Tag Archives: Tove Jansson

In the Media: 11th January 2015

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

K Barbican PK

(Photograph by Pedro Koechlin)

As it’s the first In the Media of the year, I’m going to begin by looking back at 2014 for a moment with pieces that appeared between Christmas and New Year. Katherine Angel’s brilliant piece, ‘Gender, blah, blah, blah‘ in The Los Angeles Review of Books; Jessie Burton, ‘Eggshells, Luck, Hope and Thanks‘ on her blog reflects on what a year it’s been for The Miniaturist; Emma Claire Sweeney and Emily Midorikawa ‘A Year of Hidden Friendships‘ on Something Rhymed; Rebecca Solnit, ‘Listen up, women are telling their story now‘ in The Guardian; Jia Tolentino, ‘The Promise in Elena Ferrante‘ on Jezebel; Charles Finch, also on Elena Ferrante for ‘A Year in Reading‘ for The Millions;  Ali Colluccio covers ‘The Best of Women in Comics 2014‘ on Panels, and  Elena Adler on ‘Why #ReadWomen 2014 has changed things, and why #ReadWomen matters‘ on her blog.

Looking forwards, there’s been a spotlight on diversity again this week with Celeste Ng writing about a male professor telling her there were few Asian-American women writers. There’s a fantastic list of writers at the bottom of the article. Nalo Hopkinson wrote ‘To anthology editors‘ on how to go about creating anthologies with a diversity of voices on her website; Alexis Teyie wrote this great piece, ‘Invoking the women in early African writing‘ on This Is Africa, while Lyn Gardner declared ‘Diversity is key to Creativity – and British Theatre’s Challenge for 2015‘ in The Guardian and Stella Duffy wrote, ‘Making Arts for All for ALL‘ on her blog.

While The White Review has kicked off the year with an all translation issue. You can read online pieces by Herta Müller (tr. Philip Boehm); poetry by Alejandra Pizarnik (tr. Yvette Seigert) and Angélica Freitas (tr. Hilary Kaplan); a short story by Tove Jansson (tr.  Thomas Teal); extracts from novels by Minae Mizumuru (tr. Juliet Winters Carpenter) and Han Kang (tr. Deborah Smith), and an interview with Magdalena Tulli (tr. Bill Johnston).

(Photograph by Kuba Kolinski)

The best of the rest articles/essays:

The interviews:

If you want some fiction/poetry to read:

And the lists:

In the Media: 30th November 2014

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In the media is a weekly round-up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

Friday night saw the winner of this year’s The Green Carnation Prize revealed. Congratulations to Anneliese Mackintosh whose book Any Other Mouth came top of a very strong shortlist. You can read about the decision on The Green Carnation Prize blog. Anneliese’s reaction is on her blog. It’s interesting to see Mackintosh’s book described as a fiction, memoir, short story hybrid, particularly as there’s been a focus on women writing memoirs this week.

Susanna Rustin is in The Guardian talking about ‘Why women are the masters of the memoir‘; Ceridwen Dovey writes ‘The Pencil and the Damage Done: The perverse attraction of autobiographical fiction‘ in The monthly; Lydia Kiesling writes ‘Meghan Daum won’t apologise: How she forged a new generation of confessional writing‘ on Salon, while Hannah Gersen writes on Meghan Daum, ‘Her Well-Spent Adulthood‘ on The Millions.

If you want to read some memoir essays, Lucinda Rosenfeld has ‘The Battle Hynm of the Papier-Mâché Mother‘ in The New Yorker; Sunny Singh writes, ‘To Become a Woman and a Writer, One Must Cast Aside Modesty‘ on her blog; Soniah Kamal writes, ‘Girls from Good Families‘ on The Butter; there’s an excerpt from Viv Albertine’s Clothes Clothes Clothes Music Music Music Boys Boys Boys on Vulture, while Sam Baker lists her pick of the best biographies and memoirs of 2014 in Harpers Bazaar.

Sadly, this week saw the death of crime writer, PD James. Ruth Rendall talked about their 40-year friendship in The Guardian. Linda Semple took a different angle on Slate looking at James’ homophobia.

