Books of the Year 2020

I’ve read more books this year than I’ve ever read in a year before. It’s been a very strange time, but these are the books published this year that have resonated with me.

This Mournable Body – Tsitsi Dangarembga (Faber)

Tambudzai’s life is not going how she expected. In her 30s, living in a hostel, unemployed, in a country that’s hostile, there are multiple structural barriers preventing her progress. An examination of a woman and a country. A masterpiece. Longer review here.

Love After Love – Ingrid Persaud (Faber)

A woman widowed from her abusive husband; her young son, and a gay man hiding his sexuality. Their bond asks the question what really makes a family? Betty, Solo and Mr Chetan have lived in my head since I read this in the first half of the year. Gorgeous. Longer review here.

So We Can Glow – Leesa Cross-Smith (Grand Central)

Cross-Smith’s latest short story collection celebrates women and girls. Their triumphs, their tribulations, their crushes, their loves, the way they support each other to rebuild themselves and their lives. The language and the characters fizz. Longer review here.

The Meaning of Mariah Carey – Mariah Carey with Michaela Angela Davis (Macmillan)

It shouldn’t really be a surprise that Carey’s memoir isn’t your average celebrity memoir. Open, honest and reflective, Carey looks at her traumatic childhood, her marriage to Tommy Mottola and her career. A fascinating insight into who she is and how she became one of the most successful singers in the world.

The Bass Rock – Evie Wyld (Jonathan Cape)

The story of three women, in three different time periods, lived in the shadow of the Bass Rock. They’re linked by what one of Wyld’s minor characters – the brilliant Maggie – describes as a serial killer: toxic masculinity. Maggie’s idea of a map showing places where women have been killed by men has haunted me all year, as has the final page of the novel. Longer review here.

Hamnet – Maggie O’Farrell (Tinder Press)

Named for Shakespeare’s son who died – probably of plague – and the play that was probably written about Shakespeare’s grief: Hamlet. Really though, this is the story of Agnes (Anne), Shakespeare’s wife. Beautiful and vividly told. O’Farrell’s well-deserved acclaim was long overdue. Longer review here.

Breasts and Eggs – Mieko Kawakami (translated by Sam Bett and David Boyd) (Picador)

A novel in two-parts exploring Natsuko’s sister’s desire for breast implants and then Natsuko’s questions around whether or not she wants a child. An examination of the expectations placed on women from a working class Japanese perspective with a bonus send-up of the literary industry. Longer review here.

In the Dream House – Carmen Maria Machado (Serpent’s Tail)

A ground-breaking memoir of an emotionally abusive, same-gender relationship. It questions notions of the canon through a range of devices and genres while delivering a devastating portrait of domestic abuse. Longer review here.

Postcolonial Love Poem – Natalie Diaz (Faber)

An investigation of the body as a site of trauma and of desire. Diaz connects the body to the land, the water (particularly rivers) and the air, showing how violation of the elements by white Americans has led to irreparable damage. This is also a celebration of queer love and language that elevates and transcends. Longer review here.

Bad Love – Maame Blue (Jacaranda Books)

19yo Ekuah has an on / off affair with up-and-coming musician Dee. Later she meets English teacher and spoken word night organiser Jay Stanley. The two men exert different pulls on her life, but Ekuah has to work out how she wants to live. I was rooting for her all the way. Longer review here.

Writers & Lovers – Lily King (Picador)

Casey’s in her 30s. Single, a waitress trying to write a novel, living in her brother’s friend’s shed, she meets two men: Silas is a teacher and a writer, but unreliable; Oscar is slightly older, an established writer, widowed with two young boys. Casey has to decide whether to accept or reject a conventional life. I wrote about her choices for the Pan Macmillan blog.

Nudibranch – Irenosen Okojie (Dialogue Books)

Okojie is the queen of stories that take you to unexpected places. Her latest collection is a wild ride of time-travelling silent monks; some unexpected zombies; a heart-eating goddess; mechanical boys, and an albino man who brings fountains to a small town in Mozambique. The incredible ‘Grace Jones’, about an impersonator and her past, deservedly won the 2020 AKO Cane Prize. Slightly longer review here.

Thanks to the publishers (as listed) for This Mournable Body, The Bass Rock, Hamnet, Breasts and Eggs, and Writers & Lovers. All other books are my own purchases.

Nudibranch – Irenosen Okojie & Earthseed – Octavia E. Butler #DiverseDecember #4 #5

Life intervened yesterday, so it’s a double bill of #DiverseDecember recommendations today.

Nudibranch – Irenosen Okojie

Irenosen Okojie’s short stories are unpredictable, wild, inventive, magical and often heart-wrenching rides. In Nudibranch we meet – amongst others – a woman losing herself; time-travelling silent monks; some unexpected zombies; a heart-eating goddess; mechanical boys, and an albino man who brings fountains to a small town in Mozambique. 

Perhaps the standout story in the collection is the winner of the 2020 AKO Cane Prize for African Writing ‘Grace Jones’. The tale of a Grace Jones’ impersonator, Okojie is interested in who this woman really is; what is she hiding behind her lookalike costume? It’s a breath-taking, hard hitting story and you can read it here.

Earthseed: Parable of the Sower and Parable of the Talents – Octavia E. Butler

In a dystopian North America, Lauren Oya Olamina lives in a gated community with her family – her academic / preacher father, her stepmum and her siblings. Lauren is hyperempathetic which means she feels the pain of other living creatures. This creates a vulnerability that can be dangerous for her. When the compound is attacked, she begins a journey north, collecting other people along the way. Lauren decides to start preaching her ideas for a new religion which believes that ‘God is Change’. 

Parable of the Talents is narrated by Lauren’s daughter Asha Vere along with diary entries from Lauren. These help Asha to understand her mother and how she has ended up in her current situation. While the first book is focused on community, there is a shift in the second to family. Events are played out against a backdrop of a rising political figure called Andrew Steele Jarret. Jarret is a Christian fundamentalist / White supremacist whose slogan is ‘Make America Great Again’. Yes, really. These books are gripping and fascinating. 

Nudibranch is published by Dialogue Books; Parable of the Sower and Parable of the Talents are published by Headline. All copies are my own.

In the Media: May 2017

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

In prize news, the Granta Best of Young American Novelists list was announced:

• Laura Miller, ‘Granta Made Us Obsessed With “Best Young Novelist” Lists‘ on Slate
• Michelle Dean, ‘The age of anxiety: what does Granta’s best young authors list say about America?‘ in The Guardian

Fiona McFarlane took The Dylan Thomas Prize for her short story collection The High Places, Maylis de Kerangal won The Wellcome Book Prize, and Sarah Perry and Kiran Millwood-Hargrave were winners at The British Book Awards. While Kit de Waal and Rowan Hisayo Buchanan were shortlisted for The Desmond Elliott Prize.

Chris Kraus and I Love Dick are having a moment:

• Kraus is interviewed in The Guardian and on Hazlitt with Sarah Gubbins
• Rachel Syme, ‘The Liberating Obsessiveness of I Love Dick‘ in New Republic
• I don’t usually link to book reviews but ‘Reviewing this book put me off marriage. And book reviewing‘ by Anakana Schofield is a brilliant piece of writing in its own right and is about Kraus’ novel Torpor.

And The Handmaid’s Tale has generated even more pieces:

• haettinger, ‘I Grew Up In A Fundamentalist Cult — ‘The Handmaid’s Tale’ Was My Reality‘ on The Establishment
• Megan Garber, ‘The Handmaid’s Tale Treats Guilt as an Epidemic‘ on The Atlantic
• Priya Nair, ‘Get out of Gilead: Anti-Blackness in The Handmaid’s Tale‘ on Bitch Media
• Kayla Chadwick, ‘The Biggest Lesson Of The Handmaid’s Tale? Silence Is Complicity.‘ on the Huffington Post
• Nora Caplan-Bricker, ‘One Sly Lesson of The Handmaid’s Tale:Appreciate the Messy Feminism We Have Now‘ on Slate
• Elizabeth Day, ‘What the Handmaid’s Tale taught me about being a woman‘ on The Pool
• Laura Hudson, ‘The Handmaid’s Tale: The Biggest Changes From the Book‘ on Slate
• Alexandra Schwartz, ‘Yes, “The Handmaid’s Tale” Is Femininst‘ in The New Yorker
• Soraya Nadia McDonald, ‘In “Handmaid’s Tale” a postracial, patriarchal hellscape‘ on The Undefeated
• Various, ‘“Margaret Atwood Made a Feminist Out of Me”: 12 Authors on The Handmaid’s Tale‘ in Elle
• Stacey D’Erasmo, ‘On Power Between Women: The Handmaid’s Tale Revisited‘ on Catapult
• Jamie Lincoln, ‘The Handmaid’s Tale: The Hidden Meaning in Those Eerie Costumes‘ on Vanity Fair

The best of the rest:

On or about books/writers/language:

• Emily Gould, ‘My Bad Parenting Advice Addiction‘ on Longreads
• Jenny Landreth, ‘Water Women: Jenny Landreth’s Swell and the Female Swimmers Who Changed the World‘ on the Waterstones’ blog
• Heather Corcoran, ‘One thing Amazon got wrong about “I Love Dick” (and women)‘ on Slate
• Judith Newman, ‘Dear Book Club: It’s You, Not Me‘ in The New York Times
• Susanna Basso (translated by Matilda Colarossi) ‘Lessons in Slowness‘ on Asymptote
• Rafia Zakaria, ‘The Lizzie Borden murder industry won’t die – but its feminism has‘ in The Guardian
• Elizabeth Alsop, ‘What Ferrante learned from Woolf‘ in The TLS
• Caren Lissner, ‘That Time a Guy Asked Me to Channel My Novel’s Protagonist On Our Creepy First Date‘ on Narratively
• Barbara Browning, ‘The Lie in My Novel‘ on Catapult
• Sarah Menkedick, ‘The Blue Jay’s Dance‘ in The Paris Review
• Sarah Menkedick, ‘The Book and the Baby‘ on Vela
• Meghan Daum, ‘What Makes a House a Home‘ on Literary Hub
• Alexandra Schwartz, ‘The Art and Activism of Grace Paley‘ in The New Yorker
• Kathryn Hughes, ‘George Eliot: is this a new portrait of the author as a young woman?‘ in The Guardian
• Lisa McInerney, ‘Don’t tell me that working-class people can’t be articulate‘ in The Guardian
• Emily Ballaine, ‘Bookselling in the 21st Century “Please Don’t Touch Me”‘ on Literary Hub
• Lisa Ko, ‘Not Finishing My Novel Would’ve Ruined My Life‘ on Literary Hub
• Hope Nicholson, ‘The fury and the fashion: comic-book heroines down the years‘ in The Guardian
• Helena Kelly, ‘The Many Ways in Which We’re Wrong About Jane Austen‘ on Literary Hub
• Jenni Fagan, on her path to publication on Dewar Art Awards
• Lorraine Berry, ‘on Didion, the South, and Race‘ on Essay Daily
• Rachel Rhys, ‘on writing a community of strangers‘ on The Literary Sofa
• Sarah Hughes, ‘‘She gave her mother 40 whacks’: the lasting fascination with Lizzie Borden‘ in The Guardian
• Nicola Streeten, ‘Drawn from history‘ in The TLS
• Sydney Moore, ‘Were women accused of witchcraft the first Essex Girls?‘ on The Pool
• Ever Dundas, ‘The Problems with Gender and Language‘ on The Skinny
• Danuta Kean, ‘Crossing the Line of Duty: why novels would never get away with TV’s crimes‘ in The Guardian
• Claire Cameron, ‘Why You Shouldn’t Get into a Fight with Jane Smiley‘ on Literary Hub
• Sunny Singh, ‘MP accuses BAME book prize of discrimination‘ on Media Diversified
• Kristen Arnett, ‘The Queer Erotics of Handholding in Literature‘ on Electric Literature
• Danuta Kean, ‘Why Brit crime fiction is paying international dividends‘ in The Guardian
• Nell Stevens, ‘Elizabeth Gaskell: Charlotte Brontë’s unlikely defender against prurient gossip‘ in The Guardian
• Sisonke Msimang, ‘All your faves are problematic: A brief history of Chimamanda Ngozi Adichie, stanning and the trap of #blackgirlmagic‘ on Africa Is a Country
• Rafia Zakaria, ‘A publisher of one’s own: Virginia and Leonard Woolf and the Hogarth Press‘ in The Guardian
• Laura Lam, ‘Gender-fluid Fiction: False Hearts Author on Breaking Stereotypes‘ on Waterstones’ Blog
• Dani Shapiro, ‘Writing About Marriage When You Want to Stay Married‘ on Catapult

Personal essays/memoir:

• Linda Mannheim, ‘Searching for the Internment Camp Where My Father Was Held‘ on Catapult
• Sarah Maria Griffin, ‘This Is What It’s Like To Have Sleep Paralysis‘ on Buzzfeed
• Caity Weaver, ‘My 14-Hour Search for the End of TGI Friday’s Endless Appetizers‘ on Gawker
• Ashley C. Ford, ‘My Father Spent 30 Years In Prison. Now He’s Out.‘ on Refinery29
• Eva Dillon, ‘My Father’s Secret Life as a Cold War Spy‘ on Literary Hub
• Stacy Torres, ‘The Admission‘ on Longreads
• Lisa Ko, ‘How I Learned To Live With A Chronic Skin Condition‘ on Buzzfeed
• Laura Turner, ‘On Miscarriage, Anxiety, and the Burden of Hope‘ on Catapult
• Julia Kingsford, ‘Aspergers and Asparagus‘ on Medium
• Sari Botton, ‘Hit Eject‘ on Longreads
• Kat Lister, ‘It’s essential that I tell you about my miscarriage‘ on The Pool
• Marie Myung-Ok Lee, ‘J. Stands Up‘ in The Paris Review
• Erin Chack, ‘My Boyfriend Isn’t My Soulmate, He’s My Carrot‘ on Buzzfeed
• Jennifer Hope Choi, ‘I Filmed The End Of My Parents’ Marriage‘ on Buzzfeed
• Zing Tsjeng, ‘My 14-Year-Old Cousin Taught Me How to Be a Cool Teen‘ on Broadly
• Betty Ann Adam, ‘How I lost my mother, found my family, recovered my identity‘ in Saskatoon Star Phoenix
• Clarissa Wei, ‘The Struggles of Writing About Chinese Food as a Chinese Person‘ on Munchies
• Lyz Lenz, ‘Lead Me On‘ on Hazlitt
• Eloghosa Osunde, ‘Don’t Let It Bury You‘ on Catapult
• Erin Kelly, ‘Learning to be a red lipstick kind of person‘ on The Pool
• Elisabeth Geier, ‘The Nostalgia of the Neighborhood Hardware Store‘ on Okey-Panky

Feminism:

• Nimco Ali, ‘I’m a Women’s Equality Party candidate – here’s why I’m standing against a female Labour MP‘ on The New Statesman
• Jess Zimmerman, ‘Dove’s dumb body wash bottles are an answer to a question nobody asked‘ in The Washington Post
• Eleanor Margolis, ‘Thanks Dove! Now I will finally stop comparing myself to the perfect form of a soap bottle‘ in The New Statesman
• Becca Andrews, ‘As a Girl, I Went Through Abstinence Ed. As a Woman, I’m Trying to Understand the Damage Done.‘ on Mother Jones
• Jenny Landreth, ‘Heroic British women swimming figures who deserve statues‘ in The Guardian
• Sady Doyle, ‘“Stealthing” Is Not a Trend. It’s Sexual Assault‘ in Elle
• Amy Hatvany, ‘I Taught My Son How Not to Be a Rapist‘ in Harper’s Bazaar
• Jess Zimmerman, ‘The Monstrous Female Ambition of the Harpy‘ on Catapult
• Danielle Dash, ‘Serena Williams and Black Pregnancy‘ on Danielle Dash
• Hawa Allen, ‘Becoming Meta‘ on Longreads

Society and Politics:

• Zoe Samudzi, ‘Who Are You and What Do You Really Know?‘ on The New Enquiry
• Masha Gessen, ‘The Autocrat’s Language‘ in The New York Review
• Maya Binyam, ‘Spell-Check Nation‘ on The New Enquiry
• Carla Bruce-Eddings, ‘Creating a Community for My Black Daughter‘ in The Cut
• Carole Cadwalladr, ‘The great British Brexit robbery: how our democracy was hijacked‘ in The Guardian
• Jessica Wapner, ‘Austin, Indiana: the HIV capital of small-town America‘ on Mosaic
• Nesrine Malik, ‘I Am Not Your Muslim‘ on NPR
• Javaria Akbar, ‘In praise of smelly food‘ on The Pool
• Rebecca Solnit, ‘Facing the Furies‘ in Harper’s
• Katherine Fidler, ‘How it feels when your research is used to justify disability benefit cuts‘ in The New Statesman
• Chimene Suleyman, ‘Britain is still searching for Maddie – why don’t we care about missing children of colour?‘ in International Business Times
• Julia Rampen, ‘View from Paisley: How the Conservatives are wooing Labour’s Scottish heartlands‘ in The New Statesman
• Rachel Monroe, ‘How rich hippies and developers went to war over Instagram’s favourite beach‘ in The Guardian
• Emma Green, ‘How Two Mississippi College Students Fell in Love and Decided to Join a Terrorist Group‘ on The Atlantic
• Irin Carmon, ‘If abortions become illegal, here’s how the government will prosecute women who have them‘ in The Washington Post
• Nina Caplan, ‘Beware of tea: the cuppa has started wars and ruined lives’ in The New Statesman
• Jess Phillips, ‘May says this is about stability. She should meet my constituents‘ in The Guardian
• Santilla Chingaipe, ‘Hair and social inclusivity‘ on The Saturday Paper
• Megan Garber, ‘Are We Having Too Much Fun?‘ in The Atlantic
• Ruth Whippman, ‘Work/life integration? No, thanks – I’d rather have balance‘ on The Pool

Film, Television, Music, Art, Fashion and Sport:

• Caity Weaver, ‘Dwayne Johnson for President!‘ in GQ
• Anna Leszkiewicz, ‘“I’m only human”: the rise and rise of male singers who cannot take criticism‘ in The New Statesman
• Helen Lewis, ‘From wars to power ballads: the geopolitics of Eurovision‘ in The New Statesman
• Sophie Gilbert, ‘What Does a Girlboss Look Like?‘ on The Atlantic
• Jude Rogers, ‘Bananarama – the ultimate British girl band – is back‘ on The Pool

The interviews/profiles:

• Joanna Ruocco in The Paris Review
• Dorothy Allison on Lenny
• Meg Howrey on Electric Literature
• Patricia Lockwood on The Pool, Literary Hub and The Observer
• Alyssa Cole on Jezebel
• Jess Arndt in The Cut
• Claudia Rankine on Literary Hub
• Dana Schwartz on Electric Literature
• Hala Alyan on Electric Literature
• Stephanie Powell Watts on Literary Hub
• Doree Shafrir on Hazlitt
• Edan Lepucki on The Millions
• Scaachi Koul on Hazlitt
• Olivia Sudjic in Vogue
• Irenosen Okojie on Medium and Minor Literature[s]
• Fiona Melrose on Short Story Day Africa
• Naomi Alderman in The New Statesman
• G. Willow Wilson in The New Yorker
• Kate Tempest in The Guardian
• Paula Cocozza in The Hackney Gazette
• Anne Elizabeth Moore on Literary Hub
• Claire Cameron on The Millions
• Lise Gaston on All Lit Up
• Sally Rooney on Short Story Award
• Lidia Yuknavitch on The Rumpus
• Monica Youn on Dive Dapper
• Morgan Parker in The New Yorker
• Amy Liptrot on Literary Hub
• Diane Schoemperlen on Queen Mob’s Tea House
• Jessie Burton in The TLS
• Aliette De Bodard on SciFiNow
• Elizabeth Strout in The New Yorker

The regular columnists:

• Ijeoma Oluo on The Establishment
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Caitlin Moran in The Times
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media: October 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

A woman didn’t win The Man Booker Prize this year but there was still some interesting coverage of the prize and the shortlisted writers:

• Deborah Levy interviewed in the New Statesman
• Marta Bausells, ‘The Rise of the Small Press on the Man Booker Shortlist‘ on Literary Hub
• Ottessa Moshfegh interviewed on the Penguin Blog and in The New Yorker
• ‘How to write a Man Booker novel: six shortlisted authors share their secrets‘ in The Guardian
• Marta Bausells, ‘Inside the World of Judging the Man Booker Prize‘ on Literary Hub

The best of the rest:

On or about books/writers/language:

• Zadie Smith, ‘Dance lessons for writers‘ in The Guardian
• Dave McKenna, ‘The Writer Who Was Too Strong To Live‘ on Deadspin
• Jane Bernstein, ‘How I Helped Tell a Soldier’s Story‘ on Literary Hub
• Emily St. John Mandel, ‘The Gone Girl With The Dragon Tattoo On The Train‘ onFiveThirtyEight
• Megan Marshall, ‘Elizabeth and Alice‘ in The New Yorker
• Rachel Vorona Cote, ‘Are You an Anne Shirley or an Emily Starr?‘ on Literary Hub
• Seo Hee Im, ‘Sex, violence and The Vegetarian: the brutality of Han Kang’s Booker winner‘ in The Guardian
• Sara Nović, ‘Who Can Speak for the Deaf Community‘ on Literary Hub
• Rachael Nevins, ‘Fall to Pieces: On Elena Ferrante and My Own Frantumaglia‘ on Hazlitt
• Maddie Rodriguez ‘Anne Brontë, Anger, and the Resonance of Assault in the Tenant of Wildfell Hall‘ on BookRiot
• Shelley DeWees, ‘The Publisher Who Rejected Jane Austen‘ on Literary Hub
• Eleanor Brown, ‘‘I like the way he kisses my hand’: My grandmother’s life in jazz age Paris‘ in The Guardian
• M.L. Stedman, ‘On First Seeing Your Novel on the Big Screen‘ on Literary Hub
• Chloe Caldwell, ‘What I Think of the Fact That You Keep Asking Me What My Family Thinks of My Writing‘ on Catapult
• Sarah Schulman, ‘White Writer‘ in The New Yorker
• Sarah Hughes, ‘Shirley Jackson: the US queen of gothic horror claims her literary crown‘ in The Observer
• Ali Smith, ‘Ali Smith on the prime of pop artist Pauline Boty‘ in The Guardian
• Leah Schnelbach, ‘Imaginative Anthropology: In Celebration of Ursula K. Le Guin‘ on Tor.Com
• Nneka Okona, ‘On Travel Memoirs by Black Women Writers‘ on Literary Hub
• James Lasdun, ‘How Patricia Highsmith’s Mr Ripley Rises from Genre to Myth‘ on Literary Hub
• Wendy Jones, ‘What was really going on with English women?‘ in The Guardian
• MariNaomi, ‘The Making of a Comics Memoir‘ on Catapult
• Margaret Drabble, ‘I am not afraid of death. I worry about living’ in The Guardian
• Meg Elison, ‘If Women Wrote Men the Way Men Write Women‘ on McSweeney’s Internet Tendency

Personal essays/memoir:

• Sarah Thomas, ‘Inheritance and Time Travel‘ on Catapult
• Ciara O’Rourke, ‘The Other Sister‘ in Seattle Met
• Michelle Tea, ‘A Walking Tour Of The Places Where I Hit Rock Bottom‘ on Buzzfeed
• Dianca Potts, ‘Hallowed Hell House‘ on Lenny
• Alyssa Martino, ‘Vacancies‘ on Catapult
• Eli Goldstone, ‘Bad Dreams‘ on Granta
• Jodi Ettenberg, ‘Learning to Cope With Chronic Pain (And Why I’m Establishing a Home Base)‘ on Legal Nomads
• Mila Jaroniec, ‘Imprecise Magic‘ on Lenny
• Stephanie Land, ‘The Love of a Thousand Muskoxen: Grieving a Love Lost to Time and Sickness‘ on Longreads
• Sonia Weiser, ‘Scrabble With My Mum‘ on Catapult
• Nimko Ali, ‘What does it feel like to flee war as young child?‘ on The Pool
• Kelsey McKinney, ‘The Art of the Box Score‘ on Hazlitt
• Melissa Matthewson, ‘On Coupling: An Inventory‘ in Guernica
• Nadja Spiegelman, ‘When Beauty Makes You Vulnerable‘ on The Cut
• Emily Alford, ‘How Makeup Helped Me Reclaim My Face‘ on Buzzfeed
• Elizabeth Lindsey Rogers, ‘Learning to Embrace Guanxi: On Living Communally in China‘ on Literary Hub
• Niina Pollari, ‘Minor Gains‘ on Catapult
• Amani Al-Khatahtbeh, ‘On Being the Media’s Token Muslim Girl‘ on The Cut
• Lily Dunn, ‘The Fog and the Sea‘ on Granta
• Sonya Chung, ‘How I Learned That Beauty Doesn’t Have To Hurt‘ on Buzzfeed
• JD Ho, ‘Vegetables for a Dead President‘ on Catapult
• Rushaa Louise Hamid, ‘How I Found Myself When My Skin Changed Its Identity‘ on Buzzfeed

Feminism:

• Bibi Lynch, ‘Do not brand me a failure. I’m a survivor. All unhappily childless people are’ in The Guardian
• Heather Skyler, ‘The Boy Who Groped Me and the Flute Case That Saved Me‘ on Catapult
• Liz Meriwether, ‘Laughing Until We Cry: Conversations About Getting Flashed, Grabbed, and Groped‘ on The Cut
• Rachel Klein, ‘When the Body Breaks its Silence‘ on Catapult
• Andrea Bennett, ‘Chain Reaction‘ on Masionneuve
• Lynn Enright, ‘Why does it feel awkward to admit you’re on a diet?‘ on The Pool
• Sophie Wilkinson, ‘Addressing the toxic combination of misogyny and homophobia‘ on The Pool
• Laurie Penny, ‘Fear of a Feminist Future‘ on The Baffler
• Daisy Buchanan, ‘When women are surrounded by misogyny, they are going to internalise it‘ on The Pool

Society and Politics:

• Molly Ball, ‘Trump’s Graying Army‘ on The Atlantic
• Emma Bracy, ‘We Are Always Defined From a Distance‘ on Hazlitt
• Gaby Hinsliff, ‘Are we now persecuted for speaking up for the vulnerable?‘ on The Pool
• Ijeoma Oluo, ‘I’m not ready for the Obama era to end‘ in The Guardian
• Eimear McBride, ‘Brexit has disfigured the tolerant Britain I’ve known‘ in The Guardian
• Alex Wagner, ‘Marriage After Trump‘ on The Atlantic
• Chimamanda Ngozi Adichie, Gloria Steinem and Rashida Jones, ‘To the First Lady, With Love‘ in The New York Times
• Molly Ball, ‘In Ferguson, the Seeds of Trump’s Defeat‘ in The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Gabrielle Bellot, ‘Hayao Miyazaki and the Art of Being a Woman‘ on The Atlantic

The interviews/profiles:

• Naomi Alderman on The Writes of Woman and in The Guardian
• Vanessa Hua in The Los Angeles Review of Books
• Belle Boggs and Monica Youn on Literary Hub
• Toni Morrison on Literary Hub
• Emma Donoghue on Lenny
• Emily Witt on Literary Hub
• Therese Oneill on Salon
• Larissa Pham on Electric Literature
• Jess Kidd on Jo Hogan Writes
• Irenosen Okojie in 3:am Magazine
• Hannah Hart on Hello Giggles
• Claudia Rankine in The Guardian
• Joanna Kavenna on Literary Hub
• Britt Bennett on The Rumpus
• Zadie Smith in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

My Plans for #ReadDiverse2016

I don’t do New Year resolutions. I learnt some years ago that those vague statements – I’m going to do more exercise/eat less/learn a language – don’t last beyond mid-January. But goals do, at least specific ones you can work towards and extend, if necessary, or not beat yourself up about if you don’t quite fulfil them do.

Last year, I set a goal to read more books by women of colour. I joined Eva Stalker’s #TBR20 project with the caveat that I’d continue to read review copies I was sent as well. I still haven’t completed all the reviews of those books yet but the main effect it had was I paid attention to what I was reading, specifically who the writer was. In 2014 10% of my reading was by writers of colour, in 2015, it was 32%. The unintended consequence of this, however, is that the number of books I read by writers from LGBTQIA communities plummeted from 6% to 0.5% and books in translation from 11% to 0.6%. (The latter was partly a consequence of me not really taking part in #WITMonth due to personal circumstances but still, it’s poor.)

The plan for this year then: more reviews of books by women of colour; more reviews of books by women who identify as LGBT; a proper focus on women in translation in August.

I’m aiming for 50% of my reviews to be of books by women of colour. I’ve changed the focus from the percentage I’m reading with the intention of even coverage on here. What I noticed last year was that although I was reading books from my #TBR20 stack, when I got back to reading and reviewing after my break in the summer, I was focusing on books by white women, the ‘big titles’. As a consequence, I have a stack of review copies by women of colour. These are now at the top of the pile.

I’ve also created a new #TBR20 pile focusing on writers from the LGBT communities. And here they are…

Half of the books (those on the left, except Anaïs Nin who appears to be in the wrong pile) are by women of colour. I used several sources to help me compile the list: More than 50 books by Queer People of Color by zarahwithaz; 10 Novels & Memoirs By and About Black Lesbian, Bisexual and Queer Women on Autostraddle;100+ LGBTQ Black Women You Should Know: The Epic Black History Month Megapost also on Autostraddle, and the Wikipedia list of LGBT Writers.

Elsewhere, you might have seen on social media that Media Diversified have created Bare Lit Festival (@BareLit). ‘A literary festival focused entirely on writers of colour’, which will run from the 26^th – 28^th February 2016.

We want to counteract the trend of equating literary merit with whiteness by highlighting the amazing variety of work currently being produced by BAME writers. That’s why we’ve put together an exciting programme of performances, panels and conversations — such as ‘Second-Generation Poets in Exile’, ‘What Does Liberation in Literature Look Like?, Sci Fi vs. Afrofuturism’ and much more.

I’ve already bought my weekend pass and you can support the festival by buying passes or single event tickets now and helping them to raise the cost of running the event. Find out more on their Indiegogo page.

Mention of Media Diversified brings me to this interesting piece, posted a couple of days ago: Decolonise, not Diversify by Kavita Bhanot. I agree with everything she says.

Speaking only for myself, I didn’t get involved with #diversedecember because I thought it would change the world but I did hope it might lead some people to question their world view or the view the white-dominated world imposes upon us.

During December, Salena Godden (@salenagodden) posted a video of her performing her new poem ‘I Count’. ‘I have become a woman that counts…’ she begins. Yep. I became a woman that counts when I started this blog. I don’t think it’s a solution and it’s certainly not going to bring about one on its own, but while ever white/male/hetero/cis domination exists, I’ll count. For me, #ReadDiverse2016 (@ReadDiverse2016) is about hoping you’ll join in that count too.

In the Media: 26th April 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

This week’s been all about friendship. The Cut declared it Friends Forever Week and ran a series of articles including, ‘The Friend Who Showed Me the Life I Could Have Had‘ by Nell Freudenberger; Emily Gould wrote, ‘Envy Nearly Wrecked My Best Friendship‘; Carina Chocano, ‘9 Friends Who Made Me Who I Am‘; Heather Havrilesky, ‘The Friend I’ve Been Fighting With for 20 Years‘; ‘Clique-Stalking: Instagram’s Greatest Social Pleasure‘ by Maureen O’Connor, and ‘25 Famous Women on Female Friendship‘. While Megan O’Grady wrote ‘This Spring’s Literary Subject May Have You Calling Your Pals‘ in Vogue; Lauren Laverne says ‘It’s time to rehabilitate matchmaking‘ in The Pool, Sulagna Misra writes ‘How Captain America Helped Me Make Friends in the Real World‘ on Hello Giggles and Leesa Cross-Smith writes, ‘Broken Friendships & Knowing All Too Well‘ on Real Pants.

If you’re still to discover it, one of my favourite blogs Something Rhymed covers friendships between female writers and is run by two female writers who are also best friends, Emma Claire Sweeney and Emily Midorikawa. On the site this week, ‘Crying Tears of Laughter: Irenosen Okojie and Yvette Edwards‘.

And then there’s the Amy Schumer sketch with Julia Louis-Dreyfus, Patricia Arquette and Tina Fey celebrating Louis-Dreyfus’ ‘Last Fuckable Day’. If you haven’t seen it yet, you must watch it RIGHT NOW! And when you’ve done that you can read Eleanor Margolis, ‘This Inside Amy Schumer sketch about the media’s treatment of “older” women is perfect‘ in the New Statesman and/or Lynn Enright, ‘Hollywood actresses skewer sexism and ageism brilliantly‘ in The Pool.

Unfortunately, it’s also been about Twitter trolls: Soraya Chemaly wrote in Time, ‘Twitter’s Safety and Free Speech Tightrope‘; Fiona Martin wrote ‘Women are silenced online, just as in real life. It will take more than Twitter to change that‘ in The Guardian; Sali Hughes wrote, ‘Trolls triumph by shutting down women’s voices‘ in The Pool

Congratulations to Yiyun Li who became the first woman to win the Sunday Times short story award and to Emily Bitto who won The Stella Prize this week.

In this week’s Harper Lee news, ‘Reese Witherspoon set to record Harper Lee’s new novel‘ reports Alison Flood in The Guardian.

And the woman with the most publicity this week is Kate Bolick, author of Spinster: Making a Life of One’s Own, who writes ‘How Writers Can Grow by Pretending to Be Other People‘ in The Atlantic, and is interviewed on Slate, in Cosmopolitan and on Longreads. While Stephanie Gorton Murphy writes, ‘The Uneasy Woman: Meghan Daum, Kate Bolick, and the Legacy of Ida Tarbell‘ on The Millions.

The best of the rest:

On or about books/writers/language:

• Doireann Ní Ghríofa, ‘on writing Clasp and what became of Airt Uí Laoghaire’s horse‘ in The Irish Times
• Ali Smith, ‘on Public Libraries‘ in The Independent
• Anne Milano Appel, ‘Skirting the Juniper Brambles: A Translator Narrowly Misses Getting Trapped in the Copyright Thicket‘ on Publishing Perspectives
• Anne Boyd Rioux, ‘Creating the Literary World of the Future: A Response to VIDA’s Recommendations‘ on The Millions
• ‘“Can You Think About Rising?” A year after the firings of two top women editors, four journalism leaders discuss the challenges of editing while female‘ in Politico
• Sage Stossel, ‘Writers who are also mothers‘ in The Boston Globe
• Lindsay Merbaum, ‘Not a Real Writer: How Self-Doubt Holds Me Back‘ on Electric Literature
• Caitlin White, ‘J.K. Rowling’s New Robert Galbraith Novel Is Coming, and Her Announcement Proves Again Why She’s the Queen of Twitter‘ on Bustle
• Moira Redmond, ‘The Girl on the Train – and other express encounters in literature‘ in The Guardian
• Sarah Winman, ‘What it means to be a reader‘ on Waterstones’ blog
• Elizabeth Andre, ‘Now Writing Is for Extroverts Too‘ on The Rumpus
• Ann Patchett, ‘Owning a bookstore means you always get to tell people what to read‘ in The Washington Post
• Norah Vincent, ‘On the Subject of My Suicide‘ on Literary Hub
• Rosy Edwards, ‘Why You Should Never Read Your Reviews, and it’s Not the Reason You Think‘ on the Huffington Post
• James Parker, ‘Renata Adler: Troll or Treasure?‘ in The Atlantic
• Alice Stephens, ‘Behind in the Count‘ in the Washington Independent Review of Books
• Elif Shafak, ‘Books were my crazy, wise companions in a conservative world‘ in The Pool
• Leslie Wilson, ‘Writing Last Train from Kummersdorf – A Little Bit of My Soul‘ on The History Girls blog
• A Celebration of Reading, by Outside the Box: Women Writing Women on Jane Davis’ website
• Concepta Cassar, ‘Food For Thought: What Montaigne Can Teach Us About Ultraprocessed Foods‘ on Litro
• Robin Black, ‘What’s So Great About Young Writers?‘ in The New York Times
• Sulagna Misra, ‘The Everyday Matters of Superheroes, Part I: Civil War, Marvel Nine Nine, and Dwayne McDuffie‘ and ‘The Everyday Matters of Superheroes, Part II: Jane Austen, AUs, and Pacific Rim‘ in The Toast
• Amanda Holmes, ‘Reading Wuthering Heights with Juvenile Offenders‘ on Women Writers, Women’s Books
• Melissa Harrison, ‘How to get down to grips with writing a book? Take a walk on the wild side‘ in The Guardian
• Sunili, ‘Reading as Revolution: Why I’m still banging on about People of Colour and Literature‘ on Medium
• Kelly Jensen, ‘A Conversation About Girls’ Stories with Laurie Halse Anderson and Courtney Summers‘ on Bookriot

• Mallory Ortberg, ‘How To Tell If You Are In A Shirley Jackson Story‘ in The Toast
• Arifa Akbar, ‘A foreign language can make sex scenes read better‘ in The Independent
• Rene Denfeld, ‘Books Saved Me‘ on Waterstones’ blog
• Michelle Dean, ‘Race, wit and mansplaining: female authors debate at Los Angeles books festival‘ in The Guardian
• Genevieve Cogman, ‘Women in SF&F Month‘ on Fantasy Cafe
• Taylor Sperry, ‘Readers may binge, but they do not purge‘ on Melville House
• Jessamyn West, ‘Kind of a Big Deal: What it’s like to be a famous librarian‘ on Medium
• Kamila Shamsie, ‘How I Began to Read‘ on Yahoo News India
• Harriet Mallinson, ‘Is romantic fiction a dangerous passion?‘ in The Guardian
• Courtney Maum, ‘Why Being A Debut Author Isn’t Exactly A Dream Come True‘ on Buzzfeed
• Joanna Walsh, ‘Kathy Acker’s pioneering adventures in the internet’s erogenous zone‘ in The Guardian
• Danielle Lazarin, ‘Where Are the Female Lit Mag Editors? Here.‘ on The Review Review
• Caitlin Moran, ‘What Have They Done to My Library?‘ on Nosy Crow
• Emily Beber, ‘Passed over to a broken machine: on Claire Potter’s Mental Furniture‘ in 3AM: Magazine
• ‘Glamorous and Bold: The Story of the First Black Female Cartoonist‘ on Black Then
• Bronte siblings bicentenary plans announced on the BBC
• Alissa Wilkinson, ‘The Power of Confession‘ in Pacific Standard
• Jonathan Shia, ‘Alison Bechdel: The Bechdel Test “Has Been a Very Strange Turn in My Life”‘ on Vulture
• Kaitlyn Greenidge, ‘The Riotous Power of Toni Morrison‘ in VQR
• Melissa Moorer, ‘This Writer is on Fire: Cathy Linh Che‘ in The Butter
• Alyssa Cole, ‘History in Color: A Black American Romance Roundtable‘ in The Toast
• Paul Kerschen, ‘Sour, Salty, Bitter, Spicy, Sweet: On Can Xue and Five Spice Street‘ in Music & Literature
• Alexander Chee, ‘From Potter to Tartt To Ferrante: How We Came to Love the Multi-Volume Novel‘ on Literary Hub
• Rachel Joyce, ‘In my head, books are always competing with real life‘ in The Telegraph
• Anna James, ‘Slew of second novels set for this summer‘ in The Bookseller
• Alison Flood, ‘Report finds UK books world has marginalised and pigeonholed ethnic minorities‘ in The Guardian

Personal essays/memoir:

• Hayley Webster, ‘I love cemeteries and memorial gardens…I need to see the evidence someone existed‘ on her website
• Ashley C. Ford, ‘I Moved to New York on Crutches’ on Femsplain
• Jo Hogan, ‘Heartbeats and Heartbreak‘ on her blog
• Lisa Grunwald, ‘The Art of Being Apart‘ in the New York Times
• Anna Feintuck, ‘Making sense of the city‘ on Scottish Book Trust
• Edwidge Danticat, ‘Without Her‘ in The New York Times
• Cal Flyn, ‘How do you acknowledge a shameful heritage?‘ in The Pool
• Sadie Stein, ‘Shying‘ in The Paris Review
• Abby Kloppenberg, ‘Small Talk: Intimacy Doesn’t Require Two People, Does It?‘ on Medium
• Heidi Julavits, ‘Turning Clutter Into Joy‘ in The New York Times
• Robyn Wilder, ‘How motherhood messes with your identity‘ in The Pool
• Leah Reich, ‘The Princess Who Learned To Lock Her Heart Away‘ on Medium
• Madhurima Chakraborty, ‘By Any Other Name‘ on The Hairpin
• Nicole Soojung Callaghan, ‘First Steps: Searching for My Birth Family‘ in The Toast
• Anastasia Selby, ‘The Day Before Thanksgiving I Got an Abortion‘ on Weird Sister
• Bridget Foley, ‘“I am not supposed to be alone. I am one of a pair”‘ on Salon
• Kelly Davio, ‘The Waiting Room: There Was That One Time‘ in The Butter
• Alexandra Neuman, ‘Tampon‘ on The Fem
• Pia Ehrhardt, ‘Inpatient, Outpatient‘ in The Butter
• Jess Bergman, ‘Letters to Anita: On My Grandmother’s Legacy‘ in The Toast
• Dini Karasik, ‘A Country Called My Mother‘ in The Butter
• Claire Greaves, ‘How Am I? Honestly!‘ on the Huffington Post
• Laura Turner, ‘The Claustrophobia of Fear‘ on Medium

Feminism:

• Caitlin Moran, ‘on Getting Her Legs Out‘ on The Pool
• Maanvi Singh, ‘See Priya Cook: Gender Bias Pervades Textbooks Worldwide‘ on NPR
• Margaret Corvid, ‘Moving on from the “happy hooker”: why I love my job as a sex worker‘ in the New Statesman
• Adeline Ginn, ‘Why Do Fewer Women Vote?‘ on the Huffington Post
• Anonymous, ‘I had an abortion because of extreme morning sickness. Spare others that pain‘ in The Guardian
• Camille Beredjick, ‘When A Queer Woman Counts Calories‘ on Buzzfeed
• Jetta Rae, ‘The Incidental Activism Of My Going Outside‘ on Ravishly
• Nilanjana S Roy & Radhaben Garva, ‘Painting the Women’s Movement‘ in Granta
• Jane C. Hu, ‘Gal Science: What Is Female Brain?‘ in The Toast
• Jamie Lauren Keiles, ‘Acceptable Catcalls‘ on The Awl
• Suzanne Moore, ‘Wanting to be liked won’t earn you respect‘ in The Pool
• Imogen Fox, ‘Sideburns for women: get in the loop‘ in The Guardian
• June Carbone and Naomi Cahn, ‘The Marriage Calculus‘ in Aeon
• Polly Neate, ‘Domestic Abuse Can Deny Women Their Vote – Here’s How‘ on the Huffington Post
• Alexandra Heminsley, ‘Paula Radcliffe’s final marathon‘ in The Pool

Society and Politics:

• Bim Adewunmi, ‘An Article About Black Women Shouldn’t Have To Come With A Warning Label‘ on Buzzfeed
• Rachel Munroe, ‘Have You Ever Thought About Killing Someone?‘ on Medium
• Kim Brooks, ‘The Struggle To Reclaim Parenting‘ on Buzzfeed
• Sarah Stillman, ‘Where Are the Children?‘ in The New Yorker
• Amanda Ripley, ‘The Upwardly Mobile Barista‘ in The Atlantic
• Tyler Wetherall, ‘Female distillers prove women know their alcohol – and always have‘ in The Guardian
• Amy Merrick, ‘Designing for Disability‘ in The New Yorker
• Paula Cocozza, ‘Unlike Matilda Kahl, I enjoy making decisions on what to wear every morning‘ in The Guardian
• Beejoli Shah, ‘My Bindi Is Not Your Bindi‘ on The Frisky
• Zakia Uddin, ‘What It’s Like Speaking A Different Language From Your Parents‘ on Buzzfeed
• Elizabeth Minkel, ‘From Nate Silver to #Milifans: welcome to the age of political fandom‘ in the New Statesman
• Sophie Heawood, ‘How hard can it be to cancel a mobile phone or satellite TV contract?‘ in The Guardian
• Lo Kwai Mei-en, ‘Reports from the Field– Speak Test: The Silencing of the Racialized Body‘ on VIDA
• Chimene Suleyman, ‘From Boyle to May, Immigration, as it turns out, has done rather well on providing jobs‘ on Media Diversified
• Eleanor Margolis, ‘No more “gal pals”: why do we assume lesbians are confused, attention-seeking, or man-boycotting straight women?‘ in the New Statesman
• Kristina Kay Robinson, ‘What’s Old Is New Again‘ in Guernica
• Morgan Meaker, ‘How has Britain’s most deprived community fared under the coalition?‘ in the New Statesman
• Marcia Rigg, ‘I Am Tired of Reports and Recommendations – What We Need Is a Culture Change in Attitudes Towards Mental Health‘ on the Huffington Post
• Natalie Bennett, ‘It’s Time for the UK to Stand Up for Migrants‘ on the Huffington Post
• Natasha Devon, ‘I’m a size 14 to 16, and Jamelia doesn’t think I should be able to shop for clothes that fit me – is she ok?‘ in The Independent
• Caroline Criado Perez, ‘Why don’t you care who made your clothes?‘ in the New Statesman
• Rachel Shabi, ‘Britain must help stop the human tragedy in the Mediterranean‘ in the Evening Standard
• Jameela Jamil, ‘Thank God I’m Not Jamelia‘ on the Huffington Post
• Rhiannon Lucy Cosslett, ‘Hooray for the Milifans. They can change the world for the better‘ in The Guardian
• Lauren Smiley, ‘What Strippers Can Teach Uber‘ on Medium
• Angela Flournoy, ‘When Black Neighbourhoods Disappear‘ on Literary Hub
• Joanna Biggs, ‘Keep smiling if you want a job in 2015‘ in The Guardian
• Zoe Williams, ‘Demanding more: on where democracy lives in the 21st century‘ on the Penguin blog
• Deborah Orr, ‘Why the hysteria over Nicola Sturgeon?‘ in The Guardian
• Bryony Gordon, ‘Katie Hopkins is a monster of our own making‘ in The Telegraph
• Hannah Pool, ‘Jourdan Dunn draws attention to fashion’s problem with black hair‘ in The Pool
• Laurie Penny, ‘There may be nothing to vote for — but there’s plenty to vote against‘ in the New Statesman
• Zoe Williams, ‘Katie Hopkins calling migrants vermin recalls the darkest events of history‘ in The Guardian
• Jane Rawson, ‘Don’t Mention the War‘ in Overland
• Sarah Ditum, ‘What Katie Hopkins wrote was monstrous. But save your anger for the politicians who decided to let migrants drown‘ in the New Statesman

Music, Film and Television:

• Rawiya Kameir, ‘Your Fave Is Problematic, And That’s Okay For You, But They Still Need To Apologize‘ in Fader
• Tracy Ann Oberman, ‘Here’s to you, Anne Bancroft‘ in The Pool
• Jeanette Leach, ‘Say What You Can‘ on [post-rock]
• Lauren Barton, ‘Patti Smith: punk’s poet laureate heads back on the road for her sins‘ in The Guardian

The interviews:

• Toni Morrison in The Guardian and on NPR
• Nicky Beer on The Rumpus
• Kirsty Logan on the Penguin Blog
• Charlotte Gordon in the Wall Street Journal
• Sabaa Tahir on Publishers Weekly podcast
• Yumi Sakugawa on Okey Panky
• Heidi Julavits on Electric Literature and Lit Up
• Meredith Talusan in The Toast
• Emily Schultz in Vol. 1 Brooklyn
• Lora Mathis on The Fem
• Jillian Tamaki in The Guardian
• Laila Lalami on the Los Angeles Review of Books Podcast
• Monica Byrne on The Rumpus
• Jan Morris in The Guardian
• Paula Hawkins on The Daily Beast and in The Guardian
• Mary Costello on Electric Literature
• Attica Locke on Kirkus and NPR
• Renée Knight on The Gymkhana Club
• Liz Fenwick on One Book Lane
• Helen Skelton in The Guardian
• P.P. Wong in The Strait Times
• Elizabeth Alexander on Salon
• Iona Grey on Rebecca Mascull’s blog
• Claire Potter on Very Small Kitchen
• Liza Klaussman in The Pool
• Andrea Gillies on Novelicious

If you want some fiction to read:

• ‘The Penis Problem‘ by Suzanne Schafer on her website
• ‘Last Chapter on Hotel Stationery‘ by Ursula Villarreal-Moura in The Butter
• ‘The Rental Heart‘ by Kirsty Logan on Storychord
• ‘Last Night & Yesterday‘ by Joslyn Sklar in The Offing
• An extract from Adult Onset by Anne-Marie MacDonald on Literary Hub
• ‘Maps‘ by Kate Sparks on Whiskeypaper
• ‘The Beacon‘ by Claire Fuller on her blog
• ‘Bird Song‘ by Nadia Hassan on Rewriting Mary Sue
• ‘Far Beyond the Brilliant Sky: 9‘ by Rebecca Burns on The Word Runs Through It
• An extract from Amy Wild: Amazon Summer by Helen Skelton
• An extract from The Enchanted by Rene Denfeld on Orion Books
• The opening of Mental Furniture by Claire Potter on Very Small Kitchen
• ‘Letters to a Mostly Imagined Correspondent‘ by Katherine Riegal in The Offing
• The first five chapters of Villa America by Liza Klaussman
• ‘You Are a Sacred Space‘, by Yumi Sakugawa in Okey Panky
• ‘Inkubation‘ by Jacqui Pack on Litro

If you want some poetry to read:

• ‘Elegie of a Diaspora‘ by Ally Ang on Vagabond City
• Five poems by Elizabeth T. Gray Jr. in Drunken Boat
• ‘All My Creys‘ by Cynthia Arrieu-King in Drunken Boat
• ‘Pathology‘ by Kenzie Allen on Litragger
• Three Poems by MRB Chelko on Blunderbuss
• ‘Dorothy Parker Swipes Left‘ by Heather Alexander in The Toast

If you want some non-fiction to read:

• An extract from Angry in Piraeus by Maureen Freely in The New York Review of Books
• ‘Small Stories #11‘ by Madeline Witt on The Rumpus
• An extract from The Sixth Extinction by Elizabeth Kolbert
• An extract from Hammer Head by Nina MacLaughlin on Literary Hub

The lists:

• The Spinster Hall of Fame: Cut-out Dolls of Five Pioneering Women Writers on Literary Hub
• 11 Novels That Expectant Parents Should Read Instead of Parenting Books on Electric Literature
• LGBTQ* Poets You Should Know: Highlighting Women of Color on The Fem
• 11 Books To Give Your Future Daughter Throughout Her Life on Bustle
• 31 Contemporary Poets You Need To Read on Buzzfeed