Backlist Books of the Year

At the end of 2019, I challenged myself to read 100 books from my own shelves. What I meant by from my own shelves were the books that had been sitting there some time, often for years. I was fed up of not getting to books that I knew I wanted to read because there was always something shiny and new in front of me. The pandemic helped, of course; losing most of your work and being forced to stay at home will do that. I finished the 100 in early December. Here are the ones I really really loved.

The Particular Sadness of Lemon Cake – Aimee Bender (Windmill)

I thought this would be twee, I was so wrong. The story of a girl who realises she can taste people’s emotions; the story of her brother who begins to disappear. It’s about trauma and depression and it’s perfect.

The Western Wind – Samantha Harvey (Jonathan Cape)

A Brexit allegory disguised as a Medieval whodunnit. Utterly compelling.

Fleishman Is in Trouble – Taffy Brodesser-Akner (Wildfire)

A soon-to-be-ex-wife and mother disappears. A terrible soon-to-be-ex-husband who thinks he’s great has his story narrated by his ‘crazy’ friend. A piercing look at heterosexual marriage and a send-up of the Great American Novel. Longer review here.

Things we lost in the fire – Mariana Enriquez (translated by Megan McDowell) (Granta)

Dark, dark, dark stories. So haunting, so brilliant.

Exquisite Cadavers – Meena Kandasamy (Atlantic)

A Oulipo style novella showing how fiction can be created from life, but it isn’t the same thing. Longer review here.

Ongoingness: The End of a Diary – Sarah Manguso (Graywolf Press)

Manguso wrote a daily diary until she had her first child. This is full of ideas of letting go which are so brilliant I copied many of them on to Post-Its and stuck them above my desk. It’s published by Picador in the UK.

we are never meeting in real life – Samantha Irby (Faber)

Irby is my discovery of the year. Her essays are laugh-out-loud funny and entertaining but they are also about her life as a working class, disabled Black woman with a traumatic childhood. Revolutionary.

Heartburn – Nora Ephron (Virago)

Funny; good on cooking and marriage. Devastating final chapter.

Fingersmith – Sarah Waters (Virago)

Clever crime novel about class, the art of theft and pornography. Superb structure. A masterpiece.

The Chronology of Water – Lidia Yuknavitch (Canongate)

Yuknavitch’s non-chronological memoir about the fifteen lives she has lived. It’s about dying (metaphorically), swimming (literally and metaphorically) and living (literally). It fizzes.

Bear – Marian Engel (Pandora)

The headline is this is a book about a woman who has sex with a bear. It’s really about female autonomy. It’s being republished in the UK in 2021 by Daunt Books.

Magic for Beginners – Kelly Link (Harper Perennial)

Kelly Link is a genius. These stories are so rich in detail; she takes you from a situation that seems perfectly normal to a wild, subverted world that also seems perfectly normal. Incredible.

Parable of the Talents – Octavia E. Butler (Headline)

The novel that predicted a president who would aim to ‘Make America Great Again’. It’s as much the story of a mother / daughter relationship formed under significant trauma as it is the story of a country at war with itself. Longer review here.

Copies of The Particular Sadness of Lemon Cake, Fleishman is in Trouble, Exquisite Cadavers, we are never meeting in real life, The Chronology of Water and Parable of the Talents were courtesy of the publishers as listed. All others are my own copies.

In the Media: October 2015, Part One

In the media is a fortnightly round-up of features written by, about or containing female writers that have appeared during the previous fortnight and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

In the media is back in a slightly altered format. You might have spotted a change in the opening paragraph – this feature will now appear fortnightly rather than weekly. That doesn’t mean it’s going to be bigger than it was before, however. When I started this feature, the plan was to focus on fiction writers with published books but as I started to read more widely, I realised how many brilliant women columnists and features writers there are and it seemed ludicrous not to include them. I want to keep supporting them so you’ll notice as you scroll down that I’ve reduced the number of categories but I’ve added a regular columnists category to link to those writers who are consistently good/interesting.

This fortnight’s been all about whitewashing. First there was the Sufragette film which ignored any women of colour involved in the movement. Anita Anand asks ‘Were the Suffragettes racist?‘ in the Telegraph. Victoria Massie tells us about ‘3 black women who fought on the front lines for women’s suffrage‘ on NTRSCTN and a piece on Asian Suffragettes on British Protest at Home and Abroad was highlighted. Eesha Pandit writes, ‘The discomfiting truth about white feminism: Meryl Streep, Amy Poehler & the movement’s long history of racial insensitivity‘ on Salon while Henna Zamurd Butt asks, ‘So Nadiya won the Great British Bake Off, why the big deal?‘ on Media Diversified and Nadia Shireen says, ‘Why the world needs more Nadiyas‘ in The Pool.

And then there was Meg Rosoff who said,“there are not too few books for marginalised young people”. This came at the same time Leila Rasheed posted, ‘A New Scheme Hopes to Promote BME Voices in Children’s Literature‘ on The Asian Writer. Responses to Rosoff came from Camryn Garrett, ‘this is how the industry lives now: five signs that you might be suffering from white privilege’ on For all the Girls Who Are Half Monster; Edi Campbell, ‘SundayMorningReads‘ on Crazy QuiltEdi (whose Facebook page is where Rosoff made her comment); Kaye M, ‘This Is How I Life: An Open Letter to Meg Rosoff‘ on Medium; Radiya Hafiza ‘Why we need mirrors in literature‘ on Media Diversified; KT Horning, ‘Spouting Off While White‘ on Reading While White, and Debbie Reese, ‘About Meg Rosoff’s Next Book‘ on American Indians in Children’s Literature, which includes an up-to-date list of responses so far. And how about this for a radical idea: ‘Is Hermione Granger White?‘ Monika Kothari answers on Slate.

Reactions to Chrissie Hynde blaming herself when she was raped continue. Ann Friedman writes, ‘We Shouldn’t Let Chrissie Hynde Off the Hook So Easily‘ in The Cut while Tracey Thorn says, ‘Chrissie longed to be one of the boys. Unlike us, she didn’t have riot grrrls‘ in The New Statesman.

Finally, while there wasn’t a female winner of the Man Booker Prize, there was a female winner of The Guardian’s Not the Booker Prize. Congratulations to Kirstin Innes who won for her novel Fishnet. Unfortunately, both the Samuel Johnson Prize and the Goldsmiths Prize shortlists were somewhat lacking in women. Michael Caines offers an alternative all-female shortlist to the latter on the TLS while Cathy Rentzenbrink on blistering form in The Bookseller writes ‘On Noticing‘.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

portrait_walsh_colourThe interviews:

The regular columnists:

In the Media: 8th March 2015

In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

It’s International Women’s Day today and, as you might expect, there have been a number of articles written about and with regards to it. Verso Books published a reading list; in the New Statesman, Stella Creasy said, ‘On International Women’s Day, let’s ask men why progress towards equality is so slow‘; One Book Lane ran a series, ‘The #WonderWomen you need to read about this International Women’s Day‘; Rebecca Winson wrote, ‘We mustn’t forget the revolutionary roots of International Women’s Day‘ in the New Statesman; Somayra Ismailjee, wrote ‘Self-Love Amidst Marginalisation‘ on Media Diversified; Cathy on 746Books wrote, ‘Putting Irish Women Writers Back in the Picture‘ with links to the articles the Irish Times have been running for the past fortnight and their celebratory poster which you can download; Harriet Minter wrote, ‘No need for International Women’s Day? What world do you live in?‘ in The Guardian; Emily Thornberry declared, ‘We Need a New Equal Pay Act‘ in the New Statesman, and Lucy Mangan says, ‘Women take more than enough shit‘ in Stylist.

The Harper Lee story continues, Connor Sheets of AL.com wrote to her and got a response, ‘Harper Lee appears to be fully lucid: She just told me to ‘go away’ via snail mail‘.

And an absolute joy of a series in Vogue: for the whole of March, Chimamanda Ngozi Adichie does ‘Today I’m Wearing‘.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

The lists: