Tag Archives: Bidisha

In the Media, April 2017, Part One

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In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

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Photograph by Murdo MacLeod

 

Women have been dominating the prize wins for the past fortnight. Hollie McNish won the Ted Hughes Prize and Kiran Millwood Hargrave won the Waterstones Children’s Book Prize with The Girl of Ink and Stars.

While The Baileys Women’s Prize for Fiction shortlist was announced. Rebecca May Johnson writes ‘Notes on . . . the Baileys Women’s Prize‘ (and reading women more generally) in the Financial Times. There are interviews with several of the longlisted writers on the prize’s site: Madeleine Thien, Naomi Alderman, Linda Grant, Yewande Omotoso, Heather O’Neill, Fiona Melrose, Eimear McBride, Emma Flint.

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The best of the rest:

On or about books/writers/language:

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Personal essays/memoir:

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Feminism:

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Society and Politics:

Film, Television, Music, Art, Fashion and Sport:

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The interviews/profiles:

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The regular columnists:

In the Media: 19th April 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Bailey’s Women’s Prize for Fiction shortlist was revealed this week. Sarah Shaffi of The Bookseller reports, ‘Experience tells on Baileys Women’s Prize shortlist‘ while Anna James of We Love This Book introduces us to each of the books and invites us to read along in this video.

Other big news was London Book Fair. For readers, this means announcements about new acquisitions from significant writers. Alison Flood in the Guardian reports, ‘Age shall not weary them: Diana Athill, 97, and Edna O’Brien, 84, are stars of London book fair‘ and ‘London book fair excited by Erica Jong’s new novel‘. The Quietus reports on Viv Albertine’s new book and the cover for Patti Smith’s sequel to Just Kids was released this week, see it in The Pool. If you want a glimpse into what goes on at the fair, Antonia Honeywell wrote on her blog about the panel she was part of, ‘Promoting Debut Authors – London Book Fair 14th April 2015‘.

The woman with the most publicity this week is Evangeline Jennings who’s interviewed on The Indie View, Col’s Criminal Library, Quirky Fiction, Omnimystery News and in character as one of the narrators of her short stories, Helen Wheels on Reflections of Reality.

In this week’s Harper Lee news, ‘PRH reveals Harper Lee title page‘ reports Publishers Weekly.

And in this week’s Elena Ferrante news, if you haven’t read anything by her, she’s this week’s Bedtime Bookclub in The Pool where you can read the first five chapters of My Brilliant Friend. Also in The Pool, Viv Groskop asks, ‘Is being a bestseller all in a name?‘ and Cristina Marconi writes, ‘Elena Ferrante versus Italy‘ on Little Atoms.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Music, Film and Television:

The interviews:

If you want some fiction to read:

If you want some poetry to read:

  • ‘What Did Sriraman Say?‘ by Perundevi (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • ‘Highway‘ by Malathi Maithri (translated by Lakshmi Holmström) in Words Without Borders
  • ‘Three Dreams‘ by Sharmila Seyyid (translated by Lakshmi Holmström) in Words Without Borders
  • ‘Fear‘ by Krishangini (translated by Padma Narayanan and Subashree Krishnaswamy) in Words Without Borders
  • ‘Shunaka: Blood Count‘ by Karthika Nair in Granta
  • ‘Gone to Pasture/To Speak‘ by Natalie Eilbert in The Offing
  • ‘Compromised Field‘ by Shareen Mansfield on The Honeyed Quill
  • ‘Humbles‘ by Frances Leviston on Poem Today
  • ‘The Handshake‘ by Isabel Rogers on her blog
  • ‘A Psalm for the Scaffolders‘ by Kim Moore on Seren Books’ Blog

If you want some non-fiction to read:

The lists:

In the Media: 1st March 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

I’ve spent a fair proportion of this week agog at some of the comment pieces, particularly in regard to the three girls from Bethnal Green who appear to be en route to Syria. Emma Barnett in the Telegraph wrote, ‘Stop pitying British schoolgirls joining Islamic State – they’re not victims‘; Grace Dent in the Independent said, ‘If teenage girls want to join Isis in the face of all its atrocities, then they should leave and never return‘; Mary Dejevsky wrote, ‘If Britons want to join Isis, let them go‘ in The Guardian and Allison Pearson said, ‘Let’s stop making excuses for these ‘jihadi brides‘ in the Telegraph. Judith Wanga responded on Media Diversified with, ‘The Denial of Childhood to Children of Colour‘, as did Chimene Suleyman with, ‘It’s Time To Talk About Why Our Young People Turn Against Their Country‘ and Nosheen Iqbal in The Guardian with, ‘The Syria-bound schoolgirls aren’t jihadi devil-women, they’re vulnerable children‘. Emma Barnett responded with ‘Racists are alive and well in Britain – but I’m not one of them‘ in the Telegraph. Chimene Suleyman also wrote, ‘‘Defining’ Terror, and Why ISIS Suits the West‘ on Media Diversified, prior to these most recent articles.

The Oscar ceremony was another place for some jaw-dropping comments. Megan Kearns wrote, ‘Patricia Arquette Undermined Her Own “Most Feminist Moment” of the Oscars‘ in Bitch Magazine; Betsy Woodruff commented, ‘The Gender Wage Gap Is Especially Terrible in Hollywood‘ on Slate; Maitri Mehta wrote, ‘Patricia Arquette Defends Her Oscars Backstage Comments On Twitter, But Still Misses The Point‘ on Bustle; Jenny Kutner also wrote about Arquette’s tweets on Salon, ‘Patricia Arquette doubles down on equal pay: “Why aren’t you an advocate for equality for all women?”‘; Amanda Marcotte wrote, ‘Patricia Arquette’s Feminism: Only for White Women‘ on Slate; Katie McDonough wrote, ‘“Fight for us now”: What Patricia Arquette got right (and wrong) about equal pay‘ on Salon. Brittney Cooper wrote, ‘Black America’s hidden tax: Why this feminist of color is going on strike‘ in Salon.

Remarks made by one television reporter about Zendaya Coleman’s locs prompted pieces by Loretta de Feo, ‘Why do we feel the need to taunt and judge black hair, rather than embrace it?‘ in Stylist; Jodie Layne, ‘Why Zendaya’s Response To Giuliana Rancic’s Awful ‘Fashion Police’ Comments Is Important‘ on Bustle, and Grisel E.Acosta wrote, ‘“Racism begins in our imagination:” How the overwhelming whiteness of “Boyhood” feeds dangerous Hollywood myths‘ on Salon.

The Brits were written about by Tracey Thorn in the New Statesman, ‘The Brits are so polite these days. One reason? There’s no bands left‘; Bidisha wrote, ‘Madonna is superhuman. She has to be to survive the ugly abuse‘ in The Guardian; while Salena Godden covered both the Oscars and the Brits in ‘Julianne Moore is 54. Madonna is 56.‘ on Waiting for Godden

Writing awards wise, the Sunday Times Short Story Award shortlist was announced and is dominated by women. As is the Walter Scott Prize longlist, released to the public for the first time.

There’s an entire series of articles currently being published in the Irish Times on Irish Women Writers. The link will take you to the round-up so far. While academic Diane Watt has just completed 28 days of LGBT book recommendations. You can read this week’s in a Storify here; links at the bottom of the page will take you to previous weeks.

And the woman with the most publicity this week is Kim Gordon. She’s this week’s New York Times ‘By the Book‘; there’s an excerpt from Girl in a Band in The Cut; you can listen to Gordon herself read an extract on Louder than War; there are five standout moments from her memoir on Slate, and in The New Yorker, Michelle Orange writes about ‘Kim Gordon, Kurt Cobain, and the Mythology of Punk‘.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

The lists:

In the Media: 5th October 2014

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought-provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Is anyone else aware there’s a film version of Gone Girl out this week? Love it or loathe it, you certainly can’t miss it. Gillian Flynn’s been interviewed by Emma Brockes in The Guardian and told Vulture about 21 Things that Influenced her books. Erin Kelly wrote in the Telegraph about Why we are all in the grip of suburban noir, while Stylist ran some Words of Wisdom from History’s Greatest Female Crime Writers and Vulture ran a list of Seven Books to Scratch Your Gone Girl Itch which are not what you might expect (I’ve reviewed four and have two of the remaining three on my TBR).

Also having a moment is Jane Eyre and her creator Charlotte Brontë partly due to The Secret Life of Books‘ episode dedicated to the book last week. Presenter of that episode, Bidisha, wrote a piece telling us Beware Your Classic Heroines as they might not be all you thought they were. Pam McIlroy wrote Is Jane Eyre passive or strong? in reaction to the programme. While Claire Hayes wrote about rereading and rethinking Jane Eyre as part of the Massive Open Online Course she’s taking. And if you can’t stand Jane Eyre (just me?), here’s Lucy Hughes-Hallet’s piece from earlier in the year about Why Villette is better.

Lots this week about gender parity or, more specifically, the lack of it. Anne Boyd Rioux wrote on her blog about the Challenge to a (Woman) Writer’s Credibility following the Washington Post’s review of Karen Abbott’s Liar Temptress Soldier Spy and on The Millions asked Is There No Gender Equity in Nonfiction? (I don’t need to remind you not to read the comments on that one, do I?) Rebecca Winson from For Books’ Sake wrote in the TES about their Balance the Books campaign, to challenge the gender divide on the new UK GCSE specifications. While Elisabeth Donnelly wrote on Flavorwire about the difference between Lena Dunham and Aziz Ansari’s Million Dollar Book Deals.

(Portrait by Jay Grabiec )

Talking of Lena Dunham (and other current high profile feminists), she’s still big news this week following the publication of her book. Roxane Gay interviewed her on Vulture and posted the outtakes. While the New York Times ran a piece on how she was turning her book tour into ‘a Literary Circus’. While the LA Times linked her with Laurie Penny to discuss how they are ‘rewriting womanhood for the 21st Century‘. Standard Issue interviewed Penny while the TLS ran a piece discussing Penny’s book alongside Laura Bates’ Everyday Sexism and The Vagenda titled ‘Modern Sexism‘. And as I’ve mentioned Gay, I’m very excited by the news that The Toast have hired her to run their new sister site ‘The Butter’.

In translated literature news, there’s a great portrait of Russian writer Lyudmila Ulitskaya in The New Yorker and a piece on Chinese Women Writers by Chialin Yu on Women Writers, Women’s Books. Still the Elena Ferrante pieces continue: there’s a podcast on The New Yorker about her mysterious power and Kat Stoeffel has a girl-crush on her on The Cut. While there’s an extract of Catherine Bessonart’s forthcoming novel And if, at Notre Dame, by night, translated by Louise LaLaurie on French Culture. All the more interesting for having the original text alongside the translation. And finally, Sal Robinson at Melville House commented on the possibility of a Women in Translation prize.

I never mention poetry. It’s not because I don’t enjoy it, more that I don’t feel even vaguely qualified to talk about it. However, I’m changing that as of this week (talking about it, that is). Poet of the moment, Kate Tempest is in The Guardian talking about how rapping changed her life. This fantastic poem, Leak by Lauren Levin in The Brooklyn Rail is well worth a read. While Patience Agbabi performs the Prologue from her reworking of Chaucer’s The Canterbury Tales.

If you prefer prose, Lionel Shriver emerged as the winner of the BBC National Short Story Award, you can read ‘Kilifi Creek‘ on The Guardian site; Hilary Mantel’s ‘The Long QT‘ from The Assassination of Margaret Thatcher; the opening of Marilynne Robinson’s new novel ‘Lila’ on the Virago Books, or Bidisha’s new novel-length fiction work Esha Ex on her blog.

The best of the rest articles:

And the interviews:

This week’s lists:

And my favourite pieces this week: