#DiverseDecember #17 – #21

Things have been slightly derailed by my despair at the situation in the UK and being exhausted at the end of term. I also wanted everything I recommended to be fairly recent publications and I over-estimated how much reading I could do. But I’m back on track so I’m going to do two round-ups, one today and one on Thursday (Christmas Eve). 

So We Can Glow – Leesa Cross-Smith (Grand Central Publishing) 

The ‘We’ in the title of Lessa Cross-Smith’s latest short story collection is women and girls. Through a collective narration in the opening story ‘We, Moons’ the hopes, dreams and fears of women and girls are laid out:

We’re not depressed all the time, some of us aren’t even depressed sometimes. We’re okay, our hearts, dusted with pink. When we cry in our bathrooms together it’s about men or our mothers or our fathers or our bodies. […] We love men. We are ashamed of this attraction. We, the ones who aren’t lesbians or asexual; we fantasise about lesbian communes or asexual communes. 

What follows are 41 stories in which women and girls have crushes, fall in love, have affairs, have relationships with good men and terrible men, form friendships which last a lifetime, live, laugh, cry. 

One of the reasons I love Cross-Smith’s work is that we share a lot of cultural references. This exchange from ‘Teenage Dream Time Machine’ is a perfect example:

Dave and I were listening to
DEF LEPPARD.

POUR SOME SUGAR ON
ME?!

Of course! LOL.

I love it. Did you ever dye
your hair?

Bright pink once and my mom
almost killed me. I used to 
spray Sun In in my hair when I
laid out but it didn’t do much. It
smelled good though. I wanted 
to be Drew Barrymore. I wanted
to be Courtney Love for a 
minute too. 

Same. This is so funny…all
the women our age…we 
were practically living the
same life! We’re all
connected…like magic.

I also love that she takes crushes, especially on pop stars / actors / sportsmen seriously and the lives and thoughts of teenage girls. That she writes like a dream, ending so many of these stories on the most perfect lines, only elevates the stories of women and girls further. As it should be. 

My Darling from the Lions – Rachel Long (Picador) 

Rachel Long’s excellent debut collection considers love in all its forms: romantic, familial, friendship, discovering how to love yourself. A series of poems called ‘Open’ punctuate the first section:

This morning he told me
I sleep with my mouth open
and my hands in my hair.
I say, What, like screaming?
He says, No, like abandon.

But it’s the love for her mother that really shines through:

Orb

Mum combs her auburn ’fro up high.
So high it’s an orb.
Everyone wants to – but cannot – touch it.

Themes of race, class and misogyny underpin the collection and it’s often these undertones that deliver the vivid images and sucker punch final lines that resonate long after reading.  

Endless Fortune – Ify Adenuga (Own It! / Boy Better Know)

Ify Adenuga is the mother of four children: Joseph Junior aka Skepta; Jamie aka Jme; Julie, who was the voice of Apple’s music station Beats 1 when it launched, and Jason, music producer and graphic designer. They’re the reason I picked up Endless Fortune, but Ify Adenuga’s own story turns out to be more interesting than her children’s.

The book begins when Adenuga is 10, living in Lagos with her family. The Bifran War begins and Adenuga’s family, who are Igbo, flee the city to their father’s village. Adenuga misses much about Lagos, not least attending school. When she is able to go to the nearest school the teacher suggests she skips a year (having missed three years of schooling) This creates tension with her father who thinks she should do things chronologically and come top of the class. Adenuga finds a way around this and passes the year with a high mark. This sets up two threads that weave throughout Adenuga’s story: the first is her passion for learning which takes her to a ‘good’ school, through a degree as a mature student, to setting up her own education centres and the second, her determination that no one will stand in her way. 

Adenuga’s memoir is one of a woman who took risks, stayed resilient through multiple setbacks, and created a life that allowed herself and her family to flourish. It’s a fascinating story. 

Future Home of the Living God – Louise Erdrich (Corsair)

When I tell you that my white name is Cedar Hawk Songmaker and that I am the adopted child of Minneapolis liberals, and that when I went looking for my Ojibwe parents and found that I was born Mary Potts I hid the knowledge, maybe you’ll understand. Or not. I’ll write this anyway, because ever since last week things have changed.

Cedar’s diary is written for the unborn baby she is carrying in a world where being pregnant is dangerous. As society breaks down, pregnant women are being captured and kept in hospitals. 

When Cedar discovers she is pregnant, she goes to meet her birth mother, withdraws all her savings and stockpiles things that might be useful – cigarettes, guns, ammunition. Protected by the baby’s father, she attempts to stay hidden, communicating with her birth family via her mother’s husband. 

It’s a tense tale with some particularly evocative scenes; a period of time in hospital with an elective mute roommate is a really interesting section of the story, and there’s a graphic description of labour and birth that had me wincing. 

If you’ve read Erdrich before you’ll know that in her novels the backstory is the story. In some ways, Future Home of the Living God, feels like a departure – things happen in the now as society changes and Cedar’s pregnancy progresses – in others, it feels like a typical Erdrich novel, specifically in the ending that makes the whole book feel as though it’s backstory. It left me wanting more of what happens next. 

Cannibal – Safiya Sinclair (Picador) 

Safiya Sinclair’s debut collection takes her childhood home of Jamaica, Shakespeare’s The Tempest, and her present home of America to explore and confront exile, otherness, race and womanhood. The poems here are deep and rich with language and ideas. Some feel very intense, ‘Pocomania’, for example, which begins:

Father unbending father unbroken father
with the low-hanging belly, father I was cleaved from, 
pressed into, cast and remolded, father I was forged 
in the fire of your self.

Others more spacious and provocative, such as ‘Elocution Lessons with Ms. Silverstone’, which opens with:

In high school boys were easy – 
they saw none of you 
or all of you

in one ravenous gaze, 
slurped hankering glances
or walked right through

you in sterile absolution, 
high-fived and hissed about
your dick-sucking lips.

Brewing names
for your body
in the mastabatorium. 

It’s an incredible collection and I’m excited to see where Sinclair’s career takes her. 

All copies of these books are my own purchases.

Fiction Round-Up

There are some books that, for a range of reasons, I read but just didn’t get around to reviewing in full this year. Because I’d like to start the new year without a pile of books I haven’t reviewed yet glaring at me I thought I’d do a couple of round-ups instead. Today it’s fiction, later in the week will be non-fiction.

The Vanishing Futurist – Charlotte Hobson

In 1914, Gerty Freely moves from Cornwall to Moscow and becomes a governess. Narrated in Gerty’s old age from the house in Hackney where she lived with her husband until his death sixth months previously, The Vanishing Futurist tells a story of the Russian Revolution through Gerty’s involvement with Nikita Slavin and the commune they establish with friends. We know from the prologue that Slavin, an inventor, disappeared in January 1919. The official story is that he left in an invention of his own making but Gerty reveals the truth. A smart and ultimately heart-breaking novel about the price of freedom from social norms.