The Scottish Book Trust chose Book Week Scotland to celebrate libraries. Many writers penned love letters to their chosen libraries, you can read letters from A.L Kennedy and Jacqueline Wilson in The Guardian and Alison Irvine, Anne Donovan, Francesca Simon, Helen Grant, Joanne Harris, Kate Tough, Lari Don, Lesley McDowell, Lin Anderson, Maggie Craig, Shari Low and Zoe Venditozzi on the Scottish Book Trust site. Rosie Garland also wrote about her passion for libraries to celebrate The Feminist Library on their blog.

And finally, The Guardian reported on a Goodreads survey in which they discovered that readers prefer authors of their own sex. Before anyone tells me we don’t need #readwomen2014 or this blog anymore, wait until this year’s VIDA statistics are published.

The best of the rest essays/articles:

Photo by Dan Hansson

The interviews:

If you want some fiction/poetry to read:

Or some non-fiction:

  • Claire-Louise Bennett reading from her essay ‘I Am Love‘ at the launch of Gorse Journal No. 2

The lists:

And the best pieces I’ve read this week:

In the Media: 26th October 2014

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In the media is a weekly round up of features written by, about or containing female writers that have appeared during the previous week and I think are insightful, interesting and/or thought provoking. Linking to them is not necessarily a sign that I agree with everything that’s said but it’s definitely an indication that they’ve made me think. Also, just a note to make it clear that I’m using the term ‘media’ to include social media, so links to blog posts as well as traditional media are likely.

 

This week there’s definitely a celebration of feminist role models happening. At the forefront (mostly because her book Yes, Please is out in the US on Tuesday and the UK the following week) is Amy Poehler. Bustle have 15 Quotes that Prove She’s Our Brilliant Fairy Godmother; Popsugar have 19 Times Amy Poehler Said What We Wish We’d Said, while People have her answering questions people posted on Twitter and Facebook. Amanda Hess, in Slate, wrote about Poehler joining the famous women’s comedy/memoir/advice-book club; Lydia Kiesling wrote in Salon about how Nora Ephron presides over Poehler, Dunham, Fey and Kaling’s books, while Sam Baker in Harpers Bazaar wrote about Fearless Feminist Reads and why they’re important for teenage girls as well as adults.

Someone else who’s been written about as a feminist role model this week is Jane Austen. Jane Austen: Feminist in Action by Sinéad Murphy ran on the Huffington Post blog; Alexander McCall Smith explained why he’s modernised Emma on the Waterstones’ Blog; Sarah Seltzer on Flavorwire wrote about ‘Why We Can’t Stop Reading – and Writing – Jane Austen Sequels‘, while on Something Rhymed, Emma Claire Sweeney wrote ‘In Praise of the Spinster‘ about playwright, Ann Sharpe, Austen’s family’s governess.

Another amazing woman, Joan Didion, is also being celebrated this week. Her nephew is making a documentary about her. You can watch the trailer here. He’s decided to raise funds via Kickstarter which led to Flavorwire publishing Some Other Joan Didion Kickstarter Rewards We’d Like to See and Vogue re-publishing her 1961 essay ‘On Self-Respect‘.

It would be wrong not to mention Hallowe’en this week, particularly as there’s been a group of pieces around that theme. Wired’s podcast, which features Lauren Beukes, is What’s Scarier, Haunted Houses or Haunted People?; Electric Literature have published ‘“Then, a Hellbeast Ate Them”: Notes on Horror Fiction and Expectations‘, looking at Diane Cook and Helen Oyeyemi amongst others; Sarah Perry has written on The Gothic for Aeon, and Kate Mayfield who wrote the memoir ‘The Undertaker’s Daughter’ is on For Books’ Sake talking about How Not to Write a Memoir and in The Guardian talking about ‘Growing Up in the Family Funeral Parlour‘.

Talking of scary, Gone Girl‘s still a hot topic this week. Tana Wojczuk wrote ‘Gone Girl, Bluebeard, and the Meaning of Marriage‘ in Guernica in response to Elif Bautman’s piece ‘Marriage Is an Abduction‘ from last week’s New Yorker. Amanda Ann Klein wrote about the ‘Unbearable Whiteness of Gone Girls‘ for Avidly, and Steph Cha wrote about ‘Laughing at “Gone Girl”‘ in the LA Review of Books.

This week’s other notable essays/articles:

And the interviews:

In translation news, I’ve seen no articles this week about the identity of Elena Ferrante – hurrah! But I have seen that there’s a new imprint called Periscope devoted to translating poetry by women – hurrah!

If you’d like some fiction to read/listen to:

Or some non-fiction:

This week’s lists:

And the best things I’ve read this week: