Uptown Thief – Aya de León

“If I was God, women would get paid to sit on our asses and think profound thoughts. We’d only fuck people who turned us on. But as long as the female ass out earns the female brain, there are gonna be sex workers who need our clinic.”

Marisol Rivera runs The María de la Vega Health Clinic for sex workers on Avenue C, downtown New York. She combines it with an escort service to help pay the mortgage. Money’s always tight so she’s found another interesting, lucrative and very much illegal way of covering the mortgage and paying her staff: robbing the safes of a group of CEOs (Chief Executive Officers). All of the CEOs are members of an organisation called Ivy Alpha, ‘the national men’s organization whose members are all Ivy League alumni and Fortune 500 CEOs’. Riveria’s grudge against them is due to a sex trafficking charge against the group which was ‘dropped despite several first-hand accounts by the women allegedly involved’. What better revenge than to have them bankroll a clinic for sex workers?

Marisol’s past includes a sexually and physically abusive uncle from whom she protected her younger sister, Cristina, and a period as a sex worker in order to pay the rent. In her twenties, ‘she spent two years as a mistress to a Fortune 500 VP named Campbell’. Bored, living in his apartment, she began to read the books in his library which mostly consisted of texts included on reading lists for MBA students. Marisol read them all and then taught herself how to crack his safe, for the thrill of it. Clearly both sets of skills have come in handy in her current life.

In the first few chapters of the novel, three key things happen: firstly, Marisol returns from a heist to find a young girl, Dulce, outside her apartment. Prevented by her codirector, Eva, from admitting her on fire safety grounds, Marisol takes her to her apartment. It’s not long before Dulce’s pimp, Jerry, shows up, true to his word:

“He dumped me at the ER and said to come home when I could walk. There ain’t many places in the city a beat-down whore can go. He said he knew all of them and he’d be watching.”

Secondly, Marisol meets Raul, the brother of her best friend from high school. Raul’s an ex-cop but there’s something about him that gets under Marisol’s skin. Thirdly, she meets Jeremy VanDyke, a billionaire with a proposition for her.

Uptown Heist isn’t the sort of book I’d usually choose to read: it combines what should be an unbelievable heist plot alongside the stories of a range of sex workers and Marisol’s personal life. I agreed to read it because I’ve included Aya de León’s blog posts in my In the Media round-up and I think her pieces on feminism are interesting and thought-provoking. I’m glad I did; I was gripped throughout the whole book. This is a fast-paced tale, cinematic in style, with a clear vein of smart thinking with regards to women and sex – whether for work or pleasure.

Marisol doesn’t work alone, she surrounds herself with other intelligent women – Kim and Jody, who are a couple, and Tyesha, who’s studying for a Masters in Public Health. All three work as escorts in the service attached to the clinic but also as part of Marisol’s heist team. They acknowledge that they’re part of a patriarchal society that sees women as commodities and use this to their advantage. The book’s sex positive both with regards to the women’s choice to work as escorts and their personal sex lives. However, this doesn’t mean that de León avoids showing the other side of sex work, that which is controlled by men and can be unsafe in a range of ways.

Uptown Thief considers victims and villains, often contained within the same person. It raises questions about power and exploitation and the forms they come in. It asks whether women can carve a path through a patriarchal society for themselves and if there are men who can respect that. It’s pacy, dark, funny and empowering. If you’re looking for a summer read that’s smarter than your average crime cum romantic fiction cum sisterhood novel, Uptown Thief is your book.

 

Thanks to Kensington Books for the review copy.

In the Media, May 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

The last fortnight’s been dominated by death. On Thursday, Jenny Diski died less than two years after being diagnosed with terminal cancer. Literary Hub ran ‘Remembering Jenny Diski‘ including pieces from Hayley Mlotek, Michelle Dean, Joanna Walsh, Bridget Read, Laura Marsh, Marta Bausells and Charlotte Shane. The Guardian ran an extract from her cancer diary. Joanne Harris wrote a found poem ‘Opium Ice Cream‘ from Diski’s tweets, and The London Review of Books opened Jenny Diski’s entire archive to non-subscribers.

The previous week comedian Victoria Wood died. A.L. Kennedy declared her, ‘My Hero‘ in The Guardian; Helen Walmsley Johnson wrote, ‘Victoria Wood gave us the gift of being able to laugh at ourselves‘ in The New Statesman

Although he’s not a female writer, Prince also died just over a week ago and so much brilliant writing by women has come from that: Porochista Khakpour, ‘Prince’s Woman and Me: The Collaborators Who Inspired a Generation‘ in the Village Voice; Maya West, ‘A Hierarchy of Love and Loss and Prince‘ on Jezebel; Bim Adewunmi, ‘Celebrating Prince For 48 Hours In Minneapolis‘ on Buzzed; Heather Haverilsky, ‘Prince Showed Me a Whole New Way of Existing‘ on The Cut; Amanda Marcotte, ‘Sexy MFers, unite: The feminist power of Prince’s sex-positive songs‘ on Salon; K.T. Billey, ‘Prince and the queer body: Our dirty patron saint of pop gave me permission to think outside the gender binary‘ on Salon; Kaitlyn Greenidge, ‘Surviving a Long Alaskan Winter with Prince‘ on Literary Hub; Julianne Escobedo Shepherd, ‘Prince Spent His Life Elevating and Mentoring Women‘ on Jezebel; Lily Burano, ‘Why Prince Was a Hero to Strippers‘ on The Cut; Ashley Weatherford, ‘Understanding the Politics of Prince’s Hair‘ on The Cut; Mona Hayder, ‘Prince Was a Demigod Who Uplifted the Masses Through Music‘ on Literary Hub; Naomi Jackson, ‘Prince: Finding Joy Outside Conformity‘ on Literary Hub; Rhiannon Lucy Cosslett, ‘Prince conjured the kind of sex you’d want to have – filthy and fun, and sometimes offensive‘ in The Independent; Tracy King, ‘We should celebrate Prince for championing female musicians‘ in The New Statesman; Laura Craik, ‘“I loved him because of how his music made me feel”‘ on The Pool; Michelle Garcia, ‘Prince gave black kids permission to be weirdos‘ on Vox; Ijeoma Oluo, ‘Prince Was The Patron Saint Of Black Weirdos‘ on The Establishment.

Other brilliant writing about music came from the launch of Beyoncé’s new album Lemonade. Brittany Spanos, ‘How Beyonce’s ‘Lemonade’ Reclaims Rock’s Black Female Legacy‘ in Rolling Stone; Mandy Stadtmiller, ‘How Lemonade Helped Me Talk to My Husband About Cheating‘ on The Cut; Treva Lindsey, ‘Beyoncé’s Lemonade Isn’t Just About Cheating, It’s About Black Sisterhood‘ in Cosmopolitan; Caroline O’Donoghue, ‘Monica, Becky With The Good Hair, and the power of the Other Woman‘ in The Pool; Diamond Sharp, ‘Beyonce’s ‘Lemonade’ Is an Anthem for the Retribution of Black Women‘ on Vice; Morgan Jerkins, ‘‘Lemonade’ Is About Black Women Healing Themselves and Each Other‘ in Elle; Daisy Buchanan, ‘What can Beyoncé’s Lemonade teach us about love?‘ on The Pool; Vanessa Kisuule, ‘Why Beyoncé’s ‘Lemonade’ Shows a Refinement of her Artistry‘ on Gal-Dem; Carrie Battan, ‘Beyoncé’s “Lemonade” Is a Revelation of Spirit‘ in The New Yorker; Priscilla Ward, ‘Beyoncé’s radical invitation: In “Lemonade,” a blueprint for black women working through pain‘ on Salon; Ezinne Ukoha, ‘I Will Do Better By My Sisters‘ on Medium; June Eric-Udorie, ‘Beyoncé’s Lemonade, and the power it bestows young black women‘ on The Pool; Rafia Zakaria, ‘Warsan Shire: the Somali-British poet quoted by Beyoncé in Lemonade‘ in The Guardian; Juliane Okot Bitek wrote, ‘On the Poet Warsaw Shire, Nobody’s Little Sister‘ on Literary Hub. While Jamila addressed Piers Morgan’s criticisms of the album with ‘Dear Piers…‘ on her blog.

And I wanted to include this story because it’s just lovey: Jessie Burton’s new novel The Muse includes a setting named after Waterstones’ bookseller Leila Skelton. Skelton does the most incredible window displays at the Doncaster shop which are often shared on Twitter.

The best of the rest:

On or about books/writers/language:

• Catherine Bennett, ‘Modern tribes: the Elena Ferrante fan‘ in The Guardian
• Erika Janik, ‘Women Detectives in Fact and Fiction‘ on Literary Hub
• Amanda Fortini, ‘Why Can’t You Be Sweet?‘ in The Los Angeles Review of Books
• Jacqueline Wilson, ‘My Writing Day‘ in The Guardian
• Elizabeth Poliner, ‘How Mapping Alice Munro’s Stories Helped Me as a Writer‘ on Literary Hub
• Sarah Churchill, ‘Bring out the Great Gatsby gin and jazz: it’s time to breath new life into the literary lecture‘ in The Guardian
• Laura Barnett, ‘The Joys (and Perils) of Literary Tourism‘ on Literary Hub
• Nakul Krishna, ‘Enid Blyton, moral guide‘ on Aeon
• Summer Brennan, ‘On the Heartbreaking Difficulty of Getting Rid of Books‘ on Literary Hub
• Selin Gökcesu, ‘Jane and I: On Re-Reading Jane Eyre‘ on Electric Literature
• Idra Novey, ‘Learning to Be Embarrassed on the Page‘ on Catapult
• Sarah Moss, ‘Shakespeare for Children‘ on Granta
• Jillian Keenan, ‘Hamlet Was a Bro Who Didn’t Even Like Sex‘ on Literary Hub
• Julianne Ross, ‘You Want a Piece of Me: Elena Ferrante and the Myth that Female Artists Owe Us More than Their Work‘ on MTV
• Robert McCrum, ‘The 100 best nonfiction books: No 13 – The Female Eunuch by Germaine Greer (1970)‘ in The Guardian
• Carol Lovekin, ‘on being published in later life‘ on The Literary Sofa
• Nora Zelevansky, ‘How to Write Teen Girl Characters‘ on Literary Hub
• Kit de Waal, ‘Ideas are free, but writing is expensive: how can we ensure disadvantaged voices are heard?‘ in The New Statesman
• Joanna Walsh, ‘Are we sex-literate? Why we should all be writing more about pleasure‘ in The New Statesman
• Aysha Khan, ‘Face-Off‘ in Reorient
• Anne Enright, ‘My Writing Day‘ in The Guardian
• Curtis Sittenfeld, ‘The secret to work/life balance? There isn’t one‘ on The Pool
• Melissa Goodrich, ‘Diving Into the Faery Handbag: On Fabulism‘ on Electric Literature
• Emma Butcher, ‘The secret history of Jane Eyre: Charlotte Brontë’s private fantasy stories‘ in The Guardian

• Zeffie Gaines, ‘Falling Apart: A Meditation on Love and the Work of Baldwin, Winterson, and Morrison‘ on Electric Literature
• Bridget Read, ‘Charlotte Brontë May Have Started the Fire, But Jean Rhys Burned Down the House‘ on Literary Hub
• Varaidzo, ‘From school books to publishing, black girls deserve better representation‘ in The New Statesman
• Lyndsay Faye, ‘If Jane Eyre Came Out Today Would it Be Marketed as Genre?‘ on Literary Hub
• Sarah Berry, ‘My Pilgrimage to the House of Brontë‘ on The Millions
• Anna March, Jen Fitzgerald, Ashley Ford and Ashley Perez, ‘Most writers get screwed: We did the math, and it’s true — literary prizes exclude writers outside the campus gates‘ on Salon
• Stephanie Boland, ‘From Enid Blyton to Richard Hoggart: The use of literacy‘ in The New Statesman
• Alexandra Molotokow, ‘Maggie Nelson Refuses to Make Things Simple‘ on The Cut
• Elif Shafak, ‘On Women Writers Transcending Boundaries‘ on the Bailey’s Prize blog
• Ilana Massad, ‘Read Between the Racism: The Serious Lack of Diversity in Book Publishing‘ on Broadly
• Alison Flood, ‘Are most romance novels badly written?‘ in The Guardian
• Alison Flood, ‘Books by earliest women writers in English on display together for first time‘ in The Guardian
• Aya de Leon, ‘Portrait of the #WriterMom as a Member of the Working Class‘ on her blog
• Zoey Cole, ‘Remembering the Great C.D. Wright‘ on Literary Hub
• Virginia Baily, ‘Travels with my Aunt‘ on Virago
• Steph Harmon, ‘Charlotte Wood’s The Natural Way of Things wins $50,000 Stella prize‘ in The Guardian
• Bhavneet Kaur, ‘The Poetics of Resistance‘ in Kindle
• Sam Jordison, ‘Virginia Woolf in Brontë country: picking apart the genius in Jane Eyre‘ in The Guardian
• Georgette Mushier, ‘What literacy can do for children in institutions‘ in The New Statesman
• Sarah Ladipo Manyika, ‘Why I chose an African publisher over a western one‘ in The Guardian
• Curtis Sittenfeld, ‘Was Jane Austen a feminist? The answer is in her stories‘ in The Guardian

Personal essays/memoir:

• Terri White, ‘The story of me and my beehive‘ on The Pool
• Claire Woods, ‘‘As I woke up each morning, my pregnancy screamed at me’‘ in The Irish Times
• Eleanor Franzén, ‘Death Out of Season‘ on Litro
• Alana Massey, ‘My Boyfriend Isn’t My Best Friend — My Cat Is‘ on The Cut
• Lorena Piñeiro, ‘Penance‘ on Midnight Breakfast
• Linh Le, ‘How I learned to love my selfie‘ on Hello Giggles
• Lynn Murray, ‘The Carnival of Kid Baseball‘ on Tin House
• Susan Shapiro, ‘The Line Between Professor and Predator Isn’t Always So Clear‘ on The Cut
• Jung Yun, ‘My Fargo‘ on The Atlantic
• Kai Kalia Yang, ‘My Father the Song Poet‘ on Literary Hub
• Alexandra Reisner, ‘Small Bodies‘ on Electric Literature
• Jennifer Fliss, ‘The Day I told My Father to Shoot Himself‘ on Narratively
• Sara Lieberman, ‘Dating in New York Ruined Me for Paris‘ on The Cut
• Christina Crosby, ‘Your Puny, Vulnerable Self‘ on The Offing
• Anca Szilágyi, ‘Used to Be Schwartz‘ on The Rumpus
• Catherine Lloyd Burns, ‘Remembering John the Hotdog Man‘ on Guernica
• Rebecca Schiff, ‘On My Abnormally Quiet Jewish Family‘ on Literary Hub
• Mandy Stadtmiller, ‘I Love My Husband, But I Hate Working With Him‘ on The Cut
• Abigail Rasminsky, ‘I Had a Baby in Europe; Here’s What It Did to Me‘ in The Cut
• Chantal Braganza, ‘A Grief Like This‘ on Hazlitt
• Deborah A. Lott, ‘My Dream of Androgyny‘ on The Rumpus
• Rachel Charlene Lewis, ‘After Sandra Bland‘ on The Normal School
• Marisa Bate, ‘My mum was stalked when I was a child. The impact is lasting on us all‘ on The Pool
• Ella Dawson, ‘Good Girl‘ on Femsplain
• Laura Kasinof, ‘The Violence Was Once Mine‘ on Guernica
• Decca Aitkenhead, ‘The Loneliness of Losing Your Partner‘ on Well Doing

Feminism:

• Megan Garber, ‘Seeing Red: The Rise of Mensesplaining‘ on The Atlantic
• Alexandra Petri, ‘Play the ‘woman card’ and reap these ‘rewards’!‘ in The Washington Post
• Dayna Evans, ‘Here’s What Happens When Men Write About the Gender Pay Gap‘ on The Cut
• Glosswitch, ‘It harms women more than men when dads doing parenting are seen as “babysitters”‘ in The New Statesman
• Bridget Minamore, ‘Can you be a feminist and … ?‘ in The Guardian
• Tobi Oredein, ‘How YouTube became the best place to see black women’s stories‘ on The Pool
• Jennifer Tamyayo, ‘When You Handle Poison‘ in Mice Magazine
• Mona Eltahawy, ‘How to Fight the Patriarchy‘ on Literary Hub
• Ruth Whippman, ‘Sorry, but people need to stop telling women they shouldn’t apologise‘ on The Pool
• Maura Quint, ‘How to Negotiate a Raise (If You’re a Woman)‘ on McSweeney’s
• Eve Barlow, ‘Grimes: I’m not a victim of sexism, I’m a successful producer‘ on The Pool
• Tali Mendelberg and Christopher F. Karpowitz, ‘Are Women the Silent Sex?‘ in The Boston Review
• Jia Tolentino, ‘How ‘Empowerment’ Became Something for Women to Buy‘ in The New York Times
• Isabel Rogers, ‘Top Ten Totty Tips‘ on her blog

Society and Politics:

• Graciela Mochkofsky, ‘The Faithful‘ in The California Sunday Magazine
• Anna Wiener, ‘Uncanny Valley‘ in n+1
• Juleyka Lantigua-Williams, ‘‘Ban the Box’ Goes to College‘ on The Atlantic
• Jacqueline Rose, ‘Who Do You Think You Are?‘ in The London Review of Books
• Megha Majumdar, ‘Half-Truth and Reconciliation: After the Rwandan Genocide‘ on Literary Hub
• Eleanor Margolis, ‘When it comes to Labour and anti-Semitism, there’s only so much this left-wing Jew can suck it up‘ in The New Statesman
• Abby Rabinowitz, ‘The trouble with renting a womb‘ in The Guardian
• Laura Reiley, ‘From Farm to Fable‘ on Tampa Bay
• Aminatta Forna, ‘The Modern and the Medieval Collide: on Ebola‘ on Literary Hub
• Hope Jahren, ‘On Earth Day, Let Lab Girl Persuade You to Plant a Tree‘ on Slate
• Brigid Delaney, ‘The generation gap is dead. But is the result freedom or oppression?‘ in The Guardian
• Suzanne Moore, ‘A generation of artists were wiped out by Aids and we barely talk about it‘ in The Guardian
• Chimene Suleyman, ‘There’s an epidemic of missing people of colour who aren’t photogenic enough for us to find‘ in The Independent
• Kendra James, ‘A Black Girl’s Manual to Attending a New England Boarding School‘ in The Toast
• Rebecca Traister, ‘Could Hillary Clinton Ever Have Imagined This?‘ on The Cut
• Lisa Owens, ‘Is this the worst question you can ask someone?‘ on The Pool
• Laurie Goodstein, ‘Sex Abuse and the Catholic Church: Why Is It Still a Story?‘ in The New York Times

Film, Television, Music, Art, Fashion and Sport:

• Helen O’Hara, ‘25 years on from Thelma and Louise, its spirit of rebellion lives on‘ on The Pool
• Soleil Ho, ‘The Jungle Book’s Complicated Relationship with Imperialism‘ in Bitch
• Suzanne Moore, ‘The Hillsborough verdict shatters the fantasy that class war doesn’t exist‘ in The Guardian
• Anna Silman, ‘Damn, It’s a Good Time for Funny Women on TV‘ on The Cut
• Francine Prose, ‘The Ballad of Slippin’ Jimmy‘ in The New York Review of Books
• Kelly Kanayama, ‘Hollywood’s upcoming films prove it loves Asian culture – as long as it comes without Asians‘ on Media Diversified
• Ana Leszkiewicz, ‘The outrageous sexism on The Island with Bear Grylls might be what makes it a great show‘ in The New Statesman

The interviews/profiles:

• Rebecca Schiff on Electric Literature
• Emily Skillings on the Huffington Post
• Paula Hawkins in The Guardian
• Mylo Freeman on The Pool
• Joanna Walsh on The Literary Sofa
• Shirley Barrett on Electric Literature
• Maggie Mitchell on One Book Lane
• Louise Erdrich in The New York Times
• Susanna Donato on Okey Panky
• Sarai Walker in The Guardian
• Jillian Keenan on Longreads
• Angela Flournoy on Buzzfeed
• Camille Rankine on Grazing Grain Press
• Curtis Sittenfeld on The Millions
• Emma Cline on Publishers Weekly
• Laurie Penny on The Bailey’s Prize blog
• Lisa Owens on Bookanista and in The Bookseller
• Linda Legters on Bloom
• Mary Beard in The Guardian
• Deborah Levy on Foyles’ blog
• Tammy Cohen on The Prime Writers
• Ann Goldstein in Asymptote
• Sara Pascoe on Huffington Post
• Emily O’Neill on Vagabond City
• Joanne Harris on Waterstones
• Jenni Fagan on The Skinny
• Deborah Install on Rebecca Mascull’s blog

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, December 2015

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

This fortnight’s mostly been about end of year lists. Last year I linked to those that were gender balanced but this year I gave up counting after the first two, deciding it was a futile endeavour. Having said that, Sarah Seltzer says , ‘White Men Are the Minority on This Year’s Biggest Book Lists‘ on Flavorwire and there was some excitement around a new ‘Best UK novels’ list commissioned by the BBC. On The Pool, Lynn Enright said ‘Women writers dominate the top spots in list of best British novels‘. Which they do but the list as a whole isn’t balanced and it’s dominated by Nineteenth Century novels.

A fortnight ago I was going to begin this piece by mentioning The Good Immigrant an essay collection being published by Unbounders which means it needed crowdfunding. It includes essays by Chimene Suleyman, Bim Adewumni, Salena Godden, Sabrina Mahfouz, Coco Khan, Sarah Sahim and Reni Eddo Lodge and was fully funded in three days, partly thanks to JK Rowling. You can read about what an excellent person she is and what a great collection it sounds in The Guardian. And you can still contribute to the funding.

Clare Vaye Watkins essay ‘On Pandering’ is still being discussed. She talks about it further (with Marlon James) on NPR. Anne Boyd Rioux responded with ‘A Brief History of Pandering‘ on The Rumpus. Aya de Leon responded initially with ‘“On Pandering” and Subversive Revelations of Female Insecurity‘ and then to Marlon James’ Guardian conversation with ‘On Pandering, White Women as Scapegoats, and the Literary Industry as a Hand-Me-Down‘ on her blog, while Dreda Say Mitchell replied with ‘Black authors don’t write only for white women‘ in the Guardian.

In prize news, Sarah Howe won the resurrected Young Writer of the Year Award for her poetry collection Loop of Jade. She’s profiled in The Sunday Times (£) and interviewed on Bookanista and The Workshy Fop. And the Saltire Society Literary Award was announced with wins for Helen McClory, Patricia Andrew and Tanja Bueltmann.

The best of the rest:

On or about books/writers/language:

• Harper Lee, ‘My Christmas in New York‘ in The Guardian
• Blake Butler, ‘The Hallucinatory Terror of Unica Zürn‘ on Vice
• Patti Marxsen, ‘A Taste of Immortality: The Post-Earthquake Haitian Novel‘ in The Critical Flame
• Svetlana Alexievich, ‘On the Battle Lost‘ on Nobel Prize
• Alison Flood, ‘How Amazon came to dominate fiction in translation‘ in The Guardian
• Jane Hu, ‘Between Us: A Queer Theorist’s Devoted Husband and Enduring Legacy‘ in The New Yorker
• David Griffith, ‘The Displaced Person: Reading Flannery O’Connor in the age of Islamophobia.‘ on The Paris Review
• Amy Watkin, ‘Women Who Should Be Pretty Pissed Off: Jane Austen Is Probably Mad at Us‘ on McSweeney’s
• Siri Hustvedt, ‘Knausgaard Writes Like a Woman: On Gendered Literature and the Feminization of Feelings‘ on Literary Hub
• Sandeep Parmar, ‘Not a British Subject: Race and Poetry in the UK‘ in The Los Angeles Review of Books
• Anne Enright, ‘Antigone in Galway: on the dishonoured dead‘ in the London Review of Books
• Melissa Benn, ‘Vivian Gornick: one of the most significant writers you have probably never heard of‘ in The New Statesman
• Zanib Mian, ‘‘We need books that just happen to feature a Muslim protagonist’‘ in THe Bookseller
• Theresa Shim, ‘I Read Because We’re All Storytellers — It’s Human Nature, After All.‘ on Medium
• Susie Day, ‘Why we have to create more disabled characters in children’s fiction‘ in The Guardian
• Ginger Strand, ‘How Jane Vonnegut Made Kurt Vonnegut a Writer‘ in The New Yorker
• Stephanie LaCava, ‘Slow Days, Fast Company:Eve Babitz’s singular take on Los Angeles.‘ on The Paris Review
• John Mullan, ‘How Jane Austen’s Emma changed the face of fiction‘ in The Guardian
• Lorraine Berry, ‘How the Literary Class System Is Impoverishing Literature‘ on Literary Hub
• Margaret Atwood, ‘My journey with a young writer‘ on Medium
• Alana Massey, ‘Molly Crabapple Is The Writer Who Made Me A Writer‘ on Buzzfeed
• Morgan Parker, ‘I Don’t Need Diverse Books: On Re-defining ‘We’ and Making Black Art‘ on The Poetry Foundation
• Alison Flood, ‘Earliest known biography of an African woman translated to English for the first time‘ in The Guardian
• Sarah Farooqui, ‘Why Ismat Chugtai’s stories should not be dropped from Rajasthan’s school textbooks‘ in Business Standard
• Shami Chakrabarti, ‘How do we keep up the fight for democratic values? With solidarity and storytelling’ in The Guardian
• Ester Bloom, ‘When Women’s Literary Tastes Are Deemed Less Worthy‘ on The Atlantic
• Sarah Franklin, ‘“Short stories lift you out of your own world for 10 minutes”‘ on The Pool
• Professor Sharon Rustin, ‘The Science of Life and Death in Mary Shelley’s Frankenstein‘ in The Public Domain Review
• Anne de Courcy, ‘The prime minister fell in love with his daughter’s best friend‘ in The Guardian

Personal essays/memoir:

• Terri White, ‘Fairytale of New York?‘ on The Pool
• Leslie Kendall Dye, ‘Contrast Study‘ on Vela
• Anne Thériault, ‘Being a Girl: A Brief History of Personal Violence‘ on The Belle Jar
• Andrea Yu, ‘Going Back Home: Life as a Reverse Immigrant‘ in The Wilson Quarterly
• Sulagna Misra, ‘Learning Body Positivity From a 700-Year-Old Hindu Statue‘ on Racked
• Karissa Chen, ‘The Audacity to Dream: On Asian Women, Feminism, and My Grandmother‘ on Vida
• Jess Zimmerman, ‘The Year in Luck‘ on Hazlitt
• Alexandra Kimball, ‘Unpregnant: The silent, secret grief of miscarriage‘ in The Globe and The Mail
• Katie Klabusich, ‘When The Poor Get Taken Advantage Of By Friends And Family‘ on The Establishment
• Alana Massey, ‘An Ode to the Hometown Friends Who Got Away‘ on The Cut
• Samantha, ‘Do Black Girls Even Get to Be Depressed?‘ on Bitches Gotta Eat
• Katy Waldman, ‘There Once Was a Girl: Against the false narratives of anorexia.‘ on Slate
• Jennifer Tseng, ‘How to Leave an Island: on Life, Libraries, and Commuting by Canoe‘ on Literary Hub
• Kelly Thompson, ‘The Story of My Fear Over Time‘ on The Rumpus
• Rachel Wilkinson, ‘Valuation Methods‘ on The Rumpus
• Caroline Crampton, ‘Travelling alone as a woman is incredibly empowering‘ on The Pool
• Ashley Ford, ‘How I Got Depressed, Forgave Myself, and Grew Up in the Process‘ in Elle
• Marisa Bate, ‘A letter to my friend: you are experiencing emotional abuse‘ in The Pool
• Laura Lampton Scott, ‘The Person Next to You on a Plane‘ on Electric Literature
• Collette Arrand, ‘Chrysalis: Transitioning and My Trans Identity‘ in The Toast
• Porochista Khakpour, ‘My Life in the New Age‘ in VQR
• Jhumpa Lahiri, ‘Teach Yourself Italian‘ in The New Yorker
• Molly Crabapple, ‘My Life in a Parisian Bookstore‘ on Literary Hub
• Alisson Wood, ‘‘Get Home Safe,’ My Rapist Said‘ in The New York Times

Feminism:

• Hermione Hoby, ‘The problem with being ‘badass’‘ in The Guardian
• Anonymous, ‘No, Mrs Mugabe, I am not responsible for my rape.‘ on Media Diversified
• Arabelle Sicardi, ‘Beauty Is Broken‘ on Medium
• Cass Geller, ‘I Am Woman, Hear Me Curse: Confessions Of A Potty Mouth‘ on Femsplain
• Jessica Woodbury, ‘“In Good Conscience”: Mormon Feminists on the Brink‘ in The Toast
• Gaby Hinsliff, ‘Why we should talk about menopause in the workplace‘ on The Pool
• Professor Heidi Safia Mirza, ‘Shame and Sexual Harassment‘ on Sexual Harassment in Higher Education
• Ratika Kapur, ‘Delhi’s same-sex carriages: The ladies’ compartment is a public space where women can assert their independence‘ in The Independent
• Rhiannon Lucy Cosslett, ‘Do some men *still* find working women a problem?‘ on The Pool
• Ina Goel, ‘Menstrual Chronicles from Delhi‘ on The Fem

Society and Politics:

• Maya Goodfellow, ‘America may be ‘Trumped’, but Britain has its demons too‘ on Media Diversified
• Sandra Newman, ‘Possessed by a mask‘ on Aeon
• Olga Khazan, ‘The Hardest Job‘ on The Atlantic
• Deanna Othman, ‘Where was Donald Trump radicalized?: The hate-spewing candidate proves any ideology can lead to radicalization‘ on Salon
• April White, ‘The Divorce Colony‘ in The Atavist Magazine
• Priya Rane, ‘“The Silent Majority of Muslims”: Islamophobia and Counter Extremism in the UK‘ on Media Diversified
• Sarah Schweitzer, ‘The life and times of Strider Wolf‘ in The Boston Globe
• Eula Biss, ‘White Debt: Reckoning with what is owed — and what can never be repaid — for racial privilege.‘ in The New York Times
• Rachel Shabi, ‘Were you carried away by Hilary Benn’s ‘electrifying’ speech? This is political theatre, not democracy‘ in The Independent
• Jennifer Mascia, ‘What It Feels Like to Cover Gun Violence in America‘ in Vogue
• Kiona Smith-Strickland, ‘Princesses, Slaves, and Explosives: The Scandalous Origin of Vaccines‘ on Gizmodo
• Maya Goodfellow, ‘If only Diane Abbott had a job! Then we wouldn’t all have to describe her as “Corbyn’s former lover”‘ in The Independent
• Paris Lees, ‘“Being transgender is not a trend” Paris Lees on why being trans shouldn’t be headline news‘ in Stylist

Film, Television, Music, Art and Fashion:

• Ariel Levy, ‘Dolls and Feelings: Jill Soloway’s Post-Patriarchal Television‘ in The New Yorker
• Marisa Crawford, ‘Bloodlines: No Wave Performance Task Force’s PERIOD PIECE Traces the Lineage of Menstrual Art‘ on Weird Sister
• Shaadi Devereaux, ‘Netflix, Uncovering Cycles of Abuse and Chill: Jessica Jones and Domestic Violence‘ on Model View Culture
• Megan Koester, ‘Why It Sucks to Be a Woman in Comedy‘ on Vice
• Katherine Schwab, ‘Highbrow Ink‘ in The Atlantic
• Adriana Tobin, ‘Why Women’s Pockets Are Useless: A History‘ on Marketplace
• Gabrielle Jackson, ‘Please Sia, don’t show us your face‘ in The Guardian

The interviews:

• Jennifer Baker on The Rumpus
• Molly Crabapple on NPR, in The Guardian
• Diane Lefer on Awst Press
• Lauren Groff on Vulture
• Elaine Sciolino on Literary Hub
• Elena Ferrante in the Financial Times
• bel hooks in The New York Times
• Jane Ciabattari on The Rumpus
• Kate Gavino on Electric Literature
• Nell Zink in Tank Magazine
• Debra Monroe on The Rumpus
• Miranda July in The Believer
• Ratika Kapur in The Hindu
• Bette Adriaanse in Structo Magazine
• Sloane Crosley on Bookanista
• Louisa Hall on The Rumpus
• Dawn Lundy Martin on Literary Hub
• Isabel Allende in The Guardian
• Diana Athill in The Independent
• Naja Marie Aidt in BOMB Magazine
• Catherynne M. Valente on Electric Literature
• Alex Mar on Electric Literature

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

• Edwidge Danticat, ‘Best Untranslated Writers: Kettly Mars‘ on Granta
• Avril Horner and Anne Rowe, ‘Iris Murdoch is ‘promiscuous’ while Ted Hughes is ‘nomadic’. Why the double standards?‘ in The Guardian
• Kathleen Alcott’s ‘Ghosts of Thanksgiving‘ on Literary Hub
• Mallory Ortberg, ‘A Day In the Life of an Empowered Female Heroine‘ in The Toast
• Danika Ellis, ‘Every Book Should Have Queer Characters‘ on Bookriot
• Leila Roy, ‘2016: All Women, All the Time (An FAQ)‘ on Bookriot
• Huma Quershi, ‘How do I love thee? Let me Instagram it‘ in The Guardian
• Constance Augusta Zaber, ‘Dear Cisgender People Who Write, Publish, And Read “Trans” Books‘ on Bookriot
• Nick Ripatrazone, ‘Born from Books: Six Authors on Their Childhood Reading‘ on The Millions
• Cathy Rentzenbrink, ‘Can reading fiction prepare us for tragedy?‘ in The Guardian
• Kate Dempsey,  ‘on The Space Between: poetry beyond words‘ in The Irish Times
• Jennifer Maloney, ‘Betting Big on Literary Newcomers‘ in The Wall Street Journal
• Vanessa Thorpe, ‘Meet Britain’s new generation of fearless young female playwrights‘ in The Guardian
• Leila Aboulela. ‘How Anita Desai inspired me to write‘ in The Scotsman
• Elizabeth Minkel. ‘Alone Together: At Book Riot Live‘ on The Millions
• Katy Simpson Smith, ‘Motherhood, Writerhood, and Calling a Job a Job‘ on Literary Hub
• Catherine Simpson, ‘Writing a woman in crisis‘ on Isabel Costello’s Literary Sofa
• Nicola Skinner, ‘Why women’s diaries are the ultimate act of defiance‘ on The Pool
• Doreen Carvajal, ‘Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move‘ in The New York Times
• Rachel Charlene Lewis, ‘Yes, Your Writing Is Shaped By Your Identity – But What You Publish Is Too‘ on Paper Darts
• Vendela Vida, ‘Highly Unlikely‘ in The New York Times

Personal essays/memoir:

• Fanny Blake, ‘I went on holiday to India with my best friend and left my husband at home‘ on High 50 Travel
• Guadalupe Nettel, ‘Bezoar‘ in Granta
• Roxane Gay, ‘Breaking Uniform‘ on Good
• Heather Seggel, ‘A Life in Boxes: What it’s Like Being Homeless for Ten Years‘ on Broadly
• Alana Massey, ‘Theological Scars‘ on Hazlitt
• Michele Leavitt, ‘Hidden in a Suitcase‘ in Guernica
• Rebecca Giggs, ‘Whale Fail‘ in Granta
• Nicole S. Chung, ‘Language Lessons: On Adoption, Identity and Loss‘ in The Toast
• Neda Semnani, ‘Memoirs of a Revolutionary’s Daughter‘ on The Baffler
• Nicole Miller, ‘The River Rises to Meet You‘ in Guernica
• Molly Crabapple, ‘Drawn and Cornered‘ on New Republic

Feminism:

• Kui Kihoro Mackay, ‘Every Day a Feminist‘ on Mama’s Junkyard
• Johanna Thomas Corr, ‘Are you an unpaid emotional labourer at home, and at work?‘ on The Pool
• Mira Ptacin, ‘What Happens When You’re Pregnant in Prison‘ in Elle
• Holly Brockwell, ‘Desperate not to have children‘ on the BBC
• Alison Gee, ‘The trouble with saying you don’t want children‘ on the BBC
• Gaby Hinsliff, ‘When authorities show no respect for women, there are dire consequences‘ on The Pool
• April Woolf, ‘The Feminist Asylum That Redefined Women’s Mental-Health Treatment‘ in The Cut
• Rowan Forster, ‘Does Mixed-Gender Wrestling Promote Equality or Violence Against Women?‘ in Vice
• Azadeh Moaveni, ‘ISIS Women and Enforcers in Syria Recount Collaboration, Anguish and Escape‘ in The New York Times
• Rachel Syme, ‘Selfie: The revolutionary potential of your own face, in seven chapters‘ on Medium
• Yuan Ren, ‘“There’s a huge social stigma to being overweight”: one woman’s account of fat shaming in China‘ in Stylist
• AN Devers, ‘Good-bye, Uterus, Good Riddance‘ on Lenny Letter
• Isabel Rogers, ‘“Messy or Dressy?” Meet Glossy Bossy‘ on her blog
• Samira Ahmed, ‘Marriage, Margaret Thatcher & the closet of female expectations‘ on her blog
• Dayna Evans, ‘On Gawker’s Problem with Women‘ on Medium

Society and Politics:

• Lois Beckett, ‘How the Gun Control Debate Ignores Black Lives‘ on Pro Publica
• Meghan Murphy, ‘Why don’t we talk about the pain of friendship break ups?‘ in The New Statesman
• Molly Crabapple, ‘The Paris Attacks, Refugees, and the Brutal Fiction of Borders‘ on Vice
• Marina Weiss, ‘#Trigger Warning: Fear and Loathing on Campus‘ on Weird Sister
• Viv Groskop, ‘What (and what not) to say to someone who has lost weight‘ on The Pool
• Rebecca Omonira-Oyekanmi, ‘Spending Review 2015: The economy should be the next big feminist issue‘ in the New Statesman
• Eve Fairbanks, ‘Why South African students have turned on their parents’ generation‘ in The Guardian
• Raad Rahman, ‘Will I Die a Muslim?‘ on Guernica
• Laila Lalami, ‘To Defeat ISIS, We Must Call Both Western and Muslim Leaders to Account‘ in The Nation
• Fay Wells, ‘My white neighbor thought I was breaking into my own apartment. Nineteen cops showed up.‘ in The Washington Post
• Larissa Pham, ‘The Architecture of Racism at Yale University‘ on Guernica
• Lisa Hix, ‘How America Bought and Sold Racism, and Why It Still Matters‘ on Collectors Weekly
• Hanna Rosin, ‘The Silicon Valley Suicides‘ in The Atlantic
• Carol Spindel, ‘A Line Through the Heart of Paris, the French Prime Meridian‘ on Guernica
• Alexandra Schwartz, ‘Sunday in Paris’ in The New Yorker
• Rebecca Mead, ‘Our Bodies, Ourselves‘ in The New Yorker

Film, Television, Music, Art and Fashion:

• Helen O’Hara, ‘Finally, a superhero to call our own‘ on The Pool
• Gaby Hinsliff, ‘Cheer up Adele, life gets better as you grow older‘ in The Guardian
• Sara Pascoe, ‘Zoolander 2 isn’t just bad for trans people – it’s a step backwards for us all‘ in The Guardian
• Sarah Seltzer, ‘“The Hunger Games” Strange, Simultaneously Progressive and Regressive Take on Gender‘ on Flavorwire
• Lili Loofbourow, ‘The 17th-Century Breastoration: A Time Before Bras‘ on The Hairpin
• Limara Salt, ‘What’s to be done about the lack of diversity in TV and film?‘ on The Pool
• Maureen Dowd, ‘The Women of Hollywood Speak Out‘ in The New York Times
• Anna March, ‘Suffragette and Feminist Inaction‘ on The Rumpus
• Lilian Min, ‘A decade after the fact, I’m re-exploring my love of Enya‘ on Hello Giggles

The interviews:

• Josie Pickens on The Rumpus
• Margaret Atwood in The New York Times
• Jeanette Winterson (and Marlon James) in The Guardian
• JK Rowling and Laurene Laverne in The Guardian
• Anne-Marie Slaughter on Salon
• Mary-Louise Parker on Electric Literature
• Claire Messud in the Boston Globe
• Ottessa Moshfegh on Vice and inThe LA Times
• Melinda Salisbury on helloiammariam
• Sarah Jasmon on Rebecca Mascull’s blog
• Brené Brown in The Guardian
• Melissa Green on Stylus
• Diana Athill in The Guardian
• Yeonmi Park on the Huffington Post
• Edwidge Danticat on Literary Hub
• Annie Liontas on The Rumpus
• Mary Gaitskill in The New York Times
• Lauren Groff on Literary Hub
• Cathy Rentzenbrink on Northern Soul
• Angela Flournoy in The Paris Review
• Jenny Johnson on The Rumpus
• Sophie Collins on The Institute of Contemporary Art blog
• Rainbow Rowell in The Guardian
• Jennifer Egan (and George Saunders) in The New York Times
• Salena Godden on Opus Independents

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans