from Angry in Piraeus by Maureen Freely in The New York Review of Books
• ‘Small Stories #11‘ by Madeline Witt on The Rumpus
• An extract from The Sixth Extinction by Elizabeth Kolbert
• An extract from Hammer Head by Nina MacLaughlin on Literary Hub

The lists:

• The Spinster Hall of Fame: Cut-out Dolls of Five Pioneering Women Writers on Literary Hub
• 11 Novels That Expectant Parents Should Read Instead of Parenting Books on Electric Literature
• LGBTQ* Poets You Should Know: Highlighting Women of Color on The Fem
• 11 Books To Give Your Future Daughter Throughout Her Life on Bustle
• 31 Contemporary Poets You Need To Read on Buzzfeed

In the Media: 19th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Bailey’s Women’s Prize for Fiction shortlist was revealed this week. Sarah Shaffi of The Bookseller reports, ‘Experience tells on Baileys Women’s Prize shortlist‘ while Anna James of We Love This Book introduces us to each of the books and invites us to read along in this video.

Other big news was London Book Fair. For readers, this means announcements about new acquisitions from significant writers. Alison Flood in the Guardian reports, ‘Age shall not weary them: Diana Athill, 97, and Edna O’Brien, 84, are stars of London book fair‘ and ‘London book fair excited by Erica Jong’s new novel‘. The Quietus reports on Viv Albertine’s new book and the cover for Patti Smith’s sequel to Just Kids was released this week, see it in The Pool. If you want a glimpse into what goes on at the fair, Antonia Honeywell wrote on her blog about the panel she was part of, ‘Promoting Debut Authors – London Book Fair 14th April 2015‘.

The woman with the most publicity this week is Evangeline Jennings who’s interviewed on The Indie View, Col’s Criminal Library, Quirky Fiction, Omnimystery News and in character as one of the narrators of her short stories, Helen Wheels on Reflections of Reality.

In this week’s Harper Lee news, ‘PRH reveals Harper Lee title page‘ reports Publishers Weekly.

And in this week’s Elena Ferrante news, if you haven’t read anything by her, she’s this week’s Bedtime Bookclub in The Pool where you can read the first five chapters of My Brilliant Friend. Also in The Pool, Viv Groskop asks, ‘Is being a bestseller all in a name?‘ and Cristina Marconi writes, ‘Elena Ferrante versus Italy‘ on Little Atoms.

The best of the rest:

On or about books/writers/language:

• Elif Batuman, ‘Reading Racist Literature‘ in The New Yorker
• Alice Jolly, ‘My little girl has three mothers‘ in the Daily Mail
• Sophie Gilbert, ‘Why Women Aren’t Having Children‘ in The Atlantic
• Sarah Laskow, ‘The Nun’s Story‘ in Lapham’s Quarterly
• Allison Pearson, ‘Sandwich Woman‘ in The Telegraph
• ‘Stella prize 2015: the shortlisted authors on the stories behind their books‘ in The Guardian
• Amy McDaniel, ‘Frenzied, Zesty, Voracious: A Writing Exchange Between Caracas and Sarajevo‘ on Real Pants
• Jennifer Moses, ‘Literary Louisiana‘ in The New York Times
• Meg Wolitzer, ‘Literary Idol: on Mary McCarthy‘ in The LA Times
• Tracy K. Smith, ‘What Memoir Can Do That Poetry Can’t‘ on Lit Hub
• 2015 Pen Literary Awards Shortlists
• Nick Laird, ‘A New Way of Writing About Race’ (on Claudia Rankine’s Citizen) in the New York Review of Books
• Gina Fattore, ‘How Will I Live? Fame, Money, Day Jobs, and Fiction Writing‘ on The Millions
• Radhika Jones, ‘Chimamanda Ngozi Adichie‘ in Time’s 100 Most Influential People
• Mallory Ortberg, ‘Things I’ve Learned About Heterosexual Female Desire From Decades Of Reading‘ in The Toast
• Lily Meyer, ‘Literary Enemies: Ann Patchett v. Zadie Smith‘ on Ploughshares
• Anna Wiener, ‘Millennials, Meet Renata Adler‘ in New Republic
• Mallory Ortberg, ‘A Day In The Life Of A Fictional Female Reporter‘ in The Toast
• Christina Lauren, ‘Romance Novels Are Primed To Make An Impact On Society, So Stop Calling Them “Trashy,” OK?‘ on Bustle
• Mia You, ‘Recreate That Thing!‘ (on Gertrude Stein) on Jacket2
• Sally O’Reilly, ‘The Mindful Writer‘ on Bookanista
• Victoria Patterson, ‘Minding Other People’s Business: On Dawn Powell‘ in The Los Angeles Review of Books
• Sarah Hughes, ‘Feeding the Hunger – female writers are storming the male citadels of sci-fi‘ in The Guardian
• Eleanor Arnason, ‘Me and Science Fiction: What Are We, Chopped Liver?‘ on Strange Horizons
• Julie Enszer, ‘“Who You Are”: On Anne Carson’s Short Talks and Reprint Editions‘ on The Rumpus
• Anita Singh, ‘Agatha Christie and the book cover most foul‘ in the Telegraph
• Rachel McIntyre, ‘Why it’s OK to discuss teacher-pupil relationships in teen books‘ in The Guardian
• Nicky Richmond, ‘Whose Small, Unpeopled Life Is It Anyway?‘ (on India Knight’s In Your Prime) on Not Entirely Legal
• Alena Graedon, ‘Print is dead. Long live print!‘ on W&N
• Elisa Gabbert, ‘Inside the Mind of Poetry‘ on The Smart Set
• Marisa Wikramanayake, ‘Focus on Australian Women Writers of Ethnic Heritage‘ on Australian Women Writers Challenge
• Rahimeh Andalibian, ‘In My Own Words: Up in the Rose Hotel‘ on Publishers Weekly
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Battle Royale‘ in The Butter
• Amanda Hess, ‘My Haters, Myself: Mastering the art of the haterbrag‘ (on Jennifer Weiner) on Slate
• Sibéal Pounder, ‘My inspiration: on Jill Murphy’s The Worst Witch‘ in The Guardian
• Hermione Eyre, ‘on Viper Wine‘ on Waterstones’ blog
• N.K. Jemisin, ‘Not the affirmative action you meant, not the history you’re making‘ (on the Hugo Awards) on Epiphany 2.0
• Leesa Cross-Smith, ‘Outlander & Aye‘ on Real Pants
• Lucy Hounsom, ‘Becoming part of the pattern‘ on Waterstones’ Blog
• I.W. Gregorio, ‘One Asian Book is Quite Enough‘ on Diversity in YA
• Rachel Billington, ‘Why I followed my grandfather’s final footsteps at Gallipoli‘ in The Telegraph
• Jess Meacham, ‘An Appreciation of David Foster Wallace’s Conjunctions and Prepositions‘ on her blog
• Lucas Klein, ‘Sinophone Women Write Better‘ on Paper Republic
• Nabina Das, ‘Why don’t we have more women on literary award shortlists?‘ on Scroll.in
• Rachel Cooke, ‘Caught in the parent trap: the fierce social politics of not having children‘ in the New Statesman
• B, ‘A letter to … JK Rowling, whose words gave me a sense of home‘ in The Guardian
• Sarah Seltzer, ‘Why We Should All Be Spinsters: Writers Take on a New Feminine Mystique‘ on Slate
• Lynn Kanter, ‘30 Women Novelists You Should Know – #24 Emily Gray Tedrowe‘ on Start with a Story

Personal essays/memoir:

• Samantha Simmonds, ‘Gone in 60 Seconds: That’s All It Takes for My Children to Turn Me From Sane Mild-Mannered Woman to Screaming Harridan‘ on the Huffington Post
• Kaitlyn Wylde, ‘The Corpse of Wall Street‘ on The Rumpus
• Leah Reich, ‘Will You Know It When You Get There?‘ on Medium
• Sali Hughes, ‘Have you got Summer Affective Disorder?‘ in The Pool
• Lucy Mangan, ‘“Why Isn’t This Holiday Making Me Miss Home?”‘ in Stylist
• Sarah C. Baldwin, ‘Build-a-Bear‘ on The Rumpus
• Lauren Laverne, ‘In defence of not wanting to swim with dolphins‘ in The Pool
• Sali Hughes, ‘Madonna has been my life’s guiding light‘ in The Pool
• Tracy Wan, ‘The Best Time I Had Alopecia‘ on The Hairpin
• Annalise Mabe, ‘The Spies‘ in Proximity Magazine
• D.L. Mayfield, ‘When God and Your Mom Think You’re Awesome‘ in The Toast
• Bec Susan Gill, ‘The Diminishing Probability of Kanye West Falling in Love With Me‘ on Medium
• Wayétu Moore, ‘Love/Woman/Thirty‘ on The Rumpus
• Laura Bogart, ‘I can’t forgive my mother‘ on Salon
• Awitin Mo, ‘Out of Fracture‘ on her blog
• Tracy Thorn, ‘Back in front of the cameras this week – and posing doesn’t get any easier‘ in the New Statesman
• Terri Schweitzer, ‘Silent Confrontations in Klamath Basin‘ on Medium

Feminism:

• Rhiannon Lucy Cosslett, ‘Am I beach body ready? Advertisers, that’s none of your business‘ in The Guardian
• Roxane Gay, ‘How to Handle Street Harassment: Don’t “Hey, Baby” Me‘ in Glamour
• Bridie Jabour, ‘Hate selfie sticks, or just young women having fun?‘ in The Guardian
• Suzanne Virdee, ‘Why Girls Are in Danger of Becoming Second Class Citizens and Why We Need to Act Now‘ on the Huffington Post
• Rachel McGrath, ‘We Need to Talk About Sexual Harassment That Happens at Concerts and Music Festivals‘ on the Huffington Post
• Heather Havrilesky, ‘Ask Polly: Should I Have a Baby or Establish My Career First?‘ in The Cut
• Jessica Testa, ‘What Happens When We Treat Anonymous Stories Of Sexual Assault Like Gossip Items‘ on Buzzfeed
• Sarah Ditum, ‘Nice try, Maajid Nawaz, but you didn’t go to a lapdancing club because you’re a feminist‘ on Medium
• Rebecca Schiller, ‘Sheila Kitzinger was unafraid to confront female sexuality on a daily basis‘ in The Guardian
• Monica Mark, ‘Chibok kidnapping: stoicism as girls taken by Boko Haram are remembered‘ in The Guardian
• Malala Yousafzai, ‘Malala Letter to Chibok Girls‘ on Scribd
• Maggie Stiefvater, ‘The Anatomy of Rage‘ on her blog
• Samira Ahmed, ‘The girlification of TV characters’ hair‘ in The Pool
• Various, ‘Why Can’t We Accept That Some Women Don’t Want Kids?‘ Zócalo on KCRW
• Amy Gastelum, ‘Miscarriage or Murder?‘ in Guernica
• Chantelle Fiddy, ‘We Need To Talk About Sexual Harassment In Nightclubs‘ in Mixmag
• Lyndsay Kirkham, ‘…I’m No Angel…On Why We Can’t Let Fat People Be Happy‘ on Queen Mob’s Teahouse
• Syreeta McFadden, ‘The lack of female genitals on statues seems thoughtless until you see it repeated‘ in The Guardian
• Bidisha, ‘The exhibition and sale of Frida Kahlo’s love letters is a grubby violation‘ in The Guardian
• Huma Munshi, ‘George Galloway’s comments on forced marriage are a dangerous abuse of power‘ in The Guardian
• Sarah Ditum, ‘Why are we so desperate to find a genetic explanation for sex offenders?‘ in the New Statesman
• Ann Friedman, ‘Women Can’t End the Wage Gap on Their Own‘ in The Cut
• Jessica Valenti, ‘Male politicians always play up gender in their races. Hillary Clinton can, too‘ in The Guardian
• Hayley Webster, ‘I want to be a stay at home mum…but it feels impossible‘ on her website
• Sharline Chiang, ‘Could I Have Been Jailed For My Miscarriage?‘ on Buzzfeed
• Alison Taylor, ‘We are irretrievably married to ourselves, for richer or poorer‘ in The Independent
• Eva Wiseman, ‘The smiling face of “seaside sexism”‘ in The Observer
• Donna Ladd, ‘A female president would be cool, but I’m not sold on Hillary Clinton yet‘ in The Guardian

Society and Politics:

• Vanessa Mártir, ‘Color in AW(hite) Place‘ in Side B Magazine
• Nicole Pyler Fisk, ‘Walter Scott, A Black Man, Was Shot To Death — But My White Husband, Also Walter Scott, Is Safe And Sound‘ on Bustle
• Dhanya Nair, ‘An Open Letter to UK Politicians From an Immigrant Woman‘ on the Huffington Post
• Rebecca Atkinson, ‘How David Cameron has betrayed people with disabilities‘ in The Guardian
• Suzanne Moore, ‘Our art schools have become finishing schools for a wealthy few‘ in The Guardian
• Parisa Tabriz, ‘Pwnd: How a Google hacker would hack you‘ on Medium
• Nissa Rhee, ‘Back to War‘ in Guernica
• Jessica Probus, ‘Planning For A Future We Can Actually Imagine‘ on Buzzfeed
• Carolyn Asome, ‘The Style Uniform‘ in The Pool
• Rebecca Mead, ‘Hilary For President: No Joke‘ in The New Yorker
• Jade E. Davis, ‘Black Men Being Killed Is The New Girls Gone Wild‘ on Medium
• Luba Ostashevsky, ‘Sacrificial States‘ in Aeon
• Julie Chinitz, ‘Shiftiness: The Border In Eight Cases‘ on Lit Hub
• Dawn Foster, ‘“Every low-paid interviewee knows their hourly rate to the penny”‘ in The Guardian
• Suzanne Moore, ‘Extending right to buy is the Tories’ zombie Thatcherism at its worst‘ in The Guardian
• Sultanah Parvin, ‘The Straw Man Cometh‘ on Media Diversified
• Palwesha Yusaf ‘The Aid Industry: Can we really get by on doing good with good intentions only?‘ on Media Diversified
• Maya Goodfellow, ‘Letting migrants drown in the Mediterranean, is this what the Tories mean by ‘British values’?‘ on Media Diversified
• Deepa Bhasthi, ‘That Mallu Joke: Racism in India, and the Fear of the Outsider‘ in Kindle Magazine
• Caitlin Doughty, ‘The sacred task of caring for the dead should be a normal part of life‘ in The Guardian
• Theresa Brown, ‘Love, Death and Spaghetti‘ in The New York Times
• Sophie Heawood, ‘Why is David Cameron so afraid of single parents?‘ in The Guardian
• Susan Ferriss, ‘Virginia tops nation in sending students to cops, courts: Where does your state rank?‘ on Center for Public Integrity
• Brooke Lee Foster, ‘What is it like to be poor at an Ivy League school?‘ in the Boston Globe

Music, Film and Television:

• Chantal Braganza, ‘Happy Birthday, Selena Quintanilla-Pérez‘ on The Hairpin
• Angela Clarke, ‘How shouting spoilers at Wolf Hall shows the world has imploded‘ on The Wharf
• Caroline C, ‘Why Della in Raised By Wolves is the best female character on TV right now‘ on Beamly
• Lisa Peet, ‘Punk Rock Indeed: The Two Sides of Viv Albertine‘ on The Millions
• Anna March, ‘Dead girls, killer ratings: “Game of Thrones,” “True Detective” and TV’s epidemic of violence against women‘ on Salon
• Jaya Saxena, ‘The Bride Paradox Of “Four Weddings”‘ on Buzzfeed
• Julie Beck, ‘Dashboard Confessional, or When It Was Cool to Have Feelings‘ in The Atlantic
• Angela Watercutter, ‘Ex Machina Has a Serious Fembot Problem‘ on Wired
• Lili Loofbourow, ‘The Many Faces of Tatiana Maslany‘ in The New York Times
• Laura Goode, ‘The New Ladder: Anatomy of Indie Women’s Picture “Farah Goes Bang”‘ on Indiewire

The interviews:

• Bidisha on Asian Culture Vulture
• Gurkeyrith on The Fem
• Mona Eltahawy in The New York Times
• Attica Locke on Serpent’s Tail and in The Independent
• Lily King on Lit Hub
• Tishani Doshi & Karthika Naïr in Granta
• Monica McClure on the Huffington Post
• Jane Rawson on Australian Writers’ Centre
• Ladan Osman on Black Girl in Om
• K.A. Holt on the Huffington Post
• Alice Stevenson on Bookanista
• Sharma Shields on Okey-Panky
• Sarah Vaughan on Rebecca Mascull’s blog
• Poetry As Practice Contributors on The Quietus
• Rachel Billington in The Guardian
• Sofi Oksanen in The Guardian
• Kim Moore on Seren Books’ Blog
• Monica Byrne in The Guardian
• Valeria Luiselli on The Guardian Books’ Podcast
• Jenny Offill and Ali Smith on the RTÉ Book Show
• Sam Baker and Lauren Laverne in The Independent
• Toni Morrison in The Independent
• Sarah Helm on Slate
• Rachel Held Evans in The Atlantic
• Roxane Gay on ABC
• Jill Alexander Essbaum on The Rumpus
• Liza Klaussman in The Independent

If you want some fiction to read:

• ‘Morning, Noon & Night‘ by Claire-Louise Bennett in The White Review
• ‘Words Escape Me‘ by Claire-Louise Bennett in 3:AM Magazine
• An extract from Preface, or We As Two Separate Planets by Shushan Avagyan (translated by Deanna Cachoian-Schanz) in Words Without Borders
• ‘Wide Shot‘ by Anna Davtyan (translated by Nazareth Seferian) in Words Without Borders
• ‘I’m Not Going to Die‘ by Ani Asatryan (translated by Adrineh Der-Bogossian) in Words Without Borders
• ‘Before Sunrise‘ by Lilit Karapetyan (translated by Nairi Hakhverdi) in Words Without Borders
• ‘A Mansion with Many Rooms‘ by Kutti Revathi (translated by Lakshmi Holmström) in Words Without Borders
• ‘Revolution Nathan‘ by Dhamayanthi (translated by Lakshmi Holmström) in Words Without Borders
• ‘For Your Safety and Enjoyment‘ by Emily Schultz in The Butter
• An extract from Summertime by Vanessa Lafaye on Orion Books
• ‘The Reality Game‘ by Rachael Dunlop
• An excerpt of Viper Wine by Hermione Eyre on The Awl
• ‘The First Six Meters‘ by Vidya Panicker on The Fem
• ‘Theresa Enters‘ by Amy Silverberg in The Offing
• ‘Where Things Are Made‘ by Tera Joy Cole in Blunderbuss
• ‘Right Eye‘ by Isabel Costello on FlashFlood
• An extract from The Versions of Us by Laura Barnett on One Book Lane
• An extract from The Folded Clock: A Diary by Heidi Julavits on Lit Hub
• ‘Major Maybe‘ by Ann Beattie in The New Yorker. She talks about it here.
• ‘Making Babies‘ by Laurie Penny on Motherboard
• ‘House Heart‘ by Amelia Gray on Longreads
• An extract from Eve Out of Her Ruins by Ananda Devi (translated by Jeffrey Zuckerman) in The Offing
• An excerpt from A Portable Shelter by Kirsty Logan in The Butter
• ‘The Other Woman‘ by Cath Bore on FlashFlood
• ‘Clowns/Clown‘ by Mati Colarossi (translated by Arabella Bertola)
• ‘Killing Stones‘ by Ananda Devi on PEN American

If you want some poetry to read:

• ‘What Did Sriraman Say?‘ by Perundevi (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
• ‘Highway‘ by Malathi Maithri (translated by Lakshmi Holmström) in Words Without Borders
• ‘Three Dreams‘ by Sharmila Seyyid (translated by Lakshmi Holmström) in Words Without Borders
• ‘Fear‘ by Krishangini (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
• ‘Shunaka: Blood Count‘ by Karthika Nair in Granta
• ‘Gone to Pasture/To Speak‘ by Natalie Eilbert in The Offing
• ‘Compromised Field‘ by Shareen Mansfield on The Honeyed Quill
• ‘Humbles‘ by Frances Leviston on Poem Today
• ‘The Handshake‘ by Isabel Rogers on her blog
• ‘A Psalm for the Scaffolders‘ by Kim Moore on Seren Books’ Blog

If you want some non-fiction to read:

• An extract from Smoke Gets in Your Eyes & Other Lessons from the Crematorium by Caitlin Doherty on Canongate
• ‘Small Stories #10‘ by Madeline Witt on The Rumpus
• Extracts from From The Racial Imaginary: Writers on Race in the Life of The Mind in The Offing
• ‘Meet the Stanley Cup‘ by Molly Brooks on The Nib
• An extract from Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution by Mona Eltahawy on Macmillan Audio
• An extract from Between You & Me: Confessions of a Comma Queen by Mary Norris on Lit Hub
• An extract from I’m Very Into You: Correspondence 1995–1996 by Kathy Acker and McKenzie Wark on Lit Hub

The lists:

• Books of the Week on Publishers Weekly
• Anna Freeman’s Stereotype-Busting Women In Historical Fiction on the Huffington Post
• 20 Fascinating Facts About J.K. Rowling You Probably Never Knew in Stylist
• 11 new British crime series on PanMacmillan
• 6 J.K. Rowling Quotes On Failure, Because Failing Well Is A Life Skill That Even The Most Successful Need on Bustle
• Women to Watch: 2015 Edition on BookPage
• Lorraine M. López’s Six Writers On Social Class on Vela
• Five Great Pieces of Advice from J.K. Rowling’s New Book Very Good Lives in Paste
• 5 Books Written by Queer and Trans Women That Set Me Free on Everyday Feminism
• 10 Women’s Books in Translation You Should Be Reading in Litro

In the Media: 12th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The results of the VIDA count was announced on Monday. VIDA: Women in Literary Arts have counted the number of female and male reviewers in the major literary publications. There are some improvements this year, but overall the picture remains grim. For the first time this year, VIDA published a separate count for Women of Colour, it’s as depressing as you might expect. Reaction came from Hannah Ellis Peterson in The Guardian, ‘Male writers continue to dominate literary criticism, Vida study finds‘; Radhika Sanghani in The Telegraph, ‘Men aren’t better writers than women. Literary mags need to close the book on gender bias‘ and on Bustle, Caroline Goldstein declared, ‘The Results of the 2014 Women of Color VIDA Count Are Problematic‘.

VIDA also produced a handout: Things You Can Do Right Now to Advance Women’s Writing. Immediately after the results of the announcement, good things began to happen in Twitterland; Marisa Wikramamanayake created a ‘Women Who Review‘ database. If you’re a reviewer, you can add yourself to it; if you’re an editor at a literary magazine with a gender balance problem, you can have a look at all the women you could approach with review commissions. Judi Sutherland is getting a group of women reviewers together to send reviews to the TLS, contact her on Twitter if you want to get involved, and Amy Mason created Sister Act Theatre (@SisterTheatre): Support + recommendations of/for women working in UK theatre/performance. Worked with a great woman? Need work? Promoting your show? Tell us.

While all that’s been going on, Katy Derbyshire has been collating ‘Some more statistics on translated fiction‘ on Love German Books.

The other big news this week came from an American report that found the number of women choosing to be child-free has increased. The report coincided with the publication of the Meghan Daum edited essay collection Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids and the launch of the film While We’re Young. It’s triggered a number of articles: Emma Gray at the Huffington Post says, ‘A Record Percentage Of Women Don’t Have Kids. Here’s Why That Makes Sense‘; Jane Marie wrote, ‘Why I Stopped Trying to Be a Supermom and Started Being Myself Again‘ on Jezebel’; Hayley Webster wrote, ‘I had an abortion and didn’t talk about it…and I no longer want to live in shame‘ on her website; Hadley Freeman wrote, ‘Why do we still have to justify the choice to be child-free?‘ in The Guardian; Jessica Valenti asked, ‘Why do we never worry about men’s childlessness and infertility?‘ also in The Guardian

The best of the rest:

On or about books/writers/language:

• Juliet Greenwood, ‘Women and Myths in Storytelling‘ on Women Writers, Women’s Books
• Laura Miller, ‘Our enduring Tudor obsession: Sex, ambition, wealth and power never go out of style‘ on Salon
• Robert McCrum, ‘The 100 best novels: No 81 – The Golden Notebook by Doris Lessing (1962)‘ in The Guardian
• Lauren St John, ‘My American West adventure – in pictures‘ in The Guardian
• Jen Calleja, ‘Verfreundungseffekt: Waiting For Something To Happen —Tsou Yung-shan’s The Waiting Room‘ on The Quietus (Includes an extract from the book translated by Michelle Wu
• Rachel Cooke, ‘Stevie Smith, steel soul of the suburbs‘ in The Observer
• Linda Besner, ‘Changing face: The emergence of a new genre of memoir addressing the consequences of a changing planet‘ in The National Post
• Fran Lebowitz, ‘Why Childhood Was a Good Fit‘ in The Wall Street Journal
• Kathryn Schulz, ‘What Part of “No, Totally” Don’t You Understand?‘ in The New Yorker
• Alison Flood, ‘Allison Pearson revisits bestselling heroine in middle age‘ in The Guardian
• Krutika Mallikarjuna & Krystie Lee Yandoli, ‘If Carrie Bradshaw Wrote Her Column In 2015‘ on Buzzfeed
• Jill Alexander Essbaum’s Hausfrau Playlist on The Pool
• Elizabeth Day, ‘Can writing a male character make you think like a man?‘ on The Pool
• Jean Morris, ‘Reading in Translation‘ in Shiny New Books
• Anna Thomasson, ‘Researching A Curious Friendship‘ in Shiny New Books
• Laura Kalpakian, ‘On Writing Three Strange Angels‘ in Shiny New Books
• Rebecca Mascull, ‘Song of the Sea Maid, Science and Setting‘ in Shiny New Books
• Claire Fuller, ‘The Writing of Our Endless Numbered Days‘ in Shiny New Books
• Adèle Geras, ‘A Strange Phenomenon‘ (on Dorothy Whipple) on The History Girls
• Rene Denfeld, ‘Why I Talk to Death Row Criminals‘ on BBC World Service
• Jacob Victorine, ‘How to Translate a Map: Clare Cavanagh: Poetry 2015‘ on Publishers Weekly
• 2015 Best Translated Book Award Fiction Longlist on Three Percent
• Amy Bloom, ‘Literary Tastes‘ on VQR
• Francesca Mari, ‘The Assistant Economy‘ in Dissent
• Michelle Dean, ‘Passing Through‘ (on Nella Larsen) in Lapham’s Quarterly
• Sady Doyle, ‘Before Lena Dunham, there was Anaïs Nin – now patron saint of social media‘ in The Guardian
• Anuradha Roy, ‘The making of books, and of friendships‘ on Scroll In
• 2015 Authur C. Clarke Award Shortlist
• Amanda Holpuch, ‘US postal service delivers misquote on Maya Angelou stamp‘ in The Guardian
• Shane Breslin, ‘So are we really in the middle of an Irish literary renaissance?‘ on Irish Writing Blog
• Parisa Ebrahimi, ‘Why I Fell For Frances & Bernard‘ on Vintage Books
• Rachel Kaadzi Ghansah, ‘The Radical Vision of Toni Morrison‘ in The New York Times
• Ane Farsethas, ‘Lydia Davis at the End of the World‘ on Lit Hub
• Mallika Rao, ‘The Kids Are ALL-CAPS‘ on the Huffington Post
• A.M.F. Winn, ‘Not Just an Ugly Face‘ on the Huffington Post
• Niki Browes, ‘The Girl On The Train: Who’s Reading It And Why You Need To‘ in Instyle
• Siobhan Curham, ‘on Empowering Books for Women and Girls‘ on Adventures With Words
• Emily Wolfteich, ‘Saudade and the Untranslatable‘ in Asymptote
• Tessa McWatt, ‘Why read a book (let alone write one)?‘ on Bookanista
• Laura Kipnis, ‘Marry by 30‘ (on Kate Bolick’s Spinster) on Slate
• Kat Brown, ‘Children’s book written by the young Queen Victoria to be published‘ in the Telegraph
• Dinika Amaral, ‘Finding Language in the Code‘ in Guernica
• Claudia Rankine & Beth Loffreda, ‘On Whiteness and the Racial Imaginary‘ on Lit Hub
• Leslie Jamison, ‘This Female Consciousness: On Chris Kraus‘ in The New Yorker
• Jemma Wayne, ‘10 Things You Didn’t Know About After Before‘ on Legend Press
• Candy Gourlay, ‘Growing up I thought Filipinos weren’t allowed to be in books‘ in The Guardian
• Elisa Gabbert, ‘Who Gets to Review? Tranströmer, Ishiguro, and Critical Expertise‘ on Electric Literature
• Anne Lamott shares all that she knows: “Everyone is screwed up, broken, clingy, and scared” on Salon
• Megan Garber, ‘How to Say ‘Yes’ (by Not Saying ‘Yes’)‘ on The Atlantic
• Jo Hogan, ‘Don’t Talk to Strangers: How Twitter and Book Bloggers Changed My Life‘ on her blog
• Afrikult, ‘Tsitsi Dangarembga‘ on For Books’ Sake
• Colm Tóibín, ‘A tale of two poets, Thom Gunn and Elizabeth Bishop‘ in The Guardian
• Marina Warner, ‘Learning My Lesson‘ on the LRB YouTube
• Jennifer Rankin, ‘Traditional books on paper open a new chapter of success‘ in The Guardian
• Lee Brackstone, ‘How I came to publish Sarah Hall‘ on Faber & Faber
• Kathleen Coyle, ‘Lost in Translation: Norwegian Novelist Regine Normann‘ on For Books’ Sake
• Judith Thurman, ‘Good, Clean Fun: A Revival of “Gigi”‘ in The New Yorker
• J.C. Gabel, ‘Anatomy of a Cover: The Complete Works of Flannery O’Connor‘ in The Paris Review
• The Encore Award Longlist
• Liza Klaussmann, ‘‘A talent for living’: how the Murphys inspired Villa America‘ on the Picador blog
• Matthew Sweet, ‘Memoirs of the Spacewomen‘ on BBC Radio 3

Personal essays/memoir:

• Mary Anne Mohanraj, ‘“Don’t you want to be normal?”‘ on Salon
• Samantha Irby, ‘i’m taking my dead dad on vacation.‘ on bitches gotta eat
• Sarah Miller, ‘Ramblin’ Gamblin’ Woman: My March Madness‘ in The Toast
• Erin Wisti, ‘Showing My Scars: On Self-Harm‘ in The Butter
• Grace Moltini, ‘Beer and Loathing in Deutschland‘ in The Riverter
• Nichole LeFebvre, ‘Love in Lilac Velcro‘ in The Butter
• Sali Hughes, ‘Confessions of an email hoarder‘ on The Pool
• Anna Wiener, ‘Ecstatic Dance: To Fly, To Heal, To Love‘ in The Toast
• Kelly Davio, ‘The Waiting Room: I’ll Take a Side of Empathy with Those Cheerios, Please‘ in The Butter
• Huda Hassan, ‘My Mother’s Child‘ on The Hairpin
• Rushaa Louise Hamid, ‘How I Found Myself When My Skin Changed Its Identity‘ on Buzzfeed
• Sali Hughes, ‘When did it become compulsory to enjoy exercise?‘ on The Pool
• Leah Reich, ‘You’d Be So Nice‘ on Medium
• Dana Tommasino, ‘Learn To Cook (in 21 Easy Steps)‘ on The Rumpus
• Susie Boyt, ‘New York: It’s Show Time‘ in Harpers Bazaar
• Katie Rose Guest Pryal, ‘A Mother’s Suicide Attempt and the Guilty Burden of Statistics‘ in The Toast
• Liz Prato, ‘The Terrible Things I Learned About My Dad: On Abuse and the People We Love‘ in The Butter
• Claire Greaves, ‘I Cannot Erase My Existence and Therefore I am Going to Get Better‘ in the Huffington Post
• Charlotte Philby, ‘The darkest secret of my new motherhood‘ in The Guardian
• Alison Taylor, ‘My parents are my greatest love of all‘ in The Independent
• Emylia Hall, ‘Offspring‘ on Book Slam

Feminism:

• Jessica Valenti, ‘It wasn’t Jackie’s job to get the details of her rape correct. It was Rolling Stone’s‘ in The Guardian
• Srishti Dutta Chowdhury, ‘A Decorum of Purity‘ in Kindle Magazine
• Hanna Rosin, ‘Despite Damning Report, Rolling Stone Will Continue “To Do What We’ve Always Done.” Are They Serious?‘ on Slate
• Carolyn Wysinger, ‘First Boi In – Dressing Queer in the Corporate World‘ on Media Diversified
• Sophie Tanner, ‘“‘I’ve Decided To Marry Myself, To Celebrate My Life as a Happy, Single and Self-Fulfilled Woman”‘ in Stylist
• Olga Khazan, ‘Why Some Women Choose to Get Circumcised‘ in The Atlantic
• Lauren Laverne, ‘What is a “real” woman anyway?‘ on The Pool
• Laura Craik, ‘What does plus size even mean?‘ on The Pool
• Helen O’Hara, ‘Why you’re not going to a romcom this weekend‘ on The Pool
• Rebecca Mead, ‘Two Beds and the Burdens of Feminism‘ in The New Yorker
• Lucy Mangan, ‘Why Are Periods Still Shocking‘ in Stylist
• Julia Phillips, ‘Feminism at the End of the World‘ on Jezebel
• Tracy Kuhn, She Wears it Well‘ on Volvo Diaries
• Rebekah Lowin, ‘Photographer teaches daughters: “Strong is the New Pretty”‘ on Today
• Heidi Mirza, ‘Black British feminism then and now‘ on Media Diversified
• Glosswitch, ‘Sussex police’s victim-blaming anti-rape campaign: why is it victims, not rapists, that must change their behaviour?‘ in the New Statesman
• Lottie O’Conor, ‘Is Reddit’s feminist ‘hero’ merely feeding the stereotypes that hold women back?‘ in The Guardian
• Arwa Mahdawi, ‘Sorry Dove, empowerment isn’t a personal care product‘ in The Guardian
• Hayley Krischer, ‘How a New Wave of Feminist Cooking Publications Is Redefining Women’s Relationship to Food‘ on Flavorwire
• Key Ballah, ‘My body is not an invitation‘ on Patheos
• Jessie Thompson, ‘Am I a Joke Feminist?‘ on the Huffington Post
• Barbara Ellen, ‘Men know nothing at all about being sex objects‘ in The Observer
• Anna March, ‘Dead Girls Sold Here‘ on The Rumpus
• Bridget Christie, ‘We’re a nation of armchair activists – and that’s OK‘ in The Guardian
• Matilda Kahl, ‘Why I Wear the Exact Same Thing to Work Every Day‘ in Harpers Bazaar

Society and Politics:

• Emilie Friedlander, ‘How Everlane Turned Hipsters Basic‘ on The Fader
• Ann Friedman, ‘Idle Threads‘ on The Baffler
• Fanny Malinen, ‘We need a new media to tell the real news‘ on New Internationalist
• Shailja Patel, ‘The Road to Garissa‘ in The New Inquiry
• Zoe Williams, ‘The Nicola Sturgeon memo: Westminster’s nasty machinations have been exposed‘ in The Guardian
• Catherine Matusow, ‘The Complicated Truth About Children and Drowning‘ on Houstonia Magazine
• Naomi Wolf, ‘The fastest way to spread extremism is with the censor’s boot‘ in The Guardian
• Kari Mugo, ‘Misfits: Reflections on Identity, Race, and Prejudice‘ in The Toast
• Brinda Bose, ‘The Outsider Within‘ in Kindle Magazine
• Mary Elizabeth Williams, ‘My social media asylum: What I learned during my time away from the trolls (and the brunch pics)‘ on Salon
• Bethany Rutter, ‘Fat can be healthy, so don’t tell me you’re dieting for health reasons‘ in The Guardian
• Emma Sky, ‘Iraq Is Finished‘ on The Atlantic
• Roxane Gay, ‘What the Hell Do We Say Now?‘ in The Butter
  
• Barbara Ntumy, ‘Why I Challenged Farage on Racism‘ on the Huffington Post
• Nancy Jooyoun Kim, ‘Open Houses: On Race, Identity, and Looking for a Place to Live‘ in The Butter
• Sara Sheridan, ‘Scottish politics offers hope to British voters – and a break from the nastiness‘ in The Guardian
• Samantha Rea, ‘Let Children Be Children – Without Jamming Them Into Gender Roles‘ on the Huffington Post
• Alexis Okeowo, ‘Lagos Must Prosper‘ in Granta
• Alana Semuels, ‘Where the White People Live‘ on The Atlantic
• Bella Mackie, ‘Lady Hale is right – blame should be taken out of divorce‘ in The Guardian
• Bethany Lamont, ‘Outsider Inside‘ on The Hairpin
• Yuliya Komska, ‘My grandparents rejected the Holocaust survivor label. They weren’t alone‘ in The Guardian
• Lionel Shriver, ‘Don’t be so hysterical about sex crimes‘ in The Guardian
• Marina Hyde, ‘The great unvetted public locked out as party leaders tour sanitised Britain‘ in The Guardian
• Caitlin Moran, ‘Why posh boys make me boggle‘ in The Times
• Chimamanda Ngozi Adichie, ‘On The Oba Of Lagos‘ on Olisa

Music and Television:

• Abby Higgs, ‘Getting Awkward with Annie Lennox: Part 1‘ on Queen Mob’s Teahouse
• Hannah Giorgis, ‘Rihanna And The Radical Power Of “Carefree Black Girl” Celebrity‘ on Buzzfeed
• Amanda Ann Klein, ‘The Wonder Years, Memory, and Mourning‘ on Medium
• Suzanne Moore, ‘Girls keep it together in front of their rock’n’roll idols. It’s men who turn into gibbering wrecks‘ in the New Statesman
• Daisy Buchanan, ‘I love Nirvana, but I get why Kurt Cobain’s daughter doesn’t‘ in The Guardian

 

The interviews:

• Robin Rinaldi in The Independent
• Hilary Mantel on Vulture
• Ursula P. Archer on ACF Digital Salon
• Amelia Gray in Berfrois
• Keren David on Delightful Book Reviews
• Valeria Luiselli on British Council Literature
• Helena Coggan in The Guardian
• Becky Albertalli on Buzzfeed
• Gillian Rose in Times Higher Education
• Caitlin Moran (the Director’s Cut) on The Pool
• Bethany Chase on Women Writers, Women’s Books
• Jane Thynne in Shiny New Books
• Cecilia EkBäck in Shiny New Books
• Sarah Bannan in Shiny New Books
• Lindsay Hawdon on Rebecca Mascull’s blog
• Caitlin Moran (Part Two) on Vice
• Lizzie Skurnick on Longreads
• Heather Cocks & Jessica Morgan on the Huffington Post
• Viv Albertine on Weird Sister
• Elizabeth McCracken on Paul McVeigh’s blog
• Joyelle McSweeney in The Believer
• Jill Alexander Essbaum in The Los Angeles Times
• Jenn Ashworth (and Richard Hirst) on The Workshy Fop
• Amanda Jennings on From First Page to Last Page
• Diane Williams on Numéro Cinq
• Sarah Hall on Foyles
• Laura Watkinson on Intralingo
• Nancy Tucker in The Independent
• Jennifer Weiner on CBS News
• Jennifer Michael Hecht on The Rumpus
• Dorothy Koomson on We Love This Book
• Ursula Le Guin on BBC Radio 4
• Attica Locke in the Los Angeles Times
• Heidi Julavits on Vulture
• Kirsty Logan on The List
• Lauren Berry on Deep South Magazine
• Andrea Cohen on Queen Mob’s Teahouse
• Tracey Thorn in The Observer
• Caitlin Moran in The Guardian
• Renée Knight on The Pool
• Jemma Wayne & Lara Pawson on Guardian Books’ Podcast
• Janina Matthewson on Read Her Like an Open Book

If you want some fiction to read:

• An extract from Never Isn’t Long Enough by Diane F. Pickett (YouTube)
• ‘The Good Wife‘ by Devjani Bodepudi in Kindle Magazine
• ‘Apollo‘ by Chimamanda Ngozi Adichie in The New Yorker, which she discusses here
• ‘Our Christophers‘ by Sharma Shields on Electric Literature
• ‘Bearish‘ by Leesa Cross-Smith
• An extract from Glory by Rachel Billington on Orion Books
• An extract from The Shut Eye by Belinda Bauer on Dead Good Books
• An extract from Disclaimer by Renée Knight on The Pool
• ‘A Story Between Me and Thee on the Occasion of Our Shipwrecking’ and ‘Little Peg Tudor‘ by Rachael Dunlop on Flash! Friday
• ‘Children’s Stories Made Horrific: Thousandfurs, Or The King Who Wanted To Marry His Daughter‘ by Mallory Ortberg in The Toast
• ‘Other People’s Butter‘ by Tayler Heuston
• ‘The Toddler on the Bus‘ by Helen Croney on Scottish Book Trust
• ‘The Sanded Shard’ by Sara Baume on The Book Show RTÉ Radio 1
• The Ladies of the House by Molly McGrann on Radio 4’s Book at Bedtime
• ‘Not Searching‘ by Claire Fuller on her blog
• ‘Item Girls‘ by Kuzhali Manickavel in Granta
• ‘Box 30‘ by Rom Tearne on her blog
• An extract from Unravelling Oliver by Liz Nugent on Liz Loves Books (if you follow the link at the top of the post, you can follow the trail of extracts posted throughout the week)
• ‘Runaway‘ by Laura Kay on Litro
• ‘The New Boyfriend‘ by Kelly Link on A Public Space
• ‘A Fun Home Coda‘ by Alison Bechdel on Vulture
• Short Stories by Laura Barnett on her website
• ‘Paradise Lost‘ by Devjani Bodepudi
• ‘Every Woman to the Rope‘ by Joanna Quinn in The White Review
• ‘Smote, or When I Find I Cannot Kiss You in Front of a Print by Bridget Riley‘ by Eley Williams in The White Review

If you want some poetry to read:

• ‘frances farmer’ & other poems by Afshan Shafi in 3:AM Magazine
• ‘working title‘ by Mahogany L. Browne in Winter Tangerine Review
• ‘Billie‘ (for Billie Holiday) by Salena Godden on The Pool
• Five Poems by Elizabeth Clark Wessel
• ‘Future Biometrics‘ by Jillian Weise in Poetry Magazine
• ‘My Prayer‘ by Agnimita Chatterjee in Kindle Magazine
• Three Poems by Geraldine Clarkson on And Other Poems
• ‘Fuck The Life Abundant‘ Marnie Bullock Dresser in The Fem

If you want some non-fiction to read:

• An Excerpt from Between You & Me: Confessions of a Comma Queen by Mary Norris on The Millions
• An extract from Naked at the Albert Hall by Tracey Thorn in The Observer
• An extract from Get It Together: Why We Deserve Better Politics by Zoe Williams in The Guardian

The lists:

• Books for Spring in Shiny New Books
• 5 New Books to Read for Your Grown-Up Spring Break in Glamour
• 32 Perfect Books To Kick Off Your Book Club on Buzzfeed
• Books of the Week on Publishers Weekly
• 29 Important Lessons Jane Austen Taught You About Love on Buzzfeed
• 100 Best Books of the Decade so Far in The Oyster Review
• Spring Fiction Preview: 15 Books You Won’t Want to Miss on Read Her Like an Open Book

Black Water Rising – Attica Locke

Texas, 1981. Jay Parker, lawyer, is taking his six months’ pregnant wife, Bernie, on a romantic trip on the river. However, the boat is shabby, the bayou ‘is little more than a narrow, muddy strip of water’ and Jay’s

…feeling a knot tighten in his throat, a familiar cinch at the neck, a feeling of always coming up short where his wife is concerned. He feels a sharp stab of anger. The guy on the phone lied to him. The guy on the phone is a liar. It feels good to outsource it, to put it on somebody else. When the truth is, there are thirty-five open case files on his desk, at least ten or twelve with court time pending; there wasn’t time to plan anything else for Bernie’s birthday, and more important, there hasn’t been any money, not for months.

And you know what? It’s about to get a whole lot worse.

They are about to head back inside when they hear the first scream, what sounds at first like a cat’s cry, shrill and desperate. It’s coming from the north side of the bayou, high above them, from somewhere in the thick of trees and weeds lining the bank. At first Jay thinks of an animal caught in the brush. But then…he hears it again. He looks at his wife. She too is staring through the trees. The old man in the baseball cap suddenly emerges from the captain’s cabin, a narrow slip of a room at the head of the boat, housing the gears and controls.

“What the hell was that?” he asks, looking at Jay and Bernie.

Jay shakes his head even though he already knows. Somewhere deep down, he knows. It wasn’t an animal he heard. It was a woman.

A few minutes later, following gunshots and Bernie pleading with Jay to call the police, a body tumbles down the banking and into the river. Jay dives in and pulls out a woman, ‘white and filthy’ but still alive. Unable to get enough information from her to find out how much danger she is in, Jay and Bernie take her to the police station, dropping her off outside the door.

All of this takes place as Locke begins to introduce us to Jay’s backstory. It feels superfluous at the time but it becomes clear as the novel develops that it’s key to events that take place later on.

Bernie and the baby are all the family Jay’s got. He doesn’t speak to his mother or his sister and his friends abandoned him when he went to trial ‘on a charge of inciting a riot and conspiracy to commit murder of an agent of the federal government – a kid like him and a paid informant’. The only people who came to court everyday were women from the church through which, eventually, he met Bernie.

Jay’s current case involves a prostitute who’s been in an accident while out with a high profile member of the community. It’s clear he’s only taken the case for the money and trying to work out which cases will bring him financial reward has become part of his role. It wasn’t how his law practice began though. He took out a police brutality lawsuit on behalf of ‘a sixteen-year-old black kid who was nervous and fumbling for his licence’, who was dragged from his car and beaten. Jay took on a white attorney with a decade’s experience and won. The case got his name noticed but the people queuing up for help were disenfranchised black people who Jay wants to help but who can’t afford to pay him.

Before long though, he’s involved in two issues, neither of which are bringing in any money. The first is the case involving the woman from the beginning of the novel.

A white male, shot twice, found in an open field in the 400 block of Clinton, near Lockwood Drive in Fifth Ward, not fifty yards from Buffalo Bayou.

Jay can’t help taking an interest himself.

The second is due to Bernie’s father, the Reverend Boykins. He’s supporting a group of longshoremen, The Brotherhood of Longshoremen, a group of black men working on the docks. They’re a branch of the ILA, the International Longshoremen’s Association who are about to vote on whether to strike over pay; ‘…the black workers are routinely paid less than their white brothers…’. One of the young men has been attacked. He claims it was men from the ILA and his family and Reverend Boykins want Jay to represent him.

By now, you’re probably thinking sheesh, there’s a lot going on in this novel. So was I and I wondered how Locke was going to maintain the reader’s interest whilst holding up the threads of each plotline and not confusing the reader along the way. Of course, all these threads become intertwined as the novel progresses and Locke does a good job of keeping the connections both clear and twisty for the reader. She interlinks civil rights concerns from the sixties and seventies with present day concerns both about race and politics and its connection with industry.

Jay Parker’s a great new face to join the tradition of damaged investigators. Locke’s created someone shaped and hurt by his past but who’s trying to do good in his present. Obviously he doesn’t always get it right and there are points in the book where you want to scream at him, but they’re the points that make him human/rounded/flawed.

Black Water Rising is an impressive debut; to hold so many strands and bring them all to a satisfying conclusion is no mean feat. It’s a smart, satisfying read.