In the Media, January 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Image by Abigail Grey Swartz

Where is there to start other than with articles about the new American regime?

On the Women’s March:

On Melania:

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On American society under Trump:

On Trump:

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

The Jerwood Fiction Uncovered Prize Winners

Yesterday evening was the prize ceremony for the Jerwood Fiction Uncovered Prize. The event took place in the Jerwood Space in South London and I was lucky enough to be there.

Photograph by Nina Pottell

Photograph by Nina Pottell

The longlist of fifteen titles was whittled down to eight winners, all of whom were presented with a beautiful hand-bound edition of their book and a cheque for £5000. The prize is unique in that it awards the best British fiction from across the country and has eight winners who equally share the prize money. It was clear from the speeches of the winners, particularly Carys Davies, Grace McCleen and Bethan Roberts how much this means to writers in a time when grants have been cut and more books than ever are being published. It’s also fantastic to see a number of independent publishers being recognised and to have a winners list where three quarters of the recipients are women. (Now for more writers of colour to be recognised, although I understand there’s an issue here in terms of the number of books submitted by writers of colour.)

Photography by Rachael Beale

Photography by Rachael Beale

The winning books are:

A Man Lies Dreaming by Lavie Tidhar (Hodder & Stoughton)

Animals by Emma Jane Unsworth (Canongate Books)

Mobile Library by David Whitehouse (Picador, Pan Macmillan)

Mother Island by Bethan Roberts (Chatto & Windus, Penguin Random House)

Significance by Jo Mazelis (Seren Books)

The Incarnations by Susan Barker (Doubleday, Transworld)

The Offering by Grace McCleen (Sceptre, Hodder & Stoughton)

The Redemption of Galen Pike by Carys Davies (Salt)

The three I’ve read are all great (click the link to read my reviews) – Animals and The Incarnations both made my best of the year list last year. I’m really looking forward to exploring the rest of the list.

Photograph by Nina Pottell

Photograph by Nina Pottell

It’s also Fiction Uncovered’s fifth birthday and to celebrate they had an art installation cake. Yes, that’s really a cake! Isn’t it amazing? It tasted delicious too.

There’s also more celebrations to come. Jerwood Fiction Uncovered FM will return to the airwaves on Sunday 21 June. The annual radio station dedicated to discussing great British fiction will be on Resonance FM at 104.4fm and via http://www.resonancefm.com. Guests will also include the winning authors, the 2015 judging panel and other British fiction writers including Catherine Hall, Nikesh Shukla, Matt Thorne, Alex Wheatle, broadcaster Nikki Bedi and Danuta Kean. AND ME! Yes, really. I’m on a panel hosted by Nikki Bedi with Danuta Kean and Nikesh Shukla discussing diversity in the publishing industry following the pieces I wrote for the Fiction Uncovered blog in May. Jerwood Fiction Uncovered FM is on air 12-5pm, presented by Matt Thorne and Simon Savidge. The panel I’m involved in takes place from 13.40 to 14.10. Tune in!

The Jerwood Fiction Uncovered Longlist

I’ve loved the Fiction Uncovered prize since discovering it three years ago. It awards eight writers who haven’t garnered the recognition they deserve and the choices are always wonderful. This year, for the first time, a longlist has been announced and it looks amazing. There are fifteen books, eleven of which – ELEVEN – are by women writers. I’m impressed. I’ve only read four of them but they’re all fantastic; if you click on the titles you can read my reviews. I’m going to endeavour to read the rest now. The shortlist is announced on the 18th June.

A Man Lies Dreaming – Lavie Tidhar (Hodder & Stoughton)

Animals – Emma Jane Unsworth (Canongate Books)

Beastings – Benjamin Myers (Bluemoose Books)

Dear Thief – Samantha Harvey (Jonathan Cape, Penguin Random House)

Mobile Library – David Whitehouse (Picador, Pan Macmillan)

Mother Island – Bethan Roberts (Chatto & Windus, Penguin Random House)

Significance – Jo Mazelis (Seren Books)

The Four Marys – Jean Rafferty (Saraband)

The Incarnations – Susan Barker (Doubleday, Transworld)

The Offering – Grace McCleen (Sceptre, Hodder & Stougton)

The Redemption of Galen Pike – Carys Davies (Salt)

The Spice Box Letters – Eve Makis (Sandstone Press)

The Stray American – Wendy Brandmark (Holland Park Press)

The Way Out – Vicki Jarrett (Freight Books)

Wittgenstein Jr – Lars Iyer (Melville House UK)

This diverse group of books has been chosen by the judges as they display the flair, range and literary rigour abounding in British writing today and should, the judges believe, be widely read. In a nation reeling from the most divisive general election for many years, this is a group of books that can unify readers in the power of a good story.

Announcing the longlist, chair of judges India Knight said:

“It is absolutely thrilling to have found such brilliant books, across such a wide variety of genres, and from authors that live and write all over the country. These are fantastic writers who deserve to be household names.”

On the decision to release the longlist for the Jerwood Fiction Uncovered Prize for the first time this year, prize Founder and Director Sophie Rochester said:

“With writers from Swansea, Newcastle upon Tyne, Bath, Brighton, Lancaster, Edinburgh, Nottingham, Glasgow and London, and publishers from Yorkshire, Wales, Scotland and Norfolk, this year’s longlist presents an exciting snapshot of contemporary British fiction writing and publishing.”

Joining India Knight on the judging panel this year are Matt Bates (WH Smith Travel), Cathy Galvin (Word Factory/Newsweek) and Simon Savidge (Savidge Reads).

In the Media: 23rd November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s been Ursula K. Le Guin’s week. Awarded the Medal for Distinguished Contribution to American Letters at the National Book Awards, she gave a widely praised speech about the need for freedom. You can watch it here, or read the transcript here. She’s interviewed on Salon, in The Guardian by Hari Kunzru and there’s a piece on where she gets her ideas from on Brain Pickings

Arundhati Roy and Megham Daum are the women with the second most coverage this week. Roy’s in Prospect, talking about ‘India’s Shame‘ and the caste system and interviewed in The Observer, where there are plenty of unnecessary comments about her looks. While Daum is interviewed on FSG’s website, in The Guardian and on The Cut.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

The lists:

And the best things I’ve read this week:

In the Media: 16th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Photo by Wayne Thomas

This week, there’s been lots of discussion on my Twitter timeline about an article by Joanna Walsh, writer and creator of #ReadWomen2014 on ‘Why must the “best new writers” always be under 40?‘ prompted by Buzzfeed’s ‘20 Under 40 Debut Writers You Need to Be Reading‘. Traditionally, these lists have disadvantaged women who, for a number of reasons, often publish their first novel later than many men. So, although it’s arbitrary/silly, this week’s top slot is going to pieces by or about those who published their first book at 40 or over.

We have Linda Grant (first novel published at 44) on why she’s hooked on the Serial podcast in The Guardian; Joan Chase (47) in her own words and Amy Weldon on her both on Bloom, a site dedicated to writers whose first major work was published at 40 or over; Ruth Graham tells the true story of Laura Ingalls Wilder (65) on Slate; Alexander Chee looks at Penelope Fitzgerald (59) via Hermione Lee’s biography of her on Slate; there are interviews with Lissa Evans (42) on the One More Page blog, Helen DeWitt (43) in BOMB magazine, Meg Rosoff (48) on Rebecca Mascull’s blog, Katherine Boo (48) on the theatre production of Behind the Beautiful Forevers in the Independent and Donna Douglas (40) on Female First; while Bobbie Ann Mason (42) has a new short story ‘Ready‘ on TNB Fiction and the first chapter of Summertime by Vanessa Lafaye (51) is up to read on One Book Lane; finally, you can find out why middle-aged women are dominated self-publishing according to The Guardian.

At the other end of the spectrum, writer Nikesh Shukla supports young writers in Bristol. They publish online magazine Rife. Here’s Sammy Jones’ ‘The Five Stages of Street Harassment‘ and Jess Connett on ‘Hidden WWI: Teenagers at War‘.

There’s also been more gender discussion. Time magazine added the word ‘feminism’ to a list their readers could vote on to ‘ban’. Roxane Gay responded in The Washington Post; Hannah McGill discussed gender depiction in Sci-Fi in The List; Jess Meacham critiqued Suzanne Moore’s column on selfie’s being anti-feminist and her use of Sylvia Plath’s poetry in ‘The Eyeing of my Scars‘ on her blog, while Non Pratt looked at gender representation in Young Adult books in We Love This Book.

And the woman with the most publicity this week is Amanda Palmer, whose book The Art of Asking was published on Tuesday. She’s in The Guardian following a live web chat; interviewed by Maria Popova of Brainpickings on YouTube; has written an article for The Independent and been interviewed in Billboard.

The best of the rest articles/essays:

The interviews:

This week’s ‘Who is Elena Ferrante?’ piece is by Jane Shilling in the New Statesman

If you want some fiction to read:

Or some non-fiction:

This week’s lists

In the Media: 9th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s awards time again this week. Congratulations to Helen Macdonald who won the Samuel Johnson Prize with her stunning memoir H is for Hawk. There’s an article about it and an interview, both in The Guardian. You can also listen to interviews with all the shortlisted writers on BBC Radio 4.

While in France, Lydie Salvayre won the Prix Goncourt with Pas Pleurer.

The Green Carnation shortlist was announced this week and there are four women on the shortlist of six – congratulations to Kerry Hudson, Kirsty Logan, Anneliese Mackintosh and Laurie Penny. Prior to the announcement, Antonia Honeywell wrote her thoughts on the longlist.

The National Book Awards (UK) shortlists were also announced this week. Lots of books by women worth a read on there too.

And the Saltaire Society shortlisted a self-published book for their First Book AwardThe Last Pair of Ears by Mary F. McDonough. The first self-published book to be shortlisted for a Scottish Prize.

That might make you think about Paul Kingsnorth’s novel The Wake which was the first crowd funded novel to be longlisted for The Man Booker Prize earlier this year. Well, Unbound, Kingsnorth’s publishers have announced a Women in Print campaign to try to increase the number of female authors published.

This week has also seen The Bookseller’s report on diversity in publishing – still not good enough, is the overriding conclusion.

It wouldn’t be an average week these days without a Lena Dunham story. Accused by a right-wing journalist of sexually molesting her younger sister following a confessional passage in her book, discussion ensued from Emily Gould, Katie McDonough, Mary Elizabeth Williams and Carolyn Edgar on Salon; Sarah Seltzer on Flavorwire; Emma Gannon on The Debrief; Grace Dent in The Independent. To cheer you up after that, here are 37 Funny and Inspired Thoughts from her book tour on Buzzfeed.

In more cheering news about prominent females, Mallory Ortberg, founder of The Toast, had her book Texts for Jane Eyre published in America this week. In the Los Angeles Review of Books, Sarah Mesle wrote a stunning essay/review about the book’s feminist credentials. She’s interviewed on Entertainment Weekly, The Huffington Post and The Guardian. And you can read an extract, 7 Brutal Literary Breakup Texts on Buzzfeed.

And the Amy Poehler stories are still going. The woman herself answers the Proust Questionnaire in Vanity Fair. Here’s 5 Unexpected Things Marie Claire learned from Poehler’s book. Jessica Valenti has (mis?) read the book and declared ‘bitchiness’ the secret to Poehler’s success in The Guardian. Also in The Guardian, Hadley Freeman told us ‘Why Amy Poehler is the Ultimate Role Model for British Women‘.

The best of the rest articles/essays:

The interviews:

In translation:

  • Jenny Erpenbeck (tr. Susan Bernofsky) ‘Homesick for Sadness’ on the fall of the Berlin Wall in The Paris Review
  • Julie Winters Carpenter interviewed about translating Japanese poetry on the Asymptote Blog

If you want some fiction/poetry to read:

The lists:

And the 13 (I tried to keep it to 10 but it’s been a very good week) best things I’ve seen this week: