Tag Archives: Helen Grant

In the Media: 24th May 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely and the categories used are a guide, not definitives.

The Cannes Film Festival’s been in the spotlight (haha) this week for turning women away from a screening because they were wearing flat shoes. Heels as compulsory footwear for women may or may not (depending which day it is someone asks) be part of their dress policy. Helen O’Hara writes ‘How the 2015 Cannes Film Festival became all about women‘  while Laura Craik asks, ‘Is the tyranny of high heels finally over?‘ both in The Pool. Hadley Freeman wrote, ‘Can’t do heels? Don’t do Cannes‘ in The Guardian, while Elizabeth Semmelhack wrote, ‘Shoes That Put Women in Their Place‘ in The New York Times

The other big feminist story was about ‘wife bonuses’ after Wednesday Martin wrote a piece for the New York Times called, ‘Poor Little Rich Women‘. Amanda Marcotte asked, ‘What’s Wrong With “Wife Bonuses”?‘ in Slate

Awards this week went to the five 2015 Best Young Australian Novelists, three of whom are women, all of whom are women of colour – hurrah for progress. Also in Australia, the shortlist for the Miles Franklin Award was revealed, four of the five shortlisted writers are women. The O. Henry Prize Stories for 2015 were announced. Of the twenty selected, fifteen were by women. You can read those by Dina Nayeri, Molly Antopol and Lynne Sharon Schwartz by clicking on their names.

The best of the rest:

On or about books/writers/language:

Personal essays/memoir:

Feminism:

Society and Politics:

Film, Television, Music and Fashion:

The interviews:

If you want some fiction to read:

Photograph by Kwesi Abbensetts

If you want some poetry to read:

If you want some non-fiction to read:

The lists:

In the Media: 29th March 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

News this week from ABC that a Tasmanian writer, Marjorie Davey, has published her first novel at the age of 95. She might be the oldest but she’s not the only woman to be published later in life; Abby Ellin’s article, ‘Finding Success, Well Past the Age of Wunderkind‘ in the New York Times includes Lucille Gang Shulklapper, first published at 60, and Cathy writes about Leland Bardwell: The forgotten woman of Irish literature, first published at 48, on 746Books.

At the opposite end of the age spectrum (give or take) the big news this week was that Zayn Malik left pop band One Direction. Before the news broke, Leesa Cross-Smith wrote ‘One Direction & Other Boy Bands‘ on Real Pants (which had me watching more 1D videos than I’d ever seen before (which was none)) while advertisements for Granta popped up). Anna Leszkiewicz wrote ‘I’m an adult woman with a real boyfriend – and I’m absolutely heartbroken about Zayn Malik quitting One Direction‘ in The Independent, Mackenzie Kruvant wrote, ‘How One Direction Helped Me Find My Girls‘ on Buzzfeed, and Huma Munshi wrote, ‘The Courage of Zayn Malik and Why Strong Men Cry‘ on Media Diversified.

Media Diversified also published an open letter ‘To the organisers of the Baileys Women’s Prize for Fiction‘ regarding Cathy Newman and Grace Dent being members of the judging panel.

Granta, in celebration of their new website, opened up some of their archive, including these letters from Iris Murdoch to Raymond Queneau; ‘Night‘ by Alice Munroe; Sayaka Murata’s ‘A Clean Marriage‘ (tr. Ginny Tapley Takemori), and ‘Hardy Animal‘ by M.J. Hyland

It was the anniversary of Virginia Woolf’s death this week. Daniel Swift wrote ‘Virginia Woolf in the Bomb-scarred City‘ in Five Dials and Louise Brearley read Virginia Woolf’s final letter to her husband in The Telegraph.

And in commemoration of the third anniversary of Adrienne Rich’s death, The Critical Flame have devoted a whole issue to her and her work. The table of contents is here.

Angelina Jolie Pitt turned to writing this week with her ‘Diary of a Surgery‘ in The New York Times. Fay Schopen responded with ‘Angelina Jolie says the decision to deal with her cancer was simple. Mine is not‘ in The Guardian, while Caroline Corcoran wrote about her own experience, ‘I never felt like I’m less of a woman because I don’t have breasts or ovaries‘ in The Independent.

But the woman with the most publicity this week seems to be JK Rowling. ‘JK Rowling says she received ‘loads’ of rejections before Harry Potter success‘ wrote Alison Flood in The Guardian; Stylist ran ‘JK Rowling’s Brilliant Response to Fan Who ‘Can’t See’ Dumbledore as Gay, Plus 9 Times She Owned Twitter‘; Matilda Battersby wrote, ‘JK Rowling defends Dumbledore on Twitter: Seven Things You Might Not Know About the Hogwarts’ Headmaster‘ in The Independent; Chris Mandle wrote, ‘Why we need more fictional gay role models like Albus Dumbledore‘ in The Telegraph and Stylist ran a piece titled, ‘JK Rowling Describes Hitting ‘Rock Bottom’ In a New Book About The Benefits Of Failure‘

In Harper Lee news, the cover of Go Set a Watchman was revealed this week. The Guardian are inviting people to design their own.

Finally, if you want a good reading list of books by women, the Edge Hill Short Story Prize announced its longlist this week, including Anneliese Mackintosh, Stella Duffy, Kirsty Logan, May-Lan Tan, Hilary Mantel and A.L. Kennedy.

The best of the rest articles/essays:

 

The interviews:

If you want some fiction/poetry to read:

The lists:

In the Media: 1st March 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

I’ve spent a fair proportion of this week agog at some of the comment pieces, particularly in regard to the three girls from Bethnal Green who appear to be en route to Syria. Emma Barnett in the Telegraph wrote, ‘Stop pitying British schoolgirls joining Islamic State – they’re not victims‘; Grace Dent in the Independent said, ‘If teenage girls want to join Isis in the face of all its atrocities, then they should leave and never return‘; Mary Dejevsky wrote, ‘If Britons want to join Isis, let them go‘ in The Guardian and Allison Pearson said, ‘Let’s stop making excuses for these ‘jihadi brides‘ in the Telegraph. Judith Wanga responded on Media Diversified with, ‘The Denial of Childhood to Children of Colour‘, as did Chimene Suleyman with, ‘It’s Time To Talk About Why Our Young People Turn Against Their Country‘ and Nosheen Iqbal in The Guardian with, ‘The Syria-bound schoolgirls aren’t jihadi devil-women, they’re vulnerable children‘. Emma Barnett responded with ‘Racists are alive and well in Britain – but I’m not one of them‘ in the Telegraph. Chimene Suleyman also wrote, ‘‘Defining’ Terror, and Why ISIS Suits the West‘ on Media Diversified, prior to these most recent articles.

The Oscar ceremony was another place for some jaw-dropping comments. Megan Kearns wrote, ‘Patricia Arquette Undermined Her Own “Most Feminist Moment” of the Oscars‘ in Bitch Magazine; Betsy Woodruff commented, ‘The Gender Wage Gap Is Especially Terrible in Hollywood‘ on Slate; Maitri Mehta wrote, ‘Patricia Arquette Defends Her Oscars Backstage Comments On Twitter, But Still Misses The Point‘ on Bustle; Jenny Kutner also wrote about Arquette’s tweets on Salon, ‘Patricia Arquette doubles down on equal pay: “Why aren’t you an advocate for equality for all women?”‘; Amanda Marcotte wrote, ‘Patricia Arquette’s Feminism: Only for White Women‘ on Slate; Katie McDonough wrote, ‘“Fight for us now”: What Patricia Arquette got right (and wrong) about equal pay‘ on Salon. Brittney Cooper wrote, ‘Black America’s hidden tax: Why this feminist of color is going on strike‘ in Salon.

Remarks made by one television reporter about Zendaya Coleman’s locs prompted pieces by Loretta de Feo, ‘Why do we feel the need to taunt and judge black hair, rather than embrace it?‘ in Stylist; Jodie Layne, ‘Why Zendaya’s Response To Giuliana Rancic’s Awful ‘Fashion Police’ Comments Is Important‘ on Bustle, and Grisel E.Acosta wrote, ‘“Racism begins in our imagination:” How the overwhelming whiteness of “Boyhood” feeds dangerous Hollywood myths‘ on Salon.

The Brits were written about by Tracey Thorn in the New Statesman, ‘The Brits are so polite these days. One reason? There’s no bands left‘; Bidisha wrote, ‘Madonna is superhuman. She has to be to survive the ugly abuse‘ in The Guardian; while Salena Godden covered both the Oscars and the Brits in ‘Julianne Moore is 54. Madonna is 56.‘ on Waiting for Godden

Writing awards wise, the Sunday Times Short Story Award shortlist was announced and is dominated by women. As is the Walter Scott Prize longlist, released to the public for the first time.

There’s an entire series of articles currently being published in the Irish Times on Irish Women Writers. The link will take you to the round-up so far. While academic Diane Watt has just completed 28 days of LGBT book recommendations. You can read this week’s in a Storify here; links at the bottom of the page will take you to previous weeks.

And the woman with the most publicity this week is Kim Gordon. She’s this week’s New York Times ‘By the Book‘; there’s an excerpt from Girl in a Band in The Cut; you can listen to Gordon herself read an extract on Louder than War; there are five standout moments from her memoir on Slate, and in The New Yorker, Michelle Orange writes about ‘Kim Gordon, Kurt Cobain, and the Mythology of Punk‘.

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

The lists:

In the Media: 30th November 2014

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Friday night saw the winner of this year’s The Green Carnation Prize revealed. Congratulations to Anneliese Mackintosh whose book Any Other Mouth came top of a very strong shortlist. You can read about the decision on The Green Carnation Prize blog. Anneliese’s reaction is on her blog. It’s interesting to see Mackintosh’s book described as a fiction, memoir, short story hybrid, particularly as there’s been a focus on women writing memoirs this week.

Susanna Rustin is in The Guardian talking about ‘Why women are the masters of the memoir‘; Ceridwen Dovey writes ‘The Pencil and the Damage Done: The perverse attraction of autobiographical fiction‘ in The monthly; Lydia Kiesling writes ‘Meghan Daum won’t apologise: How she forged a new generation of confessional writing‘ on Salon, while Hannah Gersen writes on Meghan Daum, ‘Her Well-Spent Adulthood‘ on The Millions.

If you want to read some memoir essays, Lucinda Rosenfeld has ‘The Battle Hynm of the Papier-Mâché Mother‘ in The New Yorker; Sunny Singh writes, ‘To Become a Woman and a Writer, One Must Cast Aside Modesty‘ on her blog; Soniah Kamal writes, ‘Girls from Good Families‘ on The Butter; there’s an excerpt from Viv Albertine’s Clothes Clothes Clothes Music Music Music Boys Boys Boys on Vulture, while Sam Baker lists her pick of the best biographies and memoirs of 2014 in Harpers Bazaar.

Sadly, this week saw the death of crime writer, PD James. Ruth Rendall talked about their 40-year friendship in The Guardian. Linda Semple took a different angle on Slate looking at James’ homophobia.

The Scottish Book Trust chose Book Week Scotland to celebrate libraries. Many writers penned love letters to their chosen libraries, you can read letters from A.L Kennedy and Jacqueline Wilson in The Guardian and Alison Irvine, Anne Donovan, Francesca Simon, Helen Grant, Joanne Harris, Kate Tough, Lari Don, Lesley McDowell, Lin Anderson, Maggie Craig, Shari Low and Zoe Venditozzi on the Scottish Book Trust site. Rosie Garland also wrote about her passion for libraries to celebrate The Feminist Library on their blog.

And finally, The Guardian reported on a Goodreads survey in which they discovered that readers prefer authors of their own sex. Before anyone tells me we don’t need #readwomen2014 or this blog anymore, wait until this year’s VIDA statistics are published.

The best of the rest essays/articles:

Photo by Dan Hansson

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

  • Claire-Louise Bennett reading from her essay ‘I Am Love‘ at the launch of Gorse Journal No. 2

The lists:

And the best pieces I’ve read this week: