The Baileys Women’s Prize for Fiction Shadow Panel Shortlist

A month ago, when the Baileys Women’s Prize for Fiction longlist was announced, I commented on what an exceptional year it had been for writing by women. This is supported by both the reading we’ve done and the discussions we’ve had as a shadow panel. There have been some heated debates about some of the books and some that every one of us felt should be included on our shortlist but, for the first time since I began shadowing this prize with a panel, there wasn’t a single book that we didn’t think worthy of its inclusion on the longlist. This is the fifth year I’ve shadowed this prize and this has been, without question, the strongest longlist I’ve seen.

I preface our chosen shortlist with these remarks because I want to make a case for every single one of the 16 books that make up the longlist. Whether they’ve made our shortlist or not and whether or not they make the official shortlist tonight, there are 16 books by women worthy of your time.

One of the things that infuriates me about so-called ‘women’s fiction’ (as if somehow fiction written by women is gendered while fiction written by men is not) is the idea that it is concerned with the domestic sphere. The 16 books which make up the Baileys Women’s Prize for Fiction longlist 2017 cover politics, science, ecology, farming, horse breeding/racing, crime, prisons, acting, music, writing, race, medicine, sex, drugs, performance, religion, violence, love, family, gender, marriage, parenting, death, grief, abuse and friendship. I defy anyone to look at the list and say there isn’t a single book on it that doesn’t interest them. Indeed, if you’re a man who doesn’t read books by women, there’s one here to get you started. Or, if you know a man who doesn’t read books by women, buy the one you know that’ll get him hooked – tear the cover and front pages off if you have to – and present him with it.

Here, then, are the six books we’ve chosen to shortlist. They’re not the six I thought we’d select when the list was announced, but now we’ve read them all, they’re the six that – as a panel – we felt most strongly about. If you click on the cover, it will take you to my review. You can read Eleanor’s reviews here and Eric’s here. Thanks also to Antonia and Meera. We’ll announce our winner on Tuesday 6th June, the day before the official winner is crowned.

The Mare – Mary Gaitskill

Eleven-year-old Velvet takes part in the Fresh Air Fund summer scheme, two weeks staying ‘with rich white people’. She’s paired with forty-seven-year-old Ginger, an artist, married to a man she met in AA. The couple are considering adopting, although Ginger’s keener than Paul. Taking Velvet into their home is a trial to see what it’s like to have an older child around.

We called the organization and they sent us information, including a brochure of white kids and black kids holding flowers and smiling, of white adults hugging black kids and a slender black girl touching a white woolly sheep. It was sentimental and flattering to white vanity and manipulative as hell. It was also irresistible. It made you think the beautiful sentiments you pretend to believe in reality really might be true.

Velvet soon becomes acquainted with the stables next door to Ginger’s house. There she takes a shine to Fugly Girl, the most dangerous horse in the yard. While there’s a clear parallel to be drawn between Fugly Girl’s behaviour and Velvet’s, the stable and Velvet’s subsequent ability as a rider is also used to highlight the difference in the attitudes of Ginger and Silvia, Velvet’s mother, to Velvet’s new hobby. Ginger is delighted and encourages Velvet, seeing it as a way to develop their relationship further, allowing Velvet to spend weekends with her and Paul. Silvia is adamant that Velvet can’t ride horses, she’s worried it’s too dangerous, a worry that both Ginger and Velvet ignore.

Silvia’s not the only person concerned, Paul also worries, but his fears are directed towards Ginger’s relationship with Velvet, to the need he sees in both of them, to the addiction that’s forming on Ginger’s side.

What Gaitskill does well with all of these elements is complicate them. Silvia appears to be a bad mother, she’s angry and abusive, belittling her daughter. But how much of what the reader understands about Silvia is lost in translation? She speaks Spanish and her words are almost always conveyed in English by her daughter, son or an independent translator. When Gaitskill does give us Silvia’s words directly, we see a woman worn down by her situation and a mother concerned about the effect Ginger’s influence is having on Velvet, about how it will prevent her fitting in to the community which she belongs.

Ginger also struggles to translate Velvet. She views her through a prism of idealism, even when there’s sufficient evidence to show Violet’s lying or being lazy or rude.

I was the adult. But I never knew from one moment to the next if I was or not. Being this kind of adult was like driving a car without breaks at night around hairpin turns. My body tensed and relaxed constantly. I was always nearly ruining dinner or forgetting to pick something up. I couldn’t sleep. I wanted to drink – really wanted to, for the first time in years. Was this what parenting was like, 24/7? My God, how did anyone do it? How did her mother do it, in a foreign country, in a bad neighbourhood where she didn’t speak the language?

The novel is largely told from Velvet and Ginger’s first person perspectives, in short chapters which run immediately on from each other. Gaitskill uses the structure to support her theme of people being unknowable, making it all the more interesting when the occasional chapter from the perspective of Paul or Silvia or Dante, Velvet’s younger brother, comes along.

The Mare explores themes of motherhood, race, class, addiction, marriage and love. It asks whether it’s possible to offer someone a different kind of life and whether it’s the right thing to do. It’s gripping, challenging and provocative. A gem.

 

Thanks to Serpent’s Tail for the review copy.

The Baileys Women’s Prize for Fiction Longlist 2017

It’s after midnight and I’m on a train, typing this on my phone. The Baileys Women’s Prize for Fiction Longlist 2017 has just been announced and my initial thought is: wow.

Wow that books I loved and hoped would be on the list are there: Midwinter by Fiona Melrose; The Essex Serpent by Sarah Perry; The Power by Naomi Alderman; Stay With Me by Ayòbámi Adébáyo; First Love by Gwendoline Riley; The Lesser Bohemians by Eimear McBride; Little Deaths by Emma Flint.

Wow that I predicted seven of the list – my highest score ever.

Wow that there are 16 books, rather than the promised 12. It shows that the past 12 months have been exceptional for writing by women. However, with just over three weeks until the shortlist announcement, it does make things challenging for the Shadow Panel.

And wow that Homegoing by Yaa Gyasi isn’t on the list. Every year this prize misses an exceptional book and this is a stunning omission, made all the more noticeable when there are only three books by women of colour on a list of sixteen.

The list in full. I’ve linked to my reviews for those I’ve already covered and will add to this as I read the rest:

First Love – Gwendoline Riley

Stay With Me – Ayòbámi Adébáyo

Do Not Say We Have Nothing – Madeleine Thien

The Essex Serpent – Sarah Perry

The Dark Circle – Linda Grant

The Lesser Bohemians – Eimear McBride

The Mare – Mary Gaitskill

Barkskins – Annie Proulx

The Power – Naomi Alderman

Little Deaths – Emma Flint

The Woman Next Door – Yewande Omotoso

Hag-Seed – Margaret Atwood

The Gustav Sonata – Rose Tremain

The Lonely Hearts Hotel – Heather O’Neill

Midwinter – Fiona Melrose

The Sport of Kings – C.E. Morgan

In the Media: December 2016

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Post-election coverage is still top of the tree this fortnight:

• Lauren Duca, ‘Donald Trump Is Gaslighting America‘ in Teen Vogue
• Jennifer Gonnerman, ‘Fighting for the Poor Under Trump‘ in The New Yorker
• Molly Ball, ‘President Trump’s Perpetual Campaign‘ in The Atlantic
• Chimamanda Ngozi Adichie, ‘Now Is the Time to Talk About What We Are Actually Talking About‘ in The New Yorker
• Barbara Robidoux, ‘Walk On‘ on The Rumpus
• Hadley Freeman, ‘“Don’t play identity politics!” The primal scream of the straight white male‘ in The Guardian
• Masha Gessen, ‘Trump: The Choice We Face‘ in The New York Review of Books
• Gabrielle Bellot, ‘Finding Empathy in the Face of Hate‘ on Literary Hub
• Alison Stine, ‘Wolves‘ on The Rumpus

The other big story has been the revelation that Maria Schneider was raped in Last Tango in Paris:

• Sali Hughes, ‘The callous abuse of Maria Schneider, and the impunity of Hollywood men‘ on The Pool
• Suzanne Moore, ‘Last Tango’s abuse reveals the broken promise of the 1970s sexual revolution‘ in The Guardian
• Helen Lewis, ‘Maria Schneider’s story is no surprise – Hollywood has always treated women as commodities‘ in the New Statesman
• Jessica Tovey, ‘Bertolucci’s justification for the Last Tango rape scene is bogus. It’s called ‘acting’ for a reason‘ in The Guardian

The best of the rest:

On or about books/writers/language:

• Rave Sashayed, On men writing women on but alas! the creature grows degenerate
• Sarah Perry, ‘One day I found myself reciting the opening of the novel. I knew the crisis had come’ in The Guardian
• Zadie Smith, ‘On Optimism and Despair‘ in The New York Review of Books
• G X Todd, ‘Insecurity, fear, frustration and helplessness‘ in The Bookseller
• Amanda Nadelberg, ‘How Do We Pay the Poets?‘ on Literary Hub
• Jesmyn Ward, ‘This Was The Year America Finally Saw The South‘ on Buzzfeed
• Kelly Faircloth, ‘The Sweet, Savage Sexual Revolution That Set the Romance Novel Free‘ on Jezebel
• Ellena Savage, ‘From Hemingway to Kathy Acker: Making Art from the Outside‘ on Literary Hub
• Amanda Michalopoulou, ‘Divided times: how literature teaches us to understand “the other”‘ in The Guardian
• Lamorna Ash, ‘Never mind the typography‘ in The TLS
• Marcy Dermansky, ‘For Writers who Are Also the Mothers of Small Children‘ on Literary Hub
• Chantal Braganza, ‘A User’s Guide to Zadie Smith‘ on Hazlitt
• Miriam Toews, ‘How Pacifism Can Lead to Violence and Conflict‘ on Literary Hub
• Nicole Jankowski, ‘Ernest Hemingway and Me: Reflections of an Insomniac Writer‘ on Catapult
• Katharine Noel, ‘Where Is All the Sibling Literature for Adults?‘ on Literary Hub
• Michael Denneny, ‘Ntozake Shange: On a Brilliant Balance of Anger and Poetry‘ on Literary Hub
• Rafia Zakaria, ‘A Feminist Thoreau‘ on Literary Hub
• Dan Chiasson, ‘Emily Dickinson’s Singular Scrap Poetry‘ in The New Yorker
• Petina Gappah, ‘I was a lawyer, but I forced myself to write before I went to work’ in The Guardian
• Clare Sestanovich, ‘Storytelling vs. Oversharing in the Age of Snapchat: On the Work of Rachel Cusk, Claire Louise-Bennett, and Eimear McBride‘ on Literary Hub
• Sarah Franklin, ‘Lose yourself in the microworld of the short story‘ on The Pool

 

Personal essays/memoir:

• Courtney Tenz, ‘Integration Class: On Immigrating to Germany‘ on Catapult
• Lisbeth Zornig Andersen, ‘When Denmark Criminalised Kindness‘ in Granta
• Megan Cummins, ‘Plunge‘ on Guernica
• Jacklyn Janeksela, ‘lane-gweedj‘ on [Pank]
• Antonia Honeywell’s Advent Calendar on her blog
• Yemisi Aribsala ‘Kanda for Christmas‘ on The Writes of Woman
• Linda Wells, ‘Spas Aren’t Only About Beauty, Vanity, or Fun. They’re Also About Grief.‘ on The Cut
• Maureen McCauley Evans, ‘A New Light: How My Daughter’s Pregnancy Made Me Rethink Adoption‘ on Catapult
• Amy Beth Wright, ‘A Separate Dream: Faith, Family, and Knowing When to Let Go‘ on Catapult
• Helena Fitzgerald, ‘Leaving on a Jet Plane: On Life in Airports and Coming Home‘ on Catapult
• Jennifer Kabat, ‘The Fairytale‘ on Granta
• Sarah Weinman, ‘The Year in Addition and Subtraction‘ in Hazlitt
• Kim Fu, ‘The Year in Hyphenates‘ in Hazlitt
• Meg Elison, ‘On Decades of Diaries: Intimate, Profane, Honest‘ on Literary Hub
• Christine Sneed, ‘“It’s very easy to marry, but not so easy to unmarry a person”‘ on The Pool
• Various, ‘Conversations with grandma: ‘When are you going to get married?’‘ in The Guardian
• Anonymous, ‘The Discovery‘ on Finally Knowing Me

Feminism:

• Sirin Kale, ‘The Irish Government Is Seizing an Increasing Number of Abortion Pills‘ on Broadly
• Alanna Evans, ‘One Delightfully Clever & Slightly Shakespearean Way to Fight Trolls‘ on Flare
• Soraya Chemaly, ‘How white supremacist hatred drives acts of violence against powerful women‘ on Salon
• Wanu Udobang, ‘Remembering to Scream‘ on Brittle Paper
• Pearl Osibu, ‘The Unwomanly Feminist‘ on Brittle Paper
• Paris Lees, ‘Fears around gender-neutral toilets are all in the mind‘ in The Guardian
• Various, ‘Four female writers assess the feminist credentials of classic Disney princess films‘ in Stylist
• Ashley Weatherford, ‘The Irrational History of Hating Stretch Marks‘ in The Cut
• Margaret Talbot, ‘The Attorney Fighting Revenge Porn‘ in The New Yorker
• Laura Craik, ‘“It’s OK to allow women to look sexy without baring a breast”‘ on The Pool

Society and Politics:

• Rosalind Adams, ‘Intake: Locked On The Psych Ward‘ on Buzzfeed
• Samira Shackle, ‘40 years ago, the “strikers in saris” were smashing the stereotype of submissive Asian women‘ on The Pool
• Samira Shackle, ‘Muslim women are facing discrimination – and broad reports about “integration” won’t help that‘ on The Pool
• Caroline O’Donoghue, ‘Is it OK to have a single-use friendship?‘ on The Pool
• Tele Ogunyemi, ‘We are not “belligerent,” “dark” or “bitter”‘ on Media Diversified
• Marina Hyde, ‘So many lowlights from the life of Zac Goldsmith – so hard to choose‘ in The Guardian
• Erika Hayasaki, ‘Traces of Times Lost‘ in The Atlantic

Film, Television, Music, Art, Fashion and Sport:

• Leslie Bennetts, ‘Judge Me, Rank Me, Insult Me, Reject Me: The Contradictions, Cruelty and Genius of Joan Rivers‘ on Lenny

The interviews/profiles:

• Chimamanda Ngozi Adichie in The Cut and The New York Times
• Ali Smith on the Penguin Blog
• Brit Bennett on Electric Literature
• Eileen Myles, Ruth Ozeki, Porochista Khakpour, Anna March and Alexandra Kleeman on Writing the Body on Literary Hub
• Imbolo Mbue on The Rumpus
• Jessie Greengrass on The Writes of Woman
• Val McDermid on Literary Hub
• Eimear McBride in The TLS
• Jia Tolentino on Catapult
• Danielle Dutton on The Millions
• Mary Gaitskill on The Pool
• Zadie Smith in the New Statesman
• Mary Wisniewski on Electric Literature
• Henrietta Rose-Innes on Electric Literature
• Elizabeth Gilbert in The Cut
• Yemisi Aribisala on The Tiger Tales, Chukus and Kitchen Butterfly
• Hao Jingfang in The New York Times
• Erin Wunker on Room
• Heather Phillipson in The Guardian
• Sarah Perry on Waterstones’ blog

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Lola Okolosie in The Guardian
• Sarah Gerard, ‘Mouthful‘ on Hazlitt
• Books by Women We’d Love to See in English on Literary Hub

In the Media: October 2016, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

The fortnight began with the outing of Elena Ferrante. I’m not going to link to the original article, but there’s been a huge reaction to it:

• Rachel Donadio, ‘Revelation Surrounding Novelist Elena Ferrante Exposes Cultural Differences‘ in The New York Times
• Priscilla Frank ‘Elena Ferrante, Francesca Woodman, And Women Who Yearn To Disappear In Plain Sight‘ on The Huffington Post
• David L. Ulin, ‘Leave Elena Ferrante Alone‘ on Literary Hub
• Christian Lorentzen, ‘If You Want to Know Who Elena Ferrante ‘Really’ Is, You’re Asking the Wrong Questions‘ on Vulture
• Jeanette Winterson, ‘The malice and sexism behind the ‘unmasking’ of Elena Ferrante‘ in The Guardian
• Tom Hawking, ‘The Unmasking of Elena Ferrante: Journalistically Defensible, Perhaps, But Morally Questionable‘ on Flavorwire
• Marie Myung Ok-Lee, ‘Occupy Author Photo: On Elena Ferrante, Privacy, and Women Writers‘ on The Millions
• Rebecca Falkoff, ‘“To translate is to betray”: the Elena Ferrante phenomenon in Italy and the US‘ in The Guardian
• Noreen Malone, ‘Elena Ferrante’s “Unmasking” Wasn’t the End of the World‘ on Slate
• Megan Garber, ‘Elena Ferrante and the Cost of Being an Author‘ on The Atlantic
• Alexandra Schwartz, ‘The “Unmasking” of Elena Ferrante‘ in The New Yorker
• Christine Friar, ‘Female Trouble: There’s no safe way to be a woman in public‘ on The Awl
• Lisa Campbell, ‘Ferrante’s unmasking “likely to increase sales” say booksellers‘ in The Bookseller
• Erica Wagner, ‘The unmasking of Elena Ferrante: why a writer’s biography is irrelevant‘ in The New Statesman
• Rachel Donadio and Jennifer Schuessleroct, ‘ Who Is Elena Ferrante? Supporters Say NOYB‘ in The New York Times
• Charlotte Shane, ‘The Sexist Big Reveal‘ in New Republic
• Rachel Stirling, ‘The Ferrante Farago‘ on Queen Mobs
• Lincoln Michel, ‘We May Know Who Ferrante Is, But Have We Learned Anything?‘ on Electric Literature
• Adam Kirsh, ‘Elena Ferrante and the Power of Appropriation‘ in The New York Times
• Frances Wilson, ‘Elena Ferrante: the story of a new name‘ in The TLS
• Ann Friedman, ‘Kim Kardashian West, Elena Ferrante, and the Right to Privacy‘ in The Cut
• Arifa Akbar, ‘Exposing Elena Ferrante whiffs of misogyny and is without purpose‘ on The Pool
• The Guardian view on unmasking Elena Ferrante: an impoverishing act
• Suzanne Moore, ‘Who cares who Elena Ferrante really is? She owes us nothing‘ in The Guardian
• Stig Abell, ‘Why the TLS would not have named Elena Ferrante‘ in The TLS
• Elena Avanzas Álvarez ‘What Our Insistence on Ferrante’s Identity Actually Means About Women, Consent, and Art‘ on Books and Reviews
• Lana Schwartz, ‘Drafts of Emails Elena Ferrante Never Sent to Claudio Gatti‘ in The Hairpin

Photograph by Kate Neil

The other big story of the fortnight has been the release of the film version of The Girl on the Train.

• Interviews with Paula Hawkins in The Wall Street Journal and Woman and Home
• Anne Helen Petersen, ‘“The Girl On The Train” And Women’s Dark Fantasies‘ on Buzzfeed
• John Mullan, ‘How we got to The Girl on the Train – the rise of the psychological thriller‘ in The Guardian
• Erin Kelly, ‘How the psychological thriller came to tackle coercive control‘ on The Pool

And the writer with the most coverage is Brit Bennett who’s interviewed on The Cut, the Los Angeles Review of Books, Jezebel, The New York Times and Literary Hub.

The best of the rest:

On or about books/writers/language:

• Carmen Maria Machado, ‘How to Suppress Women’s Criticism‘ on Electric Literature
• Diana Darke, ‘In Syria‘ in The TLS
• Liz Thomson, ‘Bob Dylan’s Nobel: “Yippee! I’m a poet and I know it/Hope I don’t blow it“‘ in The Bookseller
• Julia Kingsford, ‘“The Nobel Academy is breaking its trust with us” by awarding Dylan‘ in The Bookseller
• Anna Funder, ‘Sound of Silence‘ in The TLS
• Stella Duffy, ‘A London Lies Beneath Walk‘ on Virago
• Ying Ju-Lai, ‘Dispatches from a Writer’s Retreat on a Playground for the Super Rich‘ on Literary Hub
• Xiaolu Guo, ‘One language is not enough – I write in both Chinese and English’ in The Guardian
• Julie Phillips, ‘The Fantastic Ursula K. Le Guin‘ in The New Yorker
• Bridget Read, ‘Lean In, Swipe Right: On Tinder and the Politics of Singledom‘ on Literary Hub
• Miranda Popkey, ‘All the Time I’ve Wasted Watching the Better Versions of Me‘ in The Cut
• Kathleen Harris, ‘What We Write About When We’re Not Writing‘ on Vela
• Melissa Lee-Houghton, ‘Articulating your experience is remarkably life-affirming‘ in The Guardian
• Edmund Gordon, ‘Angela Carter in Japan‘ in The TLS
• Yiyun Li, ‘All that Offers a Happy Ending Is a Fairy Tale‘ in Granta
• Lina Mounzer, ‘War in Translation: Giving Voice to the Women of Syria‘ on Literary Hub
• Lidija Dimkovska, ‘How the Yugoslav Wars Shaped a Generation of Writers‘ on Literary Hub
• KJ Orr, ‘BBC National Short Story winner – a plea to publishers to take risks‘ in The Guardian
• Elisa Albert, ‘The Snarling Girl‘ on Hazlitt
• Eric Thurm, ‘Is Joyce Carol Oates Trolling Us?‘ on Literary Hub
• Nell Zink, ‘How to Become a Novelist in Ten Easy Steps‘ on Literary Hub
• ‘Gloria Naylor, award-winning novelist, dies aged 66‘ in The Guardian
• Allegra Hyde, ‘Literary Alchemy: the Wedding of Subject and Style‘ on Electric Literature

Personal essays/memoir:

• Tracy O’Neill, ‘After the Playground‘ on Catapult
• Cari Luna, ‘Under Threat of the Really Big One‘ on Catapult
• Curtis Sittenfeld, ‘My Friend Sam‘ in The New Yorker
• Laura Turner, ‘I Was Pregnant, And Then I Wasn’t‘ on Buzzfeed
• Chloe Caldwell, ‘On Female Friendship and the Sisters We Choose for Ourselves‘ on Longreads
• Christine Ro, ‘How I Talk to My Mother‘ on Catapult
• Nancy Jooyoun Kim, ‘Love (or Live Cargo)‘ on Okey-Panky
• Sali Hughes, ‘My life in makeup: the beauty products I’ll never, ever throw away‘ in The Guardian
• Kristen Arnett, ‘The Lord’s Supper‘ on Catapult
• Lizzie Feidelson ‘The Clean‘ in n+1
• Affinity Konar, ‘My Sister’s Abusive Marriage Was Never About Me‘ on Buzzfeed
• Sarah Gerard, ‘Eat Life, Not Matter‘ in Hazlitt
• Clare Archibald, ‘Paper Dolls Join Together with Dots of Whispered Steel‘ on Dangerous Women
• Gillian Flynn, ‘Be Kind to People Dressed as Food‘ in The New Yorker
• Erica Wagner, ‘The silver scent of fear: Learning to live with epilepsy‘ in The New Statesman

Feminism:

• Dayna Evans, ‘Do Women Still Need a Space of Their Own?‘ in The Cut
• Chimamanda Ngozi Adichie, ‘Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions‘ on Facebook
• Rebecca Solnit, ‘City of Women‘ in The New Yorker
• Rep. Tammy Duckworth, ‘Caretaking Equals Strength, Not Weakness‘ on Lenny
• Joanna Klein, ‘Metaphorically Speaking, Men Are Expected to be Struck by Genius, Women to Nurture It‘ in The New York Times
• Rachel Charlene Lewis, ‘Queering Gender, Queering Genre‘ on Electric Literature
• Kristen Hanley Cardozo, ‘The Terrible Power Of White Women Fears In Donald Trump’s Campaign‘ in The Establishment
• Tobi Oredin, ‘As a black British woman I still need Black History Month‘ on The Pool
• Shannon Shreibak, ‘We need to talk about the fetishization of the tattooed alt-girl‘ on Hello Giggles

Society and Politics:

• Jill Soloway, ‘on Donald Trump, Locker Rooms and Toxic Masculinity‘ in Time
• Esther Wang, ‘Asian American voters are crucial to victory. Will they actually turn out to vote?‘ on Fusion
• Rebecca Traister, ‘Trump’s One Public Service Was Exposing the Misogyny of the GOP‘ on The Cut
• Edwidge Danticat, ‘Hurricane Matthew’s Devastating Toll in Haiti‘ in The New Yorker
• Lindy West, ‘Donald and Billy on the Bus‘ in The New York Times
• Kathryn Miles, ‘Spoiler Alert‘ in Pacific Standard
• Sarah Smash, ‘Dangerous idiots: how the liberal media elite failed working-class Americans‘ in The Guardian
• Anna Merlan, ‘The Team of Men Behind Rachel Brewson, the Fake Woman Whose Trump-Fueled Breakup Went Viral‘ on Jezebel
• Alana Massey, ‘When New York Stopped: Confronting the Lingering Aftermath of Hurricane Sandy‘ in Brooklyn Magazine
•  Your Fat Friend, ‘The 400-pound hacker & fat shaming without fat people‘ on Think Progress
• Kristin Dombek, ‘Emptiness‘ (on narcissists) on n+1

The interviews/profiles:

• Margaret Atwood on Hazlitt, in The Guardian
• Tessa Hadley and Helen Garner on Electric Literature
• Jami Attenberg and Maria Semple on Literary Hub
• Anuradha Roy on Electric Literature
• Madeleine Thien in The Guardian and in Granta
• Claudia Rankine on The Cut
• Kit de Waal on Too Full to Write
• Maria Padian on Book Riot
• Marcy Dermansky on Buzzfeed
• Seraphina Madsen on The Writes of Woman and Storgy
• Holly Throsby on The Guardian
• Hettie Jones on Lenny
• Tracy Chevalier and Paulette Jiles on Literary Hub
• Marisa Silver on Electric Literature
• Leigh Stein in The Huffington Post
• Zoe Wittall on Maisonneuve
• Robin Stevens on The Bookseller
• Chloe Cadwell on Electric Literature
• Sinéad Gleeson in The Irish Times
• Natalie Baszile on Literary Hub
• Nell Zink on The Millions and Vulture
• Eimear McBride in The Irish Times
• Pamela Erens on Bloom
• Mary Gaitskill in the Los Angeles Review of Books
• Maggie Nelson on Fiction Advocate
• Ali Smith in The Observer

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner
• Jendella Benson on Media Diversified
• Books by Women We’d Love to See in English on Literary Hub

In the Media, May 2016, Part Three

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as as traditional media are likely and the categories used are a guide, not definitives.

Books in translation have been having a moment following Han Kang and translator Deborah Smith winning the Man Booker International Prize for The Vegetarian. They wrote, ‘It is fascinating to ponder the possibili­ties of language‘ for The Guardian; Charles Montgomery wrote, ‘The Triumph of Han Kang and the Rise of Women’s Writing in Korea‘ in The Los Angeles Review of Books; Sophie Hughes wrote, ‘On the Joyful Tears of a Translator‘ on Literary Hub. Judith Vonberg writes, ‘Translated fiction is not a genre. Why do bookshops tell us it is?‘ in The New Statesman and Anjali Enjeti asks, ‘Do Americans Hate Foreign Fiction‘ on Literary Hub

The best of the rest:

On or about books/writers/language:

• Rose Tremain, ‘Forty Years as a Writer‘ on Waterstones’ Blog
• Francesca Simon, ‘I’m a mixture of both Horrid Henry and Perfect Peter‘ in The Telegraph
• Rebecca Solnit, ‘To Break the Story, You Must Break the Status Quo‘ on Literary Hub
• Rose Courteau, ‘Team Ladislaw: What Henry James (and Everyone Else) Gets Wrong About Middlemarch‘ on The Millions
• Claire Christian, ‘Self-publish and be sneered at?‘ in The Bookseller
• Hannah Engler, ‘Nora Ephron and Literary Moms‘ on Bookriot
• Sarah LeFanu, ‘on Women’s Writing: A Small Bit of Recent History‘ on Something Rhymed
• Sarah Boxer, ‘Reading Proust on My Cellphone‘ on The Atlantic
• Casey Rocheteau, ‘Literary Juneteenth (or Why I Left The Offing)‘ on The Offing
• Julie Feng, ‘The Weight of the World, The Weight of Words‘ on Winter Tangerine
• Amy Watkin, ‘Harper Lee Would Like a Word With You‘ on McSweeney’s
• Rufi Thorpe, ‘Actually, All Writers Steal‘ on Literary Hub
• Julia Rochester, ‘My fiction is preoccupied with belonging and exile‘ in The Guardian
• Nuzaifa, ‘Muslims Represented in YA Fiction‘ on Word Contessa
• Zara Raab, ‘These Molten Flowers: on Lola Ridge, radical poet and activist‘ on Critical Flame
• Soniah Kamal, ‘When My Authentic Is Your Exotic‘ on Literary Hub
• Glosswitch, ‘Re-reading Wide Sargasso Sea‘ on Glosswatch
• Paula Erizanu, ‘Sarah Crossan wins the Irish children’s book of the year‘ in The Guardian
• Elif Shafak, ‘Writing Fiction is an Act of Faith‘ on Waterstones’ Blog
• Bridget Read, ‘Jenny Diski, Down the Final Rabbit Hole‘ on Literary Hub
• Melissa Holbrook Pierson, ‘That’s Inspiration!: Rereading Annie Dillard‘ in The Los Angeles Review of Books
• Enrique Vila-Matas, ‘The Unstoppable Myth of Alejandra Pizarnik‘ on Literary Hub
• Judith Shulevitz, ‘The Brontës’ Secret‘ on The Atlantic
• Alex Clark, ‘‘No drugs on the bus’: Carol Ann Duffy takes a road trip‘ in The Guardian
• Anne Enright, ‘In search of the real Maeve Brennan‘ in The Guardian
• Milena Busquets, ‘Writing my way out of the loneliness of grief‘ on The Pool
• Laura Miller, ‘Introducing My Ántonia‘ on Slate
• Nina Stibbe, ‘Helena Bonham Carter was cast in a TV series about my life – and all I could do was blag a Harry Potter ticket from her,’ in The Telegraph
• Candace Opper, ‘The Suicide Memoir: True Crime, Mystery and Grief‘ on Literary Hub
• Rebecca Smart, ‘Pride not prejudice’ in The Bookseller
• Nicole Brinkley, ‘“Women built this castle”: An in-depth look at sexism in YA.‘ on YA Interrobang
• Samantha Shannon, ‘An abridged Da Vinci Code implies teens need simple books – they don’t‘ in The Guardian
• Lucy Caldwell, ‘On Why Short Stories Matter‘ on Faber & Faber Blog
• Lynn Steger Strong, ‘Topography of a Novel: Hold Still‘ on Blunderbuss
• Robin Wasserman, ‘What Does It Mean When We Call Women Girls‘ on Literary Hub
• Rebecca Wait, ‘Following the Leader‘ on Waterstones’ Blog
• Marianne Tatipo, ‘Young, BAME, and chasing the ‘alternative route into publishing’ dream‘ in The Bookseller
• Chris Power, ‘A brief survey of the short story: Lucia Berlin‘ in The Guardian
• Janice P. Nimura, ‘History Never Ends, It Just Gets Retold‘ on Literary Hub
• Helena Fitzgerald, ‘How Katherine Dunn’s Geek Love Saved Me‘ on Literary Hub
• Laura Smith, ‘House Hunting with Martha Gellhorn‘ on Hazlitt
• Mikita Brottman, ‘Jane Austen’s Ivory Cage‘ in The American Scholar
• Faye Bird, ‘Why I Wanted to Write About Selective Mutism‘ on Scottish Booktrust
• Chris Kraus, ‘I Love Dick happened in real life, but it’s not a memoir‘ in The Guardian

Personal essays/memoir:

• Jess Carroll, ‘Watch Me Bathe‘ on Hazlitt
• Amy Jones, ‘Stuck in the middle — between body positivity and clean eating‘ on Medium
• Carly Rose, ‘My Journey Into the Woods: What Stephen Sondheim Taught Me About Conceiving a Child‘ on Electric Literature
• Joanna Sing, ‘What I Have Learnt from Being (Occasionally) White-Passing‘ on Gal-Dem
• Nicole Cliffe, ‘How God Messed Up My Happy Atheist Life‘ on Christianity Today
• Eva Hagberg Fisher, ‘Vital Signs‘ on Guernica
• Maggie O’Farrell, ‘‘I have three seconds before she draws blood’: life with extreme eczema‘ in The Guardian
• Helena Fitzgerald, ‘The Fierce Triumph of Loneliness‘ on Catapult
• Vanessa Hua, ‘The Sandwich Generation‘ in the San Francisco Chronicle
• Anna March, ‘The Burn‘ on Midnight Breakfast
• Katrina Kenison, ‘Solitude: A Reprieve from the Noise of Doing‘ on On Being
• Sinéad Gleeson, ‘Blue Hills and Chalk Bones‘ on Granta
• Nina Stibbe’s letter to her younger self: ‘Try not to have a weave perm’ in The Guardian
• Rufi Thorpe, ‘Do the Deer‘ on Medium
• Rumaan Alam, ‘What Happened When I Tried to Have It All‘ on The Cut

Feminism:

• Katie J.M. Baker, ‘Ethics and the Eye of the Beholder‘ on Buzzfeed
• Alana Massey, ‘The Clique Imaginary‘ in The New Inquiry
• Lena Dunham, ‘Sorry, Not Sorry: My Apology Addiction‘ on Linkedin
• Emma Garman, ‘A Liberated Woman: The Story of Margaret King‘ on Longreads
• Joanna Walsh, ‘“She wore a USB cord instead of a necklace”: whatever happened to Cyberfeminism?‘ in The New Statesman
• Rebecca Reid, ‘GirLand, Habbo Hotel and me: how I learned to masturbate online‘ in The New Statesman
• Lola Okolosie, ‘“Misogynoir is a very real problem and feminism can no longer ignore it”‘ in Stylist
• Laura Maw, ‘Rhythms of Fear‘ on Hazlitt
• Afak Afgun, ‘Women carry a heavier coffin‘ on Sister-Hood
• Suzanne Moore, ‘Stop telling women they’re doing feminism wrong‘ in The Guardian
• Sarah Menkedick, ‘In Defense of Motherhood as Art‘ on Vela
• Sian Norris, ‘The value of women’s silence‘ on Sian and Crooked Rib
• Lasha, ‘bell hooks vs. Beyoncé: What this feminist scholarly critique gets wrong about “Lemonade” and liberation‘ on Salon
• Sari Botton, ‘Unchain My Heart: On the Emotional Effectiveness – and Lingering Sexism – of Jewish Divorce‘ on Longreads
• Lindy West, ‘Why women need to be bigger: on why we all should be loud and proud‘ in Stylist

Society and Politics:

• Charlotte Riley, ‘Working class girls don’t threaten our universities, they enrich them‘ in The New Statesman
• Jessica Contrera, ‘13, right now‘ in The Washington Post
• Daisy Hernández, ‘Kiss of Death‘ in Guernica
• Lindy West, ‘My husband isn’t fat, and that enrages people‘ on The Pool
• Holly Root-Gutteridge, ‘The songs of the wolves‘ on Aeon
• Mary Wang, ‘Seeing Through the Fog, Part Two‘ on Guernica
• Tracy O’Neill, ‘The Long Line to Tonight‘ on Catapult
• Ella Wilks-Harper, ‘There’s a Fine Line Between Tokenism and Diversity‘ on Gal-Dem
• Tracie White, ‘The Puzzle Solver‘ on Stanford Medicine
• Katherine Laidlaw, ‘Hold the Fort‘ on The Walrus
• Sonia Faliero, ‘The Long Rescue‘ in Harper’s
• Mallika Rao, ‘From Nina to Lemonade, Why We’re Still So Bad at Talking About Colorism‘ on Slate
• Deborah Halber, ‘192 Days as John Doe’ on Mosaic
• Bridget Minamore, ‘Racism and misogyny explains why there are so few black women in politics‘ on The Pool
• Christine Baumgarthuber, ‘Dinner with Caligula‘ on The New Inquiry
• Anna Furman, ‘Meeting Edward Said‘ on Guernica

Film, Television, Music, Art, Fashion and Sport:

• Louise Ridley, ‘Celebrity Injunctions Show ‘Moral Abuse’ Of Courts As They Are ‘Almost Entirely Taken Out By Unfaithful Men’ Say Lawyers‘ on The Huffington Post
• Arielle Bernstein, ‘Beyond the “girl power” anthem: Beyoncé, Lana Del Rey and pop’s radical embrace of female vulnerability‘ on Salon
• Elizabeth Daley, ‘Above and Beyoncé‘ on Guernica
• Joanna Sing, ‘Can We Excuse Azealia Banks on Account of Her Bipolar Disorder?‘ on Gal-Dem

The interviews/profiles:

• Miranda Beverly Whittemore on Literary Hub
• Emma Cline on The Bookseller
• Emma Straub in The New York Times
• Mary Gaitskill on Guernica
• Mona Awad on Hazlitt
• Lindy West on Buzzfeed
• Stephanie Danler on Electric Literature, The Paris Review, Vanity Fair and Guernica
• Kit de Waal in The Bookseller
• Rufi Thorpe on Electric Literature
• Fionnuala Kearney on Rebecca Mascull’s blog
• Rebecca Schiff on Electric Literature
• Svetlana Alexievich on The Millions
• Sarah Perry on Foyles
• MariNaomi on The Millions
• Margo Jefferson in The Observer
• Kelly Link on The Masters Review
• Anakana Schofield on The Gloss
• Teow Lim Goh on The Fem
• Elena Ferrante in The New Yorker
• Rivka Galchen on Electric Literature

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans
• Juno Dawson in Glamour
• Kashana Cauley on Catapult
• Louise O’Neill in the Irish Examiner

In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

• Edwidge Danticat, ‘Best Untranslated Writers: Kettly Mars‘ on Granta
• Avril Horner and Anne Rowe, ‘Iris Murdoch is ‘promiscuous’ while Ted Hughes is ‘nomadic’. Why the double standards?‘ in The Guardian
• Kathleen Alcott’s ‘Ghosts of Thanksgiving‘ on Literary Hub
• Mallory Ortberg, ‘A Day In the Life of an Empowered Female Heroine‘ in The Toast
• Danika Ellis, ‘Every Book Should Have Queer Characters‘ on Bookriot
• Leila Roy, ‘2016: All Women, All the Time (An FAQ)‘ on Bookriot
• Huma Quershi, ‘How do I love thee? Let me Instagram it‘ in The Guardian
• Constance Augusta Zaber, ‘Dear Cisgender People Who Write, Publish, And Read “Trans” Books‘ on Bookriot
• Nick Ripatrazone, ‘Born from Books: Six Authors on Their Childhood Reading‘ on The Millions
• Cathy Rentzenbrink, ‘Can reading fiction prepare us for tragedy?‘ in The Guardian
• Kate Dempsey,  ‘on The Space Between: poetry beyond words‘ in The Irish Times
• Jennifer Maloney, ‘Betting Big on Literary Newcomers‘ in The Wall Street Journal
• Vanessa Thorpe, ‘Meet Britain’s new generation of fearless young female playwrights‘ in The Guardian
• Leila Aboulela. ‘How Anita Desai inspired me to write‘ in The Scotsman
• Elizabeth Minkel. ‘Alone Together: At Book Riot Live‘ on The Millions
• Katy Simpson Smith, ‘Motherhood, Writerhood, and Calling a Job a Job‘ on Literary Hub
• Catherine Simpson, ‘Writing a woman in crisis‘ on Isabel Costello’s Literary Sofa
• Nicola Skinner, ‘Why women’s diaries are the ultimate act of defiance‘ on The Pool
• Doreen Carvajal, ‘Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move‘ in The New York Times
• Rachel Charlene Lewis, ‘Yes, Your Writing Is Shaped By Your Identity – But What You Publish Is Too‘ on Paper Darts
• Vendela Vida, ‘Highly Unlikely‘ in The New York Times

Personal essays/memoir:

• Fanny Blake, ‘I went on holiday to India with my best friend and left my husband at home‘ on High 50 Travel
• Guadalupe Nettel, ‘Bezoar‘ in Granta
• Roxane Gay, ‘Breaking Uniform‘ on Good
• Heather Seggel, ‘A Life in Boxes: What it’s Like Being Homeless for Ten Years‘ on Broadly
• Alana Massey, ‘Theological Scars‘ on Hazlitt
• Michele Leavitt, ‘Hidden in a Suitcase‘ in Guernica
• Rebecca Giggs, ‘Whale Fail‘ in Granta
• Nicole S. Chung, ‘Language Lessons: On Adoption, Identity and Loss‘ in The Toast
• Neda Semnani, ‘Memoirs of a Revolutionary’s Daughter‘ on The Baffler
• Nicole Miller, ‘The River Rises to Meet You‘ in Guernica
• Molly Crabapple, ‘Drawn and Cornered‘ on New Republic

Feminism:

• Kui Kihoro Mackay, ‘Every Day a Feminist‘ on Mama’s Junkyard
• Johanna Thomas Corr, ‘Are you an unpaid emotional labourer at home, and at work?‘ on The Pool
• Mira Ptacin, ‘What Happens When You’re Pregnant in Prison‘ in Elle
• Holly Brockwell, ‘Desperate not to have children‘ on the BBC
• Alison Gee, ‘The trouble with saying you don’t want children‘ on the BBC
• Gaby Hinsliff, ‘When authorities show no respect for women, there are dire consequences‘ on The Pool
• April Woolf, ‘The Feminist Asylum That Redefined Women’s Mental-Health Treatment‘ in The Cut
• Rowan Forster, ‘Does Mixed-Gender Wrestling Promote Equality or Violence Against Women?‘ in Vice
• Azadeh Moaveni, ‘ISIS Women and Enforcers in Syria Recount Collaboration, Anguish and Escape‘ in The New York Times
• Rachel Syme, ‘Selfie: The revolutionary potential of your own face, in seven chapters‘ on Medium
• Yuan Ren, ‘“There’s a huge social stigma to being overweight”: one woman’s account of fat shaming in China‘ in Stylist
• AN Devers, ‘Good-bye, Uterus, Good Riddance‘ on Lenny Letter
• Isabel Rogers, ‘“Messy or Dressy?” Meet Glossy Bossy‘ on her blog
• Samira Ahmed, ‘Marriage, Margaret Thatcher & the closet of female expectations‘ on her blog
• Dayna Evans, ‘On Gawker’s Problem with Women‘ on Medium

Society and Politics:

• Lois Beckett, ‘How the Gun Control Debate Ignores Black Lives‘ on Pro Publica
• Meghan Murphy, ‘Why don’t we talk about the pain of friendship break ups?‘ in The New Statesman
• Molly Crabapple, ‘The Paris Attacks, Refugees, and the Brutal Fiction of Borders‘ on Vice
• Marina Weiss, ‘#Trigger Warning: Fear and Loathing on Campus‘ on Weird Sister
• Viv Groskop, ‘What (and what not) to say to someone who has lost weight‘ on The Pool
• Rebecca Omonira-Oyekanmi, ‘Spending Review 2015: The economy should be the next big feminist issue‘ in the New Statesman
• Eve Fairbanks, ‘Why South African students have turned on their parents’ generation‘ in The Guardian
• Raad Rahman, ‘Will I Die a Muslim?‘ on Guernica
• Laila Lalami, ‘To Defeat ISIS, We Must Call Both Western and Muslim Leaders to Account‘ in The Nation
• Fay Wells, ‘My white neighbor thought I was breaking into my own apartment. Nineteen cops showed up.‘ in The Washington Post
• Larissa Pham, ‘The Architecture of Racism at Yale University‘ on Guernica
• Lisa Hix, ‘How America Bought and Sold Racism, and Why It Still Matters‘ on Collectors Weekly
• Hanna Rosin, ‘The Silicon Valley Suicides‘ in The Atlantic
• Carol Spindel, ‘A Line Through the Heart of Paris, the French Prime Meridian‘ on Guernica
• Alexandra Schwartz, ‘Sunday in Paris’ in The New Yorker
• Rebecca Mead, ‘Our Bodies, Ourselves‘ in The New Yorker

Film, Television, Music, Art and Fashion:

• Helen O’Hara, ‘Finally, a superhero to call our own‘ on The Pool
• Gaby Hinsliff, ‘Cheer up Adele, life gets better as you grow older‘ in The Guardian
• Sara Pascoe, ‘Zoolander 2 isn’t just bad for trans people – it’s a step backwards for us all‘ in The Guardian
• Sarah Seltzer, ‘“The Hunger Games” Strange, Simultaneously Progressive and Regressive Take on Gender‘ on Flavorwire
• Lili Loofbourow, ‘The 17th-Century Breastoration: A Time Before Bras‘ on The Hairpin
• Limara Salt, ‘What’s to be done about the lack of diversity in TV and film?‘ on The Pool
• Maureen Dowd, ‘The Women of Hollywood Speak Out‘ in The New York Times
• Anna March, ‘Suffragette and Feminist Inaction‘ on The Rumpus
• Lilian Min, ‘A decade after the fact, I’m re-exploring my love of Enya‘ on Hello Giggles

The interviews:

• Josie Pickens on The Rumpus
• Margaret Atwood in The New York Times
• Jeanette Winterson (and Marlon James) in The Guardian
• JK Rowling and Laurene Laverne in The Guardian
• Anne-Marie Slaughter on Salon
• Mary-Louise Parker on Electric Literature
• Claire Messud in the Boston Globe
• Ottessa Moshfegh on Vice and inThe LA Times
• Melinda Salisbury on helloiammariam
• Sarah Jasmon on Rebecca Mascull’s blog
• Brené Brown in The Guardian
• Melissa Green on Stylus
• Diana Athill in The Guardian
• Yeonmi Park on the Huffington Post
• Edwidge Danticat on Literary Hub
• Annie Liontas on The Rumpus
• Mary Gaitskill in The New York Times
• Lauren Groff on Literary Hub
• Cathy Rentzenbrink on Northern Soul
• Angela Flournoy in The Paris Review
• Jenny Johnson on The Rumpus
• Sophie Collins on The Institute of Contemporary Art blog
• Rainbow Rowell in The Guardian
• Jennifer Egan (and George Saunders) in The New York Times
• Salena Godden on Opus Independents

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

• Sinéad Gleeson, ‘The books that understand female friendship‘ on The Pool
• Tara Sparling, ‘I Hate Women’s Fiction And I’ll Tell You Why‘ on Tara Sparling Writes
• Samantha Gualito, ‘My Recent Experiences at Literary Events as a PoC‘ on Bookriot
• Natalka Sniadanko (trans. Jennifer Croft) ‘Literature as last bastion: on suppression, solidarity and language in Ukraine‘ in The Guardian
• Alissa Quart, ‘Why Doesn’t America Have An Elena Ferrante?‘ on Buzzfeed
• Sarah Perry, ‘East Anglia has “never quite stopped thinking of itself as a Kingdom”‘ on Writers Centre, Norwich
• Eleanor Fitzsimmons, ‘Maeve Brennan‘ on Thresholds
• Huma Qureshi, ‘Writers on the pain of hindsight in publishing: ‘It’s like a bad breakup – you have to move on’‘ in The Guardian
• Sarah Galo, ‘Margaret Atwood: ‘In Tolkien, there are hardly any women at all’‘ in The Guardian
• Helen MacKinven, ‘Writing Black Comedy‘ on Women Writers Women’s Books
• Alice Kelly, ‘An unknown First World War story by Edith Wharton‘ on The TLS
• Katherine Lampe, ‘The Greatest Author You’ve Never Read‘ on Rewriting Mary Sue
• Rachel Cooke, ‘There’s more to Patricia Highsmith than Ripley‘ in The Guardian
• Sunny Singh, ‘On Teaching Creative Writing as a Woman of Colour‘ on Sunny Singh Online
• Dawn Foster, ‘I Love Dick is one of the most important books about being a woman – no wonder it’s being dismissed‘ in The Independent
• Lucy Scholes, ‘The Hidden Life of Hotels‘ on the BBC
• Linda Rodriguez McRobbie, ‘The Badass Lady Pilot Who Revolutionized the Art of Food Writing‘ on Mental Floss
• Helen O’Hara, ‘JLaw and Katniss Everdeen, and what they mean for young women‘ on The Pool
• Dodie Bellamy, ‘Digging Through Kathy Acker’s Stuff‘ on Literary Hub
• Jill Dawson, ‘Death and Texas: A journey into Patricia Highsmith‘ on the Royal Literary Fund
• Lisa Hayden, ‘On Translating an “Untranslatable” Book‘ on Literary Hub
• Ellen Banda-Aaku, ‘Please don’t air brush African teen fiction‘ in The Guardian
• Lorrie Moore, ‘Why We Read and Write Short Stories‘ on Literary Hub
• Meredith Jaffe, ‘Middlebrow? What’s so shameful about writing a book and hoping it sells?‘ in The Guardian
• Herta Muller (trans. Jennifer Stern), ‘On the Poetry (and Prisoner’s Life) of Liu Xia‘ on Literary Hub
• Casey N. Cep, ‘Called Back‘ (on Emily Dickinson) on The Paris Review
• Chibundu Onuzo, ‘What I read growing up in Lagos‘ in The Guardian
• Emily Gould, ‘I Love Dick: the book about relationships everyone should read‘ in The Guardian
• Audrey Niffenegger, ‘The night is dark and full of terror…‘ on The Pool
• Marie-Helen Bertino, ‘When Andre Agassi Made Me a Woman (and a Writer)‘ on Literary Hub
• Gloria Steinem, ‘By the Book‘ in The New York Times
• Christine L. Corton, ‘Beyond the pall … how London fog seeped into fiction‘ in The Guardian
• Linda Grant, ‘Obama is right: reading is what connects us to others – even a French puffin‘ in The Guardian
• Kate Tuttle, ‘What Do Writers Owe Readers?‘ on Literary Hub
• Chris Power, ‘A brief survey of the short story: Silvina Ocampo‘ in The Guardian
• Jennifer Croft, ‘When an Author You Translate Gets Death Threats‘ on Literary Hub
• Margaret Atwood, ‘Canada: Time in the North‘ in Harper’s Bazaar

Personal essays/memoir:

• Jenny Diski, ‘Who’ll Be Last‘ in The LRB
• Misti Traya, ‘How does an American make friends in England?‘ on The Pool
• Simone Gorrindo, ‘Tiny Little Messes‘ on Vela
• Diana Athill, ‘Lessons‘ in Granta
• Jean Hannah Edelstein, ‘The joy of making a brilliant friend online‘ on The Pool
• Lisa Kolb, ‘The condolences end. Being a widow doesn’t.‘ in The Washington Post
• Christina Tesoro, ‘Firsts— On Lusty Wrong Feelings and Falling in Love‘ on Medium
• Jamilah Lemieux, ‘I Forgot To Find My Husband At A Black University‘ on Buzzfeed
• Shamala Gallagher, ‘On Shining and Staring / On Ruin‘ in The Offing
• Rosie Leonetti, ‘For a Single Mother, an Alternate Reality‘ in The New York Times
• Marisa Bate, ‘Why no-frills walking is the best kind of walking‘ on The Pool
• Meaghan O’Connell, ‘Being a Parent Makes Chores Seem Like Fun‘ in The Cut
• Vanessa Vitiello Urquhart, ‘“Why Won’t Vanessa Get Pregnant?”‘ on Slate
• Hermione Hoby, ‘My Haunted Honeymoon: on Getting Punched by the Ghost of Frieda Kahlo‘ on Literary Hub

Feminism:

• Rose Hackman, ‘‘Women are just better at this stuff’: is emotional labor feminism’s next frontier?‘ in The Guardian
• Ann Friedman, ‘The Pope and Netflix Like Maternity Leave for the Wrong Reasons‘ in The Cut
• Sofie Hagen, ‘I hate women. You know the ones: skinny, blonde, who know nothing about football‘ in The New Statesman
• Maya Goodfellow, ‘Exploiting Feminism for Profit‘ on Media Diversified
• Fariah Roísín, ‘In My Image‘ on Maisonneuve
• Lynn Enright, ‘Unravelling the damaging, unhelpful myth of “having it all” ‘ in The Pool
• Rose Eveleth, ‘Why Are Sports Bras So Terrible?‘ on Racked
• Geraldine Bedell, ‘Germaine Greer: still fiery, still outspoken: the feminist lioness‘ in The Guardian
• Amelia Gentleman, ‘‘It was the scariest thing I’ve ever done’: the Irish women forced to travel for abortions‘ in The Guardian

Society and Politics:

• Nilita Vachani, ‘The Strange, True Story of How a Chairman at McKinsey Made Millions of Dollars off His Maid‘ in The Nation
• Julia Carrie Wong, ‘The Bay Area Roots of Black Lives Matter‘ in the San Francisco Weekly
• Anna Pulley, ‘Why I’m Not Buying This Study That Claims All Women Are a Little Gay‘ in The Cut
• Michelle Goldberg, ‘Men Explain Hillary to Me‘ on Slate
• Elif Shafak, ‘‘Nationalist and religious extremists are the beneficiaries of cultural boycotts’‘ in The Guardian
• Radhika Sanghani, ‘‘White girls only’: The racist reality of student night life in Britain‘ in The Telegraph
• Beluah Maud Devaney, ‘So many Brits now live abroad that they’re causing immigration debates. Oh, the irony‘ in The Independent
• Lynsey Addario, ‘The Displaced: Hana‘ in The New Yorker
• Valeria Luiselli, ‘Trespassers on the rooftops: a secret history of Mexico City’s cultural revolutionaries‘ in The Guardian
• Kathryn Schulz,’What We Think About When We Run‘ in The New York Times

Film, Television, Music, Art and Fashion:

• Katie Anderson Howell, ‘Taking Comfort in Futurama‘ on The Rumpus
• Deborah Orr, ‘Forget the V&A – shouldn’t Thatcher’s acolytes be trying to monetise her power suits?‘ in The Guardian
• Phoebe Robinson, ‘How Daria Shaped a Generation of Women (Especially This Black Lady)‘ on Vulture
• Gia Milinovich, ‘Would you ditch a handbag for proper pockets?‘ on The Pool

The interviews:

• Marilynne Robinson in The Observer
• Fiona Barton in The Bookseller
• Spike Trotman in The Guardian
• Laura Kipnis in The Cut
• Audrey Niffenegger in The Independent
• Karen E. Bender on Literary Hub
• Gillian Flynn in Stylist and The Sunday Times (£)
• Phyllis Nagy (on Patricia Highsmith and the film of Carol) in The Guardian
• Peggy Riley on Rebecca Mascull’s Blog
• Katy Wix in The Guardian
• Attica Locke in Litro
• Hannah Rothschild in The New York Times
• Francesca Lia Block in Luna Luna
• Edna O’Brien in The Irish Times and The New Statesman
• Miranda July in The Guardian
• Tara Ison on Electric Literature
• Elizabeth Gilbert on Literary Hub
• Jenny Diski in The Guardian
• Elissa Washuta on Literary Hub
• Bee Rowlatt in The Guardian
• Kristin Hersh on Electric Literature
• Nuala O’Connor in The Irish Times
• Margo Jefferson in The Guardian
• Joanna Walsh in Numéro Cinq
• Jill Bialosky onBookslut
• Frieda Hughes in The Telegraph
• Patricia Cornwell in The Guardian
• Sarah Einstein on The Rumpus
• Kate Beaton in The Independent
• Robin Talley in The Guardian
• Carrie Brownstein on Flavorwire
• Franca Simpson (founder of Calisa Press who only publish work by female Italian writers) in The London Magazine
• Doireann Ní Ghríofa on Emerging Writer
• Mary Gaitskill in The New York Times

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified

In the Media: 25th January & 1st February 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Thanks to everyone who said such lovely things last week after I lost the In the Media post and to everyone who offered suggestions to stop it happening again. I think I have a solution and it seems to have worked well this week.

The morning after last week’s last minute loss, I realised that all was not entirely lost; all the articles I’d linked to that hadn’t saved were in my laptop history, so I recovered the remainder of last week’s post (apologies if you received an email with a half-done post in it, it posted when I retrieved it) and relinked all the articles, then added this weeks. The result of that is this bumper issue. Enjoy!

This week saw the death of Colleen McCullough, author of The Thorn Birds, as well as 23 other books, and a neuroscientist. Steve Dow remembers her in The Guardian; Alison Flood gave her tribute with ‘Colleen McCullough’s The Thorn Birds helped me get over heartbreak‘ also in The Guardian, and in response to that obituary (I’m not linking to it) Rebecca Shaw wrote ‘We’ll celebrate a woman for anything, as long as it’s not her talent‘ in The Guardian while Liz Kearney responded with ‘You may be a best-selling writer, but never forget that you’re still fat and ugly‘ in The Irish Independent.

It’s been a fortnight filled with awards. Last week, Claudia Rankine became the first person ever to be nominated for two National Critics Circle Awards in the poetry and criticism categories; her editor tells The Washington post why she’s a ‘genius’ and Jonathon Sturgeon tells us why the double nomination is ‘the correct decision’ on Flavorwire;  While Jhumpa Lahiri won the DSC Prize. Here’s ‘Six things you should know about Jhumpa Lahiri’s The Lowland’ on Scroll.in

This week, it’s been the turn of the Costa Awards. Helen Macdonald won the overall award for the fantastic H is for Hawk. Here’s an interview she gave to The Times last week; you can watch her talking about the book here; you can listen to an audio excerpt and read her piece ‘On Ringing Wild Goshawks’ on Vintage Books, and discover the six books that made her in The Guardian. You can also watch the short films made of the other finalists: Emma Healey; Kate Saunders; Ali Smith. Zoe Gilbert won the Short Story Award with Fishskin, Hareskin. With Joanne Meek, Lucy Ribchester, Jane Healey and Paula Cunningham also shortlisted. You can read all the shortlisted stories here (scroll to the bottom of the page).

Other exciting news for female writers is the launch of #ReviewWomen2015, following the success of the #ReadWomen2014 campaign. Hannah Beckerman explains why she wants more books by female writers, especially commercial fiction, to be reviewed in the broadsheets in the Huffington Post. Anne Enright became the first Laureate for Irish Fiction in a unanimous decision and in China came the discovery of a new poet, ‘dubbed China’s Emily Dickinson‘, Want China Times reports on Yu Xihua.

There’s been a wave of feminist articles this fortnight, partly thanks to The Sun newspaper appearing to stop publishing pictures of topless women on p3 and then declaring it a joke by the middle of the week. Sarah Ditum wrote, ‘The “return” of Page 3: the Sun revels in the chance to make women with opinions look stupid‘ in the New Statesman; Marina Hyde responded with, ‘No more t*ts in the Sun – a campaign we can all get behind‘ in The Guardian. Elsewhere, Sophie Heawood wrote, ‘If Björk can’t stop a man stealing the limelight, what hope is there for the rest of us?‘ in The Guardian; Eleanor Catton wrote a statement on her website following a media furore in New Zealand about comments she made about the government; Louise O’Neill related, ‘My journey to feminism‘ in The Guardian; Elisabeth Camp asked ‘Should I let my daughter wear pink?‘ in Aeon; Jami Attenberg recounted her time passing as a man, ‘Track Changes‘ in The New York Times; Bayan Perazzo wrote ‘The Burden of Being Female in Saudi Arabia‘ on Muftah; Rose George declared, ‘My period may hurt: but not talking about menstruation hurts more‘ in The Guardian; Arabelle Sicadi wrote, ‘A Bridge Between Love And Lipstick: Queering the beauty industry‘ on Buzzfeed; Jeanne de Montbaston responded to an Alison Wolf article (link in the piece) with ‘What the Hell kinds of Feminists are you Reading, Alison Wolf‘ on Reading Medieval Books; Lucy Magan says, ‘Let’s Silence the Voice That Tells Us We Can’t‘ in Stylist; Marina Sofia looked at the new Barbie Princess Power on her blog; Rebecca Carroll wrote, ‘I was six when a man first touched me. I didn’t speak up until I was an adult‘ in The Guardian; Jia Tolentino wrote, ‘Rush After ‘A Rape On Campus’: A UVA Alum Goes Back to Rugby Road‘ on Jezebel; Homa Mojtabai listed ‘Reasons You Were Not Promoted That Are Totally Unrelated to Gender‘ on McSweeney’s; C M Meadows-Haworth, ‘Reading Audre Lorde Is Changing My Life‘ on A Room of Our Own; Chika Unigwe wrote, ‘Why Nigeria is failing its citizens over Boko Haram attacks‘ in Litro; Maddie Crum told us ‘Why Virginia Woolf Should Be Your Feminist Role Model‘ on Huffington Post; Brandi Bailey selected ‘The Best Feminist Picture Books‘ on Book Riot, Monique Wilson said, ‘Critics of the Vagina Monologues must acknowledge its transformative powers‘ in The Guardian, Alison Flood told us ‘Why I hate the Little Miss books‘ in The Guardian, Sarah Ditum also told us, ‘I ain’t afraid of no girls: why the all-female Ghostbusters will be good for Hollywood‘ in the New Statesman; Max Cairnduff wrote, ‘Looking back on #readwomen2014 and my favourite reads of the year‘ on his blog; Hannah Renowden shares, ‘2015 – When I got angered by a reading list so read it. Also, crochet.‘ on her blog, and Isabel Rogers read and took down Mike Buchanan’s Justice for Men and Boys (and the women who love them) Party Election Manifesto on her blog.

And a number about class following James Blunt’s open letter to Chris Bryant. Sarah Perry responded with, ‘James Blunt has misunderstood the relationship between privilege and success‘ in The Independent and Suzanne Moore with, ‘What James Blunt doesn’t understand about the politics of envy‘ in The Guardian. Other issues surrounding class were covered by Lisa McKenzie, ‘The estate we’re in: how working class people became the ‘problem’‘ in The Guardian; Lucy Mangan, ‘If you don’t understand how people fall into poverty, you’re probably a sociopath‘ also in The Guardian; Nicola Morgan asked, ‘Why fund libraries when it’s all online?‘ on An Awfully Big Blog Adventure; Harriet Williamson said, ‘Every time I visit the job centre, the staff treat me like a subhuman‘ in the New Statesman; Grace Dent said, ‘When rents are so high that you have to share a bed with a stranger, surely the revolution can’t be far off‘ in The Independent, and Kathryn Hughes wrote, ‘Yes, Kirstie Allsopp, littering’s bad. But then so is self-righteousness‘ in The Guardian

The best of the rest articles/essays:

• Zoe Williams, ‘Wolf Hall: A Lesson in the triumph of low birth over hierarchy‘ in The Guardian
• Rachel Cooke, ‘Oscars 2015: All about Eve? In today’s films, it’s more like All About Adam‘ in The Guardian
• Kim Kankiewicz, ‘The Watcher and the Watched‘ in the Los Angeles Review of Books
• Beluah Maud Devaney, ‘Three thousand reasons to choose your reading carefully‘ in The Guardian
• Tiffany Midge, ‘Part One: Redeeming the English Language (Acquisition) Series‘ in The Butter
• Rene Steinke celebrates the profound influence of independent bookstores on Read Her Like an Open Book
• Mary Wollstonecraft, ‘On Poetry, and Our Relish for the Beauties of Nature‘ on Berfrois
• Judith Lennox, ‘Loneliness and the Long-Distant Granparent‘ in The Guardian
• Laura Sook Duncombe, ‘Literary Ladies Cage Fight: Clash of the Titans‘ in The Butter
• Sasha Dugdale, ‘The Necessity of Translation‘ on Commonwealth Writers
• Priscilla Ward, ‘I’m tired of suppressing myself to get along with white people‘ on Salon
• Susanna Basso (tr. Mati Colarossi), ‘On translation‘ on Parallel Texts
• Elizabeth Haynes, ‘Closer Than You Think‘ on her blog
• Diane Mehta, “And She Went On Her Way Rejoicing” (On Muriel Spark) on The Rumpus
• Leesa Cross-Smith, ‘Anxiety & Comfort‘ on Real Pants
• Brittany Wilmes, ‘Growing Up‘ in The Butter
• Rosie Gray, ‘France’s Far-Right Party Seizes the Moment – And the Youth‘ on Buzzfeed
• Dan Piepenbring, ‘A Dissatisfaction with Life‘ (on Patricia Highsmith) in The Paris Review
• Trisha Ready, ‘How Listening to Music and Fighting with Susan Sontag Helped Me Cope with Chemo‘ on The Stranger
• Dinah Jeffries, ‘The Hidden Psychology of a Writer‘ on her blog
• Eva Wiseman, ‘Questions to Make You Fall in Love‘ in The Guardian
• Nina Martyris, ‘Auden, Rabelais, and “Charlie Hebdo” in The Los Angeles Review of Books
• Zoe Heller, ‘Rape on the Campus‘ in The New York Review of Books
• Amanda Foreman, ‘Why Footbinding Persisted in China for a Millennium‘ in Smithsonian
• Sophie Heawood, ‘A little bit of hatred can take you a long way‘ in The Guardian
• Kat Brown, ‘Depression made me feel ‘appalling — I couldn’t bear my own company’ in The Times
• Catherine Taylor on Elena Ferrante on Open Book
• Suzanne Moore, ‘Eventually, I took a driving test. But Mister Much didn’t think much of my motoring skills‘ in the New Statesman
• Paula McLain, ‘I Was Always, Always Looking for More‘ in Good Housekeeping
• Virginia Woolf on E.M. Forster in Berfrois
• Ijeoma Oluo, ‘I understand why people believe sexual predators before victims. I did‘ in The Guardian
• Sybil Baker, ‘The History of the Wanderer‘ in The Critical Flame
• Lauren Westerfeld, ‘Mother Maps‘ on The Butter
• Ruth Graham, ‘Chandler Bing Is the Worst Thing About Watching Friends in 2015‘ on Slate
• Anne Helen Peterson, ‘The Trouble with “It Girls”‘ on Buzzfeed

• Shelley Harris, ‘Writing a hero from the inside‘ on Isobel Costello’s Literary Sofa
• Shruti Ravindran, ‘A circus of the senses‘ in Aeon
• Sadie Stein, ‘More things in heaven and earth‘ in The Paris Review
• Tracy Borman, ‘Big bad Wolf: Why have we fallen for Thomas Cromwell?‘ on BBC Arts
• Rene Denfeld, ‘The Other Side of Loss‘ on The Manifest-Station
• Soo Na Pak, ‘Woman‘ in The Butter
• Jonathan Gibbs, ‘The Art of the Novella challenge 11: The Awakening‘ on Melville House
• E.B. Bartels, ‘Freedom, My Dear‘ in The Butter
• Evan McMurry, ‘The stunning weirdness of Ayn Rand: Why her newfound popularity makes no sense‘ on Salon
• Susanna Daniel, ‘What took you so long? The quiet hell of 10 years of novel writing‘ on Slate
• Randon Billings Noble, ‘The Heart as a Torn Muscle‘ in Brevity
• Heather Sellers, ‘Fun for Everyone Involved‘ in Brevity
• Jennifer Sinor, ‘One Hundred Days in India‘ in Brevity
• Fleda Brown, ‘Home Bodily Repair Kit‘ in Brevity
• Jenny Boully, ‘I Remain Very Sorry For What I Did to the Little Black Kitten‘ in Brevity
• Sarah Freligh, ‘Lessons of the Body‘ in Brevity
• Anna Journey, ‘For Great-Aunt Jeannette, Who Donated Her Body to Science‘ in Brevity
• Anna B. Sutton, ‘Carolina/Tennessee‘ in Brevity
• Ginny MacDonald, ‘Go, Jim Dandy‘ in Brevity
• Jen Palmares Meadows, ‘Imprint‘ in Brevity
• Lisa Nikolidakis, ‘Landlines‘ in Brevity
• Margo Barnes, ‘Falling‘ in Brevity
• Lessa Cross-Smith, ‘Other Boys & High School Hearts‘ on Real Pants
• Elisa Gabbert, ‘Some Notes on Packing‘ on Real Pants
• Stassa Edwards, ‘From Aesop to doge‘ in Aeon
• Sadie Stein, ‘Common Colds‘ in The Paris Review
• Samantha Lyon, ‘Gender Inequality in the World of Children’s Books‘ on The Inflectionist
• Alex Clark, ‘TV books programmes: if nobody watches them, make better ones‘ in The Guardian
• Jonathan Diaz, ‘Hello, Cruel World: Silvina Ocampo Is Argentina’s Literary Middle Child‘ on Flavorwire
• S.L. Huang, ‘On the Subject of Unlikeable Woman Protagonists‘ on Chuck Wendig’s blog
• Gemma Todd, ‘The Life of a Mobile Librarian‘ on the Picador Blog
• Wiam El-Tamami, ‘Cairo: September 2014‘ in Granta
• Elizabeth Kolbert, ‘Such a Stoic‘ in The New Yorker
• Dan Piepenbring, ‘Speaking Bluntly‘ (A letter from Colette) in The Paris Review
• Jill Dawson ‘The Life You Save May be Your Very Own‘ on Fat Is a Feminist Issue on Platform 505
• Jessica Levine, ‘On Writing About Sex: Is It Necessary‘ on Read Her Like an Open Book

• Lizzy Kremer, ‘The Stories Writers Tell‘ on her blog
• Suzanne Moore, ‘Single parents don’t need anonymous generosity but public respect‘ in The Guardian
• Corrine Duyvis, ‘Why Strong Characters Aren’t All That‘ on For Books’ Sake
• Ann Bauer, ‘“Sponsored” by my husband: Why it’s a problem that writers never talk about where their money comes from‘ on Salon
• Becca Rose, ‘The Third Generation‘ in The Butter
• Lydia Kiesling, ‘I Would Do This for You: The Narrative Possibilities of Leaked Emails‘ on The Millions
• Sarah Hollowell, ‘This is an Essay About a Fat Woman Being Loved and Getting Laid‘ in The Butter
• Margo Rabb, ‘In My Cat’s Death, a Human Comfort‘ in The New York Times
• Antonia Honeywell, ‘The Book That Changed My Life‘ on Novelicious
• Christopher Fowler, ‘Invisible ink no 259: Female short story writers‘ in The Independent
• Nicole Wolverton, ‘Mourning New York: Cari Luna and The Revolution of Every Day‘ on Bloom
• Rachel Aviv, ‘Your Son Is Deceased‘ in The New Yorker
• Vanessa Curtis, ‘On the 30,000 lost Jews of Riga‘ in The Guardian
• Nicolette Jones, ‘The renaissance of Beatrix Potter’s great rival‘ in The Telegraph
• Hermione Lee, ‘Alice Munroe’s Magic‘ in The New York Review of Books
• Helen Oyeyemi, ‘Born Out of Rapt Distraction: On Silvina Ocampo’s “Thus Were Their Faces”‘ on The Millions
• Roxane Gay, ‘Living with my parents in Florida, it’s difficult to feel like an adult‘ in The Guardian
• Samantha Tucker, ‘Kitchen Remodel‘ in Guernica
• Lucy Mangan, ‘There Are No Life Hacks for Love‘ in Stylist
• Claudia Smith, ‘Basic. Bitch‘ in The Butter
• Pallavi Aiyar, ‘The Foreign Correspondent‘ in Granta
• Sara Majka, ‘Cities I’ve Never Lived In‘ in Guernica
• Sara Gerard, ‘On Helen Keller Really Lived and The Wallcreeper:
  How Should a Woman Behave?‘ in the Los Angeles Review of Books
• Dana Stevens, ‘Tumbling into the Screen‘ on Slate
• Emily Gould, ‘How Being Pregnant Ruined Shopping For Me‘ on Fast Company
• Vanessa M. Gezari, ‘Why it pays to work the fringes‘ on Lynsey Addario in the Columbia Journalism Review
• Roger Tagholm, ‘Why “Gone Girl?” Why Not “Gone Woman?”‘ on Publishing Perspectives
• Charlotte Higgins, ‘Leonora Carrington: wild at heart‘ in The Guardian
• Beth Miller, ‘There’s a difference in living and living well‘ on her blog
• Joan Didion, ‘on Writing and Revising‘ on The New York Public Library Podcast
• Helen Brocklebank, ‘The Books that Built Samantha Ellis‘ on Mrs Trefusis Takes a Taxi
• Kavita Bhanot, ‘Too Asian, Not Asian Enough‘ on Media Diversified
• Angela Köckritz, ‘They Have Miao‘ on Zeit Online
• Sarah B. Boyle, ‘Reports from the Field: A Textbook Case of Diversity: How Educational Publishing Skims the Surface‘ on VIDA
• Anna Maxymiw, ‘Making Gains‘ in Masionneuve
• Megan Mayhew Bergman, ‘Bring In the Old: The Writer as Collector‘ on Ploughshare
• Maya Jaggi, ‘Literature has Liberated Africa’s Authors‘ in The Financial Times

The interviews:

• Katie Coyle on Flavorwire
• Eula Bliss on Salon
• Mary Gaitskill in BOMB Magazine
• Vanessa Lafaye on Bookaholic Confessions
• Gurinder Chadha in The Guardian
• Kate Bernheimer on The Brooklyn Rail
• Mary Kay Zuravleff on Fiction Writers Review
• Paula Hawkins on Writer’s Bone and in The New York Times
• Sarah Gerard in Interview Magazine and in Vice
• Danielle Steele in T Magazine
• Chelsea Hodson and Juliet Escoria on Emily Books
• Tiphanie Yanique on Publishers Weekly
• Emma Hooper on Open Book
• Samantha Harvey on Salon
• Janet Mock on Queer of Gender and Bitch Media
• Peyton Marshall on Annethology
• Molly Peacock on Maisonneuve
• Miranda July on Longreads and The Millions and in The Cut
• Polly Coles and Liz Jensen on Something Rhymed
• Cari Luna on Bloom
• Shelley Harris on Novelicious
• Muriel Spark on Toby Litt’s blog twice
• Joyce Carol Oates in The Independent
• Kelly Link in The New York Times
• Jenny Ashcroft on Rebecca Mascull’s blog
• Jennifer Niven in The Guardian
• Wendy Ortiz in Mutha Magazine
• Dylan Landis on Electric Literature
• Mindy Kaling in Stylist
• Lena Dunham in the Los Angeles Review of Books
• Celeste Ng on Radio Gorgeous and Novelicious
• Lucy Ribchester, Elisabeth Gifford and Lucy Hughes-Hallett on Book Talk
• Frances Vick in Shiny New Books
• Sophia Tobin in Shiny New Books
• Adèle Geras in Shiny New Books
• Lynn Sloan on Bloom
• Lynne Segal in The Observer

If you want some fiction/poetry to read:

• ‘Olikoye‘ by Chimamanda Ngozi Adichie in Matter
• ‘Idaho‘ by Isabel Rogers on her blog
• ‘Hummers‘ by Amy Gottfried in Blunderbuss
• ‘The Garden Party‘ by Katherine Mansfield on The Centre for Fiction
• ‘Body as Device‘ by Brandi Wells in The Butter
• ‘Ellen Says No‘ by Vanessa Vitiello Urquhart in The Butter
• An extract from The Serpent Papers by Jessica Cornwell
• Five stories from Carys Bray’s Sweet Home on BBC Radio 4 Extra
• ‘Blood and Water‘ by Elizabeth Muchemwa on Brittle Paper
• ‘Alt Vices‘ by Michelle Dove in Guernica
• ‘Alice‘ by Elizabeth Harrower in The New Yorker and she discusses the story here
• ‘steph n deaf‘ by Jay Merrill in 3:am magazine
• An extract from The Undertaking by Audrey Magee in the Irish Times
• ‘Performance Art‘ by Manjula Padmanabhan in Granta
• An excerpt from Principles of Navigation by Lynn Sloan on Bloom
• ‘Miss Havisham’s Disability Application Is Denied‘ by Olga Oksman on McSweeney’s
• Three Poems by Yvonne Green on And Other Poems
• ‘The Moth Mother‘ by Joanne Harris on her blog
• An extract from Campari for Breakfast by Sara Crowe on Novel Kicks
• ‘For the Love of Squirrels‘ by Claire Fuller on her blog
• ‘Tell Us a Story, Grandma‘ by Natalie Wise in The New Yorker
• ‘The Secret Lives of Shoes‘ by Atoke on Brittle Paper
• ‘t.w. gore‘ by Helen McClory on Litro
• ‘My Son Is a Good Man‘ by Rosanna Boscawen on Litro
• ‘And So It Begins‘ by Lara Williams on Litro
• ‘An Unsolved Mystery Of Quantum Mechanics‘ by Beatrice Garland on Visual Verse
• ‘Heel Drags‘ by Susan Gray on Visual Verse
• ‘Please Come‘ by Jennifer Falkner on Visual Verse
• ‘The Last Leg‘ by Hazel Mason on Visual Verse
• ‘Crossing the Line‘ by Avalina Kreska on Visual Verse
• ‘Stuck‘ by Samantha Newbury on Visual Verse
• ‘In a Rush‘ by Catherine Lødøen on Visual Verse
• ‘Sketch of an Abandoned Journey‘ by Linda Ashok on Visual Verse
• ‘Parallels of Time‘ by Pauline Suett Barbieri on Visual Verse
• ‘Poem for Isaac‘ by Freya Dean on Visual Verse
• ‘Towards the Penal Colony‘ by Corrine Lawrence on Visual Verse
• ‘Limbs Anonymous‘ by Judith A. Daniel on Visual Verse
• ‘The Rainforest‘ by Olive Lowena on Visual Verse
• ‘Coney Island Cap‘ by Jennifer Albon Burns on Visual Verse
• ‘What Happened in the Hold‘ by Lindsey Grundnicki on Visual Verse
• ‘Over the Limit‘ by Sue Ellis on Visual Verse
• ‘Moonlit Road‘ by Sarah Doughty on Visual Verse
• ‘Colgate‘ by Isadora Vibes on Visual Verse
• ‘Circles and Lines‘ by Sarah Salway on Visual Verse
• ‘Crossing the Line‘ by Birgita Orel on Visual Verse
• ‘Yarn‘ by Shirley Anne Cook on Visual Verse
• ‘Bad Habit‘ by Wendy Choi on Visual Verse
• ‘Arrival‘ by Georgina Joss on Visual Verse
• ‘No Overtaking‘ by Sally Hepplewhite on Visual Verse
• ‘Blinders‘ by Grace Black on Visual Verse
• ‘Found‘ by Luciana Francis on Visual Verse
• ‘Gateway‘ by Olivia Sprinkled on Visual Verse
• ‘Return‘ by Elizabeth Rogers on Visual Verse
• ‘Love‘ by Jennifer Harvey on Visual Verse
• ‘Shadows of the Showgirl‘ by Clare Archibald on Visual Verse
• Three Stories by Chiara Barzini in BOMB Magazine

Or some non-fiction:

• Feminist Radical Thinkers: A Sampler from Verso Books
• An extract from Girl in a Band: A Memoir by Kim Gordon in Vogue
• An extract from The Fish Ladder by Katharine Norbury in The Observer

The lists:

• The Seven Ages of Women in Virago Modern Classics and Persephone titles on heavenali’s blog
• Novelicious Picks…Books that Are Creating a Buzz (Part 1) on Novelicious
• 10 Great Psychological Thrillers That Are As Good As Gone Girl on Buzzfeed
• Miranda July’s Bookshelf on Strand Books
• 25 Books By Women To Help Diversify Your Bookshelves And Expand Your Horizons, Because #WeNeedDiverseBooks on Bustle
• A sonnet of Canadian women writers on Lynn Kanter’s blog
• 11 Books on Inspiring Women to Read This Year That’ll Completely Energize You to Hit Your Goals on Bustle
• 50 Essential Literary Biographies on Flavorwire
• Bleak Books to Read in January in Vanity Fair
• Diverse voices: the 50 best culturally diverse children’s books in The Guardian
• These Female Contemporaries Weren’t Afraid of Virginia Woolf on The Daily Beast
• 21 Scottish Novels to Look Forward to in 2015 on Scottish Book Trust
• 15 YA Writers on Their Favorite Book for Adults on Flavorwire
• 30 Legendary Literary Mean Girls We Love to Hate on Flavorwire
• Ten Classic ‘Chick-Lit’ Novels All Romantic Fiction Fans Should Read in Stylist
• Girl Canon: 50 Essential Books About the Female Experience
• 14 Novels About Muslim Life That Shouldn’t Be Missed on Buzzfeed
• 10 beautiful quotes from The Diary of a Young Girl in The Guardian
• Female Writers Who Won Nobel Prizes on Galley Cat
• Best Snow Day Reads: 19 Page-Turners To Enjoy While Snowed In in the Huffington Post
• Vivian French’s Top Ten Evil Characters on My Book Corner
• 50 Books Guaranteed to Make You More Interesting on Flavorwire
• 10 Must Read Female Writers From the Middle East on The Culture Trip
• 30 Women Novelists You Should Know – #21 Wendy Lee on Lynn Kanter’s blog
• 12 Books To Read If You Loved ‘The Girl On The Train’ (That Aren’t ‘Gone Girl’) in Bustle

and Diane Watt is spending February recommending LGBT reads on her Twitter account using the hashtag #mylgbtbooks