Backlist Books of the Year 2018

Some of the best books I read this year weren’t published in 2018 so I thought I’d put them in a separate round-up. I always try and keep this to ten books, I haven’t managed it this year, here’s twelve instead.

Union Street – Pat Barker

One day I’ll learn to read a writer’s work before judging it. I’ve always assumed that Pat Barker wrote books about men in war, then I had to read The Silence of the Girls to write the copy for her Manchester Literature Festival event. I posted a picture of me reading it on my personal Instagram and the brilliant Adelle Stripe mentioned Barker’s earlier, feminist works which she thought I’d like. She was right. Union Street begins with Kelly, stalked by an older man, then moves along the street, chapter-by-chapter, to tell the tales of the other women and girls. It’s a grim read filled with neglect, abuse, pregnancy and death but it captures life for white working class women and still feels as relevant in 2018 as it would’ve done in 1982.

Home Fire – Kamila Shamsie

Home Fire moves Sophocles’ Antigone to the present, telling the story of twins Isma and Aneeka and their brother Parvaiz. When the young women meet Eamonn Lone, son of the UK’s first Muslim Home Secretary, all of their lives are irrevocably changed. A compelling retelling which places a spotlight on the West’s treatment of Muslims and ideas of integration. My full review is here.

Sing, Unburied, Sing – Jesmyn Ward

Narrated by 13-year-old Jojo, his mother Leonie, and the ghost of a boy named Richie, Sing, Unburied, Sing tells the story of a Black family in Southern America who can’t escape the ghosts of the past. Ward intertwines family history with that of Black people in North America and uses the present day to show the damage that history has wrought. It’s a devastating and timely tale. My mini-review is here.

A Thousand Paper Birds – Tor Udall

Another example of my work leading me to a book I’d previously overlooked. I was asked to interview Udall as part of a panel at Jersey Festival of Words and A Thousand Paper Birds was a real surprise. Jonas’ wife is dead. He retreats to Kew Gardens as a place to try and heal. There he meets Chloe, Harry and Millie, all of whom are keeping their own secrets. Beautifully written and affecting, an absolute gem.

Tell Me How It Ends: An Essay in Forty Questions – Valeria Luiselli (some sections translated by Lizzie Davies)

Another timely work. In 2015, Luiselli began working as a volunteer translator interviewing unaccompanied migrant children crossing the border from Mexico to the United States. Through the questions the children are asked, Luiselli tells some of their stories and the wider tale of how these children are being failed. My full review is here.

Things I Don’t Want to Know – Deborah Levy

Conceived as a response to George Orwell’s ‘Why I Write’ and the first in a trilogy about Levy’s life and work, Things I Don’t Want to Know is a feminist discussion on women’s writing. Levy talks about the need to speak up, to write calmly through rage, to find a space in which to write. I underlined a lot.

Die, My Love – Ariana Harwicz (translated by Sarah Moses & Carolina Orloff)

An unnamed woman struggles with new motherhood in a new country. She’s angry and frustrated but also full of love and lust, all of which spill out at inappropriate moments. Harwicz questions society’s expectations of women in this inventive, sharp novella. My full review is here.

The White Book – Han Kang (translated by Deborah Smith)

A fractured, often brutal book about Han’s sister who died two hours after she was born. Han uses the colour white repetitively as a meditation on grief and loss, writing her sister back into existence. Beautifully translated by Smith, The White Book is short and highly affecting but not without hope.

Kindred – Octavia Butler

One of the bookish things I’ve most enjoyed this year is taking part in the #ReadWomenSF discussions on Twitter, led by the writer G X Todd. It’s meant I’ve read a number of books that have been sitting on my shelves for some time and Kindred was one of them. In 1976, Dana, a young Black woman, is pulled into 1815 where she saves a young white boy’s life. He is the son of a plantation owner and one of Dana’s relatives. Through Dana, Rufus and Dana’s white husband, Kevin, Butler explores structural inequality, complicity and the normalising of horrific behaviour, all of which doesn’t seem so distant in 2018.

The Poison Tree – Erin Kelly

Last year I loved Erin Kelly’s He Said/She Said so this year I went back to the beginning and read her debut, The Poison Tree. In 1997, Karen meets Biba and is swept into her bohemian lifestyle. In 2007, Karen and her daughter Alice, collect their husband and father from prison. We know that at the end of the summer in 1997 two people died. But we don’t know how and we don’t know who. Tightly plotted and compelling with a perfect ending.

Die a Little – Megan Abbott

Megan Abbott is one of those writers that everyone seems to rave about so I decided to start at the beginning with her debut. Set on the edges of Hollywood during the Golden Age, Die a Little, tells the story of school teacher Lora King’s investigation into her new sister-in-law, Alice Steele, a Hollywood wardrobe assistant. As her findings build, Lora uncovers a world of drugs and sex work as well as some secrets about her own life. Possibly the only book I’ve ever read that I thought was too short.

Resurrection Bay – Emma Viskic

Caleb Zelic’s best friend dies in his arms in the opening pages of Resurrection Bay and the pace doesn’t let up until the end of the book. His best friend has been murdered and Caleb’s turns investigator to find out who did it. His mission is made all the more interesting – and sometimes scary – because Caleb’s deaf meaning sometimes he picks up on cues others might miss and other times he doesn’t hear people sneaking up on him. There are subplots involving his estranged relations – a brother and a wife – and some fun with Australian sign language too. My review of the follow-up And Fire Came Down is here, along with an interview with Emma Viskic.

Reading Round-Up: Ghosts of the Past

Ghost Wall by Sarah Moss is told from the perspective of teenage girl Silvie during the days she spends living in a recreation of an Iron Age settlement in Northumberland with her parents and a group of students, led by Professor Slade. Silvie’s dad is determined that things should be done authentically although he’s relented as far as pyjamas, underwear, toothpaste and tampons are concerned thanks to some intervention from Silvie’s mum. Silvie attempts to keep her dad happy but is drawn to the students and eventually joins them in sneaking to the Spar in the nearest village. As the book progresses, Silvie’s dad’s obsession with how they should be living becomes more and more rigid and the tension builds until a horrific act is committed. Moss uses the juxtaposition of contemporary society with Iron Age life to highlight themes of toxic masculinity and gender roles, questioning whether those men who conform to outdated stereotypes have a place in modern society. Ghost Wall is a superb book made all the more powerful by its brevity.

Thanks to Granta for the review copy.

Melmoth, Sarah Perry’s third novel, contains many stories connected by Melmoth, the loneliest being in the world. Perry’s Melmoth (as opposed to Charles Maturin’s in Melmoth the Wanderer) is a woman condemned to wander the world haunting those who’ve been complicit in acts of harm. We meet her at the point when Helen Franklin, whose story threads through the novel, is also about to see her. Helen, forty-two, a translator living alone in Prague, is given part of a written confession by the recently deceased J.A. Hoffman. Once Helen has read the portion of the story, she returns to her friend Karel’s house where other stories in the form of letters, a journal and a testimony are given to her. But the story which really haunts Helen Franklin is her own. Through these tales, Perry explores our complicity in the sins and atrocities committed in the world. As Melmoth bears witness to these acts so do we, and while the characters are haunted by Melmoth she too appears at the edge of our vision, forcing us to examine our own behaviour. Melmoth is a compelling, terrifying, overtly political examination of humanity. Those of you who’ve been reading this blog for some time/follow me on Twitter will be aware that I’m a huge fan of Perry’s previous novels After Me Comes the Flood and The Essex Serpent. When I reviewed Perry’s debut I said that I wished I’d written it, I feel similarly about Melmoth.

Thanks to Serpent’s Tail for the review copy.

Sing, Unburied, Sing by Jesmyn Ward is told from multiple perspectives: two members of the same family – Jojo, a 13-year-old boy and his mother, Leonie – and the ghost of another boy, Richie. Jojo, baby Kayla, and their mother, Leonie, live with Leonie’s parents. Michael, Leonie’s white partner and father of the children, has been in prison for three years. He’s about to be released and the majority of the book covers the journey to and from the jail. Leonie is a drug user, as much addicted to the presence of her dead brother, Given, who appears to her when she’s high, as she is the substances themselves. She struggles to take care of her kids so Jojo watches over Kayla while Pop, Leonie’s father, watches over Jojo. Pop tells Jojo stories about his time in Parchman prison and a boy named Richie, the ghost of whom joins them when they arrive to collect Michael. Everyone is haunted in some way, not only by the dead who linger nearby but by the history of the treatment of black people in America. Ward shows how the effects of slavery permeate life today, focusing particularly on the intersection of race and class. Although this is the story of one family, it echoes the realities for many. It’s a heart-breaking and very necessary read.

Barbara Kingsolver’s latest novel Unsheltered contains a dual narrative, set in Vineland, New Jersey. In the contemporary strand, Willa Knox and her family have moved into a house they’ve inherited following the closure of the college where her husband, Iano, taught and the loss of the house that came with the job. Iano’s dying father Nick is living with them and their seemingly wayward daughter, Tig, has recently returned from Cuba. In the first chapter of the novel, Willa discovers the house is structurally unsound and her son, Zeke, is left to raise a baby alone following his girlfriend’s death by suicide. Needing money for the repairs to the house in order to shelter her ailing family, Willa begins some research. In 1871, Thatcher Greenwood is attempting to introduce Charles Darwin’s latest ideas into his teaching, much to the chagrin of the school’s leader. His next-door neighbour, Mary Treat, is much more enthusiastic about his plans. A self-trained biologist, Treat conducts experiments in her living room and corresponds with Darwin himself. Delightfully, Treat is based on a real woman (and reminded me of Elizabeth Gilbert’s novel The Signature of All Things). Kingsolver draws parallels between the two eras through fear of change and people’s reactions to it. Willa repeatedly states that her and Iano have done everything right: they had good jobs, they worked hard, they raised a family. They expect to have property, money and stability in their 50s but those things are gone. Halfway through the novel I became frustrated at what I perceived to be white people problems – if things are terrible for the white middle class then we’re all fucked, woe is them – but then I realised that Kingsolver knows her audience. She’s writing for the white middle class pointing out how they’ve contributed to the destruction of the environment, the rise of the far right, the tyranny of capitalism. She doesn’t leave them – or us – without hope though but it comes from what might appear to be an unexpected source: Millennials. Alongside Mary Treat, the most compelling character in the novel is Tig. Unconventional, attuned to the needs of society and the planet, she – and her friends – might just have the answers we need.

Thanks to Faber for the review copy.

The Women’s Prize for Fiction Shadow Panel Winner

For the second time in four years, our shadow panel winner is a book that didn’t make the official shortlist. Elmet is a superb novel about outsiders looking at class, power, violence, gender and sexuality. I hope, considering the number of prizes the book has now been listed for, it has a wide readership.

The shadow panel discussions this year were the most intense we’ve ever had. There were some very strong feelings about some of the books and we had quite a discussion about what constitutes fiction.

The book that came a close second for us was Jesmyn Ward’s Sing, Unburied, Sing which shares some similarities with Elmet in terms of its themes but is also a book about race and time and how the America of today can’t be disconnected from its history. Again, I hope it has a wide readership.

The official winner of The Women’s Prize for Fiction is announced tonight. There’s coverage on The Women’s Prize’s social media channels from 6.45pm.

The Women’s Prize for Fiction 2018 Shortlist

The Women’s Prize for Fiction shortlist was announced very early this morning on BBC Radio 4 after the list was leaked. On it are three debut novels, although only The Mermaid and Mrs Hancock is a first book. Elif Batuman previously published a non-fiction book The Possessed and Jessie Greengrass published an excellent short story collection, An Account of the Decline of the Great Auk According to One Who Saw It, which won The Edge Hill Prize and was shortlisted for Sunday Times/PFD Young Writer Award (winning the shadow panel prize for which I was a judge).

Those of you who read the blog regularly will know that I am a huge fan of Meena Kandasamy and her second novel When I Hit You in particular. It was my book of the year last year and my favourite to win the prize.

The more established novelists who complete the shortlist are Kamila Shamsie for Home Fire and Jesmyn Ward for Sing, Unburied, Sing which has already taken the National Book Award in the USA. I loved Home Fire, it’s gripping, nuanced and utterly relevant. Sing, Unburied, Sing is beautifully told and completely heart-breaking. I sobbed through the last three chapters.

The list shares four titles with our shadow panel shortlist and four with my own personal list. The title missing that the shadow panel and I expected to see is Elmet. I hope it’s inclusion on a number of prize lists in the past few months means that people do read it.

The winner of the Women’s Prize for Fiction 2018 will be announced on June 6th.

The Women’s Prize for Fiction 2018 Shadow Panel Shortlist

With the official Women’s Prize for Fiction shortlist due today, here’s the books the shadow panel felt should make the shortlist.

I’ve reviewed three so far, if you click on the covers of Elmet, A Boy in Winter and Home Fire it will take you to my reviews. The rest are on their way!

This is the fourth year I’ve run a panel and it was our most varied discussion yet. We’ve never had such a wide range of opinions on the same set of books, which mirrors both the range and quality of the longlist. We also discovered that some of us fundamentally disagree on what constitutes fiction and what its job should be. That introduced an interesting element to our conversation!

We’re looking forward to seeing what makes the official shortlist. Apparently the announcement is happening this morning on BBC Radio 4…

The Women’s Prize for Fiction Longlist 2018

Here it is, the Women’s Prize for Fiction 2018 longlist. Initial thoughts are that I’m very excited. This is a great list. Two of my favourite books of last year are there – When I Hit You by Meena Kandasamy and Elmet by Fiona Mozley – and one of my favourites so far this year – Sight by Jessie Greengrass. One of my all-time favourite writers, Nicola Barker, makes the longlist for the first time with her twelfth novel H(A)PPY. I haven’t read it yet because I’ve been wanting time to sit and savour it, which never happens, so I’m delighted to have to make that time now. The book and writer I hadn’t heard of is Miss Burma by Charmaine Craig. I love that this list always produces at least one new to me writer. The other thing that’s really pleasing is that seven of the sixteen writers are women of colour, by far the highest number we’ve ever seen from this prize and about time too.

Here’s the list in full. I’ve linked to my reviews of the four I’ve already covered and will return to this page to link the rest as I work my way through the rest of the list.

H(A)PPY – Nicola Barker

The Idiot – Elif Batuman

Three Things About Elsie – Joanna Cannon

Miss Burma – Charmaine Craig

Manhattan Beach – Jennifer Egan

The Mermaid and Mrs Hancock – Imogen Hermes Gower

Sight – Jessie Greengrass

Eleanor Oliphant Is Completely Fine – Gail Honeyman

When I Hit You: Or, A Portrait of the Writer as a Young Wife – Meena Kandasamy

Elmet – Fiona Mozley

The Ministry of Utmost Happiness – Arundhati Roy

See What I Have Done – Sarah Schmidt

A Boy in Winter – Rachel Seiffert

Home Fire – Kamila Shamsie

The Trick to Time – Kit de Waal

Sing, Unburied, Sing – Jesmyn Ward

My Women’s Prize for Fiction Wishlist

It’s that time of year again. On Thursday 8th March, International Women’s Day, the longlist for the Women’s Prize for Fiction will be announced. The list will comprise of twelve books (if they stick to their own rules this year) written by female writers in English and published in the UK between 1st April 2017 and 31st March 2018.

I call this my wishlist because it’s somewhere between a prediction and what I’d like to see longlisted. I’ve never successfully identified more than half of the longlisted books but reading titles I might otherwise never have chosen is part of the pleasure of shadowing the prize.

I’ve reviewed the first three, click on the covers to read.

  

In the Media, March 2016, part one

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

It’s Mothers’ Day in the UK today, so inevitably there’s been lots of writing about mothers – being one, having one, not having one – this week. Contributors including Jackie Kay, Jeanette Winterson and Helen Simpson wrote about ‘… my mother before I knew her‘ inspired by Carol Ann Duffy’s poem ‘Before You Were Mine’ in The Guardian; Liz Dashwood asks, ‘What do I *really* want for Mother’s Day?‘ on The Pool; Rivka Galchen talked about ‘The Only Thing I Envy Men‘ in The New Yorker; Robyn Wilder wrote, ‘Maternity leave: the reality versus the expectations‘, Emily Eades wrote, ‘Becoming a mother without your own mother to rely on‘ and Sinéad Gleeson wrote, ‘Mothers, and the pram-in-the-hall problem‘ all on The Pool (Do follow the link to the Anne Enright clip on that last piece. Spot on and very funny); Susan Briante wrote, ‘Mother Is Marxist‘ on Guernica; Kate Townshend asked, ‘Is it possible for a mother and daughter to be *too* close?‘, Samira Shackle said, ‘Returning to my mother’s homeland helped me to make sense of my place in the world‘, Cathy Rentzenbrink said, ‘There is no such thing as a smug mother, we’re all terrified and struggling‘ and Rosalind Powell wrote, ‘I didn’t give birth, but I became a mother‘ all on The Pool; Sarah Turner wrote, ‘Mother’s Day Without Mum‘ on The Unmumsy Mum

Sadly, Louise Rennison died this week. Philip Ardagh wrote, ‘My Hero: Louise Rennison‘ in The Guardian. Shannon Maughan wrote her obituary for Publishers Weekly.

The woman with the most coverage this fortnight is Sanjida Kay with ‘Where’s the Diversity in Grip-Lit?‘ on The Asian Writer; ‘on Switching Genres‘ on The Literary Sofa, and ‘Fairytales‘ on Women Writers, Women’s Books

Exciting news as forthcoming novels from Jilly Cooper, Zadie Smith and Ali Smith were announced this fortnight.

And I’ve added Kaushana Cauley’s new Intersections column for Catapult to the regulars list at the bottom of the links. It’s well worth a read.

The best of the rest:

On or about books/writers/language:

• Eve Ainsworth, ‘Toxic love: YA’s bad boys need to stay between the covers‘ in The Guardian
• Hanya Yanagihara: ‘Don’t we read fiction exactly to be upset?’ in The Guardian
• Jessie Burton, ‘Success, Creativity and the Anxious Space‘ on her blog
• Claire Fuller, ‘Some things I’ve learned in my year of being published‘ on her blog
• Bree Crowder, ‘Four Young Adult Authors Share Why They Write Funny Books‘ on Bustle
• Karen Swallow Prior, ‘Jane Eyre and the Invention of the Self‘ on The Atlantic
• Deborah Moggagh, ‘Man Booker Prize has an unhealthy effect on the market, says author Deborah Moggagh‘ in The Independent
• Claire Fallon, ‘Our Favourite Children’s Books Are Super Problematic‘ on the Huffington Post
• Alison Flood, ‘Tessa Hadley among nine winners of surprise $150,000 literary awards‘ in The Guardian
• Sian Cain, ‘Toni Morrison wins PEN/Saul Bellow award for contribution to American fiction‘ in The Guardian
• Jo Hall, ‘If We Can Imagine Dragons: On Writing Non-Heterosexual Relationships in Fantasy‘ on Holdfast
• Alison Stine, ‘On Poverty‘ on Kenyon Review
• Joan Schenkar, ‘What Patricia Highsmith did for love: ‘The Price of Salt’ and the secrets behind ‘Carol’‘ in the Los Angeles Times
• Louise Walters, ‘I didn’t want to resort to self-publishing, but it’s an exhilarating change‘ in The Guardian
• Gaby Wood, ‘How Karl Ove Knausgaard and Elena Ferrante won us over‘ in The Telegraph
• Moira Redmond, ‘Leap year fear: a literary history of women proposing marriage‘ in The Guardian
• Katy Derbyshire, ‘Women in Translation: Why Does It Matter?‘ on Free Word
• Eva Jurczyk, ‘No More Books by Men‘ on The Awl
• Elizabeth Strassner, ‘How To Tell If You’re In a Flannery O’Connor Story‘ in The Toast
• Anne Boyd Rioux, ‘How to Make Sure Your Writing Is Forgotten‘ on The Rumpus
• Holly Williams, ‘From The Roaring Queen to Downton Abbey: the afterlives of Virginia Woolf‘ in the New Statesman
• Anna North, ‘What Publishing a Novel Taught Me About Life‘ on Waterstones’ Blog

• Kate Jenkins, ‘Harper Lee and the Myth of a Post-Racial America‘ on Literary Hub
• Sian Cain, ‘Fear of Flying still soars above tabloid outrage‘ in The Guardian
• Brigit Katz, ‘These forgotten female crime writers had no time for femme fatales or dowdy housewives‘ on Women in the World
• Idra Novey, ‘Writing While Translating‘ on Literary Hub
• Elizabeth Minkel, ‘Teen readers aren’t in crisis, they’re just making their own rules‘ in The Guardian
• Jaya Saxena, ‘I Know I Should Like Reading More But There Are Things About The Act Of Reading That Make It Very Difficult‘ in The Toast
• Deirdre Sullivan, ‘The seed of Needlework was anger, and I wanted it to feel raw’ in The Irish Times
• Jesmyn Ward remembers Harper Lee: ‘She saw and responded to the humanity of each and every one of us’ on Entertainment Weekly
• Vipash Bansal, ‘Remembering Octavia Butler: 1947-2006‘ on Media Diversified
• Chris Power, ‘A brief survey of the short story: Elizabeth Taylor‘ in The Guardian
• Brooke Magnanti, ‘Where are the normal women in fiction?‘ on One Book Lane
• Robin Stevens, ‘Boys could enjoy stories about girls, and vice versa – if only we’d let them‘ in The Guardian
• Chelsea G. Summers, ‘A History of Horny‘ on Hazlitt
• Brit Mandello, ‘Dear Joanna Russ: A Letter for an Inimitable Writer‘ on Tor.Com
• Sunny Singh, ‘Why set up a prize for writers of colour?‘ in The Bookseller
• Rory Samantha Green, ‘Born Lucky: my mum Jackie Collins and her wild child alter ego‘ in The Guardian
• Laura Barnett, ‘Finding ideas isn’t usually a problem‘ in The Guardian
• Joanna Cannon, ‘Mental illness is always a problem, so we will always need books about it‘ in The Guardian
• Jonathan Sturgeon, ‘The Paradoxical Legacy of Harper Lee‘ on Flavorwire
• Tricia Tongco, ‘Meet Faith, The Body-Positive Superhero Of Our Dreams‘ on the Huffington Post
• Melissa Harrison, ‘How cars ruined our love of the countryside‘ in The Guardian
• Shelley Harris, ‘The Secret Life of Mothers‘ on the WHSmith Blog
• Morgan Jerkins, ‘Black Women Writers and the Secret Space of Diaries‘ in The New Yorker

 

Personal essays/memoir:

• Esther Wang, ‘Watching And Reading About White People Having Sex Is My Escape‘ on Buzzfeed
• Megan Galbraith, ‘Sin Will Find You Out‘ on Catapult
• Georgina Kleege, ‘On Being Who I Am: My Life as a Tall Blind Woman‘ in The Toast
• Briallen Hopper, ‘Relying on Friendship in a World Made for Couples‘ in The Cut
• Sarah Resnick, ‘H‘ on n+1
• Rosalind Jana, ‘The One Piece Of Clothing That Makes Me Feel Extraordinarily Sexy‘ on Refinery 29
• Alana Massey, ‘Why I’m Buying a House Without a Family to Put in It‘ on The Cut
• Anna Holmes, ‘I Feel Destined to Be Single, and That’s Okay‘ on The Cut
• Kade Walker, ‘Veronica Dies in Jamaica‘ on The Rumpus
• Ellen Urbani, ‘There Is No Such Thing as a True Story‘ on The Rumpus

Feminism:

• Rebecca Traister, ‘The Single American Woman‘ in The Cut
• Aria Dean, ‘Closing the Loop‘ on The New Inquiry
• Eleanor Ross, ‘Why estate agent sexism could be costing you‘ on The Pool
• Gaby Hinsliff, ‘It’s the £30bn cut you’ve never heard of. And women are bearing the brunt‘ in The Guardian
• Ann Friedman, ‘So You’re a Celebrity Who Calls Yourself a Feminist. Now What?‘ in The Cut
• Linda Chavers, ‘To Black Girls Everywhere‘ on The Offing
• Caroline Paul, ‘Why Do We Teach Girls That It’s Cute to Be Scared?‘ in The New York Times

Society and Politics:

• Caitlin Moran, ‘How to start – and win – an argument online‘ in The Guardian
• Hadley Freeman, ‘So the privately educated are the new underclass? Spare me the sob story‘ in The Guardian
• Chimene Suleyman, ‘Trump has succeeded in an America that is already pre-disposed to racial suspicion‘ on Media Diversified
• Sarah Churchwell, ‘Hillary Clinton’s haters and the glass ceiling of American politics‘ in the New Statesman
• Molly Crabapple, ‘What Life Is Like Inside the Besieged, War-Torn Syrian City of Aleppo‘ on Vice
• Julia Lee, ‘When People of Color Are Discouraged From Going Into the Arts‘ in The Atlantic
• Dorothy Cummings McLean, ‘Marriage Is an Accomplishment‘ on Quadrapheme
• Kate Spicer, ‘Does where you go to school affect your ability to succeed?‘ on The Pool
• Jamilah King, ‘How Black Women Like Me Reckon With America’s Political Process‘ on Mic

Film, Television, Music, Art, Fashion and Sport:

• Rachel Syme, ‘The Return to Predictability‘ on Complex
• Anna Leszkiewicz ‘The Ghostbusters trailer shows the new film is categorically not aimed at men‘ in the New Statesman
• Emma Brockes,  ‘Whether it’s Ali G or Tina Fey, ironic racism just isn’t funny any more‘ in The Guardian
• Venus Williams, ‘Why I’m Going Back to Indiana Wells‘ on The Players’ Tribune
• Joan Smith, ‘Now we know – the BBC’s macho culture protected predatory men for decades‘ in The Guardian
• Allison P. Davis, ‘Why Are White People Trying to Ruin ‘Formation’?‘ on The Cut
• Anohni, ‘Why I Am Not Attending the Academy Awards‘ on Pitchfork
• Gwynne Watkins, ‘Before #OscarsSoWhite: The Forgotten Story of Queer Nation’s 1992 Academy Awards Protest‘ on Yahoo
• Elisabeth Donnelly, ‘Boston Rules‘ on Hazlitt
• Caroline O’Donoghue, ‘Kesha: the musical equivalent of the drunk girl in the short dress‘ on The Pool
• Kiva Reardon, ‘Mainstream Creep: Keeping Feminist Film Criticism Subversive‘ on Hazlitt

The interviews:

• Han Kang in The White Review (translated by Deborah Smith)
• Louise O’Neill in Elle
• Helen Stephenson on The Pool
• Chinelo Okparanta on For Books’ Sake
• Tracy Chevalier in The Bookseller and The Telegraph
• Rachel B. Glaser on For Books’ Sake
• Molly Crabapple on Literary Hub
• Shelley Harris on The Writes of Woman and One Book Lane
• Kathleen Spivak on The Rumpus
• Rebecca Traister on Jezebel and Elle (with Roxane Gay)
• Mona Awad on Electric Literature
• Virginia Reeves on Literary Hub
• Jennifer Clement on Pen America
• Monica Wendel on Vida
• Sara Taylor in The Big Issue
• bell hooks (with Emma Watson) in Paper
• Ottessa Moshfegh in The Observer
• Emma Donoghue on Public Books
• Meg Rosoff on Bookanista
• Sarah Ruhl in The New York Times
• Sarah Bakewell on The Bookseller
• Marian Keyes in the Bath Chronicle
• Laura van den Berg and Emily St. John Mandel on the FSG blog
• Joyce Maynard on Literary Hub
• G. Willow Wilson on Black Nerd Problems
• Sharon Horgan on Creative Review
• Elizabeth Kadetsky on The Rumpus
• Lucy Kalanithi in Stylist
• Jacky Fleming on The Pool
• Petina Gappah on NPR
• Carol Tulloch in The Observer
• Caitlin Moran on The Debrief
• Deborah Smith on The Quietus

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult

In the Media: 17th May 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

Two excellent UK prizes – the Jerwood Fiction Uncovered Prize and the Desmond Elliot Prize announced their longlist and shortlist, respectively this week. The former has eleven women on a longlist of fifteen. Yes, that does say ELEVEN, that’s 75% of the shortlist (well, 73.3 if you’re being pedantic). And the latter is an ALL WOMEN shortlist of three, from a longlist of ten that had gender parity. Excellent news.

You can read interviews with two of the Desmond Elliot shortlisted writers, Cary Bray and Emma Healey, in The Bookseller

Two important pieces about sexual abuse and victim blaming were published this week: Hayley Webster ‘31 years have passed with me thinking I asked for it…but what if I didn’t‘ on her blog and Lizzie Jones, ‘Sexual Assault: Society, Stop With the Slut Shaming‘ on The Huffington Post.

 

The best of the rest:

On or about books/writers/language:

• Meytal Radzinski, ‘Women in Translation: The grim improvement of 2014‘ on Bibliblio
• Eve Ainsworth, ‘Why I wanted to tell the bully’s story‘ in The Guardian
• S.D. Sykes, ‘Memento Mori… Remember that you have to die‘ in Shots
• Laura Miller, ‘You Belong to Me: The fanfiction boom is reshaping the power dynamic between creators and consumers.’ on Vulture
• Kathryn Schulz, ‘Outside In‘ (on Nell Zink) in The New Yorker
• Lizzy Kremer, ‘Crime and Violence: Those who do not flinch‘ on Publishing for Humans
• Sophie Hannah, ‘No one should condescend to Agatha Christie – she’s a genius‘ in The Guardian
• Kate Spicer, ‘Why is the term dadbod so brilliantly perfect?‘ in The Pool (more about neologisms than the concept of dadbod itself)
• Mona Eltahawy, ‘Why I stopped wearing the hijab‘ in The Pool
• Rebecca Bowler, ‘Dorothy M Richardson deserves the recognition she is finally receiving‘ in The Guardian
• Cheryl Strayed and Pankaj Mishra, ‘Is There a Double Standard for Judging Domestic Themes in Fiction?‘ in The New York Times
• Beluah Maud Devaney, ‘Signs That Agatha Christie Is About To Murder You‘ in The Toast
• Laura Miller, ‘Fairy tales, fantasy and dangerous female desire: Celebrating Angela Carter, the literary link between Bros. Grimm and “50 Shades”‘ on Salon
• Joanna Cabot, ‘On Reading a Book You Don’t Like‘ on TeleRead
• Susan Price, ‘Reviving the Female Canon‘ in The Atlantic
• Susan Harlan, ‘Great House Therapy: Elizabeth & Darcy’s Neither Formal Nor Falsely Adorned Pad of Privilege‘ in The Toast
• Sarah Hughes, ‘Killer Women festival: The female crime novelists transforming how the publishing industry works‘ in The Independent
• Maria Farrer, ‘Why teenagers have to take terrible risks in YA literature – and in real life too‘ in The Guardian
• Hannah Lavery, ‘Why Libraries Are Important To Me‘ on her blog
• Suzi Henderson, ‘The Great Literature Gender Gap‘ on The Inflectionist

• Hannah Depp, ‘Meghan Daum, Live in the Capital‘ on Literary Hub
• Melissa Moorer, ‘This Writer’s On Fire: Sofia Samatar‘ in The Butter
• Ali Hope, ‘Mary Hocking reading week 1st-7th June‘ on her blog
• Sara Nović, ‘Topography of a Novel: Girl at War‘ on Blunderbuss
• B.E. Andre, ‘How to Make the Truth Palatable‘ on Women Writers, Women’s Books
• SD Sykes, ‘on writing crime during the time of a great plague‘ on Crime Files
• Sarah Bannan, ‘Can we do it? Yes, we can: on daring to use the first person plural‘ in the Irish Times
• M. Lynx Qualey, ‘Is There a Renaissance in Arabic Children’s Literature?‘ on Arabic Literature (in English)
• Sadie Stein, ‘Booksellers Week‘ on The Paris Review Blog
• Marian Palaia, ‘The Real World vs The MFA‘ on Literary Hub
• Jami Attenberg, ‘This week’s con.‘ on Tiny Letter
• Nicole Lee, ‘Chimamanda Ngozi Adichie: ‘Fear of causing offence becomes a fetish’‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Baby-Sitters Club vs. Sweet Valley High‘ in The Butter
• Mona Eltahawy, ‘World in 2050: Women in Power‘ on Literary Hub
• Frances Wilson, ‘The nourishing blood of the novelist‘ in the New Statesman
• Lauren Laverne, ‘My own personal Wonderland‘ in The Pool
• Mallory Ortberg, ‘The Forgotten Brontë Sister‘ in The Toast
• Leesa Cross-Smith, ‘Books Are My Love Language & How to Treat Yourself‘ on Real Pants
• Sarah Pinborough, ‘Fantasy and Reality – Where Do You Draw the Line?‘ on the Huffington Post
• Cerrie Burnell, ‘Every child deserves to have their life represented in books‘ in The Guardian
• Lizzy Kremer, ‘Are you talking to me? Writing under a new identity‘ on Publishing for Humans
• Jill Lepore, ‘Women in Science Fiction‘ on The New Yorker Podcast
• Bridget Penny, ‘an ostentation of solitariness: looking for the wilderness in abney park cemetery‘ in 3AM:Magazine
• Alice Bolin, ‘Miss Marple vs. the Mansplainers: Agatha Christie’s Feminist Detective Hero‘ on Electric Literature
• Naomi Frisby, ‘Reading Ourselves‘ on Fiction Uncovered

Personal essays/memoir:

• Jesmyn Ward, ‘Cracking the Code‘ in The New Yorker
• Julie Brister, ‘Large as Life‘ on Slate
• Sali Hughes, ‘There’s no such thing as TMI‘ in The Pool
• Laura June, ‘The Little Things‘ in The Awl
• Meridith De Avila Khan, ‘A Girl and Her Books: On the Loss of Sweet Briar College‘ on The Millions
• Sophie Heawood, ‘I’ve fallen out of love with music‘ in The Guardian
• Leah Reich, ‘The Birth of Uncool‘ on Medium
• Deborah Landau. ‘When I Got Pregnant At 40, Time Slowed Down‘ on Buzzfeed
• Myfanwy Collins, ‘Bruise: On Living with the Fear of Dying‘ in The Butter
• Monica Heisey, ‘Walt‘ on Maisonneuve
• Sadie Stein, ‘Like Rain on Your Wedding Day‘ on The Paris Review Blog
• Ashley Ford, ‘Disrupting Domesticity: Bored to Broken‘ in The Butter
• Shirley Muir, ‘Out of the Blackness‘ on Scottish Book Trust
• Ailidh Lennon, ‘“I wanted a house with a garden and chickens”‘ in The Pool
• Cyn Vargas, ‘I Don’t Know What You’re Talking About‘ on Midnight Breakfast
• Sofia Soter Henriques, ‘Nossa Família‘ on Midnight Breakfast
• Samantha Hunt, ‘There Is Only One Direction‘ in The Cut
• Bryony Gordon, ‘‘I’m coming out of the mental health closet for my daughter’‘ in The Telegraph
• Leslie Nipkow, ‘How I became fat: “It’s tough to be a bad-ass girl in a dainty world”‘ on Salon
• Sarah Royal, ‘The Best Time I Was The Only Passenger Aboard A Cargo Freighter Container Ship Across the Pacific Ocean‘ on The Hairpin
• Jessica Valenti, ‘It’s great to have a vacation. And even better when you leave kids at home‘ in The Guardian

Feminism:

• Dawna I. Ballard and Sunshine Webster, ‘Why Women ‘Having It All’ Is an Empty Concept‘ on Medium
• Erika Hall, ‘Across the River and Into the Woods‘ on Medium
• Lauren Dozier, ‘The Inconsistent Acceptance of Black Beauty‘ on The Huffington Post
• Emily Mitchell, ‘A Boy My Sister Dated in High School‘ in Guernica
• Tracy Moore, ‘Single Mom By Choice: A Great Option for ‘Strong-Ass Bitches’‘ in Jezebel
• Anna Merlan, ‘‘Suck Dick, Fight or Quit Doing Gay Shit’: The Texas Prison Rape Problem‘ on Jezebel
• Caroline Criado-Perez, ‘What Makes a Good or Bad Female Role Model?‘ in Stylist
• Danielle Brooks, ‘How I Learned to Love My Body‘ in Glamour
• Minda Honey, ‘Empty Beds, Empty Wombs: Life Beyond the Blueprint‘ in The Los Angeles Review of Books
• Olga Kazan, ‘Into the Body of Another‘ in The Atlantic
• Ann Friedman, ‘What Getting Your Nails Done Really Means‘ in The Cut
• Sarah Tomlinson, ‘My conflicted relationship with female beauty‘ on Salon
• Christina Tesoro, ‘I’m a Bitch and Proud of It‘ in Cosmopolitan
• Louise Foxcroft, ‘The diet industry has exploited our health fears for centuries – here’s how‘ in The Guardian
• Elissa Strauss, ‘The Rise of “Mama”‘ on Longreads
• Louise Raw, ‘Why Are We So Afraid of the Idea of Women in Power‘ on Morning Star

Society and Politics:

• Zoe Williams, ‘What does the new government mean for women?‘ in The Pool
• Lyndsey Gilpin, ‘Women Making Whiskey: An 800-Year History‘ in The Atlantic
• Susan Berfield, ‘Chinese Maternity Tourists and the Business of Being Born American‘ on Bloomberg
• Aude Konan, ‘Why Black people in France are still invisible‘ on Media Diversified
• Sarah Ladipo Manyika, ‘Coming of Age in the Time of the Hoodie‘ on AGNI
• Anna Holmes, ‘The Underground Art of the Insult‘ in The New York Times
• Eleanor Margolis, ‘Is it just me, or did you receive loads more online dating attention on post-election Sunday?‘ in the New Statesman
• Ann Jones, ‘“Farkhunda is Our Sister”‘ in Guernica
• Jean Friedman Rudovsky, ‘The Ecotourism Industry Is Saving Tanzania’s Animals and Threatening Its Indigenous People‘ in Vice
• Emma Green, ‘American Religion: Complicated, Not Dead‘ in The Atlantic
• Helen Macdonald, ‘Spies in the Sky: On How Birds Reflect Our National Anxieties‘ in The Guardian
• Roisin Kiberd, ‘Will love win in Ireland?‘ in The Pool
• Alexis Gumbs, ‘an element of radical waywardness‘ in The Offing
• Sarah Maslin, ‘Perfect Nails, Poisoned Workers‘ in The New York Times
• Abby Tomlinson, ‘I’ll always be a Milifan. Ed was the best prime minister we never had‘ in The Guardian
• Caroline O’Donoghue, ‘Teenage girls are far smarter than we give them credit for‘ in The Pool

Film, Television, Music and Fashion:

• Anne Helen Petersen, ‘In Praise Of Betty Draper, Difficult Woman‘ on Buzzfeed
• Caroline Framke, ‘The Ascendancy of the ‘Awkward Older Sister’‘ in The Atlantic
• Jiayang Fan, ‘Chinese Whisperers‘ in The Awl
• Samira Sawlani, ‘What fresh hell is this? ‘The Princess of North Sudan; more scary tale than fairy tale’‘ on Media Diversified
• Jenn Lyons, ‘Women of the Wasteland – Mad Max: Fury Road‘ on her blog
• Alice Coote, ‘My life as a man‘ in The Guardian
• Eliana Dockterman, ‘How TV Sex Got Real‘ in Time
• Marissa Bate, ‘So, Hollywood thinks women aren’t superheroes?‘ in The Pool
• Jessica Winter, ‘David Letterman Raised Me‘ on Slate
• Sady Doyle, ‘Age of Robots: How Marvel Is Killing the Popcorn Movie‘ on Medium
• Hadley Freeman, ‘Why I owe it all to 1980s movies‘ in The Guardian

The interviews:

• Anne Enright in Vol. 1 Brooklyn
• Victoria Dahl in Jezebel
• Helen Macdonald on Electric Literature
• Sara Nović on Electric Literature
• Suzanne Scanlon in BOMB Magazine
• Aine Greaney on The Fem
• Margaret Jull Costa on Foyles’ Blog
• Jessica Hopper in The Hairpin and on Salon
• Lisa Kleypas on Jezebel
• Nell Zink on Literary Hub and on the Huffington Post
• Sora Kim-Russell on London Korean Links
• Kate Atkinson in The Globe and The Mail
• Amanda Palmer in Standard Issue
• Joanne Harris on Rebecca Mascull’s blog
• Sarah Govett on Teen Librarian
• Toni Morrison on Goodreads
• Cal Moriarty on Orenda Books
• Elisa Gabbert on Okey-Panky

 

If you want some fiction to read:

• ‘A Millennial Revenge Fantasy‘ by Jamie Lauren Keiles on The Hairpin
• The first five chapters of The Life and Death of Sophie Stark by Anna North in The Pool
• ‘Ghosts & Cyborgs‘ by Lyndsey Ellis in The Offing
• ‘Film Previews on a Plane: The Helpful Summaries‘ by Margaret Atwood in The National Post
• ‘Thanksgiving in Connecticut‘ by Katherine Bell on The Fem
• An extract from A Tale of Two Besties by Sophia Rossi on HelloGiggles
• An extract from My Salinger Year by Joanna Rakoff on Literary Hub
• ‘The Kind of Water I Like‘ by Lillian Akampurira Aujo on Sooo Many Stories
• ‘McCarthy and Woolf‘ by Chella Courington in Cacti Fur
• ‘Juke Joint Banshee‘ by Patty Templeton on Urban Fantasist
• ‘The Wretched Pet‘ by Betty McIntyre on Urban Fantasist
• ‘The Ice-Cream Van‘ by Jessica Patient on Urban Fantasist

If you want some poetry to read:

• ‘Extinction‘ by Jackie Kay in The Guardian
• ‘A Reading in New York‘ by Claire Potter in the New Statesman
• ‘[I can’t bear anymore what happens to the body]‘ by Victoria Lynne McCoy in The Offing
• ‘Words Like Applesauce‘ by Bethany Mary in The Fem
• ‘Thing is an Amen‘ by Rachael Katz in The Offing
• ‘Black Words Matter‘ Four poems by Baltimore Students on Real Pants
• ‘in this story…‘ by Lisa Marie Basile in Berfrois
• Six by Elisa Gabbert on Okey-Panky

The lists:

• 47 Books Every College Grad Should Read on Buzzfeed
• 10 Books to Read This Summer in the Wall Street Journal
• 8 reasons you absolutely have to watch Jonathan Strange & Mr Norrell in The Pool
• Judith Claire Mitchell’s Top 10 (unconventional) ghosts in literature in The Guardian
• Books of the Week, May 18, 2015 on Publishers Weekly
• Amelia Gray’s 10 Best Dark Books on Publishers Weekly
• 13 Best Quotes from Adichie’s Pen Festival Lecture on Brittle Paper
• 4 Small Press Books to Read in May (All-Women Edition) on BookRiot
• Kirsty Logan’s Seven New(ish) Island Books on The Island Review
• 11 Teen Books About Growing Up in Scotland on Scottish Book Trust
• Sarah Menkedick’s Four Books on Early Motherhood on Vela
• 12 Feminist Books ‘Mad Men’s Joan And Peggy Could Have Used To “Burn This Place Down” on Bustle

In the Media: 2nd November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The week kicked off (almost literally) with Julia Stephenson writing a piece in the Telegraph with the headline ‘Can a Woman Be Happy Without Having Kids?’ to which Bryony Gordon responded also in the Telegraph. They weren’t the only woman writing about children this week; The New Yorker ran an extract ‘No Babies, Please‘ from Megan Amran’s book; Kate Long wrote about ‘The Five Stages of Motherhood‘ for Mslexia, and Shappi Khorsandi wrote on ‘Raising Girls‘ on Huffington Post.

This was followed on Tuesday by Hollaback’s film of a woman being catcalled for ten hours in New York which raised issues about race as well as the way some men behave towards women in the street. Emily Gould wrote about it for Salon and Hanna Rosin for Slate.

On lighter issues, it seems I was pre-emptive putting Amy Poehler top of the list last week as this week she’s EVERYWHERE. (Which is a good thing as far as I’m concerned.) If you don’t know who she is, I’ll direct you towards her 10 Funniest Clips on the Telegraph first, then you can feast on the rest: Amy Poehler reading from the Prologue of Yes, Please on Pan Macmillan’s Soundcloud; an extract on taping SNL while pregnant on Vulture; talking about writing being ‘hellish’ on Huffington Post; interviewing George R.R. Martin on Vulture; 11 Amy Poehler Stories You’ve Never Heard Before, But Will Totally Relate to Your Life in The Huffington Post; 30 Hilarious Truth Bombs Amy Poehler Dropped During Her Reddit AMA on Buzzfeed; doing #AskAmy at Twitter HQ;

The other high profile funny feminist woman who’s had plenty written about her this week is Lena Dunham, who was in the UK promoting her book. Alex Clark interviewed her in the Observer; Emma Gannon interviewed her for The Debrief and wrote about meeting Lena and her event at the Southbank Centre with Caitlin Moran on Friday night on her blog. She’s on video on The New Yorker talking about Girls and Sex at The New Yorker Festival and there are facts about her on Oprah. While Rebecca Carroll wrote about Lena Dunham’s Race Problem on Gawker and Sonia Saraiya responded in Salon.

The best of the rest articles/essays:

• Darcey Steinke ‘Growing Apart on Facebook‘ on Salon
• Darcey Steinke ‘Frankenstein’s Mother‘ in Granta
• Rivka Galchen on her diet as a medical student in The New Yorker
• Jesmyn Ward The Financial Times’ Life and Arts’ Diary
• A profile of Roz Chast on Salon
• Jeanette Winterson, ‘How pretty do you have to be to work on a building site‘ in The Guardian
• Mary Costello on the inspiration behind her debut novel Academy Street on the Waterstones blog
• Why Ayn Rand is still relevant and dangerous in the New Statesman
• Lynn Shepherd on ‘The Shock and Horror Picture Show‘ on Gothic Imagination, The University of Stirling
• Radhika Sanghani on the revolution happening at Mills & Boon in the Telegraph, which is deconstructed on the Melville House blog by Zeljka Marosevic
• Samantha Ellis ‘How to be a heroine…in pop‘ on her blog
• Lily King on her writing process on Read Her Like an Open Book
• Elisa Albert ‘Where Do I Write?‘ on Guernica
• Roopa Farooki on how Beowulf inspired The Good Children in We Love This Book
• Literary blogger Anthony on discovering Jenny Diski’s work on Time’s Flow Stemmed
• Alice Furse on how it feels to be a published author
• Alison Flood on Sofia Tolstoy’s stories being published for the first time in The Guardian
• Jennifer Mendelsohn ‘Seasons of Love‘ on Baltimore Style
• ‘The Return of Elizabeth Harrower’s In Certain Circles‘ on The Monthly
• Maggie Gee and Salena Godden on their friendship on Something Rhymed
• Jane Austen’s Most Famous Trolls, Critics and Doubters on Flavorwire
• Jenny Uglow on the impact of the Napolionic Wars on literature in The Guardian
• Maisey Yates on the importance of diversity in romance novels on The Pink Heart Society
• Discussion on Patricia A. McKillip’s Ombria in Shadow on Strange Horizons
• Julia Elliott on ‘The New Southern Gothic‘ on Huffington Post
• ‘Have You Ever Had a Relationship End Because of a Book?‘ Zoë Heller and Anna Holmes in Bookends in The New York Times
• ‘Ghosts of my Youth‘ by Jenny Wortham in The Hairpin
• Katherine Heiny Our Inspirational Women: Scarlett O’Hara for the 4th Estate blog
• Judith Claire Mitchell Our Inspirational Women: Madame Manec on the 4th Estate blog
• Jenny McAuley on women writers and their relationship with spirituality and divination on For Books’ Sake
• Helen Macdonald on her encounter with a wild hawk on The Samuel Johnson Prize website
• Jane Harris on her ‘Trading Tales’ Residency in Grenada on the British Council website
• Claire Fuller on the auction for her forthcoming novel Our Endless Numbered Days on her blog
• Roxane Gay ‘I Know What Is True‘ on her blog
• Brenna Ehrlich on the cover of Sarah McCarry’s About a Girl on MTV

The interviews:

• Toni Morrison and Angela Davis on The University of California: Santa Cruz website
• Rose Tremain on her new short story collection in The Independent
• Katha Pollitt discussing her book Pro: Reclaiming Abortion Rights on Slate and interviewed on Vice
• Sarah Waters in Daily Xtra
• Margaret Atwood interviewed by Erica Wagner in the New Statesman
• Laline Paull on the 4th Estate blog
• Amy Mason, Winner of the Dundee Book Prize on Ideas Tap and on Jane Davis’ blog
• Deborah Levy in the Independent
• Eimear McBride in Time Out, New York
• Darcey Steinke on Electric Literature
• Kate Tempest interviewed by Jon Snow on Channel 4 News
• Sali Hughes on the Topshop blog
• Judy Chicurel on Bloom
• Martina Cole and Janet Street Porter discuss Curtis Sittenfeld’s The American Wife on Radio 4’s A Good Read
• Mallory Ortberg on Flavorwire, in The Washington Post and on The Cut discussing ‘The Great Jerks of Literature‘
• Marion Coutts on Radio 4
• Ottessa Moshfegh in BOMB magazine
• Lauren Beukes interviewed by Jeff Vandermeer in Vulture and Helen Moffett on editing her on Books Live
• Sheila Heti on Gothamist
• Harriet Evans on Female First
• Jane Smiley in the Observer
• Emily St. John Mandel on Omnivoracious
• Claudia Rankine in Bomb Magazine
• Azar Nafisi in the Observer
• Daisy Hernández on Huffington Post

In translation:

• In case you were having withdrawals at the lack of articles about Elena Ferrante last week, there’s one in The Guardian this week
• An article on Sparrow: a new anthology of works by Indian woman on Mid-day
• A profile of Constance Garnett on Asymptote

If you’d like some fiction to read:

• A.J. Ashworth’s ‘Species‘ for Visual Verse
• J.K. Rowling’s new Harry Potter story ‘The Story of Dolores Jane Umbridge‘ on Today
• ‘November Diary‘ by Rebekah Remington on AGNI
• Shelly Oria ‘Documentation‘ on Hazlitt and ‘Phonetic Masterpieces of Absurdity‘ on Electric Literature, both from her forthcoming collection New York 1, Tel Aviv 0
• Patricia Highsmith, ‘The Snail-Watcher‘ on Virago Books
• ‘Countess Markievicz‘ by Fionnuala Doran in The Guardian
• ‘After Life‘ by Beth Dawson in The Guardian
• ‘I Hope Not to See‘ by Rana Mortaja (translated by Elisabeth Jaquette) on The Comma Press blog
• An extract from Dear A by Inga Machel (translated by Donal McLaughlin) in 3:am
• ‘Sin Eater‘ and other poems by Jessica Traynor on Poethead
• ‘The Kiss‘ by Kim Curran on Pornokitsch
• ‘The Husband Stitch‘ by Carmen Maria Machado in Granta
• An excerpt from If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go by Judy Chicurel on Bloom
• The first three chapters of the forthcoming Disclaimer by Renee Knight
• An excerpt from Sarah McCarry’s About a Girl on her blog

Photo by T. Kira Madden

And the lists:

• Best Books of 2014 on Publishers Weekly
• Upcoming Non-Fiction by Women on River City Reading
• 11 Witches from Fiction who Embody What Feminism Really Means in The Huffington Post
• The 20 Most Terrifying Non-Horror Books on The New Republic
• 5 Scary Stories by Women Writers on Bookriot
• 8 Female Writers that You Should Know in Pink Sky magazine
• My Top 5 Literary Twenty-Somethings by Alice Saggers on the 4th Estate Blog
• 16 Books That Will Do the Flirting For You on Buzzfeed
• 5 Great Books to Read in November on Buzzfeed
• 17 Jane Austen Characters if they were on Tinder on Buzzfeed
• Top 10 Scary Stories on For Books’ Sake
• 7 Fairy Tales Adults Will Love on Huffington Post
• 11 Funny Books by Women that Prove We’re Freakin’ Hilarious on Bustle
• Our Favourite Feminist Reads in Ms Magazine
• Lauren Owen’s Top 10 Vampire Books for The Guardian
• Erica Mena ‘What I’m Reading Now‘ on Drunken Boat
• 9 Novels so Scary You’ll Be Tricked and Treated on Kirkus Reviews
• Books for the Christmas List on The Women’s Room
• 10 Reasons to Stop Worrying About Being in Your 30s by India Knight in Grazia
• 5 Scary Films paired with 5 Scary Books, all by women, on Electric Literature
• 27 Patently Untrue Facts About Famous Writers on Bookriot
• One Book Lane’s Halloween Reads
• Writers’ Favourite Scariest Books of All Time on Oprah
• 5 Page Turners that Will Surprise You More than Once on Oprah
• Booktober: 30 Books Everyone Will Be Talking About This Fall on Oprah
• Top Five Heroines of Children’s Fiction in We Love This Book