Manhattan Beach – Jennifer Egan

When Anna Kerrigan is eleven her father, Eddie, takes her on a visit to see Dexter Styles. Anna plays on the Styles’ private beach with Dexter’s daughter as a conversation takes place between the two men.

Eddie is a ‘bagman’, someone who carries bags between men who shouldn’t be seen associating.

The ideal bagman was unaffiliated with either side, neutral in dress and deportment, and able to rid these exchanges of the underhanded feeling they naturally had. Eddie Kerrigan was that man. He looked comfortable everywhere – racetracks, dance halls, theatres, Holy Name Society meetings. He’d a pleasant face, a neutral American accent, and plenty of practice at moving between worlds.

Eddie’s involvement with Dexter Styles has come about because of his other daughter, Anna’s sister, Lydia. Lydia is severely disabled and is cared for by her mother. She needs a special chair in order to be able to sit up. Working for Styles would allow Eddie to pay for this and feel as though he’s contributing to his daughter’s life. He doesn’t know how to behave with her preferring ‘to assume Lydia couldn’t think or feel except as an animal did, attending to its own survival’.

After a 40-page set-up, Egan jumps forward eight years. World War II is in progress. Anna is 19 and is working on the docks in Brooklyn, inspecting parts for battleships. Her father has disappeared five years earlier, leaving the apartment ‘as he would have on any day’ and never returning. Anna and her mother care for Lydia.

Anna befriends Nell, another young woman working at the naval yard. It’s Nell who convinces her to go to a nightclub where she’ll meet Dexter Styles for the first time since the day she went to his house. This allows Egan to follow Styles and show us around his world. It also gives Anna an opportunity to try and discover what happened to her father. While this is building, Anna discovers that divers work in the yard and she decides it’s something she wants to do. Men are leaving for active service every week, she assumes that at some point they’ll have to allow a woman to dive.

With Manhattan Beach Egan creates an engaging tale of a woman forging a path through a very male world. This is true both of Anna’s attempts to become a diver and the relationship that develops between her and Styles. It’s a very different type of book to A Visit from the Goon Squad, more of a conventional historical narrative. It loses something in the length of the novel: there are sections where we discover what happened to Anna’s father that could’ve been cut, and in some sections Egan’s research into the docks and the role of the divers threatens to overwhelm the story. However, where Egan does delight is in the trajectories of the characters. At an event for Manchester Literature Festival last year, she talked about mapping out all the possible decisions a character could make to ensure she chose the least likely. This could be disastrous in someone else’s hands but Egan lays the threads that not only make these twists and turns plausible but also entirely believable.

Thanks to Little, Brown for the review copy.

The Women’s Prize for Fiction Longlist 2018

Here it is, the Women’s Prize for Fiction 2018 longlist. Initial thoughts are that I’m very excited. This is a great list. Two of my favourite books of last year are there – When I Hit You by Meena Kandasamy and Elmet by Fiona Mozley – and one of my favourites so far this year – Sight by Jessie Greengrass. One of my all-time favourite writers, Nicola Barker, makes the longlist for the first time with her twelfth novel H(A)PPY. I haven’t read it yet because I’ve been wanting time to sit and savour it, which never happens, so I’m delighted to have to make that time now. The book and writer I hadn’t heard of is Miss Burma by Charmaine Craig. I love that this list always produces at least one new to me writer. The other thing that’s really pleasing is that seven of the sixteen writers are women of colour, by far the highest number we’ve ever seen from this prize and about time too.

Here’s the list in full. I’ve linked to my reviews of the four I’ve already covered and will return to this page to link the rest as I work my way through the rest of the list.

H(A)PPY – Nicola Barker

The Idiot – Elif Batuman

Three Things About Elsie – Joanna Cannon

Miss Burma – Charmaine Craig

Manhattan Beach – Jennifer Egan

The Mermaid and Mrs Hancock – Imogen Hermes Gower

Sight – Jessie Greengrass

Eleanor Oliphant Is Completely Fine – Gail Honeyman

When I Hit You: Or, A Portrait of the Writer as a Young Wife – Meena Kandasamy

Elmet – Fiona Mozley

The Ministry of Utmost Happiness – Arundhati Roy

See What I Have Done – Sarah Schmidt

A Boy in Winter – Rachel Seiffert

Home Fire – Kamila Shamsie

The Trick to Time – Kit de Waal

Sing, Unburied, Sing – Jesmyn Ward

In the Media, November 2015, Part Two

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

There have been a number of powerful pieces published over the last fortnight by women about women reading books by white men and trying to please an establishment that loves white male writers. Rebecca Solnit wrote, ‘80 Books No Woman Should Read‘ on Literary Hub and Sigal Samuel responded with ‘What Women Can Learn From Reading Sexist Male Writers‘ on Electric Literature. Jennifer Weiner wrote, ‘If you enjoyed a good book and you’re a woman, the critics think you’re wrong‘ in The Guardian but the big one was Clare Vaye Watkins ‘On Pandering‘ published on the Tin House blog. On Flavorwire, Alison Herman published a response titled, ‘Claire Vaye Watkins’ “On Pandering” Describes a Specific Experience of Writing and Gender, But Has the Power to Start a Broader Conversation‘ and it did. Nichole Perkins wrote ‘A Response to “On Pandering” in the LA Times; Aya de Leon wrote, ‘In Gratitude for Claire Vaye Watkins and my own Fatherlessness as a Woman Writer‘ on her blog; Marie Phillips wrote, ‘Writers: we need to stop pandering to the white, male status quo‘ on The Pool; Katy Waldman argued, ‘Claire Vaye Watkins’ Tin House Essay “On Pandering” Has a Very Limited Definition of “Male Writers”‘ on Slate

The woman with the most publicity is Patricia Highsmith. The film of her novel The Price of Salt, renamed Carol was released on Friday (in the UK). In the New Yorker, Margaret Talbot writes ‘Forbidden Love: The Passions Behind Patricia Highsmith’s The Price of Salt‘; there’s an interview with Phyllis Nagy, screenwriter and Highsmith’s friend on Bookanista; Frank Rich wrote, ‘Loving Carol‘ on Vulture

The Irish Book Awards were announced this week, including wins for Anne Enright, Louise O’Neill, Susan Jane White, Jane Casey, Sinead Moriarty,Sara Baume and The Long Gaze Back anthology edited by Sinéad Gleeson. While in London, the Costa Book Awards shortlists were announced.

The best of the rest:

On or about books/writers/language:

• Edwidge Danticat, ‘Best Untranslated Writers: Kettly Mars‘ on Granta
• Avril Horner and Anne Rowe, ‘Iris Murdoch is ‘promiscuous’ while Ted Hughes is ‘nomadic’. Why the double standards?‘ in The Guardian
• Kathleen Alcott’s ‘Ghosts of Thanksgiving‘ on Literary Hub
• Mallory Ortberg, ‘A Day In the Life of an Empowered Female Heroine‘ in The Toast
• Danika Ellis, ‘Every Book Should Have Queer Characters‘ on Bookriot
• Leila Roy, ‘2016: All Women, All the Time (An FAQ)‘ on Bookriot
• Huma Quershi, ‘How do I love thee? Let me Instagram it‘ in The Guardian
• Constance Augusta Zaber, ‘Dear Cisgender People Who Write, Publish, And Read “Trans” Books‘ on Bookriot
• Nick Ripatrazone, ‘Born from Books: Six Authors on Their Childhood Reading‘ on The Millions
• Cathy Rentzenbrink, ‘Can reading fiction prepare us for tragedy?‘ in The Guardian
• Kate Dempsey,  ‘on The Space Between: poetry beyond words‘ in The Irish Times
• Jennifer Maloney, ‘Betting Big on Literary Newcomers‘ in The Wall Street Journal
• Vanessa Thorpe, ‘Meet Britain’s new generation of fearless young female playwrights‘ in The Guardian
• Leila Aboulela. ‘How Anita Desai inspired me to write‘ in The Scotsman
• Elizabeth Minkel. ‘Alone Together: At Book Riot Live‘ on The Millions
• Katy Simpson Smith, ‘Motherhood, Writerhood, and Calling a Job a Job‘ on Literary Hub
• Catherine Simpson, ‘Writing a woman in crisis‘ on Isabel Costello’s Literary Sofa
• Nicola Skinner, ‘Why women’s diaries are the ultimate act of defiance‘ on The Pool
• Doreen Carvajal, ‘Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move‘ in The New York Times
• Rachel Charlene Lewis, ‘Yes, Your Writing Is Shaped By Your Identity – But What You Publish Is Too‘ on Paper Darts
• Vendela Vida, ‘Highly Unlikely‘ in The New York Times

Personal essays/memoir:

• Fanny Blake, ‘I went on holiday to India with my best friend and left my husband at home‘ on High 50 Travel
• Guadalupe Nettel, ‘Bezoar‘ in Granta
• Roxane Gay, ‘Breaking Uniform‘ on Good
• Heather Seggel, ‘A Life in Boxes: What it’s Like Being Homeless for Ten Years‘ on Broadly
• Alana Massey, ‘Theological Scars‘ on Hazlitt
• Michele Leavitt, ‘Hidden in a Suitcase‘ in Guernica
• Rebecca Giggs, ‘Whale Fail‘ in Granta
• Nicole S. Chung, ‘Language Lessons: On Adoption, Identity and Loss‘ in The Toast
• Neda Semnani, ‘Memoirs of a Revolutionary’s Daughter‘ on The Baffler
• Nicole Miller, ‘The River Rises to Meet You‘ in Guernica
• Molly Crabapple, ‘Drawn and Cornered‘ on New Republic

Feminism:

• Kui Kihoro Mackay, ‘Every Day a Feminist‘ on Mama’s Junkyard
• Johanna Thomas Corr, ‘Are you an unpaid emotional labourer at home, and at work?‘ on The Pool
• Mira Ptacin, ‘What Happens When You’re Pregnant in Prison‘ in Elle
• Holly Brockwell, ‘Desperate not to have children‘ on the BBC
• Alison Gee, ‘The trouble with saying you don’t want children‘ on the BBC
• Gaby Hinsliff, ‘When authorities show no respect for women, there are dire consequences‘ on The Pool
• April Woolf, ‘The Feminist Asylum That Redefined Women’s Mental-Health Treatment‘ in The Cut
• Rowan Forster, ‘Does Mixed-Gender Wrestling Promote Equality or Violence Against Women?‘ in Vice
• Azadeh Moaveni, ‘ISIS Women and Enforcers in Syria Recount Collaboration, Anguish and Escape‘ in The New York Times
• Rachel Syme, ‘Selfie: The revolutionary potential of your own face, in seven chapters‘ on Medium
• Yuan Ren, ‘“There’s a huge social stigma to being overweight”: one woman’s account of fat shaming in China‘ in Stylist
• AN Devers, ‘Good-bye, Uterus, Good Riddance‘ on Lenny Letter
• Isabel Rogers, ‘“Messy or Dressy?” Meet Glossy Bossy‘ on her blog
• Samira Ahmed, ‘Marriage, Margaret Thatcher & the closet of female expectations‘ on her blog
• Dayna Evans, ‘On Gawker’s Problem with Women‘ on Medium

Society and Politics:

• Lois Beckett, ‘How the Gun Control Debate Ignores Black Lives‘ on Pro Publica
• Meghan Murphy, ‘Why don’t we talk about the pain of friendship break ups?‘ in The New Statesman
• Molly Crabapple, ‘The Paris Attacks, Refugees, and the Brutal Fiction of Borders‘ on Vice
• Marina Weiss, ‘#Trigger Warning: Fear and Loathing on Campus‘ on Weird Sister
• Viv Groskop, ‘What (and what not) to say to someone who has lost weight‘ on The Pool
• Rebecca Omonira-Oyekanmi, ‘Spending Review 2015: The economy should be the next big feminist issue‘ in the New Statesman
• Eve Fairbanks, ‘Why South African students have turned on their parents’ generation‘ in The Guardian
• Raad Rahman, ‘Will I Die a Muslim?‘ on Guernica
• Laila Lalami, ‘To Defeat ISIS, We Must Call Both Western and Muslim Leaders to Account‘ in The Nation
• Fay Wells, ‘My white neighbor thought I was breaking into my own apartment. Nineteen cops showed up.‘ in The Washington Post
• Larissa Pham, ‘The Architecture of Racism at Yale University‘ on Guernica
• Lisa Hix, ‘How America Bought and Sold Racism, and Why It Still Matters‘ on Collectors Weekly
• Hanna Rosin, ‘The Silicon Valley Suicides‘ in The Atlantic
• Carol Spindel, ‘A Line Through the Heart of Paris, the French Prime Meridian‘ on Guernica
• Alexandra Schwartz, ‘Sunday in Paris’ in The New Yorker
• Rebecca Mead, ‘Our Bodies, Ourselves‘ in The New Yorker

Film, Television, Music, Art and Fashion:

• Helen O’Hara, ‘Finally, a superhero to call our own‘ on The Pool
• Gaby Hinsliff, ‘Cheer up Adele, life gets better as you grow older‘ in The Guardian
• Sara Pascoe, ‘Zoolander 2 isn’t just bad for trans people – it’s a step backwards for us all‘ in The Guardian
• Sarah Seltzer, ‘“The Hunger Games” Strange, Simultaneously Progressive and Regressive Take on Gender‘ on Flavorwire
• Lili Loofbourow, ‘The 17th-Century Breastoration: A Time Before Bras‘ on The Hairpin
• Limara Salt, ‘What’s to be done about the lack of diversity in TV and film?‘ on The Pool
• Maureen Dowd, ‘The Women of Hollywood Speak Out‘ in The New York Times
• Anna March, ‘Suffragette and Feminist Inaction‘ on The Rumpus
• Lilian Min, ‘A decade after the fact, I’m re-exploring my love of Enya‘ on Hello Giggles

The interviews:

• Josie Pickens on The Rumpus
• Margaret Atwood in The New York Times
• Jeanette Winterson (and Marlon James) in The Guardian
• JK Rowling and Laurene Laverne in The Guardian
• Anne-Marie Slaughter on Salon
• Mary-Louise Parker on Electric Literature
• Claire Messud in the Boston Globe
• Ottessa Moshfegh on Vice and inThe LA Times
• Melinda Salisbury on helloiammariam
• Sarah Jasmon on Rebecca Mascull’s blog
• Brené Brown in The Guardian
• Melissa Green on Stylus
• Diana Athill in The Guardian
• Yeonmi Park on the Huffington Post
• Edwidge Danticat on Literary Hub
• Annie Liontas on The Rumpus
• Mary Gaitskill in The New York Times
• Lauren Groff on Literary Hub
• Cathy Rentzenbrink on Northern Soul
• Angela Flournoy in The Paris Review
• Jenny Johnson on The Rumpus
• Sophie Collins on The Institute of Contemporary Art blog
• Rainbow Rowell in The Guardian
• Jennifer Egan (and George Saunders) in The New York Times
• Salena Godden on Opus Independents

The regular columnists:

• Laurie Penny in The New Statesman
• Lucy Mangan in Stylist
• Roxane Gay in The Guardian US
• Yasmin Alibhai-Brown in The Independent
• Caitlin Moran in The Times
• Lauren Laverne in The Pool
• Ella Risbridger in The Pool
• Sali Hughes in The Pool
• Bim Adewunmi in The Guardian
• Sophie Heawood in The Guardian
• Eva Wiseman in The Observer
• Tracey Thorn in The New Statesman
• Chimene Suleyman and Maya Goodfellow on Media Diversified
• Josie Pickens on Ebony
• Bridget Christie in The Guardian
• Lizzy Kremer on Publishing for Humans

In the Media: 9th November 2014

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s awards time again this week. Congratulations to Helen Macdonald who won the Samuel Johnson Prize with her stunning memoir H is for Hawk. There’s an article about it and an interview, both in The Guardian. You can also listen to interviews with all the shortlisted writers on BBC Radio 4.

While in France, Lydie Salvayre won the Prix Goncourt with Pas Pleurer.

The Green Carnation shortlist was announced this week and there are four women on the shortlist of six – congratulations to Kerry Hudson, Kirsty Logan, Anneliese Mackintosh and Laurie Penny. Prior to the announcement, Antonia Honeywell wrote her thoughts on the longlist.

The National Book Awards (UK) shortlists were also announced this week. Lots of books by women worth a read on there too.

And the Saltaire Society shortlisted a self-published book for their First Book Award, The Last Pair of Ears by Mary F. McDonough. The first self-published book to be shortlisted for a Scottish Prize.

That might make you think about Paul Kingsnorth’s novel The Wake which was the first crowd funded novel to be longlisted for The Man Booker Prize earlier this year. Well, Unbound, Kingsnorth’s publishers have announced a Women in Print campaign to try to increase the number of female authors published.

This week has also seen The Bookseller’s report on diversity in publishing – still not good enough, is the overriding conclusion.

It wouldn’t be an average week these days without a Lena Dunham story. Accused by a right-wing journalist of sexually molesting her younger sister following a confessional passage in her book, discussion ensued from Emily Gould, Katie McDonough, Mary Elizabeth Williams and Carolyn Edgar on Salon; Sarah Seltzer on Flavorwire; Emma Gannon on The Debrief; Grace Dent in The Independent. To cheer you up after that, here are 37 Funny and Inspired Thoughts from her book tour on Buzzfeed.

In more cheering news about prominent females, Mallory Ortberg, founder of The Toast, had her book Texts for Jane Eyre published in America this week. In the Los Angeles Review of Books, Sarah Mesle wrote a stunning essay/review about the book’s feminist credentials. She’s interviewed on Entertainment Weekly, The Huffington Post and The Guardian. And you can read an extract, 7 Brutal Literary Breakup Texts on Buzzfeed.

And the Amy Poehler stories are still going. The woman herself answers the Proust Questionnaire in Vanity Fair. Here’s 5 Unexpected Things Marie Claire learned from Poehler’s book. Jessica Valenti has (mis?) read the book and declared ‘bitchiness’ the secret to Poehler’s success in The Guardian. Also in The Guardian, Hadley Freeman told us ‘Why Amy Poehler is the Ultimate Role Model for British Women‘.

The best of the rest articles/essays:

• Jeanette Winterson on the books that changed her life in The Telegraph
• Meg Wolitzer, ‘Why are teenage girls drawn to books about mental instability?‘ in The Guardian
• ‘Finish that Book!‘, Juliet Lapidos in The Atlantic
• Tracey Thorn on going through phases in the New Statesman
• Dreda Say Mitchell, ‘Heroes to Die For‘ on Grab This Book
• Kate Mayfield on shrouds on her blog
• Erica Wagner on Rebecca Solnit and Chimamanda Ngozi Adichie in the Financial Times
• Sarah Galo on the Jennifer Egan edited ‘The Best American Short Stories 2014’ in The Guardian
• ‘Writers on the Titling Process‘ in The Millions
• ‘The Unfashionable Genius‘ on Marilynne Robinson in Commonweal Magazine
• Lynn Shepherd, ‘Pushing Pamela: Book Hype, 18th Century Style‘ in The Spectator
• ‘Women Rise in Sci Fi (Again)‘ by Rose Eveleth in The Atlantic
• Isabel Wolff on ‘The Forgotten Women of the War in the East‘ on Women Writers, Women’s Books
• Ruth Margalit on rereading The Giving Tree in The New Yorker
• Anakana Schofield, ‘Sorry, Mrs O’Duffy‘ on the lack of pensions for women in the Irish armed forces on the London Review of Books blog
• Louisa Treger on The Page 69 Test blog, talking about how Virginia Woolf led her to Dorothy Richardson on Blog Her and discussing how it feels to be between her fictional and real worlds on Women Writers, Women’s Books
• Jenny Diski, ‘Some things are best met with silence’ on her blog
• Frances Ambler, ‘Punk Debunked‘ on the plagiarism claims against Vivienne Westwood
• Isabel Costello, ‘My First Year as an Agented Writer‘ on her blog
• Catherine Ostler on Agatha Christie’s disappearance in The Independent
• Darcey Steinke’s tribute to a former teacher in The Roanoke Times
• Adèle Geras on ‘finding your voices‘ on The Great British Bookshop
• Sally Gardner, ‘Dyslexia and Me‘ in The Guardian
• Sonal Champsee, ‘How I Started the Margaret Atwood Revolution‘ in Hippocampus
• ‘What to Read When You’re Not Expecting‘ on The Millions
• ‘What Would Jessica Fletcher Tweet?‘ on PopMatters
• Lionel Shriver, ‘I was poor but I was happy‘ in The Guardian

The interviews:

• Sarah Waters interviewed by Rachel Cooke about the play she’s written in The Guardian
• Lindsay Hunter on Electric Literature
• Jane Rawson on Annabel Smith’s blog
• Roxane Gay on Phillips Exeter Academy website
• Anne Fine on Gender-Biased Books on BBC Radio 4
• Amy Mason on Bristol 24/7 and Scottish Book Trust
• Kate Zambreno on Catherine Mavrikakis’ A Cannibal and Melancholy Mourning in The Believer
• Rose Chast on her inspiration at The New Yorker festival
• Jenny Offill on Book Forum
• Averill Curdy in AGNI online
• Laurie Penny on Flavorwire
• Jill Meyers and Callie Collins on running A Strange Object independent press on Bustle
• Caitlin Moran on Talking Writing
• Jo Mazelis on the Seren Books blog
• Mindy Kaling on ‘Writing the Michael Scott Character as a Woman’ at The New Yorker festival
• Zoe Pilger in Flux
• Chimamanda Ngozi Adichie at the Washington Ideas Forum on The Atlantic (you might need to scroll through the videos)
• Mary Costello on The Works, RTÉ
• Margaret Atwood on Mr B’s Emporium blog
• Anne Lamott on Salon
• Christina James’ editor (who’s also her husband) on Strange Alliances
• Eliza Griswold in Guernica
• Rebecca Levene on Fantasy Faction
• Lynn Kanter on the PhD in Creative Writing Blog
• Lydia Millet interviewed by Jonathan Lethem in BOMB
• Annabel Smith on Seraglio
• Sali Hughes on Get the Gloss
• Anne Rice in The Independent

In translation:

• Jenny Erpenbeck (tr. Susan Bernofsky) ‘Homesick for Sadness’ on the fall of the Berlin Wall in The Paris Review
• Julie Winters Carpenter interviewed about translating Japanese poetry on the Asymptote Blog

If you want some fiction/poetry to read:

• Juliet Jacques, ‘Surveillance City‘ on Queen Mob’s Tea House
• Gillian Flynn, ‘Trouble at Osage Lake High‘ from Drivel: Deliciously Bad Writing By Your Favorite Authors on Buzzfeed
• An extract from Mary Costello’s Academy Street on Canongate Books
• ‘Stand Still‘ by Shelly Oria on Guernica
• Joanna Ruocco, ‘Gallup Poll’ and ‘The Face of Things’ in Threadcount
• An extract from Miranda Dickinson’s I’ll Take New York on Tishylou’s World
• Bethan Roberts’ ‘Like Rabbits‘ in The White Review
• ‘Luz‘ by Laura Bylenok
• ‘Plots from the Sopranos Re-Interpreted by Lydia Davis‘ (Not really, in case that wasn’t obvious) on Hobart
• Antonya Nelson, ‘Primum Non Noncere‘ in The New Yorker, which she discusses here.
• The first chapter of Amanda Coe’s Getting Colder on Virago’s site

The lists:

• My 5 favourite books to reread on Lonesome Reader
• 33 Books You Should Read Now, Based on Your Favourite Films on Buzzfeed
• 13 Successful First Novels by Female Writers on Popsugar
• 5 Stunning Debut Novels to Add to Your To-Read Pile in the Huffington Post
• 9 Cli-Fi Books for Teens on Scottish Book Trust
• The Best Debut Novels of 2014 according to Hannah Beckerman in the Huffington Post
• 10 Forgotten Children’s Books (8-11) on the Scottish Book Trust site
• Best Queer Characters in Fiction on For Books’ Sake
• The 8 Best Under the Radar Books to Read this Fall in Vogue
• 12 New Books all Twentysomething Women Will Be Obsessed with This Fall in Cosmopolitan
• 5 YA Books That Will Keep You on the Edge of Your Seat on Huffington Post
• 13 Best Books to Read in November in Good Housekeeping
• 6 Things We Learned from J.K. Rowling’s new Harry Potter stories on Mental Floss
• 10 Amazing Female Novelists Under 50 on Buzzfeed
• Five Challenging Memoirs by Remarkable Women Writers by Alice Jolly (who’s publishing her own memoir through Unbound – see top of the post) on For Books’ Sake

And the 13 (I tried to keep it to 10 but it’s been a very good week) best things I’ve seen this week:

• Meaghan O’Connell’s ‘A Birth Story‘ on Longreads
• The new Read Women bookmarks designed by Joanna Walsh, creator of #ReadWomen2014
• 100 Days of African Reads on Sister Killjoy’s Facebook page (runs from 10th October 2014 to 8th January 2015)
• Andrea Levy, ‘How I learned to stop hating my heritage‘ in The Guardian
• Ekphora, ‘A Liberating Rupture‘ on her blog
• ‘An Illustrated Guide to Writing People of Color‘ by MariNaomi on Buzzfeed
• ‘The War Is Over (If You Want It)‘ Rebecca Solnit on Tom Dispatch
• Olivia Lang’s profile of Hilary Mantel in Elle
• ‘Notes on the Exotic‘, Andrea Lee in The New Yorker
• Ann Patchett’s correction to the New York Times
• Lucy Ribchester’s Pinterest board for The Hourglass Factory
• Sarah Butler’s ‘Remaining Values Should Probably Be Left Alone‘ on her blog
• The book trailer (it’s more of a mini-film than a book trailer) for Tiffany Murray’s Sugar Hall