The Baileys Women’s Prize for Fiction Shortlist

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Here we are then, the official Baileys Women’s Prize for Fiction longlist.

When I commented on the longlist, the word of the night was wow and it’s the same again.

Wow: some big names and popular books have gone.

Wow: there are four titles in common with our Shadow Panel shortlist.

Wow: If you’re only reading the shortlist you’ve an absolute set of treats in store (although I implore you to read the longlist, it’s full of brilliant books).

Here’s my reviews of the shortlisted books:

Stay With Me – Ayòbámi Adébáyò

The Power – Naomi Alderman

The Dark Circle – Linda Grant

The Sport of Kings – C. E. Morgan

First Love – Gwendoline Riley

Do Not Say We Have Nothing –  Madeleine Thien

The Baileys Women’s Prize for Fiction Shadow Panel Shortlist

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A month ago, when the Baileys Women’s Prize for Fiction longlist was announced, I commented on what an exceptional year it had been for writing by women. This is supported by both the reading we’ve done and the discussions we’ve had as a shadow panel. There have been some heated debates about some of the books and some that every one of us felt should be included on our shortlist but, for the first time since I began shadowing this prize with a panel, there wasn’t a single book that we didn’t think worthy of its inclusion on the longlist. This is the fifth year I’ve shadowed this prize and this has been, without question, the strongest longlist I’ve seen.

I preface our chosen shortlist with these remarks because I want to make a case for every single one of the 16 books that make up the longlist. Whether they’ve made our shortlist or not and whether or not they make the official shortlist tonight, there are 16 books by women worthy of your time.

One of the things that infuriates me about so-called ‘women’s fiction’ (as if somehow fiction written by women is gendered while fiction written by men is not) is the idea that it is concerned with the domestic sphere. The 16 books which make up the Baileys Women’s Prize for Fiction longlist 2017 cover politics, science, ecology, farming, horse breeding/racing, crime, prisons, acting, music, writing, race, medicine, sex, drugs, performance, religion, violence, love, family, gender, marriage, parenting, death, grief, abuse and friendship. I defy anyone to look at the list and say there isn’t a single book on it that doesn’t interest them. Indeed, if you’re a man who doesn’t read books by women, there’s one here to get you started. Or, if you know a man who doesn’t read books by women, buy the one you know that’ll get him hooked – tear the cover and front pages off if you have to – and present him with it.

Here, then, are the six books we’ve chosen to shortlist. They’re not the six I thought we’d select when the list was announced, but now we’ve read them all, they’re the six that – as a panel – we felt most strongly about. If you click on the cover, it will take you to my review. You can read Eleanor’s reviews here and Eric’s here. Thanks also to Antonia and Meera. We’ll announce our winner on Tuesday 6th June, the day before the official winner is crowned.

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The Baileys Women’s Prize for Fiction Longlist 2017


It’s after midnight and I’m on a train, typing this on my phone. The Baileys Women’s Prize for Fiction Longlist 2017 has just been announced and my initial thought is: wow.

Wow that books I loved and hoped would be on the list are there: Midwinter by Fiona Melrose; The Essex Serpent by Sarah Perry; The Power by Naomi Alderman; Stay With Me by Ayòbámi Adébáyo; First Love by Gwendoline Riley; The Lesser Bohemians by Eimear McBride; Little Deaths by Emma Flint.

Wow that I predicted seven of the list – my highest score ever.

Wow that there are 16 books, rather than the promised 12. It shows that the past 12 months have been exceptional for writing by women. However, with just over three weeks until the shortlist announcement, it does make things challenging for the Shadow Panel.

And wow that Homegoing by Yaa Gyasi isn’t on the list. Every year this prize misses an exceptional book and this is a stunning omission, made all the more noticeable when there are only three books by women of colour on a list of sixteen.

The list in full. I’ve linked to my reviews for those I’ve already covered and will add to this as I read the rest:

First Love – Gwendoline Riley

Stay With Me – Ayòbámi Adébáyo

Do Not Say We Have Nothing – Madeleine Thien

The Essex Serpent – Sarah Perry

The Dark Circle – Linda Grant

The Lesser Bohemians – Eimear McBride

The Mare – Mary Gaitskill

Barkskins – Annie Proulx

The Power – Naomi Alderman

Little Deaths – Emma Flint

The Woman Next Door – Yewande Omotoso

Hag-Seed – Margaret Atwood

The Gustav Sonata – Rose Tremain

The Lonely Hearts Hotel – Heather O’Neill

Midwinter – Fiona Melrose

The Sport of Kings – C.E. Morgan

Stay With Me – Ayòbámi Adébáyò

‘Have you ever seen God in a labour room giving birth to a child? Tell me, Yejide, have you ever seen God in the labour ward? Women manufacture children and if you can’t? You are just a man. Nobody should call you a woman.’

Yejide and Akin have been married for two years when Akin’s mother begins bringing potential second wives to his office every Monday morning. When she threatens to start visiting Yejide with the women each week, Akin agrees to marry Funmi. The deciding factor? That she doesn’t insist on moving in with him. Instead, he installs her in a flat, leaving Yejide blissfully unaware of her existence.

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At the beginning of the novel, and four years into Akin and Yejide’s marriage, Iya Martha, Yejide’s father’s oldest wife, and Baba Lola, Akin’s uncle, present Yejide with Funmi. They’re convinced that when Funmi gets pregnant Yejide will too.

I had expected them to talk about my childlessness. I was armed with millions of smiles. Apologetic smiles, pity-me-smiles, I-look-unto-God smiles, name all the fake smiles needed to get through an afternoon with a group of people who claim to want the best for you while poking at your open sore with a stick, and I had them ready.

Yejide is an educated woman with her own hairdressing salon business. She is smart, confident and independent, but the society she lives in isn’t constructed to recognise women as such. The lack of a pregnancy is seen as her shortcoming, and when Yejide calls Akin a bastard, Iya Martha criticises her for not allowing Funmi to stay in their house. She says Yejide should be grateful to her husband, while Yejide points out to the reader that she pays half of the rent.

The novel alternates between Yejide and Akin’s points of view. This structural decision adds depth, allowing Adébáyò to consider the effects of a patriarchal society which values gender constructs, particularly motherhood, from both a female and a male perspective. Adébáyò uses it particularly well for moments of dramatic irony, priming the reader for the point when the other half of the couple will discover a betrayal.

It’s obvious that Akin loves his first wife and not his second, but also that he feels torn between Yejide and his mother, who makes her expectations clear. As Funmi inserts herself further into their lives and Yejide tries everything – doctors, prophets, priests – in order to help her conceive, their marriage begins to feel the strain and both of them make choices that will have devastating consequences.

Stay With Me considers a patriarchal, patrilineal, heterosexual society’s expectations of a married couple. It examines the pressure for couples to produce children; the value that’s placed on the continuation of the bloodline.

Adébáyò incorporates something of the thriller genre with a few unexpected and shocking twists, while writing sentences as beautiful as these:

I did not feel better. I would not feel better for a very long time. Already, I was coming undone, like a hastily tied scarf, coming loose, on the ground before the owner knows it.

But even when it’s in a thousand pieces around your feet, that doesn’t mean it’s no longer love.

These days I tell myself that is why I stretched to accommodate every new level of indignity, so I could have someone who would look for me if I went missing.

Stay With Me is intelligent, provocative and gripping. Ayòbámi Adébáyò is an exciting new talent.

If you will be in or around London a week today (Tuesday 7th March), I will be chairing a New Nigerian Fiction night at Waterstones, Gower Street featuring Ayòbámi Adébáyò and Chibundo Onuzo, author of The Spider King’s Daughter and Welcome to Lagos. More information and tickets are available here.

Thanks to Canongate for the review copy.

My Baileys Women’s Prize for Fiction 2017 Wishlist

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It’s almost that time of year again; The Baileys Women’s Prize for Fiction longlist is announced on International Women’s Day, Wednesday 8th March. Once again, I’ll be charing a shadow panel, the other members of which I’ll introduce on Friday. Before both of those things though, I’m going to have a stab in the dark at what might be on the longlist. My success rate is why I refer to this post as my wishlist as opposed to a prediction.

This year the longlist has been reduced from 20 to 12 titles, making it easier to read along and debate what might make the shortlist. Eligible titles are those published between the 1st April 2016 and the 31st March 2017 and written in English.

I’ve reviewed all of the titles I’ve chosen except Stay With Me by Ayòbámi Adébáyò, which I’ll review this week, and Autumn by Ali Smith (which I’ve read but not yet reviewed); click on the covers of the other books to read my reviews.

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Ones to Read in 2017

One of the joys of running this blog is getting to read advance copies of books I’ve been looking forward to as well as titles from new writers being published in the first half of 2017. I’ve read a whole host of books, mostly fiction – novels, novellas, short stories, and I’ve selected ten I think are must reads.

All publication dates are correct as of 2nd January 2017 for UK publication.

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Homegoing – Yaa Gyasi

Effia Otcher and Esi are sisters, unaware of each other’s existence. In 1775, Effia’s mother, who beats her and is manipulative, conspires to marry her to one of the white slave traders. Effia goes to live with him in Cape Coast Castle, unaware that Esi is in the dungeon, packed tight with other women – alive and dead – waiting to be shipped to America. Gyasi then follows the two women’s timelines through to the present day. The story alternates between West Africa and America, each chapter told by one of the offspring of the previous character in that branch of the family tree and becoming a guide to the creation of black as a race. It’s an incredible piece of work. If you only read one book in 2017, make it this one.

Published 5th January 2017 by Viking

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Homesick for Another World – Ottessa Moshfegh

If you thought the title character in Eileen was despicable, wait until you meet those who populate Moshfegh’s first short story collection. From a teacher who spends her summer break slumming it with drug addicts to the old white dude who tries to hit on his young neighbour to the girl who’s convinced she needs to kill a particular person in order to go to a better place, all of Moshfegh’s characters are unlikeable in some way. But that’s also because they’re real, their lives like ours. And that’s the beauty of her work. This is a brilliant collection; Moshfegh’s rapidly establishing herself as one of the best writers of her generation.

Published 12th January 2017 by Jonathan Cape

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First Love – Gwendoline Riley

Neve, a writer in her mid-thirties, is married to Edwyn, an older man. She documents their turbulent relationship alongside an earlier reacquaintance with an ex-boyfriend and the relationships she had with her mother and father. All are manipulative and abusive in different ways and to varying degrees. Riley’s writing is razor sharp. She places the reader in Neve’s position and it never feels less than real. Packs a literal and metaphorical punch, leaving space for interpretation and discussion.

Published 2nd February 2017 by Granta

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The End We Start From – Megan Hunter

As the sea-level rises around the UK, a woman gives birth to a boy her and her husband name Z. They leave for the mountains where her husband, R, grew up. Before long, queues are forming for food and basics and the family starts to disintegrate as R mistrusts the authorities and the unnamed narrator wants to protect Z. Taut, beautifully written, this tense novella will keep you gripped. I read it in one sitting and returned to it the following day.

Published 18th May 2017 by Picador

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Little Deaths – Emma Flint

Queens, NYC, 1965. Ruth Malone’s in a bitter custody battle with her ex-husband when her two children Frankie, five, and Cindy, four, go missing from her apartment and are later found murdered. When the police discover Malone drinks, dates and takes care of herself they’re determined to pin the murders on her. A page-turner which explores patriarchal attitudes to women who don’t play the angel. Rage-inducing but gripping.

Published 12th January 2017 by Picador. 

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Stay With Me – Ayòbámi Adébáyò

When Yejide fails to conceive, her husband, Akin, is convinced by his mother-in-law to take a second wife who will deliver the grandson she so desperately desires. Yejide is horrified at becoming a first wife and Akin feels little better about the arrangement but it will change both of their lives and their marriage for better and for worse. Told from alternating points of view Adébáyò explores the effect of patriarchal society on women and men with thriller-like pace and twists. Gripping and thoughtful.

Published 2nd March 2017 by Canongate.

cover1Take Courage: Anne Brontë and the Art of Life – Samantha Ellis

If you enjoyed the BBC’s To Walk Invisible over Christmas, or can only name two of the Brontë sisters and their work, or have long been a fan of Anne and are glad someone else gets it, then Samantha Ellis’ investigation into who Anne Brontë was, her work and why we know so little about her is one for you. Ellis examines Anne through those who were closest to her and her two novels Agnes Grey and The Tenant of Wildfell Hall. The Anne Brontë reassessment/revival begins here.

Published 12th January 2017 by Chatto & Windus

 

Difficult30644520 Women – Roxane Gay

Third mention for the ‘p’ word but the women in Roxane Gay’s short story collection are only difficult because they break the rules the patriarchy imposes on them. Often they’re punished for it though – from the sisters who are kidnapped to the stripper followed home by a client – and question their worth to society. Written in clear, brutal prose, Gay shows how race, class, sexuality and gender affect average women every single day.

Published 3rd January by Corsair

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The Things We Thought We Knew – Mahsuda Snaith

Ravine Roy has chronic pain syndrome and hasn’t left her mother’s council flat since her best friend, Marianne, disappeared ten years ago. Now she’s eighteen, her mum’s determined to get her out, starting with voting in the General Election. But Ravine’s got other things to worry about such as writing to Marianne, wondering who her mother’s companion is, and the noises coming from the unoccupied flat next door. If you loved The Trouble with Goats and Sheep or My Name Is LeonThe Things We Thought We Knew is your summer 2017 read.

Published 15th June 2017 by Doubleday

4111fppgtel-_ac_ul320_sr198320_See What I Have Done – Sarah Schmidt

Schmidt takes the infamous case of Lizzie Borden and explores what might have happened on the days surrounding the murder of Borden’s father and stepmother. The narrative moves between Lizzie, her sister Emma, the maid Bridget and a young man called Benjamin, unknown to all but the Borden’s Uncle John, their late-mother’s brother. Schmidt creates a claustrophobic atmosphere placing the reader in the centre of a house stifling with heat and tensions. Gripping.

Published 2nd May by Tinder Press