In the Media, November 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

We’re still deep in book awards territory this fortnight with a number of winners and shortlists being announced. Chimamanda Ngozi Adichie won the Bailey’s Best of the Best for Half of a Yellow Sun. The award prompted pieces from Alice Stride in The Bookseller, an editorial in The Guardian and Anna James on The Pool about why we still need the Bailey’s Prize.

Sarah Waters won Stonewall’s Writer of the Decade; Lydia Davis will receive The Paris Review’s Hadada Award 2016; Kerry Hudson won the Prix Femina for Translated Fiction; Roxane Gay won the PEN Centre USA Freedom to Write Award; Jacqueline Wilson won the JM Barrie Award

The shortlists include the eclectic, female dominates Waterstones’ Book of the Year Award, chosen by Waterstones’ Booksellers; The Guardian First Book Award which Catherine Taylor, one of this years judges, discusses, and The Young Writer of the Year Award (which not only has gender parity, but also an equal split between writers of colour and white writers).

Meanwhile, Arundhati Roy returned her National Award for Best Screenplay, she explains why in The Guardian and Heather Horn investigates why the Prix Goncourt has been awarded to a man 102 times and a woman 11 times on The Atlantic

Irish women have been speaking out about the Abbey Theatre where nine out of ten plays in its 2016 centenary programme are written by men. Emer O’Toole writes about the reaction in The Guardian and Ellen Coyne in The Irish Times while Dr Susan Liddy, academic at the University of Limerick, writes ‘Women and the Irish film industry‘ to The Irish Times.

And if you only read one thing from this fortnight’s list, I highly recommend Jacqueline Rose’s essay, ‘Bantu in the Bathroom: on the trial of Oscar Pistorius‘ in The LRB.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:


Society and Politics:

Film, Television, Music, Art and Fashion:

The interviews:

The regular columnists:

Unsung Female Writers (Part One)

Last week I wrote a post you might have seen about the shortage of female writers on this year’s Booker Prize longlist. One of the consequences of the post was that a discussion started on Twitter about female writers who deserve more recognition. There were so many wonderful writers mentioned (several I hadn’t heard of before) that I decided to share some of them on here. I’ve teamed up with three of my favourite bloggers – Ali from HeavenAli, Susan from A Life in Books and Antonia Honeywell and we’ve each chosen five brilliant female writers we love and think you might too. Ali and Susan’s choices are below, Antonia’s and mine will follow on Sunday.

Ali likes to read twentieth-century women writers, particularly those published by Virago and Persephone. Her blog is a treasure trove of female writers forgotten or never really acknowledged. I think I’ve discovered more writers via Ali’s blog than any other. Here are her choices:

Elizabeth Taylor 1912-1975

The author of twelve novels, five volumes of short stories, and one children’s book. She is often talked of as being one of the greatest underrated English novelists, although it could be argued that she has not been entirely disregarded as her work has never been out of print and she was longlisted for the Booker Prize in 1971 for her novel Mrs Palfrey at the Claremont. She is frequently compared to Jane Austen – a subject which I think is continually debated by readers of Elizabeth Taylor – and the influences of Austen can certainly be seen in several of her novels. Elizabeth Taylor was briefly a member of the communist party, and later became a life-long Labour Party supporter. She juggled her writing with family life, a married woman with two children, who in her younger years had worked as a librarian. She was an intensely private woman, destroying before her death, the many letters she had from her correspondence with writer, critic and great friend Robert Liddell and others. She counted several literary people among her friends including the author Elizabeth Jane Howard and Ivy Compton Burnett, but generally shied away from the literary parties and publicity. Elizabeth Taylor’s work is mainly concerned with the everyday concerns and occupations of middle and upper-middle class life. Her canvases (like Austen) are small, and her portrayals are very shrewd and can be really quite sharp. She had a fine ear for the way people speak to one another, and her characterisation is first class; her peripheral characters are as deeply explored as her main characters. There is a lot of wry humour in her novels, but also a lot that is poignant and real, though firmly rooted in the upper-middle class world that she knew.

Marghanita Laski 1915 – 1988

Born into a family of Jewish intellectuals in Manchester, Marghanita Laski later worked as a journalist – but also prolifically as a writer. She wrote five novels (four currently reissued by Persephone books) a play, The Offshore Island, some stories and works of biography, as well as working as an editor on many more books. Her novel Little Boy Lost is one of the most blissfully poignant books I have ever read, and her novels The Village and To Bed with Grand Music – offer different perspectives of women during and in the immediate aftermath of WW2. She was also a compulsive contributor to the Oxford English Dictionary.

Nina Bawden 1925 – 2012

Nina Bawden may not appear to be unsung as such – she won several awards, and seems to have had a very successful career. I just can’t help but think she is already a name that isn’t as well-known as maybe it should be. Well known for her children’s books Carrie’s War (my favourite children’s novel) and The Peppermint Pig, amongst others, Nina Bawden was a prolific writer of adult books too. Over the course of her life she published 55 books both for children and adults. She was shortlisted for the Booker Prize in 1987 for Circles of Deceit and also served as a Booker judge. However I don’t think she is well known as she deserves to be, (though I admit I haven’t as yet read many of her books) her often fairly slim novels offer little sharp little twists and contain powerful observations of people. In the last couple of years I have read and enjoyed: The Grain of Truth, Devil by the Sea and A Woman of my Age. In 2002 Nina Bawden’s second husband was killed in the Potters Bar train crash – while Nina herself was badly injured. Her testimony about the events became a major part of David Hare’s later play The Permanent Way.

Winifred Holtby 1898 – 1935

Born into a prosperous Yorkshire family, Winifred Holtby was a successful journalist and the author of six novels and two collections of short stories. She also wrote a critical memoir of Virginia Woolf. In 1919 she went to Oxford where she met her great friend Vera Brittain. Together with Vera Brittain she was a member of the feminist six point group and lectured (again like Vera Brittain) for the League of United Nations. Her early novels like Anderby Wold were published in the 1920s, but during these years Holtby was probably best known for her journalism. Her wonderful novels are rooted in the Yorkshire communities that she knew. Her novel Mandoa, Mandoa (not currently in print but available in ebook form) is an odd little political satire that Holtby wrote in the wake of the 1931 general election. In 1931 she was diagnosed with suffering from Bright’s disease and only given two years to live. Knowing she was running out of time she then concentrated on the writing of her best novel South Riding – a truly brilliant novel. South Riding is a novel of local politics and the community of the East Riding where she grew up. Holtby’s mother had been the first alderwoman on the East Riding county council – and she is remembered in the character of Mrs Beddows. South Riding was published posthumously in 1936.

Susan Glaspell 1876 – 1948

Again a writer who may not appear entirely unsung, although she may not have been heard of by many people. She was an American Pulitzer Prize winning playwright, but she was also a wonderful novelist. Glaspell also worked as an actress and a local journalist, and it appears as if, despite the success of her novels and stories at the time, she was later best known and remembered for her plays. A lot of her work is now out of print – two wonderful novels Fidelity and Brook Evans have been re-issued by Persephone books. During her life she wrote nine novels, fifteen plays, over fifty short stories and a biography. Her fiction is often thought to be at least semi-autobiographical, frequently set in her native Iowa and concerning contemporary issues (to her time of course), such as gender, ethics, and dissent. Some of her plays, stories and other novels can be found via second hand book sites and print on demand services – it is a shame that only two are currently in print. Persephone also include one of her short stories in their Persephone book of short stories.

Susan has spent most of her working life in the book world. Firstly as a book seller, then as a freelance writer and reviews editor for Waterstone’s Books Quarterly and We Love This Book. We share a passion for excellent female writers – our love of Helen Dunmore’s work is what really got us sharing thoughts and recommendations.

You could quibble with classing Helen Dunmore as unsung – she won the inaugural Orange (now Baileys) Women’s Prize for fiction – but she’s never received the level of approbation that her contemporaries Julian Barnes, Ian McEwan and Salman Rushdie attract despite her extraordinary talent and versatility. She’s an award-winning poet, a children’s author, and her fiction ranges from profoundly thoughtful novels to psychological thrillers. If I had to choose one Dunmore to press upon readers it would be Talking to the Dead. Packed with insight into the complications of family life and the power of secrets to shape and destroy lives, it has the pace of a thriller yet it reads like a long prose poem written in language which is as sensuous and languorous as the heat which seems to permeate every page.

If Helen Dunmore doesn’t qualify on the unsung front because she’s a prize winner, sadly Jill Dawson does. Accomplished and richly imaginative, the closest Dawson has got to a prize is a short listing for both the Costa and the Orange. There’s often an element of history in her fiction – she’s written about Rupert Brooke in The Great Lover, Wild Boy drew on a true story about a feral boy in post-Revolutionary France and Fred and Edie is based on the story of Edith Thompson and Frederick Bywaters, hung for the murder of Edie’s husband in the ‘20s. If I had to choose one, though, it would be Lucky Bunny, Queenie Dove’s story of thieving her way from Depression poverty to glamour while staving off heartbreak and guilt. Dawson weaves real-life characters and events into Queenie’s narrative, vividly summoning up London’s sleazy underworld.

Lots of time for my next writer to get the recognition she deserves: Helen Oyeyemi who at only thirty has already written five novels. In fairness, Oyeyemi has appeared on the Granta Best of Young Novelists list and won a Somerset Maugham Award but she doesn’t seem to have received anywhere near the attention her imaginative fiction deserves. She wrote her first novel, the extraordinarily accomplished and frankly terrifying The Icarus Girl, when she was studying for her A-Levels but her latest, Boy Snow Bird, is my current favourite. It’s a tale of race and identity with elements of fairy tale – a wicked stepmother, a Prince Charming or two, a girl called Snow and a richly symbolic mirror motif reflecting, or not reflecting, different images the characters have of themselves. It’s stuffed with stories, strikingly written, with a twist towards the end which will knock your socks off.

In contrast to Oyeyemi, Lesley Glaister has been writing for many years but rarely gets the kind of broadsheet coverage she deserves. Her themes are often dark – murder, madness and obsession are favourites – and she does a fine line in eccentric old women. A steely thread of tension runs through her fiction often accompanied by a healthy dollop of black humour. Sadly, many of Glaister’s books are now out of print but of the ones that are available I’d pick Now You See Me. Homeless, deeply disturbed and with a secret buried in denial and untruth, Lamb seeks safety in solitude until she meets Doggo, on the run from a crime that he also conceals. These two outcasts find a way to each other and the result is an unusual love story that steps outside the traditional bounds of romance.

My final choice is Deirdre Madden, a writer of long standing whose quietly elegant prose deserves to be ranked alongside the likes of Sebastian Barry, William Trevor and Colm Tóibin. She writes slim, understated novels in which the Troubles are often present in one form or another. In Molly Fox’s Birthday, the eponymous actor is spending her Midsummer’s Day birthday in New York while the playwright, to whom she has lent her gloriously cluttered house, struggles to start her new piece, preoccupied with questions about Molly, their friendship and their relationship with Andrew whose loyalist paramilitary brother was killed in the North. It’s a beautifully expressed novel about identity, art and friendship.

Huge thanks to Ali and Susan for their choices. How many have you added to your TBR? Is your favourite writer here? Which female writers do you think deserve more recognition? Check back on Sunday to see mine and Antonia’s choices.

The Tell-Tale Heart – Jill Dawson GIVEAWAY

Giveaway now closed.

Jill Dawson’s eighth novel The Tell-Tale Heart tells the story of Patrick and of the family from which the donor of his new heart belongs.

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From Jill Dawson’s website:

‘Dear Donor Family.
A terrible truth: your good son’s heart is probably wasted on a man like me.’

Patrick, a fifty-year-old professor of American Studies, drinker and womaniser, has been given six months to live. In a rural part of Cambridgeshire, a teenager dies in a motorcycle accident. When his heart is transplanted into Patrick’s chest, two strangers are forever conjoined.

Patrick makes a good recovery, but has the strange feeling that his old life ‘won’t have him’. Discovering that his donor was a local boy named Drew Beamish, he becomes intensely curious about Drew and what shaped him, from the ancestor involved in the Littleport riots of 1816 to the bleak beauty of the Fens. Patrick longs to know the story of his heart.

I reviewed the book for Bookmunch where I called it ‘an accomplished novel by a great writer. The prose sings and I wanted to savour it but the plot’s so interesting, I found myself racing through it instead. Highly recommended’.

The novel’s won acclaim from The Times, The Guardian, the Sunday Telegraph, the Literary Review, the Daily Mail, the Sunday Express, the Huffington Post and Hilary Mantel.

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Thanks to Jill and her publisher Sceptre, I have three signed copies to give away. Simply leave a comment on this post. As usual, I’m accepting worldwide entries. The competition closes as 12pm GMT on Sunday 23rd March. Winners will be selected at random and notified as soon as possible after entries have closed. Good luck!


I’ve allocated everyone a number in order of entry as follows:

1. Amy Pirt
2. Claire Stokes
3. madamebibliophile
4. hastanton
5. fatmasucdi
6. Pooja Shah
7. frosthollowhall
8. marylinevp
9. Martha
10. Jamilah
11. Robin Dawson
12. Ann Bradley
13. Samstillreading
14. Alice
15. Jacqui
16. Ametista
17. Dan NW

And the random generator says:

Screen Shot 2014-03-23 at 13.56.04 Screen Shot 2014-03-23 at 13.56.20 Screen Shot 2014-03-23 at 13.56.56


Congratulations to Jacqui, Martha and Claire; check your emails. Thanks to everyone else for entering.