Speak – Louisa Hall

Five voices tell the story of the evolution of Artificial Intelligence. In 2040, Stephen R. Chinn, incarcerated in Texas State Correctional Institution, tells of how he designed babybots to help children with their speech. The babybots were programmed to respond to the things their owner told them, storing details in their memory. In transcripts from Chinn’s trial, we meet Gaby Ann White who talks to the voice of a former babybot called Mary3. Through the discussion we learn about the bond these children developed with their babybots before they were taken from them. In 1968, Karl Dettman writes to his wife, Ruth, who is using the computer he’s designed, called Mary, as a child substitute, causing tension in their marriage. The fourth voice are letters from Alan Turing which chart his friendship with Chris Morcom and his thoughts regarding Artificial Intelligence. Finally there’s The Diary of Mary Bradford, a pilgrim girl from the 1660s, which Ruth Dettman is editing – and has named her husband’s voice activated computer programme after. Hall weaves the five voices together showing a society both enamoured with and frightened of AI. A superb novel which should have garnered far more attention than it has.

The Big Lie – Julie Mayhew

A counterfactual novel in which the Nazis have won World War Two and the UK is part of the Greater German Reich. Jessika Keller is the daughter of a high-ranking official, loyal to the state and a promising ice skater. When Jess is seven, the Hart family move onto her street and their daughter, Clementine, becomes her best friend. But Clementine and her family aren’t like the Kellers. Clementine is a rebel and soon her attitude starts to have an effect on Jess. And what would happen in a right-wing state if Jess were to fall in love with the wrong person? Beautifully written and all the more chilling considering current world events.

LaRose – Louise Erdrich

LaRose begins with Landreaux accidentally shooting dead his neighbour’s young son. Following traditional example, Landreaux and his wife, Emmaline, send their young son, LaRose, to live with their neighbours in place of the dead son. LaRose not only tells the story of the fallout of the death, the switch and the impact on both families, it tells the families’ backstories. There had been a LaRose in each generation of Emmaline’s family for over a hundred years. We follow the story of Emmaline’s ancestor LaRose and discover the relationship between Landreaux and Romeo Puyat, who used to be classmates and now despise each other. A complex, engrossing, family/community saga that explores how earlier generations affect and influence the present.

The Girls – Emma Cline

No doubt you’ve already heard of Emma Cline’s debut The Girls. Set in California in 1969, Cline details the summer when her narrator Evie becomes enamoured with a group of girls and becomes part of a cult. This leads to an encounter with a Manson-like figure. The summer and adolescence are well-captured. Evie rebels against her mother, pushing boundaries at home, as well as legally, in her desire to be part of an adult world she doesn’t understand. However, Cline inserts chapters told in a present day in which Evie is staying at a friend’s apartment with her friend’s son and his girlfriend. This gives Evie the opportunity to reflect upon what happened in 1969, commenting on some of the behaviour displayed by the two young adults she finds herself living with. Not only are these chapters not as vivid and atmospheric as those from Evie’s adolescence but knowing Evie survives to middle-age also serves to undercut the tension of the 1969 scenes. Cline’s a writer with a promising future but The Girls fails to live up to its promise.

 

Thanks to Faber and Faber, Orbit, HotKey Books, Corsair and Chatto & Windus for the review copies.

In the Media, May 2016, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

It seems there’s been a return to traditional topics this fortnight. Having children (or not) and body image are back at the top of the agenda. On the former, Daisy Buchanan wrote, ‘I’m economically infertile, and I’ve made peace with that‘ on The Pool; Stephanie Merritt, ‘Sheryl Sandberg admits she did not get how hard it is to be a single mother‘ on The Pool; Ashley Patronyak, ‘A Slight Risk‘ in Guernica; Jordan Rosenfeld, ‘On Discovering Real Mothers on the Page‘ on Literary Hub; Diana Abu-Jaber, ‘Motherhood vs. Art: There Is No Wrong Choice‘ on Literary Hub; Rivka Galchin, ‘Why Does Literature Hate Babies‘ on Literary Hub; Willa Paskin, ‘Speak, Motherhood‘ on Slate; Jennifer Gilmore,’I’m Glad My Mother Worked‘ on The Cut, and Louise O’Neill, ‘I think I would be a good mother; I just don’t want to be one‘ in The Irish Examiner.

Discussions about body image seems to be around the publication of two new books: Shrill by Lindy West and Dietland by Sarai Walker. West wrote, ‘The ‘perfect body’ is a lie. I believed it for a long time and let it shrink my life‘ in The Guardian. Walker was interviewed in The Bookseller and The Pool. And Mallory Ortberg wrote, ‘“We would have paid her the same if she weighed 500 pounds”: Publishing, Weight, and Writers Who Are “Hard To Look At”‘ in The Toast

And then there was this: the men-only bookclub who only read books about men. LV Anderson at Slate decided to tell us all off for being outraged about it, ‘Feminists Shouldn’t Roll Our Eyes at Men-Only Books Clubs. We Should Applaud Them‘.

This fortnight saw the deaths of Sally Brampton and Geek Love author, Katherine Dunn. Kathryn Flett wrote, ‘Sally Brampton – the woman who made ‘Elle girls’ the new normal‘ in The Guardian and Daisy Buchanan wrote, ‘Depression is not a battle that can be won or lost‘ on The Pool.

The best of the rest:

On or about books/writers/language:

• Bethanne Patrick, ‘I Am Jessa Crispin’s Problem with Publishing‘ on Literary Hub
• Kate Morton, ‘I wrote The House at Riverton during my baby’s nap times‘ in The Telegraph
• Micah Perks, ‘How My Best Friend Willa Cather Helped Me Beat Stage Fright‘ on Literary Hub
• Alison Flood, ‘Kate Mosse speaks up for European literature in face of Brexit‘ in The Guardian
• Anne Boyd Rioux, ‘The Diminution of Women Writers: An American Tradition‘ on Literary Hub
• Flora Willis, ‘Let Me Be Frank: I Love Dick, So Sad Today, The Argonauts and ‘confessional’ literature‘ on Serpent’s Tail
• Brooke Hauser, ‘Take It or Leave It: Guidebooks for Single Girls‘ on The Millions
• Louisa Treger, ‘From Violinist to Writer‘ on The Literary Sofa
• Andrew Dickson, ‘‘The strange thing is we howled with laughter’: Sarah Kane’s enigmatic last play‘ in The Guardian
• Jami Attenberg, ‘Appreciating the View‘ on Lenny
• Sian Cain, ‘Lionel Shriver: Donald Trump’s too far-fetched for fiction‘ in The Guardian
• Dana Schwartz, ‘Why Hasn’t ‘The Late Show’ Invited Any Female Novelists?‘ on Observer
• Eileen Pollack, ‘Why Fiction Needs More Women Scientists‘ on Literary Hub
• Ali Smith, ‘History of violence: on Alan Garner‘ in the New Statesman
• Alexandra Alter, ‘Masters of Prose Warm Up to Children’s Picture Books‘ in The New York Times
• Charlotte Geater, ‘When Romance Comics Hated Women‘ on Women Write About Comics
• Marni Graff, ‘Using Crime Fiction to Present Fully Formed Muslim Characters‘ on Literary Hub
• Edna O’Brien, ‘Is literature a dying animal?‘ in The Guardian
• Anne Enright, ‘On Writing‘ on the Baileys Women’s Prize for Fiction
• Martin Chilton, ‘Valley of the Dolls: from reject to 30-million best-seller‘ in The Telegraph
• Hannah Gersen, ‘No More Dead Mothers: Reading, Writing and Grieving‘ on Literary Hub
• Elina Penner, ‘‘Disney For Adults’: How Trashy Romance Novels Conquered the World‘ on Broadly
• Jennifer R. Bernstein, ‘Why Literature Needs Psychology‘ on Literary Hub
• Katherine Cowdry, ‘Sharlene Wen-Ning Teo wins inaugural Deborah Rogers Writers’ Award‘ in The Bookseller
• Linda Grey Sexton, ‘Diving Deep to Explore the Wreck: Linda Gray Sexton on the Path to Inspiration‘ on Read Her Like an Open Book
• Emma Donoghue, ‘“I’ve ended up having a family as well as being a lesbian. I thought it would be one or the other”’ in The Guardian
• Dorothy Koomson, ‘It breaks my heart to see library closures‘ in The Telegraph
• Jia Tolentino, ‘Sheesh, There’s a Reason Women Are ‘Totally Crushing It’ At the Confessional Essay‘ on Jezebel
• Joan Didion, ‘California Notes‘ in The New York Review of Books
• Katherine Cowdry, ‘McInerney, McCrea, Rochester shortlisted for Desmond Elliott Prize‘ in The Bookseller
• Lorraine Berry, ‘‘They’: the singular pronoun that could solve sexism in English‘ in The Guardian
• Anne Boyd Rioux, ‘Women Writers You Should Know: Alice Dunbar-Nelson‘ in The Toast
• Lionel Shriver’s guide to dystopia in The Telegraph
• Maaza Mengiste, ‘What Is the Writer’s Place in a Violent World?‘ on Literary Hub
• Lydia Millet, ‘Love Is Boring and Hard to Write About, And Yet…‘ on Literary Hub
• Hope Jahren, ‘Lab Girl‘ on Powell’s Books
• Casey N. Cep, ‘What Two Forgotten Pieces Tell Us About Harper Lee‘ in The New Yorker
• Michele Filgate, ‘Writers, The Loneliest Artists of All‘ on Literary Hub
• Elisa Gabbert, ‘The Point of Tangency‘ on The Smart Set
• Holly Smale, ‘Why children and teens need funny books‘ in The Guardian
• Elizabeth Hogg, ‘“Cool Girls” don’t like Hillary: What “Gone Girl” and “30 Rock” taught me about politics, feminism and smashing the dude-bro patriarchy‘ on Slate
• Pamela Erens, ‘Labored Prose‘ on Slate
• Lucy Delap, ‘Bookselling and the Feminist Past‘ on OUP
• Nicole Lee, ‘Roxane Gay on Lemonade: ‘by the power of Beyoncé, I’ll overcome my fear’‘ in The Guardian
• Yvette Edwards, ‘The Anti-Canon: Douglas Hall’s In Miserable Slavery: Thomas Thistlewood in Jamaica, 1750-86‘ on Influx Press

Personal essays/memoir:

• Melissa Broder, ‘Taking off the mask of OK-ness, and tweeting about my anxiety‘ on The Pool
• Ana Castillo, ‘When Two Feminists of Color Fall in Love‘ on Literary Hub
• Alana Massey, ‘What Happened When I Finally Made Money‘ in Elle
• Rachel Monroe, ‘The Cat Psychic‘ on Hazlitt
• M.K. Hall, ‘Go Boldly, Dear Dreamer‘ on The Rumpus
• Rebecca Schiff, ‘Why I Quit Online Dating‘ on The Cut
• Elizabeth Day, ‘What a year of living out of a suitcase taught me‘ on The Pool
• Natashia Deón, ‘My Son’s Lifelong Silence Has Taught Me To Listen‘ on Buzzfeed
• Rivka Galchen, ‘My Friends’ Moms‘ in The New Yorker
• Rebecca Worby, ‘The Desert Half‘ on Catapult
• Bernadette Murphy, ‘Evolve or Die‘ on The Rumpus
• Sara Pascoe, ‘I’ve started getting “hangover shame” – only for my entire adolescence‘ in the New Statesman
• Nina Stibbe, ‘A love letter to Leicester‘ in The Telegraph
• Juleyka Lantigua-Williams, ‘Optimus Prime and Me‘ in The Atlantic
• Kat Chow, ‘In My Mom’s Shoes‘ on Lenny
• Alyson Foster, ‘The View from the Fourth Floor‘ on Guernica
• Anna March, ‘You’re Just a Sinner I Am Told: Prince & the Sexual Revolution‘ on The Rumpus
• Sara Elizabeth Grossman, ‘Pastures‘ on Blunderbuss

Feminism:

• Dayna Evans, ‘Why Does the Media Keep Giving Abusive Men Platforms for Redemption?‘ in The Cut
• Laura June, ‘How Do I Avoid Giving My Daughter Body Issues?‘ in The Cut
• Jendella Benson, ‘Why are black girls killing each other – or trying to?‘ on Media Diversified
• Gaby Hinsliff, ‘The key to being a successful woman? Knowing what not to do‘ in The Guardian
• Anna Sillman, ‘Kelly Ripa, Sharon Osbourne, and the Power of the Personal Day‘ in The Cut
• Jamilah Lemieux, ‘bell hooks and the Sour ‘Lemonade’ Review‘ on Ebony
• Florina Rodov, ‘The Homemade Abortion: a Caged Bird, a Quinceaneara, and the American Dream‘ on Electric Literature
• Varaidzo, ‘Conversations About Consent: Why ‘No Means No’ Is Not Enough‘ on Gal-Dem
• Mona Eltahawy, ‘Sex Talk for Muslim Women‘ in The New York Times
• Dolly Alderton, ‘What women actually want‘ on The Pool
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt

Society and Politics:

• Erika Adams, ‘Remote Year Promised to Combine Work and Travel. Was It Too Good to Be True?‘ on Atlas Obscura
• Melanie Thernstrom, ‘When Do You Give Up On Treating a Child With Cancer?‘ in The New York Times Magazine
• Jenn Abelson, Bella English, Jonathan Saltzman, and Todd Wallack, ‘Private Schools, Painful Secrets‘ in The Boston Globe
• Ruby Tandoh, ‘The Unhealthy Truth Behind ‘Wellness’ and ‘Clean Eating’‘ in Vice
• Anna Merlan, ‘Inside Superstar Machine, Which Ex-Members Say Is a Cult Preying on New York’s Creative Women‘ on Jezebel
• Andrea Maurer, ‘Dear Sun, Please Shine On Us‘ in Guernica
• Nadia Shireen, ‘Waking up in Sadiq’s London‘ on The Pool
• Eleanor Margolis, ‘The revenge revival: how public displays of vengeance became an industry‘ in the New Statesman
• Patricia Engel, ‘Cuba Crónica‘ on Catapult
• Chimene Suleyman, ‘Sadiq Khan may not represent a win for all Muslims, nor should he‘ on Media Diversified
• Eva Holland, ‘Cruising Through the End of the World‘ on Pacific Standard
• Harriet Ryan, Lisa Girion and Scott Glover, ‘‘You Want a Description of Hell?’ Oxycontin’s 12-Hour Problem‘ in The LA Times
• Rebecca J. Rosen, ‘The Circles of American Financial Hell‘ in The Atlantic
• Rebecca Asher, ‘Boys face just as much social pressure as girls‘ on The Pool
• Syreeta McFadden, ‘We’re in an amazing black cultural moment. Cue predictable white backlash‘ in The Observer

Film, Television, Music, Art, Fashion and Sport:

• Olivia Laing, ‘David Wojnarowicz: still fighting prejudice 24 years after his death‘ in The Guardian
• Keah Brown, ‘Love, Disability, and Movies‘ on Catapult
• Anna Leszkiewicz, ‘“I’m done taking pictures”: Justin Bieber, fandom and mental health‘ in the New Statesman
• Carrie Brownstein, ‘Call Me Crazy‘ in The New Yorker
• Jamie Moore, ‘Beyoncé’s Lemonade Is Made for Readers‘ on BookRiot
• Chloe Cadwalladr, ‘Why working-class actors are a disappearing breed’ in The Observer
• Hannah Ewens, ‘How ‘The Craft’ Realized the Power of Teen Girls and Made Witchcraft Cool‘ on Vice
• Alexandra Molotkow, ‘Teen Music Is Wasted on the Teens‘ on The Cut
• Ira Boudway and Kate Smith, ‘The Braves Play Taxpayers Better Than They Play Baseball‘ on Bloomberg
• Brogan Driscoll, ‘Put It Away, Madonna: We Like Our Older Women Invisible And Devoid Of Sexuality‘ on the Huffington Post

The interviews/profiles:

• Veronica Roth in The Guardian
• Louise Erdrich in The New York Times and Publishers Weekly
• Paula Whyman on Bloom
• Sara Pascoe on Standard Issue
• Lionel Shriver in The Bookseller and The Guardian
• Sophie Kinsella in The Guardian
• Ally Hilfiger in The Cut
• Yi Shun Lai on Write by Night
• Andi Zeisler in The Guardian
• Jesse Crispin in The Guardian and on Vulture
• Leslie Jamison on Literary Hub
• Hayley Webster on All the Words
• Sarah Perry on All the Words
• Shelley Harris on All the Words
• Fiona Melrose on All the Words
• Keris Stainton on All the Words
• Helen McClory on All the Words
• Melissa Broder in The Guardian
• Abbey Clancy in The Telegraph
• Janine di Giovanni in The Paris Review
• Zadie Smith on Refinery 29
• Harriet Reuter Hapgood on Buzzed
• Lydia Millet on Electric Literature
• Brenda Miller on The Rumpus
• Sarah Mlynowski and Shannon Hale on Publishers Weekly
• Fiona Sampson on Literateur
• Robin Black on Electric Literature
• Lisa McInerney on The Desmond Elliott Prize
• Esmé Weijun Wang on Bookslut
• Pamela Erens on The Millions
• Geling Yan on China in WW2
• Margo Jefferson in Vogue
• Lydia Davis in The Los Angeles Review of Books

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, May 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

The last fortnight’s been dominated by death. On Thursday, Jenny Diski died less than two years after being diagnosed with terminal cancer. Literary Hub ran ‘Remembering Jenny Diski‘ including pieces from Hayley Mlotek, Michelle Dean, Joanna Walsh, Bridget Read, Laura Marsh, Marta Bausells and Charlotte Shane. The Guardian ran an extract from her cancer diary. Joanne Harris wrote a found poem ‘Opium Ice Cream‘ from Diski’s tweets, and The London Review of Books opened Jenny Diski’s entire archive to non-subscribers.

The previous week comedian Victoria Wood died. A.L. Kennedy declared her, ‘My Hero‘ in The Guardian; Helen Walmsley Johnson wrote, ‘Victoria Wood gave us the gift of being able to laugh at ourselves‘ in The New Statesman

Although he’s not a female writer, Prince also died just over a week ago and so much brilliant writing by women has come from that: Porochista Khakpour, ‘Prince’s Woman and Me: The Collaborators Who Inspired a Generation‘ in the Village Voice; Maya West, ‘A Hierarchy of Love and Loss and Prince‘ on Jezebel; Bim Adewunmi, ‘Celebrating Prince For 48 Hours In Minneapolis‘ on Buzzed; Heather Haverilsky, ‘Prince Showed Me a Whole New Way of Existing‘ on The Cut; Amanda Marcotte, ‘Sexy MFers, unite: The feminist power of Prince’s sex-positive songs‘ on Salon; K.T. Billey, ‘Prince and the queer body: Our dirty patron saint of pop gave me permission to think outside the gender binary‘ on Salon; Kaitlyn Greenidge, ‘Surviving a Long Alaskan Winter with Prince‘ on Literary Hub; Julianne Escobedo Shepherd, ‘Prince Spent His Life Elevating and Mentoring Women‘ on Jezebel; Lily Burano, ‘Why Prince Was a Hero to Strippers‘ on The Cut; Ashley Weatherford, ‘Understanding the Politics of Prince’s Hair‘ on The Cut; Mona Hayder, ‘Prince Was a Demigod Who Uplifted the Masses Through Music‘ on Literary Hub; Naomi Jackson, ‘Prince: Finding Joy Outside Conformity‘ on Literary Hub; Rhiannon Lucy Cosslett, ‘Prince conjured the kind of sex you’d want to have – filthy and fun, and sometimes offensive‘ in The Independent; Tracy King, ‘We should celebrate Prince for championing female musicians‘ in The New Statesman; Laura Craik, ‘“I loved him because of how his music made me feel”‘ on The Pool; Michelle Garcia, ‘Prince gave black kids permission to be weirdos‘ on Vox; Ijeoma Oluo, ‘Prince Was The Patron Saint Of Black Weirdos‘ on The Establishment.

Other brilliant writing about music came from the launch of Beyoncé’s new album Lemonade. Brittany Spanos, ‘How Beyonce’s ‘Lemonade’ Reclaims Rock’s Black Female Legacy‘ in Rolling Stone; Mandy Stadtmiller, ‘How Lemonade Helped Me Talk to My Husband About Cheating‘ on The Cut; Treva Lindsey, ‘Beyoncé’s Lemonade Isn’t Just About Cheating, It’s About Black Sisterhood‘ in Cosmopolitan; Caroline O’Donoghue, ‘Monica, Becky With The Good Hair, and the power of the Other Woman‘ in The Pool; Diamond Sharp, ‘Beyonce’s ‘Lemonade’ Is an Anthem for the Retribution of Black Women‘ on Vice; Morgan Jerkins, ‘‘Lemonade’ Is About Black Women Healing Themselves and Each Other‘ in Elle; Daisy Buchanan, ‘What can Beyoncé’s Lemonade teach us about love?‘ on The Pool; Vanessa Kisuule, ‘Why Beyoncé’s ‘Lemonade’ Shows a Refinement of her Artistry‘ on Gal-Dem; Carrie Battan, ‘Beyoncé’s “Lemonade” Is a Revelation of Spirit‘ in The New Yorker; Priscilla Ward, ‘Beyoncé’s radical invitation: In “Lemonade,” a blueprint for black women working through pain‘ on Salon; Ezinne Ukoha, ‘I Will Do Better By My Sisters‘ on Medium; June Eric-Udorie, ‘Beyoncé’s Lemonade, and the power it bestows young black women‘ on The Pool; Rafia Zakaria, ‘Warsan Shire: the Somali-British poet quoted by Beyoncé in Lemonade‘ in The Guardian; Juliane Okot Bitek wrote, ‘On the Poet Warsaw Shire, Nobody’s Little Sister‘ on Literary Hub. While Jamila addressed Piers Morgan’s criticisms of the album with ‘Dear Piers…‘ on her blog.

And I wanted to include this story because it’s just lovey: Jessie Burton’s new novel The Muse includes a setting named after Waterstones’ bookseller Leila Skelton. Skelton does the most incredible window displays at the Doncaster shop which are often shared on Twitter.

The best of the rest:

On or about books/writers/language:

• Catherine Bennett, ‘Modern tribes: the Elena Ferrante fan‘ in The Guardian
• Erika Janik, ‘Women Detectives in Fact and Fiction‘ on Literary Hub
• Amanda Fortini, ‘Why Can’t You Be Sweet?‘ in The Los Angeles Review of Books
• Jacqueline Wilson, ‘My Writing Day‘ in The Guardian
• Elizabeth Poliner, ‘How Mapping Alice Munro’s Stories Helped Me as a Writer‘ on Literary Hub
• Sarah Churchill, ‘Bring out the Great Gatsby gin and jazz: it’s time to breath new life into the literary lecture‘ in The Guardian
• Laura Barnett, ‘The Joys (and Perils) of Literary Tourism‘ on Literary Hub
• Nakul Krishna, ‘Enid Blyton, moral guide‘ on Aeon
• Summer Brennan, ‘On the Heartbreaking Difficulty of Getting Rid of Books‘ on Literary Hub
• Selin Gökcesu, ‘Jane and I: On Re-Reading Jane Eyre‘ on Electric Literature
• Idra Novey, ‘Learning to Be Embarrassed on the Page‘ on Catapult
• Sarah Moss, ‘Shakespeare for Children‘ on Granta
• Jillian Keenan, ‘Hamlet Was a Bro Who Didn’t Even Like Sex‘ on Literary Hub
• Julianne Ross, ‘You Want a Piece of Me: Elena Ferrante and the Myth that Female Artists Owe Us More than Their Work‘ on MTV
• Robert McCrum, ‘The 100 best nonfiction books: No 13 – The Female Eunuch by Germaine Greer (1970)‘ in The Guardian
• Carol Lovekin, ‘on being published in later life‘ on The Literary Sofa
• Nora Zelevansky, ‘How to Write Teen Girl Characters‘ on Literary Hub
• Kit de Waal, ‘Ideas are free, but writing is expensive: how can we ensure disadvantaged voices are heard?‘ in The New Statesman
• Joanna Walsh, ‘Are we sex-literate? Why we should all be writing more about pleasure‘ in The New Statesman
• Aysha Khan, ‘Face-Off‘ in Reorient
• Anne Enright, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘The secret to work/life balance? There isn’t one‘ on The Pool
• Melissa Goodrich, ‘Diving Into the Faery Handbag: On Fabulism‘ on Electric Literature
• Emma Butcher, ‘The secret history of Jane Eyre: Charlotte Brontë’s private fantasy stories‘ in The Guardian

• Zeffie Gaines, ‘Falling Apart: A Meditation on Love and the Work of Baldwin, Winterson, and Morrison‘ on Electric Literature
• Bridget Read, ‘Charlotte Brontë May Have Started the Fire, But Jean Rhys Burned Down the House‘ on Literary Hub
• Varaidzo, ‘From school books to publishing, black girls deserve better representation‘ in The New Statesman
• Lyndsay Faye, ‘If Jane Eyre Came Out Today Would it Be Marketed as Genre?‘ on Literary Hub
• Sarah Berry, ‘My Pilgrimage to the House of Brontë‘ on The Millions
• Anna March, Jen Fitzgerald, Ashley Ford and Ashley Perez, ‘Most writers get screwed: We did the math, and it’s true — literary prizes exclude writers outside the campus gates‘ on Salon
• Stephanie Boland, ‘From Enid Blyton to Richard Hoggart: The use of literacy‘ in The New Statesman
• Alexandra Molotokow, ‘Maggie Nelson Refuses to Make Things Simple‘ on The Cut
• Elif Shafak, ‘On Women Writers Transcending Boundaries‘ on the Bailey’s Prize blog
• Ilana Massad, ‘Read Between the Racism: The Serious Lack of Diversity in Book Publishing‘ on Broadly
• Alison Flood, ‘Are most romance novels badly written?‘ in The Guardian
• Alison Flood, ‘Books by earliest women writers in English on display together for first time‘ in The Guardian
• Aya de Leon, ‘Portrait of the #WriterMom as a Member of the Working Class‘ on her blog
• Zoey Cole, ‘Remembering the Great C.D. Wright‘ on Literary Hub
• Virginia Baily, ‘Travels with my Aunt‘ on Virago
• Steph Harmon, ‘Charlotte Wood’s The Natural Way of Things wins $50,000 Stella prize‘ in The Guardian
• Bhavneet Kaur, ‘The Poetics of Resistance‘ in Kindle
• Sam Jordison, ‘Virginia Woolf in Brontë country: picking apart the genius in Jane Eyre‘ in The Guardian
• Georgette Mushier, ‘What literacy can do for children in institutions‘ in The New Statesman
• Sarah Ladipo Manyika, ‘Why I chose an African publisher over a western one‘ in The Guardian
• Curtis Sittenfeld, ‘Was Jane Austen a feminist? The answer is in her stories‘ in The Guardian

Personal essays/memoir:

• Terri White, ‘The story of me and my beehive‘ on The Pool
• Claire Woods, ‘‘As I woke up each morning, my pregnancy screamed at me’‘ in The Irish Times
• Eleanor Franzén, ‘Death Out of Season‘ on Litro
• Alana Massey, ‘My Boyfriend Isn’t My Best Friend — My Cat Is‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ on Midnight Breakfast
• Linh Le, ‘How I learned to love my selfie‘ on Hello Giggles
• Lynn Murray, ‘The Carnival of Kid Baseball‘ on Tin House
• Susan Shapiro, ‘The Line Between Professor and Predator Isn’t Always So Clear‘ on The Cut
• Jung Yun, ‘My Fargo‘ on The Atlantic
• Kai Kalia Yang, ‘My Father the Song Poet‘ on Literary Hub
• Alexandra Reisner, ‘Small Bodies‘ on Electric Literature
• Jennifer Fliss, ‘The Day I told My Father to Shoot Himself‘ on Narratively
• Sara Lieberman, ‘Dating in New York Ruined Me for Paris‘ on The Cut
• Christina Crosby, ‘Your Puny, Vulnerable Self‘ on The Offing
• Anca Szilágyi, ‘Used to Be Schwartz‘ on The Rumpus
• Catherine Lloyd Burns, ‘Remembering John the Hotdog Man‘ on Guernica
• Rebecca Schiff, ‘On My Abnormally Quiet Jewish Family‘ on Literary Hub
• Mandy Stadtmiller, ‘I Love My Husband, But I Hate Working With Him‘ on The Cut
• Abigail Rasminsky, ‘I Had a Baby in Europe; Here’s What It Did to Me‘ in The Cut
• Chantal Braganza, ‘A Grief Like This‘ on Hazlitt
• Deborah A. Lott, ‘My Dream of Androgyny‘ on The Rumpus
• Rachel Charlene Lewis, ‘After Sandra Bland‘ on The Normal School
• Marisa Bate, ‘My mum was stalked when I was a child. The impact is lasting on us all‘ on The Pool
• Ella Dawson, ‘Good Girl‘ on Femsplain
• Laura Kasinof, ‘The Violence Was Once Mine‘ on Guernica
• Decca Aitkenhead, ‘The Loneliness of Losing Your Partner‘ on Well Doing

Feminism:

• Megan Garber, ‘Seeing Red: The Rise of Mensesplaining‘ on The Atlantic
• Alexandra Petri, ‘Play the ‘woman card’ and reap these ‘rewards’!‘ in The Washington Post
• Dayna Evans, ‘Here’s What Happens When Men Write About the Gender Pay Gap‘ on The Cut
• Glosswitch, ‘It harms women more than men when dads doing parenting are seen as “babysitters”‘ in The New Statesman
• Bridget Minamore, ‘Can you be a feminist and … ?‘ in The Guardian
• Tobi Oredein, ‘How YouTube became the best place to see black women’s stories‘ on The Pool
• Jennifer Tamyayo, ‘When You Handle Poison‘ in Mice Magazine
• Mona Eltahawy, ‘How to Fight the Patriarchy‘ on Literary Hub
• Ruth Whippman, ‘Sorry, but people need to stop telling women they shouldn’t apologise‘ on The Pool
• Maura Quint, ‘How to Negotiate a Raise (If You’re a Woman)‘ on McSweeney’s
• Eve Barlow, ‘Grimes: I’m not a victim of sexism, I’m a successful producer‘ on The Pool
• Tali Mendelberg and Christopher F. Karpowitz, ‘Are Women the Silent Sex?‘ in The Boston Review
• Jia Tolentino, ‘How ‘Empowerment’ Became Something for Women to Buy‘ in The New York Times
• Isabel Rogers, ‘Top Ten Totty Tips‘ on her blog

Society and Politics:

• Graciela Mochkofsky, ‘The Faithful‘ in The California Sunday Magazine
• Anna Wiener, ‘Uncanny Valley‘ in n+1
• Juleyka Lantigua-Williams, ‘‘Ban the Box’ Goes to College‘ on The Atlantic
• Jacqueline Rose, ‘Who Do You Think You Are?‘ in The London Review of Books
• Megha Majumdar, ‘Half-Truth and Reconciliation: After the Rwandan Genocide‘ on Literary Hub
• Eleanor Margolis, ‘When it comes to Labour and anti-Semitism, there’s only so much this left-wing Jew can suck it up‘ in The New Statesman
• Abby Rabinowitz, ‘The trouble with renting a womb‘ in The Guardian
• Laura Reiley, ‘From Farm to Fable‘ on Tampa Bay
• Aminatta Forna, ‘The Modern and the Medieval Collide: on Ebola‘ on Literary Hub
• Hope Jahren, ‘On Earth Day, Let Lab Girl Persuade You to Plant a Tree‘ on Slate
• Brigid Delaney, ‘The generation gap is dead. But is the result freedom or oppression?‘ in The Guardian
• Suzanne Moore, ‘A generation of artists were wiped out by Aids and we barely talk about it‘ in The Guardian
• Chimene Suleyman, ‘There’s an epidemic of missing people of colour who aren’t photogenic enough for us to find‘ in The Independent
• Kendra James, ‘A Black Girl’s Manual to Attending a New England Boarding School‘ in The Toast
• Rebecca Traister, ‘Could Hillary Clinton Ever Have Imagined This?‘ on The Cut
• Lisa Owens, ‘Is this the worst question you can ask someone?‘ on The Pool
• Laurie Goodstein, ‘Sex Abuse and the Catholic Church: Why Is It Still a Story?‘ in The New York Times

Film, Television, Music, Art, Fashion and Sport:

• Helen O’Hara, ‘25 years on from Thelma and Louise, its spirit of rebellion lives on‘ on The Pool
• Soleil Ho, ‘The Jungle Book’s Complicated Relationship with Imperialism‘ in Bitch
• Suzanne Moore, ‘The Hillsborough verdict shatters the fantasy that class war doesn’t exist‘ in The Guardian
• Anna Silman, ‘Damn, It’s a Good Time for Funny Women on TV‘ on The Cut
• Francine Prose, ‘The Ballad of Slippin’ Jimmy‘ in The New York Review of Books
• Kelly Kanayama, ‘Hollywood’s upcoming films prove it loves Asian culture – as long as it comes without Asians‘ on Media Diversified
• Ana Leszkiewicz, ‘The outrageous sexism on The Island with Bear Grylls might be what makes it a great show‘ in The New Statesman

The interviews/profiles:

• Rebecca Schiff on Electric Literature
• Emily Skillings on the Huffington Post
• Paula Hawkins in The Guardian
• Mylo Freeman on The Pool
• Joanna Walsh on The Literary Sofa
• Shirley Barrett on Electric Literature
• Maggie Mitchell on One Book Lane
• Louise Erdrich in The New York Times
• Susanna Donato on Okey Panky
• Sarai Walker in The Guardian
• Jillian Keenan on Longreads
• Angela Flournoy on Buzzfeed
• Camille Rankine on Grazing Grain Press
• Curtis Sittenfeld on The Millions
• Emma Cline on Publishers Weekly
• Laurie Penny on The Bailey’s Prize blog
• Lisa Owens on Bookanista and in The Bookseller
• Linda Legters on Bloom
• Mary Beard in The Guardian
• Deborah Levy on Foyles’ blog
• Tammy Cohen on The Prime Writers
• Ann Goldstein in Asymptote
• Sara Pascoe on Huffington Post
• Emily O’Neill on Vagabond City
• Joanne Harris on Waterstones
• Jenni Fagan on The Skinny
• Deborah Install on Rebecca Mascull’s blog

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media: 22nd March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

The big news this week is that Kath Viner became the first woman appointed to the role of editor-in-chief at The Guardian in its 194 year history. The first woman to edit a UK broadsheet and only the second EIC of The Guardian to have attended a (selective) state school.

Unfortunately, the other trend in articles this week have been about the abuse women have suffered from a variety of sources; Heidi Stevens wrote in the Chicago Tribune ‘Hate mail lesson: Uncombed hair threatens the natural order‘; Sarah Xerta wrote ‘The Brick Wall: The Intersection of Patriarchy, Privilege, Anger, and Language‘ on VIDA; Juliet Annan ‘is a Lazy Feminist‘ in publishing on the Penguin Blog; Sara Pascoe wrote ‘The hymen remains an evolutionary mystery – and the focus of the oppression of women’s sexuality‘ in The Guardian; Katie McDonough wrote ‘If you’re shocked by this Penn State frat’s nude photo ring, you’re not paying attention‘ on Salon; Jessie Burton took ‘Speakers’ Corner‘ on Hunger TV; Claire Byrne wrote, ‘One sordid, gross and offensive comment must have been thought up while he sat there scratching himself in his grey fading jocks. I wonder what makes people think it’s acceptable to make comments like that?‘ in the Irish Independent, and Ashley Judd wrote, ‘Forget Your Team: Your Online Violence Toward Girls and Women Is What Can Kiss My Ass‘ on Mic.

And there’s been a number of articles about race; Rebecca Carroll wrote ‘Calling out one racist doesn’t make white people any less complicit in supremacy‘ in The Guardian; Jia Tolentino wrote ‘How to Talk About Race With Your Starbucks Barista: A Guide‘ in Jezebel; Maya Goodfellow wrote, ‘Climate change is easier to ignore because right now it’s people of colour who suffer the most‘ on Media Diversified; Vulture interviewed Claudia Rankine on ‘Serena, Indian Wells, and Race‘ and KCRW’s Bookworm asked her about writing the racial ‘other’.

This week’s Harper Lee news: To Kill a Mockingbird was named #78 on The Guardian list of The 100 Best Novels; Casey N. Cep reported on ‘Harper Lee’s Abandoned True-Crime Novel‘ in The New Yorker, and Jonathon Sturgeon asked ‘Is It Time to Get Hopeful About Harper Lee?‘ on Flavorwire.

And prizes this week went to Louise O’Neill who won the inaugural YA Book Prize and Louise Erdrich won the Library of Congress Award.

The best of the rest articles/essays:

• Mary Chris Escobar, ‘In Defence of Fluff‘ on Women Writers, Women’s Books
• Lizzy Kremer, ‘Let’s All Fall in Love: Reading and Romance‘ on Publishing for Humans
• Margaret Dilloway, ‘on Disobedient and Difficult Female Characters‘ on Read Her Like an Open Book
• Andrea Calabretta, ‘Land of Fire and Ice‘ in Litro
• Bryce R. Covert, ‘When Men Want Kids — and Women Aren’t So Sure‘ in The Cut
• Chika Unigwe, ‘The Transformation of Mama Paulina‘ in Guernica
• Habibe Jafarian, ‘How to Be a Woman in Tehran‘ (tr. Salar Abdoh) in Guernica
• Melissa Harrison, ‘Rivertones 3‘ (two songs to accompany her new novel At Hawthorn Time on Caught By the River
• The Morning News Tournament of Books An Untamed State vs Station Eleven
• Rachel Brownson, ‘The Resurrection of the Body: On Family, Mental Illness, and Grief‘ in The Toast
• Shonda Rhimes at The Human Rights Campaign Gala in Los Angeles, 2015 on Medium
• Sarah Perry, ‘Sherlock’s swansong: the ideal Holmes expedition‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Winter of Our Discontent‘ in The Butter
• Sara Alaica, ‘Over the Mountains‘ in Vela
• Andre Gerard, ‘Names, Texts and WWI in To the Lighthouse‘ in Berfois
• Andre Gerard, ‘The Odyssey, The Times and Howard’s End in To the Lighthouse‘ in Berfois
• Andre Gerard, ‘Virgil, Tolstoy and War in To the Lighthouse‘ in Berfois
• Zadie Smith, ‘Yates Lane, NW8‘ in Five Dials
• Lynn Melnick, ‘First Loves‘ on Poetry Foundation
• Rita Dove, ‘Homage to Toni Morrison‘ on Critical Mass
• Brigid Schulte, ‘Why time is a feminist issue‘ on Daily Life
• Emily Drabble, ‘Carnegie medal and Kate Greenaway 2015 shortlists announced‘ in The Guardian
• Catharine Morris, ‘Ali Smith at the Wapping Project‘ on the TLS Blog
• Caroline Criado-Perez, ‘If the UK government doesn’t protect exploited domestic workers, it is complicit in slavery‘ in the New Statesman
• Roopa Farooki, ‘Making Time to Write‘ on the Tinder Press Blog
• Elaine Feeney, ‘Untitled‘ (on what it’s like to die) on The Bogman’s Cannon
• Rafi Schwartz, ‘Male Science-Fiction Authors Discuss The Women Writers Who Influenced Them‘ on Good
• Lorna Bradbury, ‘Picture books are not just for babies‘ in the Telegraph
• Thea Lenarduzzi, ‘When Virginia found her Rachel?‘ on the TLS Blog
• Julie Zeilinger, ‘This Author Is Exposing the Sexist Double Standard in Children’s Literature‘ on Mic
• Emma Hogan, ‘The Sweet Sting of Muriel Spark‘ on Intelligent Life
• Sari Botton, ‘Curtis Sittenfeld’s Prep 10 Years Later‘ on Longreads
• Heather Havrilesky, ‘Like a Prayer‘ in Aeon
• Jeanette Winterson, ‘on The Waves‘ on the Penguin Blog
• Elif Shafak, ‘As storytellers, we speak for pluralism and democracy‘ in The Observer

• Liz Blocker, ‘Things We Don’t Talk About: On Coming Out to My Family‘ on The Toast
• Jaki McCarrick, ‘The Genesis of Belfast Girls‘ on CloudNine
• Deborah Smith, ‘Writing Against the Grain: Contemporary Korean Women to Watch‘ on For Books’ Sake
• Leslie Jamison, ‘Enough About Me‘ in The Atlantic
• Allison Williams, ‘Women and the Global Imagination: Sweet Time‘ on Prairie Scooner
• Anna Ross, ‘Report from the Field: I Don’t Know How She Does It‘ on VIDA
• Ilana Masad, ‘On Hebrew and Living in Gendered Language‘ in The Toast
• Leesa Cross-Smith, ‘Why A Well-Written Story May Be Rejected, Or, Every Editor Has Their Things‘ on The Review Review
• Leesa Cross-Smith, ‘First Tastes and Endeavors‘ on Real Pants
• Tania James, ‘What Writers Can Gain From Seeing the World Through Different Eyes‘ in The Atlantic
• Kim Phillips-Fein, ‘Why Workers Won’t Unite‘ in The Atlantic
• Anne Hull, ‘For Hardee’s workers, it’s not a parable, it’s a job‘ in The Washington Post
• Ainehi Edoro, ‘Why Zadie Smith Tops Adichie’s List of Women Who Write Well and Dress Well‘ on Brittle Paper
• April Bernard, ‘Laura’s World‘ (on Laura Ingalls Wilder) in the New York Review of Books
• Elizabeth Mills, ‘Liminal Space, or: Depression, Transitioning, and What’s in Between‘ in The Toast
• Ashley Ford, ‘Disrupting Domesticity: Take Care‘ in The Butter
• Aeman Ansari, ‘Origin Story‘ on Hazlitt
• Sophie Gilbert, ‘Why Are Art Heists So Fascinating?‘ in The Atlantic
• Jessie Burton, ‘A Week in the Life of the Novelist‘ in the Wall Street Journal
• Hadley Freeman, ‘I had anorexia – but not because I wanted to look like a fashion model‘ in The Guardian
• Harriet Alida Lye, ‘The New Occupation of Paris‘ in Vice
• Nicole Cliffe, ‘Trapped in the Stairwell: My Birth Story‘ in The Toast
• Felicity Cloake, ‘So hot right now: the peppers that prove there’s a perv in all of us‘ in the New Statesman
• Sady Doyle, ‘Season of the witch: why young women are flocking to the ancient craft‘ in The Guardian
• Alice Hoffman, ‘My inspiration: Mary Poppins‘ in The Guardian
• Tracey Thorn, ‘There’s no magic to raising twins – I just had to find my own brand of baby care‘ in the New Statesman
• Jessica Levine, ‘Living Time, Writing Time: Narrating the Fourth Dimension in Fiction‘ on Bloom
• Susan Pinker, ‘Why face-to-face contact matters in our digital age‘ in The Guardian
• Bianca Stone, ‘The House With Feet: The Dire Importance of Ruth Stone’s Bequest‘ on VIDA
• Jonathon Sturgeon, ‘Zoella’s Clockwork Novels: Fanfiction, Ghostwriters, and the Bizarre, Automated Future of Publishing‘ on Flavorwire
• Rebecca Scherm, ‘New Genres: The Worm in the Apple‘ on Electric Literature
• Alison Flood, ‘How come the romantic novel of the year is a work of Young Adult fiction?‘ in The Guardian
• Gabrielle Glaser, ‘The Irrationality of Alcoholics Anonymous‘ in The Atlantic
• Rebecca Mead, ‘Sole Cycle‘ in The New Yorker
• Kate Garrett, ‘Why We Do Poetry‘ on Pankhearst
• Robin Rinaldi, ‘Then They Took Off Their Clothes and Did That Thing‘ on Book Keeping
• Judith Thurman, ‘Doll’s Play‘ in The New Yorker
• Monique Rivalland and Louise France, ‘i’m a teen, there 4 i tweet‘ in The Times
• Edith Hall, ‘Challenging the Classical Conservatives‘ on Edithorial
• Margaret Atwood, ‘Game of Thrones: “Real people, every murderous one”‘ in The Observer
• Moira Redmond, ‘Judging a book by its title: when books don’t live up to their names‘ in The Guardian
• Rebecca Mascull and Louise Walters, ‘Moon Tiger discussion‘ on Rebecca Mascull’s blog
• Eve Makis, ‘on Cyprus‘ on Isabel Costello’s Literary Sofa
• Judith Shulevitz, ‘In College and Hiding From Scary Ideas‘ in The New York Times
• Sasha Garwood, ‘Trigger warning: in which intent and outcome are so rarely coincident‘ on The F Word

The interviews:

• Maggie Nelson in Guernica
• Laxmi Narayan Tripathi in Guernica
• Caitlin and Caz Moran on The Debrief
• Rachel Cusk on Foxed Quarterly
• Miranda July in The Scotsman
• Laura Munson on Blogcritics
• Kim Gordon in The NME and on It’s Nice That
• Robin Rinaldi on Salon
• Kirsty Gunn and Deborah Levy on the LRB Bookshop Podcast
• Emma Healey in Woman
• Kate Forsyth on New Australian Women Writers Challenge Blog
• Azar Nafisi in the New Humanist
• Lauren Olivier in The Guardian and on the Huffington Post
• Zen Cho and Stephanie Feldman on Electric Literature
• PP Wong on This Is Writing
• Naja Marie Aidt on Maisonneuve
• Eula Bliss and Kate Hamer on The Guardian Books’ Podcast
• Lucy Knisley on Publishers Weekly
• Polly Teale on Northern Soul

If you want some fiction/poetry to read:

• ‘Andromeda‘ by Sam Mills in Litro
• ‘Calypso in Therapy‘ by Louise Palfreyman in Litro
• ‘The Tikbalang‘ by Bethany W. Pope in Litro
• ‘Petrification‘ by Ruth Brandt in Litro
• ‘Fimbulwinter‘ by Francoise Harvey in Litro
• ‘Arcadia, Mars‘ by Elizabeth Lindsey Rogers in Guernica
• ‘Subcortical‘ by Lee Conell in Guernica
• ‘An Optical Illusion‘ by Eimear Ryan on Long Story, Short
• ‘Postal Worker and Housewife‘ by Nellie Hermann on Blunderbuss
• An extract from The Holiday by Nell Osbourne on Goldfish
• ‘Caterpillars‘ by Hallie Bateman on Blunderbuss
• ‘The Slanted Life of Emily Dickinson‘ by Rosanna Bruno
• ‘Erasure Methods‘ by Annie Ostlund on Electric Literature
• ‘The Matter of Seggri‘ by Ursula K. Le Guin on poliscifi
• ‘Initiation‘ by Kamilah Aisha Moon in The Offing
• ‘I looked for you, I called your name‘ by Laura Van Den Berg on Bookanista
• ‘Routine‘ by Arike Oke in Litro
• ‘A-Z of the Death Drive‘ by Deborah Levy in Five Dials
• ‘Talking With the Dead‘ by Claire Fuller on her blog
• ‘Tra le righe/Between the Lines‘ by Mati Colarossi (tr. Mati Colarossi) on Parallel Texts

Or some non-fiction:

• A new introduction to The Beauty Myth by Naomi Wolf on the Penguin Blog
• An extract from Ghettoside by Jill Leovy
• ‘Escape from New York‘ by Ellen Willis from The Essential Ellen Willis on The Village Voice

The lists:

• 12 Super Short Stories You Can Read in a Flash on the Huffington Post
• Read Her Now: Five Women to Translate in 2015 on All Wrongs Reversed
• Five things we learnt… from Caitlin Moran at WOW on the Southbank Centre
• How Do You Get Over Someone? 15 Books to Get You Through a Breakup With Your Dignity Intact on Bustle
• 3 New Books to Read If You Loved The Girl on the Train in Glamour
• From Zadie Smith To Helen Oyeyemi And Emily Brontë, Bestselling Female Authors Who Nailed Their Biggest Hit Novel Under The Age Of 30 in Stylist
• 7 YA Reads That Will Sweep You Up in Politics on the Huffington Post
• 15+ Top Indian Women Authors Whose Books Should Be On Your Summer Reading List on Polka Cafe
• 10 Best Coming-of-Age Books You’ve Never Read on Publishers Weekly
• 17 Things We Just Learned About Elena Ferrante From Her Paris Review Interview on Vulture
• 10 Poets of Colour we Discovered (or Rediscovered) in 2014 on Media Diversified
• Spring Books Guide: 22 Novels, Memoirs, and Collections We Can’t Wait to Read in Vogue
• Kat Brown’s How to write a dystopian YA novel in 10 easy steps in the Telegraph
• IRL: Nonfiction to Read if You Loved AMERICANAH on BookRiot